A virtual press conference from Sound & Video Contractor

Archive of the Large Venue Category

STEWART FILMSCREEN ROCKIN’ TO RAISE FUNDS FOR NSCA EDUCATION FOUNDATION BY SPONSORING CHARITY PERFORMANCE BY THE DRUNK UNKLES ON OPENING DAY OF INFOCOMM14

Charity concert slated for Wednesday, June 18, at Hard Rock Hotel Club Vanity

TORRANCE, CA and LAS VEGAS, NV – INFOCOMM BOOTH #C6821 – June 16, 2014 – Stewart Filmscreen Corp., the leading international manufacturer of projection screens and specialty optical coatings for commercial and residential applications, is pleased to announce the Company is sponsoring a charity performance by the Drunk Unkles, Wednesday, June 18 at the Hard Rock Hotel in Las Vegas.

Dubbed Insanity at Vanity, the party and networking event is included in the lineup for InfoComm14 and is a fundraiser for the NSCA Education Foundation. This annual party draws thousands of A/V industry professionals, including dealers, distributors, manufacturers, integrators, members of the media, and InfoComm exhibitors.

In addition to Stewart Filmscreen, the show’s sponsors include AMX, AV Services, Barco, Biamp, Chief, Christie, FSR, IVCi, Liberty AV Solutions, NEC, Prysm, rp Visual Solutions, Sennheiser, Sharp, SurgeX, Synnex, West Penn Wire, and Whitlock.

The NSCA Education Foundation provides scholarships and training opportunities for both new professionals to the industry as well as veterans looking to expand their business. During the past nine years, the Drunk Unkles and show sponsors have helped to raise more than $500K for the foundation.

Attendees are invited to pick up a ticket to see the exclusive Drunk Unkles show at the Stewart Filmscreen booth #C6821 during InfoComm14. Tickets are also available at other sponsors’ booths as well – see complete listing below.

Those interested in experiencing, delivering, and learning more about the best 4K displays at InfoComm 2014 are encouraged to connect with Stewart Filmscreen in booth #C6821. More information can also be obtained by visiting www.stewartfilmscreen.com, e-mailing request@stewartfilmscreen.com, calling (800) 762-4999, or following @StewartFilm.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace.Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact: Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com |@katyemcgregor

NSCA Education Foundation media contact: Jodi Jacobs, Marketing Coordinator | NSCA Education Foundation | (631) 609-7183direct | 800-446-6722 (office)

www.drunkunkles.com

www.nscafoundation.org

InfoComm Booth Numbers for Drunk Unkles Insanity at Vanity show sponsors:

AMX #C4908

Audio Incorporated No booth

A-V Services Inc. No booth

BARCO Projection Systems Inc. #C6308

Biamp Systems #C9736

Chief #C6830

Christie Digital Systems #N505 & N719

FSR Inc. #C8721

IVCi LLC No booth

Liberty AV Solutions #C8536

NEC Display Solutions #C7708

Prysm Inc. #N1115

rp Visual Solutions #N619

Sennheiser Electronic Corp #C10908

Sharp Electronics #C7418

Stewart Filmscreen #C6821

SurgeX #C8725

Synnex Corporation #C5425

West Penn Wire #C5434

Whitlock No booth

 

###ENDS

DANLEY SOUND LABS AT INFOCOMM 2014: COME HEAR THE DIFFERENCE!

LAS VEGAS, NEVADA – JUNE 2014: Danley Sound Labs, manufacturer of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints of conventional designs, will have its newest cutting-edge products on display (Booth C11711) and powered up (Demo Room N108) at InfoComm 2014, Las Vegas, Nevada from June 14 to June 20. Included will be:

• Danley’s SBH (Skinny Big Horn) Series of ultra-compact, column-shaped loudspeakers, which has been expanded to include several dispersal patterns and frequency ranges.
• Danley’s OS Series of fully-weatherized outdoor loudspeakers, which has been expanded to include a new wider beamwidth model and a new subwoofer model.
• Danley’s BC218 subwoofer, which marks an “all-time low” for the company (25Hz!).
• A LARES electronic sound enhancement system composed of Danley Nano loudspeakers, with special demonstrations by company president Mike Hedden on the trumpet.
• A range of Danley’s speakers from the mighty Jericho horns to the Compact Mini’s. Danley encourages all lovers of big sound – curious, converts, and skeptics alike – to come enjoy the Danley difference!

Unlike conventional designs, Danley’s SBH column loudspeakers are acoustically coupled to create a single large horn with an effective path length of over 25 feet. As a result, listeners enjoy an uncompromised frequency response at any listening position, and the output is free of troublesome lobes. Danley will have the SBH-10 (10-deg vertical), SBH-20 (20-deg vertical), and SBH-20LF (integrated subwoofer section for 40Hz performance) on hand. Hear for yourself.

Although most Danley products can be optionally weatherized, Danley’s OS Series is designed to endure unrelenting inclement conditions without compromising fidelity and performance – right out of the box. In addition to the original OS-80, Danley has added the OS-100, which has a 100-deg conical pattern and a smaller footprint than the OS-80, along with the OS-115LF, which delivers Danley’s famous low-frequency output. Show up and spill your drink on one.

In addition, Danley will demo its BC-218 subwoofer, which uses Tom Danley’s pioneering “Boundary Coherent” technology to deliver smooth, undistorted low end down to 25Hz (those in the EDM world take special note!).

And finally, lucky attendees will get to enjoy Mike Hedden’s sonorous trumpeting as amplified and spatialized through a LARES system composed of Danley’s diminutive (in stature, not in sound) Nano loudspeakers. Like most of what goes on at Danley Sound Labs, it has to be heard to be believed!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

MAKE SURE YOU STOP BY AND SEE (AND HEAR) US AT INFOCOMM 2014 BOOTH #C11711 AND DEMO ROOM #N108 (DEMOS EVERY EVEN HOUR DURING SHOW)

Christie Delivers Visual Display Technologies at InfoComm

Christie® is showcasing the widest range of visual display solutions at InfoComm 2014 at the Las Vegas Convention Center June 1820. A trusted market leader celebrating 85 years of experience and an InfoComm Gold Sponsor, Christie is introducing new laser phosphor 1-chip DLP® projectors, new LED tiles and LCD panels, the new Roadie 4K25 and 4K35, and a new Christie LX1750 3LCD projector for fixed installations, rental and staging, education, business, government and industry, sports and entertainment, houses of worship, meetings and events, and hospitality.

Christie products featured at InfoComm 2014

“Christie is a total solutions provider and it’s all about providing customers with the ultimate peace of mind; knowing that calling Christie means ‘problem solved!’” said Kathryn Cress, vice president, global and corporate marketing, Christie. “Christie solutions offer exceptional performance and reliability. They help customers create the world’s best shared experiences, visually and audibly, using the broadest range of collaborative tools available today.”

At InfoComm, Christie’s all-inclusive solutions will be highlighted in seven distinct zones.

Zone 1
Large, curved Christie® Velvet™ LED display with content managed by the Christie Spyder X20.

Zone 2
Christie 4K zone features blending of two Christie 4K25 3-chip DLP® projectors and two stacked Christie Roadie 4K35 3-chip DLP® projectors with content managed by a Christie Spyder X20.

Zone 3
Christie Brio Family of collaboration tools, introducing the new Christie Brio Team. Zone 3 also showcases the new Christie 84-inch Quad HD, Christie FHD651-T touch panels and the Christie Q Series, which will be using the new Christie One Mount.

Zone 4
Control Room display with stacked Christie Entero HB 70-inch HD front access display cubes, Christie Phoenix™, Christie JumpStart and Christie FHD552-X 55-inch ultra-narrow bezel LCD flat panels.

Zone 5
Christie Spyder image processing display solutions and a selection of Christie M Series 3-chip DLP® projectors, the Christie LWU501i and Christie Q Series.

Zone 6
The Projection Mapping zone includes the recently released Book of Transformations showcasing examples from all over the world. The display will be using Christie HD14K-M 3-chip DLP® projectors. The Christie Interactive Design Studio – 3D, interactive projection mapping display will feature Christie G Series projectors and Christie® MicroTiles®.

Zone 7
Interactive/Bulb-Free displays with the new laser-phosphor GS Series, Christie One Mount, Christie MicroTiles using Christie Interactivity Kit, and touch LCD panels.

Zones will include the following new solutions:

Christie GS Series Laser Phosphor Projectors
Christie is expanding its G Series projection family to include solid state illumination in WXGA (DWX555-GS), HD (DHD555-GS) and WUXGA (DWU555-GS) resolutions. Using 1-chip DLP® and a laser phosphor illumination system, the Christie GS Series provides an astonishing 20,000 hours of lamp-less operation and recommended for fixed installations where high resolution applications are required, such as boardrooms, higher education, houses of worship, and smaller entertainment venues.

Christie Velvet
Christie expands its line of tiled displays with the introduction of Christie Velvet high resolution indoor LED tiles that provide high image quality and are seamless to integrate. The new, smart design LED tiles are available in various sizes and can be built-to-order in 1.875 mm, 2.5 mm, 3 mm and 4 mm pixel pitches. With wide-viewing angles and exceptional image clarity, the tiles are suitable for indoor video wall applications, such as retail, hospitality, corporate lobbies and control rooms. Built for 24/7/365 use and backed by industry-leading warranty and trusted pre/post sales service, the high performance LED tiles can be used with Christie’s image processing and content management software.

Christie FHQ841-T 84-inch UHD LCD Panel

The new 84-inch “plug and play” Christie FHQ841-T multi-touch UHD LCD panel features 3820 x 2160 resolution, anti-glare glass and 10 simultaneous touch points. For customers and integrators who want a single source provider to meet all of its products and service needs, Christie offers a wide selection of displays that can be bundled with options such as Christie Brio integrated collaboration system, enhanced service plans and on-site support.

Christie FHD552-X 55-inch LCD Panel
Christie’s 55-inch ultra-narrow bezel LCD panel features a reduction in tiled space by 35 percent to just 3.5 mm between screens for a minimal loss of content. The Christie FHD552-X tiled display wall has full high-definition resolution, high pixel density and a LED-backlit screen. Images look sharp at any distance, with controlled brightness suitable for a variety of indoor environments. The Christie FHD552-X is compatible with Christie JumpStart and Christie Interactivity Kit for a fully interactive digital experience.

Christie Roadie 4K25 and 4K35 Ruggedized Projectors
The Christie Roadie 4K25 and Christie Roadie 4K35 3-chip DLP® projectors are built to withstand the rigors of the road delivering 25,000 and 35,000 lumens respectively. Both are ideal for rental/staging applications and offer 4K 60Hz projection that features industry-leading Christie TruLife™ electronics with 3G-SDI and Display Port as standard inputs and optional HDMI and DVI input modules.

Christie LX1750 3LCD Projector
Following on the heels of the highly successful Christie LX1500 comes the next generation Christie LX1750, offering a powerful 16,000 lumens (17500 center lumens), 4D color technology for superior color reproduction, and professional design. The LX1750 is ideal for houses of worship, large conference rooms, higher education, medium-sized auditoriums, and staging applications. The Christie LX1750 also features a suite of eleven optional, high performance lenses to support virtually any installation or venue, along with a fully motorized lensing system that offers easy setup and configuration.

Christie Brio Team
Christie Brio Team, the newest model in the Christie Brio family of presentation and collaboration systems, is a plug and play unit that makes it easy for individuals to wirelessly stream content onto displays from devices such as PCs, tablets, smartphones. Users can share content, edit in real time, save their work and capture action items for quicker follow-up while in study areas, small meeting rooms and huddle spaces. Brio Team, with its integrated Wi-Fi, AirPlay and WiDi receiver, requires no additional software apps, external dongles or local area network.

Christie Partners With Euromet Deliver Quality Ceiling Mount
Christie is partnering with Euromet to deliver a professional quality ceiling mount capable of supporting more than 20 Christie projectors. Christie One Mount is a modified version of the popular Euromet Arakno mount, but also includes a quick release pin to allow for easy projector serviceability. The Christie One Mount features a white and stainless steel color combination with a white ceiling mounting plate.

Christie Presence throughout InfoComm

Christie will be partnering with vendors throughout InfoComm including Crestron, in meeting room N250, which will be using a Christie D4K2560; Da-Lite, in booth C5408, with a Christie D4K2560, Christie HD10K-M and six Christie HD20K-J 3-chip DLP projectors; Stewart Filmscreen, in booth C6821, using the Christie Mirage 4K25 projector; coolux, in booth N405, with the Christie HD20K-J and Christie WU20K-J projectors; Alcorn McBride in booth N427, using Christie FHD551-X flat panels in landscape mode; the InfoComm Show Management, which is using several Christie projectors including the Christie S+22K-J, the Christie HD20K-J, the Christie HD14K-M in portrait mode, and the Christie Spyder video processor; rp Visual Solutions, booth N619, using 48 Christie® MicroTiles® Christie Interactivity Kit , and both the Christie Roadster HD20K-J and Christie HD14K-M 3-chip DLP® projectors; and InfiTec, booth N662, using Christie WU14K-M projectors.

NSCA Education Foundation Sponsorship

Christie is sponsoring the NSCA Education Foundation’s Drunk Unkles event, dubbed Insanity at Vanity, to be held at Hard Rock Hotel’s Club Vanity in Las Vegas, June 18. The annual event draws thousands of participants from the A/V industry, and media, to help raise money for the NSCA Education Foundation. For more information, visit www.drunkunkles.com.

Extron Introduces Two Certification Programs for Pro Series Control Systems

Extron Electronics is pleased to introduce ECS – Extron Control Specialist and ECP – Extron Control Professional. ECS is designed to prepare individuals to successfully deploy and maintain customized AV control systems that are built using Extron Pro Series control products and Extron Global Configurator Plus software. ECP is geared toward advanced users or those with a programming background who wish to take full advantage of the features within Global Configurator Professional software. Both certifications feature instructor-led, hands-on training and will prepare individuals to manage customized Pro Series configurable control systems. more

Martin Audio MLA Goes The Distance At BottleRock 2014

Napa, CA––Under new management, BottleRock 2014 provided three days of exceptional music, food and drink without any of the problems that affected last year’s trial launch.

As Jason Alt of Delicate Productions, provider of audio, video and lighting for the event points out, “This year’s festival was smoother, more organized and better run. Participating vendors and artists were taken care of in advance and everyone had a very positive festival experience.”

The eclectic lineup for the festival included The Cure, Outkast, Weezer, TV On The Radio, Heart, Third Eye Blind, Blues Traveler, Spin Doctors, Gin Blossoms and dozens more bands, solo artists and comedians that spanned a range of styles and musical generations.

Once again, Delicate provided Martin Audio MLA and MLA Compact loudspeaker systems for the two main sponsored stages, Toshiba and Sprint, to ensure proper coverage within the festival grounds and output control to prevent noise overspill in surrounding residential neighborhoods.

“The city of Napa didn’t have a noise ordinance until after last year’s event and we teamed with the city to establish one that would work for the festival and the city,” Jason explains. “We came up with 105dB C-weighted at front of house, 110 feet from the stage, measured over an hour period average. This gave us enough latitude for bands to get louder for ten minutes at a time, which allowed for dynamics within that average without adversely affecting any artist’s performance.

“None of the artists or engineers had any issues with the noise ordinance. Even with the newly imposed time restrictions of stopping by 10pm, the festival went really well. And we had no noise complaints from those living near the festival site either.”

Part of this year’s new PA guidelines included removing the delay towers from the main stage to eliminate excess noise, which had no negative impact on coverage according to Alt. “It made the throw for MLA about 600 feet and the system still performed really well. The audience listening experience didn’t suffer at all. People were able to hear it and everything sounded really consistent and clear.”

The Toshiba main stage system consisted of two speaker clusters a side, each consisting of 16 Martin Audio MLA and two MLD (downfill) enclosures; 24 ground-stacked MLX subs; 12 W8LM speakers for front fills; two clusters for side fills, each containing 4 W8C, 4 W8CS compact subs, and 2 WS218X subs; and 6 MLA Compact each as side hangs.

An Avid Profile 96/24 console was used for FOH, and Yamaha PM5D-RH, DSP5D and Avid Venue 48/24 consoles were used for Monitors. Six Shure UHF-R wireless systems with SM58 capsules were also part of the main stage setup.

For the second (Sprint) stage, Delicate combined 18 Martin Audio MLA Compact enclosures per side with 12 DSX ground-stacked subs; 2 side fill clusters containing 2 W8Cs, 2 W8CS compact subs and a WS218X sub; 4 W8LCs for front fills and Martin Audio LE1200S and LE2100S stage monitors to complete the package.

Asked about MLA, Outkast FOH engineer Darcy Khan replied, “I enjoyed the system a lot. The most important thing was the clarity at 200 feet. I was skeptical about that because a lot of line arrays claim to have it but don’t deliver. And this is the only system I’ve come across that can produce enough low end with just 24 subs, but the way Delicate set it up with that block across the front of the stage, it was there. I was very pleased with it, the system really delivered the goods.”

Concluding, Jason added, “Overall the MLA’s performance exceeded our expectations. Everybody was very impressed with what the system was able to do and all of the engineers, many of whom were new to the system, had a great mixing experience with it.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

HARMAN’s Martin Professional M6 Lighting Console Brings Joy To Changlong International Circus Festival

ZHUHAI, China – Located in the southern Guangdong province and bordering Macau, Zhuhai is a premier tourist hotspot in China. Recently, it is also the host to the Changlong International Circus Festival, of which the committee selected the HARMAN’s Martin M6 Console to control and calibrate the lighting systems on and around the stage. Local Martin distributor Guangzhou Dan-Pro Stage Equipment Co., Ltd recommended the console from a world-renowned brand not only to match the popularity of the venue, but also to provide a compelling experience to such a joyous event.

The Martin M6 console offers the most advanced visualization of lighting control, accommodating a wide product range from traditional fixtures to moving lights and even the most advanced media servers with ease. The setup for the festival features two M6 consoles of the 64 channel version, as well as eight Ether2DMX8™ DMX routers.

“The M6 console is extremely popular amongst integrators, especially for live applications,” said Yuri Zhang, Vice GM of Guangzhou Dan-Pro Stage Equipment Co., Ltd. “During shows that span multiple days, it is imperative for the lighting systems to be controlled by a console that can consistently keep up with the pace without failure. To this end, the body of the console consists of a lightweight aluminum shell, which also allows for a compact design and fast setup times.”

The show features 10 consecutive days of clown acts, circus and aerial acrobatics, animal performances and magic acts, pushing top groups around the world to exciting levels of brilliance. Since there are no two acts alike, all participants had different requirements for synchronizing the lighting effects with their performance. Powered by an industrial multi-core processor and solid-state drives, the M6 console is well equipped to endure such a long and arduous event.

“The M6 console is one of the most reliable lighting consoles to date,” according to Zhang. “It pushes innovative boundaries in terms of flexibility and modularity, as it works with nearly all forms of lighting equipment. By adding a custom touchscreen display to improve ergonomics and workflow, we boost user confidence, so that they may focus on the show.”

The Circus Festival organizers, Changlong Group’s board members, and technical staff were all satisfied with the performance of the Martin M6 console, and praised it for its design and effectiveness. The operators found the controls to be “ambitiously effective” and thus, the M6 will continue its mission to accommodate regular programs for the Changlong International Circus.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

PSS Sound Delivers Supreme Audio Integration to Multiple Venues with HARMAN’s JBL Loudspeakers, Crown Amplifiers and Soundcraft Digital Consoles

BATON ROUGE, Louisiana – Based in the capital of Louisiana, complete audio systems integrator Premier Production & Sound Services, LLC (PSS) is known for its dedication to providing the best audio designs to a wide variety of venues and events including festivals, concerts, university functions and corporate conferences. A major factor contributing to the company’s success is its use of HARMAN’s JBL, Crown and Soundcraft equipment, generating integrated solutions that are impressive in quality and consistency.

To deliver a full turnkey audio system at the limited 325-seat Manship Theater for the Manship Red Carpet Gala Fundraiser featuring GRAMMY®-winning Rick Springfield, PSS stacked three JBL VTX V25 line array loudspeakers per side from the ground up, on top of three VTX S28 subwoofers in cardioid configuration and a VTX V25-VT vertical transporter per side, with four VERTEC® VT4886 subcompact line array loudspeakers serving as front fills. Also, four VT4886 loudspeakers on top of three VT4883 subcompact subwoofers per side in cardioid configuration served as side fills, supported by two VT4883 subs with four VT4886 for drum fill and 16 SRX712M stage monitors. The entire system was powered by 36 Crown I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, and mixed with a Soundcraft Vi6 digital console.

Knowing the sound needed to reach three different levels of the theater, Brian Gordon, co-owner and head audio engineer of PSS Sound, said, “Due to building constraints, we were unable to suspend the VTX line arrays, but thanks to the versatility of the VTX series, we were able to get coverage for the entire room with such little gear. After calculating for vertical dispersion, the front fills were enough to cover half of the first level, with the three VTX V25 loudspeakers covering the rest of the house. We are pleased that the ground-stacked configuration gave us the vertical coverage and sound quality that the artist demanded.”

In addition, the Our Lady Of the Lake Foundation held its 29th Annual Gala at the Baton Rouge River Center, hosting a show for the regional Our Lady of the Lake hospital, starring the blue-eyed soul staple, Hall and Oates. PSS came through with eight JBL VTX V25 and four VT4886 downfill enclosures and six S28 subwoofers in a cardioid configuration per side, supported by four VERTEC VT4888 midsize line array loudspeakers and four VT4886 downfill per side for out fill and four VT4886 loudspeakers for front fill. The system was again powered by 36 I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, while the Soundcraft Vi6 served as the master control console.

“We wanted to run all the signals through the Vi6 before they hit the PA system, to avoid compromising on sound quality and to have control of the Gala function before the band took the stage,” said Bryant, co-owner and Director of Operations. “The cardioid configuration of the JBL loudspeakers was vital for this particular show, because it eliminated the low-end frequencies that the artist was very sensitive to.”

“The D2 driver is the most amazing thing I’ve ever heard, virtually eliminating half-order distortion, greatly reducing 2nd-5th harmonic distortion, and virtually eliminating modal-breakup to beyond the limits of human hearing in the extreme high-end frequencies,” stated Gordon.

Lastly, the Groovin’ on the Grounds concert at Louisiana State University allowed PSS to showcase its ability to put out a tremendous amount of power through its JBL system, which included 12 VTX V25 loudspeakers per side and nine S28 subwoofers per side, with eight VT4886 loudspeakers as down fills. All units were flown, except for four VT4886 loudspeakers and six SRX728 subwoofers on the ground functioning as front fills.

All 39 Crown I-Tech 12000HD and 15 I-Tech 4x3500HD amplifiers were used to power the system, while the Soundcraft Vi6 console was used for FOH and monitors. For all three shows, JBL HiQnet Performance Manager™ and HARMAN HiQnet Audio Architect™ were used to design and adjust the system configurations.

“With Crown amplifiers we have been very happy with the rock solid stability of the I-Tech HDs. The improved filters and V5 presets have made the combination unstoppable and we have been equally impressed with the newer 4x3500HD amplifiers which allow us to greatly diversify amp racks to do many different configurations,” added Bryant.

“When using the software, we started with the V5 presets and moved forward with further tweaks based on the room and venue. This allowed us to be flexible in our design, even though the concert moved from the originally planned outdoor environment into an arena setting,” said Bryant. “The technological leap that the JBL D2 drivers made for high end clarity allowed us to deliver clear sound at these high powered venues, without distortion or feedback.”

“Thanks to our integrated HARMAN systems, we were able to provide consistent high-quality audio for all three shows,” Bryant concluded. “We have also recently purchased more V25, G28, V20, S25 and F18S loudspeakers to augment and upgrade our existing inventory.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

L-ACOUSTICS Introduces K2 and PANFLEX Technology

New line source with horizontal steering makes official North American debut at InfoComm

LAS VEGAS – InfoComm stand C11908 — Following in the footsteps of the highly successful K1 system for large stadium tours and outdoor festivals, L-ACOUSTICS announces the official North American debut of its new K2 line source array loudspeaker system featuring PANFLEX technology.

The successor to L-ACOUSTICS’ industry-changing V-DOSC system, K2 offers K1 performance in a rescaled package that makes it flexibly well-suited for both permanent installation and touring applications, from theatre to stadium productions. The primary system components include:

- K2 full-range element with PANFLEX horizontal steering, operating from 35 Hz to 20 kHz
- K1-SB low-frequency element reinforcing LF contour down to 30 Hz or LF throw down to 35 Hz
- SB28 low-frequency element extending the operating bandwidth down to 25 Hz
- LA4X / LA8 amplified controllers or LA-RAK touring rack fitted with three LA8

Boasting an unprecedented performance/weight ratio, sophisticated and fast captive rigging system and exceptional sonic performance, the K2 line source benefits from L-ACOUSTICS’ Wavefront Sculpture Technology (WST). Inter-element angles can be set with laser-like accuracy up to a generous 10 degrees allowing the optimization of the vertical coverage with SPL smoothly spread across the audience.

K2 employs L-ACOUSTICS’ new PANFLEX, a unique horizontal steering technology that combines mechanically adjustable fins with DSP algorithms effective from 300 Hz. Four different settings are possible: two symmetric (70 or 110 degrees) and two asymmetric (90 degrees as 35/55 or 55/35). Narrowing or widening the horizontal directivity can serve many purposes: adapt to the width of the listening area, fit long and short distance coverage/SPL requirements, reduce or extend overlapping areas, and avoid reflecting surfaces.

By combining WST and PANFLEX L-ACOUSTICS exclusively addresses the control of directivity in both vertical and horizontal planes. As a result, K2 can match the complex shape of any audience geometry with ideal sonic performance and minimum noise pollution.

Thanks to its three-way quad-amplified design and full range capability, the K2 enclosure can be deployed as a standalone line source. For applications demanding extreme LF impact (contour mode), or maximized LF projection (throw mode), K2 can be arrayed with its dedicated and flyable K1-SB LF extension. The K2 system can also address applications with demanding infrasonic reproduction when combined to the SB28 subwoofer. Before installation, any system configurations can be acoustically and mechanically modeled with L-ACOUSTICS’ SOUNDVISION 3D simulation software.

For touring applications, K2 can be associated to the LA-RAK, a universal distribution platform for power, audio signals and network that facilitates cross rental between rental companies. LA-RAK houses three LA8 amplified controllers and can be flown onto a K2 array. Other applications can feature LA8 amplified controllers. For high-end installation projects, K2 can also be driven by the LA4X amplified controller. The scheme authorizes fully discrete DSP treatment per section and maximum power headroom for the best possible sonic performance.

With its dedicated factory presets, the LA8/LA4X amplified controller constitutes an extremely advanced and precise drive system for the enclosures. All L-ACOUSTICS amplified controllers feature the L-DRIVE thermal and over-excursion protection circuit.

Up to 253 LA8/LA4X amplified controllers can be connected together via the Ethernet-based L-NET protocol. LA NETWORK MANAGER software allows online remote control and monitoring of all the connected units via a user-friendly and intuitive graphic interface and features the Array Morphing EQ. This exclusive tool allows the engineer to quickly adjust the tonal balance of the system to reach a reference curve or to ensure consistency of the sonic signature.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Starlight Theatre’s Sound Shines with L-ACOUSTICS

Kansas City's Starlight Theatre, home to a new L-ACOUSTICS KARA system

KARA system installed at Kansas City’s famed outdoor theatrical venue

KANSAS CITY, Missouri — Seating nearly 8,000 patrons, Starlight Theatre has been a staple of Kansas City’s performing arts community since it first opened in 1950. Hosting a full calendar of Broadway plays and musicals each summer season – not to mention numerous concerts, corporate events, weddings and fundraisers – many classic productions have trod the boards of the large open-air venue over the years, including Jesus Christ Superstar, Oliver!, Hair, Camelot, Sweet Charity and West Side Story.

As to be expected, Starlight, which is operated by the not-for-profit Starlight Theatre Association, has been through a few sound systems in its time, with the last one holding out for the past 14 seasons. But none of them have ever been able to deliver the critical combination of the intelligibility needed for theatrical dialog with the full-range frequency response necessary for music. Until this year, that is. A new L-ACOUSTICS KARA Modular WST line source sound system was installed over the winter and is already taking Starlight’s 2014 season to new heights.

48 KARA and 24 SB18 are flown above the stage

The new L-ACOUSTICS house system, designed by Dallas-based Idibri (formerly Acoustic Dimensions) and installed by Clair Brothers Audio Systems’ Nashville office, consists of a total of 48 KARA line array modules divided into three hangs of 16 each, positioned left, center and right along a steel framework above the proscenium stage. Flanking either side of the center hang and the outside of the left and right arrays are flown arrays of six SB18 subwoofers accompanied by eight ground-stacked SB28 subwoofers split between the left and right sides of the stage floor. Proscenium fills are handled by two ARCS WIDE and two ARCS FOCUS, one each per side, while six tiny 5XT coaxial loudspeakers and three larger 8XT enclosures comprise the front-fill complement. A total of 16 LA8 amplified controllers power the entire system.

“We put a lot of effort into choosing the new sound system,” states Justin White, Starlight Theatre Director of Operations and Theater Plant, noting the winnowing process began with five systems that Idibri Project Manager Ryan Knox suggested Starlight investigate. This field was eventually narrowed down to three finalists, for whom Idibri arranged a demo that let dozens of Starlight staffers, board members, donors and city officials listen to audio systems in the venue itself and do an A-B-C comparison using the same program material.

Three 8XT enclosures deliver the center front-fill

They emphasized the key criteria of intelligibility and music reproduction, as well as other areas of importance, such as the ability of the system components to endure outdoor use throughout what Barb Schulte, Starlight’s Director of Communications and Outreach, euphemized as Kansas City’s “challenging weather environment, especially in summertime.” And, says White, it became clear very shortly who the winner would be. “After as little as ten minutes for some individuals in attendance, it was unanimous: everyone loved the way the L-ACOUSTICS system sounded.”

Kent Andel, Production Manager for the theatre, says he was a fan of the previous system because of the warmth of its sound, but says that the new system exceeds its performance in a number of ways. “The intelligibility we need for diction and dialog are all there,” he says. “At the same time, it works for music. So the L-ACOUSTICS system won hands down.” This is especially impressive when considering that the compact modular KARA system went head-to-head with systems looking much bigger on paper.

The new L-ACOUSTICS line source array system was first used in late May for Starlight’s Blue Star Awards, a Tony Awards-style program to recognize metro area high school musical theatre talent. All of the system’s critical parameters were on the line, and it performed flawlessly. It will get an even more vigorous workout for the season’s first Broadway musical when The Wizard of Oz comes to Starlight in mid-June.

But even between those shows, the L-ACOUSTICS system is showing its versatility; it’s already been divided into three mini arrays – each with two SB18s, six KARA modules and all four ARCS enclosures – and used indoors in the Jeannette and Jerome Cohen Community Stage that’s part of the Starlight Theatre complex for off-season private events, receptions and parties. “In addition to sounding great, it’s also a very flexible system,” White says. “It’s as loud as we needed it to be, super clear, flexible and just a great choice for us.”

About Starlight Theatre
Starlight Theatre, winner of the 2013 Venue Excellence Award from the International Association of Venue Managers (IAVM), is the largest and oldest performing arts organization in Kansas City and the second-largest outdoor producing theatre in the country. Opened as a theater in 1950 and as a not-for-profit organization in 1951, Starlight presents and produces Broadway musicals and concerts. It also offers extensive community outreach and educational programming, including classes, scholarships and Starlight’s Blue Star Awards, one of the largest high school musical theatre award programs in the nation. Located on 16 acres in Swope Park, Starlight’s venue includes rehearsal halls, gift store, club area for dining, concessions, gardens, fountains and a 10-story, climate-controlled stage. For more information, visit www.kcstarlight.com

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

Credit for all images: Bob Compton

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Extron Now Shipping New Scaling Presentation Switcher with Built-In Control Processor

Extron Electronics is pleased to announce the immediate availability of the IN1608 IPCP, new models within the IN1608 product family that feature built-in Extron IP Link Pro control processors for complete and powerful AV system control. The IN1608 IPCP is a highly versatile scaling presentation switcher that delivers the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including an HDCP-compliant, multi-format video switcher, an advanced scaling engine, integrated DTP transmitter and receivers for signal extension up to 330 feet (100 meters), a high performance mono or stereo amplifier, comprehensive audio processing, and an advanced control processor that is uniquely expandable. The IN1608 IPCP is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership.

“The IN1608 has been extremely popular with our customers and we are very excited to be shipping the IN1608 IPCP for delivering total system integration,” says Casey Hall, Vice President of Sales and Marketing for Extron. “This scaling presentation switcher is now available with a built-in IP Link Pro control processor that delivers powerful capabilities for complete, customizable control of an entire AV system.”

The IN1608 IPCP features a built-in IP Link Pro control processor, with the same advanced features, processing power, and breakthrough technologies found in the standalone Extron IPCP Pro control processors. The IN1608 IPCP delivers high-speed processing and abundant control port capacity for complete, customizable control of an entire AV system, including all source devices and displays, plus room functions. Simply connect an Extron TouchLink Pro touchpanel to the built-in Gigabit Ethernet switch to create a complete AV control system.

As with all Extron control systems, the IN1608 IPCP is very intuitive and easy to configure with Global Configurator software. The latest version of Global Configurator includes powerful, advanced features such as conditional logic, local variables, and macros. Global Configurator Professional adds unprecedented scalability with Controller Groups, a unique feature that allows an IN1608 IPCP to be combined with additional IP Link Pro processors to create a large-scale control system. This is ideal for controlling multiple systems, rooms, or even remote locations around the world. IN1608 IPCP systems throughout a facility, building, campus, or offices worldwide can be monitored and managed using Extron GlobalViewer Enterprise server-based software.

With the purchase of an Extron LinkLicense with the IN1608 IPCP, a tablet or laptop can serve as the primary control interface for the AV system. A unique benefit of LinkLicense is the ability to use Extron GUI Designer software to design interfaces for specific user roles in an organization. LinkLicense works seamlessly with Extron’s TouchLink for iPad app, and allows an interface to be duplicated to many additional devices. It simplifies deployment of AV system control for BYOD with a single license purchase per system and no per-user fees, and allows a standardized BYOD strategy for AV control across an organization.

To watch a product introduction video, please visit: www.extron.com/in1608ipcpnsvideo

For more information on the IN1608 IPCP, please visit: www.extron.com/in1608ipcpnspr

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