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RMB Audio Eliminates Reflections With MLA Compact

NC State Fair 2014_3

Raleigh, NC––Tasked with providing audio for 11 concerts in a row at Dorton Arena featuring artists ranging from Vanilla Ice to comedy artist James Gregory, country stalwart Trace Adkins, Gospel luminary Tamela Mann and Christian Rock’s Newsboys, RMB Audio already faced a daunting assignment at this year’s NC State Fair.

Factor in the arena’s demanding acoustic environment, and the task became even more challenging. As RMB’s Systems Engineer Roger Dennis drily points out, “It’s got everything you want; concrete, glass, steel, and hard wooden seats. Plus the arena’s an oval, so it’s reflections galore.”

Fortunately, the RMB Audio team came equipped with a Martin Audio MLA Compact system to better control the sound in the hall and eliminate reflections. “The MLA Compact system allowed us to stop the coverage just before it hits the glass in the rear and on the sides of the room,” Roger specifies. “The system’s output control is really precise. It made our job a lot easier while improving the sound quality for all of the acts and the audience.”

NC State Fair 2014_1

The actual system consisted of a main hang with 12 MLA Compact enclosures per side, a side hang with 8 MLA Compacts per side, and 6 Martin Audio W8LMD (downfill) as lip fill. Ample low end was provided by 12 DSX subs ground-stacked in two rows of 6 standing on end with the two outer enclosures slightly angled out.

Asked about the MLA Compact’s other attributes, Roger points out the enclosure’s lighter weight and wider dispersion, but the main advantage is still its output control capability.

“It used to be when you had someone speaking into a microphone in the arena, the reflections would kill all speech intelligibility. With MLA, that’s not a problem. When we first brought it into Dorton three years ago it was quite a shock. Now that we’ve switched to MLA’s for outfill to kill the reflections coming off the glass, the clarity for spoken word has continued to improve dramatically.

“Everyone was pleased with the system, adds Dennis, “especially Newsboys FOH Engineer John O’Neal who was very impressed with what we could do with the rig because he’s been in Dorton before with an older system. One of his last comments to me during this show was ‘everything from 300Hz and above is completely clear. We could hear everything.’ John and I walked the entire venue during the soundcheck as did several engineers who put their head right next to the glass, and they said it sounded exactly the same as it did down at the mix position.

“That’s one of the key things the MLA does that other systems don’t. It optimizes for the audience, not the room. The quality of the coverage is consistent from the front of the stage all the way to the back of the arena.”

NC State Fair 2014_4

Summing up, Roger adds, “We’re going to UNC Memorial Hall on the campus of University of North Carolina, a 1600 seat proscenium theater with a really prominent balcony face that is a problem in terms of generating reflections back onto the stage. The MLA Compact allows us to steer around that balcony; we can just slice that section out of the vertical coverage. We’ve been able to make it so accurate that you can literally stand up out of a seat and you’re out of the coverage. It’s really amazing.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Renkus-Heinz and First Baptist Church of Shawnee – Keeping Tradition Alive

 Shawnee, OK – November 2014… Shawnee’s First Baptist Church was founded in 1892, 15 years before Oklahoma gained statehood. After their main sanctuary was damaged by a tornado in the 1930s, the church rebuilt, and that structure serves as the main sanctuary to this day.

While the historic building has been well maintained over the years, its aging sound system had not been so fortunate. Church officials and congregation members alike were increasingly frustrated by intelligibility issues in the main sanctuary, and inconsistent coverage in the balcony and under balcony areas. The church turned to Edmond, OK-based AVL Systems Design, who recommended the steered-beam technology of Renkus Heinz ICONYX IC Live.

“The main sanctuary seats about 800 people, and has a balcony area in the rear,” explains Danny Nix of AVL Systems. “In addition to the intelligibility and coverage problems with the old system, there were reflection issues that needed to be addressed.”

 The new system comprises four ICONYX IC Live ICL-FR-DUAL columns, hung from the ceiling to avoid damaging the walls. “We used the IC Live’s beam steering capabilities to fill the balcony and the main floor of the church and we used four Renkus Heinz PNX61 Two-Way Complex Conic Loudspeaker Systems for under balcony coverage,” said Nix. “The IC Live’s beam steering technology eliminated the need for front fills, which made for a cleaner look overall. As a final touch, we painted the boxes to match the color of the walls.”

In the end, church officials were pleased that the ICONYX system not only addressed the sanctuary’s intelligibility and coverage issues, but also blended in seamlessly with the décor as well.

“Everyone at the church has been very happy with the results,” said Nix.

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

Tackling Audio in a Big Tent: Meyer Sound LYON Immerses VIPs at University of Oregon Fundraiser

u of oregonThe University of Oregon recently kicked off its $2 billion fundraising campaign with an AV spectacular under a massive tent, widely known to be a difficult setting to achieve quality sound. With the power and clarity of a Meyer Sound LYON™ linear sound reinforcement system, the audio team overcame the event’s technical complexities and offered a sonic experience that was both clear and immersive.

Even coverage is generally difficult to achieve in a tent due to its imbalanced effects on different frequencies. “The acoustic challenges of a big tent were further complicated in this case because the stage was placed in the center splitting up the audience, with video screens on all sides,” says sound designer Don Ross. “Also, there was no truss work over the stage to fly arrays, so we had to cover over 100 feet from the stage in both directions with ground-stacked speakers.”

George Relles Sound of Eugene, Ore. provided sound design support using the Meyer Sound MAPP Online Pro® acoustical prediction program. He determined that the best solution for the 260-by-150-foot tent was four arrays of one LYON-W wide-coverage and three LYON-M main line array loudspeakers each. Two 1100-LFC low-frequency control elements provided low end, with four UPM-1P loudspeakers for on-stage foldback. System drive and optimization was provided by a Galileo® Callisto™ loudspeaker management system with one Galileo Callisto 616 array processor.

The result was exceptional audio for all event programs, which included live music, speeches, and video soundtracks showcasing high-impact effects created by Ross. “Sonically as well as visually, the whole experience was fantastic,” says Michael Hull of AHM Brands, executive producer of the event on behalf of the university’s Office of Development. “Given all the complexities, we couldn’t have been happier. The sound from LYON was flawless, and fully contributed to the impact of the 360-degree immersive environment. Afterwards, we received a number of compliments on quality and clarity of the audio program.”

Ross adds: “The sound of LYON was very impressive. Speech articulation was excellent, and the coverage was great. Also, the wide-dispersion LYON-W loudspeakers on the bottom eliminated the need for front fills. And by reversing the polarity of the two opposing systems, we created an effective null on the stage that prevented feedback problems.”

For the post-program cocktail hour, a performance by jazz vocalist Halie Loren was reinforced by two UPJ-1P VariO™ loudspeakers, one 700-HP subwoofer, eight MJF-210 stage monitors, and a Galileo loudspeaker management system with one Galileo 616 processor. Outside the tent, a 150-foot long video projection screen greeted the VIPs as they walked in, with audio accompaniment by two UPJunior™ VariO™ loudspeakers.

Other equipment provided by Relles included Soundcraft Vi6 and Vi1 digital consoles at the main and cocktail stages, respectively; Sennheiser and Shure wireless microphone systems equipped with DPA d:facto II, Neumann KMS 105, and Shure KSM9 handheld capsules; and DPA d:fine 4066 headset microphones.

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From Hockey Games to Nobel Conference, Meyer Sound IntelligentDC Gives Gustavus Adolphus College Arena a Sonic Advantage

adolphus collegeWith its new Meyer Sound system featuring IntelligentDC™ technology, Gustavus Adolphus College in Minnesota is fully equipped to provide exceptional audio coverage for every function in its 1,500-capacity Lund Arena. These events range from hockey games to national programs such as the Nobel Conference®, the first ongoing educational conference in the United States to have the official authorization of the Nobel Foundation in Stockholm, Sweden.

“With the Meyer Sound system, we have controlled and uniform sound everywhere, with ample full-bandwidth power and exceptional speech intelligibility,” says Matt Dobosenki, the college’s event technical services coordinator. “With the old system, the sound would build up, overexcite the room and lose coherence. Now it’s clean and has plenty of punch, but it’s never overbearing.”

The solution selected for the arena is a remotely powered system featuring IntelligentDC, the Meyer Sound technology that combines the performance advantages of self-powered loudspeakers with the installation efficiency of Class 2 wiring. A single, five-conductor cable carries remote power and balanced audio signal to the loudspeakers from a rack-mount power supply and signal distribution unit. In the US and many other countries, electric conduit is not required.

“IntelligentDC technology is ideal for this application,” explains Jon Young, CEO of Bloomington, Minn.-based Heroic Productions, who provided and installed the sound system. “We can provide the sound quality you can only get from a self-powered, bi-amplified system, but we don’t need 60 new AC runs up on the roof beams. And with individual control of each speaker, we have total flexibility in zoning the system and balancing the levels. And if the operators want to turn the volume up in the student section twice as loud as the parent section, that’s easily done.”

The Meyer Sound models chosen for the audio upgrade include 19 UPM-1XP loudspeakers spaced over the ice floor, 20 UPJunior-XP VariO™ loudspeakers covering the spectator stands, and 16 UMS-1XP subwoofers for full-range musical punch, while eight UP-4XP loudspeakers cover an adjacent hallway. Handling system drive, optimization, and zoning is a Galileo® loudspeaker management system with two Galileo 616 processors.

In early October, the Lund Arena hosted the 50th Nobel Conference, authorized by the same foundation that grants Nobel Prizes. The two-day event presented 11 noted leaders in the sciences and humanities from around the world, including three Nobel laureates.

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Georgia’s Free Chapel Expands to New Gwinnett Campus with Meyer Sound MINA

free chapelFree Chapel in Georgia has opened a new satellite campus in Gwinnett with a Meyer Sound MINA™ line array loudspeaker system in its 900-capacity auditorium. The facility is the ministry’s second venue to deploy Meyer Sound, following the success with a CQ-2 and MSL-4 loudspeaker system on its main campus in Gainesville.

“Our Gwinnett auditorium is easily one of the best-sounding rooms I’ve heard in a long time in terms of coverage smoothness,” says Michael Henson, technical director for Free Chapel. “The spoken word clarity is outstanding. We get a straight unprocessed audio feed of Pastor Franklin’s voice, and we’ve found that we have to do almost nothing on the console to make it sound great in the room. The clarity and presence of the MINA system create an optimum environment for worship by producing a sound that’s immersive, but never distracting.”

The auditorium has installed dual arrays of eight MINA loudspeakers each, six 700-HP subwoofers, two UPJ-1P VariO™ loudspeakers for side fill, and eight UPM-2P loudspeakers for front fill and recessed stage monitors. A Galileo® Callisto™ loudspeaker management system with two Galileo Callisto 616 array processors provides system drive and alignment.

Audio quality is critical at Free Chapel in part because Pastor Jentezen Franklin is both an inspiring speaker and accomplished saxophonist. “He has a trained musician’s ear, and after walking the room front to back and side to side for the first time, he was very pleased with what he’d heard, as we all were,” reports Henson.

Outside of the auditorium, the café, bookstore, and entryway areas feature 44 Stella-8C installation loudspeakers. Also implemented are several loudspeaker models with IntelligentDC™, the Meyer Sound technology that combines self-powered advantages with easy installation. The IntelligentDC systems installed in these areas are four MM-4XP self-powered loudspeakers and one MM-10XP and two UMS-1XP subwoofers. All systems were designed and installed by Moyers Group.

“A high priority for this church is that anybody attending—whether in the main auditorium or the overflow areas—should experience the same high level of audio quality,” says Jeremy Moyers, president of Moyers Group.

Moyers Group also supplied dual DiGiCo SD10 digital consoles for FOH and monitors, an Optocore digital snake system, Sennheiser 2000 series wireless IEM and microphone systems, and Shure P6HW wired personal body pack receivers.

The Gwinnett facility is the newest satellite campus of Free Chapel, a fast-growing ministry led by Senior Pastor Jentezen Franklin. The main Gainesville campus’s CQ-2 and MSL-4 loudspeaker system was recently boosted with six 1100-LFC low-frequency control elements.

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Masque Sound Struts its Stuff for National Tour of Six-Time Tony Award®-Winning Musical, Kinky Boots

Kinky Boots Tour - Photo by Matthew Murphy

Kinky Boots Tour – Photo by Matthew Murphy

Kinky Boots, winner of six Tony Awards® including Best Musical, sings and dances its way across the United States for its year-long national tour with the help of Masque Sound, a leading theatrical sound reinforcement, installation and design company. Tony Award®-winning Sound Designer John Shivers, along with his long-time associate and collaborator, David Patridge, relied on Masque Sound to provide the custom audio equipment package for the tour.

In Kinky Boots, Charlie Price has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of Lola. A fabulous entertainer in need of some sturdy stilettos, Lola turns out to be the one person who can help Charlie become the man he’s meant to be. As they work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.

Kinky Boots, directed and choreographed by the Tony Award-winning Jerry Mitchell, is brought to life by music and lyrics from Grammy® Award-winner and Tony Award-winner Cyndi Lauper and a book by Tony Award-winner Harvey Fierstein.

Shivers’ and Patridge’s goal of recreating and delivering the incredible sound that Broadway audiences are accustomed to, due in part to the custom audio equipment package that Masque Sound also supplied for the Broadway show, proved a daunting task. “When designing the audio we had to plan ahead for venues of vastly different sizes and shapes, as is typical when touring Broadway shows,” says Patridge. “One week, the production may run in a large civic auditorium with five levels of seating; the next week, it may be in a house more akin to a Broadway theatre with 1500 to 1800 seats. This tour really runs the full gamut as far as venues, including outdoor theaters and even hockey arenas.”

d&b audiotechnik V-Series line arrays in the speaker towers comprise the main sound system. “We first auditioned the V-Series when we worked on Holler If You Hear Me on Broadway, and we really liked the fact that the speaker was capable of clear, intelligible sound with a lot of impact, despite the compact size of the box,” adds Patridge. “We had a lot of assistance from Gary Stocker at Masque Sound, who created custom speaker tower designs for the tour. He was able to incorporate the V-Series into the towers, which is something that Masque Sound has never done before. Stocker took our ideas and turned them into reality, which saved us a lot of additional engineering, time and work.”

For the console, Masque Sound provided a DiGiCo SD7T, the same live digital console that is used on Kinky Boots’ Broadway production, as the designer wanted to keep the programming intact matching the Broadway show. “The SD7T’s channel count allows our engineers to incorporate all of the monitor inputs into the same console as front of house,” says Patridge. “The SD7T is the only console that would provide the 128 channels that were needed to handle our requirements along with the features that we were looking for. We are very happy that the Masque Sound crew was willing to go the extra mile to accommodate our requests.”

Masque Sound also supplied d&b audiotechnik D80 amplifiers. The amplifiers fit four channels of amplification into two rack spaces, which is an important space-saving feature for a touring production. In addition, the cast utilized a selection of DPA 4061 microphones, along with Sennheiser SK 5212 wireless packs and EM 3732-II receivers for the roughly 40 channels of wireless used on the show.

“As always, Masque Sound was able to provide us with everything that we needed for the tour,” concludes Patridge. “The challenge, with any tour, is making sure that the sound crew is able to translate the sound design that we envision. A lot of it is very subjective, with the team, at the end of the day, relying on the mixers to make the show work across all of the different venues. In this regard, Head Audio Mixer Ben Madden and Assistant Audio Mixer Brian Kallaher are the people who make this production happen from city-to-city and to them we are very grateful.”

Kinky Boots kicked off its national tour on September 4 at The Smith Center for the Performing Arts in Las Vegas. The tour is scheduled to play through most of 2015 and will make stops in 32 cities, including Portland, Seattle, Denver, Los Angeles, San Francisco, Detroit, Nashville, Houston, Dallas, St. Louis, Philadelphia, Chicago, Minneapolis and Boston.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Encompass AV Outfits Irish Alehouse With Martin Audio

Square Celt_1 web

The product of a complete renovation and remodeling on the site of an old restaurant near Orland Park Mall in suburban Chicago, the Square Celt Alehouse and Grill features an extensive Martin Audio sound system courtesy of Encompass AV.

A popular sports bar, restaurant and part-time club destination, the Square Celt is run by a family that owns seven other Irish-themed bar/restaurants around Chicago, all known for exceptional audio and video capability.

Encompass AV President Tim Pickett describes the layout: “There are two major rooms, a large bar area, and a dining room with another big bar and lots of booths with tables. We were tasked with providing the sound and video systems, as well as security cameras and some of the architectural lighting.

Square Celt_3 web

“The owners insisted on Martin Audio from the get-go because they wanted a very high quality sound that was reliable and would last,” Tim explains.

“We used 26 Martin Audio AQ8’s mounted on the walls and beams throughout the site. The whole place has lowered ceilings with lots of trim, soffits and beams to give it the feel of an old Irish pub. We mounted the speakers strategically in the best places we could put them for optimal sound quality.

Square Celt_2 web

“There are also two AQ28s where the owners planned a dance area in the main dining room. We supplemented those with two AQ210 subs plus two F12+ and four S15+ subs for maximum low energy reinforcement in that area. They bring in a DJ on Friday and Saturday nights, so they wanted the place to have a nightlife with a system they could crank up and really feel the music, which we accomplished with the Martin Audio subs.”

Square Celt_4 web

The audio system also includes Lab Gruppen E12:2 and E4:2 power amplifiers along with Symetrix Jupiter 8 standalone DSP processing. Square Celt’s expansive video system, so critical to any modern sports bar, starts with a four-panel video wall consisting of large Philips 55” displays in the bar/dining room and an eight-panel video wall made up of Philips 46” displays in the bar area. There are also 14 Sharp 70” displays and 16 55” LG displays with the whole system run by a Vivitek D5190HD 1080p 3D multimedia projector.

Summing up the audio system’s impact, Tim adds, “The owners think the sound is ‘even, clean and crisp.’ They definitely got more than they expected with Martin Audio and it’s flexible enough to give them everything they need in terms of volume, coverage and sound quality. Plus the system is easily capable of transforming the dance area into a real nightclub just by cranking up the volume. They couldn’t be any happier with the choice they’ve made.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Worcester Polytechnic Institute Gets Double Coverage With ICONYX

 Worcester, Mass  - October 2014…Founded in 1865, Worcester Polytechnic Institute was one of the first engineering and technology universities in the United States. Today, the private research university ranks with schools like Princeton, Stanford and MIT as one of the nation’s most prestigious schools.

The university’s Alden Hall regularly hosts a wide range of performances and programs, from lectures to concerts and theatrical productions. As Richard O’Connell of Boston-based AV Design Build explains, the 10,000 square foot multi-purpose venue employs different seating arrangements, depending on the event. “It’s a rectangular room with a stage in front and balcony in the rear. For concerts and theatrical events, seats are set up facing the stage. For lectures and smaller presentations, seats are set up facing the long wall stage right, and they set up a podium.”

The hall’s growing popularity and increasingly busy schedule had made the limitations of its aging sound system abundantly clear. To cope with intelligibility and coverage issues, university officials frequently brought in portable systems to supplement or replace the main system. Even with the portable systems in place, coverage was still poor, particularly in the balcony.

 With this in mind, AV Design Build recommended an innovative solution based on dual independent Renkus-Heinz ICONYX systems to provide optimal coverage and intelligibility, regardless of the scheduled event. A pair of ICONYX IC32 digitally steerable line arrays is installed left and right of the stage for larger events, seamlessly covering the floor and balcony areas. “With the IC32s, we were able to create a beam and point it right at the balcony, without hitting the back wall,” O’Connell observes. “We used seven beams on the IC32s, and that was all that was needed to address the room’s intelligibility and coverage issues.”

For the hall’s lecture and spoken word programs, a pair of ICONYX IC8-R-II columns are mounted on the wall stage right, to each side of the podium. “The IC8s are perfect for lectures and presentations,” says O’Connell. “They provided the intelligibility and coverage we needed for a smaller, more intimate setting.”

University officials are pleased with the versatility of the dual systems. “The ICONYX systems allowed us to address the university’s multiple uses for the hall,” O’Connell concludes. “The music faculty is particularly happy because they often present concerts with stringed instruments, from small large ensembles. Now you can hear the instruments clearly, from every seat in the house.”

 

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

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HARMAN’s JBL Professional Unveils 5628 Cinema Subwoofer

JBL_5628 copyHOLLYWOOD, Florida — HARMAN’s JBL Professional is introducing the new 5628 dual 18-inch cinema subwoofer. The 5628 offers increased SPL and extended frequency response, delivering world-class audio quality to large-format auditoriums.

The high-power and lightweight 5628 is a front-loaded, vented subwoofer enclosure that houses two of JBL’s exclusive 2269H Ultra Long Excursion 18-inch Differential Drive® woofers. This woofer features neodymium magnet, dual voice coils and dual gaps, JBL’s exclusive Vented Gap Cooling™ and ultra-robust composite cone for high excursion and extra long life. The woofer is capable of a peak-to-peak maximum excursion of 89 mm (3.5 inches).

The 5628 offers 4,000 watts continuous pink noise and 16,000 watts peak power handling capacity. It features a large vent area for high output with low distortion, making it ideal for a variety of cinema applications as well as club environments.

“We have seen a demand for a high-output subwoofer with extended frequency response in large-format cinema environments,” said Charles Goodsell, Senior Manager, Cinema, JBL Professional. “The new 5628 meets these demands and more, providing an ideal solution that is easy to install while featuring JBL’s world-class performance.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Providing Consistent Sound in Diverse Environments

Fargo, North Dakota –Frequent referrals from existing customers helps integrator Site on Sound win a wide variety of AV system projects. Recently, the company provided systems for four businesses located in BoerthsArtGalleryBoilerRoomBarFargo’s historic Loretta Building. And, using a combination of good system design and appropriate product choices, Site on Sound was able to meet each customer’s needs while delivering consistently high quality sound in these four unique environments.

One of these businesses was ”Boerth’s Gallery”, an established Fargo art and framing gallery that includes a two-story wine bar, called “D’Vine”. For the wine bar, Site on Sound installed a foreground music system that offers patrons an upscale jazz and rock experience. This system consists of ten Community DS5 surface-mount loudspeakers driven by a Speco matrix mixer/amplifier and includes a CD player with a 3.5mm input.

Boerth’s Gallery itself received a background music system that creates an atmosphere to support the gallery’s unique collection of works from local artists. This system consists of four Community DP6 pendant loudspeakers suspended below the gallery’s open ceiling and a mixer/amplifier with a streaming music source.

Another of the four businesses was “Pinch & Pour/Fowlers Heritage”, a clothing boutique that also sells premium extra virgin olive oils and Italian balsamics. Pinch & Pour’s new system consists of five Community DA6 architectural surface-mount loudspeakers and a Crown 280MA amplifier with a streaming music source. The system helps enhance the buying experience for customers of this unique business.

The largest of the four businesses was the “Boiler Room”, a bar and restaurant featuring live music. The Boiler Room’s new system includes ten Community DP6 pendant loudspeakers for its open-ceiling restaurant space, four DA6 architectural surface-mount loudspeakers in the bar area, a pair of D6 ceiling speakers in the restrooms and two DS8 surface-mount loudspeakers for the outside patio. The system is managed by a RANE CP66 six zone processor, includes two large-screen televisions and is powered by a QSC CX204 amplifier. For the Boiler Room’s live music, Site on Sound included a Shure GLXD24/SM58 wireless mic and a small Yamaha mixer that allows live acts to connect to the system.

Site on Sound provides AV systems for area churches, restaurants and retail businesses as well as home and marine customers. The company also installs car audio systems, offers AV rentals and has a retail store. Site on Sound Installation Manager, Scott Tally, says his company’s experience with this wide variety of customers prepared them to meet the unique requirements of these four businesses. He chose Community’s D SERIES loudspeaker family for all four projects because of its wide choice of models, sizes and form factors and its ability to provide a consistently high-quality audio experience in diverse environments like these.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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