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Archive of the Line Array Category

Martin Audio MLA Compact Keeps Sound Inside Urban Amphitheater

––RMB Audio Uses System To Stay Within Rigorous City Noise Limits––

The Red Hat Amphitheater is located in downtown Raleigh, North Carolina with the stage facing a large convention center covered with reflective surfaces located next to a parking deck. Just a few blocks to the rear of the stage are residential neighborhoods.

Home to a summer-long series of concerts, Red Hat is obviously a challenging environment for shows in terms of controlling noise levels. Cooper Cannady of RMB Audio in Raleigh has produced several shows there and knows those problems all too well: “The city contracted a large study at multiple sites around the venue and came up with an SPL limitation of maximum 95dB SPL for one minute at given test points. And that’s tough when you’re doing a show there. Someone like Dylan is manageable, but Smashing Pumpkins and a Snoop Dogg performance is a real challenge to the sound ordinance.

Fortunately, RMB used their Martin Audio MLA Compact system for a recent show featuring American Aquarium, Cravin Melon and the Chris Hendricks band. As Cooper explains, “We put our MLA Compact rig in there and made a presentation to the city how the system’s new software algorithms functioned. We wanted to bring the sound closer to the audience, avoid the reflections from the building and back it off at the stop points we had selected.

“So we kept working on the sound with the software and finally got it to where there’s no reflection coming off the building. Only people with the MLA Compact can get that kind of control. Everyone else is going to have sound washing over those surfaces and throw it everywhere.

“The wonderful part about MLA is that the coherence of the system actually makes it sound louder than the SPL meter says it is,” Cooper adds, “which is a real benefit for the audience and the promoters. The city told us we couldn’t have any flags at the 95dB test point and we were able to do that without any problems whatsoever.”

RMB Audio’s setup for the show consisted of 12 MLA Compact enclosures per side, with six DSX subs a side stacked on the wings of the stage. The side fills consisted of two Martin Audio W8Ts and two WS218 subs a side, with WS18X subs for drums, and four W8LMs for lip-fills across the front of the stage. LE1200s were used for on stage monitoring.

Engineer Wayne Sowder was also impressed: “Roger Dennis of RMB put me on the FOH Console for Cravin Melon, and it was my first chance to mix on the MLA Compact. It was unlike any system I’ve ever mixed on––incredible clarity yet very natural, warm sounding and powerful. The software was also a major plus in helping the system techs refine the system performance based on temperature and humidity in the venue as well as changing the start and stop points without re-hanging boxes. It’s a very powerful tool in the hands of skilled technicians.”

Summing up, Cooper adds, “The city thought the MLA Compact system sounded excellent and that the system was consistent throughout the audience area and had greatly reduced SPL beyond the audience space. I sent one of my staff with a representative from the city with an SPL meter across the street from the park and the sound was diving 10 to 15dB. And if they walked a little further out, the decrease in SPL continued. Once that happened, they actually got it.

“The MLA Compact has been a lifesaver for this venue. This is the answer for an urban area with residences in close proximity. We’ve been able to make everybody happy––the audience, the acts, the city and the neighborhood. MLA has been a real unifying experience. Not many people can deal with those kinds of restrictions and say they did OK, and we did smashingly well.”

For more about RMB Audio, please click to www.rmbaudio.com

For more about Martin Audio, please click to www.martin-audio.com.

Iconyx Welcomes You to Las Vegas

Las Vegas, NV – August, 2013… Despite the recent real estate woes, Las Vegas remains one of the fastest growing cities in America. And as the city has grown, so has its airport. Along with the recent opening of its new 1.9 million square foot Terminal 3, McCarran International Airport has also revamped and renovated the original Terminal 1, including an updated sound system featuring dozens of Renkus-Heinz Iconyx digitally steerable array loudspeakers.

“Terminal 1 was not designed with a dedicated paging system,” explains Edouard Charland, Vice President of Lenexa, KS-based Coffeen Fricke & Associates, Inc. (CFA). ”The airport was using the fire alarm systems for paging, and most of the terminal-wide announcements were originating from a paging office that was using the telephone system to originate those announcements. This approach produced low levels of speech intelligibility and offered very little flexibility for zoning and directing announcements.”

Based on their involvement in the Terminal 3 project, CFA was called in to offer suggestions for the ailing audio issues at Terminal 1.. One of the most challenging areas was the expansive baggage claim area. As Charland explains, in addition to the typical acoustical issues inherent in large spaces, there was something uniquely Vegas.

“All around the carousel area there are numerous large screens playing video advertisements for local casinos and night clubs. The audio systems for those screens are fairly loud. They’re running pretty much non-stop 24/7, and they’re only overridden for emergency announcements.”

The baggage claim area is covered by 32 Iconyx IC16-R-II steered arrays, mounted on opposite sides of each carousel’s pillar to provide 360 degrees of coverage. As CFA’s Sr. Vice President Robert Ledo points out, the arrangement provided an unprecedented degree of control. ”Typically, an airport will be zoned so that all of baggage claim is a single zone, or possibly a couple of zones. But this arrangement also enables them to address each individual carousel – this was an airport directive.”

“The Iconyx system actually enabled us to provide better intelligibility than something like an overhead distribution scheme,” Ledo adds. ”It can concentrate the energy right at the people, and cut through the background noise.”

Another area where the Iconyx steered beam technology really shined was in the lengthy ticketing lobby, where the building’s unique architecture presented its own set of challenges. ”The ticketing lobby’s design looks like an airplane wing,” says Charland. ”So the horizontal coverage pattern varies as you go further down toward the narrower taper of the wing. Using the Iconyx provided us a way to cover the entire space not only horizontally but also to change the front and back coverage distance as the dimensions change.”

Twenty-two IC16-R-II columns are mounted about every 50 feet along the second floor walkway overlooking the main ticketing lobby. Custom brackets and fittings include metal wedges on the top of each cabinet to prevent their being mistaken for cup holders. ”The beams are steered downward, each one a bit differently depending on the dimensions of the coverage area,” says Ledo. ”It also provides a bit of a buffer zone right below the speakers in the ticketing counters themselves. You don’t want to bombard the ticketing counter itself with sound because agents are trying to talk to passengers. So being able to steer and direct the sound to where it needs to be helps provide that buffer.”

In both the ticketing lobby and baggage claim, the entire system is linked via RHAON networking, allowing for complex DSP programming to custom-steer each array independently using multiple beams. TheRHAON software and on-board contact closures are also used to monitor each array for proper operation.

Charland concludes, ”the Iconyx systems enabled us to create customized coverage patterns to fit each space, and afforded us a degree of control and monitoring over the systems that a facility like McCarran International Airport demands.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

On Stage Audio Expands, Builds North America’s Largest Martin Audio MLA Inventory

With three locations in Chicago, Las Vegas and Nashville and a hectic schedule of live production work, corporate shows, product launches, TV broadcasts and special events; On Stage Audio (OSA) continues its national growth in audio rentals, service and production.

As part of that growth, OSA recently purchased a number of additional Martin Audio MLA and MLA Compact enclosures, resulting in OSA having the largest MLA inventory in North America. With this and other recent sales, the total number of MLA cabinets deployed worldwide is well over 3,000 cabinets at this point.

Asked about the MLA acquisition, OSA Vice President Jim Risgin said, “We believe in the product, technology and, most importantly, the result that MLA delivers.”

In addition to successful deployments of MLA and MLA Compact at a growing number of corporate and special events, OSA recently equipped the pavilion stage at Ravinia Festival with the MLA system, the first new PA system at North America’s oldest music festival in a decade. Ravinia welcomes about 600,000 guests every summer to over 100 events, including the annual residency of the Chicago Symphony Orchestra. Since Ravinia’s 1904 inception, a residential neighborhood has grown around the concert venue resulting in Ravinia becoming increasingly sensitive to containing sound within its gates.

Asked why MLA was chosen, Jim responds, “Sound is crucial in two ways to outdoor concert presenters who not only want to provide the best musical experience they can to their attendees but who also want to prevent that music from reaching unintended listeners. We are proud Ravinia chose us to help them present a premium customer experience and to help them be a good neighbor to the residents of its home community.”

Expanding on his feelings about MLA, Jim points out, “It’s the first technology in the last 30 plus years that is truly delivering sound in a new and exciting way as far as I’m concerned. Even with the obvious benefits the Multi Cellular drive brings such as SPL control, consistent audience coverage as well as out of area rejection, it still amazes me how good it sounds every time I turn on the system. Simply input the room calculations and MLA in turn delivers the expected coverage as well as giving the engineer a stellar sonic canvas to work with. Now I can allocate my time to my craft and art of mixing rather than spending the time mastering conventional systems to gain similar results. This translates into a better end product for our clients as well as savings in time and labor.

“In terms of its performance, MLA never runs out, it never stops. I think it’s the best sounding system with the most even coverage out of the box. Every seat gets the same high quality sound regardless of the location, which helps our clients reduce costs for acoustical treatments in some venues. At this point, the level of the MLA system control has become second nature. For me to work on something other than MLA has become an eye-opener rather than the other way around.”

Photo caption: Middle and Top Rows (L-R): Edwin Jones, Mario Educate, Dave Iannuccilli, Paul Educate, Karim Ben-Rhouma, Steve Varner, John Brandvold, Martyn “Ferrit” Rowe, Dale Stuart
Bottom Row (L-R): Deb Miller, Lindsay Dreyer, Merissa Iannuccilli, Shannon Wardle, Jim Flynn

For more about On Stage Audio, please click to www.osacorp.com

For more about Martin Audio, please click to www.martin-audio.com.

VARIA Delivers Serious Performance at Comedy Club Stardome

 

Hoover, Alabama – August 2013… For more than 25 years, the Comedy Club Stardome has built a reputation as one of the most respected comedy showcases, not just in the state but in the entire Southeast. The club’s stage has hosted some of the biggest names in comedy, including Margaret Cho, Craig Ferguson, Lewis CK, Sinbad, and Pauly Shore, as well as a regular roster of new and innovative talent.

The room’s tiered, dinner theater style seating offers a few interesting acoustical challenges. As Patrick Sobers of Birmingham-based Media Visions explains, “it’s a fan-shaped room, with dinner theater style table seating on tiered rows. But the front section is almost at orchestra pit level; you don’t get to stage height until the third or fourth row.”

With a throw to the last row of around 60 feet, the problematic space called for a sound system that could be shaped to create the custom coverage the room needed. Media Visions recommended the Renkus-Heinz VARIA modular point source array.

The system comprises left and right arrays, each with a single VAX101-15 and VAX101-22 cabinet. Each array is topped with a VAX15S subwoofer. “The top box has a variable 60 to 90 degree coverage, and the bottom one goes from 90 to 120 degrees,” says Sobers. Additional front fill is provided by a pair of CFX41 compact coaxial speakers, with CFX81 8-inch cabinets covering rear delay and side fills. The system is powered by Lab Gruppen amps, with a Biamp Nexia handling system DSP. A PreSonus StudioLive 24.4.2 digital console handles Front of House duties. 

Sobers quotes the club’s owner, Bruce Ayers, as saying the system “sounds absolutely awesome.”  

“They’ve struggled for several years with systems that didn’t really meet their needs,” says Sobers. “VARIA enabled us to design a system that delivers consistent, full range coverage and great intelligibility to the entire room.”

 

 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

New NEXO STM Line Array Turns Up The Heat On Chesney’s ‘No Shoes Nation’ Tour

BUENA PARK, Calif.—Kenny Chesney has always brought country’s brightest lights to America, and this heated summer is no different as he taps newcomer and quadruple 2013 Academy of Country Music nominee, Kacey Musgraves, and 2012 ACM Single of the Year winner and multiple 2013 ACM nominee, The Eli Young Band, to open on many of his ‘No Shoes Nation’ tour stops. Country Music Association 2012 Album of the Year Winner and ACM nominee leader, Eric Church, has also taken the stage on 16 of the 19 stadium dates, while triple Grammy-winner and multiple ACM nominee, Zac Brown Band, joined for three stadium shows including a co-headline show in their hometown of Atlanta. The tour is in support of Chesney’s latest CD “Life on a Rock.”

The 46-date tour, which began March 16 at Raymond James Stadium in Tampa, Florida, has made a major change to its stadium line array. Morris Light & Sound (Nashville) has provided a new NEXO STM line array for the 2013-2014 tour. The system layout is configured with 74 M46 for mains, 74 b112 bass extensions, 48 s118 flown subs, 16 RS18 ground ray subs, 12 PS10s for front fills, 14 GEO S 1210s and two GEO S1230s, 22 NUAR amp racks, and two Yamaha DME 64 digital mix engines with LAKE Mesa EQ cards for system tuning and console switching.

At an early stop at Cowboy Stadium, the 45,000+ concertgoers were treated to improved sound at the venue when the STM rig arrived for the Chesney show. The in-house audio crew was extremely impressed by the NEXO system.

Morris Light & Sound was involved early in the development process of the new NEXO System. “We were involved with the STM system for about a year before the system launched,” states John Mills, Morris VP and systems engineer for the Chesney tour. “Since we were the first company with a system of this size, Chris Rabold (Chesney FOH engineer) and I provided NEXO with tons of input on how it was performing and what we were doing with it from a tuning perspective.”

Mills said NEXO support was unparalleled. “We had at least one programmer and one system specialist with us for the first few weeks of rehearsals and shows. Beyond that, we sent them our tuning files and SMAART measurements and they incorporated our preferences into a new preset. Since then we honestly do very little to the PA each day. From stadium to shed, 70,000 seats to 10,000 seats, our tuning is almost always the same. The consistency and accuracy of the PA is like none I have ever tech’ed. From what my NS1 model predicts to what we measure is really the best software/hardware/measurement relationship I have ever experienced. It really makes my job as a system engineer easier because it is so accurate.”

One of the first things that attracted Morris Light & Sound to the NEXO STM, Mills continued, was the modularity. “It really works; we have done large and small venues and even some small ground stacked systems. It is great to have a system that sounds the same no matter how you deploy it. The modularity and scale-ability coupled with the accuracy are second to none. Sonically, the throw of the system out performs anything on the market. Vocals, guitars, and even high-hat and cymbals are still clear and musical at 400 feet away. It is very accurate and revealing. Very small moves in the system EQ are very noticeable. STM was everything I hoped it would be, and more.”

“From the first meeting we had with NEXO discussing the concept of the STM, I was very intrigued,” states Morris L&S President, David Haskell. “Then, after subsequent meetings, trips to the factory, and getting to better understand both the product and the people behind it, I am proud to say that this relationship with NEXO has been amazing. From concept drawings to manufacturing and implementation to ongoing support, the STM and the fine folks behind it can only be summed up in one word…flawless!”

The NEXO STM Series (Scale Through Modularity) loudspeaker cabinets are the first of its kind on the market. Ideal for touring, festivals, and sound company rental, the new system combines the best of Alpha functionality with the technical innovation of NEXO’s patented Hyperbolic Reflector and venting design in which all radiating surfaces are in phase, delivering a powerful, flexible, and easy to use system. STM enables line array systems to scale up or down depending on event audience size, from 1,000 to 100,000 people.

When asked how the STM sounds to him, front of house engineer, Rabold, said the system sounded hi-fi and clean. “Even when I drive it hard, it won’t distort. My ears have yet to feel fatigued after a show; that’s indicative of a clean system. On a mixing level, I’m getting some great sounds. There was a bit of a learning curve in the beginning as was to be expected. I have a specific sound that I want to achieve everyday. Once I learned what the NEXO STM wanted to do naturally, I married that with my own goals and we’ve been in great shape ever since. John Mills and NEXO obviously had a good line of communication by the time I arrived on the tour, and they were extremely proactive with any of our suggestions early on.”

“The Seahawks Stadium show was spectacular, and the audio was superb,” states Fred Micera, Audio Engineer, CenturyLink Field in Seattle. “I heard things/parts I had never heard before in past Chesney shows. Kenny’s voice was captured perfectly and has never sounded more natural. The mix was very well balanced and exciting. Tonally, it was bright and crisp without being harsh or overly sibilant. Clearly understanding everything Kenney had to say between songs was another new revelation. The definition between instruments, especially the multiple guitars were remarkable. Subtle use of panning and EQ made the 4-part guitar exchanges, in particular, stand out while staying musical and not overbearing in any way. The drum sound was quite impressive, and the bass guitar/bottom end was tight and well defined. The lack of overtones and clarity in the low end stopped me dead in my tracks as I crossed in front of the FOH mix position. The STM brings out a whole new dimension to the music.”

Micera said the volume level was steady throughout the night. “The PA system’s coverage was very consistent as we walked the house. Even in areas that are usually disappointing, the sound was solid and uncompromised by the surroundings. We were literally stunned. Seriously, stunned! The success of the system deployment and tuning was not lost on us either. John Mills really addressed the venue and clearly knows how to use the tools at his disposal. The fact that the opening acts sounded so good and all the mixes came together so quickly is another testament to John and the tour’s well-oiled machine.”

For more information on the “No Shoes Nation Tour”, visit www.kennychesney.com.

For more information on Morris Light & Sound visit, www.morrislightandsound.com.

For more information on the NEXO STM system, visit www.yamahaca.com.

-END-

PHOTO CREDITS: Keith Clark and John Mills

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

IC Live Rings In North Carolina’s New Governor

Raleigh, NC – August 2013… For more than 170 years, North Carolina’s State Capitol building has served proudly as a centerpiece of the city of Raleigh, and a focal point of state government. This classic architectural masterpiece, its majestic columns evoking ancient Greek temples like the Parthenon, has been a gathering place for generations of events, both large and small. 

With this grand building as a backdrop, Pat McCrory was recently sworn in as the 74th Governor of North Carolina. Despite the familiar setting, McCrory’s inauguration was the first to take place on the Capitol’s South Lawn, with the stage looking out down Fayetteville Street, a vibrant thoroughfare that serves as Raleigh’s ceremonial center. 

With highly reflective marble buildings lining both sides of the street, the setting presented some daunting obstacles to speech intelligibility. “We were really concerned about the location,” says Allin Foulkrod, President of Creative Visions. “It was a big challenge to reduce slap off the marble buildings, while ensuring great quality sound for all the areas we needed to provide it for.” 

To ensure that the attention remained squarely on Gov. McCrory, and not the sound system, Creative Visions selected the Renkus-Heinz Iconyx IC Live steerable array. Two pairs of IC Live speakers were deployed on each side of the stage, creating an extremely low-profile system that delivered every word of the inauguration with complete clarity. 

“We looked at a number of different speakers, and IC Live were absolutely the best solution,” says Foulkrod. “The magic of the IC Live is that they have an incredibly low profile, and they are ground-supported. It was crucial for the TV shots that the ceremony not look technology-heavy – if you fly major speaker arrays it takes away from this, for obvious reasons.”

The low-profile, tightly controlled sound, and high output of the IC Live allowed Creative Visions to fire them directly down a crowded street lined with reflective buildings, delivering sound cleanly to the audience while being almost invisible. “With IC Live, the speakers literally disappeared,” says Foulkrod. “I produced the show, but when I went back and looked at pictures I had a difficult time finding where the speakers were in the press shots. That is an amazing thing, having been in the business for 24 years, to see something vanish like that into a crowd of thousands.” 

Foulkrod points out that no additional near fields or other fill speakers were required to deliver full sound coverage to the audience of thousands. “We were just shocked by the results, we were so pleased,” he says. “The sound was fantastic – crystal clear, and with beautiful articulation. The comment made by the #1 TV station in town was, ‘This was a production designed for television.’ It’s the best one they have seen in years.” 

 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Living Word Gets Renkus-Heinz

 

Aldergrove, BC …. An hour southeast of Vancouver and mere minutes from Canada’s southern border, the town of Aldergrove is home to Living Word Fellowship. The church purchased a “fixer-upper” and began major upgrades to prepare the building for services.

The 550-seat sanctuary recently underwent a long-needed expansion and renovation that included new acoustical treatment, audio, and video systems designed and installed by Langley, BC-based Pro Sound and Stage Lighting Ltd. As Pro Sound’s John Drake explains,”the sanctuary was built in 1982, but the equipment that was in there dated back to the 1970s, so the update was long overdue.”

The room’s physical dimensions presented some challenges, says Drake. ”It’s a relatively wide room, and not very deep. For the congregation, it’s great, because no matter where you sit, you feel close to the platform. But it definitely presented some issues in terms of coverage.”

Adding to the challenge was the sanctuary’s low ceiling, which limited the possibilies. ”The system design would have been a whole lot easier if the ceiling had been about 15 feet higher,” saysDrake. ”As it is, the sound tends to get a bit dense in the center, so we needed speakers that gave us an exceptional degree of pattern control.”
Using Acoustical Simulation software - EASE, Pro Sound modeled the sanctuary, from the acoustical treatment on the walls and balcony to a new audio system based around a main Left-Right-Center cluster of three Renkus-HeinzPN121/6 12-inch two-way loudspeakers. A pair of PN61R 6-inch boxesprovides additional over-balcony fill.

Mounted in the steps of the stage platform, five CFX42 dual 4-inch two-way stair-step loudspeakers provide additional front fill coverage for the lower seating nearest the stage. ”Rather than use side fills, we opted to aim the center cluster a bit higher to cover the balcony, which it does verywell, and we added the speakers in the stairs for front fill,” says Drake. ”Each of the stair step speaker is separately delayed. The imaging is exceptionally good no matter where you’re sitting.”

A pair of PN212SR subwoofers mounted above the platform add deep low frequency support. A Midas Pro2 digital console covers Front of House duties, while a Biamp Audia handles system drive and processing. On the platform, four PN121M floor monitors provide sound for the ministers and musicians. ”The Renkus-Heinz speakers were really the best choice in terms of coverage and performance,” says Drake. ”They were a great fit for the room, and for the Church’s program needs.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

L-ACOUSTICS is Big News at Free Press Summer Festival

Matt & Kim on FPSF 2013's Saturn Stage

LD Systems deploys K1 for top artists on FPSF’s two largest stages

HOUSTON, Texas – August 2013 — Over the past five years, the Free Press Summer Festival (FPSF), staged at Eleanor Tinsley Park just west of downtown Houston, has quickly grown into one of Texas’ most eagerly anticipated music festivals. This year notably marked the first time that the event completely sold out in advance, ultimately drawing nearly 100,000 concertgoers to enjoy 90 national and local artists performing on six stages over two days.

Houston’s LD Systems once again served as the primary audio, video and lighting provider for FPSF 2013 and supplied production gear and services for the festival’s four primary stages. This year, however, the company chose to deploy L-ACOUSTICS K1 systems on the two largest stages, Mars and Saturn. more

WOODLAWN BAPTIST CHURCH SINGS THE PRAISES OF NEW SR SYSTEM FROM WORXAUDIO TECHNOLOGIES

**** Photo: Woodlawn Baptist Church’s sanctuary ****

Baton Rouge, LA – July 2013… With music becoming an increasingly important aspect of worship services as a means of staying relevant to their congregation, more churches are discovering the importance of quality sound reinforcement. Such was the case at Woodlawn Baptist Church, where an outdated, poorly implemented sound system was hindering the effectiveness of their worship services. As of February, the situation was rectified by the installation of a new system drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies. more

L-ACOUSTICS Parties with DJs Day and Night at WET REPUBLIC and Hakkasan

Deadmau5 performs at Hakkasan Las Vegas (photo credit: Drew Ressler / Rukes.com)

Vegas’ two hippest new hotspots adopt KARA/SB18 monitor packages for all-star residencies by Tiësto, Deadmau5, Calvin Harris and more

LAS VEGAS — L-ACOUSTICS’ KARA/SB18 combination is quickly emerging as the monitoring system of choice among the world’s top EDM superstars, further evidenced by the fact that Audiotek recently specified the package for MGM Grand Hotel & Casino’s two newest venues: WET REPUBLIC Ultra Pool and Hakkasan Las Vegas.

In early April Audiotek purchased and installed six KARA loudspeaker enclosures and four SB18 subs in the DJ mix area of Hakkasan for its client, Angel Management Group (AMG), which operates the venue. Later that same month, an identical monitoring setup was installed at the AMG-owned 53,000-square-foot, adults-only pool club, WET REPUBLIC. Solotech’s Las Vegas office facilitated the sale of both systems. more

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