We have launched our new site! The Wire backend has moved to www.svconline.com. Your can log on now with your e xisting credentials. For your reference, posting instructions have been sent to your email. Note: postings made to the old backend will be redirected through Thursday Feb 19th. Please make the switch to www.svconline.com as soon as possible.


If you have questions please email thewire@svconline.com.


Looking forward to seeing you on the new site!

A virtual press conference from Sound & Video Contractor

Archive of the Loudspeakers Category

Audio Systems Support Career-Oriented Education at CREC Public Safety Academy

CRECPublicSafetyAgency

CRECTheatre

Guillén Technology Consultants Designs Community-Based Systems for Connecticut Magnet School

CREC Public Safety Academy opened their modern new facility in September, 2014 with audio systems that support the school’s career-oriented education for grades 6 through 12 in law enforcement, fire sciences, emergency medicine and other safety and security fields.

The school’s large and attractive new facility serves 700 students and includes classrooms equipped with the latest technology, a gymnasium and fitness center, a cafeteria and multipurpose room along with a theatrical auditorium.

Jorge Guillén of Guillén Technology Consultants provided building technology, AV, audio systems and safety and security consulting services for the new school. The building’s many different spaces presented Guillén with numerous challenges in his audio system designs. The school’s goals included intelligible voice paging and high-quality sound reinforcement throughout. However, acoustics varied considerably from room to room and several areas had high ceilings and hard, reflective walls, floors and ceilings.

Guillén chose Community loudspeaker systems to help him overcome these acoustic challenges and meet the school’s goals. He used Community R SERIES loudspeakers in the gymnasium and multipurpose rooms and D SERIES loudspeakers in the multipurpose room, cafeteria, fitness center and library. He designed the auditorium sound system with iBOX IHP-1566 loudspeakers, i215S subwoofers and MX41E-94B floor monitors.

Guillén designed electronics systems to fit the needs of each room. He used Rane amplifiers, mixers and system processors, Samson wired and wireless microphones and Listen Technologies assistive listening systems. For the auditorium, he included a PreSonus digital mixer and a Telex theatrical intercom.

The systems were installed and commissioned in time for the school’s opening and Guillén says the Community loudspeakers helped him achieve consistently high-quality sound throughout the building’s many different spaces.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio, Loudspeakers |

PMC and Auro Technologies Help Launch the 2015 GRAMMY Celebrations

PMC at the PE Wing Grammy Party (1024x768)

British loudspeaker manufacturer PMC played a key part in ensuring that the US Recording Academy’s Producers & Engineers Wing got the 2015 GRAMMY Week celebrations off to a flying start.

PMC is a Silver Sponsor of the P&E Wing’s annual party at The Village Studios in Los Angeles, an event that traditionally kicks off GRAMMY Week and regularly attracts over 500 industry VIPs.

All sponsors are given the opportunity to host a technical demonstration and in PMC’s case this took the form of a joint presentation with Auro Technologies, which showcased its Auro-3D audio format. Five PMC twotwo.8 monitors, four twotwo.6 monitors and a twotwo.sub2 active subwoofer were positioned around The Village Studio’s Studio A live room in an Auro 9.1 configuration to create the Auro-3D effect of an enveloping cocoon of sound. The flagship AV processor Auro-3D Mensa was on hand to create the best possible immersive sonic experience.

“It was an exceptionally well received demonstration,” says PMC’s US President of Sales and Marketing, Maurice Patist. “Many of the producers at the party are PMC users and have our loudspeakers in their own private facilities, so they were already aware of the audio accuracy and detail our products deliver. But the combination of PMC and Auro-3D really blew them away and even though there were other 3D sound demonstrations taking place that night, people kept coming back for another listen because they were so impressed.”

Patist adds that PMC is delighted to be a long term supporter of the P&E Wing’s GRAMMY Event, which it has now sponsored for seven of the eight years it has been running.

“It gives us a fantastic opportunity to showcase our technology to some of the most influential producers and engineers in the USA,” he says. “As a result we have established a very strong network of PMC users, including producer Justin Hergett who was nominated for a GRAMMY for his work with Beyonce; engineer Dave Schiffman, who won a GRAMMY for his work with Vampire Weekend and artist/engineer David Miles Huber who has been nominated for a GRAMMY numerous times.”

The US Recording Academy’s Producers & Engineers Wing comprises more than 5,500 producers, engineers, remixers, manufacturers, technologists, and other related music recording industry professionals. Anyone who joins The Recording Academy in the category of producer or engineer automatically become a member of the P&E Wing.

As a national membership initiative of The Recording Academy, the Wing provides a vehicle to reach a specific constituency, to craft advocacy positions, and to better address the daily concerns of these individuals. This organized voice for the creative and technical recording community uses its nationwide network of experts to address critical issues affecting the art and craft of recorded music. Among these issues are: the development and adoption of new technologies; recommendations for best practices in recording, master delivery, archiving and preservation; and support for both music education and education in the recording arts.

This year’s P&E wing party, which took place on February 3rd, saw three times GRAMMY winner Nile Rodgers honoured for his commitment to excellence and his ongoing support for the art and craft of recorded music. He joins an impressive list of past honorees, which includes Chris Blackwell, T Bone Burnett, Tom Dowd, Ahmet and Nesuhi Ertegun, Jimmy Iovine, Quincy Jones, Arif Mardin, Al Schmitt, Jerry Wexler, and Neil Young.

-ends-

About PMC
PMC is a UK-based, world-leading manufacturer of loudspeaker systems, the tools of choice in all ultra-critical professional monitoring applications, and also for the discerning audiophile at home, where they provide a transparent window into the recording artist’s original intentions. PMC products use the best available materials and design principles, including the company’s proprietary Advanced Transmission Line (ATL™) bass-loading technology, cutting-edge amplification and advanced DSP techniques to create loudspeakers that present sound and music exactly as it was when first created, with the highest possible resolution, and without coloration or distortion. For more information on our clients and products, see www.pmc-speakers.com.

Fulcrum Acoustic Covers WCSU’s New High-Tech PAC

 Danbury, CT – January 2015… Opened in September 2014, Western Connecticut State University’s new Visual and Performing Arts Center is a stunning achievement in both architecture and technology. Several years in the making, the 130,000 square foot facility comprises three wings – Theatre Arts, Music, and Visual Arts – and houses a multitude of spaces including a Concert Hall, Studio Theatre, Recording Studio, rehearsal rooms, as well as an Art Gallery, Painting and Sculpture Studios, and numerous other creative spaces.

“It’s definitely an adventurous architectural space,” observes Ben Bausher, Senior Consultant at Norwalk, CT-based Jaffe Holden, and designer of the Center’s state-of-the-art audio and video systems. As Bausher explains, the project presented a number of challenges, not the least of which was the unconventional architectural design of the venues themselves.

The 350-seat Veronica Hagman Concert Hall is a case in point. One of the Center’s more interesting spaces, the hall features stunning, unconventional architecture with tri-level, in-the-round seating, variable acoustics, and an audio system featuring Fulcrum Acoustic TQ Series loudspeakers. “It’s a fairly well-behaved space, acoustically speaking,” says Bausher. “But the unique seating pattern called for a considerable number of distributed fill speakers to provide uniform coverage across the entire space.”

 Six Fulcrum CX1565 12-inch coaxial systems comprise the main arrays, with ten RX599 compact 5.25–inch cabinets providing front fill. A second fill ring of 14 RX599 boxes and a third fill ring of eight more RX599s completes coverage, with four SUB215 subwoofers stacked onstage in cardioid pattern to reduce low frequency buildup. A DiGiCo SD9 console handles FOH duties.

The 350-seat MainStage Theatre, a somewhat more conventional proscenium-style venue, is outfitted with left and right arrays, each with two Fulcrum GX1295 and two GX1265 12-inch coaxial systems, along with a center array of two CX1265 cabinets. A pair of SUB215 subs covers low end punch. Front fill and under balcony fill are both handled by RX599 boxes A DiGiCo SD10-24 covers the live mix.

The installation was performed by New Jersey-based Masque Sound. All rooms are connected via MADI over Opticore to the recording studio, which is outfitted with an SSL Duality console. A pair of portable recording racks with remote-control microphone preamps can be positioned in any of the halls or rehearsal rooms as needed, connecting directly with the studio’s Pro Tools system to capture performances in any room in the house.

Bausher points to Fulcrum’s unique coaxial design as a critical factor in the systems’ design. “To achieve the performance of Fulcrum’s 12-inch, two-way cabinets in a non-coaxial design would require a box around 30 inches tall,” he observes. “Plus, it runs on a single amplifier channel and only needs a single processing output. It’s smaller, needs less power and processing, and that ultimately means a lower budget. It was the perfect fit.”

###

About Fulcrum Acoustic - Founded in 2008, Fulcrum Acoustic is a professional loudspeaker manufacturer known for its unique approach to loudspeaker design. Employing the research of company co-founder David Gunness, Fulcrum Acoustic combines proprietary coaxial design and Temporal EqualizationTM processing power to create the most powerful and versatile line of loudspeakers available.  

 

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio, Education, Loudspeakers, News |

Small Church Gets Big Sound with Renkus-Heinz VARIA

 Homestead, FL – February 2015…  Located about 45 minutes south of Miami, Florida, Princeton Church of the Nazarene has survived at least three major hurricanes over the past century. The church’s modest 200-seat sanctuary has a long history of struggling with uneven sound quality and poor intelligibility. As the first stage in a renovation for the building’s upcoming 100-year anniversary, the sanctuary was recently updated with a new sound system centered on Renkus-Heinz VARIA modular point source line array loudspeakers.

The system was specified by Robert Bernecker of Waxahachi, TX-based SEFI Consulting, and installed by Revelation Sound of Miami, FL. Bernecker saw this modest house of worship as an ideal setting for VARIA’s hybrid approach, using just three loudspeakers to provide controlled coverage for the entire sanctuary.

“The old system was just hammering the back wall, creating a lot of slapback, yet it wasn’t covering the front seats because it was aimed so high,” explains Bernecker. “It had very wide dispersion and zero control. VARIA’s modular design enabled me to create a system with the power of a line array, but with the pattern control to cover the room very nicely.”

VARIA’s modular design includes a range of cabinets with configurable horizontal and vertical dispersion patterns. Renkus-Heinz proprietary progressive waveguides enable transitions between two horizontal dispersion angles within a single cabinet. The result is a custom configurable system, with tighter pattern control using fewer cabinets.

“Originally, I looked at this church two years ago, and envisioned it would take about 12 horns and a few clever tricks to get the pattern control the room needed,” Bernecker recalls. “But by the time the church was ready to move forward, Renkus-Heinz had released VARIA, which gave me the tools to do the same job, with better control, using just three boxes and a good DSP system. The timing was perfect.”

The system at Princeton Church of the Nazarene comprises a single array of three VAX101 enclosures, with a different waveguide in each. The bottom speaker sports a 120-degree horizontal guide to enable full coverage of the front rows. The middle box uses a transitional waveguide that goes from 120 degrees to 90, while the top cabinet continues the progression from 90 down to 60 degrees. A legacy subwoofer is flown behind the VARIA system to provide bass extension.

 “By putting those three boxes together in that fashion, you get a seamless array with plenty of output,” explains Bernecker. “The 10-inch drivers couple together in line array fashion, which is perfect for the lows and low mids. Yet when you get to the highs, each of those horns is serving a distinct area, more like a point source. So it’s really a hybrid approach, and exactly what a smaller room like this needs.”

To ensure even coverage, Bernecker used Symetrix DSP to control the output of each speaker. “For the long throws at 60 and 90 degrees, I obviously wanted all three of those drivers firing,” he notes. “But to keep from blasting the front rows, I used FIR filters to get my pattern control by shading off each box at different frequencies. In essence, we created a variable length array that was still totally phase coherent. We were never able to do that before, and I was very, very pleased with the evenness.”

This was the first installation of Renkus-Heinz VARIA for both SEFI Consulting and Revelation Sound, and the benefits were immediately obvious, with fewer loudspeakers providing full-range audio with excellent intelligibility. “It’s the kind of thing we do routinely in a 1500-seat house of worship, using 12-box arrays coupled with some high-end processing,” says Bernecker. “VARIA enabled us to bring those same capabilities to smaller churches, giving them incredible bang for their buck.”

Mike Melcher, President of Revelation Sound, agrees. “ The Renkus-Heinz VARIA system sounds absolutely incredible,” he asserts. “This will be our premiere system for new customer demonstrations.”

As for the worship team and congregation, Bernecker reports that their first experience was revelatory. “When they walked in, their jaws dropped,” he recounts. “They had dealt with poor coverage for so many years, it was amazing to them – to have every corner of the room covered perfectly, and how the PA cuts off right at the platform’s edge. They could not believe how much clearer it sounds.”

###

About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

RG Jones and Martin Audio MLA Win The War of the Worlds

War of the Worlds - The O2 Arena December 2014

Following a triumphant UK and European arena tour in 2012, Live Nation and SJM Concerts announced the ground-breaking tour of Jeff Wayne’s Musical Version of The War of The Worlds would return for the sixth and final time in late 2014 early 2015, with RG Jones Sound Engineering producing.

‘The New Generation’ as it is now known, played to packed arenas throughout the UK and Northern Europe this winter with the tried and trusted team of Simon Honywill, FOH engineer and Martin Audio’s full catalog of MLA (Multi-cellular Loudspeaker Array) components once again on hand to create a superior soundscape.

War of the Worlds - The O2 Arena December 2014

Conducted by Jeff Wayne, the most ambitious production yet featured Liam Neeson in 3D holography, Jason Donovan as Parson Nathaniel, Westlife’s Brian McFadden as The Sung Thoughts of The Journalist, X Factor 2005 winner Shayne Ward as the Artilleryman, Les Miserables’ Carrie Hope Fletcher as Beth, Parson Nathaniel’s Wife, X Factor 2013’s Joseph Whelan, as The Voice of Humanity, the 36-piece ULLAdubULLA Strings and the 9-piece Black Smoke Band.

The show is mixed live in Surround Sound and features remarkable special effects such as the incredible 3-ton, 35-foot tall Martian Fighting Machine firing real flames into the Arena, a 100 foot wide “animation wall” with two hours of cutting edge CGI, the incineration of a cast member in front of the audience’s eyes, and a ground-breaking levitation effect.

Adding a new dimension in the spectacular finale, HG Wells, author of The War of The Worlds, was brought to life in three riveting scenes within the show – aged 33, 53 and 79 – spanning the end of the 19th century and two subsequent World Wars. Scottish actor Callum O’Neill played HG Wells, best known for his role as ‘Wee Dingwall’ in Disney Pixar’s 2012 summer blockbuster, Brave.

War of the Worlds - The O2 Arena December 2014
Simon Honywill believes this to be the most daring production so far, and was delighted that he once again had MLA under his control. “Frankly, in an ideal world it would be the only system I would ever work with. It’s the most intelligent touring system ever, that has been responsible for the dramatically increased level of performance and coverage consistency, and paints such a neutral canvas that the slightest adjustment I make on the desk delivers exactly what I want for the audience.”

The War of The Worlds has to be one of the most challenging pieces of music to portray accurately in a live setting. The musical elements, consisting of the band, the orchestra, the iconic narration, live acting and singing, playback and surround effects, occupy over 140 input channels, and the audiences rightly expect an unprecedented level of detail. The rest of the production is just as epic, and this makes for a very demanding daily task for the entire crew, working to a very tight schedule with 12 trucks of gear to load in and out. For the sound team, set-up times and system tuning opportunities are very limited, and with any system other than MLA it would have been virtually impossible to get the consistently amazing results across a wide range of venues.

Honywill, arguably one of the most seasoned practitioners of MLA in the world, clearly enjoyed himself with the Liverpool Echo quoting, “Wayne’s music has never sounded more commanding.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

D.A.S. LAUNCHES THE LX-221 ULTRA LOW FREQUENCY SYSTEM

**** Photo: LX221 ****

**** Photo: LX221 ****

Valencia, Spain – D.A.S. Audio announces the introduction of a new twin 21″ subwoofer system. The LX-221 joins an already extensive line of subwoofer systems in both powered and passive versions. The system enters the company´s well-known LX range in response to demands for a high output ultra low frequency subwoofer solution. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: InfoComm, Loudspeakers, New Products, News |

Highland Park Baptist Church Prepares for the Future with Danley Speakers and Ashly Processing and Amps

HighlandPark_Church_InteriorCOLUMBIA, TENNESSEE: As it approached its hundred-year anniversary as a congregation, Highland Park Baptist Church in Columbia, Tennessee sought to revamp its four hundred-seat sanctuary. It hired Church Interiors of High Point, North Carolina to help design and organize the work, which included structural and aesthetic improvements, as well as a new Sharp/Extron video system based around three huge LED screens and a cutting-edge sound reinforcement system. Now, Danley Sound Labs horn-loaded loudspeakers and subwoofers deliver musical and highly intelligible sound, with power and processing supplied by rock-solid Ashly Audio amplifiers and digital signal processors. The sound system is zero compromise, exceeding Highland Park’s hopes for fidelity and quality while still meeting their budgetary requirements.

“Highland Park’s old sound system had an undersized sixteen-channel board and frustratingly uneven coverage,” explained Wayne McKinney, sales engineer with Church Interiors. “They have solidly traditional services with a strong choir, piano, and organ, but they’re looking to incorporate more contemporary elements. They needed the new sound system to deliver better coverage and intelligibility for their existing program material and to facilitate (and not hinder) their anticipated growth.” Although McKinney was able to repurpose or reuse some of the old system’s components, such as a CD player, a CD recorder, and several up-to-date wireless microphones, most of the system had to be replaced.

HighlandPark_Church_Speakers“We ran several models and found that Danley loudspeakers and subs gave us much better coverage with significantly fewer boxes than the alternatives,” continued McKinney. “The performance would be better, particularly in terms of pattern control, and the cost would be lower. You can’t beat that. Moreover, the fewer Danley boxes give an overall cleaner look. It’s neat and tidy. Because the sanctuary has an over-balcony and an under-balcony, we used a delay system to supplement the main cluster.” Two flagship Danley SH-50s provide main seating coverage from above the stage, with a Danley TH-118 subwoofer mounted in the organ chamber for low-end support. Two delayed Danley SH-Micros cover the lower balcony while three cover the upper balcony.

Two Ashly 4.8SP four-by-eight Protea™ DSP system processors handle the output from an Allen & Heath GLD 112 console to deliver the perfect dynamics and frequency domain characteristics for the Danley loudspeakers and subwoofer. Six dual-channel, 1,000-watt-per-channel Ashly KLR-2000 amplifiers and three dual-channel, 1,600-watts-per-channel Ashly KLR-3200 amplifiers power the system. “I’ve been a fan of Ashly processing and power for over twenty years,” said McKinney. “They’ve always maintained excellent build quality and always come through with knowledgeable, fast customer service. The Ashly KLR-Series amplifiers give the Danley system the punch it needs at a very competitive price point. The Ashly processing is super easy to use, and all of the algorithms are transparent.”

With its newly renovated sanctuary up and running, Highland Park Baptist Church is well positioned for its next century of service.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

See and Hear Renkus-Heinz at ISE 2015

 Amsterdam, Netherlands – February 2015… It’s a new year and the start of a busy trade show season, and the annual Integrated Systems Europe Convention is just around the corner. As always, ISE promises to be a busy show, and Renkus-Heinz will be at the RAI Center in Amsterdam, in Hall 7, Stand K175, February 10 through 12, 2015.

This year at ISE, Renkus-Heinz will once again showcase why they are the world leader in steerable sound, demonstrating the very latest in groundbreaking loudspeaker technology, including the full line of Iconyx steerable line array systems. Full IC Live and IC2 systems will be on display, as well as all configurations of Iconyx IC-R-II systems with triple tweeter technology, plus the new Gen5.

Also on display will be the highly acclaimed VARIAi line of modular point source array loudspeakers, as well as RHAON II, our exciting new Renkus-Heinz Audio Operation Network — redesigned and rebuilt from the ground up.

As the World Leader in Steerable Sound, Renkus-Heinz will be offering a quick yet highly effective demonstration of the power of digital beam steering. In less than a minute, you will hear what Iconyx can do for you.

Come and meet with the Renkus-Heinz staff, including new company President Roscoe Anthony, VP Sales & Marketing Rik Kirby, VP International Sales Karl Brunvoll, Marketing Manager Margie Ulm, European Sales Manager Håkan Sjöö, and Middle East Sales Manager Norbert Bau, along with representatives from distributor TM Audio. We’ll see you at ISE.

###

About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Meyer Sound LEO Goes “Gangnam Style” with Psy in South Korea

psyPsy, a global viral superstar, recently played four sold-out shows at Seoul’s 14,000-capacity Olympic Park Gymnastics Arena. Dubbed “All Night Stand,” the hometown shows were powered by a Meyer Sound LEO® linear large-scale sound reinforcement system.

“The extended headroom and linear output characteristic of LEO is huge with Psy’s music,” says Park Dong Won, the singer’s veteran FOH engineer. “The highs were smooth and natural, even when we pushed the levels, and the dispersion meant uniform coverage for every seat. I’m not just confident in specifying LEO, but also proud to use it.”

The system comprised dual main arrays, each with 15 LEO-M line array loudspeakers flown over two LYON-W wide-coverage line array loudspeakers as down fill. Twenty-four 1100-LFC low-frequency control elements were arranged in a directional array, with seven MILO® line array loudspeakers per side for out fill and two-each LYON-W and MICA® line array loudspeakers for front fill. Onstage foldback was supplied by two side-fill stacks with two 700-HP subwoofers and four MILO loudspeakers each, along with 20 MJF-212A stage monitors. A Galileo® Callisto™ loudspeaker management system with four Galileo Callisto 616 and two Galileo Callisto 616 AES array processors supplied drive and optimization.

“Psy was very happy with the LEO system when he first heard it during rehearsals,” reports Park. “He had been using other large-format systems, but discovered that LEO was the first that could deliver clear high frequencies at extreme levels without hurting your ears.”

The LEO system was supplied by Live MISO and designed by Y Hun Lee, systems tech from Sovico, Meyer Sound’s Korean distributor, in consultation with “dB Dave” Dennison, a veteran international system design and tuning specialist.

Park mixed the shows behind a DiGiCo SD7 digital console and was assisted by second engineer Ko Jong Jin. A DiGiCo SD8 was used as a sidecar for Pro Tools track playback. Wireless audio for Psy and his special guests was via a Shure UR4D system, with Psy singing through a custom silver handheld transmitter equipped with a Shure Beta 58A capsule.

Released in 2012, Psy’s “Gangnam Style” became a worldwide cultural phenomenon with over 2.2 billion views on YouTube. Psy’s popularity in Korea continues unabated as his concert ticket sales, recordings, and video all occupied the number one positions for 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Line Array, Loudspeakers, News |

L.O.C. FOH Mixer on Meyer Sound LEO and LYON: “Whatever Sound I Put In is Exactly What Comes Out”

L.O.CDanish hip-hop artist L.O.C. became the latest artist to tour with Meyer Sound LEO-M and LYON™ linear line array loudspeakers. Named the “Rødt Lys Tour” (“Red Light Tour”), the production was mixed by Mads Stærke, one of Scandinavia’s most in-demand FOH engineers.

“With LEO and LYON, I know the system will respond musically, so I just let the voices and the instruments do their thing and use much less EQ,” says Stærke, who has worked with L.O.C. for the past seven years. “This system allows me to mix musically, and not technically.”

The touring system comprised 20 LYON-M main line array loudspeakers, with four LYON-W wide-coverage line array loudspeakers as down fill and four UPA-1P loudspeakers as additional fill. In some of the larger venues, 16 LEO-M line array loudspeakers anchored the main system. Ten 1100-LFC low-frequency control elements were driven by the main mix, while 10 more received a separate feed for extreme low-end effects. Two additional 1100-LFC loudspeakers and four JM-1P arrayable loudspeakers were deployed on stage for side fill, while a Galileo® Callisto™ loudspeaker management system with one Galileo 616 AES and two Galileo Callisto 616 array processors provided system drive and alignment. Risskov–based Victory Tour Production provided the system, with Theis Romme serving as system tech.

According to Stærke, also an experienced mixer of jazz, EDM, rock, and pop, the advantages of mixing on LEO and LYON apply across musical genres. “The first time I mixed on a LYON system was actually a pop concert, and I was blown away by the accuracy and clarity,” he recalls. “Whatever sound I put in is exactly what comes out—the system gives me a very precise and clear feeling of the music. It feels like I can do anything with it. It’s so powerful and physical but at the same time very musical. The 1100-LFCs are also extremely precise in the way they move the air, and are much more powerful than any other low-frequency speaker on the market.”

Stærke mixed the show on a Midas PRO2 digital console, while monitors were mixed on a DiGiCo SD8 digital console. Performers used a Shure Axient digital wireless microphone system with KSM9HS head, in addition to Sennheiser SR 2050 transmitters and EK 2000 beltpack receivers.

L.O.C. has been Denmark’s most popular hip-hop artist for nearly two decades, both as a solo act and a member of the groups Alzheimer Klinikken and B.A.N.G.E.R.S. A two-time Danish Music Award winner, he has been both a coach and a judge on the Danish TV version of “The Voice.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Line Array, Loudspeakers |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

March 2015
M T W T F S S
« Feb    
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication