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Archive of the Line Array Category

Tokyu Theatre Orb Takes Musicals to New Heights with Meyer Sound M’elodie

Dubbed “a musical theatre floating on air,” Tokyu Theatre Orb is nestled inside a stunning glass atrium that sits wedged between the 11th and 16th floors of a new multi-use tower in Tokyo. It is the largest venue of its type in Japan, with a maximum seating capacity of 1,972, and it also boasts a reinforcement system based on Meyer Sound M’elodie line array loudspeakers.

The system was designed to allow maximum flexibility. Array components can be configured as a complete system for local productions or special events, or they can be used to augment systems carried by touring productions. The LCR system offers a fixed center cluster comprising 10 flown M’elodie loudspeakers under a 600-HP subwoofer; the base L and R arrays (flown or ground-stacked) are six-each M’elodie loudspeakers plus a 600-HP subwoofer, with rigging to accommodate additional M’elodie loudspeakers available for rental. The in-house inventory also includes eight UPA-1P and four UPJunior VariO loudspeakers, which can be utilized as needed for monitors, effects, and fills. A Galileo loudspeaker management system provides system drive and processing, while the RMS remote monitoring system allows the audio team to maintain system performance in real time.

The decision to invest in a M’elodie system followed a special demonstration arranged by the project’s principal sound system designer, Tetushi Hirai of Yamaha Sound Systems, Inc., for Mansanori Ijuin of Tokyu Bunkamura, Inc., the venue management group responsible for operation of the theatre. The final decision was further supported by favorable past experiences with Meyer Sound systems at two other theatres also managed by Tokyu Bunkamura, Theatre Cocoon and Orchard Hall.

Meyer Sound’s Japanese distributor, ATL, Inc., assisted Hirai in the specifics of array configuration using the MAPP Online Pro acoustical prediction program. Yamaha Sound Systems, Inc. was responsible for system integration and installation.

“From many successful experiences with other Meyer Sound systems, including M’elodie, we can expect excellent performance from the new system at Theatre Orb,” comments Yashuhito Terada, the venue’s audio director.

The in-house system was used for an opening event at the theatre this summer. The first full production in Theatre Orb was the Broadway classic, West Side Story. The next major touring production on the schedule is a trans-Pacific detour for the national tour of Million Dollar Quartet, an energetic fifties rock’n’roll extravaganza which has packed houses across North America using its own Meyer Sound system.

Theatre Orb is—literally—the centerpiece of Shibuya Hikarie, a high-rise retail, entertainment and commercial project developed by the Tokyu Corporation. It is located in the Shibuya municipality of Tokyo, an area known as a thriving center for fashion, entertainment, and nightlife.

www.meyersound.com/news

L-ACOUSTICS Announces ARCS WIDE and ARCS FOCUS Demo Schedule

Presentations scheduled for Atlanta, Chicago, Houston and New York

OXNARD, California – September 2012 — Following the enthusiastic response to its new ARCS WIDE and ARCS FOCUS systems, which made their debut at InfoComm in June, L-ACOUSTICS is pleased to now announce the kickoff of a busy global demo schedule beginning in mid-September.

In addition to highlighting Constant Curvature products like the award-winning ARCS WIDE and ARCS FOCUS, the presentations will additionally cover L-ACOUSTICS’ Coaxial (P and XT Series) and Variable Curvature (KARA and KIVA) systems and technologies. more

Bridgestone Technical Center Gets Great Sound with Iconyx

Akron, Ohio, September 2012… Akron, Ohio has a long and storied history as the heart of the US tire business. In April of 2012 the city celebrated that proud heritage with the grand opening of Bridgestone Americas’ 260,000-square-foot worldwide technical center. The USD $100m research and development facility was designed by architects Harris/Day to exceed Gold LEED standards, and it shows. The building features wide, open spaces, a “living roof” with gardens and lounge areas, and plenty of natural light thanks to an abundance of glass throughout.

The showcase structure’s east and west wings intersect at a massive three-story atrium area that serves as building’s social nexus. The common space is outfitted with a large video wall, and serves as the hub of the technical center’s communications with the outside world, and with the company’s headquarters in Tennessee.

Of course, three stories of glass, while visually stunning, tends to create a less than optimal acoustical setting. As Gary Matthews of Middleburg Heights, OH-based Audio Video Interiors explains, even with a fair amount of acoustical treatment, the environment was a challenging one.

“It’s a big, open, reverberant space,” he says. “They did a great job in treating the back wall, which helps a lot, but it’s still a large, glassed-in space, with a high level of ambient noise, and intelligibility inevitably suffers.”

The architect’s vision included a desire for low-profile audio and video components, but the design was at odds with that goal. “Their original proposal was for 34 individual loudspeakers hung on walls and on ceilings throughout the area,” says Matthews. “They came to us and asked if there was anything they could do differently, because they didn’t want to see so many speakers.”

AVI’s  recommendation was for three Renkus-Heinz Iconyx steered steered arrays to cover the entire area. “So we got it down from 34 speakers, to three Iconyx ICX7 units built into the video wall, with zero visibility. And the sound coverage is far superior, with no distribution issues and no dead spots.”

With an Ashly Pêma 8×8 amplifier and signal processor already in place, AVI opted for the ICX7 passive system instead of the powered version. “We built pockets for them in the walls, and you can’t even see that they’re there,” says Matthews. A Listen Technologies assistive listening system and a pair of Shure SLX wireless mic systems completes the audio system.

“The Iconyx system was perfect for aiming the sound only at the areas we wanted to cover, and away from the walls and windows,” Matthews concludes.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

LD Systems Orders Massive L-ACOUSTICS System

Purchase of nearly 400 enclosures plus 150 amplified controllers underscores company’s dedication to K1/KUDO

Part of the LD Systems team with a K1 array. L-R: Anthony Didonato, Mike Shear, Thomas Ruffner, Steve Perry, Rafael Rosales and Rob McKinley

HOUSTON, Texas — Lending further proof to the saying “everything is bigger in Texas,” L-ACOUSTICS US reports that Houston-based LD Systems has now purchased a mega-stadium-sized K1/KUDO system. Hailed as one of the largest sales in the manufacturer’s 28-year history, the order comprises 386 enclosures — including variable curvature, constant curvature and coaxial systems — all powered by LA-RAK.

According to Rob McKinley, co-founder, president and owner of LD Systems, the quantity of product was largely driven by the sound reinforcement needs of the Houston Livestock Show and Rodeo, which has been an annual client since 1985. In February and March of each year, as part of RodeoHouston, up to 75,000 people pack Reliant Stadium on any given night for three straight weeks of rodeo action and concerts from some of the biggest stars in pop, rock and country music. more

IC Live Turns The Tables For Oslo’s Modern Church

Oslo, Norway, September 2012… The Sofiemyr church in Oslo is a striking modern building, with bare brick walls, a tiled floor and wooden ceiling. Light pours in from a huge stained glass window and other windows in the corners.

The audio solution, supplied by Benum A/S, is equally striking, with a pair of inverted IC Live arrays, flown from the ceiling alongside the matching subwoofers, above a small performance stage. The technique has been used before – England’s Stage Audio Services was possibly first to experiment with it, flying a pair of IC Live arrays upside down at trim height for a standup comedy tour of UK theatres, which allowed the beams to be angled at the ground floor audience as well as the balconies. But this is almost certainly the world’s first permanent installation to use the configuration, which has many benefits in a tall space.

Geir Kristoffersen, manager of the consulting department of COWI for Acoustics and Electro Acoustics, Sound and Vision, who designed the system for the church and frequently mixes it, explains: “This room is a cube, essentially, 16 by 16 metres with a height of about 12 metres, so it’s very interesting acoustically. But it’s turned 90 degrees so that you get some angles towards the speakers.” Slots in the ceiling provide low frequency absorption.

Although on the face of it a highly reverberant space, the actual reverb time is just 1.7 seconds with a very well controlled low end. “But still, 1.7 seconds is significant,” he points out. However, the bare brick walls are an inevitable challenge in view of their capability to deliver slapback echo to the stage.

The church is also equipped with a pipe organ, which is quite frequently played together with a band and a grand piano, as well as a movable pulpit, which is taken out during modern-style worship services.

“The loudspeaker system is flown in the form of a pair of Renkus-Heinz IC Lives,” says Kristoffersen. “We’re very happy with the sound of it. In fact, I’ve never worked with a system that’s so easy and quick to get good sound out of,” he says.

“It works exceptionally well for this kind and size of room and with such a wide variety of music. Together with the choir, we often have a worship team of eight people singing with their vocal microphones. Last Sunday, for example, the choir was seated directly in front of the loudspeakers and I had my measurement system at the desk and I was pumping 90db A weighted but flat out it was giving 101dB. Yet there was no issue with feedback,” he continues.”With these digitally steerable arrays we get tightly controlled beams, which allow us to deflect the sound away from these noisy brick walls,” he explains, adding, “While there is some reverberation, of course, if you shoot straight into these walls then you’d have a big problem with slapback.”

The system is configured with two beams from each IC Live, one pair aimed at the front part of the congregation, the others at the rear. The result, says Kristoffersen, “is that the sound is completely uniform wherever you are standing or sitting.”

“What I like the most about this system – and I’ve worked with good systems all my life – is that because it’s a true line array and not a banana hang it creates a cylindrical wave, which means that it doesn’t excite the room as much as a traditional three-box system, which would have been our obvious alternative,” he says, and adds, “Another thing is that, with a choir, the choir bench is high, which means the microphones are right in front of the loudspeakers, yet we have never had any feedback problems. Because it’s so even sounding across the frequency spectrum you don’t get response spikes which then become the problem, especially with the choir-mic scenario.”

Tuning is performed using both RHAON and in an Allen & Heath IDR8 DSP processor with an Allen & Heath T112 control surface, allowing it to be controlled from two different places.

A small delay system provides extra coverage into a small annexe at the rear and in the side halls, using CFX-61R cabinets, again controlled over RHAON and CobraNet. These are matched with six CF-121M cabinets for monitors, which can also be deployed as a portable PA in the larger side room of the church, or outside during the summer.

He continues, “It’s also very good for the monitoring because despite it being so loud up there it doesn’t feedback even when it’s rock’n’roll loud. Also,” he adds, “we work a lot with the grand piano and, for me, a grand piano has to sound good. If the grand piano doesn’t sound good then it’s nearly worse than having the drum kit not sounding right, but even when we’re pushing rock’n’roll levels and there’s a monitor there next to it, if you do push it to feedback it’s not high-end feedback but a just rumble, which tells you that the total room is just playing too loud. It’s very impressive and we’re extremely happy.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

Iconyx Breathes New Life into Eden Resort Courtyard

Lancaster, PA – September 2012…  Champagne Sunday Brunch in the Eden Courtyard at the Best Western Eden Resort & Suites has become a local area tradition, attracting patrons with an ever-changing menu that draws from the region’s finest seasonal ingredients. But while the Courtyard is known for its dining and social events, the room’s acoustics have long made it a challenge to attract speaking engagements. With its 40-foot-high glass ceiling, hard stone floor and hard walls, the room’s reverberation made intelligibility nearly non-existent.

“This is a gorgeous space and great for social events – cocktail receptions and so forth,” says Stephen Sikking, managing partner, Eden Resort & Suites. “But when a speaker wanted to present something to the entire room, it was very problematic to articulate so that people could hear intelligibly.”

Bob Bickelman, senior audio designer with Manheim, PA-based Clair Brothers Audio Systems, Inc., agrees. “The reverb time is pretty long,” says Bickelman. In addition to a massive water fountain at one end of the room, he says, “There is a rather large vaulted skylight running across the middle of the room that creates some very strange reflections.”

To address the room’s acoustical challenges, Clair Brothers selected the Renkus-Heinz Iconyx IC24-R-II digitally controlled column loudspeaker system, installing the arrays in the two front corners of the courtyard. The ability to precisely steer the Iconyx array’s multiple sonic beams had an immediate impact on the intelligibility factor. “Being able to direct the sound downward and away from the walls was huge,” says Bickelman.

Bickelman selected the Iconyx system based on both on price and performance. “We had previous experience with the Iconyx,” he explains. “Not long ago I did a synagogue down in Cherry Hill, NJ, and liked the way they performed and their ease of use. And they certainly cost less than some alternatives.”

Using Renkus-Heinz’s RHAON CobraNet-based DSP software, individual Iconyx elements can be shaped and aimed with programmable precision, lowering or raising the acoustic center as desired.

The newly installed system at Eden Resort & Suites also includes several Shure wireless microphones and is managed by a Symetrix DSP automixing and processing system with ARC (Adaptive Remote Control) programmable wall panels.

“Iconyx has been a wonderful addition to our courtyard,” comments Sikking. “Now we can take a 400- to 500-person room and actually use it for an event that includes speaking engagements. Because of the Iconyx system we are now able to be on individual company lists, social lists, and so forth for speaking events. These speakers have made a dramatic difference.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

HARMAN’s JBL Professional Introduces VTX-LZ-K Laser Accessory Kit for Precision Alignment of VTX Series Line Arrays

The new JBL VTX-LZ-K laser kit includes two VTX-LZ laser units (right), rechargeable VTX-LZ-PS power supply (top left) and AC adapter (lower left).

LONDON, United Kingdom – At PLASA 2012, HARMAN’s JBL Professional is introducing the VTX-LZ-K Laser Accessory Kit, which facilitates the alignment of JBL VTX Series line array loudspeakers for optimum performance and audience coverage.

The VTX-LZ-K includes two VTX-LZ laser units and one rechargeable VTX-LZ-PS power supply. The VTX-LZ employs a Class 3R green laser (less than 5 mW, 532 nm wavelength) and is approximately 20 times more visible than a red laser for maximum visibility over long distances indoors or outdoors. The VTX-LZ laser units connect to the VTX-LZ-PS power supply by means of a standard XLR cable and multiple lasers can be daisy-chained (up to 10 units powered from a single power supply).

All VTX-LZ-K components feature rugged aluminum and high-impact plastic weather-resistant construction for long-term durability. The laser units are factory-calibrated, weather-resistant and feature fan-cooling and on/off cycling for extended laser life.

VTX-LZ laser units attach to the VTX enclosure suspension frame and are secured using a quick-release locking pin. Lasers can be mounted on either side of the enclosure by changing the orientation of the VTX-LZ mount tab and since the laser is centered on the middle of the enclosure, it provides an accurate site angle reference in accordance with JBL Line Array Calculator II (LAC II) software predictions.

“Precise VTX V25 line array vertical pattern control requires precise focus to achieve optimum coverage and the VTX-LZ-K Laser Accessory Kit is a valuable time-saver that helps to ensure the best possible setup of a JBL VTX line array system,” said Paul Bauman, Senior Manager, Tour Sound for JBL Professional. “Multiple VTX-LZ lasers can also be used to assist with microphone placement for more detailed system measurement as part of the calibration and tuning process and this has been specifically designed into the workflow of recently-released JBL HiQnet Performance Manager™ software.”

When mounted on the top enclosure of a VTX line array, the VTX-LZ laser provides a visual reference to confirm the on-axis vertical site angle of the array while also providing an azimuth indication so that relative horizontal pan angles can be matched for FOH left-right arrays. With reference to LAC II software, the normal installation procedure is to attach a tape measure to the lower front corner of the bottom VTX enclosure as a reference for setting array trim height. Once the array trim height is set, the front motor is turned off, the VTX-LZ is turned on and the rear motor is manipulated to adjust the array site angle while visually referring to the laser to ensure that top enclosure is pointed at the rear of the desired audience location.
For advanced system tuning, multiple LZ lasers can be deployed to serve as site angle references for individual array circuits, assisting in physical measurement microphone placement to correspond with virtual measurement microphones shown in LAC.

Using JBL HiQnet Performance Manager™ control software and with reference to measured spatial response, circuit level gain shading and JBL Line Array Control Panel (LACP) frequency tapering adjustments are performed as a first step in system tuning. This initial step is referred to as array calibration and JBL LAC II / LACP simulations provide a good starting point. For the actual real world installation, VTX-LZ lasers mounted on array circuits can be used as a reference for microphone placement to verify and further refine the starting point gain shading and tapering parameters that were pre-determined in JBL LAC II / LACP and Performance Manager.

Once SPL and frequency response has been optimized on a circuit level, global equalization can then be applied to the entire array to compensate for room-related effects. For this step, array equalization can be based on the spatial average of all measurement microphones that were placed throughout the audience area with reference to VTX-LZ laser aiming locations. This patented approach to system measurement and tuning has been specifically designed into the workflow of Performance Manager (US patent 2008/0170729).

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

VUE Audiotechnik’s Demo Tour Crosses the U.S. and Back Again

Be among the first to hear VUE Audiotechnik’s complete family of professional loudspeakers when the company’s U.S. demo tour passes through a city near you. 

San Diego, CA (Sept. 7, 2012) - Responding to increasing demand after a series of highly successful demos in August, VUE leadership today announced plans to expand the U.S. leg of their tour another eight weeks-hitting key demo sites throughout North America before expanding globally.

“This is very different from the typical loudspeaker demo in that we’re meeting with potential customers at their own facilities, and demonstrating our entire line,” explained VUE’s Executive Vice President, Jim Sides. “This format not only allows potential customers to audition our entire range, but it presents our team with an opportunity to better understand each customer’s unique business model. This is the type of personalized demo that I’ve always wanted to do, and we’re thrilled that people are responding so well to the format and to our products.”

The demo tour features a full complement of VUE Audiotechnik’s current offerings. Identified by VUE’s CEO Ken Berger as the “first wave”, the current lineup was revealed at the InfoComm show in Vegas last June. It includes three product classes encompassing a broad range of systems, from the most compact contractor offerings, to VUE’s flagship h-Class Active models. Berger reports that a “second wave” is scheduled to arrive before the end of the year, and that those new products will be incorporated into the tour at that time.

“The VUE speakers clearly appeal to a diverse customer base,” explained Steve Gorski of The SG Group, VUE Audiotechnik’s representative in the Southwest U.S., and an active participant in the first six stops of the tour. “From touring sound to AV integrators, the demos we’ve conducted have generated enthusiastic feedback across the board, and the resulting ‘word of mouth’ is fueling intense interest throughout the audio community. The momentum is definitely building, and I’m incredibly excited to be a part of it.”

The VUE team is conducting demos this week in Tennessee, North Carolina, and South Carolina. From there, the demo tour moves to Florida and Georgia (Sept. 9-15), before heading north to New York and other northeast states. The tour will then turn west, booking additional stops throughout October.

Those interested in participating in the demo tour are encouraged to contact their local VUE Audiotechnik representative. Contact information, as well as an ever-growing list of tour stops, can be found online at: www.vueaudio.com/events/

About VUE Audiotechnik
VUE Audiotechnik is a California-based designer, manufacturer and marketer for professional audio systems for a broad range of sound reinforcement applications including: touring sound, theatre, club sound, portable PA, houses of worship and commercial audio. A truly global company with a local feel, VUE Audiotechnik is committed to achieving the absolute highest level of loudspeaker performance through a “real-world” design philosophy utilizing advanced technologies and manufacturing techniques, all backed by an unwavering commitment to support, service and long-term relationships.

HARMAN’s JBL VTX Line Arrays Support BMW China’s Olympic Festival For Nation’s Athletes

NORTHRIDGE, California – Filling the Bird’s Nest National Stadium in Beijing with fans, athletes, country representatives and musicians, BMW China held a festival to cheer on the Chinese Olympic Delegation before the 2012 games in London. The event featured more than 100 BMW vehicles throughout the venue, with multiple performing artists and Chinese Olympic figures including Lang Ping, Yang Wei, Wang Liqin and Li Xiaoshuang.

Bejing TianYin CaiYun International Culture & Media Co., Ltd deployed HARMAN’s new JBL VTX line array system and VERTEC® line arrays to provide uniform sound coverage throughout the nationally-acclaimed stadium. Mixing the event were Jin Shaogang and Ma Xin, who were responsible for mixing the opening and closing ceremonies of the 2008 Beijing Olympic games and therefore already familiar with the venue and its demanding coverage requirements. Additional technical support for the event was provided by Advanced Communications Equipment (ACE), the largest HARMAN distributor in China.

The sound reinforcement system design featured four ground-stacked JBL VTX line arrays each consisting of four V25 line array elements and two S28 subwoofers for main VIP area coverage. Twelve additional ground-stacked
VERTEC line arrays, each containing three VT4889-1 line array elements and two VT4880A arrayable subwoofers, provided supplemental coverage for the lower seating areas and to cover the upper tribune of the stadium, eight line array clusters were hung, each consisting of eight VERTEC VT4888 midsize line array elements and two VT4882 arrayable subwoofers.

Crown I-Tech HD series amplifiers with built-in DSP processing powered the PA system. With Crown and its industry-leading flexibility, delay and equalization was easily adjusted during the event. At the front of house position was a Soundcraft Vi6 digital console, while Vi6 and Vi1 digital consoles were utilized for monitoring.

System design engineer Joe Rao of Bejing TianYin CaiYun International Culture & Media Co., Ltd commented, “This was the biggest production in the Bird’s Nest since the 2008 Beijing Olympic Games. Preparations for the one-night show took two weeks and it was a great event with superb sound quality and excellent coverage.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Altincizme Provides HARMAN’s JBL VERTEC® Line Arrays and Soundcraft® Vi6 Console in Turkey for Efes Pilsen One Love Festival

Altincizme provided JBL VERTEC line arrays and a Soundcraft Vi6 front-of-house console for the One Love Festival in Istanbul, Turkey.

ISTANBUL, Turkey – Altincizme recently provided an extensive HARMAN audio system featuring JBL VERTEC® line arrays and a Soundcraft Vi6 front-of-house console for the One Love Festival in Istanbul, Turkey, produced by Pozitif Productions.

The One Love Festival took place at the famous Santralistanbul venue and celebrated its 11th consecutive year with performances by internationally renowned artists including Kaiser Chiefs, Pulp, Damien Rice and Kimbra.

The main PA system at the Festival featured 24 VERTEC VT4889 fullsize line array elements (12 per side), powered by eight Crown VRack complete amplification systems. A Soundcraft Vi6 console was used as the FOH console at the Festival.

“It was the smoothest VERTEC I have ever heard,” said Chris Leckie, FOH Engineer for Kaiser Chiefs, who has also used the Soundcraft Vi6 and Vi1 digital consoles for the band’s most recent world tour.

“I’m grateful to be mixing on a Soundcraft board and continue to love my job, which is the most important part. With the help of Soundcraft it only gets better,” Leckie recently noted.

Founded in the late 1950s, Altincizme (owned by Serdar and Serhan Altincizme) is the oldest and most successful systems-for-hire company in Turkey, supported by HARMAN’s Turkish distributor, SF Ses ve Isik Sistemleri Ltd.

For more information on Altincizme, please visit www.altincizme.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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