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ISI Supports Sammy Hagar With Martin Audio W8LC System

St. Louis––Ironman Sound Industries recently supported a sold-out Sammy Hagar concert in the Maryland Heights Verizon Wireless Amphitheatre with a Martin Audio W8LC speaker system.

According to ISI President Bob Horner who served as Production Manager for the ISI team during the show, “Hagar was doing a five week tour with ten dates including smaller venues and sheds and they were only carrying stage gear and video, so we supplied them with racks and stacks and a full lighting package.

“For the PA, we had our Martin Audio rig with 32 W8LCs for the main hang, 24 W8LMs for outfill, 4 W8LMDs for frontfill and 24 WSX subs. We’d played the venue before,” Bob adds, “so there were no major challenges besides making sure everything was hung correctly and properly EQ’d.”

The show, billed as A Journey Through the History of Rock, featured Hagar perennials from the Montrose, Van Halen and Chickenfoot eras along with Zeppelin covers such as “Good Times Bad Times,” “When the Levee Breaks,” “Whole Lotta Love” and “Rock and Roll.” Fittingly, Sammy was supported by Michael Anthony on bass, Jason Bonham on drums and guitarist Vic Johnson from Waboritas.

Asked about the concert, Horner says, “It was one of the best shows I saw this year. St. Louis is an FM friendly town so Sammy is a pretty big deal and he really put his heart and soul into each song. I loved the sound for the show, Sammy’s FOH engineer Tony Luna, who’s mixed KISS and Aerosmith among others, was super happy with the system, and Jerry Harvey of JH Audio who used to mix Van Halen, thought the rig sounded great as well.

“We really appreciate the Martin Audio system because it’s solid, sounds great, and is really reliable. It definitely helps us get a lot of work because we’re known for the Martin Audio system in St. Louis. A lot of the current stories are about MLA, which is awesome,” Bob continues, “because the impact MLA is having really helps make more people aware of Martin Audio and the W8LC system.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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Related Topics: Case Studies, Line Array, Loudspeakers |

Galaxy Macau’s Giant Crystals are Covered with Renkus-Heinz

Macau, China – August 2014… Macau is one of China’s hidden gems. Created as a special administrative region of the country, its famed Cotai Strip is modeled after its namesake in Las Vegas, awash with high-end casinos, resorts, and all the glitz that accompanies them.

The Galaxy Macau is one of the largest of the recent crop of major hotel-casino towers on the Strip. Among its amenities, the 2200-room complex offers six pools, including a wave pool with manmade beach.

The Galaxy’s casino hosts more than 1200 slot machines and 600 gaming tables. Visitors are greeted in the lobby by a fountain that transforms into a giant roulette wheel, just before a massive ten-foot (three meter) diamond rises from its top. As designer Jeremy Railton of Entertainment Design Corp explains, “the diamond is a metaphor for wishing casino visitors eternal luck and prosperity.”

The music accompanying the fountain is provided by a series of Renkus-Heinz ICONYX digitally steered column arrays. Eight IC8-R columns and eight more IC16-R columns provide even sound distribution throughout the area, overcoming the noise of the crowds and the fountain in this cacophonously reflective environment. The system, installed by Birket Engineering Ltd. and Audio System Consultants (Asia) Ltd., also includes eight ST8R self-powered three-way systems, with 12 PN112-SUBR 12-inch subwoofers for floor-shaking low frequency coverage. The entire system is digitally networked via RHAON for complete distribution and control.

On the other side of the Galaxy, the bus lobby is home to a series of giant crystals, floating above a shimmering pool. The crystals are designed with advanced motion sensor technology to trigger special visual effects as guests approach them, with good luck symbols flashing from the crystals and reflecting on the water.

The crystal display is also aligned with a Renkus-Heinz sound system, including 16 CF121 two-way systems and another dozen PN121 two-way systems. Nine SG81 speakers provide spot fills, and 12 PN112-SUBR subwoofers complete the system.

The Galaxy Macau opened its doors in 2012, and is presently undergoing the addition of another phase, to be completed in 2015.

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Power Music of Denmark Takes Newly Purchased HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers to ABC Beach Party

GRENAA STRAND, Denmark — Power Music of Denmark recently added HARMAN’s JBL VTX line arrays and Crown I-Tech HD amplifiers to its inventory. A longtime HARMAN customer, Power Music is a leading regional provider of sound and lighting systems for applications of all sizes. The company recently put its new VTX system to the test at ABC Beach Party, a 12-hour event organized by Danish broadcaster ABC Radio, featuring approximately 25 artists. Held at Grenaa Strand, in Denmark, ABC Beach Party drew an audience of 10,200 people.

“As a JBL VERTEC® user for many years, the time had come for us to take the next step with VTX,” said Rune Hjort, Owner of Power Music. “The launch of the VTX V20 loudspeaker was a perfect solution for our company, providing great flexibility and fast setup with the new ASM suspension system.”

Power Music purchased a total of 16 VTX V20 loudspeakers, along with six S25 subwoofers and six G28 subwoofers. In addition, the company added six Crown I-Tech 12000HD and four I-Tech 4x3500HD amplifiers featuring Crown’s DriveCore™ technology (on top of the four I-Tech 4x3500HD amps the company already owns).

The PA system at ABC Beach Party featured a left-right configuration of eight V20 loudspeakers per side, topped with three S25 subwoofers per side. Six G28 subwoofers were ground-stacked as a center cluster in cardioid mode, while two VTX F12 loudspeakers were used for out fill. All monitors were JBL SRX712 and VRX915M loudspeakers, while side fill monitoring was handled with two JBL SRX725 loudspeakers and two SRX718S subwoofers. A Soundcraft Vi4 digital console was used at the FOH position, while a Vi1 console was deployed for monitors and the entire system was powered with Crown I-Tech HD amplifiers that were controlled, configured and monitored with JBL HiQnet Performance Manager™.

“The last couple of years we have used JBL VERTEC® VT4888 loudspeakers, so we were really excited to see how the VTX system would compare,” said Rune Hjort, Owner of Power Music. “Needless to say it blew everyone away.
Considering the size of the crowd and the fact that the music was very sub-heavy we had some concerns about the amount of headroom. But when you have VTX boxes with I-Tech HD amps in front, you never really run out of power—you can just keep turning up the volume. I also love the fact that we barely had to touch the EQ on the vocals to get it just right.”

For more information on Power Music, please visit www.powermusic.dk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Rockdale Town Hall Upgrades to State-of-the-Art Audio System with HARMAN’s JBL Loudspeakers and Soundcraft Digital Console

SYDNEY, Australia – In a project designed to reinvigorate the city’s regional arts and cultural hub, systems integration firm The P.A. People recently upgraded the audio system at Sydney’s Rockdale Town Hall. The new state-of-the-art system features HARMAN’s JBL VRX Constant Curvature loudspeakers and a Soundcraft Si Expression 1 digital console.

The new audio components at Rockdale Town Hall provide fresh life to the historic complex and provided Sydney with a world-class venue that can accommodate a varied array of events from musical concerts and variety shows to business, community and social events. In addition to the new PA and communications system, the auditorium’s beautiful Art Deco detailing has been restored.

To avoid intruding on the classical aesthetics of the venue, an unobtrusive yet powerful PA system was required and Brett Steele, project manager for The P.A. People, immediately thought of the JBL VRX Constant Curvature loudspeakers. Hung in a left/center/right configuration, the VRX932LA loudspeakers deliver extraordinary power handling, clarity, flexibility and, of course, stunning JBL sound in an attractive, easy to handle and affordable package.

“The VRX loudspeakers are configured to ensure maximum coverage and cater to the widest range of applications from musical theater to simple speeches,” Steele said. “The VRX rigging made it easy to install and the system is performing well.”

The PA is controlled through a Soundcraft Si Expression 1 digital mixing console, which is ideal for a venue that has to accommodate a wide variety of uses.

“This easy-to-use console from Soundcraft has the flexibility to accept local inputs in the control area, such as radio microphones and playback sources, as well as accepting microphone and line level inputs via the mini stage box located on the stage,” Steele added. “This is a great general purpose console for this venue.”

The reopening concert received a warm reception from both the crowd and in particular, the council.

“The Rockdale Town Hall reopening concert proved the sound system, specifically designed for this unique 1940s Art Deco auditorium, has the dynamic range to cater for any type of performance from opera to basic public speaking” endorsed a Council spokesman. “It complements and supplements the existing natural excellent acoustics of the Hall. Rockdale City Council is very happy with the end result.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Slamhammer and Martin Audio Step Up At All-Star Game Concert

Minneapolis, MN––The Target All-Star Concert was held at the TCF Bank Stadium on the University of Minnesota campus a few days before the 2014 Major League Baseball All-Star game.

Slamhammer Productions provided audio, staging and video for the sold-out show that featured Grammy Award winner Imagine Dragons and local hip-hop phenomenon Atmosphere playing to an enthusiastic crowd of over 30,000.

To get the depth and impact of coverage required, Slamhammer set up a Martin Audio loudspeaker system consisting of 16 W8LCs a side for the main hangs; 10 (stage right) and 14 W8LCs a side as outfill; a hang of 2 W8LMDs as center downfill; 4 W8LMs across the front lip of the stage for additional front fill, and 40 WSX subs ground-stacked in front of the stage. Two delay towers with 12 W8LM speakers each were set up 175 feet back in the audience.

Even though Slamhammer had done three smaller shows at TCF Bank Stadium, there were still particular challenges given the size and high profile nature of the event.

According to company President Peter Skujins, “We were faced with long throws of over 400 feet and were limited in terms of rigging capacity. The mobile stage we were using is a beautiful structure with a huge total capacity, but you eat that up pretty quick with multiple hangs weighing over 6400 lbs on the roof. We were also concerned about having a major sightline problem with the delay towers because it was a seated house.

“Fortunately, these all turned out to be non-issues because the W8LM is a very compact box and the Martin Audio system did what it’s supposed to do. It sounded great and everyone was really happy with the coverage and audio quality, including our client Major League Baseball who called the concert ‘a huge success.’”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Dreamsound Is Poland’s First Post-Production Studio to Adopt Dolby Atmos Powered By HARMAN’s JBL and Crown

WARSAW, Poland — Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the leading-edge Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around HARMAN’s JBL ScreenArray™ loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.

Dolby Atmos is a next-generation surround-sound technology that employs overhead speakers as well as traditional surround speakers to create a remarkably realistic and immersive sonic environment. Dolby Atmos employs up to 64 speakers to heighten the enveloping sonic atmosphere and impact of movie theater sound. The Dolby Atmos JBL and Crown system is installed in a new 280 square foot, 15-seat screening room that opened in January 2014. Dreamsound co-owner Kacper Habisiak worked closely with JBL and Crown brand manager Wojtek Kopytek at HARMAN Professional distributor ESS Audio and with Dolby personnel in designing and installing the screening room.

The installation employs a total of 32 JBL loudspeakers including ScreenArray 3731-T 3-way tri-amplified loudspeakers and 4642 dual-18-inch subwoofers arranged behind the 20-foot wide projection screen in a left-center-right configuration. JBL SCS 12 and SCS 8 Spatially Cued Surround 12-inch and 8-inch coaxial loudspeakers are mounted on the ceiling, side and rear walls, augmented by two JBL 4181 18-inch subwoofers. The loudspeakers are driven by a complement of Crown DSi 1000 and XLS 2500, XLS 2000, XLS 1500 and XLS 1000 amplifiers.

“JBL speakers are the standard in Polish cinemas, and they match perfectly with Crown amplifiers, so it was a logical move for us to implement these components in our Dolby Atmos screening room,” said Habisiak. “Equally important, the performance of the speakers and amplifiers meets Dolby’s licensing requirements, which are extremely stringent regarding specifications including sound pressure levels, frequency response, coverage relative to room size and other parameters.”

JBL’s ScreenArray 3731-T loudspeakers are designed for critical sound reproduction requirements in small to medium cinemas and studio production and post-production applications. The 3731-T incorporates a host of design and engineering advancements including Optimized Aperture Waveguide and Focused Coverage Technology for ultra-low distortion and extremely uniform frequency response over a precisely controlled coverage area. Crown’s DSi amplifiers are specifically designed for cinema applications with features including onboard DSP, EQ, delay, output limiting and presets for JBL loudspeaker systems. XLS Series amplifiers combine performance and flexibility featuring both Crown’s proprietary DriveCore™ Technology and PureBand™ Crossover System allowing users to select crossover points from 50 Hz to 3kHz.

“The JBL and Crown system far exceeds our expectations,” Habisiak noted. “It’s one thing to meet the Dolby Atmos specs, which are admittedly quite demanding – but it’s another thing to actually experience what this system can do. The combination of the clarity, dynamic power and seamless integration of the speakers and amplifiers with the three-dimensional width, depth and height localization of the Dolby Atmos process is truly remarkable to hear.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Crutchfield Designs Loud and Bulletproof Sound System for Trinity Irish Pub With HARMAN’s JBL Professional Loudspeakers

CHARLOTTESVILLE, Virginia – As a popular dance club near the campus of the University of Virginia, Trinity Irish Pub garnered a great amount of attention when word spread of its upgraded sound reinforcement system, featuring HARMAN’s JBL loudspeakers and Crown amplifiers. Systems integrator Crutchfield Corporation of Charlottesville, Virginia designed and installed the unique system.

Two design goals were set for the new system at the Trinity Irish Pub: the loudspeakers needed to produce twice the amount of output power than the old system while attaining proper coverage in the room. In addition the entire system needed to be bulletproof and able to withstand any amount of power surges as well as physical abuse. Hence, the team decided on four JBL PRX412M portable loudspeakers and one PRX418S subwoofer, powered by one Crown XTi4002 and one XTi2002 amplifier, with additional management from a dbx DriveRack PA+ system.

“We wanted to tailor the sound to the room, and with the HARMAN gear working so well together, we were able to do just that,” said Brian Madison, Pro Audio Buyer of Crutchfield Corporation. “The HARMAN brands are certainly known as industry leaders, and everyone here at Crutchfield appreciates their products’ build quality and performance. Thanks to the output and integration of HARMAN gear, we were able to suspend the loudspeakers above the crowd to get enough power and headroom for many years.”

Dallas Simon, an AV Design Specialist for Crutchfield, was one of the engineers on-site who assessed the installation. The team was forced to adjust for an asymmetrical layout, so in order to eliminate dead spots on the dance floor, a conventional rectangular pattern in loudspeaker alignment could not be used. With proper tweeter alignment to the dance floor, Simon inverted the loudspeakers so the horns were on the bottom, which produced the perfect angle.

“The owner wanted the loudspeakers as high as possible and as close to the wall as possible, which limited the degree of tilt we could accomplish,” said Simon. “We still wanted to hang the system so that the loudspeakers fired inward at the dance floor, without pushing excessive volume at the bar, for obvious reasons. For such a unique installation, the PA sounds fantastic and the owner as well as the house engineer are very pleased with the results.”

Now that the mission is accomplished, The Trinity Irish Pub has become an even more popular destination for the college crowd, having to often turn people away at the door. Each night the PRX loudspeakers rock the entire venue, and the system will last for years to come.

For more information on the installation, please visit http://www.crutchfield.com/trinitypub

Crutchfield Corporation, which celebrates its 40th anniversary in 2014, is one of the nation’s leading catalog and Internet retailers of consumer electronics products. Crutchfield brings a legacy of remarkable customer service to the pro audio marketplace. Last year, Crutchfield.com earned its 14th straight “Circle of Excellence” Platinum Award for website performance and customer service from Bizrate Research, a division of Shopzilla. Of the more than 5,100 online retailers in the Bizrate network, Crutchfield stands alone as the only one to win the “Circle of Excellence” Platinum Award for 14 consecutive years.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

World Bank Counts on ICONYX

Washington, DC – July 2014… Located just blocks from the White House, the World Bank opened for business at 1818 H street on June 25, 1948.  Today, the Bank’s address remains the same, but as the organization’s focus has evolved, so has the footprint of its headquarters.  The Bank’s H Street headquarters is now a multi-building complex covering an entire city block.

The buildings are enclosed by a massive glass atrium more than 150 feet tall and 150 feet wide. The atrium has become a popular setting for World Bank events, including cultural activities, exhibits, presentations and a stage for dignitaries, including the Bank President, to make speeches.

Not surprisingly, the atrium’s reflective surfaces do present some acoustical challenges, and as the space has hosted a growing number of business and theatrical events, it was time for the audio system to evolve to meet these needs. To address this challenge, World Bank officials called on Boulder, Colorado audio consultants K2 Audio.

“It’s a pretty challenging acoustical space, with lots of standing waves and lots of echoes,” said Rodrigo Ordóñez, principal at K2 Audio. “Their original system didn’t deliver adequate performance for much of what they were doing in there now, and they wanted to move to a more versatile sound solution.”

The challenges of a reflective, cavernous space were only the beginning. The system itself needed to be versatile enough to accommodate a variety of performance types – from bands, to dignitaries, to dance troupes. Add to that significant limitations on where the speakers themselves could be located.

“Infrastructure wise, they didn’t want to do any kind of construction work,” Ordóñez explains. “We were limited to re-using existing loudspeaker locations and existing infrastructure for loudspeaker cables and lighting.” The coverage needs also extended to a number of smaller nooks and corners that were largely unserved by the previous system.

The system is comprised of a single Renkus-Heinz ICONYX IC32-R-II digitally steered line array covering the main area, with nine ICONYX IC16-R-II cabinets distributed throughout the covered shaded areas. “We time-aligned the IC16 boxes to the main IC32 in front,” said Ordóñez. “There is no overlapping. Each speaker is covering a specific area. No matter where you are in the space, the orientation towards that front position is amazing. And the ICONYX loudspeakers are very clean — they project little to no sound out the back of it so there are no weird echoes throughout the space.”

2 designed the loudspeaker control system to match the versatility requirements. “There are seven total presets in different modes,” said Ordóñez. “For smaller events, they can take the DSP and mute some of the speakers to direct sound towards one side of the atrium. The system remembers all the different settings and they have a touch panel that sits in the rack and they can change it from there.”

Ordóñez reports that World Bank officials are very happy with the new ICONYX system. “They always had a lot of complaints with that space,” he says. “It never really performed to their expectations. We have heard only positive things since installing the ICONYX. Everybody is happy with the system, from the guys who are operating it on a daily basis, to the highest level.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Thunder Audio Rolls and Roars with L-ACOUSTICS

Thunder Audio's Tony Villarreal (left) and Paul Owen with a few of their new L-ACOUSTICS K1 enclosures

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Vampire Weekend performing on Thunder Audio's K2 system in Chicago

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

Vampire Weekend heard via L-ACOUSTICS K2 at Chicago's UIC Pavilion

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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