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Archive of the Line Array Category

Lyric Opera of Chicago Chooses Meyer Sound Line Arrays for its Tribute to American Theatre

Photo credit: Robert Kusel

Named “one of the best opera companies in the world” by Esquire magazine, the Lyric Opera of Chicago presented an American contribution to the operatic stage at the close of its season—Show Boat. To properly present Jerome Kern and Oscar Hammerstein’s seminal masterpiece that was first performed in 1927, Lyric Opera chose a large complement of sound reinforcement equipment from Meyer Sound.

“As a company, we’re not just doing the great works of European culture but also the great works of American culture,” explains Drew Landmesser, production and technical director for Lyric Opera of Chicago. “This is a 3,600-plus-seat house, a huge hall to be doing a musical. To get everyone’s diction—their song and spoken words—and to be as crisp and clear as possible in a house this size is quite a challenge.”

With a long tradition of natural acoustics, amplified sound represents a significant departure for the company. “It’s a deep auditorium,” Landmesser illustrates, “and we do not want the sound from our speaker system to be slapping the walls and coming back as unwanted reflections. Where we’re focusing that and how we’re using it is a matter of great precision.”

To meet its exacting needs, the Lyric Opera selected a Meyer Sound system comprised of 10 M2D line array loudspeakers, 16 MM-4XP self-powered loudspeakers, two CQ-1 loudspeakers, one 700-HP subwoofer, a Galileo loudspeaker management system, and two MPS-488HPe power supply units.

“One of the things that Meyer has been especially important in is trying to maintain the natural acoustic sound,” Landmesser says. “The line arrays are such an elegant solution for getting a lot of sound into the house yet really being precise about where that sound is going. Without a doubt, this has been some of the best sound we’ve had in our auditorium.”

Chicago-based sales, rental, and live events company TC Furlong provided the Meyer Sound package for the Lyric Opera. “It’s our go-to loudspeaker,” says Jeff Cech, general manager at TC Furlong. “We’ve been a Meyer Sound dealer for 18 years. Meyer is also the primary loudspeaker brand in our rental department and live event business.

“John and Helen [Meyer] have such a dedication to consistency and quality,” Cech adds. “It’s so important when you’re putting multiple loudspeakers next to one another that they all sound exactly the same, and I don’t think Meyer has any peer. They stock deeply—the parts are always available. And the seminars that they do all over the world, which we’ve participated in and hosted, are amazing. We just don’t find that whole range of support with other manufacturers.”

www.meyersound.com/news

National Tour of Million Dollar Quartet Powers up with Meyer Sound MICA and M’elodie

Photo credit: Jeremy Daniel

Having continued successful permanent productions in Chicago and New York, the Broadway musical Million Dollar Quartet (MDQ) has hit the road with a North American tour. To accommodate venues seating from 1,400 to over 3,000, sound designer Kai Harada specified a Meyer Sound system based around MICA® and M’elodie® line array loudspeakers.

“My goal was to give the touring crew a system with a lot of flexibility, so they could adjust coverage angles for theatres of all shapes and sizes,” explains Harada. “With the M’elodie center cluster and MICA side arrays, they have all the power they need for bigger houses, along with reliable consistency of sound—a quality at which Meyer systems always excel.”

Inspired by a 1956 recording studio jam session by Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis, Million Dollar Quartet captures a pivotal night in the history of rock ’n’ roll. On the MDQ tour, the lion’s share of the show’s energy is delivered by a split dual center array of 20 M’elodie loudspeakers and the upper and lower side arrays comprising a total of 20 MICA loudspeakers. A left-right configuration of 600-HP subwoofers and a 700-HP at center provide low end, while a total of 16 UPM-1P and UPJunior™ VariO™ loudspeakers supplies fill and delay systems as needed. A Galileo® loudspeaker management system with four Galileo 616 processors provides drive and optimization.

“This is a rock ’n’ roll show, but it was my goal to preserve the dynamic between the book scenes, the songs, and the big finale,” Harada says. “It’s important to hold a lot of punch in reserve, and this system certainly has it.”

Harada is also the sound designer for resident productions of MDQ at Chicago’s Apollo Theater and off-Broadway at New York’s New World Stages. The New York system is based around a MINA™ line array in the center with CQ-1 and CQ-2 loudspeakers on the sides, while the wide thrust staging in Chicago also employs CQ-1 loudspeakers with smaller UltraSeries™ models for delays and fills. PRG Audio supplied all three systems for the touring and resident productions.

Despite the radical differences in venues, Harada credits the Meyer Sound systems with maintaining a uniform sound. “For me, it comes down to consistency and transparency,” he says. “I can focus on bringing the audience closer to what is happening on stage with the confidence that the system won’t adversely color their experience.”

Harada also specified Meyer Sound systems for MDQ’s well-received 2010-11 run on Broadway at the Nederlander Theatre and in London at the Noël Coward Theatre in 2011-12.

The book for Million Dollar Quartet was written by Floyd Mutrux and Colin Escott. The Broadway production was nominated for three 2010 Tony Awards, with Levi Kreis (Jerry Lee Lewis) winning Best Featured Actor in a musical.

A long-time associate of Broadway sound designer Tony Meola, Kai Harada currently supervises sound for all productions of Wicked, and has designed around the world using Meyer Sound systems, including Hinterm Horizont in Berlin, and the critically acclaimed revival of Follies on Broadway.

www.meyersound.com/news

Baker Audio Installs HARMAN’s JBL VLA Line Arrays at University of North Carolina’s Kenan Memorial Stadium

NORTHRIDGE, California – Baker Audio of Norcross, Georgia, recently upgraded the audio system at the University of North Carolina’s (UNC) Kenan Memorial Stadium, home of Tar Heels football since 1927, with HARMAN’s JBL VLA line arrays. Baker Audio shares strong ties to UNC and installed an innovative sound system to complement the stadium’s new “horseshoe” design.

Keith Hicks, President of Baker Audio, took great pride in revamping the sound in his alma mater’s stadium, where he played four decades ago as a scholarship UNC football player. The 64,000-capacity stadium was renovated from its original shape to the horseshoe pattern, which required a completely upgraded sound system, designed by Jack McCallum of Wrightson, Johnson, Haddon & Williams, Inc. Hanging from the new scoreboard, provided by CBS Sports, Baker Audio supplied 22 JBL VLA601 3-way full-range loudspeakers on each side of the scoreboard, while 23 AM5212 2-way loudspeakers were installed in the “bowl” under the balcony areas, which provided delayed sound coverage.

The system is powered by Crown amplifiers-43 MA-5000i’s, 14 MA-9000i’s and 14 MA-12000i’s accompanied by four CTS2000LITE amplifiers-and is processed through BSS London DSP technology with 11 BLU 800′s as well as 36 BLUCARD-OUT and four BLUCARD-IN analog cards which route all of the audio for the PA, play-by-play and music to achieve that powerful game day sound.

“The JBL system was peaking at 112dB-we’re rocking,” Hicks said. “The VLA line arrays are outstanding. The low-end response is spectacular and we continue to receive compliments on the clarity and coverage of the sound. The UNC athletic staff is pleased with all aspects of the installation and we’ve even received calls from businesses around the city saying they can hear the music during games.”

Working under tight time constraints, Hicks noted one challenge associated with fitting Kenan Memorial Stadium with the new speaker system. While preparing to hoist the VLA speakers, Joe Kimsey, Project Manager for Baker Audio, noticed that the stacks, which each measure more than 25 feet tall, would have less than one foot of clearance within the housing. Baker Audio was able to overcome this challenge by utilizing a 300-foot crane to carefully hang the speakers. Greg Coddington, project engineer for WJHW, was instrumental in the success of the system installation and coordination, says Hicks.

David Rotman of Rotman Architecture added, “In many aspects, it was a very complex construction project; however, due to the dedicated team at Baker, the Kenan Stadium at the University of North Carolina can deliver that ‘wow’ factor with an innovative sound system that, not only works in conjunction with the new, state-of-the-art scoreboard, but provides a state-of-the-art sound system experience at every seating location throughout the building.”

“The VLA line arrays give the stadium much more horsepower than it’s ever had,” Hicks continued. “Every aspect of the installation, from coordinating with the construction, to securing the arrays on the video board was excellent. The entire system is extremely impressive.”

“It was a great opportunity for me, personally, to fit the stadium with sound after years of attending games and even playing football there 100 years ago,” Hicks joked.

For more information on Baker Audio, please visit http://www.bakeraudio.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.

WORXAUDIO TECHNOLOGIES DEPLOYED AT FIRST CHRISTIAN CHURCH

**** Photo: First Christian Church’s sanctuary ****

Venice, FL – May 2012… With three services each Sunday—two of which are contemporary in nature— First Christian Church has a vibrant worship program that caters to a diverse congregation. After enduring lackluster performance from their sound reinforcement system for far too long, the decision was made to upgrade their sanctuary’s facilities. Seeking a new system capable of delivering a high level of speech intelligibility and first-rate music reproduction, they ultimately resolved their sound system shortcomings by installing a new setup drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies. more

Renkus-Heinz Takes Center Stage at Jelenia Góra Spa Theatre

Poland, May 2012…   Established in 1976 by the Wroclaw actor Andrzej Dziedziul, the Zdrojowy Teatr Animacji (or Spa Theatre) in Jelenia Góra, is housed in the classically designed Spa Theatre, which was built in 1836. Used mainly for children’s productions, it also stages adult plays as well as outdoor performances.

With the prevailing demand for state-of-the-art technology in theatre, the plan for Zdrojowy Teatr Animacji’s modernization began in 2008. Enter Polish entertainment technology specialists M.Ostrowski, with a brief to supply and assemble a lighting, stage management and theatre audio system for an audience capacity of 200.

Recognizing the need for a top-performance sound reinforcement system, M.Ostrowski deployed the newest CF Series solutions from Renkus-Heinz, guaranteed to provide maximum operational reliability while delivering excellent dynamics, listening comfort and uniform sound distribution for the audience.

Using EASE 4.3 software to determine the optimum position of the loudspeakers, eight full-range Renkus-Heinz CF101LA speaker modules were arranged in two line array clusters either side of the stage, and two Renkus-Heinz CF15S subwoofer modules in a central cluster.

The deployment of active speaker modules with RHAON (Renkus Heinz Audio Operations Network) technology, allows for remote system configuration, adjustment of DSP signal corrections as well as monitoring of the state of the speakers.

In consideration of the surroundings, M. Ostrowski engineers also designed a unique mounting for the line array hoists to ensure that the equipment blends in with the theatre’s historical interiors.

M. Ostrowski also supplied and installed a complete lighting system, with a GrandMA2 Light management system; the theatre was also equipped with more than 130 projector lights and spotlights.

The installation also included a Digital Soundcraft Vi4 console; a wireless microphone system based on 500 G3 Sennheiser units; a two-way wireless communication system based on solutions by 3M and a stage-manager system based on Riedel digital intercom solutions, as well as a wireless stage action confirmation system, which was developed specifically to accommodate the needs of the Spa Theatre.

Some 20 facility panels around the stage, auditorium and audio control room provide 52 microphone inputs, 31 return lines, 17 speaker lines as well as a Cat5e network, for transmission of data, audio and video signals as well as control of devices connected to the internal network. The entire system is freely configurable at the patch panels, located within the main equipment rack. The installation also allows a show to be run from the audience, with a patch panel to plug in a console along with its peripherals.

M. Czechowicz, the Spa Theatre’s Sound Engineer, said: “The new audio system’s versatility and quality make it wonderful to work with and we’re delighted that M.Ostrowski has created this solution.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

MLA Compact Debuts With Chris Rea

The first UK rental company to purchase Martin Audio’s MLA (Multi-cellular Loudspeaker Array), RG Jones Sound Engineering was also the first to debut the scaled down version of this groundbreaking technology with the new MLA Compact.

“I couldn’t wait to get my hands on the new system,” admits Simon Honywill, who seized the opportunity to mix Chris Rea’s sound through the MLA Compact on the closing dates of the recent European and UK tour.

Honywill, largely responsible for driving RG Jones’ investment in the MLA platform, instigated a seamless PA switch, ably assisted by system engineer Mark Edwards in time for the last two tour dates—at the Pavilions in his home town of Plymouth, and HMV Apollo Hammersmith, where the system had been formally launched a few months ago.

While the system performed admirably in Plymouth, Honywill and Edwards, along with Martin Audio’s R&D Director, Jason Baird, repurposed the system for the larger Hammersmith show where Simon Honywill described the impact as “unbelievable”.

He reported that the vocal clarity had been incredible, even at high levels, and the separation of the drums and cymbals, even in excess of 106dBA had to be heard to be believed. “The drum sound was massive,” he said, “very dynamic and very exciting.

“When you wind the system up, it just gets louder, but nothing changes in the character of the sound, which is beautiful.”

While the optimization at Hammersmith was nothing unusual, with the balcony being notched out in the software to remove unwanted reflections, Simon Honywill explained: “Mark and Jason worked on the EQ curve and played with the sub alignment so that the system was everything I had hoped it would be.”

“In Plymouth we used a broadside array of 12 DSX subs in four cardioid cells under the stage apron, but this isn’t possible in Hammersmith so we went for a left/right cardioid stack of six subs a side and tweaked the crossover between the subs and the MLA Compact to get a really rich, smooth low end with real punch.”

Deploying a ground stack of four Martin Audio W8LM Mini Arrays under the two main PA hangs of 12 MLA Compact enclosures, they were able to draw down the image at the front while substantially decreasing the physical profile of the stacked system.

“In the past the ground stacks have looked a little imposing with the subs and W8LC, but the ability of the system to generate seamless coverage from wherever you tell it to start and finish allowed us to get the energy we wanted into both downstairs and upstairs––the groundstacks are just to keep the sonic image down on stage for those at the front,” says Honywill.

“The system produced a fantastic impact but the overriding feeling from the production team was that the compactness of the package also offered huge benefits.” And this spelled good news for production manager, Pat Baker.

Rea’s tour inventory is traditionally geared to fit one truck, which places enormous pressure on the truck pack. “Every night it is stacked to the roof with all the equipment,” Honywill explains “But the appeal of a self-powered system, without separate processing and amplification, was pretty exciting.”

Having piloted Chris Rea shows for the last 15 years, Simon Honywill has historically used Martin Audio systems to reinforce the artist’s sound––generally 16 x W8LC Compact Line Arrays per side and 16 WLX subs; but for the ensemble of six musicians (including second guitar, two keyboards and drums) this time around, they knew they had considerably raised the sonic bar. Simon’s overall verdict? “MLA is vastly superior to anything on the market and this system provides a great neutral platform to mix on.

“Although RG Jones has bought the big system, which was a no-brainer considering the profile of the company’s expanding client base, the MLA Compact has to be a serious proposition. It’s brilliantly conceived and brilliantly delivered—a completely revolutionary product and other manufacturers should be asking themselves how they are going to counter that.”

Meanwhile, RG Jones’ full-sized, and multiple award-winning MLA will make its debut on the Sainsbury’s UK 2012 School Games Closing Ceremony at London Olympic Park’s Basketball Arena on May 9.

Pic: Chris Rea onstage, with the MLA Compact

For more about Martin Audio, please click to www.martin-audio.com.

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Maryland Sound International Becomes First Company in U.S. to Purchase New HARMAN JBL VTX Line Array Series Loudspeakers

NORTHRIDGE, California – Continuing its commitment to staying on the cutting edge of technological advancement, Maryland Sound International recently became the first company in the United States to add the new HARMAN JBL VTX Line Array Series loudspeakers to its inventory. One of the world’s leading sound production companies, Maryland Sound was founded in 1966 to serve Frankie Valli and The Four Seasons on a national tour, growing over the decades to become one of the industry’s foremost sound contractors, with a resumé spanning presidential inaugurations to Times Square New Year’s Eve broadcasts to major concert tours.

Maryland Sound first deployed its VTX system at the annual White House Easter Egg Roll on April 9. “We built our business on offering our clients the very best, and we are purchasing more than 300 of the new JBL VTX V25 line array loudspeakers,” said Bob Goldstein, President of Maryland Sound. “We will be using them for large-scale events, smaller productions and everything in between.”

The JBL VTX Series is the next generation of JBL line array loudspeaker design. “VTX represents an evolution of JBL’s industry-standard VERTEC® that heralds a new era in performance, system integration and user-friendliness,” said Paul Bauman, Senior Manager, Tour Sound, JBL Professional. “The VTX Series features JBL’s legendary sound quality coupled with the most advanced sound reinforcement technology and support available.”

“When you start with outstanding components and put them into a well-designed enclosure, you can’t help but end up with outstanding results,” Goldstein continued. “I have to say that the technology behind the V25 is amazing. I’m a guy who likes to experience high-frequency reproduction all the way out to 20kHz. The D2 drivers handle a ton of power with no breakup modes and no measurable distortion. Having the D2 drivers in the V25 makes a huge difference and I wanted to have that kind of sound quality in our inventory.”

The JBL VTX Series V25 full-size, 3-way high-directivity line array element features two 2,000W, 15-inch Differential Drive® woofers mounted in die-cast aluminum baffles, with four 8-inch Differential Drive midrange transducers and three D2 dual-diaphragm dual-voice-coil compression drivers mounted on a third-generation waveguide and patented Radiation Boundary Integrator assembly.

“The new JBL D2 high-frequency driver is fantastic,” Goldstein added. “There is virtually no distortion, and designer Paul Bauman and his team came up with a new waveguide that takes full advantage of its performance to distribute extremely smooth frequency response with even coverage.”

In addition, Maryland Sound will continue to use its existing VERTEC VT4889 inventory. “I think the VT4889’s with the V5 software tunings are world-class and we will not stop using them anytime soon,” Goldstein noted. “That said, the VTX V25 is simply a step up in its ability to resolve musical detail.”

“Our clients want to know that we’re always on the leading edge of the technological state of the art,” Goldstein concluded. “Having the best technology like the JBL VTX V25 means we can provide the best service AND the best sound. Our clients don’t have to ask us to upgrade—we do it on our own because we want to stay on the cutting edge.”

For more information on Maryland Sound International, please visit www.marylandsound.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

Gearhouse Invests in More L-ACOUSTICS Stock

(L to R) Gearhouse's Peter Day, Robyn Alessandro, Ofer Lapid (MD) and Helen Surgeson with L-ACOUSTICS Sales Manager Tim McCall

JOHANNESBURG, South Africa — South Africa’s largest rental company, Gearhouse South Africa, has recently reinvested in more L-ACOUSTICS components to complete its existing inventory of KUDO, V-DOSC, dV-DOSC and ARCS. The new equipment comprises of 48 KARA, 12 ARCSII and 12 KUDO line source cabinets, eight SB28 and 24 SB18 subwoofers, and 22 LA-RAK touring racks installed with LA8 amplified controllers.

South Africa is increasingly becoming a regular fixture on the international touring circuit. Combined with an increase in the domestic market, Gearhouse felt the extra investment in L-ACOUSTICS was necessary to service the largest of these events. The company also wanted to update its amplifier platform with the LA-RAK and LA8 platform. more

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Frost Chicago Gives L-ACOUSTICS KARA a Warm Welcome

Frost Chicago's KARA/SB18 system in the Field Museum's Great Hall

CHICAGO – April 2012 — For over two decades, Frost Chicago has served as one of the Windy City’s premier event services companies. Providing audio, video, lighting, staging and fabric design for large-scale private events, social gala functions and Fortune 500 client productions, the company recently made the decision to invest in a full L-ACOUSTICS KARA system.

Purchased through Clearwing Productions of Milwaukee, Frost Chicago’s new sound system inventory includes 36 KARA enclosures, 12 SB18 subs, eight coaxial 8XT and eight 115XT HiQ systems, and four LA-RAK touring racks each loaded with four LA8 amplified controllers, plus an additional spare LA8. more

KIVA Becomes New Best Friend of Friends University

Event Systems installs L-ACOUSTICS system at Sebits Auditorium

WICHITA, Kansas — L-ACOUSTICS Certified Partner Event Systems of Wichita, Kansas, reports that it recently designed and installed a KIVA-KILO system at Sebits Auditorium on the campus of Friends University, a private Christian liberal arts school also in Wichita.

Located in the Riney Fine Arts Center, the intimate 465-seat Sebits Auditorium serves as the primary performance space for the university and hosts a wide range and busy schedule of performances, from musical theatre and ballet to jazz, choir and orchestra. more

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