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Archive of the Line Array Category

CMA Music Festival Rocks Music City With L-ACOUSTICS K1

Sound Image delivers better-than-ever concert sound at Nashville’s LP Field for world’s largest annual country music festival and broadcast

NASHVILLE, Tennessee — The 42nd annual CMA Music Festival, the world’s largest country music festival and broadcast, recently stomped all previous attendance records at its 2013 event, which took place in Nashville from Thursday, June 6 through Sunday, June 9. As usual, the highlights of the festivities this year were the main stage concerts at LP Field, which nightly drew more than 45,000 spectators to cheer and sing along with dozens of the genre’s top artists.

For sound reinforcement duties, the Country Music Association (CMA) awarded the contract to Sound Image, which supplied a large-scale L-ACOUSTICS K1 system for the headlining concert each night — all four of which sold out more than six weeks in advance. more

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HARMAN Professional Ships HiQnet Audio Architect™ Version 1.0: Triggers Strong Reception From Integration Leaders

NORTHRIDGE, California — Demonstrating the strong market acceptance of HARMAN HiQnet as professional audio’s preeminent audio network configuration and control system solution, HARMAN Professional today announced that downloads of the newly-launched HiQnet Audio Architect version 1.0 has generated an unprecedented rate of downloads from registered audio professionals. Audio Architect forms the third pillar of the new Architectural Media Systems installed sound solution, linking and combining processing and amplification from BSS Audio and Crown. HiQnet Audio Architect provides systems integration professionals with step-by-step application workflow from which a carefully-constructed modal interface is derived, embedding users’ workflows directly in the main application. With much of the development focus being on usability and user experience, it includes offline design tools specifically grouped for the system designer and online operation tools incorporated with the system, commissioning engineer in mind. Also included is an integrated Full Screen Mode designed for the day-to-day operator, making the right control panels and options available for each user, application and project. HiQnet Audio Architect automatically generates system control and monitoring interfaces that are instantly accessible regardless of the individual system hardware components. In doing so, it enables better workflows, encourages best practices and provides more efficient operation.

HiQnet Audio Architect represents the sum of the functionality of System Architect and London Architect, merging HiQnet’s proven workflow-based user interface principles with open-architecture processor configuration. Commenting on its introduction, Adam Holladay, Market Manager, HARMAN Professional System Development and Integration Group (SDIG) noted, “With 1,500 downloads in the first week, the market response to Audio Architect version 1.0 has been nothing short of phenomenal and demonstrates the systems integration community’s appetite for the most advanced toolsets, efficient productivity tools and intuitive interfaces. Following on from the success of HiQnet System Architect, Audio Architect is testament to the quality of input and direction we have received from our customers in the field.”

HiQnet Audio Architect features an intelligent venue navigation system which provides a context-sensitive tree view of the entire design, filtering out unnecessary information for each stage of the built-in workflow modes. In doing so, screen noise is significantly reduced, even for complex designs, as is the need for training since for each workflow step only the relevant tools are presented. It also provides the ability to go online to address not just the entire venue but also individual rooms, racks or even devices. This provides significant benefits in maintenance situations by eliminating the need to shut down an entire system while troubleshooting or upgrading hardware.

Audio Architect is the most comprehensive software application for routing multiple digital audio networks. It features system-wide drag-and-drop routing and is designed to support the full ‘A, B, C, D’ range of AVB, HARMAN BLU link, Cirrus Logic CobraNet® and Audinate Dante™ audio protocols to meet any and all the market’s networking demands. CobraNet compatibility assures legacy systems can continue to be supported and grown, AVB provides the path to an open standard networking future and lowers the barrier to entry for Ethernet-based media, and Dante enables complex audio routing in a managed Ethernet switch network. The BLU link bus complements all three Ethernet-based transports by providing a high channel count, low latency redundant ring connection between processors and amplifiers, simultaneously alleviating bandwidth from the Ethernet network and reducing switch port and switch count.

Audio Architect enables configuration of open-architecture processors of the BSS Audio Soundweb London family in a new ‘Soundweb London world’. Enhancing the usability of London Architect equivalent features, Audio Architect includes a matrix control, improved GPIO configuration and improved Soundweb London preset configuration. It is also compatible with the new HiQnet Motion Control iOS app, enabling customized HiQnet control interfaces to be directly and wirelessly loaded onto iOS devices.

HiQnet Audio Architect also features the capacity to launch HARMAN’s IDX-100 Designer software from a representation of an IDX server in the main system design, merging the management of HiQnet and IDX systems, and aligning the comprehensive IDX networked paging solution within the HiQnet system.

As of the availability of Audio Architect, System Architect becomes legacy software. London Architect will continue a supported platform alongside Audio Architect while the full feature set is migrated over the forthcoming months.

Audio Architect is available for free download from the new HARMAN Architectural Media Systems website, archimedia.harman.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Gand Helps River Edge Park Kick Off Opening Concert Season

BUENA PARK, Calif.—Along the banks of the Fox River in Aurora, Illinois, the new River Edge Park represents a strong collaborative effort between the public and private sectors, including businesses, environmental advocates, developers, and community members. The 30-acre park has a 10-acre Music Garden, with its John C. Dunham venue seating 8,500 including the lawn area. At a cost of 13.2 million dollars, the city of Aurora has taken a huge step in upgrading a former rust belt industrial area and turning it into the place to go for music during the summer months.

To kick off its first season, Gand Concert Sound (GCS) Elk Grove Village IL, aka “the NEXO guys” provided a NEXO Geo T sound system along with Yamaha PM5D-RH and M7CL-48 consoles for the opening weekend. The NEXO rig included 24 GEO T speakers, 12 CD-18 subs, plus PS-15 monitors and Alpha side fills powered by NX 4×4 amps. Entertainment included Buddy Guy, Dr. John, JJ Grey & Mofro, Tommy Castro, Robert Randolph Family Band, and the Stone Foxes for the weekend’s “Blues on the Fox” Festival.

GCS President, Gary Gand said, “It was a great way to start off our outdoor summer season here in the Midwest. BBQ, beer, and Buddy Guy are about as good as it can get under a star-filled sky by the Fox River.”

Audience comments overheard by crew covered the gamut from “I’m all the way in the back, and it sounds great,” to “I’m right in front and it sounds great,” showing off the even coverage provided by the NEXO speakers and GeoSoft plotting software.

Florida swamp rocker JJ Grey, the first artist to play on the park’s stage, had never been to Aurora before the park’s opening night, and called it “beautiful” saying the venue’s sound system, equipment procedures, and crowd made a great impression. Grey announced to the audience, “They killed it.” during his 90-minute set, referring to the new park.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Freeman Coliseum Finds Its Sonic Focus With L-ACOUSTICS

SAN ANTONIO, Texas — Originally built in 1949, San Antonio’s Freeman Coliseum has hosted everything from rodeos, boxing and hockey to expositions, circuses and concerts over the years. Now, Bexar County and the facility’s management team are in the middle of a multi-year initiative to update the venue, the most recent phase of which included the addition of a new ARCS Focus arena loudspeaker system installed by L-ACOUSTICS Certified Provider LD Systems. more

Martin Audio MLA Mini Pioneers New Ultra-Compact Format


Due to its ultra-compact footprint, light weight and radical design, Martin Audio’s new MLA Mini will be able to share the award-winning and revolutionary MLA technology across a far wider range of smaller-scale portable and installed sound applications requiring the ultimate in fidelity, consistency and control.

Scalable and versatile, MLA Mini’s ultra-compact size understates its output capabilities. A 12-box array can deliver live music in venues of 750-1000 people.

The MSX mini-sub power plant complements the main system and houses the amplification, networking and DSP necessary to power and control itself and four MLA Mini enclosures.

The system can be flown, ground-stacked or pole mounted. In its simplest configuration, four MLA Minis can be pole-mounted above the MSX with precisely adjustable tilt angle, and function as a plug-and-play system, with the user recalling onboard presets instead of using computer control. At the other end of the scale, up to 16 MLA Minis can be flown in an array and powered by four ground-stacked MSX’s.

With each individual cell under software control, ‘hard-avoid’ areas can also be programmed in to reduce sound spill and noise pollution, and vertical coverage can be fine-tuned electronically in-situ without the need to re-rig the array.

Arrays and MSX’s can be remotely controlled from a laptop or wireless tablet running VU-NET™ control software thus eliminating the time and frustration of trial and error tuning.

Each MLA Mini enclosure houses 2 x 6.5”/2” voice coil LF drivers and a vertical column of 3 x 1.4” aluminium dome HF drivers on a 100° horizontal dispersion horn. The 15” reflex loaded MSX can be integrated into flown arrays or ground-stacked separately.

MSX also contains nine channels of Class D amplification to provide cellular drive while the onboard DSP interacts with proprietary DISPLAY2.1™ intelligent software for accurate array optimization.

Applications include small-to-medium scale theater and live music venues; corporate AV events; fixed installations in concert halls, ballrooms and HOW and side-fill for MLA Compact systems.

Asked about MLA Mini, Director of U.S. Operations Rob Hofkamp said, “We are excited to have this latest addition to the cellular drive family of products. With the Mini’s versatile ultra-compact format, integrators will find it very useful in venues up to 1000 seats and a wide variety of installed sound applications.”

Martin Audio Managing Director Anthony Taylor added, “In addition to the physical advantages, MLA’s revolutionary technology now becomes accessible to most budgets for the first time. In theory, every installed venue or touring show can now achieve the controlled delivery and speed of set up that cellular technology allows, no matter how big or small the space is.”

The new system is expected to start shipping end of May 2013.

For more about MLA Mini and other Martin Audio installation products, please click to www.martin-audio.com

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

George Strait: The Cowboy Rides Away with L-ACOUSTICS K1

“King George” shatters Alamodome’s attendance record on tour leg’s final night

SAN ANTONIO, Texas — After 40 studio albums and an unprecedented 60 number one country music singles, George Strait, the “King of Country”, has now wrapped up the first half of his farewell tour dubbed The Cowboy Rides Away. With the second leg of dates set to take place in early 2014, the final in-the-round performance of his 2013 trek took place on June 1 at San Antonio’s Alamodome in front of a record-breaking sold-out crowd of more than 73,000 fans.

For touring sound reinforcement, Strait has long turned to FOH Engineer George Olson and Dallas-based Onstage Systems, which furnished the artist’s standard L-ACOUSTICS V-DOSC and KUDO package for most of this year’s tour stops. However, given the sheer size of the Alamodome concert in Strait’s hometown, the company chose to deploy its full inventory of K1 enclosures, which it augmented with additional cabinets from fellow Rental Network provider Clearwing Audio for an impressive total of 120 K1.

According to Onstage Systems’ K1 Audio Tech Eric Thomas and Systems Tech Jason Chamlee, the concert’s eight flown arrays were evenly spaced in a ring above the perimeter of the circular rotating stage. A total of four hangs of 16 K1 with six KARA downfills addressed the longer north and south ends of the room, while the east and west sides were covered by four hangs of 14 K1 plus six KARA, each topped with two K1-SB filler enclosures to maintain visual continuity between all arrays.

To power and process the K1/KARA enclosures, Onstage positioned three LA-RAK touring racks — each containing three LA8 amplified controllers — on top of every array, significantly minimizing the copper cable runs. Down on the floor level, four more LA-RAK were deployed to drive 16 dV-DOSC front-fills and 24 SB28 subs set up in an asymmetrical cardioid configuration around the stage.

“Even standing at the very back of the Alamodome’s nosebleed seats, the K1 arrays sounded like they were still right in our faces at more than 360 feet away,” says Thomas. “The indoor throw capability of the system is insanely impressive.”

“K1′s rigging is also absolutely incredible,” he adds. “Once we had the points straightened out, we were able to rig the entire system in four hours, which is just amazing. And utilizing LA Network Manager to group individual boxes and adjust a few FIR filters as needed, the system sounded fantastic right away. Although I love V-DOSC and KUDO, trying to load in and fly those boxes for a venue of this size would literally require a couple of days, so from a logistical standpoint, K1 is totally the best option out there for stadium sound.”

For his final The Cowboy Rides Away stop at the Alamodome, which sold out within an astounding six minutes of going on sale, Strait performed a two-hour concert following sets from the tour’s special guests, Martina McBride and Miranda Lambert. For more details on the 2013 leg, which kicked off back in mid-January, visit www.georgestrait.com.

Onstage Systems can also be found on the Web at www.onstagesystems.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Arctic Monkeys Rock Sasquatch Festival With HARMAN’s Soundcraft Vi1 Monitor Console

GEORGE, WASHINGTON — The Arctic Monkeys are back with a new tour and a HARMAN Soundcraft Vi1 console, recently kicking off at the Sasquatch Music Festival at the renowned Gorge Amphitheater in George, Washington.

New York-based Firehouse Productions provided the desk for Monitor Engineer, Will Doyle, who has great experience with Firehouse and Soundcraft’s line of consoles from prior tours with the group.

“The Vi1 was a great choice, especially for a massive and spectacular venue like the Gorge,” stated Doyle. “It has a small footprint meaning it’s easy to travel with and there is no hassle fitting it anywhere; but it still has nearly all the features of my usual Vi6.”

As an English indie rock band formed in 2002, the Arctic Monkeys have released four studio albums and are currently working on their new album. In May 2013, the band debuted a new song titled “Do I Wanna Know?” at the Majestic Ventura Theater in Los Angeles.

“We’re excited to get this tour underway,” continued Doyle. “It’s a Soundcraft Vi desk, so it sounds just like the others in the range and feels like mixing on a sound desk or console rather than a computer. With custom user layers and VCAs for each mix, I found there’s a lot less button pushing than some other consoles, which means more time looking at the band!”

Doyle, who continues to deploy the desk for stereo ears, wedges and side fills, is still amazed at how much the board feels like an analog desk and how easy it is to manage all the channels on each layer. “The board responds beautifully and is extremely user-friendly,” he said.

While festivals can sometimes be hectic with limited changeover time between acts, Doyle mentioned that the ViSi Remote iPad app is really useful and can eliminate many challenges before a show. “With Soundcraft, I am always confident in what I need to do. This was a great show and I look forward to continuing our journey with Soundcraft.”

For more information on Firehouse Productions, please visit: http://www.firehouseproductions.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

ACIR Professional Supports Forgotten Veterans at VetRock

Egg Harbor Township, N.J.—Bader Field, Atlantic City was the site for the first VetRock concert, held in honor of those forgotten that served in the Vietnam War. Held the first Saturday in June, the concert featured memorable bands from the 70s including headliners Mark Farner from Grand Funk Railroad, Mitch Rider, the Buckinghams, the Traamps, Soul Survivors, as well as local area bands. Special guest speaker was Lt. Oliver North with Joe Piscopo acting as the event’s emcee. The day’s festivities lasted every bit of 12 hours to tribute to Vietnam Vets; Local Vietnam Veteran organizations will receive 100% of profits from tickets and t-shirts sold that commemorate the day.

The main sound system was provided by ACIR Professional (Egg Harbor Township, N.J.) and included the company’s new d&b Audiotechnik J rig, configured with 16 boxes of J8s, four J12s, two Q7 line arrays that were used for front fills, and 20 B2 subs configured in a “sub array” to achieve even coverage of the entire listening area. A Yamaha CL5 and two Rio3224-D remote i/o racks was used at front of house, a Yamaha PM5D-RH was used for monitors, along with Yamaha P7000 amps. A plethora of mics included Shure, AKG, Sennheiser, EV, A-T, Countryman, along with Shure and Sennheiser wireless systems. ACIR also provided, lighting, backline, staging, rigging, and supervised power, video, and barricade installation.

“The Yamaha CL console was excellent from a festival standpoint, and connectivity of the Rio rack with AES inputs digitally was a big plus,” states ACIR co-owner and front of house engineer for the event, John Grasso. “From all accounts, the entire rig sounded pristine, especially our new d&b J rig. It was an honor to be included in this event in remembrance of our Vietnam Vets.”

This was my first experience as a TD for a show of this size so I needed to hire a company who would cover all production elements,” states Sam Schwartz. “From staging to audio, lighting, video, and band gear, ACIR’s great crew worked flawlessly with our IATSE Local #77. I received a number of complements on the new d&b J8 audio rig and its massive sound, It filled our 10 acres of seating area with no sweat. Being responsible for the entire production, you can’t get a better production company than ACIR Professional. They moved quickly to address all the changes and additions that were presented along the way. They made me look very good.

ACIR co-owner, Ed DiBona chose a Yamaha PM5D-RH to mix monitors. “I chose the PM5D for monitors because I needed a console that could handle a large number of mixes, both wedges and in-ear monitors, with a mixture of mono and stereo outputs. The exceptional sound quality and ability to quickly make changes and mix on the fly made the 5D the only choice for this fast-paced, high- profile show. The desk performed flawlessly all day. The promoter was extremely happy with the entire sound system, and we received many compliments from performers.”

For more information on ACIR Professional, visit www.acirpro.com.

-END-

Photo ID: John Grasso at Yamaha CL5 digital console

NEXO STM Rocks the Range

BUENA PARK, Calif.—Columbus Crew Stadium in Columbus, Ohio was the place and mid-May was the date of this year’s Rock On The Range Festival, marking the seventh annual rock festival expanded to three-days this year due to its success and interest by bands to be part of the line up.

Once again, Logic Systems Sound and Lighting of St. Louis handled audio and lighting production for the 105,000+ concertgoers treated to music over three stages by Love & Death, Hollywood Undead, Buckcherry, Cheap Trick, Korn, Pop Evil, All That Remains, Halestorm, Papa Roach, Three Days Grace, Smashing Pumpkins, Sevendust, Bush, Alice In Chains and Soundgarden, to name a few.

The crowd was treated to superb sound as this year Logic Systems brought in the new NEXO STM line array to the main stage that consisted of 36 STM M46 main cabinets, 36 B112 bass cabinets, 36 S118 subs, 10 NUAR racks, 12 GEO-Ts, and 12 CD-18s. A Yamaha PM5D-RH was used as the primary monitor console for the main stage.

“The overall response to the new NEXO STM system by guest engineers was very good,” states Chip Self, President, Logic Systems Sound and Lighting. “Everyone was duly impressed by the sound quality and the overall SPL achieved with so few boxes. The rigging on the STM is exceptional, and very fast. We were able to fly each side of the main PA with just four crew in less than 20 minutes!”

In related Logic Systems news, the company brought in their NEXO GEO T rig for the Carolina Rebellion Festival that took place in the beginning of May at the Rock City Campground located at the Charlotte Motor Speedway.

For more information on Rock On The Range, visit www.rockontherange.com.

For more information on Logic Systems Sound and Lighting, visit www.logicsound.com.

For more information on the NEXO STM, GEO T or Yamaha PM5D-RH, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Wirebox Media Provides Production Services for Auburn University Last Roll: NEXO System Plays Key ‘Role’

BUENA PARK, Calif.—Wirebox Media of Smyrna, GA was selected by Auburn University to provide production services for the Auburn Oaks Celebration at Toomer’s Corner that included a block party and “One Last Roll” of the historic oak trees. The event took place in late April just after a record-setting attendance at the spring football game. The attendance at Jordan-Hare Stadium was over 83,400, and the downtown celebration was thought to be very close to that number. Auburn Oaks rolling has been a tradition for nearly 80 years; the trees are then replaced by live oaks.

The audio production system selected by Wirebox Media was centered around a NEXO GEO S 12 loudspeaker system and NEXO PS15R2 and PS10R2 monitors. “The NEXO system is consistently predictable, and sound fantastic,” states Tim Harrigan, Owner, Wirebox Media. “This job, in particular, proved the ease of use for the GEO S12 Series as we didn’t even have time to tune the system before the show and made very few adjustments in the first few minutes.” A total of 32 NEXO GeoS12 cabinets were configured as 10 per side for main hangs with an additional 6 per side for out fills, all powered by 8 4×4 NXAMPs.

“Staging a block party in three hours was not that simple,” says Harrigan. The complexity of the event snow-balled in the ten days Wirebox had to prep for the event that involved a nationally attended press conference with VIP’s from AU and the city, highlighted by a kabuki drop for the new architectural plans for the area, a spirit rally headed by the AU Band, and the event finale featuring a concert by local band Kidd Blue.

“Design and planning was key as the day was really four separate events: load-in/setup, press conference, spirit rally, and concert,” Harrigan notes. “This was all compounded by the three-hour setup time and the massive crowd. We could not have successfully completed this without a stellar crew, great clients and the cooperation of the City of Auburn, the Chamber of Commerce, and the Auburn Police Department.”

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on NEXO products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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