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Archive of the Line Array Category

ITI Creates Definitive Martin Audio Club System For Verboten

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ITI Audio, designer of award-winning systems for clubs such as Washington DC’s U. Street Music Hall, have achieved what they consider to be their “best work” using Martin Audio loudspeakers and line array enclosures at Verboten in Brooklyn, New York.

In less than a year, Verboten has quickly become one of the leading clubs in what Time Out New York calls “New York’s new clubland paradise,” Brooklyn’s Williamsburg section. With a hard-edged, post-industrial exterior, Verboten’s overall aesthetic is dark, unfinished steel and wood. The music, described on their website as “underground dance music in all its forms,” includes house, techno, deep house, bass music, live electronica, indie dance and nu disco.

With a 20-year history in the dance music promotion business, owners Jenn Schiffer (booking and operations), her husband/partner John Perez (A&R and promotions) and co-owner Michael Roche (director of production), have created the ideal permanent venue for the most evolved expression of dance music, culture and lifestyle in the 10,000 square-foot former metal shop.

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Bill McClure, a principal at ITI Audio, describes what the owners were originally looking for: “When they came to us, they wanted audio to be the primary focus for the space, which was refreshing.”

Verboten consists of the larger Control Room, designed for showcase dance music events, concerts and private parties, which has skylights, acoustic ceiling panels, panoramic edge-blended projection, raised seating areas, and a sprung wooden dance floor from a warehouse once owned by Thomas Edison.

The room’s elaborate Martin Audio sound system is capped off by two hangs of eight W8LM line array cabinets and two W8LMD downfill boxes with four WMX hybrid folded horn subs and two W8VDQ three-way enclosures for rear fill¬¬. Five WS218X sub-bass systems form the sonic centerpiece for the room.

As Bill explains, “There’s something about those incredibly reliable Martin Audio bass bins, they just work better than other stuff available in the market today. They can get super-loud, take a beating, and they have a super-nice frequency response. The musical tone and percussive feel are way better than the competition. That’s why we use WS218X’s pretty much for every club we do.

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“The system has a lot of horsepower with really good coverage and the Martin Audio line array is ideal for concerts, because the owners wanted increased and deeper coverage as they book more live artists in the future. The W8LM and W8LMD’s are hung in front of the WSX hybrid folded horn subs, which are awesome by the way. I love the way they sound.

“The two hangs are on both sides of the stage/DJ booth,” he continues, “which is completely modular so the stage can get pulled down and configured in many different ways. We actually put a pair of H3H+s on a trolley system on the stage, so if you move the DJ booth, the speakers can be moved to accommodate that. The monitors can slide from the center of the stage all the way out to stage left or stage right to accommodate different configurations. The H3H+’s sound is clear with a lot of punch and that nice dance club low-mid resonance.”

With the concentration of subs in the room, directly under the DJ’s, turntable feedback was a natural concern. As Bill points out, “while the WS218X sub bass cabinets do a great job delivering the energy on to the audience area with very minimal wasted energy, we needed a modular work surface/DJ booth that would provide acoustic isolation for the turntables, have a removable/changeable facade, include cable pass through, and be made in four identical sections 5′ wide and no more than 24″ deep. As no such thing existed, we designed a custom solution. After many calculations, a little tweaking, and some in the field engineering, we were able to deliver a finished product that was highly effective at mitigating feedback, unique and aesthetically pleasing.”

Adjacent to the Control Room is the Cabaret Bar ostensibly designed for day parties, art shows, cabaret, burlesque, karaoke and smaller weeknight events with a restaurant, sound absorbent curtains, neon chandeliers, overstuffed leather banquettes, a burned concrete bar and a Martin Audio sound system comprised of eight AQ15 compact full-range systems and 12 Blackline H3H+, three-way bi-amp fully loaded horns.

In addition to the loudspeakers, the overall system includes Martin Audio MA3.0. MA5.2K, MA9.6K and MA12K amplifiers; BSS Soundweb digital signal processing; a Midas fixed input rack, and two Cranesong HEDD A-D converters.

Asked about their client’s specific needs for the system, Bill responds, “Obviously, the system had to be able to crank, but the owners were more focused on smooth, even coverage with clarity and consistency throughout the venue. They wanted it to sound good in as many places as possible without overspending. To that end, they approved the purchase of a bunch of amplifiers to control the sound system, so that it performs really consistently at different volume levels with bass presence everywhere in the club. The sound can be sourced for both rooms, or they can have independent sources in both rooms. There’s a big set of steel doors between the two rooms, so bleed through isn’t bad.”

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Explaining some of the system’s subtleties, Bill adds, “HEDD A-D is a stereo in/stereo out digital audio converter that converts analog to digital or digital to analog, depending on how you want to use it. We’re taking the output from the DJ’s, converting it to digital and then going digitally into four or five BSS processors from the Cranesong while clocking all the digital audio to the Cranesong as well, which give us a more robust sound.”

With the system in place and the club filling both rooms every weekend and most weeknights, we were curious how his clients were responding the Martin Audio system.

“The owners love it, they’re very pleased,” Bill concludes without hesitation. From the beginning, my partner Adam Weiner and I felt this was an opportunity to do our best work in terms of the outcome, overall sound quality and performance, and we definitely did that with this project.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Empire PRO To Host QSC, Shure, and Yamaha Commercial Audio Training Day

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LOS ANGELES—On Thursday, December 4th, QSC, Shure, and Yamaha Commercial Audio Systems, Inc., will present a powerful day of live-sound training at Empire PRO, 5675 Mansfield Way, Bell, CA. A professional production of the training will also be streamed live at http://www.mldistrict.com/empirepro, courtesy of DataVideo. Empire PRO is a leading national Pro Audio, Video & Lighting distribution partner.

The training, appropriately titled “Modern Technology For Today’s Production” will cover line arrays, digital consoles, monitors, amps, wireless and digital microphones, and in-ear monitors along with how they optimally work together for applications from small to mid-size production. Presenters will focus on system design, networking, Dante and RF landscape, coordination, and antenna setup as well as best practices, special tools, and tips.

“Our goal is to provide the Pro AV community with support and resources that empower them to grow their business, states Edmond Khanian, VP Sales at Empire PRO. We are more than a great place to get the products you need, when you need them, and at the prices you expect; we are a partner whose top priority is the success of our dealers’ business. We are proud and grateful to have strong relationships with industry leaders like QSC, Shure, and Yamaha Commercial Audio, who share and support our vision.”

Empire PRO continues to prove its commitment to be the most supportive Pro Audio, Video and Lighting wholesale distribution partner for AV Professionals through training and educational opportunities like this.

Presentation Schedule

• 9:40-10am: Introduction
• 10-11:15am: Shure – RF (spectrum update/incentive auction)
• 11:15-12:30pm Shure – RF coordination using Shure gear (highlighting BLX, QLXD, ULXD, AXT600 and WWB6) and how to choose the right antenna
• 12:30-1:30pm QSC – Line Array (specification and deployment) / Amp Technology
• 1:30-2:30pm LUNCH
• 2:30-3:30pm QSC – Touchmix (for production)
• 3:30-4:45pm Yamaha – CL Consoles (who, what, where, when, why and how)
• 4:45-6pm Yamaha – QL Consoles (who, what, where, when, why and how)

Don’t miss this opportunity to develop your Pro Audio knowledge. Space is limited, so RSVP now at http://www.empirepro.com/qsc-yamaha-shuretraining.php, or tune into the live streaming at http://www.mldistrict.com/empirepro. For information on how to become an Empire PRO dealer, call Omer Saar at 213.748.5200 x 112 or via email at omer@empirepro.com.

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About Empire PRO:
Empire PRO is among the largest distributors of Professional Audio, Video and Lighting equipment nationwide and highly regarded worldwide. We take pride in providing our clients with a reliable, supportive and efficient source of optimal full-system solutions by distributing leading audio, video and lighting brands, stocking deep inventory in-house, and being centrally located in the heart of Los Angeles for prompt delivery.

Our goal is to provide you with the most valuable support services and full-system-solutions to help you close deals and provide your clients with an experience that exceeds their expectations. Our Sales Executives are experts in helping you define and design optimal system-solutions for your clients. Our service is personal & professional and we offer full technical and sales support to insure satisfaction.

Martin Audio MLA At First FREQ’ender Dance Festival In Singapore

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EXPO AV-INSYNC (EAI) were chosen to provide full technical production for the first ever FREQ’ender dance festival in Singapore, and the company wasted no time in specifying its Martin Audio MLA system for the two day event.

The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.

The festival was split into two distinct days: the first (in conjunction with Halloween) was named Freq’show, which made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen

EAI managing director, Gerard Rodrigues, confirms that his company had recommended the MLA system. “The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away.

“The MLX subs also became a talking point for many of the AV industry professionals who attended the gig as well.”

EAI kept the same rig in place for both days, with hangs of eight elements per side (plus a single MLD Downfill). The 12 MLX subs were ground-stacked in configurations of 2 + 4 + 4 + 2.

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In addition the company supplied eight W8LM Mini line arrays and four WS218X subs as a potent DJ monitor system.

Limited Edition Concepts’ director and co-founder, Godwin Pereira was certainly impressed. “With EXPO AV’s experience, it was easy to get the best out of the MLA system, and the sound behaved superbly in the 18,000 square foot sound stage. It was warm and non-intrusive, producing little in the way of ‘noise’; instead, it delivered purity, clarity and a whole lot of thump!”

In addition to what Rodrigues describes as “the awesome sound”, he says the audience was also treated to lighting and projection mapping during the festival.

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The event featured global acts covering electro, trance, house, techno and many other genres, including Hot Chip, 2ManyDJs, GlowInthedark and Marco V, along with over 20 live performers and dancers from Taiwan, Singapore and Malaysia.

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

RMB Audio Eliminates Reflections With MLA Compact

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Raleigh, NC––Tasked with providing audio for 11 concerts in a row at Dorton Arena featuring artists ranging from Vanilla Ice to comedy artist James Gregory, country stalwart Trace Adkins, Gospel luminary Tamela Mann and Christian Rock’s Newsboys, RMB Audio already faced a daunting assignment at this year’s NC State Fair.

Factor in the arena’s demanding acoustic environment, and the task became even more challenging. As RMB’s Systems Engineer Roger Dennis drily points out, “It’s got everything you want; concrete, glass, steel, and hard wooden seats. Plus the arena’s an oval, so it’s reflections galore.”

Fortunately, the RMB Audio team came equipped with a Martin Audio MLA Compact system to better control the sound in the hall and eliminate reflections. “The MLA Compact system allowed us to stop the coverage just before it hits the glass in the rear and on the sides of the room,” Roger specifies. “The system’s output control is really precise. It made our job a lot easier while improving the sound quality for all of the acts and the audience.”

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The actual system consisted of a main hang with 12 MLA Compact enclosures per side, a side hang with 8 MLA Compacts per side, and 6 Martin Audio W8LMD (downfill) as lip fill. Ample low end was provided by 12 DSX subs ground-stacked in two rows of 6 standing on end with the two outer enclosures slightly angled out.

Asked about the MLA Compact’s other attributes, Roger points out the enclosure’s lighter weight and wider dispersion, but the main advantage is still its output control capability.

“It used to be when you had someone speaking into a microphone in the arena, the reflections would kill all speech intelligibility. With MLA, that’s not a problem. When we first brought it into Dorton three years ago it was quite a shock. Now that we’ve switched to MLA’s for outfill to kill the reflections coming off the glass, the clarity for spoken word has continued to improve dramatically.

“Everyone was pleased with the system, adds Dennis, “especially Newsboys FOH Engineer John O’Neal who was very impressed with what we could do with the rig because he’s been in Dorton before with an older system. One of his last comments to me during this show was ‘everything from 300Hz and above is completely clear. We could hear everything.’ John and I walked the entire venue during the soundcheck as did several engineers who put their head right next to the glass, and they said it sounded exactly the same as it did down at the mix position.

“That’s one of the key things the MLA does that other systems don’t. It optimizes for the audience, not the room. The quality of the coverage is consistent from the front of the stage all the way to the back of the arena.”

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Summing up, Roger adds, “We’re going to UNC Memorial Hall on the campus of University of North Carolina, a 1600 seat proscenium theater with a really prominent balcony face that is a problem in terms of generating reflections back onto the stage. The MLA Compact allows us to steer around that balcony; we can just slice that section out of the vertical coverage. We’ve been able to make it so accurate that you can literally stand up out of a seat and you’re out of the coverage. It’s really amazing.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Renkus-Heinz and First Baptist Church of Shawnee – Keeping Tradition Alive

 Shawnee, OK – November 2014… Shawnee’s First Baptist Church was founded in 1892, 15 years before Oklahoma gained statehood. After their main sanctuary was damaged by a tornado in the 1930s, the church rebuilt, and that structure serves as the main sanctuary to this day.

While the historic building has been well maintained over the years, its aging sound system had not been so fortunate. Church officials and congregation members alike were increasingly frustrated by intelligibility issues in the main sanctuary, and inconsistent coverage in the balcony and under balcony areas. The church turned to Edmond, OK-based AVL Systems Design, who recommended the steered-beam technology of Renkus Heinz ICONYX IC Live.

“The main sanctuary seats about 800 people, and has a balcony area in the rear,” explains Danny Nix of AVL Systems. “In addition to the intelligibility and coverage problems with the old system, there were reflection issues that needed to be addressed.”

 The new system comprises four ICONYX IC Live ICL-FR-DUAL columns, hung from the ceiling to avoid damaging the walls. “We used the IC Live’s beam steering capabilities to fill the balcony and the main floor of the church and we used four Renkus Heinz PNX61 Two-Way Complex Conic Loudspeaker Systems for under balcony coverage,” said Nix. “The IC Live’s beam steering technology eliminated the need for front fills, which made for a cleaner look overall. As a final touch, we painted the boxes to match the color of the walls.”

In the end, church officials were pleased that the ICONYX system not only addressed the sanctuary’s intelligibility and coverage issues, but also blended in seamlessly with the décor as well.

“Everyone at the church has been very happy with the results,” said Nix.

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

Tackling Audio in a Big Tent: Meyer Sound LYON Immerses VIPs at University of Oregon Fundraiser

u of oregonThe University of Oregon recently kicked off its $2 billion fundraising campaign with an AV spectacular under a massive tent, widely known to be a difficult setting to achieve quality sound. With the power and clarity of a Meyer Sound LYON™ linear sound reinforcement system, the audio team overcame the event’s technical complexities and offered a sonic experience that was both clear and immersive.

Even coverage is generally difficult to achieve in a tent due to its imbalanced effects on different frequencies. “The acoustic challenges of a big tent were further complicated in this case because the stage was placed in the center splitting up the audience, with video screens on all sides,” says sound designer Don Ross. “Also, there was no truss work over the stage to fly arrays, so we had to cover over 100 feet from the stage in both directions with ground-stacked speakers.”

George Relles Sound of Eugene, Ore. provided sound design support using the Meyer Sound MAPP Online Pro® acoustical prediction program. He determined that the best solution for the 260-by-150-foot tent was four arrays of one LYON-W wide-coverage and three LYON-M main line array loudspeakers each. Two 1100-LFC low-frequency control elements provided low end, with four UPM-1P loudspeakers for on-stage foldback. System drive and optimization was provided by a Galileo® Callisto™ loudspeaker management system with one Galileo Callisto 616 array processor.

The result was exceptional audio for all event programs, which included live music, speeches, and video soundtracks showcasing high-impact effects created by Ross. “Sonically as well as visually, the whole experience was fantastic,” says Michael Hull of AHM Brands, executive producer of the event on behalf of the university’s Office of Development. “Given all the complexities, we couldn’t have been happier. The sound from LYON was flawless, and fully contributed to the impact of the 360-degree immersive environment. Afterwards, we received a number of compliments on quality and clarity of the audio program.”

Ross adds: “The sound of LYON was very impressive. Speech articulation was excellent, and the coverage was great. Also, the wide-dispersion LYON-W loudspeakers on the bottom eliminated the need for front fills. And by reversing the polarity of the two opposing systems, we created an effective null on the stage that prevented feedback problems.”

For the post-program cocktail hour, a performance by jazz vocalist Halie Loren was reinforced by two UPJ-1P VariO™ loudspeakers, one 700-HP subwoofer, eight MJF-210 stage monitors, and a Galileo loudspeaker management system with one Galileo 616 processor. Outside the tent, a 150-foot long video projection screen greeted the VIPs as they walked in, with audio accompaniment by two UPJunior™ VariO™ loudspeakers.

Other equipment provided by Relles included Soundcraft Vi6 and Vi1 digital consoles at the main and cocktail stages, respectively; Sennheiser and Shure wireless microphone systems equipped with DPA d:facto II, Neumann KMS 105, and Shure KSM9 handheld capsules; and DPA d:fine 4066 headset microphones.

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Georgia’s Free Chapel Expands to New Gwinnett Campus with Meyer Sound MINA

free chapelFree Chapel in Georgia has opened a new satellite campus in Gwinnett with a Meyer Sound MINA™ line array loudspeaker system in its 900-capacity auditorium. The facility is the ministry’s second venue to deploy Meyer Sound, following the success with a CQ-2 and MSL-4 loudspeaker system on its main campus in Gainesville.

“Our Gwinnett auditorium is easily one of the best-sounding rooms I’ve heard in a long time in terms of coverage smoothness,” says Michael Henson, technical director for Free Chapel. “The spoken word clarity is outstanding. We get a straight unprocessed audio feed of Pastor Franklin’s voice, and we’ve found that we have to do almost nothing on the console to make it sound great in the room. The clarity and presence of the MINA system create an optimum environment for worship by producing a sound that’s immersive, but never distracting.”

The auditorium has installed dual arrays of eight MINA loudspeakers each, six 700-HP subwoofers, two UPJ-1P VariO™ loudspeakers for side fill, and eight UPM-2P loudspeakers for front fill and recessed stage monitors. A Galileo® Callisto™ loudspeaker management system with two Galileo Callisto 616 array processors provides system drive and alignment.

Audio quality is critical at Free Chapel in part because Pastor Jentezen Franklin is both an inspiring speaker and accomplished saxophonist. “He has a trained musician’s ear, and after walking the room front to back and side to side for the first time, he was very pleased with what he’d heard, as we all were,” reports Henson.

Outside of the auditorium, the café, bookstore, and entryway areas feature 44 Stella-8C installation loudspeakers. Also implemented are several loudspeaker models with IntelligentDC™, the Meyer Sound technology that combines self-powered advantages with easy installation. The IntelligentDC systems installed in these areas are four MM-4XP self-powered loudspeakers and one MM-10XP and two UMS-1XP subwoofers. All systems were designed and installed by Moyers Group.

“A high priority for this church is that anybody attending—whether in the main auditorium or the overflow areas—should experience the same high level of audio quality,” says Jeremy Moyers, president of Moyers Group.

Moyers Group also supplied dual DiGiCo SD10 digital consoles for FOH and monitors, an Optocore digital snake system, Sennheiser 2000 series wireless IEM and microphone systems, and Shure P6HW wired personal body pack receivers.

The Gwinnett facility is the newest satellite campus of Free Chapel, a fast-growing ministry led by Senior Pastor Jentezen Franklin. The main Gainesville campus’s CQ-2 and MSL-4 loudspeaker system was recently boosted with six 1100-LFC low-frequency control elements.

Worcester Polytechnic Institute Gets Double Coverage With ICONYX

 Worcester, Mass  - October 2014…Founded in 1865, Worcester Polytechnic Institute was one of the first engineering and technology universities in the United States. Today, the private research university ranks with schools like Princeton, Stanford and MIT as one of the nation’s most prestigious schools.

The university’s Alden Hall regularly hosts a wide range of performances and programs, from lectures to concerts and theatrical productions. As Richard O’Connell of Boston-based AV Design Build explains, the 10,000 square foot multi-purpose venue employs different seating arrangements, depending on the event. “It’s a rectangular room with a stage in front and balcony in the rear. For concerts and theatrical events, seats are set up facing the stage. For lectures and smaller presentations, seats are set up facing the long wall stage right, and they set up a podium.”

The hall’s growing popularity and increasingly busy schedule had made the limitations of its aging sound system abundantly clear. To cope with intelligibility and coverage issues, university officials frequently brought in portable systems to supplement or replace the main system. Even with the portable systems in place, coverage was still poor, particularly in the balcony.

 With this in mind, AV Design Build recommended an innovative solution based on dual independent Renkus-Heinz ICONYX systems to provide optimal coverage and intelligibility, regardless of the scheduled event. A pair of ICONYX IC32 digitally steerable line arrays is installed left and right of the stage for larger events, seamlessly covering the floor and balcony areas. “With the IC32s, we were able to create a beam and point it right at the balcony, without hitting the back wall,” O’Connell observes. “We used seven beams on the IC32s, and that was all that was needed to address the room’s intelligibility and coverage issues.”

For the hall’s lecture and spoken word programs, a pair of ICONYX IC8-R-II columns are mounted on the wall stage right, to each side of the podium. “The IC8s are perfect for lectures and presentations,” says O’Connell. “They provided the intelligibility and coverage we needed for a smaller, more intimate setting.”

University officials are pleased with the versatility of the dual systems. “The ICONYX systems allowed us to address the university’s multiple uses for the hall,” O’Connell concludes. “The music faculty is particularly happy because they often present concerts with stringed instruments, from small large ensembles. Now you can hear the instruments clearly, from every seat in the house.”

 

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

Edmonton Church Upgrades West Campus Sound System

Beulah Pastors Abbott and Jones

BUENA PARK, Calif.—Founded in 1887 by Albert Benjamin Simpson, a Canadian preacher, theologian, and author as part of the Christian and Missionary Alliance (C&MA), the Beulah Alliance Church recently upgraded its West Campus sanctuary sound system. The contemporary worship facility seats 1,440.

Alliance Design of Edmonton was responsible for the selection and installation of the sound system; the previous system was originally designed in 1990. The new system includes a Yamaha CL5 Digital Audio Console at front of house and a Yamaha CL3 used for broadcast recording, along with one RIO 3224-D input/output box, and three Rio 1608-D input/output boxes, complimenting the existing NEXO GEO S8 speaker system.

“The Yamaha CL consoles were chosen for ease of operation, small footprint, Yamaha legendary sonic clarity, and the built-in Dante networking software which is amazing, nailed our decision, states Dwayne Plishka, System Consultant, Alliance Design. The consoles have been received with hi-fives from the staff.”

Plishka said Beulah Alliance previously owned a Yamaha M7CL so it was a natural progression to move to the CL consoles. The staff are using the consoles’ built-in Nuendo Live and Nuendo 6 software, he said, to audio capture the sermon message, which is then redeployed along with video to facilitate multi-site delivery, multi-track recording for artist evaluation, and broadcast.

“The entire sound system has far exceeded all performance expectations with constant compliments from guest artists, says Plishka.” At any given time during services, musicians with strings, winds, drums, bass, electric guitar, and piano assist the guest artists and worship choir.

The NEXO GEO S8 speaker system layout consists of nine boxes per side left and right with six NEXO PS8s for side fills and eight PS 8s on stage for monitors powered by both Camco and NEXO 4×4 amplifiers. “The size, remarkable sound image, and audio amplification for the number of line array elements is surprising, Plishka adds. Even guest artists support techs are surprised at the efficiency of the system.”

“Dwayne is amazing and his choice of efficient, high-quality gear is impeccable, states Pastor Mike Jones. The first time I heard the system I was blown away at the power and clarity of the system; I continue to be amazed.”

Alliance Design also installed platform lighting that is a combination of VariLite, Martin, Chauvet fixtures, and ETC. The lighting console is a Martin Maxxyz, and dimming is ETC. Panasonic switching and Panasonic Cameras were also installed.

For more information on Beulah Alliance Church, visit www.beulah.ca.

For more information on Alliance Design, visit www.alliancedesign.ca.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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PHOTO ID: L to R: Pastors Rob Abbott and Mike Jones

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

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