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Archive of the Loudspeakers Category

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

PreSonus Tames the Loudest Hole in Golf

Scottsdale, AZ – April 2014… With a history dating back to the 1930s, the Phoenix Open is one of pro golf’s most celebrated events. Now known as the Waste Management Phoenix Open, the tournament has hosted some of the biggest names in the game, from Arnold Palmer, Ben Hogan, Jack Nicklaus, and Ben Crenshaw to Phil Mickelson, Vijay Singh, and Tiger Woods.

In 1987, the Open moved to its current home at the world-renowned TPC Scottsdale golf course. The course was custom designed for the tournament and is best known for the 16th hole of its Stadium Course. It has often been referred to as “the loudest hole in golf”; during the tournament, its amphitheater-style seats are packed with crowds of exuberant fans and spectators who cheer and jeer loudly as the pros play through.

David Eriksson, CEO of Phoenix-based Church Technologies, is a volunteer with the Phoenix Thunderbirds, a prominent civic organization that has supported the Open throughout its storied history, raising millions of dollars for Phoenix-area charities. Eriksson, who has lent his audio skills to the event for close to a decade, explains the challenges behind the 16th hole.

“It’s always been a bit of a crazy event, and by the time the players get through to hole 16, they’re nearing the end of their game, and things are loosening up,” he observes. “But it’s still a regulation game, and the PGA has some pretty stringent regulations regarding noise. The challenge is to find just the right balance of being heard over the crowd without overpowering the game.”

Eriksson found the solution a few months before this year’s Open. “We did an event last December as part of the Shane and Shane tour, and I got to hear the new PreSonus® StudioLive™ AI loudspeakers,” he recalls. “I just loved the way they sounded, and I thought it would be great to try them out at the Open.”

Four systems were brought in to cover the 16th hole, each comprising three StudioLive 328AI Active Integration™ loudspeakers and a StudioLive 18sAI subwoofer. “We had one system in the Chairman’s Club, another in the bar area, and two more on the crowd,” says Eriksson. “The sound was just wonderful—the system had such amazing clarity.”

For next year’s Open, Eriksson plans on bringing in a StudioLive AI-series digital console, too, to take full advantage of Active Integration. “I’m really excited about being able to control the mix from an iPad,” he enthuses. “I can be down in the tee box and hear what the players are hearing. That’s an amazing advantage.”

“This is one of the biggest events in professional golf, and getting the sound right is a big part of it,” Eriksson concludes. “PreSonus has pretty much everything we need, from the console to the speakers, and it’s all fully integrated to work together. It’s a great fit.”

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About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Imperial Russian Ballet Gets Royal Sound with Renkus-Heinz

Ljubljana, Slovenia – April 2014… In the heart of Slovenia’s capital city, Park Tivoli is a lush urban oasis that is home to the renowned International Center of Graphic Arts, as well as the Museum of Contemporary History. The Park is also home to Hala Tivoli, one of the region’s largest sporting and event halls.

Recently, the Hala Tivoli’s 4500 seat basketball venue hosted a performance of Labodje Jezero (Swan Lake) by the acclaimed Imperial Russian Ballet, drawing a full house and numerous national and international dignitaries. Audio for the event was provided by leading tour providers Akustika Pirman, who brought in a system based on Renkus-Heinz PN-Series line array loudspeakers. As Systems Engineer Metod Komatar explains, the system was exactly what was needed for the venue.

“The Hala Tivoli actually has pretty good acoustics for a sporting arena, and it’s possible to get a reasonably good sound in the room,” says Komatar. “The biggest challenge is the height of the left and right seating areas, and how to cover it consistently using a relatively small number of loudspeakers.”

The main system, designed by Komatar and director Joze Pirman, comprises four flown arrays — two left and two right — each with six PN102 line array cabinets. Six DRS18-2B subwoofers covered low frequency reinforcement. Four TRX151 full range cabinets provide front fill for the first few rows, with two more TRX151 boxes onstage as side fills for the artists. The system was powered by Crown and lab.gruppen amplification, with a Xilica XD4080 unit for system DSP.

“We have used Renkus-Heinz systems for many years, because they always fulfill our needs perfectly, through many different types of events,” adds Komatar. “The PN102 line arrays deliver a nice wide dispersion that enabled us to consistently cover a large area with a small number of speakers. The Renkus-Heinz system proved itself once again, with a very natural sound and plenty of headroom, which is critical for classical music.”

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Great Sound Is In the Can At Pepsi Center With HARMAN’s BSS Audio, Crown and JBL Professional

DENVER, Colorado — Known to Denver denizens as “The Can,” the 20,000-plus capacity Pepsi Center is home of the NBA Denver Nuggets, NHL Colorado Avalanche and the National Lacrosse League Colorado Mammoth, and is also host to concerts and special events. The arena opened in 1999 and has been in continuous use since then – including its original sound system. When the Pepsi Center decided to upgrade to a massive new state-of-the-art scoreboard in 2013, management determined it would also be a good time to replace the venue’s audio system from top to bottom.
Colorado Springs, Colorado sound contractor LVW Electronics and Dallas, Texas system designer Wrightson, Johnson, Haddon & Williams, Inc. (WJHW) had installed the original system and were retained to perform the upgrade, using HARMAN BSS Audio, Crown, and JBL components.

LVW CEO Rusty Griffith pointed out, “The fact that both firms had a history with the venue made us the logical choice – we were under a tight timetable on this project and were given seven weeks to complete a job that would usually take over three months.” LVW was given the go-ahead in spring 2013 and Griffith and his crew had to be finished in time for the start of the Pepsi Center’s fall line-up. “We worked day and night all summer long.”

LVW and WJHW chose a JBL loudspeaker system comprised of six columns of 10 JBL VLA901-MF-16 line array loudspeakers, hung around the perimeter of the arena. The VLA901-MF-16 was chosen for its ability to provide high-volume sound reinforcement at throw distances beyond the reach of traditional loudspeaker designs. Each loudspeaker is equipped with dual 15-inch woofers, dual 8-inch cone midrange compression drivers and three 1.5-inch high-frequency compression drivers. In addition, four JBL ASB6128V dual 18-inch subwoofers are hung directly behind the each of the 10 main line arrays. The loudspeakers and subs are powered by 44 Crown I-Tech 4x3500HD amplifiers, plus 11 Crown CTs 2000 amps to drive additional loudspeakers at the back of the arena.

“JBL’s VLA line has been a strong choice for us in arenas for the past few years. The overall sound quality is excellent and they provide higher output and increased intelligibility,” explained Mark Graham, Associate for WJHW. “We paired the VLA loudspeakers with the 4-channel Crown amplifiers, which we chose based on previous successes and the overall strong reliability reputation of the I-Tech HD line.”

The system is networked using four BSS Audio Soundweb London BLU-806 signal processors and six BLU-326 I/O expanders, both Dante-enabled products. Control for the entire Pepsi Center audio system is provided by HARMAN’s HiQnet Audio Architect™ software, a common control platform for all devices from microphone to loudspeaker. “Using Audio Architect was a big deal,” Graham noted, “considering how new the software was at the time we did this installation. It paid off though – it’s a great way to control the system and its audio management capabilities are extensive. The venue’s ownership was very pleased when he saw we had the capability to put everything onto one software platform.”

“This installation turned out to be fantastic in terms of equal coverage to every area of the arena,” said Griffith. “The performance of the VLA loudspeakers and the subwoofers is so consistent that there’s very little seat-to-seat variation. The Pepsi Center project turned out to be one of the best examples of this I have heard.”

In addition to performance, one of the main benefits of choosing HARMAN according to Griffith was the support LVW and WJHW received from the company throughout the project. “We looked at various manufacturers’ solutions. I’ve always liked JBL and the HARMAN product line for its excellent sound quality and solid engineering and the support they provide – especially on this project, given the time crunch we were under – is second to none.”

In addition to its capability as a full stand-alone sound reinforcement system, the new system is designed so it can be used along with a tour sound system for concerts and other events. If a band or a convention comes to town and their rental system doesn’t have enough coverage, they can readily connect to the Pepsi Center system to supplement the audio.

For more information about LVW Electronics, please visit www.lvw.com.

For more information about Wrightson, Johnson, Haddon and Williams, please visit www.wjhw.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, HARMAN Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL M2 Master Reference Monitors Prove “Pitch Perfect” for Music Mixer Joseph Magee

NORTHRIDGE, California — Music mixer Joseph Magee, whose impressive credits include Saving Mr. Banks, Pitch Perfect, High Fidelity, Into the Wild, The Muppets, Spider-man 3 and many more, is currently on location in Baton Rouge, Louisiana, mixing music for the feature film, Pitch Perfect 2. For this music-heavy project, Magee is putting HARMAN’s JBL Professional flagship large-format M2 Master Reference Monitors to the test. Recently signed by Hollywood’s TODD-SOUNDELUX, where he is responsible for the company’s expanding music services, Magee chose the M2 system for projects at TODD-SOUNDELUX’s Hollywood facility. For Pitch Perfect 2, Magee transported his JBL M2 monitors along with a pair of JBL LSR308 studio monitors to Baton Rouge, where the film is in production. The music recording studio for the project was built specifically for the film in an existing 4-story warehouse structure.

With the objective of recording 95 percent of all the on-camera a cappella performances in a new, untested studio environment, Magee relies on the M2’s ability to provide exceptional performance in any production environment. “I’ve been using the M2 monitors in my music dub room at TODD-SOUNDELUX and I’m now getting accustomed to using them on the road,” Magee said. “I think a lot of people perceive the M2’s as monitors that are meant to be permanently installed in a control room, tuned to the room and then left alone. But the reality is these loudspeakers sound great out of the box, so taking them to Baton Rouge was an easy decision.” With the dynamic range needed for film production yet with a footprint of only 20 feet wide by 14 feet deep, the M2 is finding its way into smaller rooms where traditional cinema speakers are prohibitive. With included room EQ, the M2 system can deliver accurate response in any mix environment.

Having used other large-format studio monitors, in Magee’s opinion, JBL’s patented-pending Image Control Waveguide, coupled with JBL’s patented low-distortion D2 high-frequency driver sets the M2 apart from the pack. “The waveguide is so darn fast, I’m hearing things I haven’t heard before in my mixes and I’m hearing things differently—in a good way,” he said. “At the TODD-SOUNDELUX facilities, all the engineers who have come through have been shocked at how authoritative these M2 loudspeakers are and they’ve been amazed at the clarity of the system.”

In addition to the M2 system, Magee uses a pair of JBL’s powered 3 Series LSR308 studio monitors as his near-field listening system. In a portable, “bookshelf”-size format, and available at an entry-level price, the 3 Series studio monitors share the Image Control Waveguide technology developed for the M2 to provide detailed imaging. “In all honesty, when I was first auditioning the M2 system at TODD-SOUNDELUX, I didn’t fully understand what I was working with,” Magee noted. “But then I worked with the 308 monitors at home and it all clicked for me. I simply wasn’t used to the imaging and level of detail these speakers provide.”

To further meet Magee’s needs, JBL custom-designed a panel in its HARMAN HiQnet System Architect™ software that enables Magee to quickly create a simple, 4-band Room EQ in the DSP of the Crown I-Tech 5000 HD amplifiers being used to power the system.

Looking towards the future, Magee sees no boundaries for the M2. “I envision a lot of opportunities for different applications with the M2,” he said.

For more information on Joseph Magee, please visit his IMDB page at http://www.imdb.com/name/nm0535848/

For more information on TODD-SOUNDELUX, please visit www.toddsoundelux.com

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

E & E Systems Chooses Community for Puma Club in Bangalore

E & E Systems (India) Pvt Ltd has designed and installed a Community loudspeaker system for the Puma Social Club in Indiranagar, Bangalore, operated by the world leading sports brand of the same name. India’s third most populous city, Bangalore is the capital city of the Indian state of Karnataka, located on the Deccan Plateau in the southeastern part of Karnataka.

The Puma Social Club, located above the Puma store on Indiranagar’s busiest street, provides the community with a unique venue incorporating restaurants, bars and artistic space for the country’s most prolific DJs and artists. With indoor and outdoor spaces, the multi-storey club’s open areas take full advantage of the region’s climate to create an atmospheric night environment.

For the main dance and bar areas, E & E Systems chose a combination of Community VERIS 1596, 2-way 15-inch and VERIS 8, 2-way 8-inch loudspeakers, and S-218S dual 18-inch subs. The Community VERIS Series was chosen as it provided a consistent sound quality throughout the venue, whilst delivering the significantly different sound levels required for dancefloor and bar. The well-defined dispersion patterns provided by the VERIS Series were also a great benefit in controlling sound for the various zones, with minimum spill to adjacent areas.

System processing is handled by a Symetrix Jupiter 8 and the Community loudspeakers are driven by Prym Audio and Ashley amplifiers.

Jesmon Kunjmon, Project Manager of E & E Systems, commented, “The Puma Social Club in an innovative and exciting new venue and we have provided a system that delivers the quality sound it required.”

Competing across all retail brands in India, The Puma Social Club was recently awarded The Best Marketing Concept of the Year by ET Retail Awards.

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Related Topics: Large Venue, Loudspeakers |

Graton Casino wins with Sophisticated AV

Billed as “California’s Finest Casino”, Graton Casino is a Native American Casino located north of San Francisco not far from California’s famed wine country. Graton’s 340,000 square foot venue includes the casino itself with 3000 slots and 144 gaming tables, a poker room and high limit room, several restaurants, a food court and themed bars which feature live bands and DJs.

Graton’s attractive, open design includes sophisticated AV systems throughout the entire venue. AVDB Group, an integrator headquartered in Tempe, Arizona, installed Graton’s AV systems and completed much of the AV system design work after the original design firm ceased business operations.

Scott Oosthuizen, AVDB Group CEO, says Graton’s AV systems’ functionality and programming are comparable to the best casinos in Las Vegas. Graton’s AV systems communicate over a 254-channel Bluelink fiber network which distributes 48 audio sources and multiple satellite video channels. Source selection, volume control and other functions are available through Crestron control panels allowing managers to fine-tune the audio and video atmosphere for areas as diverse as the casino itself, the sports bar or the invitation-only, high-limit poker room. Graton’s audio systems are also integrated into its security system and voice paging system.

As part of their design work, AVDB Group recommended Community’s Distributed Design Series loudspeaker family for all areas of the casino. “We prefer the sound of the Community loudspeakers over the ones originally specified,” said Oosthuizen, “and substituting Community also helped us meet the customer’s budget.” Dropped ceiling areas utilize white Community D4, D8, D10 and D10SUB ceiling loudspeakers. The open-ceiling steak house features black DP6 pendant loudspeakers. Other areas, including the outdoor parking lot use white DS5 surface-mount loudspeakers. “The DS5s are weather-resistant,” said Oosthuizen, “so we were able to maintain the same sound quality indoors and outdoors.”

Local newspapers reported long lines of customers waiting to enter Graton during its opening in November of 2013 and reviews have been very positive. Oosthuizen says the casino’s owners are pleased with the sound quality throughout the casino and with the appearance and ease of operation of their AV systems.

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DANLEY SOUND LABS HOSTS TRAINING SESSIONS FOR INTERNATIONAL DISTRIBUTORS

GAINESVILLE, GEORGIA – APRIL 2014: Danley Sound Labs, manufacturer of innovative loudspeaker and subwoofer solutions for high SPL applications, hosted an ongoing series of training sessions for its growing team of international distributors. Key members of Finnish distributor LF Imports came to Danley’s Gainesville, Georgia headquarters in February, followed in March by members of Singapore distributor The Soundsmith and German distributor Carsten Eichstaedt-BLL-Veranstaltungstechnik. Participants engaged in critical listening exercises across a wide range of Danley products, from the flagship SH-50 loudspeaker and BC-415 subwoofer, to the company’s latest offerings, the lobe-free columnar SBH-10 Skinny Big Horn loudspeaker and the fully-weatherized OS-80 loudspeaker. Participants also learned the finer points of Danley’s free, easy-to-use DDT 2D & 3D system modeling software.

“We are developing the international side of Danley and are actively seeking new distributors in key geographies around the world,” said Jonathan “J.P.” Parker, Danley’s director of sales. “We realize that education is critical because, although Danley gets a lot of favorable press, decisions are made on a project-by-project basis, and making decisions about audio is often subjective. After going over the technology behind Danley’s product line, these training sessions give our distributors a frame of reference for the aspects of sound that they – and their customers – should be listening for. Once they have that frame of reference, it’s much easier to explain and show through a demo why Danley offers the better solution. We hope our international distributors can take that knowledge home and effectively convey it in their own culture and language.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

(PHOTO CAPTION) (Attendees around the table, clockwise from left) Chad Edwardson – Danley; Carsten Eichstaedt – BLL-Veranstaltungstechnik; Ivan Beaver – Danley; Edwin Ng – The Soundsmith; Nicholas Loe – The Soundsmith; Choon San Ng – The Soundsmith; J.P. Parker – Danley (not pictured).

Martin Audio AQs Excel At Amble Links Holiday Park


Country and leisure park operators Park Leisure recently undertook a major upgrade of its Amble Links ‘owners-only’ holiday park on the Northumberland, England coast.

Preferred AV integrators Promotiontime NE carried out the technology design and outfitting of its main entertainment areas, The Links Owners Only Bar & Entertainment Lounge and refurbished Old Storehouse restaurant/bar, exclusively using a Martin Audio AQ solution for all of its requirements.

Brian Graham, who took over Promotiontime NE ten years ago, has been a frequent user of Martin Audio systems over the years, particularly the Blackline series, but the compact AQ architectural range has opened up a number of new opportunities for him.

“Martin Audio is generally our ‘go to’ brand for most requirements above a basic bar, and I would probably have specified Blackline again for the entertainment room. But when we heard the AQ series, we knew this would be equal to the demands of the room.”

The stage system needed to reinforce small acts, as well as a resident DJ and karaoke, but also needed to be used for larger performances when required.

After sampling the AQ series Graham specified a pair of AQ28’s, with dual 8in drivers, one each side of the stage, as the main front-facing PA with an AQ10 on each wing providing outfills. Recessed into the stage on each side is an AQ215 (2×15) bass enclosure with a 42-way patch so that incoming productions carrying their own mixing console can plug straight in and override the house desk.

The Old Storehouse is divided into two areas; a restaurant and bar, with background music fed to eight AQ6 in the main restaurant and a pair of AQ5s in the overspill/annex area, while the dedicated bar area is served by an additional combination of AQ8, AQ6 and pair of AQ112 (1×12) subs.

The music extends to the outside patio area where Brian Graham has specified four Martin Audio C115 surface-mount weather-resistant speakers.

The entire system is powered by Martin Audio MA5.2K, MA4.8Q and MA2.8Q amplifiers and fed by a 16×16 audio routing matrix, which allows any sound source to be switched to any zone via the Martin Audio Engineer 818 DSP. Limiting and EQ settings are also stored in the Engineer, with inputs recalled and switched between the different operating modes via the Control4 audio and lighting environmental control platform (linked to Mode dimming packs for the lighting).

The installation needed to offer ease of use and the site is configured so that all audio and vision can be switched and controlled from two touch screens, one located in the main bar and the other in the performance area, to allow intuitive use throughout the complex.

In summary, Brian Graham confirmed, “In addition to raising the performance level, we had to make the installation look sleek which the AQ certainly does. And with only around 10 ft. ceiling height in the entertainment room, we are able to run the AQ28s in landscape orientation, flush against the ceiling. It was the perfect solution.

“Everything works seamlessly; the client is absolutely delighted, the feedback has been great and we have had nothing but positive comments.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

HARMAN’s Martin Professional Exterior 400 Image Projectors Create A Unique Fireworks Simulation at Russia’s Belgorod Airport

BELGOROD, Russia — As part of a Russian program devoted to the modernization of transportation infrastructure, the newly built Belgorod Airport was constructed to be one of the most attractive and convenient hubs in Russia’s Central Black Earth Region. In addition to the airport’s focus on innovative architecture, high-quality finish materials and optimized infrastructure, Moscow-based STK Heliocity was brought in to develop a unique combination of architectural and artistic lighting for multiple scenarios: everyday usage, night time usage, and holidays/special occasions. In order to implement lighting designs for holidays and other celebrations at the airport, Heliocity installed 16 of HARMAN’s Martin Professional Exterior 400 Image Projectors.

Heliocity’s design features traditional symbols, multiple color transitions¬—in the style of the Belgorod region’s coat of arms (azure to green and gold)—and a special fireworks element. As a tribute to the region’s unique and proud military history, the fireworks are a complex design element that feature dynamic flashes and simulated flying sparks from an explosion of color to create the effect of fireworks on the arches above the airport’s main entrance.

To complete their design, the team at Heliocity needed to deploy a reliable weatherproof fixture that could create bright light projections yet be extremely energy-efficient. The company turned to Martin’s Exterior 400 IP in order to meet these detailed requirements.

“After analyzing several fixtures we decided on Martin Professional’s Exterior 400 IP due to its durability and convenient programming capabilities,” commented Anton Karpun, Project Designer, STK Heliocity. “To create the fireworks scene we ordered a special set of gobos for firework imitation. The gobos paired with the Exterior 400’s extremely robust light allowed us to successfully create a beautiful scenography of dynamic color that can be easily activated with a single button.”

Martin Professional’s Exterior 400 Image Projector is a powerful tool for integrating textures, patterns, and graphics in outdoor lighting designs and is capable of producing over 7000 lumens of extremely bright light projections. The fixture also features advanced LED technology for unparalleled energy-efficiency, a rugged IP65 housing, and up to six customizable gobos, eight customizable colors and a range of pre-programmable effects, from continuous image rotation to focus and dimming.

“We needed to develop a simple scheme for the user that would only be utilized on holidays and special occasions such as VIP guests or international delegation arrivals,” explained Karpun. “Our design would not have been successful without the help of Martin’s Exterior 400 Image Projector. The custom capabilities and LED technology of the fixture have made this project a true success!”

For more information on Martin Professional’s Exterior 400 Image projector, please visit: www.martin.com/product/product.asp?product=exterior400imageprojector

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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