A virtual press conference from Sound & Video Contractor

Archive of the Line Array Category

Video Equipment Rentals Continues to Deliver World-Class Audio With Purchase of HARMAN’s JBL VTX Series Line Arrays

NORTHRIDGE, California – VER (Video Equipment Rentals), one of the largest AV/audio/broadcast equipment rental companies providing AV/tour solutions, recently added HARMAN’S JBL VTX Series line arrays to its world-class inventory of products for the rental, staging and broadcast industries. The purchase of VTX line arrays builds on VER’s existing inventory of JBL VERTEC® line array systems.

VER is one of the world’s leading “dry-hire” equipment rental providers, with more than 25 locations across the United States, Canada and Europe. “VER began in 2000, specializing in video rentals for the broadcast industry and corporate AV applications,” said Joe Casanova, National Audio Sales/Product Manager for VER (East). “Around 2002, we discovered there was a huge opportunity to supply audio equipment as well, so from that point on we have been a complete gear resource for all facets of production.”

VER’s purchase of JBL VTX line array loudspeakers includes 96 of the flagship V25 loudspeaker and 64 S28 subwoofers, along with 32 Crown Audio VRack complete amplification systems.

“We bought our first VERTEC system in 2005, with VT4888 and VT4889 loudspeakers and VT4880 subwoofers, so this was a natural migration to VTX,” Casanova said. “We’re a client-driven company, so our initial decision to purchase VERTEC was a result of the demands of our clients. We’re already seeing a similar demand for VTX.”

Casanova first heard the VTX system at the HARMAN Business and Technology Conference in January 2012, where he listened to a shootout between VTX and some competitive loudspeaker models. “We really liked the way the VTX system sounded and knew we needed to add VTX to our inventory when they became available,” Casanova said.

“It makes sense that VTX sounds so good because Paul Bauman [Senior Manager, Tour Sound for JBL Professional] was the brainchild behind this product, and his work with the VERTEC V5 DSP tunings marked such a dramatic improvement to the VERTEC sound that we knew he was onto something good with VTX,” said Brady Belavek, National Audio Sales/Product Manager for VER (West).

“Really, between VTX and the V5 tunings for our VERTEC system, it’s almost like we have two new PA systems!” Casanova added.

“It has great high end and the design is terrific,” Belavek said. “When you consider the power behind the speakers and the smoothness of the new D2 drivers, we expect VTX to be on the majority of riders of the biggest touring acts in the world.”

“We have worked really closely with Paul and [Field Engineer, JBL Professional] Raul Gonzalez in purchasing this system, and they have been tremendous in getting us what we need and making sure our product worked well out of the gate,” Casanova said.

“Our VTX products have been in use every day since we purchased them, so it’s staying extremely busy and being used constantly,” Casanova noted. “We have had a lot of success with it right off the bat.”

For more information on Video Equipment Rentals, please visit www.verrents.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

L-ACOUSTICS KARA Installed in Tokyo Concert Hall

TOKYO — L-ACOUSTICS’ Japanese distributor, Bestec Audio, has supplied a KARA/KUDO WST line source system to Orchard Hall in Tokyo’s Bunkamura complex. Located in the Shibuya district, the huge cultural facility was the first of its kind in Japan and consists of a concert hall, theatre, museum, cinema, cafes and art shops. more

Studio Berar Relies on HARMAN’s JBL Professional VERTEC® Line Arrays and Soundcraft Digital Mixing Consoles For 13th EXIT Festival in Serbia

NOVI SAD, Serbia – Serbian pro audio distributor, Studio Berar, has maintained its long-standing relationship with the EXIT Festival in the city of Novi Sad, Serbia, equipping the three leading stages again this year with premium equipment from HARMAN’s JBL and Soundcraft brands. The 13th edition of the EXIT Festival saw around 100,000 people attending over four days from July 12-15. In total there were 20 stages with over 500 bands appearing, and 1,600 volunteers from 60 countries making the whole event tick.

Studio Berar had an all-star lineup to support, including Guns n’ Roses, Duran Duran, New Order, Eryka Badu and Plan B on the Main Stage, with Avicii, Luciano, Richie Hawtin, Laurent Garnier gracing the Dance Arena and The Toy Dolls, Eyesburn, Zemlja Gruva, Elektricni Orgazam on the third, Fusion Stage. All were under Studio Berar’s charge.

The principal stage was fitted out with 32 elements of JBL VERTEC® VT4889ADP-DA powered fullsize line array elements, with 40 VERTEC VT4880 fullsize arrayable subwoofers, and 12 VT48888ADP-DA midsize powered line array elements providing delay reinforcement. In addition, Soundcraft Vi6 digital mixing consoles were deployed to perform both FOH and monitor duties for the visiting engineers who were assisted by Studio Berar’s technical personnel. The desks were again equipped with optical MADI link for recording purposes.

In the Dance Arena, Studio Berar fielded 24 VT4889ADP-DA elements, with 10 VT4888ADP providing outfills on each flank, and 20 VT4880 subwoofers providing the LF extension. A further four JBL VRX932LA Constant Curvature loudspeakers added infill where necessary, with Crown I-Tech and Macro-Tech amps assigned to the passive elements of the system. Mixing duties were performed on a Soundcraft Vi1—an addition to Studio Berar’s inventory since last year—and Soundcraft’s classic analog MH2 console.

Finally, Studio Berar dipped further into its VERTEC inventory to equip the Fusion Stage with 24 VERTEC VT4888ADP, and eight VT4880 subwoofers per side. Another vintage Soundcraft console, the 48-channel Series FIVE, gave sound engineers a first-class analog experience at front-of-house while a Soundcraft Si3 was provided for monitors.

Held again at the picturesque Petrovaradin Fortress location on the River Danube, Studio Berar’s marketing manager Lazar Josanov explained that although the fundamental coverage requirement was similar to previous years, this year the delivery took a great leap forward. “As we are constantly looking to improve each segment of our business, we recently reinforced and upgraded our JBL VERTEC line array system with Crown DPDA processing modules for VERTEC V5 settings, so now it’s a fully active sound reinforcement system,” he said.

The company tested the V5 settings on several events prior to EXIT, so that by the time it arrived at Petrovaradin Fortress, Lazar reported, “Everybody was thrilled with the quality and strength of the sound.”

Momcilo and Emil Berar again project-managed the event for Studio Berar, leading a team that included Aleksandar Pejin, the main sound engineer at the Dance Arena stage, with Ivan Paplacko and Zoran Matic taking care of Main Stage and Fusion Stage respectively.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

HARMAN’s JBL Professional Goes Universal in Sri Lanka

NORTHRIDGE, California – The island of Sri Lanka is probably one of the last places one would expect to find global stars as diverse as Billy Ocean and Olivia Newton John performing—and local production company, Universal Sound fielding a top-spec HARMAN’s JBL VERTEC® line array system.

But that’s precisely what Malinda Lowe’s company has been doing since setting up in 2009. The company recently rigged a JBL VERTEC line array system at the 5,000-capacity Sri Lanka Exhibition and Convention Center for R&B singer Ocean’s sold-out show, and later supported two sell-out concerts by the UK/Australian songstress (and Grease star) Olivia Newton-John at the 1,800-capacity Musaeus Auditorium in Colombo.

With a large inventory of JBL VERTEC, VRX and SRX components (powered by a combination of Crown Macro-Tech MA12000i, MA90001 and MA5000i), Lowe’s company is perfectly positioned to handle the sound production for all ABC Radio Network’s international concert promotions (including Billy Ocean) as well as Wizard Entertainment, who promoted Olivia Newton-John.

A HARMAN Professional customer since setting up the company in 2009, Malinda Lowe is used to meeting production companies’ demands based on venue dimensions. “With Billy Ocean they wanted a minimum of six VT4888 each side—but the ceiling height in both cases was extremely low. So I used the VERTEC Line Array Calculator to predict coverage and SPL results for the large audience area and for the selection of correct locations for main hangs and side PA placements and system configuration.”

Instead, he used eight VT4888 midsize line array elements, configured in two main arrays of four per side, with six VT4882 ground-stacked subwoofers processed as an aux-fed mono sub configuration. The system was powered with Crown Macro-Tech amplifiers, processed via a dbx DriveRack 4800.

For the side PA, Universal Sound used four SRX 725/728 loudspeakers with dbx 260 processing and Crown XTi amplification for each side to cover the wide audience area, and for front fills the company used four VT4888’s with dedicated DriveRack 4800 processing and Crown MAi amplification.

For the Olivia Newton-John show, aimed at Colombo’s upmarket set, Universal had to work around the installed system and did not have hanging points or sufficient truss space to fly the VERTEC line arrays. The challenge was that the auditorium comprised a balcony with seating capacity for 700 and ground seating area for a further 1,100.

Since the production team wanted to fly the system to achieve an even coverage, the Line Array Calculator again provided accurate measurements. “We achieved even coverage, obtaining better frequency response and SPL with the VERTEC rig in a ground-stack configuration,” Lowe said. “The Calculator provided the accurate splay angle option for the maximum performance, with six VT4888 for each side ground stacked on a VT Array Frame and two VT4882 ground-stacked subs with aux-fed sub configuration.”

The system was powered by Crown MAi Series 5000, 9000, 12000 and processed using the dbx DriveRack 4800. Front fills comprised four JBL SRX712M’s with dedicated speaker processing on the DriveRack 260, accurately aligned to the main PA.

All amplification used for both productions was configured and monitored via HARMAN HiQnet System Architect™, with remote control.

The result was that both acts’ management, mixing engineers and musicians complimented the production company on the overall system performance, stating how well the VERTEC line arrays covered the rooms with its superior output power.

Said Olivia Newton-John’s FOH engineer, Jonathan Loeser, “I couldn’t have done any of this without the system being top notch and accurate. That is very valuable to a touring engineer or production manager.”

All JBL product and local support, is provided by HARMAN Professional dealer Hi Fi Center Colombo.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Clearwing Teams With Martin Audio MLA At Summerfest

Guinness World Records-certified as “The World’s Largest Music Festival,” Summerfest was held at the 75-acre Henry Maier Festival Park along the lakefront in Milwaukee, Wisconsin. The massive event lasted 11 days, included 17 stages, the 23,000-capacity Marcus Amphitheater and over 700 bands that drew close to a million fans.

For over 16 years, Clearwing Productions has handled the challenge of coordinating sound, light, staging and logistics for the festival with the quality, professionalism and attention to detail they’re known for.

Making its debut at the Summerfest Miller Lite Oasis Stage was the Martin Audio MLA (Multi-cellular Loudspeaker Array) 36 that consists of 11 MLA and one MLD downfill cabinet per side along with 12 MLX subwoofers.

The lineup at the Oasis stage included an eclectic mix of artists such as the popular new alternative band Fun., Kool & The Gang, Joe Walsh, Ziggy Marley, The Roots, Cake, Sublime with Rome, Atmosphere, Paul Oakenfold, Robyn, plus Rodney Atkins and Garry Allan from the Country Throwdown Tour.

Designing a loudspeaker system that could provide exceptional sound quality and coverage for all those types of music without spillage onto adjacent stages played a large role in determining MLA as the system of choice.

Asked about the setup, MLA Support Specialist Jim Jorgensen says, “We went with 12 MLA per side rolling out at 63 Hz to keep as much low end in the main array as possible and used the subs as more of an effect. One of the goals of this particular event was to maintain the coverage in a specific area, which MLA is really designed for.

“In terms of the low end response,” continues Jorgensen, “Ziggy Marley’s “engineer first brought up the system without the subs on and he was happy. When he added in subs, the ear-to-ear grin on his face was priceless”

According to Jorgensen, “One of the main things that people experienced using MLA was that the PA never got in their way. They didn’t have to spend hours tuning it. No one turned it on and thought it wasn’t going to work or we needed to change anything to get the sound and coverage we were looking for.”

In terms of MLA’s exceptional control, the crew used a daytime setting that covered up to just behind the mix position with -4 halfway through the picnic tables and a “hard avoid” behind that to keep the volume at manageable levels for those walking past the stage.

The MLA night setting went all the way up to nearly four feet in front of the buildings with a “hard avoid” past the restaurants in the back of the seating area so that festival goers could dance while standing in line but be heard when ordering their food. The MLX subs were stacked two high, three wide on the stage and delayed outside to inside to narrow the sub bass spillage and contain it to the area.

Reactions from FOH engineers to MLA for the different bands were “uniformly positive,” says Jorgensen. Robyn’s engineer said it “was pokey in all the right places,” which in Scottish audio speak means it stood out where it was supposed to. fun.’s engineer said it was the biggest sounding PA he’d ever worked with in that “he kept pushing and pushing it, and it just kept getting bigger.”

“Clearwing’s Steve Harvey (systems engineer-north stages) who had previous experience with Martin Audio’s W8LC arrays quickly understood how MLA worked and was able to explain the system to other people while becoming an advocate,” adds Jim. “He’s quite sharp and has great ears, so he got it right away.”

Working in tandem with MLA were 12 Martin Audio LE2100 stage monitors and Wavefront enclosures for sidefill along with a Digico SD10 for FOH and a Yamaha PM5D for monitors, all provided by Clearwing.

In fact, “Most of the stages on the grounds had Martin Audio wedges and fill speakers,” Jorgensen concluded. “People were also talking about how well Zac Brown covered the Marcus Amphitheater with MLA during his show to a sold out crowd. It is impressive to see that MLA can go from a tradtional midwestern sized festival stage all the way to a full scale summer concert shed with the same coherence and coverage abilities. Basically, people throughout the event commented on the whole run as to how MLA was dynamic, it flexed and grooved, and adapted to the style of music coming out of it.”

For more about Martin Audio, please click to www.martin-audio.com.

Photo credit: Paul Weber

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Audio-Video Corporation Outfits Atrium at Mount Saint Mary College With HARMAN’s JBL Loudspeakers

NORTHRIDGE, California – To accommodate a broad variety of events in the newly renovated atrium at Mount Saint Mary College, located in Newburgh, New York, Audio-Video Corporation of Albany installed a new sound system featuring HARMAN’s JBL CBT Series column loudspeakers and JBL Control® Contractor ceiling speakers.

The atrium, which caters to various events at the college including dinner functions, presentations, movies and more, needed an integrated audio/video system to eliminate the hassle of running wires and setting up speakers every time a function was to be hosted.

To do so, Marc Happes, Application Engineer at Audio-Video Corporation, installed five JBL CBT 50LA-1 column speakers along the front wall of the building, with four Control 24CT ceiling speakers under the overhang of the balcony for reinforcement. On the second floor, which is used as an overflow area for additional seating, four Control 24CT Micro ceiling speakers were installed as well.

The narrow and vertical coverage angle of the CBT’s proved to be perfect, while the thin compact design allowed them to blend into the wall without a distraction. “We avoided any architectural problems and were able to direct the speakers to project even coverage throughout the entire room,” Happes stated. “Trying to fill the large space with even coverage for the type of applications they are running without feedback was a challenge, but the CBT’s were the perfect solution.”

Happes and his team selected the Control 24CT and Control 24CT Micro ceiling speakers, as they have become a standard for Audio-Video Corporation. “Their coverage pattern and frequency response is the best out there for this application. The Micros, with their short back cans, were a blessing as there was not much space above the ceiling to mount the speakers on the second floor,” Happes explained.

Audio-Video Corporation has been a HARMAN dealer for many years, and deploys HARMAN products whenever possible. “HARMAN has everything we need to build complete systems,” Happes continued. “The support has always been great and the products are bulletproof out of the box. It’s great to have a company we can rely on.”

For more information on Audio-Video Corporation, please visit: http://www.audiovideocorp.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

CTS Audio and HARMAN’s Crown Amplifiers Provide Powerful Sonic Presence for the 2012 CHIC Youth Conference

ELKHART, Indiana — CTS Audio recently deployed more than 50 of HARMAN’s Crown I-Tech HD Series and XTi Series amplifiers to power a JBL VERTEC® line array system for the for Covenant High in Christ (CHIC) youth conference earlier this summer at the University of Tennessee’s 25,000-seat Thompson-Boling Arena. The 5-day event featured numerous inspirational speakers and musical performers.

“We were given the opportunity to upgrade some of our inventory this past winter, and that included the purchase of more than 150 Crown I-Tech 12000HD amplifiers,” noted Mike Taylor, Vice President at CTS Audio. “A few years ago when we purchased the original Crown I-Techs, we noticed a huge improvement in the way we could power our VERTEC enclosures. With the leap to the new amplifiers that level of improvement has happened all over again.”

The system used at CHIC included 36 Crown I-Tech 12000HD amplifiers and 16 XTi Series XTi 4001 amplifiers, connected to the front of house and monitor mix positions using an all-digital signal path. The JBL VERTEC loudspeaker system consisted of 32 VT4888 midsize, 24 VT4887 compact and 12 VT4886 subcompact line array elements along with 16 VT4880 fullsize arrayable subwoofers and 16 VT4881ADP compact subs.

“The performance improvement provided by the IT-12000HD amps really contributed to the exceptional sound we were able to achieve in the Thompson-Boling Arena,” stated Taylor. “Aside from the amplifier’s sheer power capability and ‘grunt’ factor, the inclusion of the VERTEC V5 DSP preset tunings made a big difference in enabling us to match and optimize the performance of the amps to the VERTEC speakers. The frequency response and smoothness of the system is noticeably better, and we were able to achieve better pattern control from the line arrays and get more consistent sound coverage throughout the arena.”

Taylor also noted the solid reliability of the amplifiers. “We have experienced zero failures. Having equipment that simply works consistently is a piece of the tour sound puzzle that not many people talk about, but it’s not something to be taken for granted. We now have a system in place for our fall and winter tours that we can completely rely upon.”

“What the Crown I-Tech HD series amplifiers are capable of is astounding,” said Jon Schwarz, CTS Audio’s Lead System Designer. “This amplifier just does naturally what I have been trying to emulate in the field for the past few years. It really is a game-changer.”

For more information about CTS Audio, please visit www.ctsaudio.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Marshall University’s Cam Henderson Center Gets In the Zone With HARMAN’s BSS, Crown and JBL Audio Components

HUNTINGTON, West Virginia – Marshall University’s 9,100-seat Cam Henderson Center is the college’s primary indoor athletic facility. First opened in 1981, the Center was ready for a sound system installation upgrade, which was handled by Newtech Systems, Inc., a systems integrator with locations in Dunbar, West Virginia, Ashland, Kentucky and Lexington, Kentucky. Tom Kibler, system designer and sales executive for Newtech Systems Inc., supervised the installation of a new audio system that includes more than 60 HARMAN’s JBL VRX932LA-1 Constant Curvature loudspeakers, powered by Crown DSi 4000, IT5000 HD and CDi 4000 amplifiers. The system also utilizes BSS Audio Soundweb London BLU-160 Signal Processors and other BSS Audio components. Coffeen Fricke and Associates was the designer and acoustical consultant for the project.

“We chose HARMAN products because they were the best fit for me as the systems integrator,” Kibler noted. “I am very familiar with the JBL, Crown and BSS Audio products we used and in my experience they are the most reliable in their respective categories. I did consider other brands but in addition to their performance advantages concluded that the HARMAN brands offer the best bang for the buck.”

The JBL VRX932LA-1 loudspeakers are suspended from steel trusses around the interior of the arena. Each array column consists of either six or four loudspeakers. Two of the arrays are used for events such as commencements where only the arena’s stage is needed; these arrays are turned off during sporting events when the rest of the speakers are used. The system is set up so the loudspeakers’ focal points and delays are automatically reconfigured at the touch of a preset, using the Soundweb London BLU-160’s Control Inputs and Logic Outputs. In addition to the main arrays, four JBL ASB6128V subwoofers located at the center of the arena provide low-frequency reinforcement.

Two full-size equipment racks located in a dedicated electronics room contain 16 Crown DSi 4000, one CDi 4000 and two IT5000HD power amplifiers, along with the Soundweb London BLU-160 Signal Processor and a BLU-BOB2 Output Expander.

“With a job this big it’s especially true that time is money,” said Kibler, “and our installation crew marvelled at how easy it was to mount the JBL VRX932LA-1’s. Their specially designed quick-release integral rigging hardware, compact size and relatively light 46-pound weight made it possible for us to complete the installation under the hours we had bid for the project.”

“The JBL VRX932LA-1 loudspeakers allowed us to get good, clean, crisp audio to every seat in the arena,” Kibler continued. “One feature that came in really handy was their Array Configuration Selector, a series of switches that control the output of each high-frequency section in the array. This lets you set each VRX932LA-1 to deliver more high-frequency output to a distant location or less output to seats that are closer up. This feature really came in handy and allowed us to quickly do high-frequency ‘shadowing’ or fine-tuning for the near and far throw boxes in the speaker stacks. We boosted the highs 3dB on the top two arrays in the six-array stacks. We did the final high-frequency ‘sweetening’ with the BLU-160 during the commissioning of the system.”

“Programming the digital signal processing for an audio system has been a part of my work since DSP first came into the industry, and the BSS Audio Soundweb London audio networking products, DSP and setup software used in this installation actually made life pretty easy,” Kibler stated. “Not only did it provide a high level of system tuning, it enabled us to set up custom GUI [Graphical User Interface] pages and shortcuts, for example, the page that instantly switches between the stage speakers and the main venue speakers. The University staff wanted the system to be easy to operate, and Soundweb London made this possible.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Youth Group Experiences Ultimate Yamaha and NEXO Audio System Thanks to Gand Concert Sound

BUENA PARK, Calif.—The tri-annual gathering of the Evangelical Lutheran Youth of America (ELCA) took place in late July at the Mercedes-Benz Super Dome in New Orleans, and the 35,000 plus teenage attendees once again were treated to praise activities, theatrical and musical performances, and the ultimate Yamaha and NEXO audio system thanks to the production services of Gand Concert Sound (GCS) of Glenview, Illinois, aka “the NEXO guys”. Christian acts including Rhema Soul, Lost and Found, Jimmy Buffet guitarist Peter Mayer, and GRAMMY® winners Switchfoot performed.

For its fourth time supporting the youth event, Gand provided a flown system comprising 60 NEXO GEO T speakers, 18 GEO S12, eight RS18 Ray Subs and 30 ground-stacked CD18 subs. Fifteen NEXO 4×4 amps were utilized to power dozens of NEXO PS15 and PS10s used for stage monitors and front fills, and PS8s used for under balcony delay speakers, as well as S12s and RS18’s.

“This was the first time the event was mixed totally digital from front of house to a pair of Yamaha M7CLs used for monitors on the A and B stages,” states Gary Gand, President, Gand Concert Sound. “A Yamaha LS9-16 was used for audio to video feeds to the Internet and an LS9-32 was put in place for the audience aux island stage. The use of all digital consoles allowed national acts such as Switchfoot, who flew from Seattle to New Orleans to make the show, call up their previous shows with GCS and get right down to business.”

Additionally, GCS used the new Rupert Neve Designs Portico 5045 processor developed specifically for Yamaha on specialty mics for added clarity. “We were able to achieve a great sound in one of the USA’s largest venues,” states front of house engineer Adam Rosenthal.

Gand bought their first large NEXO GEO T system in 2003 for an ELCA event held at the Georgia Dome. Since that time, they have continued to expand their inventory as NEXO has brought out more new products while they continue to add to their GEO T stock. “NEXO is constantly updating their software to improve the performance of the gear,” Gand says. “Now we have the integrated 4X4 amp that will work with every NEXO speaker in any combination enabling us to configure amps onsite for arrays, monitors, subs, in any combination and for any model.”

In addition to the July ELCA mega event, GCS also supplied audio production for the Pitchfork Fest in Chicago and dozens of other events around the Midwest.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

MHA Audio Acquires Martin Audio MLA™ System

Waterloo, ONT––MHA Audio of Hagerstown, MD, an award-winning sound reinforcement and live event production company in the northeastern US, recently joined ranks with other leading audio providers who have acquired the breakthrough Martin Audio MLA Multi-cellular Loudspeaker Array system.

MHA Audio provides professional sound systems and production management services regularly for leading local promoters and event companies such as IMP Productions, Live Nation, Merriweather Post Pavilion, Pier Six Pavilion Partners, and Showcall Inc.

As part of its dynamic growth, MHA Audio has purchased the MLA System 36 (24 MLA enclosures and 12 MLX subwoofers) to fulfill the company’s busy schedule of live events. MHA recently provided their new MLA rig for the annual Capital Jazz Festival at Merriweather Post Pavilion along with shows by Maroon Five, Katy Perry, Fiona Apple, Drive by Truckers & Lucinda Williams, AVICII, Kaskade, Queensryche, Luke Bryan and other leading artists.

Commenting on the MLA acquisition, Mike Scarfe said, “MHA Audio is excited to offer the MLA System to our clients. The MLA’s ability to create a uniform response through the listening area, control coverage, and its unparalleled sonic quality sets a new standard of excellence in professional audio far beyond anything that is currently available. In addition, there are considerable cost savings with transportation. This entire MLA system, which is capable of covering most outdoor shed style venues, will fit in one 26 ft. box truck.

Martin Audio Director of North American Operations Rob Hofkamp added, “Having known Mike for over 20 years, I am thrilled to welcome him and his team at MHA to the MLA family. The combination of MLA technology and MHA’s ability to provide an uncompromising level of quality in production and support for their clients will definitely raise the bar for excellence in live audio production.”

For more about Martin Audio, please click to www.martin-audio.com.

MHA Team (left to right) Dave Collela, John Lee, Dave Rittenhouse, Bruce Nelms, Mike Scarfe (owner)

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication