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Archive of the Line Array Category

Cairo’s St. Therese Basilica Gets Mackie HDA

Cairo, Egypt , February 2014…With more than 22 million inhabitants, the city of Cairo is rich in history and culture. In a region renowned as the birthplace of most of today’s religions, the sprawling metropolis on the banks of the Nile River is dotted with mosques, cathedrals, and houses of worship large and small.

The Basilica of Saint Therese of the Child Jesus is one of the more remarkable Catholic churches in the region. Named for one of the church’s early French missionaries, the Basilica is a massive Byzantine style structure adorned with Arabic-Egyptian ornamentation. Constructed in 1939, it served for many years as a stopover for missionaries on their way to the East. Today, it attracts a great number of visitors, many of them foreign tourists.

As with many of the grand basilicas, the room’s acoustics have long been a challenge. Soaring walls, marble floors, wooden pews, and a massive 80-foot (25 meter) high dome ringed with windows are just the beginning of a highly reflective environment that makes intelligibility nearly impossible. The walls of the church are decorated with an ornate mosaic which, while beautiful to behold, only adds to the reflectivity of the space.

Egyptian audio distributors Al Fanny Trading were called in to help solve the Basilica’s sonic challenges, and installed a system based around four of Mackie’s HDA two-way arrayable powered loudspeakers. As Al Fanny’s Rami Saad explains, the church’s previous system was simply not up to the task.

“They had a system of ten speakers installed on the columns, but the sound quality was very poor,” Saad says. “People could not understand the sermon, and the balance between the choir and the spoken word was very poor.”

Saad says the HDA system was selected not just for its power, but for its pattern control. “It was no problem to find speakers that were loud, or speakers with good sound quality,” he explains. “The challenge was to find speakers that could direct the sound toward the people, not toward the walls. The HDA speakers did exactly that, and very well.”

The choir area has been equipped with several SRM450v2 loudspeakers for monitoring. “The choir are standing higher on a platform, and the sound coming out of the main speakers didn’t really provide them with enough coverage,” says Saad. “The SRM speakers are a great solution.”

As the final piece to the sound system, Al Fanny installed a Mackie Onyx 24.4-Bus console. “The Onyx console sounds wonderful — very clean and clear,” says Saad. “The system has made a big difference for them already, and everyone is very pleased.”

 

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HARMAN’s JBL Professional LSR6300 Series Studio Monitors and VERTEC® Line Arrays Support the Music Industry’s Best at the 56th Annual GRAMMY® Awards

Photo Caption (Left to Right): Hank Neuberger, GRAMMY Awards Telecast Sound Supervisor; Bryan Bradley, Vice President, General Manager, JBL Professional; Michael Abbott, GRAMMY Awards Audio Director

LOS ANGELES, California – HARMAN’s JBL loudspeakers were once again put to use at Sunday’s 56th Annual GRAMMY® Awards, with JBL VERTEC® line arrays comprising the live sound reinforcement system at the STAPLES Center and a JBL LSR6300 Series 5.1 surround sound studio monitor system used in the Television Committee Room.

The annual GRAMMY Awards telecast, known as Music’s Biggest Night®, is presented by The Recording Academy® to honor outstanding achievements in the production and performance of recorded music. The GRAMMY Awards were broadcast live in HDTV and 5.1 surround sound on the CBS Television Network. More 28.5 million viewers watched this year’s Awards telecast.
This year’s Awards were hosted by LL Cool J and featured performances by Paul McCartney and Ringo Starr, Madonna, Beyonce, Jay-Z, Bruno Mars, Katy Perry and more. Macklemore and Ryan Lewis earned Best New Artist, Lorde won Song of the Year for “Royals,” while Daft Punk won Album of the Year for Get Lucky, plus two other GRAMMY Awards.

In addition, HARMAN’s Lexicon earned a Technical GRAMMY Award, which is presented to individuals and companies that have made contributions of outstanding technical significance to the recording field.

ATK Audiotek provided the main PA system for the Awards ceremony, which featured four arrays each containing 12 VERTEC VT4889 fullsize line array elements, plus two arrays of six VT4880A fullsize arrayable subwoofers each. An additional 12 VRX932 Constant Curvature loudspeakers were used for front fill.

The STAPLES Center also features a permanent JBL VERTEC line array system, which ATK Audiotek also utilized. The STAPLES Center system features eight arrays each containing between 11 and 13 JBL VT4889DP-DA powered line array elements, plus two fill clusters each containing four VT4889DP-DA elements, which are specially positioned to cover the end seating areas. The system also features four subwoofer arrays, each containing six VT4880A fullsize arrayable subwoofers.

In the Television Committee Room, Michael Abbott, Audio Director for the GRAMMY Awards, along with Recording Academy executives, relied on five JBL LSR6328P studio monitors and two LSR6312SP subwoofers to listen to the mix of the show in real time. “Attention to detail is always essential for the GRAMMY telecasts, and this year’s Awards were no different,” Abbott said. “Thanks to the LSR6300’s accuracy and RMC Technology, we were able to hear every nuance of the performances, and the 6300’s gave us exactly what we needed.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

ATK Audiotek Rocks Halftime Show at Super Bowl XLVIII with HARMAN’s JBL VERTEC® Line Arrays

EAST RUTHERFORD, New Jersey – For the 17th straight year, ATK Audiotek provided audio services for the National Football League’s championship game, Super Bowl XLVIII, the first ever in an outdoor cold-weather stadium. ATK Audiotek deployed its custom-designed, cart-based audio system for the game’s prestigious halftime show, held at MetLife Stadium in East Rutherford, New Jersey. Once again, ATK Audiotek outfitted their system with HARMAN’s JBL VERTEC® line array loudspeakers.

In a battle between the league’s top-ranked offense and defense, Super Bowl XLVIII, broadcast via FOX, reached an estimated 112 million viewers. This year’s Halftime show featured popular pop-singer Bruno Mars, with a special guest performance by the Red Hot Chili Peppers. The Post-Game Show featured the presentation of the Lombardi Trophy to this year’s NFL champion Seattle Seahawks.

For the event, ATK Audiotek deployed 16 of its custom-designed field carts, which allow for easy transport and setup of the JBL VERTEC loudspeakers on and off the field. The system featured 14 carts equipped with four boxes of VT4889 line array elements (56 total), two carts with five boxes of 4889’s (10 total), and each cart was also equipped with two VT4880A fullsize arrayable subwoofers (36 total). Additionally, ATK Audiotek mounted eight VRX932 Constant Curvature loudspeakers on the back of several carts for field fold back, deployed four VT4886 loudspeakers on two popup stands for coverage of the seats behind the stage, and used four more 4886’s for front fill.

“We have come to rely on the consistent performance and sonic capabilities of JBL’s VERTEC line arrays for our systems at the Super Bowl events each year,” commented Kirk Powell, Engineer in Charge for ATK Audiotek. “The Super Bowl is always the most-viewed television event of the year and when you add in the live-broadcast aspect you need to have a system that delivers high quality results with no failures. JBL’s gear has more than met that requirement and that’s why we continue to go back to the VERTEC’s every year.”

For more information on ATK Audiotek, please visit www.atkaudiotek.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Landmark Oakland Church Gets VARIA

Oakland, CA – February 2014… Bishop Carl Smith is on a mission, and he’s unapologetic. The members of New Birth Church are encouraged not only to attend church, but to become the church by actively working to improve the quality of the lives of those they touch.

Housed in a mid-19th century Catholic Cathedral, New Birth’s 500-seat sanctuary was an acoustically challenged environment when Concord, CA-based Premier Media Integration, Inc., was brought in to design and install new audio, video, and lighting systems and acoustical treatment. Graham Cooper, President of PMI, contacted Rocky Giannetta, Principal of Layer 8 Inc., to assess the room’s acoustics and assist with systems design.

With Giannetta’s acoustical measurements documenting a reverb time of 3.8 seconds, Layer 8 created an EASE model and designed acoustical treatment and loudspeaker system that PMI would install. While the acoustical treatment reduced reverb to around 1.6 seconds, the environment was still challenging enough to demand an audio system that could keep reflections to a minimum.

“The church has beautiful stained glass throughout the structure,” adds Graham Cooper “Our job was to find places to put the panels that would be aesthetically and architecturally acceptable. Padded chairs, carpet, and, of course, people, also help.”

With reverb down to an almost reasonable level, Giannetta specified the new VARIA line array system from Renkus-Heinz. “We knew that despite our best efforts, the room was not going to be acoustically ideal, and we needed to maximize control of the energy,” he explains. “Typical line arrays would only provide the right directivity in one plane. The client wanted a line array system that would provide the output and headroom for the sound they create, and VARIA fit the bill perfectly.”

The system is comprised of six VARIA VAX101 cabinets per side, with three 7-degree boxes on top and three 15-degree boxes underneath. “With the VARIA’s variable pattern control, we were able to configure coverage from 60 degrees on top to 120 degrees on the bottom,” says Giannetta. Two VAX115S subwoofers per side, along with four DRS18-2 subs on the floor, provide low end reinforcement. The system is powered by Lab.gruppen amplification.

“We’ve been using Renkus-Heinz products on a number of projects, and the clients have always been happy with the results,” says Cooper. “The VARIA system does a great job of focusing the sound on the congregation and keeping it off the walls and reflective surfaces, and the speakers integrate nicely with the room’s architecture. Bishop Smith was emphatic about maintaining the building’s aesthetics, and the VARIA system looks great.”

Giannetta agrees, “the VARIA system was an ideal choice for this project.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Miller Pro Audio, HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers Add Pop to Fun Fun Fun Fest

NORTHRIDGE, California – For the eighth straight year, Miller Pro Audio supplied a HARMAN’s JBL line array system, powered by Crown I-Tech HD amplifiers, at the Fun Fun Fun Fest in downtown Austin, Texas. The system was deployed for the festival’s main (Orange) stage, which hosted performances by Snoop Dogg, MIA, MGMT, Slayer, Television and more.

The main PA system featured a left-right configuration of 10 VTX V25 fullsize line array elements per side, with an additional six V25 elements for front fill. The system also included nine ground-stacked G28 subwoofers, with 12 S28 subwoofers hung as a center cluster. Crown I-Tech 4×3500 HD amplifiers powered the V25 loudspeakers and S28 subs, while I-Tech 12000 HD amplifiers powered the G28 subs. The system was controlled via JBL HiQnet Performance Manager™ software.

According to Oliver, the challenges of the event ranged from the large number of acts to staying within strict noise limits from the city. “We try very hard to find a happy medium that keeps everyone as happy as possible,” he said.

With offices in Austin, Dallas, Lubbock and Oklahoma City, Miller Pro Audio was founded more than 20 years ago by Danny and Leslie Miller, growing from one truck and a small shop on a dirt road to averaging well over 1,000 shows per year spanning from clubs to top 10 shed tours. “We are a turnkey company, meaning we stock a full inventory of audio, backline, lights, video, staging, truss-built roof systems and stage lines,” said Aaron Oliver, Corporate Comptroller/Corporate Trainer for Miller Pro Audio. “We also provide production management, stage management, event planning and have a thriving install department.”

This year’s Fun Fun Fun Fest marked Miller Pro Audio’s first use of the JBL VTX line array system. “We found the VTX to have great, smooth response while remaining very musical,” Oliver noted. “The output power of the V25 was killer and the subs were powerful yet smooth and punchy. We really liked the VTX system and would love to experience what it has to offer again.”

Miller Pro Audio also owns Crown I-Tech HD amplifiers and have been pleased with the products’ performance. “We utilize the I-Tech amps to power many other products we supply and all in all, we love what the I-Tech’s allow us to achieve,” Oliver said.

In addition, Performance Manager has proven beneficial to Miller Pro Audio’s business. “We used Performance Manager for the Fun Fun Fun Fest and we use it on many other shows as well,” Oliver added. “The control it provides really helps us cut back on the need for additional hardware, which means less cases, less labor and lighter trucks—all of which translate to savings in budget.”

For more information on Miller Pro Audio, please visit www.millerproaudio.com

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Martin Audio MLA’s Winning Role At National Television Awards

Britain’s 19th National TV Awards were held recently at London’s O2, where a Martin Audio MLA (Multi-cellular Loudspeaker Array) system was used to provide superior sound intelligibility for the first time.

The event, initiated in 1995 and moved to the O2 in 2010, featured Dermot O’Leary host and celebrated the most popular TV shows of the past year.

Stewart Chaney’s London-based Plus 4 Audio handled the audio in the venue, specifying the MLA for the main system. The company decided to try a different approach with the array design after talking through the system capabilities with Martin Audio Application Support specialist, Andy Davies.

“Key to the design was finding a system that could deliver consistent audience coverage while dramatically reducing the on-stage sound,” said Davies. “With most of the acceptance speeches given from an open lectern position gain before feedback was critical to the live sound mix.”

MLA easily achieved this, even allowing system tech Mark Edwards to reduce reflections from the glass-fronted VIP sections through the advanced optimization software.

The Plus 4 team fielded 22 x MLA enclosures and two MLD Downfill cabinets for the main system, with infill and outfill duties handled by their existing cabinet stock.

Using a self-powered cabinet meant the unobtrusive MLA distro racks could be concealed in the roof of the O2, dramatically cutting down cable and mains distribution requirements.

“The MLA really proved itself to us on the very first challenging show we had used it on,” stated Plus 4 Audio’s senior engineer, Mark Ballard. “We pride ourselves on achieving excellent sound quality in difficult situations and this year’s NTA show was a great result for us.”

For more about Martin Audio and MLA, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Professional Wireless Systems (PWS) Teams Up with ATK Audiotek and the NFL to Deliver Fumble Free RF Coordination for Super Bowl XLVIII

For the 18th consecutive year, Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, teamed up with ATK Audiotek and Versacom to deliver interference-free RF management for its portion of the Super Bowl XLVIII at MetLife Stadium in New Jersey, which included expert on-site frequency management for pre-game and halftime entertainment, as well as several referee microphones.

Preparation for the big game started back in mid-October when PWS General Manager Jim Van Winkle, Brooks Schroeder, lead RF coordinator working with PWS, and Matt Campisi from Versacom met at the stadium with ATK Audiotek’s Paul Liszewski to determine the staffing requirements and locations for the equipment— RF and intercom racks, antennas, cables etc. In addition, Van Winkle worked closely with ATK Audiotek General Manager Brett Valasek in regards to the detailed equipment list for the event.

PWS submitted a list of frequency requirements to the NFL Game Day Frequency Coordinators (GDC) who handled the frequency coordination for the entire event, including coaches’ intercoms, referee mics, network broadcasters, media and entertainment. Karl Voss, the NFL’s lead frequency coordinator, in turn allocated the frequencies PWS needed to seamlessly integrate the entertainment needs with all the other users at the Super Bowl. PWS’ expert on-site team of Schroeder, John Garrido and Mike Ward handled over 80 frequencies to ensure that spectrum users were not interfering with each other during the game’s entertainment segments.

“Karl Voss is the protector of all frequencies for the Super Bowl and does an amazing job in keeping things moving smoothly in what is an unbelievably complex event,” says Van Winkle. “We greatly appreciate Karl’s hard-work, and the entire NFL game day RF coordination program, in accommodating our needs for the big game.”

This year, PWS handled frequencies for Renee Fleming who sang the National Anthem, Queen Latifah who sang America the Beautiful, and all eight microphones and eight in-ear microphones for the half-time show, which featured Bruno Mars and Red Hot Chili Peppers. In addition, PWS managed frequencies for two referee mics, each equipped with two frequencies.

PWS utilized the Shure AXIENT wireless system due to its ability to provide automatic, fail-over protection via a built-in backup frequency as well as Shure UHF-Rs and PSM-1000 Series in-ear microphones. The team also employed 3732 receivers with 5200 transmitters, along with a range of wireless gear from Sennheiser. Versacom provided a mixture of wireless intercoms, including HME PRO850 and BTR800s from Telex, for the event. PWS’ Domed Helical Antenna was also on-site. In addition, a combination of Domed Helicals and original PWS Helicals were used for the ATK wireless systems on the field.
For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “MAMMA MIA!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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HARMAN’s JBL Professional Extends the Industry’s Most Comprehensive Loudspeaker Lineup with Integration of Duran Audio Products

AMSTERDAM, The Netherlands – In an announcement that merges the legendary HARMAN’s JBL Professional loudspeaker lineup with Duran Audio’s world-class array of loudspeakers for unique installed sound technology applications, JBL Professional is incorporating Duran Audio’s products into the JBL Professional brand. The move further strengthens JBL Professional’s standing as the optimal resource for installed audio loudspeakers of all varieties. The new products will be sold as the JBL Intellivox and JBL AXYS product series.

“We are excited to add these wonderful, leading-edge products to the JBL lineup,” said Rick Kamlet, Senior Market Manager for Intellivox Products, JBL Professional. “Intellivox is a name that is already synonymous with beam steering and speech intelligibility. The products are highly respected by consultants, installers and end-users throughout the world. What Duran Audio has developed in recent years goes way beyond beam steering and their digital directivity technologies also include advanced Beam Shaping techniques—an important and extremely valuable capability that is unique in the industry.”

“The synergy of JBL Professional and Duran Audio is a thrilling development and we strongly feel that distributing our products through JBL Professional’s extensive sales and distribution organization will open doors to many more customers around the globe utilizing our products,” said Nick Screen, Sales Director, Duran Audio B.V.

Intellivox loudspeakers are known for delivering unmatched fidelity in some of the most challenging and prestigious venues around the world, where speech intelligibility is a paramount requirement. The addition of Duran Audio to HARMAN’s portfolio of commercial audio and lighting technology companies underscores HARMAN’s strategy to complement continued growth through targeted acquisitions in adjacent technology and product areas across all geographic and vertical markets.

JBL Intellivox products will be on show at the HARMAN stand at ISE 2014.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL Professional AW Series All-Weather Loudspeakers Receive EN54-24 Certification for Fire Detection and Alarm Systems

AMSTERDAM, The Netherlands – HARMAN’s JBL Professional today announced that five of its AW Series all-weather loudspeakers have received EN54-24 certification. EN54-24 is the EU standard for loudspeakers intended for use in fire detection and fire alarm systems.

JBL’s EN54-24-certified AW Series models include the AW295, AW266, AW526, AW595, and AW566. All five lightweight, high-power 2-way loudspeakers are designed to deliver full-range sound with consistent pattern control and high intelligibility in a wide range of all-weather environments.

“JBL’s AW EN54-24-certified speakers are ideal for use in critical life safety applications or anywhere clear, powerful high-quality audio is needed,” said Rick Kamlet, Senior Manager, Commercial Installed Sound, JBL Professional. “Because of their all-weather construction, EN54-24 models are suitable for use in any fire detection and fire alarm system, whether used indoors or under the most extreme outdoor conditions.”

All JBL AW Series EN54-24-certified loudspeakers employ JBL’s exclusive Differential Drive™ dual voice coil, dual magnetic gap 12” and 15” woofers, and a 2432H 1.5-inch exit, 3” diaphragm high-frequency compression driver. The loudspeakers’ large-format Progressive Transition™ waveguide provides exceptional high-frequency coverage over a wide area, and the waveguide can be rotated to enable the loudspeakers to be used in either horizontal or vertical orientation.

All models utilize rugged multilayer glass composite enclosures and are heavily braced to maximize low-frequency performance. All feature a 14-gauge stainless steel grille backed with open-cell foam and a stainless steel mesh that provided durable protection in even the harshest outdoor environments. All AW Series EN 54-24 loudspeakers are equipped with a 400W 70/100V transformer for use in distributed audio systems and are supplied with a heavy-duty stainless steel U-type mounting bracket.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Marshank Sales Repeats As Martin Audio Rep Of The Year

Gary Marshank, Rob Hofkamp, Paul Hugo

Waterloo, ONT––Marshank Sales has won Martin Audio’s Sales Representative of the Year award for two years in a row.

With over 90 years in the industry, Marshank Sales represents a number of leading brands in retail, live sound, contracting and recording including Martin Audio. Headed by Gary Marshank and Paul Hugo, the award-winning company is well into its third generation as a family business.

Commenting on the award, Martin Audio Director of U.S. Operations Rob Hofkamp said, “I am especially proud that Marshank is receiving this well-deserved honor for the second year in a row. Gary, Paul and their exceptional team continue to provide the highest quality solutions utilizing Martin Audio for their integrator and production partners while building key relationships for our brand.“

Paul Hugo commented, “We are really proud to be the Martin Audio Rep of the Year for the second year in a row. In 2012, much of our success was based around Martin’s MLA series with our sound rental friends and this was a big contributor in 2013 as well. The difference is that now both MLA and conventional Martin products are up dramatically on the install side of our business.”

Photo caption (left to right): Gary Marshank, Rob Hofkamp and Paul Hugo

For more about Martin Audio, please click to www.martin-audio.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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