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Archive of the Loudspeakers Category

Triad Speakers, Inc. Adds InRoom and OnWall Bronze SlimSubs to Lineup

Built upon the critically-acclaimed InWall Bronze 4/SlimSub with integrated long-throw 10-inch aluminum driver and powered by the RackAmp 350 DSP, each Bronze SlimSub delivers the same exceptional power and deep bass from its remarkably compact enclosure. The net result is a series of subwoofers that fit virtually any application, room or location.

Portland, OR – July 7, 2014 – Custom, made-in-the-USA loudspeaker manufacturer Triad Speakers, Inc. today announced the addition of both an InRoom and OnWall Bronze SlimSub. Built upon the performance merits of the popular InWall Bronze/4 SlimSub, the new models create a Bronze SlimSub Series that consists of 3 models in total. Each Bronze SlimSub is paired with Triad’s 350-watt outboard amplifier (RackAmp 350 DSP) at an MSRP of $1,500 per package.

InRoom Bronze SlimSub
“Taking up little to no floor space, the InRoom Bronze SlimSub is really 2 subs in one!” exclaims Triad Speakers Marketing Director Paul Teixeira. “Standing upright, this compact powerhouse looks smart, and at just 4.3-inches deep, it takes up almost no floor space. When laid down (requiring just 5.1-inches of height clearance) it becomes a down-firing subwoofer that can be hidden under furniture. Visible or hidden, you get the same great bass.”

OnWall Bronze SlimSub
The OnWall Bronze SlimSub is Triad’s first on-wall subwoofer solution. Measuring merely 4.4-inches from the wall and available in custom colors, the OnWall Bronze SlimSub is a perfect solution for many ultra-flat TVs using soundbars. “And, by way of Triad’s EZ Mount Brackets, the subwoofer is quick-and-easy to mount on any wall,” adds Teixeira.

Triad's Bronze SlimSub Family: In-room, on-wall and in-wall designs to meet any application.

Each of the Triad SlimSubs utilizes a proprietary long-throw 10-inch aluminum driver. All provide deep bass at high volumes – achieving a maximum output of 108 dB from 40-80 Hz with a bass extension of -3dB at 28 Hz. “When ordered in multiples, the SlimSub makes it easy to achieve deep, powerful and accurate bass over large listening areas,” adds Teixeira.

Each SlimSub enclosure carries a 10-year limited warranty. The new SlimSubs are shipping now. For more information visit www.triadspeakers.com or call Triad Speakers toll-free at 1.800.666.6316.

For all Triad press inquiries please email paul@mutocomm.com or call 631.849.4301.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications. A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products. In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. Visit us on the web at: www.triadspeakers.com and www.facebook.com/triadspeakersfans

Technotrix and Martin Audio Cover Musical Graduation Ceremonies

Chicago, IL––Because Columbia College Chicago specializes in arts and media, their commencement exercises in the Chicago Theatre and the outdoor arts festival showcase preceding it are characterized by a wide variety of musical styles, ensembles and performances.

This is the 16th year Technotrix of Calumet City, IL has provided audio, stage and lighting for the graduation festivities, depending on Martin Audio to reproduce the music with the accuracy, audio quality and even coverage demanded by the different events.

Held the day before commencement, the Manifest Urban Arts Festival is a showcase for all graduating students on three stages at various locations near the campus in the downtown Chicago Loop.

The outdoor stages feature jazz orchestras, rock bands, performance arts groups, musical theater, stage combat and more. Each has a Martin Audio PA system run by students who function as FOH and Monitors engineers and stage technicians.

Set up under a tent, the main stage had 5 Martin Audio W8LC enclosures a side with 12 ground-stacked WSX subs; 3 W8C, 2 WS218X and 1 WS18X for side fill and 10 LE12JB stage monitors. Stage 2, also under in a tent, used 2 W8C and 2 WSX subs a side with 6 LE12JB stage monitors. The smallest stage was set up in an outdoor garden area with 2 Martin Audio WT3, 2 WS218X subs and 4 LE12JB stage wedges to keep quality high.

Asked about the results, Technotrix’s Kevin Kiefer said, “We’ve been doing the Manifest event for a number of years with a formula that just keeps getting bigger and more complex over the years as they add more bands, musicians and different types of music. The College is very happy with the sound we provide using our Martin Audio system. In fact, they said this year was the best it’s ever been. We just try to raise the bar every time out.”

The graduation ceremony takes place the next day in the historic 3600-seat capacity Chicago Theatre. Featuring two small stages stacked one on top of the other stage left and right with different ensembles, and a 25-piece jazz orchestra and 20-piece gospel choir set up in the pit, coordinating and reproducing all of the music is challenging, to say the least.

“We were up to just over 100 channels of audio this year with the jazz ensembles, commencement choir and all of the small stages,” Kevin explains. “We’d have singers and a horn section on the upper level and keyboards and rhythm section on the lower level, and they all do a variety of different numbers – a constant challenge in terms of the onstage sound. Fortunately, we had a Martin Audio monitor system to help us stay on top of the mix.

Concluding, Kevin adds “We’ve been using Martin Audio for a long time because it differentiates us from our competitors. Martin Audio speakers have a unique voice that allows us to achieve a better end result in terms of audio quality and coverage. Their speakers are accurate and consistent, which is important for events like the commencement and festival where there are so many different types of bands ranging through every type of program material. That’s one of the reasons why we’ve been doing this for 16 years.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

CCF Church — Massive Sound for a Massive Hall

Manila, Phillipines – July 2014…. Founded in the early 1980s, CCF (Christ’s Commission Fellowship) has grown from a 40-member evangelistic bible study group to become one of the world’s mega-churches, with membership in the tens of thousands and numerous satellites across the globe. Over the years, the church has moved several times as its numbers have outgrown its seating capacity, and in May of 2013, CCF opened the doors to its new world headquarters. CCF Worship and Training Center’s 750,000 square foot building is home to the church’s offices and school, a youth and sports center, a 10,000-seat chapel, and a 2,000-seat overflow hall.

Audio for the massive space was designed in part by Vance Breshears of the San Diego, CA offices of Acoustic Dimensions, and installed by Manila-based Joint Venture Sound, Light, and Entertainment Concepts. The main system comprises 36 Renkus-Heinz STLA/9R line array loudspeakers. Front fill is provided by 40 Sygma Series SG81-2R compact 8-inch two-way loudspeakers, with 12 DR18-2R dual 18-inch subwoofers covering low frequency reinforcement.

The smaller (relatively speaking) 2,000-seat overflow hall is covered by a system of 16 CF101LA-52R compact modular point source line array speakers, with 26 more SG81-2R cabinets covering front fill. Four DR18-2R subs handle the bottom end in the room. Renkus-Heinz Senior VP Ralph Heinz and engineer KK Tan assisted with commissioning the system.

“The new CCF church headquarters is a breathtakingly beautiful architectural space, and Renkus-Heinz is proud to have been selected to provide the sound for their new, state-of-the-art chapels,” remarked Ralph Heinz.

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Reach Communications Adds NEXO STM Line Array To Arsenal

BUENA PARK, Calif.—Reach Communications of Minneapolis, MN has added a new NEXO STM line array to its already impressive stable of NEXO boxes. “We researched NEXO, L’Acoustics, d&b and others for boxes having a high 145+db peak output per box, to use as a large format line array for our bigger shows, states Dan Brown, Event Services Manager, at Reach. Having had a long history with NEXO and owning 130+ boxes in house before this purchase, we felt with our current inventory and amazing support from NEXO, this was the obvious option.” With the addition of the STM, Reach now owns 192 NEXO boxes, and 34 NXAmp 4×4 and 4 NXAmp 4×1 amplifiers.

So far, the NEXO STM rig has been used on Unite – NDOP 2014 and the KTIS Joyful Noise Family Festival 2014. NDOP included Hillsong United and a local Unite house band. KTIS Joyful Noise acts included Lincoln Brewster, Mercy Me, Tenth Ave North, Steven Curtis Chapman, Audio Adrenaline, Mandisa, and Hawk Nelson.

“The output and sound quality is incredible and very accurate, says Brown. We have had engineers comment that the STM rig has headroom for days and I barely had to do anything to the EQ! We wanted a system that would give engineers a clean canvas to mix on and headroom to handle the largest venues, and STM provides that.”

For NDOP 2014, the NEXO layout consisted of 12 STM M46 boxes and 12 B112 bass per side, 8 GEO S12s per side for outfill and 9 GEO S12s per side for rear fill. 8 STM S118 subs were used left and right with 8 RS18 spread across the center, and 8 PS10-R2s provided front fill. For Joyful Noise, the NEXO layout consisted of 12 STM M46 boxes and B112 bass per side, 12 GEO S12s HL used for outfill, 5 GEO S12s HR for outfill, 16 GEO S12 used for delays – 8 left and 8 right, 16 NEXO STM S118 subs – 8 per side in Cardioid configuration, 18 RS18 ray subs spread across the center in stacks of 3, and 8 PS10-R2 for front fill. The monitor rig for Joyful Noise included 10 PS15-R2 wedges, 2 PS15-R2 and 2 RS18s for side fills, and 2 RS15 used for drum subs. 14 NEXO NUAR racks powered the system.

“Reach Communications rig was my first experience with the NEXO STM, and it was incredible! states Lee Fields, front of house engineer for Lincoln Brewster. The horsepower of this PA is remarkable. From the second I started mixing until the last note, I was blown away by the punch of the LF and smoothness of the HF. This is Seriously the muscle-car of PA’s.”

For Unite NDOP, Reach provided two Yamaha CL5 digital audio consoles, one at front of house and one for monitors and a PM5D-RH for the house band monitors. A Yamaha CL5 was used at FOH and PM5D-RH at monitors for Joyful Noise. Reach also used the new Yamaha QL1 digital audio console for playback and announcements.

Additional audio gear supplied by Reach included Sennheiser 2000 IEM, Shure UHF-R, Shure, Sennheiser, Beyer, AT mics and Radial, Countryman DI’s. Lighting included Vari-Lite VL3000 spot, VL3500 spot, Martin MAC Aura, MAC 101 – Atomic 3000, ChromaQ colorforce 48, Chauvet 230SR Beam, GrandMA2 light. Video consisted of Hitachi HD1000 camera, Ross Carbonite 2ME switcher, Ross Router, AJA KiPro recorders.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the NEXO STM line array, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Community Provides the Sound for Tokyo’s Most Famous Square

Hachiko Square, sometimes called Hachiko Plaza, is probably the busiest and best-known meeting place in Tokyo. Named in honour of the famous statue of the “Faithful Dog Hachiko,” it is fenced in by a department store, two train stations and the well-known Shibuya pedestrian scramble crossing that is reputed to be the busiest in the world.

The plaza is usually teeming with people, especially during evenings and weekends. It is a prime people-watching spot and a very popular meeting place. Most people, locals and tourists alike, gravitate toward the bronzed Akita Inu statue referred to as Hachi or Hachiko. The original statue was erected in 1934 to honour the dog who met his master, Professor Ueno Hidesaburo, every day at the station after work. When Professor Ueno died in 1925 and did not return, Hachiko continued to wait for him daily for the next nine years, appearing exactly when the train was due. The story continues to be told and the 2.4 million people who use Shibuya Station pass by the bronze dog each day.

As with many of the world’s great cities, such a location provides the perfect advertising opportunity and the professional sound company, Katoya Recording Service, was commissioned to provide sound for a 24.3 x 17.3 meter LED screen, which is mounted on a roof overlooking the intersection.

Mr Katoya, Managing Director of Katoya Recording Service, explained the choice of loudspeakers, “To provide high quality and intelligibility within a defined area at such a distance required high power loudspeakers with exceptional control. We chose two Community R.5-66T’s, with 60×60 degree dispersion for the main area, and an R.5-HPT with 60×40 dispersion to focus on the distant crossroads. They deliver the sound clearly to the areas where the displays are seen, but do not create a noise problem with spillage.”

A Powersoft M30D HDSP+ETH was chosen to drive the Community loudspeakers, for its power, audio quality and the on-board DSP it provides.

With R SERIES’ proven all-weather capabilities, Katoya Recording Service has provided a system with the quality and reliability the application required, and a system that will be heard by countless millions for many years to come.

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Ocean’s Ten Club Has Great Sound on Miami Beach

Ocean’s Ten is a popular night club and tourist destination in Miami Beach, Florida with indoor and outdoor dining areas, live music and DJs and a great location on the beach front.

Ocean’s Ten is known for its high-quality entertainment with live bands and DJs. Unfortunately, the audio in Ocean’s Ten outdoor dining area wasn’t up to the quality standards of their indoor areas. In addition, the outdoor loudspeakers had deteriorated from continuous exposure to the beach-front, salt-air environment.

Last year, Ocean’s Ten asked James Reed and Michael Callahan of Audio Video Lighting Innovations (AVLI) in Miami to propose a new loudspeaker system that would survive the salt air while providing high-quality audio for its outdoor dining area customers. AVL Innovations had installed the club’s indoor system and understood their commitment to high-quality sound. Reed recommended Community’s WET loudspeakers because he knew they would meet the club’s high standards while surviving the beach-front environment.

Ocean’s Ten new outdoor system consists of six Community W2-2W8 loudspeakers in a distributed array along Ocean’s Ten sidewalk dining area. The W2-2W8s provide full-range, high-quality sound with wide, smooth dispersion and their white color complements the club’s outdoor décor. The new loudspeakers are powered by a Lab Gruppen power amplifier and the system includes a Biamp Nexia DSP for loudspeaker management and system equalization.

Reed says the club is very happy with their new outdoor loudspeaker system and he added, “it sounds fantastic out there!”

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Positive Reinforcement: CTS Audio Adds More Than 100 HARMAN JBL VTX Series Line Array Loudspeakers to Its Tour Sound Inventory

FRANKLIN, Tennessee — Sound contractor CTS Audio was one of the first adopters of HARMAN JBL’s flagship VTX Series line arrays and it’s safe to say they’ve liked what they heard—the company just purchased more than 100 more of them. CTS Audio added a total of 108 V20 line array loudspeakers to its inventory, plus another eight V25 loudspeakers and a bevy of VTX F Series F12 loudspeakers.

While Franklin, Tennessee-based CTS Audio had used the V25 arrays at a number of high-profile events in the past year, the company put the V20 to the test for the first time at the recent 2014 K-Love Fan Awards, held at Nashville’s Opry Hotel and featuring the biggest names in Christian music including Michael W. Smith, Steven Curtis Chapman, Amy Grant, Scott Stapp, Sidewalk Prophets and more than 40 other artists.

“Based on our experience with the VTX Series V25 and S28 subwoofers, we didn’t think we were going out on too much of a limb with the V20’s, which we were interested in for their smaller size and which would give us a more flexible loudspeaker inventory that would be adaptable to a wider variety of venues,” said Mike Taylor, Vice President at CTS Audio.

Nevertheless, it was definitely a case of “try before you buy”, and Taylor and his team flew out to the JBL headquarters in Northridge, California to give the V20 an audition. Taylor was hoping to hear big sound from a more compact loudspeaker–and was floored. “We listened to six of the boxes from 200 feet away and were amazed at how much clean, powerful sound the V20 put out.”

For the K-Love Fan Awards, CTS flew 10 deep V20 arrays over four S28 subwoofers on each side of the stage, complemented by two F12 speakers per side for outfill. The loudspeakers were driven by 24 Crown I-Tech 12000 HD amplifiers, and CTS used JBL HiQnet Performance Manager™ for system setup and control. “We’ve used the Crown amps with the V25 line arrays and Performance Manager on dozens of events, so the transition to the V20 was pretty close to effortless in terms of setup and calibration,” Taylor said.

“The sound we achieved was stunning, absolutely stunning,” Taylor added. “The headroom with the V20s is really impressive and a marked step up from other loudspeakers that we’ve used in the past.”

Taylor noted that in fact, they never came anywhere close to hitting the limiting for the system, and the V20 exceeded their expectations in its ability to fill the Opry with even coverage from the front to the back of the hall, with a smooth tonal balance and impressive dynamics and presence.

Taylor and his crew also appreciated the V20’s smaller size that makes it easier to fly, load in and load out. “It’s just a really well thought-out design,” he concluded.

For more information on CTS Audio, please visit www.ctsaudio.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Community Delivers Great Sound for New Ice Hockey World Championship Arena in Belarus

Art Ramos Studio a.l.c., Community’s partner in Belarus, has recently overseen the installation of the audio systems at the Chizhovka-Arena in Minsk, featuring Community loudspeakers. The arena, one of the largest sports facilities in Belarus, is a multipurpose complex for ice hockey, sports, leisure and entertainment and is the home ground of HC Yunost-Minsk.

Chizhovka-Arena was built for the International Ice Hockey Federation (IIHF) Ice Hockey World Championship that took place in Minsk in May 2014. In addition to the tens of thousands of fans that traveled to see the event live, the IIHF’s flagship event was televised to 115 countries with television audience around the 1,000 million mark.

Chizhovka-Arena is located in the southeastern part of Minsk in a picturesque nook of a park named after the 900th anniversary of the city. Designed by Marat Grodnikov, the arena resembles two drops of water flowing into each other. The modern design fits well into the landscape of the Chizhovka Water Reservoir.

The main building, an ice hockey arena with multipurpose use for concerts, basketball and other events, seats 10,000. The second building consists of a small ice hockey training arena with 500 seats and a multipurpose sports hall with 740 seats, used for basketball, handball, gymnastics and other sports. This sports hall is also frequently used by television companies for filming TV shows. The two buildings are connected by a junction with conference and press rooms, shops, restaurants and cafés.

An original proposal was modified with a system design by Art Ramos Studio engineers, Alexey Sayganov and Alexandr Malets and the project was awarded by tender, complying with the obligatory procedure for all governmental purchases. Anton Streltsov, Deputy Director of Art Ramos Studio, commented, “Our proposal was chosen as it offered excellent value to the customer and met the requirements of the arena with a very modern approach.” The installation was handled by BelElectroMontazh, with supervision and support from Art Ramos Studio.

Throughout the complex the system uses two hundred and thirty-eight Community Distributed Design Series ceiling loudspeakers and four hundred and thirty-two Distributed Design surface-mount loudspeakers, supplied in a combination of black and white finishes to best complement their locations. In addition, eight Community R.5HP three-way coaxial, 12-inch loudspeakers were used to cover the ice hockey pitch in the main arena.

All loudspeakers are part of the EVAC/fire alarm system, for which separate certification was made in Belarus. The loudspeaker lines and loudspeakers are all controlled by QSC Q-SYS which monitors for loudspeaker, cable and short circuit faults.

Five separate Q-SYS systems are used to cover all areas of the complex, including the large arena seating, corridors, foyers, halls, cafés and restaurants, the small arena’s ice hockey area, the small arena’s sports hall, the small arena’s corridors, foyers and halls and the junction between the two arenas. The system includes a DiGiCo SD11 mixer, QSC amplifiers and Beyerdynamic microphones.

Anton Streltsov concluded, “Our team was extremely satisfied with the system’s results. With Community we know we can always deliver outstanding sound quality and reliability. Our engineers were particularly impressed by the uniformity of the SPL we achieved on the ice hockey pitch using R.5HP speakers, which is really important as players move so fast under adjacent loudspeakers. It was the best result of any similar installation.”

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Community Introduces I SERIES High-Power Modular Loudspeakers

Designed to provide exceptional musical quality and vocal clarity, Community’s new I SERIES is an innovative family of high-power/high-output modular loudspeakers that allows designers to implement complex solutions in houses of worship, multi-purpose auditoriums, live theaters and other professional and commercial venues.

I SERIES includes point-source, high-directivity, compact and floor-monitor models in multiple performance levels, providing modular scalability for any application requirement. A suite of matching-height subwoofers, in sizes ranging from compact single 12-inch models, to ground-shaking dual 18-inch models, complements the full-range I SERIES models with powerful low-frequency extension. Optional weather-resistant versions fill the needs of sports fields, amphitheaters and other venues needing high-performance loudspeakers designed for full outdoor exposure.

I SERIES features high-output woofers that combine a variety of technologies for smooth response, exceptional intelligibility, low distortion, and minimal power compression. Two-way models have large-format compression drivers, a choice of six rotatable horns and individually-voiced, beamwidth-matched crossovers with single or biamp operation. Three-way models offer a choice of three rotatable horn patterns and biamp or triamp operation and use a combination of large-format HF compression driver and Community’s M200HP midrange compression driver – both with ketone polymer diaphragms for exceptionally smooth and uniform sound quality.

I SERIES loudspeakers’ attractive, but discreet, appearance meets system design goals while minimizing any impact on facility aesthetics. Their lightweight 15mm Baltic Birch cabinets are finished in black or white low-gloss textured paint, and their edge-to-edge wrap-around fabric-backed powder-coated steel grilles have no forward-facing logos, resulting in an exceptionally clean appearance.

A wide range of optional low-profile, modular installation hardware supports the quick and easy installation of virtually any combination of I SERIES models. These installation hardware systems improve aesthetics by keeping the brackets hidden above and behind the cabinets, while also reducing the vertical array height and minimizing the number of suspension cables.

Chris Barrow, Community’s Director of Product Marketing, said, “I SERIES is a wide variety of great loudspeaker tools, crafted for sonic and aesthetic transparency and designed to remove the limitations systems designers and integrators face when using other loudspeakers. With I SERIES, systems designers can realize their goals for even coverage and great sound while architects and owners get a loudspeaker array that blends well with a facility’s interior design.”

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Martin Audio Introduces DD12 Powered Loudspeaker System At InfoComm

Las Vegas, NV––Martin Audio introduced the versatile new DD12 loudspeaker system at InfoComm 2014.

The multi-purpose DD12 defines the ultimate in performance and versatility for powered, two-way loudspeaker systems. It combines onboard networking, DSP and Class D amplification with state-of-the-art transducers and Differential Dispersion™ horn technology to achieve best-in-class performance in terms of fidelity, output capability and consistent coverage across the audience.

Differential Dispersion technology delivers more consistent audience coverage than systems with X° x Y° horns, providing more throw to the rear to distribute sound evenly front-to-back, with close-up horizontal coverage for the front rows.

Versatility is a key attribute of the DD12. The system is designed to meet a multitude of premium stand-alone and distributed sound reinforcement requirements, from touring, theater and portable live sound applications to concert hall and HoW installations, AV events and stage monitor use. Ideal as the main PA in small-to-medium size rooms, it can also be used as an infill loudspeaker in large-scale systems.

Whether configured as part of a stand-alone DD12 system or part of a larger MLA/MLA Compact system, individual DD12’s can be controlled and monitored from a laptop or wireless tablet PC via intuitive VU-NET proprietary software. PC connection can be made directly via USB or via Martin Audio’s proprietary U-NET network and Merlin loudspeaker and network management system.

An important feature of the DD12 is its internal memory, which allows factory ‘plug-and-play’ or user-generated DSP preset ‘snapshots’ to be recalled by means of a preset selector button on the rear panel, instead of using computer control.

In addition, comprehensive accessories support a wide variety of mounting options, including surface, ceiling and pole mount. The DD12’s universal bracket facilitates a wide range of down-tilt and up-tilt angles in both portrait and landscape orientation, and can be mounted directly onto the pole of a speaker stand or attached to a scaffold clamp.

Jason Baird, R&D Director for Martin Audio, concludes, “This market sector has been underserved from a technology and innovation point of view for far too long. DD12 will signal a true shift in fidelity, output capability and coverage and bring our Differential Dispersion™ horn technology to, quite literally, a wider audience”.

For more about Martin Audio, please visit www.martin-audio.com.

KEY FEATURES AT A GLANCE

Multi-purpose, bi-amplified, powered two-way system; Compact, multi-angle, polyurethane-coated plywood enclosure with screw-free perforated steel grille

User rotatable Differential DispersionTM¬ horn optimizes coverage footprint across the audience plane

Onboard network, DSP and Class D amplification

Switched mode power supply with PFC (Power Factor Correction) and global mains operation

Wide range of vertical and horizontal deployment options

Integral pole mount and M8 rigging inserts

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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