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Archive of the Loudspeakers Category

L-ACOUSTICS Sonically Unites Woodstream Church

Woodstream Church's new ARCS WIFO and SB18m arrays flown in an LCR configuration

RCI Systems utilizes SOUNDVISION to create a powerful and uniform system based on ARCS “WIFO” and XT Series enclosures

BOWIE, Maryland — With its high-energy praise team backed by a full band and choir, Woodstream Church’s musical ministry is a blessing for those in its sanctuary every Sunday – especially now that a full L-ACOUSTICS amplifier and loudspeaker system has been installed.

Prior to the recent system retrofit, the Independent Fundamental Baptist house of worship in Bowie, Maryland suffered from uneven coverage with sound getting lost at the edges of the room and under the balcony.

To breathe new life into the sanctuary, the church called upon Beltsville-based AV systems integrator RCI Systems, which turned to L-ACOUSTICS’ acoustical simulation software, SOUNDVISION, to create a solution. According to RCI designer Bob Capotosto (CTS), the ideal remedy predicted was achieved with a combination of the manufacturer’s ARCS “WIFO” – WIDE and FOCUS – and coaxial XT product ranges. “SOUNDVISION gives us an extremely accurate picture of what we’ll need in terms of components to get a complex project like this successfully completed, and WIFO and XT were right for the job,” he says.

Coaxial 8XTi and 5XT enclosures serve as underbalcony fills for the acoustically shadowed areas

Today, the sanctuary’s main system utilizes an LCR arrangement of three arrays each comprised of two SB18m subs, two ARCS WIDE and two ARCS FOCUS enclosures. Ten compact 8XTi individually spread out just under the lip of the balcony deliver blanketed audio coverage to the rear sanctuary seats, while a single ultra-compact 5XT at each far edge of the underbalcony ensures optimum coverage to even the furthest corner seating areas. The entire loudspeaker system is powered and processed by a total of five LA8 amplified controllers.

Capotosto notes that the L-ACOUSTICS WIFO system, in particular, was ideal in that it is remarkably lightweight for its power, which minimized the amount of additional steel bracing required for the new hang points in the sanctuary’s ceiling. He also cites the tight directivity patterns and full range performance of the arrays as instrumental in being the right choice for the tall, fan-shaped space.

“Plus, the sound is amazing,” adds Capotosto, who points out that RCI has long had the ARCS WIFO solution in its rental inventory. “All of the coverage and intelligibility issues that the church had been experiencing are now gone. And the WIFO solution was affordable for the church, giving them all the power they need and with a substantial amount of headroom left to go. Also, the underbalcony area, which had been the hardest problem in the past to solve, is now completely addressed with coherent sound from the stage’s backline to the last row of the house. The church’s FOH engineer came to us and said we’ve made his job so much easier. That’s the best compliment you can get.”

Woodstream Church’s home on the web is found at www.woodstreamchurch.org, while RCI Systems can likewise be visited online at www.rcisound.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

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Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Triad Speakers, Inc. Unveils New Speaker for Dolby Atmos Sound

Bronze LR-H model to deliver award-winning Dolby Atmos multi-dimensional sound

Portland, OR — August 27, 2014 — Custom made-in-the-USA manufacturer Triad Speakers, Inc.
today announced a new home theater speaker developed to deliver captivating, multi-dimensional sound with Dolby Atmos. Triad’s Bronze LR-H is an in-room loudspeaker that utilizes a traditional D’Appolito design (2 front-firing drivers with a tweeter located in between). Integrated into the enclosure is a Dolby-enabled height channel comprised of an up-firing top driver array that aims sound towards the ceiling. In the Dolby Atmos system, the Bronze LR-H is used for left and right front and rear main channels (one enclosure per channel).

With Dolby Atmos®, sound comes alive from all directions, including overhead, to fill the home theater with astonishing clarity, power, detail, and depth.

“At Triad, we are very proud of our role in helping Dolby develop the standards for Dolby Atmos enabled loudspeakers,” says Triad Speakers, Inc. President and CEDIA Chairman Larry Pexton. “Dolby used Triad design and development services to prototype the upward firing Dolby enabled speakers and supplied our prototypes to its industry partners who used them to evaluate electronic components licensed under the Dolby Atmos program.”

Demonstration at CEDIA Expo 2014
Triad will display the Bronze LR-H at its CEDIA Expo 2014 booth (#448). The Dolby booth (#180) will include two live presentations of Triad speakers, one using four InRoom Bronze LR-H (built-in Dolby enabled upward firing speakers), and another using four Triad InCeiling Bronze/8 LCRs for the overhead sound.

“Triad has been developing and experimenting with a wide range of solutions including in-room, in-wall, on-wall and in-ceiling designs,” says Pexton. “Somewhat to our surprise, in testing our speakers we have found that the built-in height channel — which reflects off the ceiling — performs better in some applications than using dedicated ceiling speakers for the height channel.”

“At the CEDIA Expo, listeners will be able to form their own judgment of which system they prefer. Either way I am very confident they will leave very impressed with capabilities and added sonic dimensions of the Dolby Atmos systems presented,” furthered Pexton.

Bronze LR-H Specifications
Dimensions (inches): 7-9/16 (w) x 19-1/2 (h) x 9-1/4 (d)
Frequency Range: 88 Hz – 20 kHz (+/-3dB)
Recommended Amp Power: 50-200 watts (range)
Nominal impedance: 4 Ohms
Sensitivity: 89 dB (2.83v, 1m)
Front Firing Drivers: Two 5.5-inch SB Acoustics drivers and one 1-inch SB Acoustics fabric dome neodymium tweeter
Top Firing Drivers: Four 2-inch full-range ScanSpeak neodymium drivers

Pricing and Availability
The Bronze LR-H is priced at $1,000 MSRP per speaker. Availability is slated for Q4 2014.

The loudspeaker will be available in a wide variety of colors and finishes including custom paint-matched or veneered to match the décor of the room.

When mated to Triad Bronze Center Channel, Surrounds and DSP Subwoofer, the InRoom Bronze LR-H is the heart of a superb Dolby Atmos home theater system.

For all Triad Speakers, Inc. press inquiries please email paul@mutocomm.com or call 631.849.4301.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications.

A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products.

In the 2006 – 2010 Inside Track Supplier Loyalty Tests, Triad ranked #1 in the category of Custom Installation Company. Visit us on the web at: www.triadspeakers.com and follow us at www.facebook.com/triadspeakersfans and on Twitter @TriadSpeakers

About Dolby Atmos
Dolby Atmos delivers captivating, multidimensional sound that places and moves specific sounds anywhere in the room, including overhead, to bring entertainment alive all around the audience.
Since its introduction in the cinema in 2012, Dolby Atmos has been embraced by all the major Hollywood studios, seven Academy Award® winning directors, and 16 Academy Award-winning sound mixers, among others.

Soon, entertainment enthusiasts will be able to enjoy Dolby Atmos in their home theaters.
To learn more about Dolby Atmos and home theaters, visit the Dolby Lab Notes blog.

LA MARINA NYC’S OUTDOOR EVENTS THRIVE WITH D.A.S. AUDIO

**** Photo: Edwin Diaz at La Marina NYC ****

New York, NY – August 2014… Located at Dyckman Marina in upper Manhattan, the newly rebuilt La Marina NYC sports a restaurant, bar, lounge, and events space that covers more than 75,000 square feet of Hudson River waterfront. With world-class facilities and a breathtaking waterfront view, it is rapidly becoming the place to see and be seen. La Marina NYC’s waterfront area is where all the high profile live activity takes place and, to ensure a high level of speech intelligibility and music reproduction for all their events, the venue’s management recently took delivery of a new sound reinforcement system drawn from the WR Series catalog of Valencia, Spain-based D.A.S. Audio. more

FIFA World Cup Stadiums Feature World-Class Audio with HARMAN Professional

Arena da Amazonia in Manaus, Brazil (Photo Credit: Gabriel Smith)

BRASILIA, Brazil – With hundreds of thousands of fans in the stadiums, not to mention the billions who tune in from across the globe, making sure the sound is perfect for the 2014 FIFA World Cup is no small undertaking. When faced with challenge of delivering the most sophisticated, world-class audio experience possible, from the Amazon basin in the north to the banks of the River Guaiba in the south, eight of the major stadium venues in Brazil’s 12 host cities featured HARMAN’s wide range of audio solutions. In addition, a wide variety of Studer Vista consoles were used for television broadcast of the games.

“From inception through delivery, each component in our family of brands is designed to provide a sophisticated, integrated and affordable audio solution,” said Robert Klesser, National Sales Manager, Install & Cinema, HARMAN Brazil. “As soccer transcends sport and becomes an expression of culture, we are honored to be the brand of choice for so many of the venues hosting matches during the 2014 FIFA World Cup.”

While the components installed vary by venue, popular products include HARMAN’s IDX communication systems, AKG microphones, BSS signal processing, Crown amplifiers, Soundcraft digital consoles and JBL loudspeakers. The range of stadiums equipped with HARMAN audio solutions is diverse in terms of size, location and age.

Beginning on a plateau in southeastern Brazil, on the Atlantic Coast, Arena de Sao Paulo hosted the opening match between Croatia and Brazil. Built specifically for the World Cup, the facility seats 68,807 and will serve as the new home for Sport Club Corinthians Paulista. Systems integrator Johnson Controls and audio integrator Soundvision outfitted the facility with the IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL Control Contractor ceiling loudspeakers and Soundcraft Si Expression digital consoles.

Surrounded by mountains in Belo Horizonte, Brazil, which is inland from Sao Paulo and Rio, Estadio Mineirao is a national monument that will host not only World Cup matches but also numerous matches during the 2016 Summer Olympics as well. Built in 1965, the venue seats 57,400 and recently underwent an extensive renovation that took three years. Johnson Controls systems integrator and Soundvision audio integrator equipped the landmark stadium with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Nacional, in Brazil’s capital city, Brasilia, opened in 1974, was renovated in 2013 and seats 68,009. Systems integrator Siemens and audio integrator Loudness equipped the massive facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Castelao is located in Fortaleza, Brazil, considered a “fortress” port on the country’s northeast coast, more than 1,500 miles from Rio. The facility, which opened in 1973 and reopened in 2013, seats 58,000. For sound, systems integrator TODO and audio integrator Telem equipped the stadium with an IDX communication system, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Compact digital consoles.

Arena da Amazonia is in Manaus, Brazil, the capital of the state of Amazonas and, at 2,659 miles from Rio, the furthest north of the host cities. The stadium, which opened in March 2014, seats 42,374. Systems integrator Johnson Controls and audio integrator Soundvision equipped the facility with AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers and JBL Control Contractor Series ceiling speakers.

Arena Pantanal, which opened just two months before the World Cup, is 1,200 miles from Rio, near the Bolivian border and close to the center of South America, in Cuiaba, Brazil. It seats 42,968. Systems integrator Canal Livre and audio integrator Soundvision equipped the facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, Crown DCi amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Expression digital consoles.

Arena Pernambuco is in an economically deprived area on the outskirts of Recife, Brazil, more than 1,400 miles from Rio. With a seating capacity of 42,800, the stadium was opened in 2013 with the hope that it will act as a catalyst for local regeneration long after the World Cup. Systems integrator NEC and audio integrator Telem installed an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Finally, the oldest of the World Cup venues, Arena de Baixada is in Curitba, Brazil, south of Sao Paulo and about 500 miles from Rio. Originally built in 1914, the stadium was completely rebuilt in 1999 and then renovated again for the World Cup. It seats 41,456. Systems integrator NEC and audio integrator Telem equipped the facility with a HARMAN lineup that includes IDX communications systems, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL AWC weatherized compact loudspeakers, JBL PD5000 Series loudspeakers, JBL Control Contractor loudspeakers and Soundcraft Si Expression 3 digital consoles.

HARMAN Professional also had a strong presence in the broadcast elements of the World Cup, with multiple Studer Vista consoles in use for television broadcast of the games. In Rio de Janeiro, a Studer Vista 9 digital console was used to broadcast all 64 games via the TV Globo Network to the Jardim Botanico area. In addition, TV Globo’s OB Van HD3 used a Vista 9 to specifically feed games from Maracana Stadium for live transmission to Jardim Botanico. Projac, the main center of television production for TV Globo, also used a Vista 9 in its OB Van HD8 for live shows related to World Cup events. TV Globo also utilized a pair of Vista 8 digital consoles for television broadcast of live performances centered on the World Cup.

In Sao Paulo and Brasilia, TV Globo’s OB Van HD1 was equipped with a Vista 8 console for the games that were hold in those two cities. A Vista 8 and a Vista 9 were also used in Sao Paolo for live performances related to the World Cup.

Lastly, RCN in Colombia used its OB Van, equipped with a Studer Vista 5 digital console, to broadcast the entirety of the Colombian National Team’s games in the World Cup.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Rascal Flatts Goes Out On Rewind Tour With HARMAN’s JBL VTX Line Arrays and Crown Amps

NASHVILLE, Tennessee — Rascal Flatts keeps riding high – the band’s last eight albums have hit number one on the country music charts and the group continues to pack arenas in support of their new chart-topping album Rewind. Never a band to go short on production, Rascal Flatts along with supporting artists Sheryl Crow and Gloriana and live sound company Sound Image are going all-out this summer and fall with a tour sound system featuring HARMAN JBL’s flagship VTX Series line array loudspeakers and Crown I-Tech HD amplifiers.

For the Rewind shows, Escondido, California-based Sound Image is bringing out a stadium-shaking system that includes 60 JBL VTX V25 line array loudspeakers and 32 S28 subwoofers as the main system, complemented by six JBL VERTEC® VT4889 fullsize line array loudspeakers and two VERTEC VT4880 arrayable subwoofers used as sidefills. The loudspeakers are driven by no fewer than 72 of Crown’s flagship I-Tech 12000HD amplifiers.

Thirty VTX V25 loudspeakers and 16 S28 subs are flown on either side of the stage with three VT4889 loudspeakers flown on either side and aimed towards the stage as monitors, and two VT4880 subs are placed on the ground of the stage floor, aimed towards the performers.

“Everybody likes the new rigging system used on the VTX arrays,” said Sound Image Systems Tech Jeremy Overall. “Everything goes together pretty easily, which is a huge advantage when you have to set up literally 100 loudspeakers night after night.” VTX’s patented S.A.F.E. suspension system is streamlined for speed and efficiency with improved, integrated hardware for faster setup and greater security. Overall and his crew are also using the new JBL VTX Vertical Transporters, rolling frames that facilitate the transport of VTX line arrays for tour sound applications. “It actually makes moving all these arrays pretty easy.”

Sound Image was one of the first tour sound providers to add the JBL VTX Series to its inventory. “We got the second VTX rig and have been carrying it for about a year and a half,” Overall said. “It’s a significant improvement from anything else we’ve used with a lot more bottom end and good punch. The new D2 dual compression driver and waveguide really smooth out the high end – there’s no harshness to be heard.” Overall points out that with VTX in place, the system requires “just a little EQ but not nearly to the extremes we’d gotten accustomed to in order to make a system sound balanced.”

The Rascal Flatts rig is set up and tuned using JBL HiQnet Performance Manager™ software. “It’s so user-friendly – everything we need is right there. For example when we need to associate speakers to their amplifiers everything is built-in on a single tab. When we need to configure delay and processing, we just tell the program what speakers we’re setting up and all the control panels come right up.” Overall is also a big fan of the I-Tech HD Series amps, noting that Sound Image has had dozens of the amps working reliably on the road for two years. “I’m not the first person to say this but the amps work really well with the VTX arrays,” thanks to their built-in presets that enable the VTX models to be perfectly optimized for frequency response, crossover points and slopes and other sonic attributes.

“With a production like this you need to pull out all the stops in every respect including the live sound,” said Overall. “The JBL VTX and Crown system is more than a match for what’s happening on stage. The sound is incredibly detailed, punchy and ‘fast’-sounding from the deep low end to the smooth highs. I’m very happy.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Advanced Audio Video Technologies Retrofit Sound System at The Pentecostal Church of DeQuincy with HARMAN’s JBL and Crown

DEQUINCY, Louisiana – The Pentecostal Church in DeQuincy, Louisiana required an upgrade to its sound system, and with a change from a center cluster long overdue, Pastor Wayne Neyland turned to Sulphur, Louisiana systems integrator Advanced Audio Video Technologies (www.advancedav.biz) and HARMAN’s JBL VERTEC® line arrays and Crown amplifiers to bring the sanctuary’s sound up to date.

Not that the church rushed to make up for lost time, they contacted Advanced after asking around and getting a referral from another church in town. “Although the sanctuary only seats 700, the church wanted the best, and we were determined to provide it, so I took my time with the design to make sure we got it exactly right,” said Advanced owner Ethan Miller. The pastor and church personnel demoed several different models from various manufacturers and Miller had many conversations with Brad Ricks at HARMAN about recommended speaker selection and placement.

“As soon as the pastor heard the JBL VERTEC VT4886 subcompact line array loudspeaker he said, ‘that’s the speaker,’” noted Miller. Advanced went with 16 VT4886 subcompact line array elements, eight per side flown from the left and right of the pulpit to cover the floor and balcony of the sanctuary. In addition, two JBL PRX418S and two JBL ASB6125 subwoofers were installed and will be moved under the platform on either side during a planned remodelling project. Four Crown I-Tech 9000HD series amplifiers drive the speakers. Completing the system are a Soundcraft Vi1 digital console and Compact Stagebox.

“Even though I know the loudspeakers and amps are designed to work together, I have to say that this was an easy project,” Miller stated. “We worked closely with Ricks and HARMAN from the very beginning in engineering the system, and the extra time we took up front paid big dividends. The Crown amplifiers are very easy to use and the fact that they’re optimized to work with JBL VERTEC line arrays really saved on system setup and tuning.”

In fact, during one point in the process, one of the amplifiers indicated that one of the loudspeakers had a different impedance than it was supposed to have. It turned out that one of the loudspeakers wasn’t connected properly. “The Crown’s built-in monitoring enabled us to figure out the problem and correct it immediately,” Miller said.

In some cases, however, there’s nothing like a person’s experience and ears: “When we first set up the system the loudspeakers were dead-on in covering the seating area, but there was a bit more sound coming off the walls than we liked. All we had to do was turn the loudspeakers in a few degrees and the sound went from good to superb.”

“The VERTECs work beautifully in this space – far from being overkill, the clarity and headroom are outstanding and the system can handle anything without the slightest hint of strain. The overall sound is nothing less than amazing.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

This One’s For You: Sound Image and Jimmy Buffett Celebrate 40 Years On the Road Together Using HARMAN’s Crown I-Tech HD Amps and JBL VTX Line Arrays

ESCONDIDO, California — Jimmy Buffett has been extolling the laid-back pleasures of Margaritaville, having a Cheeseburger In Paradise and the fact that it’s Five O’Clock Somewhere since he recorded his first album in 1970. For 2014, San Diego’s Sound Image is celebrating 40 years as Buffett’s live sound provider with a new touring system based around HARMAN’s JBL VTX line arrays and Crown I-Tech HD Series amplifiers.

“When it comes to connecting with the audience, I think you can safely say that nobody’s better at it than Jimmy Buffett,” said Dave Shadoan, who partnered with Sound Image’s founder and partner, the late Ross Ritto, in 1971. “His fans hang onto every word at his live shows and they deserve nothing less than the best sound we can deliver.”

Buffett’s audience certainly isn’t going to have to strain to hear him sing. The live sound rig consists of 80 Crown I-Tech 12000HD amplifiers driving 52 JBL VTX V25 line array loudspeakers and 24 S28 cardioid-arrayable subwoofers. “We generally hang 14 V25 loudspeakers per side in the main array, with eight S28 subs next to them and 12 V25 loudspeakers in each of the left and right side hangs,” noted Sound Image front of house engineer Rich Davis. Depending on the venue, Davis will add more S28 subwoofers at the middle of the stage to fill out any void in the low frequencies, plus three S28 subs on each side if necessary. “We were in sheds at the start of the tour and will be outdoors through October.”

Davis noted that the biggest issue Buffett will have with a sound system is keeping the low end from building up on the “deck” that makes up the floor of the stage. “That’s one of the reasons I like to spread out the subwoofers and not use massive ground stacks,” he said.

Davis sets up the system using JBL’s HiQnet Performance Manager™ system control software. “The latest version of Performance Manager saves us a lot of time and simplifies the entire configuration and calibration process,” Davis pointed out. “It enables us to go deeply into the I-Tech HD’s many DSP functions, filters and crossovers and fine-tune the sound. It also gives me automatic control screens for each of the line array columns and if I need to edit, modify, add or delete a hang, it’s actually easy instead of being a time-consuming chore.”

Davis notes that he rarely needs any EQ on the high end and that the system is smooth from top to bottom. “We did a show in Raleigh and I walked up on the lawn, which was about 430 feet from the speaker stacks and there was solid low end all the way in the back of the lawn, which never happened before. This new system is more coherent and the low end really holds up.”

“The PA is super stable,” Davis added. “Jimmy is known for talking between songs and when he talks to the other band members it’s often sideways off the mic. I can ram that fader all the way up so that he can be heard and the system still doesn’t have any problems.”

“It’s been an honor, a privilege and a great time working with Jimmy all these years,” Shadoan concluded. “The only thing missing in this 40th year is my former partner and Jimmy’s former monitor engineer, Ross Ritto. Sound Image has always been about technological innovation and I know Ross would be thrilled to hear what we’re doing with Jimmy on his 2014 This One’s For You tour.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Show-Concept.ch Invests in JBL’s VTX Line Arrays and Crown I-Tech HD Amplifiers

The show-concept.ch team (left to right): Florian Jaeger, Project Manager; Cyril Schmuki, Head of Audio; Patrick Frueh, CEO.

ELSAU, Switzerland – Swiss rental and event production company show-concept.ch has recently purchased a HARMAN JBL VTX V20 line array system and additional Crown amplifiers from HARMAN Professional distributors Dr. W.A. Guenther Audio Systems AG with the aim of broadening the range of services they offer. They are the first company in Switzerland to invest in JBL’s new generation, smaller format VTX system. Known for their work in the corporate sector, their aim now is to migrate further into concert touring with their range of sound, lighting and technical services.

After running JBL’s VERTEC® in its inventory, the company has now stepped into the future, placing an order for 16 JBL VTX V20’s and eight each of the new VTX S25 subs and have also added four Crown I-Tech 12000HD and 12 Crown I-Tech 4x3500HD amplifiers to its existing Crown I-Tech HD inventory.

“The main reason for purchasing a new system was to take a step forward in tour sound—and of course to be up to date,” stated Cyril Schmuki, audio engineer for show-concept.ch —adding that its new front line PA system will be backed-up by other systems, including three complete VERTEC rigs.

VTX V20 features the advanced technology of VTX V25 in a smaller format and the high power density of this 3-way system is complemented by a new ASM suspension system that provides efficient transport, fast setup and precise configuration. Utilizing Differential Drive™ technology and a small format version of the revolutionary D2 dual compression driver, the integrated V5 presets fully realize the processing capability of the Crown I-Tech HD amplifiers.

“The handling and the rigging system were what we especially liked,” added Schmuki. “This and the new JBL HiQnet Performance Manager™ software were the main advantages.”

The sale was supported by Dr. W.A. Guenther’s Director of Sales Felix Alpstaeg, and Application & Project Engineer, Jaromir Ott. Already familiar with JBL VERTEC and Performance Manager for system configuration, monitoring and control, the production company is nevertheless planning advanced training in conjunction with Dr. W.A. Guenther for next year’s festival season.

Overall Schumuki couldn’t be more pleased with his new JBL and Crown powered rig, “We are delighted with the VTX V20, it’s a pleasure to work with. I’ve never heard a system which is so precise over the whole frequency range; and what is absolutely astonishing is to stand behind the array, because it’s just so quiet.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Renkus-Heinz System for New Korean Venue

Incheon, South Korea – August 2014 … In late fall of 2014, South Korea will host the XVII Asian Games in and around Incheon, located near to the country’s capital, Seoul. Korea has previously hosted the Asian Games in 1986, closely followed by the 1988 Olympics, and the FIFA World Cup in 2002. More than a decade later, new venues were needed for the 2014 event.

While it is not one of the Asian Games’ official venues, the newly-built Ansan Evergreen Gymnasium will host volleyball and kabaddi up to the quarter final stages. Designed as a multipurpose space, the gymnasium will be home to the Ansan volleyball team and other sporting events, and will also host music and cultural events.

Audio company Daikyung Vascom provided the sound system, which features a Renkus-Heinz PN102 line array system. As Yang-Su Yun, manager of Daikyung Vascom’s RPS business division, explains, the project was a bit out of the ordinary.

“This building is owned by the government, which isn’t very common for a venue like this,” he says. “The local council based at Ansan City Hall wanted the building to function as both a sporting venue and a concert hall, and hence they needed a very good, high-performance speaker system. Other strict criteria were sound quality and functionality, both of which were extremely important factors in choosing the Renkus-Heinz system.’”

Yang-Su observes that Daikyung Vascom had previously installed a system at the Ansan City Hall, and has a good working relationship with the council. “They are familiar with our work, and they really appreciate the after sales service we provide.”

The main system in the hall comprises 32 PN102LAR array loudspeakers, configured as four arrays of eight cabinets each, 90 degrees apart. The arrays are positioned on each corner of a centrally-flown block which houses four large screens, so that spectators on all four sides of the hall have a close up view of the action. Additional fills are provided by four PN121-series two-way cabinets, as well as five ST4 three-way systems and a pair of CFX151 boxes. Four DR18-2 and two PN112SUB subwoofers provide low frequency reinforcement.

“The PN102 line arrays were selected for their accurate and even coverage pattern, providing consistent coverage to every seat in the hall,” says Daikyung Vascom’s CEO Patrick Han. “RHAON (Renkus-Heinz Audio Operations Network) control was another important factor in selecting the system, enabling networked DSP control over the entire system.”

Flexibility was the keyword when it came to designing the space, which will be hosting a wide variety of events. Permanent seats are available in the upper part of the hall, while bleacher-style seating along the hall’s two longer walls is retractable and can be folded back to the walls to accommodate more people. A stage can be constructed at the far end of the hall for large concerts. When being used in this configuration, temporary seating can be set up on the floor of the gymnasium, and a total of around 3,000 people can be accommodated.

The system design was carried out by Daikyung Vascom’s sales team, together with local systems integration specialist Sinwoo. Working closely with Daikyung Vascom, Sinwoo’s Byung-Sun Ahn designed a system that would be optimal for the space. The team used EASE acoustic prediction software to map the room and define its sound qualities.

“This was the first time I’ve worked with Renkus-Heinz,” says Mr Ahn. “I checked the specifications and references of the Renkus-Heinz speakers, and when I simulated them to fit the space I got very good results. The actual performance of the speakers was very close to what we’d predicted with EASE. I’m very satisfied with the system. I also really appreciated being able to use RHAON to tune the system, especially the mid frequencies.”

As for Ansan Urban Corporation’s Mr Kim, he is of the opinion that the speakers offer the best possible functionality for concert sound, providing high SPLs when required. “Once we are able to put on concerts here, the system will prove itself as really good for this kind of event, while also being able to provide intelligibility and clarity when the hall is being used for our sporting events,” he says.

Ansan Evergreen Gymnasium now boasts a state of the art sound system to complement its clean architectural design and functionality. The signs are positive that the new sporting venue will contribute to a successful and uplifting Asian Games later this year, providing a panacea that South Korea needs.

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

HOSANNA LUTHERAN CHURCH GOES HI-FI WITH DANLEY

MANKATO, MINNESOTA – AUGUST 2014: Growing with the community since its founding in 1972, Hosanna Lutheran Church is now a cornerstone of religious life in Mankato, Minnesota. With four contemporary services a week, plus one traditional service and plenty of high-SPL youth events, its sanctuary sound and video systems were tapped to provide a huge range of content. Despite having loudspeakers made by a respected manufacturer, intelligibility and low-end extension were poor and a regular source of complaints until recently, when Audio Video Electronics (AVE) (Maple Grove, Minnesota) renovated the system. Citing their excellent fidelity and intelligibility, AVE installed a pair of Danley Sound Labs SH-60 loudspeakers. To give Hosanna Lutheran Church plenty of bass when needed, AVE also gave the church a beefy Danley DBH-218 subwoofer.

“Before AVE’s renovation, we always had complaints,” said Matt Kotthoff, technical director at Hosanna. “The system was muddy, and a lot of our disciples, especially some of the senior members, had a hard time understanding what was being said depending on where they were sitting. Also the system lacked intelligibility and power.” Stefan Svärd, president of AVE, added, “Not only that, the low-frequency extension was simply missing. This was despite its big name components and the fact that it looked like a good system on paper. It simply didn’t translate to real-world performance.”

Svärd designed an elegantly simple new sound reinforcement system for Hosanna. An exploded mono cluster of two Danley SH-60s leverages Danley’s excellent pattern control to cover all of the seating without energizing the rest of the structure. Between them, also on the ceiling, is the Danley DBH-218 subwoofer. Svärd repurposed Lab.gruppen C-series amplifiers for the mains and added a Lab.gruppen FB14000 for the subwoofer. An existing Biamp Nexia and EV-DC1 processor condition the system, albeit less now than with the previous components, as the Danley boxes are naturally flat and transparent. A new Midas Pro 3 mixer gives Kotthoff and his techs control of the system for complex services, and a Crestron control system provides simple control of audio, video, lighting, and HVAC via iPad or iPhone. Finally, a new 8000lumen Digital Projection HD projector gives the congregation crisp imagery.

“I’ve had a lot of experience with loudspeakers from all sorts of manufacturers,” said Svärd. “To me, Danley’s unique designs offer the smoothest, most ‘studio-monitor-like’ performance in the sound reinforcement market. They have accurate phase response, great pattern control, and true hi-fi sound. The Danley DBH-218 subwoofer delivers a lot of clean output, and because it’s horn-loaded, it affords a degree of pattern control. For the youth services, they have that subwoofer shaking the whole building! Together, the whole system sounds phenomenal.”

Kotthoff agrees, “The Danleys sound great! Everything sounds crisp, clear, and clean. Nothing sounds harsh or painful. The intelligibility in the whole worship space is outstanding, everything from feeling the bass guitar rhythm to the clear natural sound of both singing and speaking voices. The DBH-218 subwoofer is awesome, every chance I get I love to crank the kick drum and feel the beat go right through me! I have received so many compliments, from ‘the audio is so clear’ and ‘now that’s an HD presentation’ to things like ‘I got bass in my butt!’ and ‘can you turn it louder?’ The system is amazing! It totally enhances Hosanna Lutheran’s strong music ministry in so many ways!!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

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