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Archive of the Loudspeakers Category

DANLEY JERICHO HORNS THROW 600 FEET AT BOISE STATE UNIVERSITY

BOISE, IDAHO – JANUARY 2014: Boise State University is justifiably proud of its Broncos football team, which has only lost four games at home since 1999. In ninety-one other contests, the visitors left Bronco Stadium’s famously blue field in defeat. As the program gained regional and national notoriety, Bronco Stadium grew from 14,500 seats to its current 36,000, but the stadium’s original sound reinforcement system failed to grow with it. When a local beef producer promised money to update the stadium’s similarly outdated scoreboard, the university scrambled to match money so that it could leap forward with a cutting-edge video board and sound reinforcement system. Although the timing was far from ideal, local A/V integration firm Production Services International complemented the scoreboard expertise of Daktronics (Brookings, South Dakota) by designing, installing, and commissioning the new sound reinforcement system in just six short weeks. Danley Sound Labs delivered its high-SPL, high-fidelity, USA-built Jericho Horn loudspeakers, BC subwoofers, and OS-80 weatherproof loudspeakers to meet that tight deadline, and the results are, by all accounts, fantastic.

“The original system was designed for a much smaller stadium, and it was pretty much designed for speech only,” explained Brian Kohagen, the sales and audio engineer with PSI who designed the new sound reinforcement system and oversaw its installation and commissioning. “The Boise State University marketing department was forever asking for a high-energy, full-range sound system that could really pump up the crowd.” Kohagen drew up his original value-engineered design with a different loudspeaker manufacturer, but the 120-day timeline placed some serious challenges in the way. “It all came together so fast, it was hard to find any manufacturer that could deliver,” he said. “I had heard a Danley system at Brigham Young University, so I knew that Danley’s growing reputation for high-SPL, high-fidelity stadium sound systems was well-founded. I spoke with [Danley President] Mike [Hedden], and he assured me that their US-based manufacturing plant could deliver.” And they did.

He continued, “The real challenge at Bronco Stadium is throwing sound from the scoreboard clear across the field and past the other end zone to the opposite seating two-hundred yards away. There is no place for a real distributed system to exist, as there is no roof system at Bronco Stadium. It has to be an end fired single source.” Four Danley J3-64 Jericho Horns, two on each side of the new Daktronics scoreboard, provide the lion’s share of the coverage. Their exceptional pattern control keeps the sonic energy on the fans and prevents it from spilling outside of the stadium – an important achievement given neighbors’ frequent complaints about the old system’s pattern-free leakage. Four Danley OS-80 weatherproof Synergy Horn loudspeakers provide fill for the seating area directly below and in front of the new scoreboard where the Jericho Horns overshoot. “We easily met all of our coverage and SPL requirements,” said Kohagen. “All of the Danley full-range boxes have tremendous clarity, and we were fortunate not to have to rig any fly system. The catwalk in front of the scoreboard gave us perfect aim. All we had to do was make some adjustments left and right and then lock them in place.”

For low end, Hedden recommended a pair of Danley’s new BC-415 subwoofers, which are designed to provide exceptional bass response and exceptional directivity, especially when two units are coupled. Kohagen used them that way, placing both subwoofers just above a pair of the J3-64s. “Wow, does that bottom end throw!” exclaimed Kohagen. “It’s amazing! I can sit two-hundred yards away on the stands behind the opposite end zone, and the bass still shakes the structure. It’s completely full range and sounds fantastic. Everybody that we’ve talked to has been extremely happy with it.”

Kohagen was pleased with his first-time experience working with the people at Danley Sound Labs. “Mike [Hedden] helped me out with the preliminary design,” he said. “In the weeks running up to the installation, I was completely in the loop regarding the manufacturing and shipping schedules. When it came time to commission the system, [Danley Application Engineer] Chad [Edwardson] flew out to help me voice the system. He was extremely knowledgeable and we finished the job in just one day. There were a few challenges as well, and Danley was right on top of them. One of the subwoofer drivers had glue that had not set properly, which I discovered during testing at the shop. I was on the phone with [Danley Chief Engineer] Ivan [Beaver] Sunday before the first game, and we had the replacement on Tuesday.

The most memorable moment was during the system commissioning, when we powered up the subwoofers to see what they could do. “The video board installers had been working all day and prevented a full system test up to this point, so we hadn’t heard the system at full volume,” relates Kohagen, “At 4pm we got the all clear that they were off the structure, and we lit up the low end. About sixty seconds later my phone was ringing, the head football coach was asking how long this was going to take. It turns out, his office is directly below the scoreboard, and the low end coming off the BC 415s was shaking the wall and items on his shelf. One picture actually fell off the wall.” At that point, I knew we had a kickin’ system in place, and the response from the football fans have been nothing but positive.

ABOUT DANLEY SOUND LABS
Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

HARMAN’s JBL 3 Series Studio Monitors and AKG Microphones Improve Greater Media NJ’s Statewide Broadcasts

NORTHRIDGE, California – Finalizing a station-wide renovation, Greater Media, Inc.’s New Jersey-market facility WRAT-FM (The RAT) recently installed two pairs of HARMAN’s JBL LSR studio monitors. With a pair of LSR305 studio monitors in a small production room and LSR308 studio monitors in the main production room, the creative department now has a more accurate reference for the commercials, music programs, and promotional announcements they produce. Regional manufacturer’s representative Sigmet Corporation provided the JBL equipment.

“We had what I like to call a ‘snowflake collection’ in our studios in that building – no two pairs of anything were the same,” stated Keith Smeal, Director of Technical Operations, Greater Media New Jersey. “We’re currently working on getting every station on the same platform and the initial installation of the LSR’s has been a very successful starting point. The LSR monitors are a major improvement from our legacy equipment. They produce a nice, crisp and clear high end and remarkably full bottom.”

Leveraging new technology developed for JBL’s flagship M2 Master Reference Monitor, the 3 Series studio monitors feature JBL’s patent-pending Image Control Waveguide, which enables the listener to hear greater depth and ambience in recordings.

An additional pair of LSR305’s is installed in the home studio of the program manager of WJRZ, New Jersey’s Greatest Hits-another Greater Media New Jersey station.

Sigmet also delivered three pairs of JBL Control 5 loudspeakers for portable use during radio station-sponsored events. The loudspeakers’ rugged construction and high-performance capabilities provide a clear sound for event participants, whether Greater Media sets up its portable broadcast station on a boardwalk or in a parking lot for a store opening.

During the renovation, Smeal demoed numerous AKG microphones to help improve the sound of the station. A set of microphones provided by Sigmet consisting of C414s, C214s, 4500 BCs, C3000s and a D12 VR was delivered to the broadcast facility. According to Smeal, the AKG microphones were a hit at the station—a nice in-between solution for the DJs while the renovation continues. “We want to ensure we’re sending out the best sound, whether our listeners are in the car or in front of a hi-fi system,” he said

Smeal has plans to use 60 AKG C414s in his studios for a full microphone upgrade in 2014.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

ESI Audio Deploys North America’s First L-ACOUSTICS K2 System for “The Gift”

Over 12,000 fans flocked to "The Gift" on December 26

Brand new system gains rave reviews at Tampa EDM festival featuring deadmau5

TAMPA, Florida — On December 26, ESI Audio gained the distinction of being the first sound reinforcement company in North America to deploy L-ACOUSTICS’ new K2 system. ESI gave the rig its first official workout at “The Gift”, a one-day EDM festival staged outside Tampa’s Raymond James Stadium and touting deadmau5 as the headlining act. more

Pearl-Cohn Entertainment Magnet High School Launches Next Generation of Producers with HARMAN’s JBL Professional M2 and LSR Studio Monitors, AKG Microphones and Lexicon Processors

NASHVILLE, Tennessee – The first of its kind in the US, Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee provides a unique opportunity to students interested in pursuing careers in the entertainment industry, offering concentrations in audio engineering, radio production, broadcasting and other media industries. Fulfilling a key initiative of the project, Pearl Cohn partnered with the Nashville Chapter of the Recording Academy® Producers and Engineers (P&E) Wing in late 2012, to build a fully functioning, world-class recording studio, creating the opportunity for students to learn music production skills in a professional, hands-on environment. The new studio is equipped with HARMAN Professional’s newest JBL studio monitors, AKG headphones and microphones, Lexicon effects and Crown amplifiers.

The transformation of Pearl Cohn into the Nation’s first Entertainment Magnet High School was the personal project of Nashville Mayor Karl Dean, and Music Makes Us, a music education advocacy group, working to create a world-class learning environment for entertainment arts in Nashville.

Renowned studio designer Steven Durr donated his time and energy to develop the plans and oversee construction of the fully equipped studio. In a remarkable effort, producer/engineers Jeff Balding, Chuck Ainlay, in addition to Ben Fowler, Julian King, Nick Palladino, Terry Palmer, Matt Schlachter, Jon Randall Stewart, Durr and notable members of the Nashville music community rolled up their sleeves as a valuable subcommittee to put the facility together.

“Music education is so important to The Recording Academy, so when we were approached with the idea of Pearl-Cohn’s studio, we were proud to help in the development, contacting key associates in the music world to construct the first-of-its-kind high school facility,” says Susan Stewart, South Regional Director, The Recording Academy. “The studio became a reality with the help of the generous manufacturers and the community, who bonded together to provide students the hands-on environment they deserve to excel in the music industry.”

According to Sam Lorber, Instructional Designer at Pearl-Cohn Entertainment Magnet High School, the institution was developed with the desire of engaging students with project-based lessons centered on the entertainment industry theme.

“It was the intention of the school from the start to provide professional-level education. Whether students are going to pursue an audio degree or a career immediately after graduating, they will have the problem-solving, communication and collaboration skills associated with a strong audio-based foundation,” Lorber stated. “With the P&E Wing and HARMAN, our vision of building the all-encompassing studio has far surpassed what we ever imagined was possible!”

The commissioning of the studio at Pearl-Cohn marks the first installation of the JBL M2 Master Reference Monitors powered by two Crown iTech 5000 HD power amplifiers. The M2, JBL’s flagship main monitor system leverages 7 patented technologies, JBL’s next generation transducers and its new Image Control Waveguide to deliver exceptional imaging, frequency response and high output to very broad space in the control room. .

The control room also includes a 5.1 JBL LSR6300 system, while edit rooms are equipped with JBL LSR4300 studio monitor systems. AKG microphones and headphones include K271MKII and K240MKII headphones, D12 VR drum microphone, C214s, a C414 matched stereo set and three C451B condensers. Lexicon’s PCM96 Parallel Stereo and Surround Sound Reverb/effect processor was installed. Pearl-Cohn also installed three complete Lexicon plug-in packages.

Pearl-Cohn provides nine audio classes, which have become the most popular courses since the program was established. The studio/audio program has become the centerpiece of a curriculum that includes a student-run record label and publishing company, plus classes in studio techniques for musicians and singers. Students select a pathway—
choosing between careers as producers, managers, engineers, marketing agents, and more—and enroll in classes beginning with a survey of the music industry and progressing into the specific areas of each student’s interest.

“With a student-run record label, a state of the art studio and the support of music industry veterans, the stage is set at Pearl-Cohn for emerging talent to make their mark in the music world. The future of the industry lies within these kids. We are proud to partner with The Recording Academy in support of this project,” stated Mark Ureda, Vice President, Strategy and Technology, HARMAN Professional.

“We want our students to realize their dreams and potential. They enter the program with ambitions and we want them to graduate with the skills that will provide a stepping stone for a successful career in the audio industry and success in life,” Lorber continued. “Having a partner like HARMAN enables us to create a student-centered studio that rivals university and professional facilities. The sound emanating from our studio is superb and we can’t thank our partners enough for helping Pearl-Cohn inspire its students in this top-of-the-line learning environment.”

For more information on the Pearl-Cohn Entertainment Magnet High School, please visit http://www.pearlcohnhs.mnps.org.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Beverly Hills’ First Performing Arts Center Roars to Life with L-ACOUSTICS

An interior view of The Wallis' Goldsmith Theater

Electrosonic equips Wallis Annenberg Center’s Bram Goldsmith Theater with ARCS WIFO and XT loudspeaker systems

LOS ANGELES — After more than two years of construction, Beverly Hills’ first performing arts center, the Wallis Annenberg Center — or simply “The Wallis” — officially opened in mid-October with a star-studded, invitation-only gala featuring a concert by Natalie Cole. Since then, the center’s primary performance space–the 500-seat, proscenium-arch Bram Goldsmith Theater — has been hosting a steady lineup of world-class theatre, music and dance performances sonically reinforced via the venue’s new L-ACOUSTICS amplifier and loudspeaker system. more

DANLEY HORNS ELEVATE THE SOUND QUALITY AT RALPH WILSON STADIUM HOME OF THE BUFFALO BILLS

BUFFALO, NEW YORK – DECEMBER 2013: Fervent football fans know that the Buffalo Bill’s Ralph Wilson Stadium is one of the most difficult places for kickers, owning to its exposure to Lake Erie’s gusty winds, but few footballs recognize the tremendous challenge those winds create for the stadium’s sound reinforcement system. Moreover, Buffalo’s notoriously snowy winters regularly incapacitated the loudspeakers and subwoofers that were exposed to it, and unintelligible announcements and underpowered music were a constant frustration. However, with a new Danley Sound Labs distributed loudspeaker and subwoofer system in place, that lackluster performance is history, and Ralph Wilson Stadium now stands as one of the league’s best venues for a soul-shaking game-day experience that few living room hi-fi system can rival.

“The NFL is striving to improve the game-day experience,” explained Steve Asposto, senior director of broadcast operations with the Buffalo Bills. “We want to keep people coming to the stadium, but with so much HD technology available in fans’ living rooms, there is a huge temptation for them to stay home. Our goal is to give them an experience at the stadium that cannot be replicated on the couch, and music is a huge part of that. The league has softened many of the rules that used to restrict music playback, and so now we’re able to build music into a greater part of the experience.”

The trouble was that Ralph Wilson Stadium wasn’t ready to make effective use of those new rules. Even when it was brand new, the old sound system fired from only one side, which generated an intelligibility-killing clot of late arrivals. Worse, over a decade of Buffalo’s ceaseless wind and superabundant snowfall had destroyed approximately half of the stadium’s loudspeakers and subwoofers. “We used to get regular complaints that the announcements and referee calls were completely muddled,” said Asposto. “The clarity simply wasn’t there.” The Bills called on Anthony James Partners (Richmond, Virginia) to design a new system that would stand up to Buffalo’s inclement weather and that would deliver clear, high-fidelity audio even on the windiest days. Ronco Specialized (Tonawanda, New York) installed the new system.

“The idea was to place a loudspeaker and subwoofer cluster on each of four towers that encircle the stadium,” said Larry Lucas, director of audio engineering for Anthony James Partners. “As always, price was a big consideration, but we also needed exceptional pattern control to avoid the late arrivals that had plagued the old system. Danley Sound Labs delivered on both counts, and Danley’s Shaded Amplitude technology in its GH-60 Genesis Horns would provide even coverage across the seats.” Each of the four clusters consists of three Danley GH-60 Genesis Horns, a Danley SH-95 for center fill, four Danley SH-MINIs for fill right below the cluster, and two Danley TH-118 subwoofers. In addition, four Danley SH-64s (two at each end zone) provide additional coverage, and 35 Danley SH-Micros provide under-balcony coverage. An existing Yamaha LS-7 digital console and four Peavey Neon processors (two of which are new) form the front end, and sixteen Lab.gruppen PLM-20000 amplifiers power the Danley boxes. A new computer system operates the system with multiple screens (including one dedicated to the NIO software and a touchscreen dedicated to the Lake software). The amplifiers receive signal via CobraNet or Dante and contain DSP resources to handle all of the loudspeaker conditioning.

Unfortunately, some of the electrical requirements necessitated a shift in the original design that then compromised the coverage of the Danley GH-60 Genesis Horns. “It turned out that even with the Shaded Amplitude design, the SPL was too hot on the top,” said Dean Churpita, who led the installation for Ronco Specialized. “Danley worked with us and twice sent technicians to physically modify the boxes to give us the coverage we needed. The sound quality itself is exceptional. I barely had to equalize the Danley boxes at all!” Al Colucci, account manager at Ronco Specialized, added, “Danley really came through for us. They’ve been tremendously responsive and are obviously invested in making this installation right for us and for the client.”

With the Danley-led modifications now in effect, the coverage is smooth, and the sound quality at Ralph Wilson Stadium has leapfrogged its NFL peers to become one of the best. “We’re very happy with the new system and with Danley’s commitment to making it perfect,” said Asposto. “It’s not an easy trick to deliver consistent audio to all 75,000 seats in an open stadium in Buffalo’s climate. We’re similar to Lambeau Field, except that Lambeau has the benefit of an uninterrupted ring of stands. In contrast, we have a lot of ‘holes’ for the wind to play with. Despite that, Danley’s coverage is keeping direct sound on the seats and minimizing the sort of extraneous echoes that we used to contend with.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

WEATHERPROOF DANLEY OS-80 LOUDSPEAKERS COVER ONTARIO HOCKEY ARENA

ONTARIO, CANADA – DECEMBER 2013: The J.D. McArthur Arena seats 3,500 for ice hockey games and 3,000 for lacrosse games and resides within the Harry Lumley Bayshore Community Centre in Owen Sound, Ontario, Canada. The Owen Sound Attack of the Ontario Hockey League and the Owen Sound Woodsmen of the Ontario Lacrosse Association both call it home. Although thoroughly modern in most respects (including private boxes and a restaurant), the arena suffered from a sound reinforcement system with poor intelligibility and impact. A recent renovation, led by Straight Street Event Services of Cambridge, Ontario, took the sound system from terrible to fantastic with the replacement of the existing loudspeakers to the fully-weatherized Danley Sound Labs OS80s.

“The owners of the hockey team wanted a better experience for their ticket holders,” explained Keith Broughton, an independent contractor who led the design and installation on behalf of Straight Street. “The existing system did not provide clear announcements, and the quality and SPL of music playback did not cover all seating areas sufficiently. Many people complained that they couldn’t understand the announcer, and, this being a fairly small town, those complaints reached the right ears… many times!” Keith Kissner, the owner of Straight Street Event Services, who has a trusted relationship with the owners, hired Broughton to help evaluate the owners’ requirements, evaluate the existing system, recommend a solution, oversee its implementation, and test and tune the system after installation. In addition, he added, “and I would take the heat if the new system didn’t live up to expectations!”

Kissner and Broughton have been using a Danley TH-115 subwoofer in a rental application and were impressed by its performance. Based on that experience, together with the realization that it was precisely the “conventional” aspects of conventional loudspeakers that had so failed the McArthur Arena, Broughton scheduled a two-day trip to visit Danley headquarters in Georgia. “The folks at the ‘lab’ treated me very well,” he said. “They made me feel welcomed and answered all of my questions. They’re clearly interested in building relationships with the people who use their products. Southern hospitality is alive and well!”

Broughton’s requirements for the new loudspeakers were exceptional vocal clarity, high directivity, good visual appeal, and even coverage across the spectrum. A lightweight, easy-to-rig design was also important, as was a weather-resistant enclosure since the arena becomes very humid during the transition from lacrosse to hockey. “I originally spoke with Ivan Beaver, Danley’s chief engineer, about the Danley SM-80, which met my requirements,” said Broughton. “He turned me on to the new Danley OS-80, which has the SM-80’s characteristics plus a truly weatherproof enclosure and less overall weight. My visit to Danley headquarters gave me a chance to listen to the product and to talk with Ivan about its technical points. I left confident that the OS-80 was the right product.”

The new system covers the seating area only and was “piggy-backed” onto the existing control system. The Straight Street installation team removed the old loudspeakers and amplifiers and left the rest of the house system as it was. Broughton added a new Xilica processor, which conditions the system and feeds three Crest Pro9200 amplifiers. The amplifiers power five sets of four Danley OS-80s each (twenty OS-80s total), and the remaining channel powers a new Danley TH-118 subwoofer mounted over center-ice. Broughton and the Straight Street crew mounted the OS-80s directly on the roof trussing with the included yokes using beam clamps. “Director of Danley University, Doug Jones was also very generous with his time, and walked me through the use of the speaker prediction software,” he said. “That further convinced me that the OS-80 was the right tool for the job. Its 80-degree pattern is perfect for covering the front to rear seats and proved to be just as the Danley speaker prediction software had indicated.”

He continued, “The J.D. McArthur Arena may not be a big ticket install compared to what Danley usually does, but to this client, this is THE big ticket item. As you can imagine, my reputation, the reputation of this sound company, and the satisfaction of the client were riding on this products ability to deliver. The OS-80 and the support from Danley both exceeded my expectations. Danley included high-grade wire with the weather resistant coupler, they pre-lubricated the hardware, and they coated the grill with weather resistant film. Those details were not lost on me or the installation team! Both the arena technical staff and the hockey team’s director of marketing met the initial audio demonstration with a big ‘WOW, we have never heard sound like that in here!’ In fact, the members of the arena tech crew were so impressed that they want to add more Danley OS-80s to cover the ice area.” We are very happy with the OS80 and hope to use more Danley Sound Lab products in the future.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

PreSonus Ships Innovative StudioLive AI-series Active Integration PA Loudspeakers

Baton Rouge, Louisiana – January 2014…  PreSonus is shipping its new StudioLive™ AI-series Active Integration Loudspeakers, the first active loudspeakers that deliver studio-monitor accuracy onstage. The new line includes the full-range StudioLive 312AI, 315AI, and 328AI and the StudioLive 18sAIsubwoofer. All models are available immediately.

A key component of the StudioLive AI’s design is its use of Active Integration technology. Active Integration combines wireless and wired networking and communications with powerful DSP to create a unified working environment.

StudioLive AI-series speakers incorporate Fulcrum Acoustics’ TQ™ Temporal Equalization algorithms. Taking advantage of Active Integration’s ample DSP, TQ employs multiple, fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies in coaxial systems. Collaborating with Fulcrum Acoustics’ co-founder, Dave Gunness, PreSonus software designers incorporated custom TQ algorithms with dynamics processing, FFT tools, and performance monitoring into the onboard DSP. The result is a PA system with remarkably clear, coherent, studio-quality sound.

Each full-range, powered, 3-way loudspeaker relies on a custom-designed, CoActual™ 8-inch coaxial speaker with a 1.75-inch titanium compression driver to reproduce the mid and high frequencies. Triamplified, Class D power amplifiers in each model deliver a combined 2,000 watts of power.

The StudioLive 312AI comes equipped with a 12-inch ferrite speaker to handle low-frequency reproduction, while the 315AI employs a 15-inch woofer, and the StudioLive 328AI features dual 8-inch ferrite speakers, enabling it to deliver high-powered performance in a noticeably streamlined and compact enclosure.

Each full-range system has a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR audio throughput. The full-range speaker systems are pole-mountable and have ergonomic side handles, interlocking stacking, and M10 fly points. All enclosures are of lightweight plywood construction.

Three operation modes allow the user to choose DSP presets for their application, such as MP3 playback, live performance, or stage monitoring. Users can also create a custom preset using SL Room Control and store it onboard for use later.

In addition to the full-range, 3-way systems, PreSonus is offering the StudioLive 18sAI, a powered, 18-inch, ferrite subwoofer designed to complement the full-range StudioLive AI speakers while still being flexible enough to work with other powered loudspeakers. A 1,000W amplifier powers the subwoofer. The StudioLive 18sAI offers stereo line inputs (XLR/¼-inch combo) and full-range stereo line outputs (XLR) with a switchable, low-cut crossover.

All StudioLive AI-series loudspeakers include an Ethernet port and a USB port with a Wi-Fi module to connect to SL Room Control software over a wireless network. Expected to be available in Spring 2014, SL Room Control is a speaker-management application for Mac OS X®, Windows®, and iPad that provides both individual and grouped speaker control and includes a 31-band graphic EQ and an 8-band parametric EQ, muting, soloing, and level control, in addition to performance monitoring (over temperature, click detection, and excursions). A network-setup wizard will be included.

Custom accessories for the AI-series speakers include a mountable Sub Dolly to make hauling the 18sAI subwoofer easy and a pull-tested Sub Pole to mount a full-range system atop the 18sAI. An M10 Kit, which contains four M10 eyebolts, lets you fly any full-range model in a permanent installation. Protective covers for the 312AI, 328AI, 315AI, and 18sAI are also available.

U.S. MAP/street prices are expected to be $1,399.95 for the StudioLive 312AI, $1,499.95 for the StudioLive 328AI, $1,599.95 for the StudioLive 315AI, and $1,299.95 for the StudioLive 18sAI subwoofer. All models are available immediately. For more information visit www.presonus.com/products/live-sound-reinforcement

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About PreSonus

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

Sonic Ritual: HARMAN Professional and Premier Production & Sound Services Cast a Spell at Voodoo Experience 2013

NEW ORLEANS, Louisiana — The third time’s the charm, as Baton Rouge, Louisiana sound company Premier Production & Sound Services, LLC (PSS) found out when it supplied the sound reinforcement system for the Voodoo Experience festival for the third year in a row. The 3-day festival featured a dazzling array of more than 80 artists and more than 100,000 people at New Orleans’ City Park were treated to an epic sonic and musical experience, courtesy of HARMAN’s JBL Professional VTX and VERTEC® line arrays, Soundcraft digital consoles and Crown amplifiers.

PSS equipped the festival’s Flambeau Stage with eight JBL VTX V25 fullsize line array elements per side and four stacks of three S28 subwoofers arranged in cardioid configuration. PSS also deployed 12 VERTEC VT4886 subcompact line array elements atop the subwoofers for front fill. A total of 28 Crown IT 12000 HD amplifiers powered the system.

Stage sound was furnished by 16 JBL SRX712M floor wedges, plus 12 VT4886 loudspeakers and six VT4883 subcompact subwoofers. All the loudspeakers on stage were powered by nine Crown IT 4×3500 HD amplifiers.

In addition, PSS supplied two Soundcraft Vi6 digital live sound consoles for front of house and monitor mixing. Brian Gordon, PSS Head Audio Engineer and Co-Owner and his staff used the JBL VTX-LZ-K Laser Accessory Kit to precisely align all the loudspeakers in the system.

“This was our third year of working on the Voodoo Experience festival and our second with the JBL VTX Series line arrays,” said Russ Bryant, PSS Director of Operations and Co-Owner. “The sound was absolutely awesome. At a large-scale outdoor rock festival like this, the demands on a loudspeaker system are tremendous in terms of the sheer SPL and coverage required—and the V25 line arrays are phenomenal in their ability to deliver clear sound even at high volume, with pristine, effortless headroom especially in the upper midrange and high frequencies.”

The Crown IT 4×3500 HD amplifiers also made life easier for PSS. “Having four channels in one amp allowed us to significantly cut down on the amount of cabling we needed and save a lot of time and labor,” he pointed out. “We are very happy with the flexibility they offer and the fact that they can be optimized for use with VTX and VERTEC loudspeakers using their V5 DSP presets.”

Anyone who has mixed sound at festivals with dozens of bands can attest that smooth transitions between acts are crucial. “We wound up using the Soundcraft Vi6 consoles for 31 front of house and monitor changeovers,” said Bryant. “I can tell you that the Vi6 was much easier to use than other consoles that were at the festival,” noting that in addition to its superior sound quality, the Vi6 is laid out very much like an analog console, which made it easy for visiting engineers to step right up and start mixing. Another big advantage: “The Vi6 still passes signal while you’re loading show files into it where some other consoles will not, which is a major benefit during the hectic time constraints of a big festival.”

Bryant concluded, “There were four total stages at Voodoo Experience 2013 and we had many people coming over from the other stages telling us that our stage sounded the best.”

For more information on Premier Production & Sound Services, please visit www.psssound.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

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