A virtual press conference from Sound & Video Contractor

Archive of the Large Venue Category

HARMAN’s Martin Professional M6 Lighting Console Brings Joy To Changlong International Circus Festival

ZHUHAI, China – Located in the southern Guangdong province and bordering Macau, Zhuhai is a premier tourist hotspot in China. Recently, it is also the host to the Changlong International Circus Festival, of which the committee selected the HARMAN’s Martin M6 Console to control and calibrate the lighting systems on and around the stage. Local Martin distributor Guangzhou Dan-Pro Stage Equipment Co., Ltd recommended the console from a world-renowned brand not only to match the popularity of the venue, but also to provide a compelling experience to such a joyous event.

The Martin M6 console offers the most advanced visualization of lighting control, accommodating a wide product range from traditional fixtures to moving lights and even the most advanced media servers with ease. The setup for the festival features two M6 consoles of the 64 channel version, as well as eight Ether2DMX8™ DMX routers.

“The M6 console is extremely popular amongst integrators, especially for live applications,” said Yuri Zhang, Vice GM of Guangzhou Dan-Pro Stage Equipment Co., Ltd. “During shows that span multiple days, it is imperative for the lighting systems to be controlled by a console that can consistently keep up with the pace without failure. To this end, the body of the console consists of a lightweight aluminum shell, which also allows for a compact design and fast setup times.”

The show features 10 consecutive days of clown acts, circus and aerial acrobatics, animal performances and magic acts, pushing top groups around the world to exciting levels of brilliance. Since there are no two acts alike, all participants had different requirements for synchronizing the lighting effects with their performance. Powered by an industrial multi-core processor and solid-state drives, the M6 console is well equipped to endure such a long and arduous event.

“The M6 console is one of the most reliable lighting consoles to date,” according to Zhang. “It pushes innovative boundaries in terms of flexibility and modularity, as it works with nearly all forms of lighting equipment. By adding a custom touchscreen display to improve ergonomics and workflow, we boost user confidence, so that they may focus on the show.”

The Circus Festival organizers, Changlong Group’s board members, and technical staff were all satisfied with the performance of the Martin M6 console, and praised it for its design and effectiveness. The operators found the controls to be “ambitiously effective” and thus, the M6 will continue its mission to accommodate regular programs for the Changlong International Circus.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

PSS Sound Delivers Supreme Audio Integration to Multiple Venues with HARMAN’s JBL Loudspeakers, Crown Amplifiers and Soundcraft Digital Consoles

BATON ROUGE, Louisiana – Based in the capital of Louisiana, complete audio systems integrator Premier Production & Sound Services, LLC (PSS) is known for its dedication to providing the best audio designs to a wide variety of venues and events including festivals, concerts, university functions and corporate conferences. A major factor contributing to the company’s success is its use of HARMAN’s JBL, Crown and Soundcraft equipment, generating integrated solutions that are impressive in quality and consistency.

To deliver a full turnkey audio system at the limited 325-seat Manship Theater for the Manship Red Carpet Gala Fundraiser featuring GRAMMY®-winning Rick Springfield, PSS stacked three JBL VTX V25 line array loudspeakers per side from the ground up, on top of three VTX S28 subwoofers in cardioid configuration and a VTX V25-VT vertical transporter per side, with four VERTEC® VT4886 subcompact line array loudspeakers serving as front fills. Also, four VT4886 loudspeakers on top of three VT4883 subcompact subwoofers per side in cardioid configuration served as side fills, supported by two VT4883 subs with four VT4886 for drum fill and 16 SRX712M stage monitors. The entire system was powered by 36 Crown I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, and mixed with a Soundcraft Vi6 digital console.

Knowing the sound needed to reach three different levels of the theater, Brian Gordon, co-owner and head audio engineer of PSS Sound, said, “Due to building constraints, we were unable to suspend the VTX line arrays, but thanks to the versatility of the VTX series, we were able to get coverage for the entire room with such little gear. After calculating for vertical dispersion, the front fills were enough to cover half of the first level, with the three VTX V25 loudspeakers covering the rest of the house. We are pleased that the ground-stacked configuration gave us the vertical coverage and sound quality that the artist demanded.”

In addition, the Our Lady Of the Lake Foundation held its 29th Annual Gala at the Baton Rouge River Center, hosting a show for the regional Our Lady of the Lake hospital, starring the blue-eyed soul staple, Hall and Oates. PSS came through with eight JBL VTX V25 and four VT4886 downfill enclosures and six S28 subwoofers in a cardioid configuration per side, supported by four VERTEC VT4888 midsize line array loudspeakers and four VT4886 downfill per side for out fill and four VT4886 loudspeakers for front fill. The system was again powered by 36 I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, while the Soundcraft Vi6 served as the master control console.

“We wanted to run all the signals through the Vi6 before they hit the PA system, to avoid compromising on sound quality and to have control of the Gala function before the band took the stage,” said Bryant, co-owner and Director of Operations. “The cardioid configuration of the JBL loudspeakers was vital for this particular show, because it eliminated the low-end frequencies that the artist was very sensitive to.”

“The D2 driver is the most amazing thing I’ve ever heard, virtually eliminating half-order distortion, greatly reducing 2nd-5th harmonic distortion, and virtually eliminating modal-breakup to beyond the limits of human hearing in the extreme high-end frequencies,” stated Gordon.

Lastly, the Groovin’ on the Grounds concert at Louisiana State University allowed PSS to showcase its ability to put out a tremendous amount of power through its JBL system, which included 12 VTX V25 loudspeakers per side and nine S28 subwoofers per side, with eight VT4886 loudspeakers as down fills. All units were flown, except for four VT4886 loudspeakers and six SRX728 subwoofers on the ground functioning as front fills.

All 39 Crown I-Tech 12000HD and 15 I-Tech 4x3500HD amplifiers were used to power the system, while the Soundcraft Vi6 console was used for FOH and monitors. For all three shows, JBL HiQnet Performance Manager™ and HARMAN HiQnet Audio Architect™ were used to design and adjust the system configurations.

“With Crown amplifiers we have been very happy with the rock solid stability of the I-Tech HDs. The improved filters and V5 presets have made the combination unstoppable and we have been equally impressed with the newer 4x3500HD amplifiers which allow us to greatly diversify amp racks to do many different configurations,” added Bryant.

“When using the software, we started with the V5 presets and moved forward with further tweaks based on the room and venue. This allowed us to be flexible in our design, even though the concert moved from the originally planned outdoor environment into an arena setting,” said Bryant. “The technological leap that the JBL D2 drivers made for high end clarity allowed us to deliver clear sound at these high powered venues, without distortion or feedback.”

“Thanks to our integrated HARMAN systems, we were able to provide consistent high-quality audio for all three shows,” Bryant concluded. “We have also recently purchased more V25, G28, V20, S25 and F18S loudspeakers to augment and upgrade our existing inventory.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

L-ACOUSTICS Introduces K2 and PANFLEX Technology

New line source with horizontal steering makes official North American debut at InfoComm

LAS VEGAS – InfoComm stand C11908 — Following in the footsteps of the highly successful K1 system for large stadium tours and outdoor festivals, L-ACOUSTICS announces the official North American debut of its new K2 line source array loudspeaker system featuring PANFLEX technology.

The successor to L-ACOUSTICS’ industry-changing V-DOSC system, K2 offers K1 performance in a rescaled package that makes it flexibly well-suited for both permanent installation and touring applications, from theatre to stadium productions. The primary system components include:

- K2 full-range element with PANFLEX horizontal steering, operating from 35 Hz to 20 kHz
- K1-SB low-frequency element reinforcing LF contour down to 30 Hz or LF throw down to 35 Hz
- SB28 low-frequency element extending the operating bandwidth down to 25 Hz
- LA4X / LA8 amplified controllers or LA-RAK touring rack fitted with three LA8

Boasting an unprecedented performance/weight ratio, sophisticated and fast captive rigging system and exceptional sonic performance, the K2 line source benefits from L-ACOUSTICS’ Wavefront Sculpture Technology (WST). Inter-element angles can be set with laser-like accuracy up to a generous 10 degrees allowing the optimization of the vertical coverage with SPL smoothly spread across the audience.

K2 employs L-ACOUSTICS’ new PANFLEX, a unique horizontal steering technology that combines mechanically adjustable fins with DSP algorithms effective from 300 Hz. Four different settings are possible: two symmetric (70 or 110 degrees) and two asymmetric (90 degrees as 35/55 or 55/35). Narrowing or widening the horizontal directivity can serve many purposes: adapt to the width of the listening area, fit long and short distance coverage/SPL requirements, reduce or extend overlapping areas, and avoid reflecting surfaces.

By combining WST and PANFLEX L-ACOUSTICS exclusively addresses the control of directivity in both vertical and horizontal planes. As a result, K2 can match the complex shape of any audience geometry with ideal sonic performance and minimum noise pollution.

Thanks to its three-way quad-amplified design and full range capability, the K2 enclosure can be deployed as a standalone line source. For applications demanding extreme LF impact (contour mode), or maximized LF projection (throw mode), K2 can be arrayed with its dedicated and flyable K1-SB LF extension. The K2 system can also address applications with demanding infrasonic reproduction when combined to the SB28 subwoofer. Before installation, any system configurations can be acoustically and mechanically modeled with L-ACOUSTICS’ SOUNDVISION 3D simulation software.

For touring applications, K2 can be associated to the LA-RAK, a universal distribution platform for power, audio signals and network that facilitates cross rental between rental companies. LA-RAK houses three LA8 amplified controllers and can be flown onto a K2 array. Other applications can feature LA8 amplified controllers. For high-end installation projects, K2 can also be driven by the LA4X amplified controller. The scheme authorizes fully discrete DSP treatment per section and maximum power headroom for the best possible sonic performance.

With its dedicated factory presets, the LA8/LA4X amplified controller constitutes an extremely advanced and precise drive system for the enclosures. All L-ACOUSTICS amplified controllers feature the L-DRIVE thermal and over-excursion protection circuit.

Up to 253 LA8/LA4X amplified controllers can be connected together via the Ethernet-based L-NET protocol. LA NETWORK MANAGER software allows online remote control and monitoring of all the connected units via a user-friendly and intuitive graphic interface and features the Array Morphing EQ. This exclusive tool allows the engineer to quickly adjust the tonal balance of the system to reach a reference curve or to ensure consistency of the sonic signature.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Starlight Theatre’s Sound Shines with L-ACOUSTICS

Kansas City's Starlight Theatre, home to a new L-ACOUSTICS KARA system

KARA system installed at Kansas City’s famed outdoor theatrical venue

KANSAS CITY, Missouri — Seating nearly 8,000 patrons, Starlight Theatre has been a staple of Kansas City’s performing arts community since it first opened in 1950. Hosting a full calendar of Broadway plays and musicals each summer season – not to mention numerous concerts, corporate events, weddings and fundraisers – many classic productions have trod the boards of the large open-air venue over the years, including Jesus Christ Superstar, Oliver!, Hair, Camelot, Sweet Charity and West Side Story.

As to be expected, Starlight, which is operated by the not-for-profit Starlight Theatre Association, has been through a few sound systems in its time, with the last one holding out for the past 14 seasons. But none of them have ever been able to deliver the critical combination of the intelligibility needed for theatrical dialog with the full-range frequency response necessary for music. Until this year, that is. A new L-ACOUSTICS KARA Modular WST line source sound system was installed over the winter and is already taking Starlight’s 2014 season to new heights.

48 KARA and 24 SB18 are flown above the stage

The new L-ACOUSTICS house system, designed by Dallas-based Idibri (formerly Acoustic Dimensions) and installed by Clair Brothers Audio Systems’ Nashville office, consists of a total of 48 KARA line array modules divided into three hangs of 16 each, positioned left, center and right along a steel framework above the proscenium stage. Flanking either side of the center hang and the outside of the left and right arrays are flown arrays of six SB18 subwoofers accompanied by eight ground-stacked SB28 subwoofers split between the left and right sides of the stage floor. Proscenium fills are handled by two ARCS WIDE and two ARCS FOCUS, one each per side, while six tiny 5XT coaxial loudspeakers and three larger 8XT enclosures comprise the front-fill complement. A total of 16 LA8 amplified controllers power the entire system.

“We put a lot of effort into choosing the new sound system,” states Justin White, Starlight Theatre Director of Operations and Theater Plant, noting the winnowing process began with five systems that Idibri Project Manager Ryan Knox suggested Starlight investigate. This field was eventually narrowed down to three finalists, for whom Idibri arranged a demo that let dozens of Starlight staffers, board members, donors and city officials listen to audio systems in the venue itself and do an A-B-C comparison using the same program material.

Three 8XT enclosures deliver the center front-fill

They emphasized the key criteria of intelligibility and music reproduction, as well as other areas of importance, such as the ability of the system components to endure outdoor use throughout what Barb Schulte, Starlight’s Director of Communications and Outreach, euphemized as Kansas City’s “challenging weather environment, especially in summertime.” And, says White, it became clear very shortly who the winner would be. “After as little as ten minutes for some individuals in attendance, it was unanimous: everyone loved the way the L-ACOUSTICS system sounded.”

Kent Andel, Production Manager for the theatre, says he was a fan of the previous system because of the warmth of its sound, but says that the new system exceeds its performance in a number of ways. “The intelligibility we need for diction and dialog are all there,” he says. “At the same time, it works for music. So the L-ACOUSTICS system won hands down.” This is especially impressive when considering that the compact modular KARA system went head-to-head with systems looking much bigger on paper.

The new L-ACOUSTICS line source array system was first used in late May for Starlight’s Blue Star Awards, a Tony Awards-style program to recognize metro area high school musical theatre talent. All of the system’s critical parameters were on the line, and it performed flawlessly. It will get an even more vigorous workout for the season’s first Broadway musical when The Wizard of Oz comes to Starlight in mid-June.

But even between those shows, the L-ACOUSTICS system is showing its versatility; it’s already been divided into three mini arrays – each with two SB18s, six KARA modules and all four ARCS enclosures – and used indoors in the Jeannette and Jerome Cohen Community Stage that’s part of the Starlight Theatre complex for off-season private events, receptions and parties. “In addition to sounding great, it’s also a very flexible system,” White says. “It’s as loud as we needed it to be, super clear, flexible and just a great choice for us.”

About Starlight Theatre
Starlight Theatre, winner of the 2013 Venue Excellence Award from the International Association of Venue Managers (IAVM), is the largest and oldest performing arts organization in Kansas City and the second-largest outdoor producing theatre in the country. Opened as a theater in 1950 and as a not-for-profit organization in 1951, Starlight presents and produces Broadway musicals and concerts. It also offers extensive community outreach and educational programming, including classes, scholarships and Starlight’s Blue Star Awards, one of the largest high school musical theatre award programs in the nation. Located on 16 acres in Swope Park, Starlight’s venue includes rehearsal halls, gift store, club area for dining, concessions, gardens, fountains and a 10-story, climate-controlled stage. For more information, visit www.kcstarlight.com

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

Credit for all images: Bob Compton

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Extron Now Shipping New Scaling Presentation Switcher with Built-In Control Processor

Extron Electronics is pleased to announce the immediate availability of the IN1608 IPCP, new models within the IN1608 product family that feature built-in Extron IP Link Pro control processors for complete and powerful AV system control. The IN1608 IPCP is a highly versatile scaling presentation switcher that delivers the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including an HDCP-compliant, multi-format video switcher, an advanced scaling engine, integrated DTP transmitter and receivers for signal extension up to 330 feet (100 meters), a high performance mono or stereo amplifier, comprehensive audio processing, and an advanced control processor that is uniquely expandable. The IN1608 IPCP is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership.

“The IN1608 has been extremely popular with our customers and we are very excited to be shipping the IN1608 IPCP for delivering total system integration,” says Casey Hall, Vice President of Sales and Marketing for Extron. “This scaling presentation switcher is now available with a built-in IP Link Pro control processor that delivers powerful capabilities for complete, customizable control of an entire AV system.”

The IN1608 IPCP features a built-in IP Link Pro control processor, with the same advanced features, processing power, and breakthrough technologies found in the standalone Extron IPCP Pro control processors. The IN1608 IPCP delivers high-speed processing and abundant control port capacity for complete, customizable control of an entire AV system, including all source devices and displays, plus room functions. Simply connect an Extron TouchLink Pro touchpanel to the built-in Gigabit Ethernet switch to create a complete AV control system.

As with all Extron control systems, the IN1608 IPCP is very intuitive and easy to configure with Global Configurator software. The latest version of Global Configurator includes powerful, advanced features such as conditional logic, local variables, and macros. Global Configurator Professional adds unprecedented scalability with Controller Groups, a unique feature that allows an IN1608 IPCP to be combined with additional IP Link Pro processors to create a large-scale control system. This is ideal for controlling multiple systems, rooms, or even remote locations around the world. IN1608 IPCP systems throughout a facility, building, campus, or offices worldwide can be monitored and managed using Extron GlobalViewer Enterprise server-based software.

With the purchase of an Extron LinkLicense with the IN1608 IPCP, a tablet or laptop can serve as the primary control interface for the AV system. A unique benefit of LinkLicense is the ability to use Extron GUI Designer software to design interfaces for specific user roles in an organization. LinkLicense works seamlessly with Extron’s TouchLink for iPad app, and allows an interface to be duplicated to many additional devices. It simplifies deployment of AV system control for BYOD with a single license purchase per system and no per-user fees, and allows a standardized BYOD strategy for AV control across an organization.

To watch a product introduction video, please visit: www.extron.com/in1608ipcpnsvideo

For more information on the IN1608 IPCP, please visit: www.extron.com/in1608ipcpnspr

Robben Ford Sounds Spectacular In Asia Thanks To DPA

American blues, jazz and rock guitarist Robben Ford delivered an outstanding live performance when he and his band played Shatin Town Hall Auditorium in Hong Kong recently.

The sound quality was enhanced by the use of DPA microphones, a selection of which played a key role in ensuring the success of the event.

“As a concert promoter for over ten years, I have to say that Robben’s concert was our BEST in terms of sound and audio quality,” says Mr. Clarence Chang, from Jazz World Live Series that organized the concert. “This is all thanks to the great engineer Richard Wheeler and DPA Microphones.”

Named as one of the 100 Greatest Guitarists of the 20th Century by Musician Magazine, Robben Ford was a member of the LA Express and has collaborated with some of the greatest musicians of all time including Joni Mitchell, Miles Davis and George Harrison.

For his Hong Kong performance, Ford used a DPA d:facto™ Vocal Microphone, while his guitar amps and the bass amp were picked up by DPA d:dicate™ 2011C Twin Diaphragm Compact Cardioid Recording Microphones.

Sound engineer Richard Wheeler used a d:dicate 2011C microphone for the kick drum, positioning it half way into the hole where it delivered a clean, punchy and powerful sound. The top of the snare was also miked using a d:dicate 2011C, which was twinned with a DPA d:vote™ 4099 Instrument Microphone positioned on the bottom of the snare. All of the other drums were picked up individually using d:vote™ 4099 Instrument Microphones in close proximity, while a perfect stereo image for the live mix was captured using a pair of DPA d:dicate 4011A stereo matched overhead recording microphones.

Robben Ford’s set also featured a Hammond B3 organ with a Leslie speaker. Two d:vote 4099 Instrument Microphones were used to pick up the top spinning horn rotor in stereo, while the bass rotor was captured using another d:dicate 2011C microphone.

Commenting on the sound quality after the show, Wheeler says: “I was amazed by it, especially the sound from the d:facto Vocal Microphone. It sounded just like Robben himself.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Point Source Audio to Launch World’s First Modular Intercom Headset Built for Pro Audio Applications

Petaluma, Calif. — Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, will introduce its CM-i3 intercom headset—offering a revolutionary combination of in-ear performance, lightweight comfort and earphone modularity—at InfoComm 2014 (booth #C10913). This robust feature set make these headsets ideal for concert venues, front of house operations, multimedia production, personal entertainment and other professional trades relying on convenient two-way communications.

The CM-i3 intercom headset uniquely offers lightweight comfort and the binaural sound isolation required in a wide variety of specialized fields as well as personal communications. Whereas traditional head clamp style headsets can provide excellent sound isolation, their bulkiness and weight is not optimal for sustained wearing. At just 1.8 ounces, Point Source Audio’s latest product is the first to solve this challenge with a patent-pending solution that reduces the weight by as much as 90% compared to traditional headsets, and possesses incredible ease in switching from left, right, or left and right listening modes to create the desired audio mix.

Providing the ultimate in modularity for audio professionals and enthusiasts alike, the CM-i3 headset is designed using Point Source Audio’s superlative EM-3 in-earphones, but users will have the capability of switching out the supplied earphones with in-earphones of their own choice, if desired. The swappable in-earphones feature offers the ability to create a custom product that satisfies users’ personal preferences for audio quality and greatly improves the product’s serviceability and life.

The CM-i3 headset’s binaural capability provides a more dynamic range of use than traditional monaural headsets which are unable to filter environmental audio or interchange between left and right channels. Rather than requiring the user to remove the entire headset to check environmental sounds or interact with others, the user can simply remove one or both earphones to exit the listening mode or monitor a combination of feed audio and surrounding acoustics. This benefit makes it an ideal solution for control rooms, camera operators, stage and screen technicians and a variety of high-noise environments that require selective noise reduction or cancellation and increased audio intelligibility.

“Our new CM-i3 is a declaration to the audio industry that you don’t have to choose between size and comfort versus performance when selecting an intercom headset,” said James Lamb, President for Point Source Audio. “We aim to solve the nagging challenge currently in the intercom headset category. To that end, the CM-i3 leverages our company’s expertise in miniaturization to provide long-wearing comfort, dynamic operability and earphone customization—a first-to-market twist.”

Point Source Audio’s CM-i3 intercom headset will be demonstrated to attendees of InfoComm 2014 (booth #C10913) in Las Vegas and is expected to be available for purchase at a number of resellers and distributors worldwide beginning in Q4 2014. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

Extron Now Shipping HDCP-Compliant Annotator with DTP Extension

Extron Electronics is pleased to announce the immediate availability of the Annotator 300, a high performance, hardware-based annotation processor that allows a presenter to draw, point, or type over live presentations using a touch display, graphics tablet, or a keyboard and mouse. The HDCP-compliant Annotator 300 includes HDMI and DisplayPort inputs, a universal analog video input, and three simultaneous outputs including two HDMI and a DTP twisted pair output. It also features advanced Extron video signal processing with a high performance scaling engine and fast, reliable switching. The DTP twisted pair output extends HDMI and bidirectional control signals to a DTP receiver over a single shielded CATx cable up to 330 feet (100 meters). The Annotator 300 offers a wide range of annotation tools and controls, all easily accessible by the presenter using an intuitive on-screen GUI. more

Extron Introduces New Compact Four Input Scaler

Extron Electronics is pleased to announce the Extron IN1604 HD, an HDCP-compliant four input scaler that features three HDMI inputs, a universal analog video input, and an HDMI output. It is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices. The IN1604 HD provides the convenience of fast and reliable switching, along with a high performance scaling engine for HDMI and analog video sources. Also included are a host of audio processing features and many versatile options for control. The IN1604 HD joins the recently announced IN1604 DTP, which features an Extron DTP twisted pair output. more

Nomad Sound Adds New NEXO STM, Yamaha CLs to Arsenal

BUENA PARK, Calif.—Nomad Sound of Austin, Texas recently purchased a new NEXO STM line array and Yamaha CL1, 3, 5 digital audio consoles to complement their rental arsenal. Since 2005, Nomad Sound has been supplying regional music festivals and several touring clients with world-class equipment along with very experienced technicians. The sound company recently had the opportunity to support a Willie Nelson show followed by Psychfest, both in Austin, multiple festivals, and South by Southwest, putting the STM to successful, but rigorous tests.

Regarding the purchase of the STM, Damon Lange, principal owner of Nomad said “we had realized a 4-way system was the right move to make, having grown our NEXO GEO S12 rig up to 48 boxes, we were looking at our options. When I heard there was an STM demo scheduled at the Alamo Dome in San Antonio, I went down with Joel Hume, one of our lead engineers, and we spent two days listening and examining the rig. Once I heard the system and the clarity at 350+ feet as well as examined the rigging and listened to a small ground stacked rig, it was simply a matter of figuring out what configuration to start with.” Lange decided on a 48-box rig with 18 M46′s, 18 B112′s, and 12 S118′s, powered by four NUAR amp racks.

Nomad also added three Yamaha CL digital consoles to its inventory as well. “We started with a CL3 and a single Rio 32 input/output box and then added a CL5 and CL1. We have four Rio’s at this point, and the consoles are cased using Rock Hard captive leveling rigs. They’ve made a really slick console case that a single person can “table” the desk with one hand! We’ve had no issues with rider acceptability of the CL consoles, and anyone familiar with M7CL or PM5D can pretty much jump right in on the CL. The Premium Rack plug-ins are really amazing, and while we all have our favorites, mine is the Dynamic EQ, which feels pretty familiar if you’ve ever used the BSS901 to solve problems.”

For Willie Nelson’s show and Psychfest, the rig consisted of a 9 pair-per-side STM boxes over 12 STM subs on the main stage of both shows and 6 per-side S1210 rigs on the additional B and C Stages for the festival. These shows were followed up with two back-to-back gigs where the STM was ground-stacked three high over four subs for a festival at the historic Pearl Brewery in San Antonio as part of the Echale Concert Series, where Nomad also supplied a Yamaha CL5 at FOH and CL1 for monitors. The next day, Nomad used the STM as part of a three-stage festival in Austin for Fiesta Gardens with three NEXO rigs: STM ground stack on main stage and GEO S12 rigs on B and C stages. Again, the sound company brought in Yamaha CL consoles for FOH and monitors on B and C stages. For South By Southwest, Nomad added a NEXO S118 sub package.

“Nothing but positive feedback all around, Lange says. Everyone was really pleased as to how easy it was to get their mix right where they wanted it. One engineer mentioned how refreshing it was not to have to worry about the system at all. This was our game plan from the get-go; to provide a system where guest engineers can show up, mix, and leave happy without ever having to worry about system tuning/ tweaks. The festival scenarios with flown and ground-stacked systems, plus GEO S12 rigs complimenting as fills and side-stage rigs, really showcase how versatile and flexible the new NEXO STM rig is.”

For more information on Nomad Sound, visit www.nomadsound.net.

For more information on the new NEXO STM and NEXO and Yamaha digital audio consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

July 2014
M T W T F S S
« Jun    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication