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ICONYX Saves The Day At St. Thomas the Apostle Catholic Church

Long Beach, MS – September 2014… Located steps from the sand on Mississippi’s scenic Gulf Coast, St. Thomas the Apostle Catholic Church has a rich association with the city and community. Its beachfront location also boasts something of an ominous history; on August 29, 2005, the eye of Hurricane Katrina passed just west of the church, bringing 20 foot swells, rendering the main sanctuary, and its sound system, unusable.

As part of St. Thomas’ restoration, the church reached out to Magnolia Music to design a new sound system. After an analysis of the room, Magnolia’s Tony Strong and Rain Jaudon recommended Renkus-Heniz ICONYX IC24-R-II digitally steerable line array loudspeaker systems.

“It was apparent to me that, with the aesthetics of the room and the high vaulted and beautiful wood ceiling, a traditional speaker approach would not be in keeping with the design,” said Strong. “A steerable array system using the Renkus-Heinz IC24Rs was the perfect solution.”

While all agreed on the steerable array, budget conscious church officials opted to look for ways to cut costs. “Someone at the diocese decided to take the preliminary designs and put them out to bid,” said Jaudon. “After some value engineering was done, the project was awarded to another integrator, and the new design called for a lower priced, digitally steerable array.”

The budget system was mounted 12 feet above the floor, but ultimately did not deliver the intelligible, high quality audio that was promised. Next, a new, more powerful point source line array system was installed, which also proved unsatisfactory. “With the second system, the folks right in front of the arrays were being blown away with sound and intelligibility was poor in the rear of the room,” said Strong.

Church officials once again reached out to Strong and Jaudin, and the consultants stood firm in their recommendation of the IC24Rs. “We demoed the IC24, and it was clear that we could cover the congregation evenly and consistently with the IC24Rs,” said Strong. “Just to show the accuracy of the steering, I purposefully aimed the beam over the first couple of pews to show the comparison to the passive line arrays installed.”

The speakers were mounted down-mic, just behind the pulpit and lectern – a placement that initially raised concerns about feedback from church officials. “All agreed that it was a better location aesthetically,” said Jaudon. “However, there was concern about the mounting location being upstage from the primary microphones. I assured them that, based on our experience with the ICONYX arrays, we would be able to steer the main lobes over the microphones successfully, and that turned out to be the case.”

Ultimately, the ICONYX system outperformed the previous two systems, proving that not all array systems are created equal, and that compromising quality to save costs can end up costing more in the long run.

“The bottom line of the story is that, with the ICONYX arrays, we selected the right tool for the job,” said Strong. “Someone tried to value engineer and save the church money by purchasing two different systems that did not perform. After six years and thousands spent on other systems, they purchased the right system for the job – the IC24Rs. Now, the ministers are free to do what they do best – minister – without having to deal with complaints about the sound system.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

 

 

 

 

 

 

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Mackie DLM Helps Austin-Bergstrom International Airport Keep Travelers Entertained

 Austin, TX – October 2014… Widely regarded as “The Live Music Capital of the World,” Austin’s buzzing local scene is heightened by the notoriety of festivals like South By Southwest, and popular shows like “Austin City Limits.”

Austin boasts literally hundreds of live music venues, but one stands out as particularly unique. With more than 10 million people passing through its gates every year, Austin-Bergstrom International Airport is often the first and last live music venue visitors to the city see and hear. The audio is powered by a Mackie DLM system installed at the Main Terminal’s Asleep At the Wheel Stage at the Ray Benson Roadhouse.

“There has been music here in the airport since it opened 15 years ago,” explains Michael Pennock, who oversees the music and audio at Austin-Bergstrom Airport. “We have six venues and 23 shows a week. The Ray Benson Roadhouse is our busiest venue.”

The Roadhouse’s Asleep At the Wheel Stage features two Mackie DLM12 12-inch full-range powered loudspeakers, along with four DLM12s for stage monitoring. The entire system is connected to a Mackie DL1608 16-channel digital live sound mixer with iPad control.

The Mackie DLM12 delivers 2,000 Watts of Class D amplification, powering a custom-designed 12-inch woofer and 1.75″ HF compression driver. As Pennock points out, the extra power translates into better performance without having to push the system too hard.

 “Initially, we had other speakers installed on a truss above the stage, and there was a lot more sound spilling over to the gates,” said Pennock. “With the DLM12s, we’re able to focus the sound and get better coverage with virtually no bleed. It’s been a great improvement and we get a lot of compliments from the performers on the sound.”

As Pennock observes, one of the major challenges in operating a live music venue in the middle of a busy airport is maintaining control over the sound to ensure the music does not overpower the airport’s paging system. The ability to control the 16-channel DL1608 via iPad empowered the airport’s audio crew to easily stay on top of the challenge.

“On either side of the Ray Benson Roadhouse, there are two Southwest airline gates,” says Pennock. “With the DL1608s remote iPad control, we can actually walk over to the gates while the band is playing, check volume levels with the airline personnel, and adjust from the iPad on the spot if needed.”

The DL1608 six aux sends handle more than enough monitor mixes, and support for up to 10 wireless iPad connections makes it easy for both crew and performers to dial in exactly what they need.

Besides just being a great sounding mixer, Pennock says the DL1608’s iPad integration has brought other benefits as well. “Since moving to iPad control, we not only have better communication with the airlines, we’ve got a better sounding mix, and we’re able to get just a little bit louder too. The amount of control the DLM loudspeakers and DL1608 mixer provides is an absolute blessing in this kind of application.”

 

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About Mackie - Mackie, a LOUD Technologies Inc. brand, is known worldwide as a leading developer and marketer of high-quality, affordable professional audio systems. Mackie products can be found in professional and project recording studios, video and broadcast suites, post production facilities, sound reinforcement applications including churches and nightclubs, retail locations and on major musical tours. For more information visit: www.mackie.com.  

Mackie is a registered trademark of LOUD Technologies Inc. in the United States, European Union and other countries. All other trademarks are the property of their respective owners.

   

 

 

 

 

 

 

 

IsoAcoustics Introduces Arista Isolation Stands for Studio Monitors and Speakers

Arista Sep18 2014

Los Angeles, CA (Sept 23, 2014) —At this year’s AES Show in Los Angeles, IsoAcoustics (booth #1651) is pleased to introduce Arista, a stylish and sleek new aluminum acoustic isolation stand for medium-sized professional studio monitors and bookshelf speakers for Home Entertainment and hi-fi applications.

The new Arista stands provide an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity of speakers, using the patented “floating design” that this award-winning company has become known for.

The new IsoAcoustics Arista stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle. With an overall size of 6”(w) x 7.5”(d), the Arista stands are designed for medium size studio monitors and speakers weighing up to 35 lbs.

“IsoAcoustics is very pleased to introduce the Arista stand, which offers a handsome and cost-effective isolation solution for the pro studio and hi-fi market,” says Dave Morrison, CEO of IsoAcoustics.
The Arista stand will be available in black and aluminum in December 2014.

See the new Arista and IsoAcoustics entire line of award-winning acoustic isolation stands at booth 1651 the AES Show at the Los Angeles Convention Center, October 10-12, 2014.

About IsoAcoustics Inc.
IsoAcoustics stands provide superior acoustic isolation and enhance the sound clarity of virtually all speakers and amplification systems, including monitors for the professional studio and sound reinforcement, home theatre systems, musical instrument amplifiers, subwoofers and large monitors. AlI IsoAcoustics stands are built with a unique, patented isolation technology that allows speakers to float in free space, resulting in authentic, clear uncolored sound.

For more information, visit www.isoacoustics.com.

Yamaha Audioversity – Applications Edition Headed to ChiTown

audioversity_logo

Buena Park, Calif.—Yamaha Commercial Audio Systems, Inc. is heading to Chicago with an Applications Edition for Sound Reinforcement/Live Sound of the ever-popular Audioversity, November 3-5, 2014. The company has reformatted the learning experience for a limited time held over three days and consisting of three tracks, with each day focusing on a specific subject. Day 1 will focus on Digital Mixing Consoles for Sound, Day 2 – Digital Audio Networking, and Day 3 – Speaker Systems. Attendees will be eligible to receive CTS credits for each of the three-day sessions.

The Mixing Consoles track on Day 1 will focus on the latest in the Yamaha digital console family – CL and QL Series. Subjects will feature the essentials of the two series, mixing techniques, tips and tricks, and a mixing lab offering attendees hands-on time with assistance from our specialists. You may choose the CL or QL Series track depending on preference Learning material will be consistent in both tracks. A unique course for system techs covering Dante™ networking, Soundcheck Best Practices, Guest/User Management, and much more. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=794&course_id=151.

Day 2 focuses on building networking skills applicable for audio engineers. The day will start with fundamentals in the context of a common home network, and expand into features required for full scale Dante™ network provisioning and configurations. Participants will learn by doing with live demonstrations and interactive labs. Popular and thought provoking topics include: Integrating Audio Networks with Existing IT Networks (Including WiFi points and Internet Access), Adding Dante™ to Existing Audio Networks (CobraNet®/EtherSound™), employing Dante™ as a clear, low-latency conferencing solution, using Dante™ for distributed audio or connecting overflow rooms, choosing network switches, WAPs, and other hardware for audio networks. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=795&course_id=152.

Day 3 will feature speakers and systems including product listening demos, applications, and the latest in design software. New NEXO products – the GEO M6 Compact Sound Reinforcement System and the versatile STM M28 loudspeaker will be highlighted along with various STM ground-stack configurations. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=796&course_id=153.

“Since its inception in 2010, the Audioversity Expo has provided complimentary education to thousands of audio professionals,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “This one-of-a-kind event is truly a unique offering unlike any other.”

Audioversity – Applications Edition is free-of-charge and open to members of the audio community. Attendance is limited and seats will be filled quickly so register for the tracks at the links above.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Zac Brown Band Headlines Wrigley Field With Martin Audio MLA


Chicago, IL––SES (Special Event Services) set up what President Jim Brammer terms as “the largest outdoor MLA system deployed in North America thus far” for a sold-out Zac Brown concert at Wrigley Field of 40,000.

The event also marked Zac Brown Band’s first as a solo headliner in a major league ballpark, having shared staging earlier this summer with Billy Joel at Boston’s Fenway Park. Both shows were part of the band’s successful “Great American Road Trip” tour that runs until the middle of October.

The massive Martin Audio MLA system consisted of 170 enclosures: A Main Hang of 22 MLA over 2 MLD per side; 24 MLA Compact per side for Outfill; 8 flown MLX subs per side and 24 MLX in 12 stacks of two across the entire downstage area; 4 MLA Compact in a straight array per side for Off Left/Right front fill; 6 W8LMD across the downstage edge for Lip Fill, and 24 MLA for delays.

Asked about the event, Brammer responds, “The challenge with Wrigley and most ballparks is getting sound up under the overhangs in the upper deck. We were able to solve that with a delay system that consisted of four SES audio carts, each with six MLA, arrayed at home plate, first and third base near the seats.”

In terms of audio quality, “the show was off-the-charts good,” Jim adds. “Everyone was extremely pleased and we had visiting major league ballparks to look at the MLA setup and see if they might be able to use it, and they were very happy with the way it sounded.

Tour Veteran Warren Cracknell from the SES Nashville office summed it up with one word, ”Outstanding!”

When asked what he thought, FOH Engineer/Production Manager Eric Roderick said, “It was Bad to the Bone!”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Doha Airport is Covered with ICONYX as Far as the Eye Can’t See

Doha, Qatar – September 2014…. Hamad International Airport covers nearly a third of the city of Doha, with more than half of the airport’s. 29 sq km (11 sq miles) reclaimed from the Arabian Gulf. Its state-of-the-art passenger and cargo facilities will serve more than 30 million passengers and 1.4m tons of freight per year.

Technology for the airport is equally impressive, including an RFID baggage handling system, high-tech air traffic control and radar systems, and a cutting-edge public address system based around Renkus-Heinz ICONYX digitally steerable line array loudspeaker systems.

The system includes 208 IC8-R, 30 IC16-R, five IC24-R, and two IC32-R loudspeaker columns, all networked to provide individual control of each individual unit. Strikingly, not a single one of the 245 speaker columns installed throughout the facility is visible to the naked eye.

“All the loudspeakers are hidden,” explains Renkus-Heinz Middle East Sales Manager Norbert Bau. “They have all been flush mounted and concealed behind grilles, or they have been integrated into custom-designed stainless steel pillars. It’s an architecturally stunning facility and the best Iconyx installation I’ve ever seen.”

Much of the credit for this impressive installation goes to the contractors, Consolidated Engineering Systems Co (CESCO), and subcontractors H. Robert Guild Associates, Inc (HRGA). “The system was designed by Acoustic Design Ahnert (ADA Gulf), and the entire installation was performed by CESCO, who brought in Robert Guild of HRGA to provide the experience and expertise for this very high-profile project,” Bau observes. The project also included a massive IED announcement control system and thousands of small ceiling speakers for the voice alarm system. Testing and commissioning the system was performed by HRGA, with support from Renkus-Heinz application engineers.

While the project has not been without its challenges, Bau points to good planning as an indispensible factor. “The design of the sound system was seriously considered when designing the airport. And ADA Gulf convinced the architect to apply acoustic treatment so the acoustic conditions are very good – it sounds very dry.”

Since opening its doors to passengers, Hamad International Airport is quickly becoming an international hub, providing the air travel capacity the city of Doha has been sorely needing, with a sound system that will clearly and intelligibly serve millions of passengers for years to come. As Norbert Bau concludes, “it is an impressive system for a very impressive airport.”

 

 

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About Renkus-Heinz  - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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AudioXL to Distribute Intellivox and AXYS Products in Benelux

(Left to Right) Thijs Dullaart, Audio XL; Nick Screen, Duran Audio; William van Druten, Audio XL.

DIEST, Belgium – HARMAN Professional is announcing that its Benelux distributor, AudioXL, has been named the exclusive distributor of the JBL Intellivox and AXYS loudspeaker products for the Benelux region. In October 2013, HARMAN acquired Duran Audio and its flagship Intellivox and AXYX lines, before incorporating them into the JBL product lineup.

“We are very excited about having the Intellivox and AXYS products as part of the JBL portfolio,” explained William van Druten, General Manager at AudioXL. “Intellivox was the first digitally steerable array on the market and the engineers from Duran Audio are widely regarded as the pioneers of and the authority on this technology. Intellivox is a great solution for delivering clear and intelligible speech in difficult acoustic environments and there are already many high-profile applications of the products around the world. This, combined with AudioXL’s experienced and skilled team and the wider portfolio of HARMAN products, is a recipe for success. I am sure we can continue to grow the market for the product and deliver fantastic solutions for many more projects.”

In recent years, Intellivox has become the preferred loudspeaker solution for major railway stations in Holland. Intellivox has not only been chosen for its ability to deliver the ultimate intelligibility but also for its subjective sound quality and natural sound reproduction. Stations now installed with Intellivox include: Den Haag, Rotterdam, Utrecht and Eindhoven.

The product has also enjoyed great success in the worship and AV markets. The AXYS range is also widely used by many rental companies in the region and is known for delivering transparent sound reproduction even at high sound pressure levels.

“This new relationship with AudioXL presents some really exciting opportunities,” Nick Screen, HARMAN Sales Director – Duran Audio Products. “With Intellivox it has always been about selling solutions, but it was a niche solution for intelligibility and many clients want a complete audio system. The HARMAN acquisition and the partnership with AudioXL means that we can now offer a complete HARMAN-based sound system solution that delivers Intellivox-quality intelligibility. Combine this with AudioXL’s team and large customer base and you have a winning formula.”

For more information on these products, please visit JBL Professional (www.jblpro.com) or AudioXL (www.audioxl.be and www.audioxl.nl)

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Martin Audio MLA Mini Lifts Spirits At IDC Church

Chicago, IL––Encompass AV recently installed a Martin Audio MLA Mini loudspeaker system at the Inspirational Deliverance Center Church of God in Christ as part of a major technical upgrade for its 500-seat worship center.

Tim Pickett, President of Encompass AV, explains that his company was chosen because “the church liked the fact that we could deliver a turnkey system with sound, lighting and a video network, the whole package.

“And they insisted on really good sound,” Tim adds. “The church has a very energetic Gospel choir and two Leslie cabinets hooked up to the Hammond organ that really push the audio system to the limits. Plus the worship center has highly reflective surfaces so they needed a system with exceptional output control.

“We specified several systems for them and they chose the Martin Audio MLA Mini because of the system’s state of the art technology and phenomenal sound quality. Also, the coverage had a nice tight pattern to it, and that was a huge selling point for MLA. In fact, we set up a demo and they liked it so much, they bought the demo units!”

The installed audio system includes two four-block MLA Mini arrays driven by MSX mini sub power plants. Two Martin Audio AQ8s provide additional fill with four C6.8T ceiling speakers installed in the low ceiling above the choir as monitors. Two Behringer S16 digital snakes supplement a Behringer X32 digital console with programmable MIDAS preamps.

There are three video displays in the sanctuary, two 80” Sharp LEDs left and right and a 70” Sharp LED facing the choir, with two Sony 1080P PTZ HD cameras driving the video network system. Lighting is provided by 60 Elation LED PAR-style lighting systems with six Elation LED architectural floods.

Asked about the MLA Mini’s performance, Tim enthuses, “I love it. The sound quality is amazing. Everybody that’s heard it comments on how crystal clear it is and the Church is ecstatic about the system.”

Rob Hofkamp, Martin Audio Director of North American Operations adds, “The MLA Compact has already made significant inroads in Church installations and the MLA Mini should also enjoy considerable success in the House of Worship market given its compact size, control and exceptional performance.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Iconyx Covers Serious Space at Eaton World Headquarters

Beachwood, OH – September 2014… Founded nearly a century ago as a small gear and axle manufacturer, Eaton Corporation has grown to become a global leader in power management, with more than 100,000 employees in 175 countries. The company recently opened its new world headquarters in this Cleveland suburb, a 580,000-square-foot office tower designed by architects Pickard-Chilton of New Haven, CT.

The building’s entrance encompasses a massive glass atrium soaring several stories high, creating a vast, open and naturally lit indoor space. More than just an impressive entryway, it’s a stunning architectural design that serves as a nexus for staff and guests to converge for everything from casual lunching to large-scale company events.

International AV consultants Electrosonic created the atrium’s focal point, a towering cylindrical LED display matrix “chandelier” that brings an ever-changing dynamic to the environment with imagery, information, and animations that can be seen throughout the space.

Audio and acoustical treatment was provided by Milford, CT-based SH Acoustics, the company behind such landmarks as Washington, DC’s Newseum, NASA’s Kennedy Space Center Exploration Space, and the North Carolina Museum of Natural Sciences’ Daily Planet. As SH Acoustics President Steve Haas explains, the brief was to create an acoustical experience that would complement the stunning visual environment.

“It’s a very dynamic space — much more than just a lobby,” says Haas. “It’s often used to host both formal and informal events, sometimes attended by hundreds of people.”

Needless to say, the large, reflective environment presented its share of acoustical challenges. Says Haas, “it’s a very large, very live space, and no one really knew how all these different surfaces would work together. We worked with (integrators) Zenith Systems and the architects to design the audio system, enhance the acoustical treatment, and ensure that everything they were planning was done right.”

Anticipating that the atrium would become something of a multi-use space, Haas explains his team’s approach in designing the sound system. “We broke it down to several different categories,” he says. “The daytime experience is more of a casual, ambient environment, while the evening experience is typically an event or presentation, with the chandelier as a visual focus. We had to create an audio system that could provide complete and consistent coverage, as well as being flexible and reconfigurable for different types of events.”

The main system centers around Renkus-Heinz Iconyx IC7-II mechanically steerable line array loudspeakers. A total of eight IC7-II are implemented throughout the space, each with its own matching subwoofer, creating eight points of full-range sound. But as Haas explains, only two of the arrays are permanently mounted. “We’ve made six of them portable. The two permanently mounted units are great for providing light ambient music to fill the space. The others are on stands, and when they want to do a larger event, they just set them up, plug them in, and press a button from wherever they are in the space. That’s the magic of DSP — we’ve set up various configurations to work with a number of different types of events, different presentation positions, and other variables.”

“The key to the success of this system is in using very directional speakers, and placing them precisely,” observes Brian Yates, Project Coordinator with Zenith Systems. “Steve Haas recommended Iconyx because it’s an excellent speaker that throws well and has great directionality. He and his team spent several days working with us to calculate DSP and time alignment for each speaker, based on different possible scenarios of where in the space a presentation might be held.”

The trick, of course, is to achieve the impression of localized sound throughout the atrium, and to do so from whichever of several possible locations the presenter might select. “The Iconyx arrays are all calibrated to create an immersion in the middle of the atrium,” says Haas. “Using different time delays, we can make it sound like it is coming from one end or one side or wherever the speaker is located. The IC7s behave so well, even in challenging spaces, and that is a big part of what makes it work.”

“This was the first project we’d worked with Steve on, but we’ve worked with Iconyx on a number of projects, and agreed immediately it was a great solution,” says Yates. “It’s also got a nice, low profile, which makes it easy to blend them in with the architecture.”

“This has been a really unique and interesting project,” Haas concludes. “Holding events in an atrium isn’t all that new, but the type of multimedia events they’re doing in this space really does raise the bar. They are not just creating innovative content, they’re also figuring out how to be creative in delivering it in this space, with this medium. We’re really pleased with the results.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

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