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Baltzell Audio Design and ATK Audiotek Rely on HARMAN’s JBL VERTEC® Line Arrays for the 85th Academy Awards

NORTHRIDGE, California – The 85th Academy Awards were held February 24, 2013 at the Dolby Theatre in Los Angeles, recognizing the cinematic achievements of 2012. For the event, Valencia, California-based audio system provider ATK Audiotek deployed the sound reinforcement system, which was designed by Pat Baltzell of Baltzell Audio Design and included HARMAN’s JBL VERTEC® line arrays.

One of the biggest nights in entertainment, the 85th Annual Academy Awards were broadcast live on ABC and were hosted by Seth MacFarlane. The evening’s highlights included Argo winning Best Motion Picture of the Year, Daniel Day-Lewis earning Best Leading Actor for his performance in Lincoln, and Jennifer Lawrence winning Best Leading Actress for her role in Silver Linings Playbook.

The main PA system included 30 JBL VERTEC VT4889 fullsize line array elements, suspended in two arrays of 15 enclosures each, and 16 VT4880 fullsize arrayable subwoofers, suspended in two arrays of eight subwoofers each. The system also featured four suspended side fill arrays, each including four VT4886 subcompact line array elements (for a total of 16 VT4886 elements), while six JBL MS28 loudspeakers were temporarily installed for under-balcony area coverage. A total of 65 JBL Control 25T surface-mount loudspeakers were temporarily installed under audience seats in the VIP seating area.

As in years past, Baltzell relied on VERTEC line arrays for the Academy Awards. “This setup has been successful for a number of years and the VERTEC system always provides reliable performance and enables me to focus on the event with total confidence in the technology,” Baltzell said.

For more information on ATK Audiotek, please visit www.atkaudiotek.com

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

VME’s Martin Audio MLA Compact Wins Plaudits At TPi Awards


Described as an audio graveyard for sound designers, the ballroom at the Novotel Hammersmith presented no such pitfalls for Manchester-based VME when they were asked to provide sound reinforcement for the recent 2013 TPi (Total Production International) Awards.

“Everyone has had a crack at it, and this time it was our turn,” said VME director Dion Davie. “We knew that performing in front of all our industry peers would be challenging.”

VME were early adopters of Martin Audio’s MLA platform, and turned to an MLA Compact solution for the main arena, rigging six elements on either side of the stage which were used in tandem with an additional four providing a central hang to ensure good, even coverage over a very wide area. This arced out into the banquet room, where Lauren Laverne presented this year’s awards.

The array was underpinned by four DSX subs, while Martin Audio X12+’s were used as outfills, discreetly hidden behind the LED screens that formed the set to provide coverage at the tables that fell slightly off-axis from the arrays. Martin Audio DD6’s were used as stage front fills and foldback due to their compact size and innovative differential dispersion horn.

There was also a low-level area at the rear for which VME also provided reinforcement. “The trick was to get the two MLA Compact arrays and distributed systems syncing up seamlessly with each other,” said Davie. Fortunately three Martin Audio DX2 (4-in 8-out) dedicated management systems provided all DSP necessary. System tech Mark Edwards used Smaart software to time align the entire system; when the presenter moved from the main stage to the smaller B stage, an alternative snapshot was recalled from the DX2’s to reconfigure the system.

“We knew the MLA Compact would cover the main area, and mapped the room on the MLA [Display v2.1] software to achieve the optimization,” said Dion Davie.

VME’s Ben Hyman project managed the event, Steve Brierley mixed the sound and Martin Shaw, assisted by Mark Edwards and Martin Audio’s Nigel Meddemmen, were system techs.

Hyman stated, “The two main requirements for the system were coverage and clarity — particularly at the back — ensuring that every person, no matter where they were sat, could hear the audio at the right level. And we certainly achieved that.”

Dion Davie added, “Guests were absolutely gob smacked by the sound quality for the first time in the history of the event. Judging from the number of calls it was an outstanding success and we feel we have set a benchmark.”

Ben Chadwick, Event Manager at organizers, Mondiale Publishing, agreed. “We got the sound absolutely right this year. Because of ceiling height variations it’s a tricky room to provide even coverage with high intelligibility, but we completely nailed it.”

For more about Martin Audio, please click to www.martin-audio.com.

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items—from tablet PC and Merlin™ controller to network interconnects and mains distro—are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Ford Audio Drives Pacific Northwest’s First L-ACOUSTICS KARA Rig

Ford Audio Service owners Angela and Gary Ford

BURBANK, Washington – February 2013 — Tri-Cities-based sound reinforcement and AV service/rental provider Ford Audio Service, Inc. has now taken delivery of the first L-ACOUSTICS KARA system in Washington State. The initial order was comprised of 24 KARA, accompanied by 12 SB18 and eight SB28 subs, four 12XT coaxial monitors, and eight LA8 amplified controllers.

Located on the southern edge of the state — a five-hour drive southeast of Seattle — Ford Audio is well positioned to service corporate clients, venues, festivals and regional tours throughout Washington, Oregon, Idaho and Montana. more

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Related Topics: Corporate AV, Line Array, Loudspeakers, News |

MS1600X Powers Multiple Digital Signs with Dynamic Full High Definition ~ One Multi Screen Appliance Powers up to 16 Displays including Multi-Zone Management for Each Screen

MS1600X Powers Multiple Digital Signs with Dynamic Full High Definition

One Multi Screen Appliance Powers up to 16 Displays including Multi-Zone Management for Each Screen

Digital Signage Expo, Las Vegas & San Jose, CA – February 27, 2013 – DT Research™, Inc., an industry leader in the development of information appliances for vertical markets, today announced the release of the MS1600X, a new signage appliance in the WebDT Signage System line, capable of powering content over up to 16 screens. The MS1600 Multi Screen Appliance enables powerful content streaming on anywhere from 2 to 16 displays, and offers content blending, or tiling, across screens. The MS1600X, along with WebDT Content Manager, provides a fully integrated system with 1080p over up to 16 screens and multi-zone management for up to 16 zones.

The MS1600X is powered by the IntelÒ Quad-Core i7 processor, and provides full HD (1080p) video quality to every screen. Running MicrosoftÒ WindowsÒ operating systems, the WebDT Multi Screen Appliance displays content files in native resolution, so images are sharp and true to original properties, even when presented on multiple displays or large screens, maintaining optimal picture quality.

The MS1600X is ideal for applications that require high-resolution on multiple screens including digital signage walls, menu boards, flight/transportation information, and creative display arrangements. The MS1600X enables dynamic digital signage deployments in spaces where multiple screens are indoors and viewed in shopping malls, entertainment venues, and airports.

Each of the screens powered by the MS1600X can be remotely managed with the WebDT Content Manager software, which is bundled with the appliance. This intuitive interface software is used for organizing, scheduling, and deploying content to the digital signage network. The WebDT Content Manager provides multiple zone support and planning for each display, so that a screen can be divided into up to 16 zones with different content in each zone. With WebDT Content Manager, all screens can show the same content, each screen can play different content, or content can be blended over several screens. The user-friendly WebDT Content Manager also allows users to create many combinations across multiple screens, such as four zones on two screens, two zones on five screens, and hundreds of other possible screen layouts.

The MS1600X Multi Screen Appliance brings top quality performance and is available now.

About DT Research

DT Research™ develops and manufactures web-enabled information appliances for vertical applications. The WebDT family of products is based on embedded computing platforms for secure, reliable, and cost-effective computing. WebDT products include digital signage solutions, wireless tablets, point-of-service handhelds, compact modular systems, and display-integrated information systems. These systems emphasize mobility, wireless connectivity and touch displays. Powered by Windows® Embedded and Windows XP operating systems, WebDT devices offer durability and ease in integration, leading to solutions that can be remotely managed with the comprehensive WebDT Content Manager and WebDT Device Manager software. For more information, visit www.signage.dtri.com

MS1600X Multi Screen Appliance

http://signage.dtri.com.

DT Research and WebDT are trademarks of DT Research, Inc. All other brands and product names may be trademarks and/or registered trademarks of their respective owners.

HARMAN’s JBL Loudspeakers Provide Gold-Standard Sound for the University of Minnesota’s Mariucci Arena

NORTHRIDGE, California – Named for John Mariucci, the “Godfather of Minnesota hockey,” Mariucci Arena is home to the Golden Gophers, the University of Minnesota’s men’s hockey team. The 10,000-seat facility opened in 1993, and after almost 20 years its audio system wasn’t sounding so golden anymore. Enter Parsons Electric of Minneapolis, Minnesota, who along with Richmond, Virginia-based A/V and architectural services firm Anthony James Partners renovated the sound system with HARMAN’s JBL PD (Precision Directivity™) Series loudspeakers.

“Mariucci Arena was a challenging environment because we had a reverberation time of about eight seconds, and there is nothing in the way of acoustical treatment,” said Tim Habedank, System Specialist for Parsons Electric. “The rink acts as a big, perfectly flat reflector so all the sounds the players make on the ice are bouncing up into all areas of the arena. Combine that with crowd noise during games, which can reach over 100 dBA, and overcoming the sheer volume of the space was a challenge.”

Parsons Electric installed 28 PD5322/95 and PD5322/64 loudspeakers in 12 clusters, flown from the ceiling and aimed throughout the arena. Four corner clusters contain three PD5322/64 loudspeakers each, while the other eight clusters each include one PD5322/64 and one PD5322/95. In addition, four PD5322/95 loudspeakers are used as floor fill.

“The best thing about the PD5000 Series loudspeakers is their pattern control and directivity,” Habedank noted. “A big box is required to achieve this level of control, but the PD boxes are not too big to the point of being distracting. They give us the performance we need, they provide high fidelity and high output but most importantly, the pattern control is terrific.”

Complementing the PD loudspeakers are 12 JBL ASB6128 subwoofers hung in four arrays of three subs each, while 14 JBL Control 25 loudspeakers provide under-balcony fill. “It’s a pretty big arena, but those subs can really shake this place,” Habedank said.

In addition, 13 JBL CBT70J-1 Constant Beamwidth Technology™ column speakers are used to fill the press box and upper suite areas. “The CBT’s worked perfectly, enabling us to achieve tremendous clarity and intelligibility in the upper areas of the arena by focusing the coverage into the narrow seating area,” Habedank pointed out. “They also have a pretty wide coverage pattern so we can space them out pretty far from each other.”

“The system at Mariucci Arena demonstrates the excellent pattern control of PD Series loudspeakers and their ability to create relatively small but powerful arrays,” said Brad Ricks, Senior Application Engineer, JBL Professional, who was instrumental in the system design.

“The JBL system rocks,” Habedank concluded. “They get as loud as we need them to be, and we could even drive them harder if we had to. There are not too many other loudspeakers we can trust in such a challenging acoustic environment.”

For more information on Parsons Electric, please visit www.parsonscorp.com

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

WORXAUDIO TECHNOLOGIES LOUDSPEAKER SYSTEMS DEPLOYED AT FIRST FWB CHURCH

**** Photo: First FWB Church’s sanctuary ****

Wilson, NC – February 2013… First FWB Church, a Free Will Baptist Church located in North Carolina’s Coastal Plain region, recently re-opened its sanctuary after experiencing extensive damage as a result of a lightning strike that set the sanctuary ablaze. The fire and subsequent water damage (to extinguish the fire) forced church management to make major repairs to the space, including the installation of a new audiovisual setup—with loudspeaker systems drawn from the TrueLine and WaveSeries catalogs of Greensboro, NC-based WorxAudio Technologies. more

HARMAN’s JBL Loudspeakers and Crown Amplifiers Team Up to Provide Slam-Dunk Sound for Indiana Hoosiers’ Assembly Hall

NORTHRIDGE, California — Indiana University’s Assembly Hall, a 17,000-seat indoor arena is the home to the Indiana Hoosiers—one of the most storied teams in college basketball. The arena, which opened in 1971, was recently retrofitted with a new audio system featuring HARMAN’s JBL loudspeakers and Crown amplifiers. Pensacola, Florida-based All Pro Sound in conjunction with Sweetwater, Inc. of Ft Wayne, IN., handled the installation in coordination with New York-based Acoustical Design and consulting firm SIA Acoustics.

“Before we were called in, Assembly Hall was still using its original sound system from 1971. The arena had a lot of existing acoustical treatment but the sound quality in the lower frequencies was unbalanced and made it difficult for the crowd to hear speech announcements clearly. Needless to say, we had to bring the system up to today’s standards for performance, coverage and intelligibility,” explained Sam Berkow, Principal at SIA Acoustics.

As an older facility, Assembly Hall’s unique architecture caused some challenges in the installation process. The logistical difficulties of mounting the speakers to cover the arena’s unusual steeply raked seating proved to be difficult. “Any big arena like this is going to present some acoustical issues, but Assembly Hall is unique in that most of the seating is on two very steep sides of the court and go up high, and there are also balconies that are even higher,” added John Fuqua, Vice President, All Pro Sound.

“Because of the seating layout, we had to fly the speakers at 80 feet above the floor. We installed a mix of JBL VERTEC® VT4888DP midsize powered line array elements, PD5322/95 full-range speakers and ASB6128 subwoofers specifically to provide the best coverage and performance to all the seating areas,” stated Fuqua.

The PD5322/95 loudspeakers and ASB6128 subs are powered by eight Crown Macro-Tech i Series MA9000i, six MA5000i and 10 CTs 1200 amplifiers. Five BSS BLU-160 digital signal processors are also part of the system.

For the main arrays All Pro Sound installed six hangs of nine VT4888DP line array elements each, spaced around the arena. The 10 PD5322/95 speakers are used for upper balcony fill and are flown from the existing catwalk system. The ASB6128 subwoofers are hung in four arrays of four boxes each, placed near the outer main arrays.

“Sam Berkow and the SIA Acoustics design team chose this combination of HARMAN equipment because the JBL speakers are the right match in size and coverage capability, especially considering the odd vertical layout of the seats at the sides, and the electronics complement the speakers perfectly to achieve the highest level of performance for the venue,” concluded Fuqua.

“For this system, the job was contracted, the equipment procured and the installation completed in just 19 days from the receipt of the notice to proceed. We coordinated with HARMAN representatives, All Pro Sound, retailer Sweetwater and the Indiana University staff to streamline the process and facilitate this quick turnaround. It was an impressive amount of work to be completed and be up and running within such a tight schedule,” added Berkow. “We are extremely happy with the results.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

CAPITAL SOUND HIRE AND WIGMAN FIRST IN UK WITH NEXO STM SERIES

London-based Capital Sound Hire has become the first UK company to take delivery of a NEXO STM Series system, and Wigwam Acoustics has confirmed its purchase of a STM modular line array system, after two years of involvement in its development by both companies.

The initial STM touring range incorporates three elements; the M46 Main cabinet, B112 Bass cabinet and S118 Sub-bass cabinet, which allow users to build systems for audiences from 200 to 100,000. “With profit margins being squeezed, it’s crucial for the success of rental companies to get the maximum flexibility from their inventories,” continues Capital’s Paul Timmins. “Prep costs money, and this system only requires configuration between projects, with no rebuilds necessary.”

The scalability of STM held great appeal for Capital, whose projects range from 10 people at small corporate events to stadium and outdoor shows for 60,000 plus. “What has become evident is that most current loudspeaker systems require you to stock up to four sizes of line array boxes to cover the variation in room sizes,” says Timmins. “Often, during the winter months, an entire inventory of large format loudspeakers can sit idle while there is a shortage of small and mid-sized cabinets. The concept of STM is amazing, with true multi-use options for all components including the amplifier racks. System designs can take into consideration not only room limitations but also musical content. It’s a fantastic addition to the tool box.”

Capital, which will ultimately own a 48-box system an inventory of 48x M46 Mains, 48x B112 Bass and 48x S118 Subs, is initially planning to introduce the components on small-scale events. This will ramp up during summer 2013 to larger projects that will allow engineers to get to grips with its full capabilities. “NEXO has been a great company to work with,” concludes Timmins of the STM project. “They have a fantastic R&D team and they also know where all the best restaurants are!”

In STM terminology, Wigwam’s package is 48 sets: 48 x M46 main cabinets, 48 x B112 bass cabinets and 48 x S118 sub bass units. The system specification is identical to that ordered by Capital Sound. The main criteria for the new system, according to Wigwam’s Chris Hill, was, “will it sound good, will it be flexible, and quick to rig? NEXO engineers really listened; STM is scalable, and we can use it for many different applications instead of it just being able to do certain types of work. We’re hopeful that this will give us maximum utilization of our stock.”

Further information:
NEXO SA
Tel: 0033 44 99 00 70
www.nexo.fr

Williams Arena’s Sound Is on the Rebound With HARMAN’s JBL Loudspeakers

NORTHRIDGE, California – It’s called “The Barn,” officially known as the Williams Arena, home of the University of Minnesota’s Golden Gophers men’s and women’s basketball teams. The Barn’s 14,625-capacity main arena has been renovated with an all-new sound system that includes more than 100 HARMAN’s JBL loudspeakers. Parsons Electric of Minneapolis, Minnesota was the systems integrator for the project. Parsons collaborated with Richmond, Virginia-based audio/video consulting and architectural services firm Anthony James Partners.

According to Tim Habedank, System Specialist for Parsons Electric, Williams Arena is a large, reverberant space, making it a challenge from a system design standpoint. “We had a reverberation time of about seven seconds,” Habedank said.

“The shape of Williams lent itself to a line array system because the hanging points were far enough away from the seating that we needed speakers that would cover a large area,” Habedank noted. “Williams has three seating levels, so we were able to direct the boxes to the different levels as needed.”

Parsons Electric installed eight line arrays, each comprised of six JBL VRX932LA-1 Constant Curvature loudspeakers, along with two additional arrays of four VRX932LA-1 loudspeakers each for court coverage. The system also features four subwoofer clusters, each containing three JBL ASB6128 subs, while 20 Control 30 loudspeakers are installed for upper balcony fill with 48 Control 29AV loudspeakers for lower balcony fill.

In addition, Parsons Electronic separated the VRX system into three zones—one for each level—so each zone can be controlled discretely with a touchpanel. “Williams is a multi-purpose arena, so for events that don’t require the full system, the top two levels of speakers can be turned off if only the lower level speakers are required,” Habedank said. “Or the top level can be turned off if only the lower and middle levels need to be reached. The system is easily configurable depending on the requirements of each event.”

“The VRX system really packs a punch and covers Williams Arena very well,” Habedank added. “We did some level shading on the system to ensure that every seat in the arena is separated by less than a few dB. We have really nice, even coverage with the VRX line arrays.”

For more information on Parsons Electric, please visit www.HARMAN.com

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

Prism Sound Hosts Audio Design Workshop LIVE

Some of the most experienced engineers in the audio industry will be sharing their knowledge and practical expertise in active loudspeaker design at a unique workshop being hosted by Prism Sound and Oxford Digital, in partnership with the Audio Engineering Society, LOUDSOFT and TTid.

Audio Design Workshop LIVE will take place at Anglia Ruskin University, Cambridge, on March 25th 2013 and will be open to engineers, engineering managers, students and academics involved in audio engineering.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have a unique opportunity to learn from our panel’s many decades of collective experience, plus there will be plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries of the audio industry.”

Audio Design Workshop LIVE will feature seminar sessions presented by Peter Eastty and John Richards of Oxford Digital; Peter Larsen of LOUDSOFT; Ian Dennis and Simon Woollard of Prism Sound; plus a guest presenter to be announced shortly. There will also be a panel discussion/Q&A where delegates will have the chance to ask the panellists for answers and advice, a hands-on session with evaluation units and demonstrations, and plenty of opportunities to network. All delegates will also receive an audio engineering gift pack.

“We are encouraging delegates to bring along their own loudspeakers for evaluation and enhancement using Oxford Digital’s DSP tools,” Simon Woollard adds. “And for those who can’t physically attend, there will be the opportunity to watch the proceedings live via a global webcast.”

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the Prism Sound website: www.prismsound.com/ADWLCambridge2013, or by calling +44 (0)1353 648 888.

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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