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SVS LAUNCHES PRIME SERIES SPEAKER FAMILY

The new line consists of tower, center channel, bookshelf and satellite speakers that redefine high performance audio at the price point.

Denver, CO – Rocky Mountain Audio Fest – October 9-11, 2014 SVS, a worldwide leader in high performance home audio products, proudly announces the Prime Series, a versatile line of high performance speakers designed to give listeners a world class audio experience at a price that defies convention. Spawned from the acclaimed SVS Ultra Speakers, the Prime Series features décor-friendly styling and trickle-down technology that cements SVS as a mainstream high performance audio leader.

Consisting of a Tower, Bookshelf, Center and Satellite model, the Prime Series is the American audio brand’s second full-range speaker family offering. SVS applied knowledge gained from developing the award-winning Ultra Series, and also applied exhaustive new engineering and form factor changes to achieve flagship performance at mainstream prices. This design philosophy is illuminated in the premium finish, features, and specifications. The ultimate goal of the Prime Series is to make high-end audio inclusive and open experiences up to a broader audience than was previously possible.

Gary Yacoubian, SVS president, said, “The mission of SVS is to bring the joys of high end audio to an ever-broader audience, and we are really proud of the Prime Series because they do exactly that.”

The Prime Tower speaker benefits from lessons learned developing the Ultra Tower, with its own distinctive touches. It has a completely new 3.5-way crossover that ensures a full, flat and seamless frequency response from the tweeter to the midrange driver, and through the two individually tuned and isolated 6.5-inch woofers. The design creates deep bass extension and a cohesive sonic presentation, with no compromises for either home theater or home stereo applications.

Designed for two-channel purists and home theater fans alike, the Prime Bookshelf speaker serves equally well as a standalone reference monitor, surround sound speaker, or front channel speaker, depending on the end user’s preference and the room’s layout. The 6.25” woofer delivers deep and articulate bass and outstanding extension, courtesy of a stiffened polypropylene cone, a refined motor with aluminum shorting ring for reduced distortion, and a vented voice coil former. The 1” aluminum dome tweeter utilizes an FEA-optimized diffuser to deliver open ‘airy’ presentation and unveiled highs.

It’s rare, if not impossible to find a true three-way center channel speaker at the Prime Series price point. Two-way center channel speakers are prone to off-axis frequency anomalies and simply can’t match the performance of other speakers in the line-up. To create an uncompromised, yet affordable center channel, SVS engineered a true three-way, four-driver design featuring a 1” aluminum dome tweeter, dedicated 3.5” midrange driver and dual 5.25” woofers. SVS’s exclusive SoundMatch three- way crossover ensures a smooth transition between all drivers for effortless projection into the room, both on- and off-axis. To avoid midrange modulation from all that woofer power, SVS mounted the midrange driver in its own dedicated and completely sealed compartment, which ensures natural and immersive dialogue clarity and vocal timbre, even during bass-heavy tracks and scenes.

The sleeper of the series may be the Prime Satellite, SVS’s first satellite speaker. The Prime Satellite pushes performance to unprecedented levels in this form factor, with design and component quality rivaling speakers two and three times their price. The Satellite speaker stands on its own, or matches perfectly with SVS subwoofers in 2.1, 5.1 and 7.1 systems, or it can serve as the front, center, and surround speakers in a very capable, very affordable multi-channel home theater system featuring other members of the Prime family. The compact size and included wall bracket also make the Satellite ideal in locations where space is limited, but high performance is desired.

Yacoubian continued, “Our design team deserves kudos for engineering the Prime Series to deliver an incredibly high level of audio performance at their disciplined price, a much more difficult prospect than when cost is no object. They are a product of both a passion for great experiences and the expertise to make them happen affordably.”

The Prime Series feature lifestyle-friendly cabinet design, available in black ash or piano gloss. Precision machined front-baffle chamfers on the Prime family were carefully engineered to reduce tweeter diffraction artifacts, as well as to tie the Prime Series to the SVS Ultra Series lineup sonically and aesthetically. Every speaker in the range has been painstakingly voiced and sonically matched with each other and the Ultra Series allowing end-users to mix and match all models, creating endless home theater possibilities.

SVS Prime Series speakers are available in a variety of two-channel and home theater packages, but can also be configured in any multi-channel array for use with Dolby Atmos or other surround sound formats. Information and pricing for the various speakers and packages is available at www.svsound.com.

For more information, please visit www.svsound.com  or follow them on Facebook, Instagram, Pinterest or Twitter.

About SVS

SVS is a global leader in high performance home audio products; designing, manufacturing and selling subwoofers and speakers through its Internet direct business. Founded in 1998 by a group of audio enthusiasts seeking to develop an alternative to traditional audio manufacturers, SVS was forged out of a passion for the science of sound married to a disruptive, forward-facing go-to-market strategy. Today, SVS takes a radical approach to how audio products are developed. Built on collective decades of experience, SVS is redefining performance and value for people who love music and sound.

Press Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown: nbrown@castercomm.com

Kimberly Lancaster: klancaster@castercomm.com

For digital images log on to: www.castercomm.com

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D-Tools to Host Webinar with Manufacturer Vantage Point (MVP) Partner Noble Fidelity

Free “Dealer Opportunities with Noble Fidelity” webinar October 21 will give prospective Noble Fidelity dealers insight and training on the company and its product offerings

CONCORD, CA – October 8, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced that it will soon host a webinar for Manufacturer Vantage Point (MVP) partner Noble Fidelity, maker of high-performance in-wall and in-ceiling speakers. The free webinar, “Dealer DTLOGO_basic logo for online use_245x109Opportunities with Noble Fidelity,” will take place Tuesday, October 21 from 10:00 a.m. to 11:00 a.m. PDT. Attendees will learn how partnering with Noble Fidelity can provide a protected, high-margin line of business for custom and luxury audio/video integrators, as well as insight on the company’s award-winning line of architectural speakers.

“We encourage custom integrators interested in selling top-tier quality products from companies that understand the challenges integrators face in today’s ‘get-it-anywhere’ marketplace, to attend this webinar,” says Tim Bigoness, VP Sales and Marketing for D-Tools.” “This training will show dealers how to increase profits while the selling superior sounding Noble Fidelity product line, and punctuate key points as to Noble Fidelity’s superior business plan and clearly communicate their dedication to high quality dealer relationships.”

Because Noble Fidelity is a D-Tools MVP Partner, dealers, specifiers, installers, and integrators have complete access to the most up-to-date and detailed Noble Fidelity product information available, along with current stats, pricing, and special offers in a format that can be utilized cross-functionally for maximum workflow efficiency. Users of D-Tools System Integrator receive updated MVP partner product data free of charge as part of the platform’s offering. The MVP program in turn gives manufacturer partners a direct connection with the D-Tools user database, building customer loyalty by ensuring that existing dealers have the important information they need to recommend, specify, and install its products. It also makes it clear to any MVP program participant’s dealers that they are committed to the very best in customer support. More than 4,500 MVP users are now streamlining the design process with the D-Tools System Integrator platform.

For more information on how to register for the webinar, please visit: https://www1.gotomeeting.com/register/74640862

About Noble Fidelity
Performance-wise, Noble Fidelity Loudspeakers are without peer in their dealer and consumer price ranges. The Noble Fidelity Business Model embodies the classic limited distribution business model. Only genuine, licensed, Installing Dealers of Audio/Video products are eligible for Authorized Dealership. Noble Fidelity products are not available through or left to the marketing practices of wholesale distributors. Noble Fidelity products are not sold online. Noble Fidelity will set Authorized Dealers apart from others. Dealers enjoy geographic territories free of profit-eroding conflicts. There are no “Show Rooming” perils with Noble Fidelity.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.com

MVP Contact: 
Josh Carlson, D-Tools, Inc., (925) 270-4105joshc@d-tools.com

 

XXX ENDS

Foo Fighters Headline With Martin Audio MLA At Invictus Games

Invictus Games - Closing Ceremony 14th September 2014

Martin Audio’s award-winning MLA (Multi-cellular Loudspeaker Array) PA system enjoyed its busiest weekend of the year, with two huge simultaneous London events on either side of the capital.

While rental/production company Capital Sound was fielding no fewer than 170 enclosures at the perennial Proms in the Park (Hyde Park), over in the east at the Queen Elizabeth Olympic Park, the Prince Harry inspired Jaguar Land Rover Invictus Games Closing Concert also featured MLA.

The five hour extravaganza combined a celebration of medallion presentations to the wounded, injured and sick servicemen and women who competed in the Games, backed by a full concert line up with Foo Fighters headlining and supporting acts Kaiser Chiefs, Ellie Goulding, Ryan Adams, Bryan Adams, The Vamps, Rizzle Kicks and James Blunt.

A crowd of over 25,000 people heard Prince Harry deliver a heartfelt speech that roused the spirits of the crowd, culminating in a Mexican wave, before introducing the Foo Fighters for their triumphant return to London.

Invictus Games - Closing Ceremony 14th September 2014

The event was promoted by AEG Live, with Capital working for site managers, Loudsound, with whom they have enjoyed a long relationship (most recently at British Summer Time in Hyde Park).

But unlike Hyde Park where sound leakage is at its most sensitive, there was optimism MLA would be able to produce an even bigger sound. “This was a totally new situation and the promoters were keen to see what we could get out of it, sound wise,” commented Paul Timmins, Capital Sound Account manager. “[Loudsound site production manager] Dan Craig really understands audio and was confident he could achieve proper rock and roll levels.”

With the closest residence still within 850 ft. of the stage and with Vanguardia measuring propagation at four separate offsite locations, the production team was still able to hit the FOH SPL’s demanded by the Foo Fighters, playing at well over 100dB(A) as the level ramped up incrementally through the day; at the same time the sound comfortably tapered off below the offsite restriction of 75dB(A) at the nearest measurement point — and recorded values as low as the mid 60’s.

The main front facing PA comprised two hangs of 14 MLA per side and two MLD Downfills, while for sidefills, because of the site topography, Capital was able to field 12 MLA Compacts on one flank and 16 on the other—an asymmetric solution that worked particularly well. This enabled the shorter hang to fire into the VIP grandstand without straying beyond into the large block of apartment buildings behind.

Two Martin Audio W8LCs were deployed for center front fills and there were two masts of delays, set 245 ft. back from the stage (midway from the site perimeter), each containing eight Martin Audio W8L Longbow enclosures. Meanwhile, 12 Martin Audio LE1200 low profile wedge monitors were provided as floor monitors onstage.

Invictus Games - Closing Ceremony 14th September 2014

The real customization came in the 32-enclosure MLX sub array. In order to meet the Foo Fighters tour spec they deployed Philip Reynolds, who has worked extensively with Martin Audio US partner Delicate Productions and is familiar with MLA.
Along with Martin Audio R&D director, Jason Baird, and Capital Sound technical manager, Ian Colville, Reynolds adapted the sub array into a Left/Center/Right design, which included cardioid elements to contain coverage, while bringing even more low-end transient attack to the central section.

Having been involved with the Foo Fighters since their Wasting Light album back in 2011, Reynolds confirmed: “That sub design was exactly as I wanted and for the band it delivered the high impact in the mix” — a mix that was delivered by veteran sound engineer Craig Overbay, piloting a DiGiCo SD10.

But the planning of the event was to throw a final curve at the Capital Sound team as Paul Timmins explained. “Although we had designed the audio for the closing concert, since we had the infrastructure already in place, at short notice we were asked to also handle the Invictus Games Opening Ceremony. We had to come up with a system we could change in a day, and throughout the opening ceremony there was an element of rapid reconfiguration as we had to make it work for every dignitary on stage.”

Marty Beath, a seasoned MLA tech, was part of the crew, and this is where his MLA experience, and knowledge of the audience geometry in the MLA software, was brought to bear. “The area that became the audience zone at the Closing Concert was set out like a military tattoo,” he explained. “We needed a new solution for MLA which covered the competitors’ section—set 20ft in front of the stage—so we optimized the system in the software to use the bottom part of the main PA to cover the front.

(left to right): Jason Baird, Marty Beath; Philip Reynolds

(left to right): Jason Baird, Marty Beath; Philip Reynolds

“When Prince Harry was at a lectern in the PA zone I loaded a new snapshot in MLA which enabled us to get another 8dB of gain before feedback; so by using MLA’s software to set a hard avoid I could direct the sound over the lectern, which was fantastic.”

The entire production seemed more than satisfied with the levels and quality achieved. Phil Reynolds was enthusiastic: “I enjoy how far MLA has come. I was happy with the deployment, everything matched Foo Fighter specs, the PA did exactly as planned, and it’s been exciting hearing the band today playing through a full MLA for the first time.”

Dan Craig added, “Once again MLA displayed all we know and love about the system and delivered effective, even coverage. It’s my third major park event of the summer and yet again MLA has demonstrated its flexibility to create a system design network.

“Since I have been using the system it has solved three very different problems and I am happy to be working with Ian [Colville] and the Capital team to provide the solutions which MLA enables us to implement.”

And describing the concert as “a fitting end to an inspirational four days of Games,” Jim King, Director of Events, AEG Live said: “AEG are very proud to have played our part in producing the Invictus Games Closing Concert.”

Or as the Foo Fighters put it, “What a perfect way to finally return to the UK for the first time in years…it’s been waaaay too long! Thanks for having us; it is truly an honor to come play for these incredible men and women….”

For more about Martin Audio, please click to www.martin-audio.com.

Photo credit: Jessica Gilbert

ROSWELL HIGH SCHOOL FOOTBALL FIELD COMES ALIVE WITH DANLEY GENESIS HORNS AND SUBS

Roswell_HS_StadiumROSWELL, NEW MEXICO: For too many years, football fans and supporters of Roswell Independent Schools in Roswell, New Mexico suffered the poor performance of small paging horns that squawked announcements no one could understand and that emitted music no one could feel. It was a sad, uninspiring, and yet not uncommon situation. When money finally became available to make improvements, the school hired local firm J&G Electric to oversee the project. Relatively new to the Pro Audio market, Mike McClain of J&G Electric sought, without bias, the very best sounding system for his client at the most reasonable price. A thorough search turned up Danley Sound Labs, and Roswell Schools now benefit from a pair of Danley GH-60 Genesis Horns for vivid full-range output and a pair of beefy Danley DBH-218 subwoofers for low-frequency support.

“The school gave J&G Electric free reign to choose the best audio system they could, given the constraints of the budget,” explained Noel Darby of DarbyReps (Denver, CO), who represents Danley in the Rocky Mountain Region and who consulted on the design. “They had heard great things about Danley – that Danley’s designs are uniquely efficient, natural sounding, and easy to work with. I’ve been selling loudspeakers for a long time, and I believe Tom Danley’s designs really are amazing. He’s not chasing the same old woofer/tweeter or line array concept.”

Roswell_HS_Scoreboard_SpeakersGiven that the existing light poles are all behind the seating, it didn’t make sense to use a distributed system. Instead, Darby suggested an end-fired system that would split the field down the middle and provide equal coverage to the home and visitor seating. A Xilica XP-2040 2×4 processor handles modest input conditioning and system EQ, and feeds two Danley DSLA 3.3k and two Danley DSLA 6.5k amplifiers. Those amplifiers in turn power two Danley Genesis GH-60 horns and two Danley DBH-218 subwoofers mounted above and behind the scoreboard. The Genesis Horns use Danley’s patent-pending Paraline acoustical technology to gradually attenuate output at lower angles so as to deliver even SPLs to all the seats, near and far.

The install proved to be the largest hurdle to overcome. “With the original site being built in 1968, and seeing numinous additions and upgrades, we had our hands full,” said McClain. Trenching was tedious in order to avoid underground utilities and unknown paths, so we were forced to dig slowly and carefully. When it was all said and done we had over 700 feet of trench at four feet deep. In order to avoid the necessity of repeating the arduous process at a later date a second “spare” conduit was installed. Dealing with the harsh desert heat cooling the equipment was also an issue. To avoid building a structure to hold the equipment, we used a self-contained climate controlled rack to house the amps and processors. Using the assistance of a local fabricator the forty-foot tall structure holding the loudspeakers was built. “After all the sweat and heavy lifting the system worked as designed and as promised.”

Deward Timothy of Utah’s Poll Sound came in for the final tuning, which, by all accounts, didn’t take very long given the natural sound of the GH-60s and the fact that they are true point-source devices. “The school district is amazed at how much output they’re getting,” said McClain. “The coaches are ecstatic! This is a huge leap up for them, and the system will serve them well for a long, long time to come.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

Fox Sound Service Invests in Italy’s First Meyer Sound LYON System

fox soundFox Sound Service has purchased the first Meyer Sound LYON™ linear sound reinforcement system in Italy. Adding to Fox Sound’s large Meyer Sound inventory of more than 170 loudspeakers, the LYON system has supported a range of classical, rock, and dance events across the country.

“I was extremely impressed with the technical advantages of linear sound reinforcement offered by Meyer Sound’s LEO™ linear large-scale sound reinforcementsystem, but we had been waiting for a more compact version better suited to the Italian market,” explains Carlo Volpe, technical director and co-owner of Fox Sound. “LYON is exactly what we need. It has the performance and versatility ideal for any production, from open-air classical music presentations to jazz festivals and rock concerts. My partners and I are proud to be the first in Italy to supply this new technology.”

Fox Sound’s purchase comprises 20 LYON linear line array loudspeakers, eight 1100-LFC low-frequency control elements, a Galileo® Callisto™ loudspeaker management system, and RMServers for the Compass® RMS™ remote monitoring system.

Since delivery, LYON has been chosen to reinforce the orchestra and chorus of Accademia Nazionale di Santa Cecilia for an outdoor concert in Rome’s historic Piazza del Campidoglio, designed by Michelangelo. The system has also supported events such as Festival Mozart and Traffic Festival in Torino, Verde Vento (Green Wind) Festival in Cassino, and the Perdonanza Celestiniana (Celestine Pardon) celebration in L’Aquila.

“After 25 years of providing Meyer Sound technology to the Italian market, it was time to take a major step ahead with LYON,” says Walter Alfonsetti, co-owner of Fox Sound. “LYON complements our existing range of Meyer Sound products, and will play an important role in the future of our company.”

The LYON system sale was handled by Meyer Sound’s Italian distributor, Linear Sound, a division of Eko Music Group.

Located in Poggio Picenze, Fox Sound Service supplies a wide range of event production technology rentals throughout the Italian peninsula. Events served by the company include classical open-air concerts, civic celebrations, corporate presentations, and summer music festivals, including 25 years with the prestigious Pescara International Jazz Festival.

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One-Man Band Ed Sheeran Wins Over Arena Crowds with Meyer Sound LEO and LYON

ed sheeranWith a Meyer Sound LEO™ and LYON™ linear sound reinforcement system supporting just his vocal, acoustic guitar, and loop pedal, singer-songwriter Ed Sheeran has single-handedly captivated 10,000-plus crowds on his latest world tour. Among the many concert reviewers impressed by how well Sheeran’s one-man show translated in a large arena, Katie Atkinson of Billboard writes: “He had the crowd wrapped around his finger, and the booming sound to pack an arena with just an acoustic guitar and his voice.”

Chris Marsh, Sheeran’s production manager and FOH engineer, says: “I’ve had a chance to hear Ed’s music on a lot of different systems, for various festivals, one-off shows, and opening for acts like Taylor Swift. But whenever I came across LEO—and more recently, LYON—I’ve noticed a marked difference in sound quality, and hence a marked difference in my enjoyment of mixing the show. When using them together, the transitions between the two loudspeakers are virtually seamless, whether moving across to the side hangs or up underneath the down fills.”

Although configurations vary slightly with venues, the large arena system comprises main front hangs of 12 LEO-M over four LYON linear line array loudspeakers each, with 14 additional LYON loudspeakers in each of the twin side hangs. Completing the system are 18 1100-LFC low-frequency control elements for low end and eight M’elodie® line array loudspeakers for front fill. A Galileo® Callisto™ loudspeaker management system with one Galileo Callisto 616 AES and four Galileo Callisto 616 array processors provides system drive and alignment.

Onstage foldback is supplied by four MJF-212A stage monitors and dual side-fill stacks, each with two 700-HP subwoofers and one JM-1P arrayable loudspeaker. The system is supplied by Wiltshire, England-based Major Tom Limited, and systems tech for the tour is Tristan Nelson-Hauer.

“The 1100-LFC is an astonishingly fast-moving device,” says Marsh. “The impact it transmits when Ed slaps his guitar—his interpretation of the kick drum—is far better than I’ve heard from any other sub. The others are just too slow to keep up.”

Major Tom’s decision to invest in LYON was made by principal Lars Brogaard, an early LEO adopter. “The LYON-W has the wide dispersion I wanted for down-fill, and with the longer-throwing LYON-M, they complement the LEO very, very well,” he says.

Feeding the LEO system on the tour is a DiGiCo SD7 mixing console augmented by Avalon VT-737SP channel strips and Bricasti digital reverbs. Sheeran’s vocal mic is a Sennheiser 2000 Series wireless with a custom MD 9235 capsule.

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Community Upgrades the Fan Experience at Troy Fair

New Sound System Serves Troy Fair Events and High-School Sports

Billed as the “Largest Event in Bradford County”, the 139th Troy Fair opened July 21, 2014 with a new grandstands sound system provided by Gelnett and Associates of Northumberland, Pennsylvania and based on Community R Series loudspeakers.

The new system replaces a 1970s-era paging horn system that was inadequate for modern fair events and had prompted 2013’s tractor pull announcer to complain, “We’re not coming back unless you fix this!”

After interviewing several integrators, the Troy Fair board chose Gelnett and Associates to provide their new system. Gelnett President, Scott Gelnett reports that the fair board was very impressed during the on-site demo and knew this was the system for them.

The new system consists of two clusters of four Community R.5HPT loudspeakers covering the fans in the grandstands and three R2-52 loudspeakers covering the left, center and right field areas. The system is powered by DSP-equipped Crown amplifiers and features a Biamp 601 mixer and Tascam CD200i CD player with iPod input.

Gelnett provided an Audix headworn announcer’s mic and a handheld mic for a second announcer in the press booth. They also provided an Audix wireless headworn and a handheld wireless mic for use from the field. The press booth, which hangs below the grandstands roof, is difficult to access.

For this reason, Gelnett provided a remote volume control in a utility room below the grandstands for events with field announcements. However, Scott Gelnett says the microphones seldom need adjustment and he reports that he did “very little tweaking” on the R Series loudspeakers during system commissioning.

The fairgrounds are used for Troy High-School football, the Endless Mountain Maple Festival, and other sporting events as well as the yearly Troy Fair so the new grandstands sound system will benefit Troy audiences all year long. Gelnett and Associates has also updated other areas of the fairgrounds including exhibit halls and the cattle barn areas, and the small arena. Regarding the new grandstands system, Scott Gelnett thanks his staff of Gary Young, Project Manager; Keith Hummel, Installation Foreman; and David Shumaker, DSP Programmer and says “we’ve set a new standard in our area.”

TroyFairgrounds

TroyFairgroundsGrandstands

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Chongqing International Expo Center Gets IC Live

 Chongqing, Peopl’s Republic of China – October 2014…Located at the confluence of the Jialing Jiang and Yangtze Rivers, Chongqing International Expo Center is one of the world’s ten largest convention centers, and the largest in western China. Designed and built by Insigma Systems Engineering Co, Ltd., and owned by Chongqing Panda Investment and Development Co., Ltd., the Expo Center covers more than 200,000 square meters (2.1 million square feet), with 16 exhibition halls that buzz throughout the year with exhibitions, conferences, and a wide range of events.

The Expo Center’s various halls have been outfitted with a number of high-performance sound systems based around Renkus-Heinz ICONYX IC Live digitally steered line array systems. The Grand Ballroom system includes four ICL-FR cabinets, permanently installed, as well as four more ICL-R portable systems for added flexibility. Four IC215S-R powered subwoofers provide low frequency reinforcement. Four CF121-2 full-range point source loudspeakers and four CF121M-2 stage monitors cover additional fill duties. A PreSonus StudioLive 16.4.2 digital console handles the mix, with a BSS BLU-80A processor providing system DSP.

 The large 1500-person conference hall is equipped with two ICL-FR columns, along with a pair of CF121M-2 boxes for fills. Two smaller 1000-person conference halls offer similar systems. All three venues also utilize PreSonus StudioLive 16.4.2 mixers and BSS BLU-80A audio processors, as well as Bosch DCN conference systems.

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About Renkus-Heinz  - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

PURE GROOVE SYSTEMS TAKES DANLEY TO THE DANCE!

Pure_Groove_DanleyLOS ANGELES, CALIFORNIA: In less than a decade, Danley Sound Labs has revolutionized the fidelity and efficiency of sound reinforcement in houses of worship and, more recently, arenas and sports venues. The key to that revolution is the innovative loudspeaker and subwoofer designs of Tom Danley, who spent his early years inventing electro-acoustic solutions for NASA and holds seventeen patents, only a fraction of which are for music reproduction devices. He is a broad and deep thinker, and the patented Synergy Horn and Tapped Horn technologies, upon which Danley Sound Labs products are based, cleverly sidestep the compromises that are inherent to conventional loudspeaker and subwoofer designs. Simply put, Danley devices sound glorious at any volume, with rich, honest bass and pleasant midrange. Moreover, the efficiency of Danley devices allows that better fidelity to happen with vastly fewer boxes (and thus with vastly fewer amps and processing). With the help of Pure Groove Systems, Danley Sound Labs plans to expand its revolution to the world of dance music.

“I know the current dance music industry standard, and Danley smashes it,” said Damian Murphy, founder of Pure Groove Systems and president of Liquified, the dance music and festival production veteran. “I thought I had heard ‘great’ systems before, but now that I’ve heard Danley, I realized that audiences were settling for something that isn’t that great.’ I feel that it’s my duty to get promoters, artists, and fans the true sound they deserve,” said Murphy. Pure Groove Systems distributes, rents and demos Danley products globally.

Danley Sound Labs made its first inroad in the house of worship market in part because that’s where the heart of company president Mike Hedden resides, and the company’s current expansion into the arena market comes with considerable insider knowledge. They lacked that connection to the dance music industry, however. “Danley approached me and suggested a demo for a show we were doing in the Atlanta area,” said Murphy. “They sent Ivan [Beaver] and Chad [Edwardson] with a system to cover 1,500 people. It was just four boxes – two tops and two subs. I admittedly, was dubious, but they assured me it would be more than enough.”

Murphy continued, “They were right. It was plenty loud. But more importantly, it sounded rich, clean, and powerful. It was immersive and no matter what was playing, I felt like I was inside the track; and I wasn’t getting my head ripped off, either, despite the volume. The advantages didn’t end there. The consistency of sound was also unparalleled. No matter where I went on the dance floor or on any of the venue’s three balconies, I heard the same enveloping sound. It was unlike anything I had heard in my 25 years in the industry. It was very special.” Murphy reports that all of the numerous Danley systems he has since been a part of share those qualities.

The second characteristic of Danley’s designs – efficiency – is also a huge advantage in the dance music industry. “We put up a twenty-box Danley system at a 12,000 person stage at the Lightning In a Bottle Festival,” said Murphy. “An adjacent stage used over 170 conventional boxes to cover a comparable crowd, and their sound was no where near as good as ours. Danley’s efficiency scales, too. Fewer boxes means less time and/or people rigging, fewer amps, less processing, less electricity, smaller trucks, less fuel, and so on. And the fact that the efficiency comes with a dramatic improvement in sound quality… well, you can see why I’m excited to move the industry toward Danley.”

Since its establishment in January 2014, Pure Groove Systems has provided Danley systems for several festivals. At Miami Music Week, forty of the world’s top DJs played to 15,000-plus people, over five days, using two Danley J1 Jericho Horns and two Danley BC-415 subwoofers. The previously mentioned “Lighting In a Bottle” Fest used four Danley J1 Jericho Horns, two Danley SH-96HOs, eight Danley BC-415 subwoofers, and six Danley TH-118 subwoofers. The system performed flawlessly fourteen hours a day through the extreme heat and dust of the California desert. Despite rain at Amsterdam’s “Lost In a Moment” outdoor event, DJs kept more than 4,000 people packed on the dance floor using two Danley J1 Jericho Horns, two Danley SH-96HOs, two Danley TH-812 subwoofers, and two Danley BC-415 subwoofers.

“Working with the Danley team has been inspiring,” said Murphy. “They’re justifiably confident in their products, but they welcome feedback and are constantly looking to improve. The products sound amazing with any type of musical genre, electronic, rock, pop, classical, etc. I’m devoting myself to traveling the world with these systems to make an impact in my industry. We sell and rent Danley systems or demo them to potential customers in the right situation. I’m willing to do that because I’m confident that once people hear a Danley system, they’re going to want to buy it. There simply is nothing comparable to the clarity and power of these speakers. The difference is obvious.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

FOR MORE INFORMATION ON PURE GROOVE SYSTEMS, VISIT: Web: PureGrooveSystems.com • Twitter: @PureGrooveLabs • Facebook: PureGrooveSystems

HARMAN’s Crown and BSS Audio Are At Center Court In Wimbledon Audio System Upgrade

Photo Credit: Tim Speight

Photo Credit: Tim Speight

LONDON, England — It’s the world’s oldest and most prestigious tennis championship – Wimbledon, held at the All England Club In London since 1877. Although steeped in tradition, the facility takes a decidedly modern approach to its audio and communications network, evaluating and updating its installation every year. Prior to the 2014 tournament, Wimbledon-based systems contractor RG Jones Sound Engineering (www.rgjones.co.uk) knew that the scope of work would be much more involved than in the past. Because of building renovations, the Broadcast Center PA equipment room had to be completely relocated, and the system upgrade called for more audio inputs and outputs than the existing system provided.

Jon Berry, RG Jones Sales and Installation Director realized that HARMAN’s Crown DriveCore Install (DCi) Network amplifiers and BSS Audio BLU-160 signal processor made such a major undertaking a lot easier, because of their ability to be networked with the All England Club’s existing Soundweb London audio DSP system, which operates across the site in locations including the Centre Court clubhouse, the North courts, the Gate 3 turnstiles building and other areas. RG Jones installed a total of 24 Crown DCi 4|300N and DCi 4|600N four-channel amplifiers in the new PA room, as well as two BSS Audio BLU-160 processors. All Crown and BSS Audio products were supplied by UK HARMAN distributor Sound Technology, Ltd.

Crown’s DCi Network amplifiers utilize exclusive DriveCore amplifier technology, which enables powerful, energy-efficient operation from an amplifier just 2U rack spaces high. The ampifiers are compatible with HARMAN’s HiQnet Audio Architect™ system setup and control software.

The amplifiers receive audio from the BSS BLU-160 processors via BLU link, a low-latency 256-channel fault-tolerant bus, which provides the required channel count and a cost-effective hardware solution that can be implemented over long distances.

“Having to implement such a major overhaul of the system proved to be a blessing in disguise, as the relocation of the PA room confirmed our belief that network-compatible amplifiers were the way forward,” said Berry. “The ability to network the amplifiers alongside the existing Soundweb London system has proven to be extremely useful. Having in-depth, instantaneous monitoring of the amplifiers gives us a degree of control that was simply unavailable before.” He also noted that the amplifiers’ Ethernet connectivity significantly reduced the amount of analog cabling that would have otherwise been necessary.

Berry has been equally impressed with the DCi Network amplifiers’ performance. Before starting the All England Club project RG Jones undertook rigorous sonic testing at their workshop to check that the amplifiers would integrate with the existing system. “While conducting these evaluations we realized that the depth and functionality of the amps’ DSP features were a major advantage in tailoring their performance to the speakers, the system and the venue,” Berry added.

For Berry and his team, the acid test was going from the workbench to configuring the installation for the Centre Court clubhouse. “The setup and commissioning of the clubhouse system was the most complex part of the install, and in fact we found the process to be intuitive, easier than we thought it would be – and extremely effective. The flexibility, control capabilities and the sound quality are far better than we could have hoped for and we will certainly be specifying the Crown DCi amps and BSS Audio components for future projects.”

Photo Credit: Tim Speight

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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