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Archive of the Loudspeakers Category

HARMAN’s JBL VTX Line Arrays Go Into “X Mode” for the 2014 Miss USA Interviews

BATON ROUGE, Louisiana – As 51 contestants competed in one of the country’s most widely viewed beauty contests, Baton Rouge, Louisiana-based Premier Sound Services (PSS) provided the sound reinforcement for the Miss USA Pageant. The event is part of Miss Universe, which is owned by Donald Trump and was televised nationally live on NBC. As always, PSS stuck with its inventory of HARMAN’s JBL VTX line arrays to generate the best coverage and superior sound quality.

The main PA system consisted of 13 JBL VTX V25 line array loudspeakers per side in long-throw “X Mode” (35Hz high pass filter) and were powered with 24 Crown I-Tech 12000 HD and two Crown I-Tech 4×3500 HD amplifiers. The system also featured 45-degree outfill arrays, which featured nine VTX V20 loudspeakers in long-throw 60Hz mode that were powered by six Crown I-Tech 4×3500 HD amplifiers. On the floor, 16 bi-amped JBL SRX712M stage monitors were used with five Crown I-Tech 4×3500 HD amplifiers.

Two JBL VTX V20 loudspeakers were provided for the judges, with an additional two V20 loudspeakers per side for front fill, powered by two Crown I-Tech 4×3500 HD amplifiers. The downstage side-fill hangs featured six JBL VERTEC® VT4886 subcompact line array loudspeakers per side, powered by a single Crown I-Tech 4×3500 HD amplifier. The upstage side fill hangs also featured six VT4886 loudspeakers per side, powered with one Crown I-Tech 4×3500 HD amplifier.

“Keeping the loudspeakers hidden from the camera angles as much as possible was the main challenge of this event,” said Brian Gordon, Co-Owner and Head Audio Engineer of PSS. “Originally, we wanted to hang 14 units per side for the main PA, but thanks to the sheer power of the VTX Series we got the output we needed with fewer units, and we never hit the limit on any of the amplifiers.”

When asked why no subwoofers were used, Gordon replied, “We didn’t need any subwoofers for this show, because intelligibility and sound cohesiveness were the key objectives, and the VTX Series loudspeakers are superior in those areas over everything else. There was no interference and everything came out exactly as it should. I was especially impressed by the smoothness of the off-axis dispersion of the V20’s, which was just amazing.”

For more information on Premier Sound Services, please visit www.psssound.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Slovakia Medical University Complex Get the Renkus-Heinz Treatment

Banská Bystrica, Slovakia – July 2014… One of the region’s most respected institutions, Slovak Medical University has recently completed a major renovation and reconstruction project at their campus in Banská Bystrica. The multi-functional complex includes several classrooms, student dormitories, and a large, multi-purpose auditorium and presentation hall, used for graduations, conferences, technical seminars, and more.

The complex underwent a full technology modernization, including new audio, conferencing, and interpretation systems, as well as video, digital signage, and information technology systems. The systems were designed and installed by Bratislav-based MediaTech, one of the largest professional AV firms in central Europe, and include a full range of loudspeakers from Orange County, CA-based Renkus-Heinz.

The main system includes several ICONYX IC16-R-II and IC8-R-II digitally steered arrays, as well as a number of ICX7-II mechanically steered arrays. ICONYX steered array technology enables precise steering of the sound toward the audience and away from walls and other reflective surfaces, reducing reflections and improving intelligibility.

“The hall has always been very challenging acoustical space, and there were a lot of problems with spoken word intelligibility. Of course, this affects people’s ability to communicate, and to learn,” reports MediaTech General Director, Ing. Bohumil Tonkovic. “The ICONYX systems really provided an excellent solution. Intelligibility has been dramatically improved, and their low profile design integrated nicely with the building’s architecture.”

Elsewhere in the complex, Renkus-Heinz CFX41 and CFX61 two way systems provide additional sound reinforcement. State-of-the-art video systems include large scale remote controlled projection screens with Mitsubishi projectors, PTZ cameras for conferencing, and full multi-language interpretation facilities.

Working under an exceptionally demanding timeline, the team from MediaTech handled the entire project, from planning and preparation to system design and installation, as well as training on-site personnel in the operation of all systems.

“Banska Bystrica finally has a space that meets all the parameters of top quality acoustics and information technology,” enthused Professor MD. Svetozár Dluholucký, PhD., Dean of Slovak Medical University.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Pro Audio Technology Subwoofer Offers Deep Bass from Shallow Cabinet

The LFC-12v is the most affordable PRO subwoofer and an ideal performer in rooms where multiple subwoofers are desired or where space is at a premium.

 

Lake Forest, CA – July 17, 2014 – Pro Audio Technology (PRO), the leader in loudspeakers and DSP-programmable amplifier systems for residential properties, today announced the LFC-12v subwoofer. PRO’s new high-sensitivity architectural subwoofer is equipped with a 12-inch, 700W driver and achieves a maximum output of 117dB from a 6-inch deep cabinet.

The professional-grade 12-inch driver employed in PRO’s LFC-12v includes a high-powered motor system designed with the most demanding music and movie soundtracks in mind. Its over-sized, four-inch voice coil aids with heat dissipation, greatly improving the thermal stability of the driver, allowing the LFC-12v to handle long periods of high output playback without over-heating and with no threat of sonic compression or damage.  The subwoofer’s four front-firing free-flow ports enhance the LFC-12v’s low-frequency extension and output, resulting in a highly dynamic listening experience.

At 14-inches wide, the LFC-12v’s enclosure is designed to fit into a standard stud bay.  Its shallow 6-inch depth lets it function as a primary subwoofer in media and multi-purpose rooms with limited space, or as an in-wall solution for side and rear wall placement in elaborate multi-subwoofer home theaters.  Designed for use with PRO’s DSP driven amplifier / processors, integrators can select between power levels of 300, 450, and 1000 watts per channel to drive the subwoofer.  Rated at a sensitivity of 96dB with one watt of input power, this subwoofer is quick to provide dynamic, visceral bass power in every installation.

“The advantages of using multiple subwoofers in a home theater or media room are well known, but the floor space they require can be a real issue. Our LFC-12v addresses space constraints while maintaining the high-output performance and visceral slam that customers and integrators expect from PRO subwoofers,” said Paul Hales, Pro Audio Technology founder.

PRO’s DMA and PMA amplifiers provide power to the LFC-12v while enabling in-room performance calibration via PRO SoundTools, a proprietary software program that makes it easy for integrators to attain optimized audio performance in a matter of minutes. For advanced users, PRO SoundTools provides parametric EQ and delay capabilities so installers can address in-room low-frequency modal problems and precisely tune sophisticated multi-subwoofer systems.

The LFC-12v is Pro Audio Technology’s most affordable subwoofer available, for more information, please visit: www.proaudiotechnology.com.

About Pro Audio Technology

Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

 

Press Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown nbrown@castercomm.com

For digital images log on to www.castercomm.com

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Cerwin-Vega! Highlights Expanded Offerings for Popular XD Series and P-Series Lines at Summer NAMM 2014

NASHVILLE, JULY 17, 2014 – Cerwin-Vega!, a Gibson Brand, is presenting its new P1000X 10-inch Powered Loudspeaker, the latest ¬addition to its critically-acclaimed P-Series Powered Loudspeaker Line at Summer NAMM 2014 (Booth 825). Also on display will be the XD4 and XD5 Speakers and XD8s Subwoofer, the newly expanded offerings for the company’s XD Powered Desktop Speaker Series.

Slated for release in August, the P-Series P1000X is a versatile workhorse that can serve as a single speaker for a small venue, be daisy-chained for larger venues needing more coverage and SPL or be side-mounted as a floor monitor. Featuring the same controls as the acclaimed P1500X, the P1000X Powered Loudspeaker is a two-way, bi-amped, full-range bass-reflex speaker with a 10-inch woofer and high-frequency compression driver. Powered by a custom efficient 1000W Class-D amp, the P1000X has a proprietary hemi-conical horn that provides enhanced sound clarity and superb dispersion over an even and wide coverage area.

A built-in mixer with multiple channels and I/O connections allows for simple and fast setup, while enhanced EQ, VEGA BASS boost and high-pass filter controls enable exact tuning and exceptional performance for any event. Its lightweight, robust polymer enclosure includes a self-tightening pole cup, as well as comfortable ergonomic handles. Built-in rigging points and a remote volume port make the P1000X ideal for suspended installation.

Showgoers can also experience the stunning audio performance of the Cerwin-Vega! XD Series, which continues to support the company’s legacy of superior bass response and sonic clarity. Key design elements of the XD3, XD4 and XD5 powered desktop speakers and XD8s powered subwoofer, include optimized frequency response, overall transparency, low distortion and the company’s trademark bass performance. Each XD Series speaker features high output amplifiers, soft-dome tweeters and innovative enclosure design for superior sound, while the XD8s sub offers additional bass extension.

Equipped with metal covers, the XD4 features a 3/4-inch tweeter while the XD5 utilizes a one-inch tweeter. Unlike other desktop speaker systems, the Cerwin-Vega! XD Series is built with solid MDF wood enclosures, allowing it to deliver the same sound quality as home speaker systems. All speakers in the series come equipped with Cerwin-Vega!’s signature VEGA BASS Boost Switch, which engages an enhanced bass EQ circuit. The efficient XD8s also has, high SPL and an optimally designed port for proper low frequency phase alignment and minimal port turbulence. It ships with a Remote Control, which includes a subwoofer mute button and adjusts the overall system volume when using the accompanying XD Series speakers.

About Cerwin-Vega!
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Dedicated to the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For more information, visit www.cerwin-vega.com.

About Gibson Brands
Gibson Brands, one of the fastest-growing companies globally, was founded in 1894 and is headquartered in Nashville, Tennessee, USA. Gibson Brands has a portfolio of over a hundred well-recognized brand names for musical instruments, consumer electronics, and professional audio. In addition to the number one guitar brand, Gibson, other instrument brands include Epiphone, Dobro, Valley Arts, Kramer, Steinberger, Tobias, Slingerland, Maestro, Baldwin, Hamilton, Chickering and Wurlitzer. Professional audio brands include KRK Systems, TASCAM, Cerwin-Vega, Stanton and Cakewalk and continue Gibson’s tradition of quality in their respective markets; while consumer electronics brands comprise Onkyo, Integra, TEAC and Esoteric.

Gibson Brands expanded further into the consumer market with the acquisition of Philips’ Home Entertainment business—inventors of the cassette tape, as well as the CD, DVD, MP3, and MP4 formats. It shows the same leadership in technological innovation for the benefit of our customers under the Philips and Fidelio brand names.
A global company, Gibson Brands has manufacturing, marketing and research and development centers throughout the world. All Gibson Brands are dedicated to innovation, prestige, and improving their customers’ quality of life. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

Community Launches New Brand Identity

Audio pioneer Community Professional Loudspeakers unveiled its new corporate brand identity at InfoComm last month. Community’s booth and demo room showcased the new look of the brand while I SERIES, a family of premium point source loudspeakers launched at the show, signaled a bold new direction for the company’s product design language.

Founded in 1968, Community has an impressive record of innovation and longevity and the company continues to reinvent itself in response to changing customer needs, global market forces and technical advances in the industry. The new brand identity and product design language are key elements of a branding initiative which reinforces Community’s focus on the installation markets and its commitment to innovative product design.

“The revised corporate identity is a vibrant and engaging new expression of the Community brand legacy – past, present and future,” explained Steve Johnson, Community’s CEO. “The design of our new symbol and logotype suggest precision and elegance, two important attributes of our products and engineering.”

Johnson described how the company’s branding initiative guided the development of Community’s newest product, the I SERIES premium high-power installation loudspeakers. “The forward-thinking design of I SERIES demonstrates the kind of fresh and contemporary industrial design you’ll see in future products from Community. And,” he continued, “its installed-system focus, including some very clever rigging hardware, evidences our commitment to our core customers.”

Johnson summarized in this way, “Community’s brand has always been highly respected throughout the pro audio industry. With this new corporate brand identity, we’re modernizing the way we present our company to the world while building on our past strengths and renewing our commitment to our customers.”

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Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

New RH Series from Renkus-Heinz Opens at Merriam School Of Music

Oakville, ON – July 2014… When Allan Merriam committed to building an auditorium for the students of Merriam School of Music, he took the same approach he’s taken over his lengthy career – no compromise. Long heralded as a visionary in music education, Merriam’s eponymous school is renowned for its educational integrity across all disciplines, ages, skill levels, and instruments.

Merriam’s vision for the school’s new production and performance facilities led him to acclaimed recording studio designer Martin Pilchner of Toronto-based Pilchner-Schoustal International Inc. PSII was commissioned to design a fully integrated live performance hall coupled with a professional level recording studio. The 100-seat,1400 SF auditorium is located directly above the recording studio space in the basement.

Audio for the room was provided by Contact Distribution, the Canadian distributor for Renkus-Heinz. ”Martin and I have worked on a number of projects in the past, and he’s become a fan of the tight, consistent coverage patterns of Renkus-Heinz systems,” explains Contact Distribution’s Bill Coons. The facility became one of the first to install the new RH Series, a new custom designed two-way point source system featuring a dual wedge angle design and a range of highly versatile rigging options.

“Bill suggested the signature series RH123, and they turned out to be exactly what we needed in the way of coverage, physical size and price point,” states Martin Pilchner. “They offer great dynamic range, and they’re self-powered so they were easy to integrate.” A pair of PN212-SUB dual 12-inch subwoofers covers low frequency content. “The PN212 subs were also a perfect match for the room — small enough to fit under a low profile stage, but plenty of headroom.”

Pilchner reports the system exceeded expectations. “We knew they would sound good but we were somewhat surprised by just how good,” he says. “The co-entrant HF/MF drivers delivered full range sound and consistent coverage all the way to the very back of the room.” Onstage monitoring is handled by CF121M-2 powered monitor wedges.

Allan Merriam adds, “When you put a focused and committed performer thru quality product, the talent and passion don’t get lost in the technology. The Renkus-Heinz system gives us the clarity and audiophile experience we were looking for. We really have the best sounding small scale performance space in the city.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FOR THE LAST TWO YEARS ED CHERNEY HAS USED HIS ATC SCM25As TO MIX EVERYTHING

LAS VEGAS, NEVADA – JULY 2014: Ed Cherney needs no padding on his resume. A veteran producer and engineer with 35 years logged in the control room, Cherney has worked with the top talent in the industry, including Iggy Pop, Bob Seger, Bette Midler, Bonnie Raitt, Eric Clapton, Jann Arden, Jackson Browne, Keb’ Mo, Bob Dylan, and the Rolling Stones, to name just a few. His work has earned him six Grammy nominations and three wins, along with seven TEC nominations and five wins. He is a founding member of Producers and Engineers Wing of The Recording Academy and served as the Governor of the L.A. Chapter of The Recording Academy. Until last year, Cherney was also an avid, collector of studio reference monitors, learning to work around the faults of each model before relegating it to the closet when a newer model came through the door. That cycle ended with the arrival of a pair of ATC SCM25A 3-way nearfield monitors. Cherney now uses his ATC SCM25As for almost everything he does because they’re exciting to listen to and because the work he does on them translates flawlessly on any other pro or consumer system.

“I am always looking for speakers because they’re my eyes in the studio, my window to the world,” said Cherney. “I get a lot of inquiries from younger engineers, asking me if I can recommend a good pair of monitors for five-hundred bucks. I can’t. And it’s crazy that they’ll spend thousands on microphones and outboard gear without first giving themselves the one tool they need to actually hear what they’re doing. It’s like an artist buying expensive paints and then turning out the lights. That said I’ve had a hard time finding the ideal speaker at any price. I guess I’m something of a collector now.”

Cherney first heard a pair of ATC SCM25As at a studio in New York, and he liked what he heard. Shortly thereafter, he was working at a studio in his hometown of Chicago that had no good options for monitors. “I spoke to Brad [Lunde] at TransAudio Group [ATC’s U.S. distributor] and he sent out a pair of ATC SCM50ASLs for us to try. They were spectacular as well! We could turn them up loud, and the low end was defined, the midrange was smooth and silky, and the high end was sweet. The sound was thrilling; it could wash over me and punch me in the chest. These were the first mid-size speakers that could give me the experience of the soffit-mounted loudspeakers that the big studios have.”

He continued, “I’ve been dissatisfied with 2-way speakers in the past. The challenge is always to get the right vocal tone and volume, and it often depends on which side of the crossover the vocal is sitting. Sometimes the same singer can be below the crossover in the verse and above it in the chorus. In the past, I always took my mixes around to different systems – different speakers, my house, my car – to make sure the vocals were sitting in the mix correctly. Now that I have the ATC SCM25As, I rarely have to do that anymore. The vocals sit nicely in the midrange driver, and I’m always within a half dB. Every song. For the first time, I really trust the quality of the mixes in the studio. I don’t have to take them out and check them. I nail it and they translate to the rest of the world. That’s a huge improvement.”

Cherney has already used the ATC SCM25As on a number of projects. He produced, recorded, and mixed the main title for the Disney film Planes called “Nothing Can Stop Me Now,” as well as Robben Ford’s Bringing It Back Home and Eric Burdon’s Till Your River Runs Dry. He mixed Love for Levon on DVD, CD, and broadcast using the SCM25As, and he mixed Road to Forever by Don Felder of the Eagles. Currently, he’s working on a debut album from Athena Perez, a rising country artist from Chicago, and a new Bette Midler album.

In addition to how well his mixes translate on the ATC SCM25As, Cherney is also inspired by their clean, fatigue-free volume. “If I’m recording drums, I like to turn it up!” he said. “If the band’s in the control room, I have to turn it up! When I’m doing the final balances, I may be down around 75dB, but getting there, I want to feel it pop, physically! I want to move air in the room! With the 25s, I can. And I can do it all day long and still be as clear-headed and energized at the end of the day as I was at the beginning. My ATC’s make recording and mixing music much more fun.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

(Photo Credit: © 2014 Lynn Fuston)

Pro Audio Technology Appoints ByDesign Vision and Sound Marketing as Regional Rep Partner

The new venture headed up by former Stewart Filmscreen vice president Joaquin Rivera will represent Pro Audio Technology in southern California, southern Nevada, Arizona and Hawaii.

Lake Forest, CA – July 7, 2014 – Pro Audio Technology (PRO), the leader in loudspeakers and DSP-programmable amplifier systems for residential properties, today announced the appointment of ByDesign Vision & Sound Marketing as a regional rep partner in California, Nevada, Arizona and Hawaii. ByDesign is the creation of former vice president global sales for Stewart Filmscreen, Joaquin Rivera.

“Joaquin has established himself as an influential member of the CEDIA community through many years of great success at Stewart. He is an expert on all things related to home theater sales and technology, so I have no doubt ByDesign will be a tremendous success,” said Paul Hales, Pro Audio Technology founder. “He also understands our unique value proposition in the elite home theater space and will no doubt help Pro Audio Technology expand in the western region.”

Later this year, Pro Audio Technology is set to launch a new multi-purpose demo, showroom, and training facility to showcase PROs high-powered cinema grade loudspeakers and DSP-programmable amplifiers with partner home theater products. The facility will be a valuable education and experience hub for all PRO reps and dealers to use when courting clients or training staff.

“During my time with Stewart, some of the most powerful and impressive installations I encountered featured audio systems from Pro Audio Technology,” said Joaquin Rivera, ByDesign Vision & Sound founder. “With PRO, people can get an audio experience that far exceeds going to the movie theater, and I’m not just talking loud. I mean high SPLs that make you jump and move your pant legs but don’t stress your ears a bit. And it’s not just about performance, PRO products are extremely reliable and they offer white-glove support behind the scenes. This will be a great partnership.”

ByDesign Vision and Sound currently represents Pro Audio Technology, Runco/Planar, Stewart Filmscreen and Cinematech. For 15 years, Rivera focused on the need to educate customers on the science of screen technology, theater and projection in general. Selling value added products and building the heritage of the Stewart Filmscreen brand. The ByDesign group will also include Benito Joaquin, a colleague of Rivera’s for over 10 years at Stewart.

Rivera continued, “At Stewart, our trainings and dealer collateral was very much rooted in science, and we took the time to explain why our products outperformed the competitors in technical terms, not just with marketing claims. Paul Hales from Pro Audio Technology does the same thing with audio. He helps dealers understand why certain programming or setup decisions make sense in scientific terms instead of just making unsubstantiated claims about performance.”

For more information about Pro Audio Technology products, visit www.proaudiotechnology.com

About Pro Audio Technology
Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

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