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Archive of the Loudspeakers Category

Symetrix Simplicity at Italy’s Opera Universitaria

Opera Universitaria's new theatre in Trento, facing the rake

Opera Universitaria's new theatre in Trento, facing the rake

LAVIS, ITALY: 15 OCTOBER 2013 – Widely regarded as the educational, scientific, financial, and political hub of Northern Italy, Trento is proud to boast of its excellent college – the Opera Universitaria. Ranked as first in the country by the Ministry of Education, Opera’s mission is to ensure that a student’s full potential can be realised – whether that stems from sport, academic work, or the arts. After enlisting the help of AV integrators A&T Multimedia, and distributors, Adeo Group, the college’s new theatre has been equipped with a comprehensive technical installation, enabling complete control over audio, lighting, and video.

Opera’s consultant specified that the theatre must be multi-functional, and that the technical system needed to offer standalone use by anyone, trained or not, without the assistance of the college’s AV department. As a result, A&T was required to design a system which allowed flexible mixing for musicals and plays, whilst also delivering simple and user-intuitive control for lecturers and presenters.

“Our goal was to find a digital signal processor which could directly link to a theatre-sized mixing console” commented Alessandro Baroni of A&T. “This would allow the end-user to control all audio via a simple preset recall, but should more complex mixing be needed, the console could simply be activated and off they’d go.” After discussing the idea with distributor, Adeo, the integrator settled on a combination of Symetrix’ open-architecture Radius 12×8 DSP for ‘standard use’, with a Yamaha LS9-32 looking after performance audio.

As both mixer and DSP feature Audinate’s award-winning Dante protocol, Baroni chose to connect all inputs into the rear of the Radius before channelling them over Cat5e cable into the LS9’s optional MY16-AUD card, and then back to the DSP again for loudspeaker processing. This allows seamless switching between ‘lecture mode’ and ‘performance mode’, and provides the means for non-technical staff to control audio via either the Radius’ front-panel, or through the SymVue touchscreen control software configured by A&T’s Symetrix-certified programmer.

With the new theatre space being designed to handle the most impressive occasion, Adeo recommended Renkus-Heinz’s IC-live loudspeakers (four ICL-FRs and 4 ICL215S-FRs) to provide seamless coverage, with Beyerdynamic wireless microphones (OPUS 910s) enabling wire-free movement. Lorenzo Seneci of Adeo Group states that the system ”needed to provide a very high SPL to cater for the wide range of different events, but to achieve this we would traditionally have to employ point-source loudspeakers or line arrays. However, due to the aesthetic restraints in place, it demanded a beam-steering solution.”

Panasonic projectors were also brought in to handle video content and are controlled by an Extron video distribution unit. “We are totally satisfied with the end-result” remarks the university’s spokesperson. “The Radius’ preset recall is very simple and completely suitable for the range of different situations we encounter.” The performance space is seeing rave reviews by the student body and the general public, both of which appreciate the careful design and installation work carried out to enhance Trento’s latest shows.

www.symetrix.co

Clearwing Productions Chooses Technomad for Phoenix Zoo Audio Improvements

Technomad loudspeakers enliven “water lagoon experience” for visitors while giving zoo long-term outdoor audio solution

BOSTON, October 16, 2013 – The systems design and integration experts at Clearwing Productions last year overhauled the Phoenix Zoo’s annual seasonal spectacular “ZooLights,” transforming a linear roadside display into an immersive, 360-degree audio and lighting experience that encircled the zoo’s central water lagoon. The advanced audio system from Technomad performed so well that zoo officials opted to use the system year round, delivering multi-zone background and event music to visitors across the lagoon area.

The Phoenix Zoo initially hired Clearwing Productions to increase the production value of the annual lighting show, though the two teams quickly determined that the audio system was underperforming ¬– not to mention falling apart.

“The Phoenix area is inundated with sun and UV rays, which is very tough on outdoor products,” said Nick Pitman, service and systems engineer, Clearwing Productions. “The previous speakers were dry rotted or full of water, and most had cracks from UV rays. They wanted something that would produce great audio and last more than a year. That’s when we looked at Technomad.”

Technomad delivered an advanced outdoor audio solution comprising 24 loudspeakers, 12 subwoofers and multiple wired power amplifiers, all fully weatherproof to protect against UV rays and other outdoor elements. The Clearwing design included 12 speaker poles surrounding the lagoon, each with two Paris weatherproof loudspeakers pointing in opposite directions from a height of 16 feet. One Technomad Chicago subwoofer and two PowerChiton amplifiers were added to the base of the pole.

The PowerChiton amplifier modules simplified the installation for the Clearwing team and ultimately reduced project costs for the Phoenix Zoo, eliminating lengthy complex underwater wiring jobs to connect traditional indoor amplifiers to outdoor loudspeakers.

“We knew that we wanted an outdoor amplifier that was simple in design but offered longevity,” said Pitman. “This solution gives us 120 volts and a speaker line output in a compact, outdoor-rated package. One PowerChiton feeds the Paris loudspeakers and another feeds the subwoofer on each pole. Most importantly, the PowerChiton design has no fans, eliminating any heat-related performance problems. They just keep working.”

The end-to-end distributed audio architecture includes Harman or BSS equipment to route, zone and delay signals for everyday use or special events as required. Network protocol signals are converted back to balanced audio en route to the PowerChitons. From there, the Paris loudspeakers deliver full-range musical reproduction with broad dispersion across the entire lagoon, with the Chicago subwoofers filling in the low end with additional bass output.

“The zoo had previously used rock speakers, and after the lighting upgrade they made it clear they wanted to add real audio,” said Pitman. “The Paris loudspeakers cover the area thoroughly, while the subs emphasize specific points in the music or dramatic show scenes without pushing the bass to nightclub levels. Everyone involved agrees that this was the most effective outdoor audio solution for the job.”

ABOUT TECHNOMAD
Technomad LLC, founded in 1995, designs and manufactures loudspeaker systems for the professional audio and security/military technology industries. The company invented the first reliable full-range weatherproof loudspeaker and now offers nine models ranging in power from 60-watt loudspeakers to 1250-watt subwoofers — most available in Turnkey PA System packages featuring amplifiers, mixers and other signal processing equipment in pre-wired racks. The company also manufactures a variety of audio infrastructure and communications equipment including playback and recording systems, weatherproof power amplifiers and turnkey remote audio systems. Contact Technomad at 617-275-8898 or visit www.technomad.com for more information.

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Historic Italian Venue Gets Martin Audio MLA Upgrade

Paul McCartney’s Out There tour recently landed in the Arena di Verona, the historic amphitheatre that has provided entertainment spectacles for the people of Verona for thousands of years.

Touring logistics meant that Paul McCartney’s regular PA system could not make the Verona date, so local supplier Amandla Productions stepped in to provide a Martin Audio MLA system, supported by All Access, the owners of Italy’s largest MLA rig.

Paul McCartney’s long-standing FOH engineer Paul ‘Pab’ Boothroyd was at the helm for the show, ably assisted by his touring system tech Chris Nicholls. Both were impressed by the system’s performance.

“I had heard a lot of good things about the new Martin Audio rig and was happy to use it for this show,” said Boothroyd. “Everybody was really happy with the show, the coverage was great and the detail and clarity in the system made it an enjoyable show to mix. It’s great to see Martin Audio right at the front of new design––the first systems I mixed on were Martin Audio Philishave rigs and that powerful musical sound got me going in my career.”

All Access system tech, Red, was able to demonstrate the unique control of the MLA to Chris Nicholls: “The way the system was able to cover a steeply raked venue with relatively few boxes was very impressive. It didn’t look as though they had enough curve on the array, and we gave them a really tight weight target to hit so they couldn’t add more boxes; yet the flatter array shape was great for the throw required. With a quick adjustment in the software they had the system covering great right up to the back seat without adjusting its angles and that’s something I’ve never heard a system do before.”

The system deployed in Verona included 12 MLA per side for main hangs, six MLA per side for out hangs and two MLD in the orchestra pit for front fill. The out hangs were particularly challenging, as they had to be flown from the ancient stepped seating within a scaffolding structure. The manageable weight and size of the MLA cabinets made this difficult maneuver possible. “The MLA is less than 194 lbs,” reported Red, “and being based around horn loaded 12’s meant we could physically lift the cabinets and fit them in between the steps and the scaffold structure; anything heavier or taller simply would not have been possible in the space available.”

The Out There tour continued on to Vienna before returning for a run of shows in America. “We’re back to our normal touring PA after this show but I’ll look forward to mixing on MLA again––this rig is right up there with the best in the world,” said Boothroyd at the end of the spectacular two and a half hour set that featured a huge selection of songs from the McCartney, Wings and Beatles back catalogue.

For more about Martin Audio, please click to www.martin-audio.com.

Iconyx Tames a Legendary Landmark

Beijing, China – October 2013… An icon of the modern People’s Republic of China, Beijing’s Great Hall of the People is truly a towering architectural achievement. The 1.9million square foot (171,800 sq m) hall, overlooking the city’s Tiananmen Square, was originally constructed in just 10 months, officially opening in September 1959 to mark the 10th anniversary of the PRC. Designed by Zhang Bo, it has since become famous worldwide as the home of the National People’s Congress.

Most recently, the Great Hall was once again on the global stage as the historical 12th National People’s Congress convened in March. But as the world watched Xi Jinping become the new president of the People’s Republic, a small group of audio technicians and specialists were busy ensuring that a very discreet, very special audio system was helping delegates to hear every moment with perfect clarity.

Renkus-Heinz Iconyx digitally steerable column arrays now form the backbone of the sound reinforcement systems within the iconic building. Commissioned by the Management Office of The Great Hall of People and designed by China’s Radio, Film & TV Design and Research Institute (RFT), the new system takes in six large conference rooms and, most impressively, the Great Hall’s famous and striking conference auditorium.

The high-profile, high-pressure project offered a unique set of challenges for contractor Beijing Zhongdahuatang Technology Co Ltd., particularly the Great Hall’s massive conference auditorium. The circular chamber can accommodate an audience of thousands, measuring approximately 130 ft (40 m) in diameter, with a 33 foot (10 m) ceiling. Not surprisingly, the room’s acoustics are less than ideal. As a Beijing Zhongdahuatang Technology Co Ltd. spokesperson explains, “the auditorium has a very difficult acoustical environment, with reverberation problems and reflections.”

With its elaborate and ornate decor recognizable by billions, the room’s aesthetics were also a foregone conclusion. The room would require a system that could deliver clear speech intelligibility and flawless coverage while remaining virtually invisible to onlookers.

A single pair of Renkus-Heinz Iconyx IC32-R-II column arrays provides the ideal solution. Installed to the far left and right side of the Chairman’s position, each column is made up of arrays of coaxial transducers, each with its own triple tweeter array. The Iconyx beam steering technology makes it possible to achieve even coverage in even the most problematic spaces by focusing sound where it needs to be, and away from reflective surfaces.

“The Iconyx IC32-R-II columns now provide consistent SPL wherever an audience member might be, whether they are in the front of the hall, the middle or at the back of the auditorium,” reports Beijing Zhongdahuatang Technology Co Ltd. “Even though the auditorium has such a difficult environment, the Iconyx beam steering technology covers the whole auditorium with evenly distributed sound while avoiding the walls, the ceiling and delegate microphones.”

Nor have the IC32-R-II columns infringed upon the all-important décor. According the technical team, “the thin cabinet design makes the columns easy to conceal within an installation – you hardly notice that there is a column speaker there.”

Iconyx technology has been deployed elsewhere throughout the complex, including the six smaller conference rooms, each measuring 1000 s.f (300 sq-m) seating 90 people. Each room has been equipped with two IC8-R-II columns, concealed within the marble walls to once again ensure the most discreet solution possible. Despite the highly reflective atmosphere within each of the spaces, the Iconyx columns are successfully delivering clear speech in every area.

The completed system is a triumph for the team at Beijing Zhongdahuatang Technology Co Ltd., and for Iconyx technology, solving one of the toughest acoustic environments in one of the highest profile buildings in the world. And while that success will be obvious to all who hear the system in action, the loudspeakers themselves will remain out of sight.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

GRUND AUDIO DESIGN ANNOUNCES GT-SF242R FRONT / SIDE FILL LOUDSPEAKER

**** Photo: Grund Audio Design GT-SF242R ****

Council Bluffs, IA – October 2013… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to introduce the new GT-SF242R Front Fill / Side Fill loudspeaker. Designed specifically for front fill and side fill applications, the new GT-SF242R offers greater versatility in terms of placement and positioning when compared to the typical use of point source loudspeakers for such purposes. more

KanexPro Introduces an Array of High Performance HDBaseT® Matrix Switchers

Brea, California – October 15th, 2013. KanexPro is proud to announce an entire new array of HDBaseT matrix switchers engineered to work with broader range of environments such as commercial A/V projects smart residential applications such as connected homes.

These high-performance matrix switchers are fast, dependable and rely on long distance transmission of HDMI video, audio, and bidirectional control signals over a single twisted pair cable using HDBaseT technology to integrate in the audio-video switching world.

Fully compatible with signal resolutions up to 1080p/60 or 1920×1200 and supports HDMI specification features including data rates up to 6.75 Gbps, Deep Color up to 12-bit, 3D, HD lossless audio formats, and CEC.

HDBaseT® is here to stay and with most of our integrators today that we talk to, they want a reliable, high-performance solution for their clients when routing and extending HDMI signals over category cables says; David Sommars, Business Development manager for KanexPro. This led us to make a pre-configured, custom HDMI to HDBaseT matrix with inputs and outputs ranging from 4×4 up to 32×32 I/O’s. With integrated signal processing power, and HDCP management built-in, KanexPro can now offer a value-based solution to all A/V system integrators and dealers looking for a high-performance matrix routing.

The HDBaseT matrix features:

• Ultra-fast switching with up to 32×32
• 4×4 matrix receivers powered over Ethernet (PoE)
• Dedicated audio zones for digital and stereo audio
• Audio extractor built-in on 4×4 matrix
• Supports Cat5e lengths up to 230 feet (70m)
• Integrated signal processing
• Signal re-clocking & equalizer built-in
• Advanced HDCP & EDID management
• Built-in HDCP engine for continuous encryption
• Hot swappable design
• Illuminated buttons
• Front panel LCD
• Front panel security lock
• IR, TCP/IP & RS-232 control
• Up to 9 global presets
• Rack-mountable aluminum enclosure
• Dual-Internal power supply (100Volt~240Volt AC, 50/60Hz)
• Backed by KanexPro’s 3-Year full parts & labor warranty

About KanexPro

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively. KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

HDMI, DVI, HDBaseT, Digital Audio, HDCP

Iconyx Makes it Clear for Knollwood Baptist Church

Winston, Salem, NC – October 2013… In February of 1957, a group of about 80 faithful founded Knollwood Baptist Church, meeting at a local funeral hall until their first chapel was completed in July. More than half a century later, Knollwood’s congregation numbers in the thousands, and their 1000-seat sanctuary offers multiple services each week.

The sanctuary’s modernistic design is truly impressive, with its soaring peaked ceilings, abundant glass, and polished surfaces. But that same design has long been problematic for the church’s technical staff, who have struggled to achieve intelligibility and even coverage in the hall. As Dan Wood, President of High Point, NC-based Church Interiors Audio Video (CIAv) explains, the sanctuary’s recent renovation was an ideal opportunity to finally tackle the audio issues.

“It’s a beautiful space, but very challenging acoustically, and the original sound system just couldn’t provide adequate coverage,” says Wood. “Church Interiors was undertaking a major renovation, and it was a perfect time to rethink their audio system.”

The room’s airy, open architecture presented some significant challenges — particularly the chancel area’s wide design. “The chancel platform extends far into the room, and there was no possibility to hang an array or cluster without impacting line of sight,” says Wood. “Our only viable option was to locate the speakers behind all the open microphones — there was simply no other place to put them.

Consistent coverage was another major concern. Areas on the room’s extremities and up in the balcony suffered from poor intelligibility. Since the balcony is also home to the house mix position, this was particularly important to address.

With no option to substantially alter the room’s architectural and acoustical character, the solution clearly had to be found within the audio system design. With this in mind, CIAv selected Renkus-Heinz Iconyx digitally steered column array loudspeakers, placing a single IC24-R-II on either side of the chancel platform.

“The Iconyx allowed us to create multiple sound beams and steer them to the seats on the floor and balcony levels, while steering them away from the walls and windows and other reflective surfaces,” says Wood. “It also enabled us to provide focused coverage to the mix position up in the balcony.”

Wood reports response to the new system has been overwhelmingly positive. “With just two Iconyx columns, we’ve got consistent coverage and intelligibility everywhere in the room.”

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz,Inc.is the world wide leader in the design and manufacture of audi operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

ICONYX Delivers For New State-Of-The-Art International Terminal at LAX

Los Angeles, CA – October 2013… When the Port of Los Angeles began construction on the new, expanded Tom Bradley International Terminal at LAX three years ago, there was an unspoken understanding that the new structure would have to be an architectural tour-de-force, and a befitting ‘first impression’ for this iconic international city.

Indeed, anticipation turned to pride when the stunning new terminal was unveiled at a special commissioning ceremony on February 18th. Among the attendees were past and present Los Angeles mayors, along with airport officials, and the joint design team from Fentress Architects and HTNB Corporation.

Expansive and airy in design, the new terminal greets international travelers with a bright, open floor plan, high ceilings, and enough glass to pull in the welcome glow of southern California’s most ample natural resource.

With its towering walls and abundant reflective surfaces, the Fentress and HTNB teams knew early on that the new space would present some unique acoustical challenges. They turned to Whittier California-based VSA Associates, an acoustical consulting firm with more than 20 years’ experience and a client list that includes Hilton Hotels, Caltrans, and Arizona State University.

What VSA’s design team created was a sophisticated system based around ICONYX digitally steerable arrays from Renkus-Heinz. As Michael Kalmanson, Vice President at VSA Associates, explains, “the ICONYX systems allows us to direct sound exactly where we needed it to be, while avoiding difficult reflective surfaces or wasting energy outside of the listening areas.”

The new International Terminal features 14 ultra-modern gates with facilities to accommodate today’s larger, trans-oceanic aircraft like the Airbus A360 and Boeing 747-B. A combination of IC16 and IC8 arrays are deployed throughout the terminal, all fully concealed within the structural detailing. “We selected IC16s or IC8s, depending on ceiling height and how far we needed to throw the sound,” says Kalmanson.

But the undeniable crown jewel of the new terminal is the 150,000-square foot, $1.9 billion Antonio R. Villaraigosa Pavilion, home to premier dining, shopping and relaxation services, along with an equally impressive AV information hub.

“At 80 feet high with tons of glass, the pavilion was one of the more challenging spaces,” admits Kalmanson. “We opted for the ICONYX IC16 arrays there, and then dialed in the multiple steering lobes to target individual listening areas while ensuring that sound didn’t splash into the aisles or up onto the walls.”

Kalmanson continued, “The ability to define multiple steering lobes from a single array is one of the most compelling aspects of the ICONYX system—especially for a job like this. You can literally steer a portion of the array down 30 degrees, the next part down 15 degrees, and the final portion straight out. It’s extremely sophisticated equipment that offers an amazing amount of control.”

Pulling everything together for the expansive new terminal is a multi-zone paging system from Innovative Electrical Design [IED], which synchronizes the massive flight information displays and PA systems throughout the pavilion and terminals. The IED system combines the audio into zones for easy operation and adjustment during heavy traffic times.

“In most places, the ICONYX arrays are assigned to their own paging zone, but in some instances we combined multiple arrays into a group zone,” says Kalmanson. “Each zone is tuned perfectly for the space. We even have ambient noise compensation, which automatically raises or lowers the output depending on crowd noise.”

Hawthorn, CA-based Direct AV handled installation duties. Working closely with the architects, Direct AV ensured a highly finished installation, with minimal visual impact. As a result, all ICONYX arrays are flush mounted into existing structural elements throughout the terminal, with only their grills visible to visitors.

While Kalmanson comfortably credits the power of the ICONYX system as an essential ingredient in the successful design, he also notes the support provided by Renkus-Heinz directly.

“I simply don’t know of a better product for jobs like this than ICONYX,” he concludes. “But I’m also pleased that Renkus-Heinz was so involved, from modeling the spaces in EASE, to ensuring that we had exactly what we needed to meet our schedule from start to finish. I couldn’t be happier.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Journey Holds Onto That Feeling with HARMAN’s JBL VTX Line Arrays

Photo Credit: Matt Becker

NORTHRIDGE, California – Legendary rock band Journey recently completed a series of concerts with HARMAN’s JBL VTX line arrays, powered by Crown I-Tech HD 12000 amplifiers. The VTX system was deployed for five performances, including two with Rascal Flatts (with a system provided by Sound Image) and other dates in Lake Tahoe, Aspen and San Francisco.

According to Jim Yakabuski, Journey’s front of house engineer, the band has few stipulations when it comes to its sound. “Journey is pretty hands-off for the most part,” Yakabuski said, “although they do ask me to keep the low end off the stage, so I try to keep the subwoofers from folding back onto the stage and keep the stage nice and clean.”

Journey’s latest tour started in June 2012, touring with Clair Global and their I5 loudspeaker system. This summer, Journey didn’t carry PA as there were many festivals and “one-off” shows, enabling Yakabuski to listen to the latest and greatest line array technology on the market. “I have to say that loudspeaker technology has really come a long way the past few years,” he said. “The VTX system was definitely one of the best we used this summer and we had five great shows with it. It wasn’t a problem at all keeping the low end off the stage with VTX.”

“The VTX system has a very nice clean and crisp high end,” Yakabuski added. “The whole midrange to high-end seemed really coherent and held together. There was also plenty of power, so we had no problems there.”
According to Yakabuski, a major advantage of VTX is how good it sounds right out of the box. “We used the JBL HiQnet Performance Manager™ software as well, which allowed us to take the low-end frequency response all the way down in the main V25 loudspeakers,” he said.

All in all, the five shows with the VTX system were a tremendous success. “[Clair System Engineer] David Quigley and I would like to thank [Plus 4 Marketing members] Keith Erickson and Jim Mathews, Alchemy Concert Systems [who provided the audio system in Aspen], as well as [Technical Support Lead, Tour Sound, JBL Professional] George Georgallis. They all put a lot of effort and time into making sure the system was set up properly. It makes it so much easier.”

Follow JBL Professional on Facebook at www.facebook.com/jblprofessional

Follow Crown Audio on Facebook at www.facebook.com/crownbyharman

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Martin Audio’s Magical Summer

Starlight Express With MLA Compact at Bochum Stadionring

Martin Audio’s MLA (Multi-cellular Loudspeaker Array) system changed the sonic landscape around the globe this summer—providing an acoustic experience and uniting the audience at premier festivals, concerts and outdoor events, and permanent installations as never before.

For promoters and production teams, MLA enabled them to meet traditional challenges head on for the first time. The multi award-winning system’s ability to provide uniform coverage right across the soundfield was matched by its scientifically proven reduction of offsite spillage and noise pollution to well within local authority thresholds.

With MLA’s ability to sonically ‘map’ a site—optimizing audience areas and ‘hard avoiding’ objects that might create reverberation or slapback—it has rapidly become a go-to system for promoters and local authorities alike.

There was no finer example of the award-winning system’s powers than at AEG Lives’ Barclaycard British Summer Time Festival at Hyde Park, featuring the Rolling Stones and Bon Jovi.

Historically dogged by offsite noise pollution and neighborhood complaints Hyde Park had become a political hot potato. Thus new tenants AEG/Loud Sound acted accordingly.

Jim King, AEG Live Events director, explained, “We wanted to manage the whole process dynamically without having to turn [volume levels] down. We needed to set a system in place that would deal with the issues.” And with the Martin Audio MLA (of which King already had experience) Capital Sound provided the solution.

Thus just two weeks after The Killers had played to their largest audience ever through this system at Wembley Stadium, MLA headed across London to Hyde Park to demonstrate that the advance level of control would maintain an offsite level beneath the stipulated 75dB(A) threshold, raising the infield levels by as much as 6dB from previous years to around 100dB(A).

The low volume level had previously been the subject of audience complaints but the mandate set by Martin Audio and Capital Sound was to unite the audience in a single shared experience, with no compromise on sound levels.

It was the same story at the National Heritage-owned Kenwood House in Hampstead—another London landmark site traditionally blighted by neighborhood complaints until Cap Sound’s MLA came along.

But it has not only been at high profile music events that MLA has taken star billing. Believing system ownership would be a passport to securing greater local authority work, site service specialists WE Audio recently invested in an MLA Compact system and during the summer fielded it at events ranging from the Bristol International Balloon Fiesta to Bournemouth Air Show. With its ability to control offsite sound, WE Audio’s Wayne Barker is convinced that it will soon be adopted by local authorities.

Word about MLA and its groundbreaking claims have quickly migrated and its reputation has stretched far beyond British shores. The Japanese market, for one, has fallen in love with the system. MSI Japan fielded several systems that performed to no fewer than 177,000 people at Rock In Japan, while the mighty Hibino Sound has also purchased a system. Managing director, Ryoichi Hashimoto, confirmed that it would offer the same panacea. “We decided on the MLA investment because the promoters of summer outdoor festivals are increasingly demanding the absence of delay towers from festival sites and a need to solve offsite noise issues,” he said.

While Delicate Productions’ full MLA was out at the BottleRock Napa Valley Festival in California, 3G Productions equipped the Electric Daisy Carnival (EDC) dance festivals in New York, Chicago and Las Vegas—including a Martin Audio MLA. With eight of the world’s Top 10 DJs, and more than 200 acts performing on seven stages for over 350,000 attendees at the Las Vegas Motor Speedway, MLA provided the power and coverage they needed inside the venue while controlling noise spillage to surrounding residential areas.

In addition to successful deployments of Martin Audio MLA and MLA Compact systems at a growing number of corporate and special events, On Stage Audio (OSA) of Chicago, Las Vegas and Nashville recently equipped the pavilion stage at Ravinia Festival in Highland Park, IL with MLA, the first new PA system at North America’s oldest music festival in a decade.

SES (Special Event Services) of Winston Salem and Nashville recently supported the popular Avett Brothers on the first U.S. leg of their world tour with an MLA System 36. RMB Audio relied on an MLA Compact system to unite the audience with exceptional sound and coverage while preventing noise spillage at the Red Hat Amphitheater located within the city limits of Raleigh, North Carolina.

Nor have the worlds of classical music or top quality musical theater missed out. RG Jones continue to delight orchestras (as well as audiences) at the Raymond Gubbay Classical Spectaculars with MLA while the German production of Starlight Express celebrated its 25th anniversary at Bochum’s Stadionring by commissioning a permanently installed MLA Compact sound system to handle “the fastest musical in the universe”—with the full approval of Sir. Andrew Lloyd Webber!

But Martin Audio is far from a one-trick pony. The globally renowned Glastonbury Festival saw Martin Audio on duty at the main Pyramid Stage for the fifth consecutive time—but this time it was with the far-throw characteristics of the Martin Audio W8L Longbow line array system, which had proven itself outdoors at stadiums on the Take That tour the previous summer.

With visiting artists and sound engineers so complimentary about the W8L Longbow system last time Glastonbury was held, sound company RG Jones were comfortable that it would again meet all compliances and propagation tests set forth by the acoustics consultants and organizer Michael Eavis, and satisfy the vast crowds at the same time.

Summing up, Martin Audio MD Anthony Taylor, said, “It has been an amazing summer for the company. We are proud of the way in which our partners around the world are overcoming acoustic challenges by optimizing our premium systems for the benefit of concert-goers and neighbors alike.”

For more about Martin Audio, please click to www.martin-audio.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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