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Archive of the Loudspeakers Category

Dancefloor Provides New Audio Standard for Znojmo’s Sports Venues

Dancefloor, s.r.o. has recently completed the installation of Community loudspeaker based audio systems in two venues for the town of Znojmo, located in the South Moravian Region of the Czech Republic close to the Austrian border.

The first venue completed by Dancefloor was the Winter Stadium, the 6,000+ seat capacity home of the Orli Znojmo hockey club. The Winter Stadium is also used for international matches, hockey camps, figure skating training sessions and competitions, skating courses and public skating, but had long suffered with poor sound levels and intelligibility, lacking the ability to inform and involve visitors and produce an exciting atmosphere for events.

Libor Klemenc, Dancefloor’s Managing Director, explained the choice of loudspeakers, “For high intelligibility and overall sound quality we chose Community R.5 12-inch, two-way loudspeakers. Sixteen R.5s were required and we used a combination of 60 x 60 degree and 90 x 40 degree versions to give us perfect coverage. The R.5 is both compact and discreet. Engineered for all-weather applications, it is also ideal for the environmental conditions of an ice venue.” Klemenc continued, “With an MC2 Audio Ti1048 integrated audio management system providing delay and equalization, and the audio dynamics maintained by four MC2 Audio T1500 amplifiers, we achieved excellent speech intelligibility, which was a primary requirement of the venue.”

Multipurpose use of the venue was also an important factor which has been elegantly addressed in Dancefloor’s system design. Via the menu on the processor, the operator can simply choose from pre-set modes according to the event; hockey match, public skating, training, social event and so on. The system can additionally be controlled from two separate locations. Prime events and hockey games are operated from the main control booth using a Dateq Onyx mixer, whilst public skating, skating courses and other social events can be controlled from the rink side penalty timekeeper box using a Cortex MIX-R1U mixer. The system also provides control from both locations simultaneously as, for example, may be required during a hockey game where the main booth is used by commentators and the penalty box for reporting penalties. Additionally, a Shure SLX24E/SM58-P handheld wireless system enables live commentary to be made from any location in the stadium.

With the substantial improvement in audio quality at the Winter Stadium, the Znojmo authorities commissioned Dancefloor to provide an equally high performance system for the town’s nearby Sports Hall. The Znojmo Sports Hall is a complex used mainly for indoor sports including basketball, floorball, futsal, handball and rhythmic gymnastics clubs.

“With the Winter Stadium system so highly rated by its operators and visitors alike, we used the same basic formula for the Sports Hall, but designed it to precisely meet the use, layout and acoustics of the venue,” said Klemenc.

For optimum coverage of the Sports Hall, Dancefloor used a combination of Community R.5 and R.25 loudspeakers, both with 90 x 40 degree format. A Community dSPEC226 Networked Loudspeaker Processor provides delay and equalization and MC2 Audio T1500 and T1000 amplifiers are used to power the Community loudspeakers. The combination again provided the high intelligibility and dynamic audio quality the venue required. As with the Winter Stadium, Dancefloor provided pre-sets on the dSPEC226 to enable the operator to simply select the mode required for the event, including match, training, social event and so on. The Sports Hall audio system is also controlled via a Dateq Onyx mixer from the timekeeper’s location, with a Shure SLX24E/SM58-P handheld wireless system enabling live commentary from any location in the hall.

Dancefloor employed acoustic CAD modelling for both venues to verify the designs before tender and both installations were completed to the highest standards using Klotz cables and Neutrik connectors. Entertainment requirements in both venues are met with Gemini CDMP-1400 CD/MP3/USB players.

“The new systems have transformed both venues,” said Klemenc. “The audio is loud and clear throughout, so that operators and commentators can focus on content and spectators can enjoy much greater involvement.“

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Pro Audio Technology Simplifies Advanced Audio Calibration with PRO SoundTools

Lake Forrest, CA – August 19, 2014 – Pro Audio Technology (PRO), the leading supplier of loudspeakers and DSP-programmable amplifier systems, announces the release of PRO SoundTools: a companion software suite designed to simplify even the most complicated audio calibration process. Loudspeaker programming, signal routing, and in-room system performance are all streamlined into one easy process when using PRO SoundTools in combination with PRO’s efficient and powerful DMA and PMA Amplifier/Processors.

Through simple drop-down menus, integrators can select from brand specific compensation filters to counteract the detrimental effects of speaker placement behind viewing screens. Additional pre-defined filters are provided to address loudspeaker placement in less than desirable positions near room boundaries.

“Proper audio calibration used to require an assortment of test equipment, measurements, and knowledge of complex acoustical equations,” said Paul Hales, Pro Audio Technology Founder. “When used with our companion loudspeakers and amplifiers, PRO SoundTools software allows integrators to achieve highly refined system performance without all the complications in a fraction of the time.”

Users with advanced acoustic knowledge can refine system performance even further with PRO SoundTool’s high and low shelf filters, level and delay adjustment, advanced parametric EQ, and high and low-pass filters with variable-Q. The interface was designed to make the application of advanced engineering both easy and intuitive without requiring knowledge of complex equations and measuring techniques. With software based controls for bridging and easy signal routing for bi-amplification, and the selection of amplifier power ratings ranging between 100W, 200W, 300W, 450W, and 1000W, the combination of PRO products and PRO SoundTools provides the best solution for rooms of any size or shape.

Hales continued, “PRO’s family of loudspeakers, amplifiers and PRO SoundTools software gets the best sound out of any space.”

Pro SoundTools is available now to all authorized Pro Audio Technology dealers. For more information, please visit: www.proaudiotechnology.com or check out the Pro SoundTools video.

About Pro Audio Technology

Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

Media Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown nbrown@castercomm.com

For digital images log on to www.castercomm.com

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HARMAN Professional Delivers Superb Sound in New Lokshahir Annabhau Sathe Auditorium

BIBVEWADI, PUNE, India — The city of Pune has a new cultural attraction to be proud of – the recently completed Lokshahir Annabhau Sathe Auditorium, an 850-seat facility built to host Marathi-language theatrical productions and other events. Named for the noted social reformer and writer, the Lokshahir Annabhau Sathe auditorium has an understated yet striking architectural design and an elegant interior with the finest quality appointments and audio/video facilities throughout, including an audio system built around HARMAN Professional’s JBL, Crown and dbx.

Lokshahir Annabhau Sathe Auditorium was built under the auspices of government agency Pune Municipal Corporation, which chose Zillion Solutions of Pune as the systems integrator thanks to the firm’s more than 25 years of experience in auditorium installations. “The time span to install the audio system was only five days,” said Pankaj Pansare, Zillion Solutions’ proprietor. “Five days for everything – from receiving the loudspeakers and components to installing, EQing and calibrating the system in time for opening night.” As if that wasn’t enough pressure for Pansare and his team, the installation was the first government project Zillion Solutions had ever undertaken.

Pansare knew he could turn to HARMAN to help him meet the tight time requirements and provide loudspeakers and products that would deliver world-class sound. “We’ve had a long-standing relationship with Zillion Solutions over the course of many successful projects,” noted Rohan Tadke, National Sales Manager, HARMAN Professional India. “They know our products offer sound quality, performance and reliability that’s second to none and we know they trust us as a valued partner to provide technical and design assistance and deliver products on time no matter what.”

HARMAN Professional India supplied 12 JBL VRX932LA-1 Constant Curvature loudspeakers, along with two VRX915S subwoofers, two SRX712M stage monitor/utility loudspeakers and 10 Control 1 wall-mountable loudspeakers. The loudspeakers are driven by seven Crown XTi 6002 amplifiers. Additional system components include a dbx DriveRack 4800 Loudspeaker Management System, dbx 234 stereo crossover and dbx 231 dual-31-band equalizer. “We needed a system that provided high-quality sound with even coverage throughout the auditorium, and was easy to operate and be totally reliable once installed,” stated Pansare.

The speakers were deployed in a somewhat unusual manner, since no fill loudspeakers were specified for the balcony by the architects. The JBL VRX932LA-1 loudspeakers were placed to cover both the main auditorium floor and the balcony, with the upper line array elements in the cluster aimed at the balcony and operated at a higher volume than the rest of the speakers via the dbx DriveRack 4800. “This combination actually works so well that we don’t miss the presence of fill loudspeakers at all,” Pansare pointed out.

The system was calibrated using HARMAN HiQnet Audio Architect™ software. Pansare noted that Audio Architect enables him to optimize a system to its full potential, and makes the process faster and easier than by any other means he’s used previously. The result was all Zillion Solutions hoped for and more. “The engineers from Pune Municipal Corporation were highly impressed with the sound quality and performance of the system and its ability to deliver even coverage and clear, intelligible audio throughout the auditorium.”

Pansare proudly noted, “Because of the hard work and dedication of our team and the support that HARMAN provided, the system was working a day earlier than we promised.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Patchwerk Recording Studios’ Nick Bassani Keeps On Track With HARMAN’s JBL LSR308 Studio Monitors

ATLANTA, Georgia – Patchwerk Recording Studios is one of the top recording and mastering facilities in the United States. The Atlanta studio has recorded more than 60 platinum and gold albums and worked with a who’s who of rap, hip-hop, R&B and pop artists including 50 Cent, Sean Combs, Pit Bull, Flo RIda, Jay-Z, Madonna, Nicki Minaj, Rihanna, Kanye West and dozens of others. It’s music based on bass, and producers, artists and listeners want more and more of it, notes Patchwerk’s tracking engineer Nick Bassani, which is why he relies on HARMAN’s JBL LSR308 powered studio monitors as his go-to near-field loudspeakers.

Bassani recognizes in the urban music scene “there’s an insatiable appetite for more low-end response in the music and this creates a challenge for urban market producers and mix engineers. Many monitors and even headphones out there cater to this appetite with low-end response that’s often misleading and just plain inaccurate.”

Bassani feels the JBL LSR308 is the perfect solution to the need for for bass-accurate near-field monitors. “Accuracy and clarity tend to be expensive – but not in the case of the LSR308. They’re not ‘boomy’ or exaggerated in the bass, yet have more low-end response along with far better high-frequency extension—all the way up to 24kHz—than any other near-field I’ve used.”

The powered-bi-amplified LSR308 employs a long-throw 8-inch woofer and a 1-inch woven-composite neodymium tweeter that is mated to JBL’s exclusive Image Control Waveguide™, developed for the company’s new flagship M2 Master Reference Monitor.

“The LSR308’s wider frequency response and clarity and ability to let me ‘hear into’ the mix at lower volumes has caused me to make huge improvements in my overall mixing technique,” said Bassani. “Thanks to the exceptional definition of the woofer and tweeter and the accurate on-and off- axis coverage pattern of the waveguide, the stereo image is deep and wide and the clarity is phenomenal. I can hear reverbs and delays extremely well.” Bassani also found the LSR308 “a godsend” when its improved resolution allowed him to begin experimenting with mid-side panning in his mixes.

Bassani asks: “Suppose an artist or producer wants to be sure that what they hear in their mixing environment translates accurately to the next studio they work in, or in their car or home?” “To be honest, that’s what really sold me on the LSR308. During a project, we were tracking in a studio that had a nice vocal booth but the control room was not the best. We replaced the existing control room speakers with a pair of LSR308 monitors and I noticed an instant improvement in the transferability of my rough mixes between the studio, my home and another professional studio where I work.”

After that experience, Bassani installed the LSR308 at Patchwerk’s Studio 9000 (one of Patchwerk’s main tracking and mixing rooms) and has never looked back, saying he is “unable to part with them.” He now takes a pair of LSR308 monitors to every room on any project he’s involved with, whether it’s a small project studio or a multi-million-dollar facility. He concluded, “I know that if I get my mix sounding great on the JBL LSR308 monitors, I’ll never have anything to be worried about.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

EAI Brings Martin Audio MLA To Singapore

As its global reputation continues to accelerate, the penetration of Martin Audio’s award-winning MLA multi-cellular loudspeaker into new territories increases unabated.

This is no better illustrated than in the Far East, where Singapore-based EXPO AV-INSYNC PTE (EAI) has just significantly boosted an inventory that also includes a Martin Audio W8LM Mini Line Array by purchasing the country’s first MLA System 36 from local distributors Swee Lee.

EAI Managing Director, Gerard Rodrigues, said he was proud to be the country’s first investor in the groundbreaking system. Speaking of the acquisition, he said, “We wanted a larger format, steerable array system to add on to our inventory and it needed to represent a significant upgrade. The other main reason is that the next four upcoming gigs are all rider specific.”

He says the latest purchase continues a rich legacy that began with the older Martin Audio Wavefront W3/WS2 range. “We wanted to be the first company to own MLA, but in any case, after a year’s worth of research for a new line array, this system came out top in terms of sound quality, output, ease of use and what engineers wanted most.”

EAI had first heard about the MLA system back in late 2012. “We deliberated this to ensure we had concert and corporate clients who would love it and specify it for their events. And although we had not heard it live at the time, I can’t remember the last time Martin Audio built a bad box, whether loudspeakers or line arrays.”

Rodrigues and his Technical Director Desmond Zuzarte quickly discovered that MLA’s ease of use, the output it delivers from just a 12” enclosure, and the steerability and tailored control for each different venue made this a unique proposition.

“Chris Pyne, [Martin Audio APAC Technical & Training Support] gave us the added assurance that of the three brands we were reviewing this was by far the best. We then met Simon Bull (Martin Audio Director of Sales) and Andy Duffield (APAC Account Manager) — and the rest was history.”

After intensive training in late July, hosted by their venue partners Singapore Expo & Max Atria and conducted by Pyne, the system will debut later this summer at the Singapore Expo Hall 1 in front of 6,000 people for a talent show.

Martin Audio's Chris Pyne Conducts MLA Seminar

Summing up, Rodrigues, says, “Our sound engineers are just very excited about this acquisition. From a sales point of view, the MLA speaks for itself. Aside from its output, the other big advantage is its weight — here in Singapore, we needed a system that could deliver huge sound output, while maintaining a certain weight load restriction in many venues.

“Looking at how the system is selling in Japan alone, it is a choice of all concert organizers and technical directors for large scale events.”

Gerard Rodrigues says he is looking forward with relish to promoting MLA as the first system in Singapore and will be inviting key clients and concert organizers to hear it.

Meanwhile, the adventure is just beginning as EAI are already in talks with Swee Lee about adding an MLA Compact system.

Photos: The Expo AV team; Martin Audio’s Chris Pyne conducts MLA seminar

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Lawmakers in North Dakota Get Complete Coverage With Renkus-Heinz

Bismarck, ND – August 2014… Located in the capital city of Bismarck, North Dakota’s Legislative Assembly building is home to the state’s Senate and House of Representative chambers. Known as the “Skyscraper on the Prairie,” the 19-story tower was constructed during the Great Depression, and to this day stands as the tallest building in North Dakota. Both the semi-circular Senate and House chamber rooms feature high ceilings and walls of American chestnut, walnut, and oak throughout. A balcony area hangs over the main seating floor in each chamber.

While visually impressive, the wood paneling and high ceilings in both chamber rooms were a source of coverage and reverberation issues. Additionally, the low ceiling in the under-balcony areas blocked sound from the main system, and the few small supplemental speakers in the upper balcony area struggled to provide adequate coverage.

After an EASE analysis of the room, Fargo-based Tricorne Audio selected two Renkus-Heinz ICONYX IC24-R-II Digitally Steerable Line Array Loudspeaker Systems to address the issues. ICONYX steered array technology enables precise steering of the sound toward the audience and away from walls and other reflective surfaces, reducing reflections and improving intelligibility.

“Our client wanted better coverage overall,” explained Tricorne Audio’s Dallas Anderson. “With the ICONYX IC24 arrays, we were able to address the reflections, dead spots, and hot spots by steering the sound – a beam for the balcony, and separate beams for the floor and under balcony areas.”

The ICONYX IC24s were installed in both the House and Senate chambers on the wall behind the rostrum. The cabinets were custom painted to match the color of the wood paneling, addressing the requirement that the speakers blend in with the décor.

To round out the system in both the House and Senate chambers, Tricorne installed Biamp Tesira servers with IO cards, Audio Technica PRO Series 6-inch gooseneck mics, and a Shure wireless mic system.

“It’s a pretty basic and straightforward system in both the House and Senate chambers,” said Anderson. “With the ICONYX IC24s, the sound is very consistent, very even throughout.”

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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K2 Becomes NYC’s Newest Flying Superhero

See Factor deploys brand new L-ACOUSTICS system at acoustically challenging Javits Center for worldwide premiere of X-Men: Days of Future Past

NEW YORK CITY — For the launch of the summer blockbuster film X-Men: Days of Future Past, 20th Century Fox staged its worldwide premiere at the Jacob K. Javits Convention Center on midtown Manhattan’s west side.

The debut of the $200-million-plus film, attended by Hugh Jackman, Jennifer Lawrence, Patrick Stewart, Halle Berry and other stars, was a huge event filling a hall inside the cavernous Javits Center and illuminating a 75-foot-wide screen hung on the hall’s north wall. The showing also had to be able to reproduce the film’s bombastic 5.1 surround soundtrack, but the Javits is no cinema; the same huge floor-to-ceiling glass wall that offers spectacular views of the Hudson River and New Jersey can also create uncontrollable aural reflections that would turn the hall into an acoustical nightmare.

Event producer Samantha Sackler Productions tapped NYC-based See Factor Industry, its longtime collaborator on east coast events and movie premieres, who called upon the sonic equivalent of a superhero: L-ACOUSTICS’ K2, a lightweight, high-powered, full-range line source array system that made its official debut earlier this year. For the X-Men premiere, the AV specialist deployed 24 K2, 12 SB28 subs and 16 coaxial 115XT HiQ wedges, all powered and processed by L-ACOUSTICS’ LA8 amplified controllers. See Factor also provided all lighting, rigging and management services for the event. more

D.A.S. AUDIO DEPLOYED AT BRIARCREST CHRISTIAN SCHOOL

**** Photo: Briarcrest Christian School’s Sparks Chapel Fine Arts Center ****

Memphis, TN – August 2014… For over forty years, Briarcrest Christian School has been recognized in the Mid-South for its unique combination of academic excellence and Christian education. Starting at the pre-school level and continuing through the 12th grade, Briarcrest Christian School offers students a wealth of learning opportunities, including a comprehensive Fine Arts program. In an effort to support its music, theatre, and a wide range of other on-campus activities, the school recently opened the Sparks Chapel Fine Arts Center. To ensure the highest levels of speech intelligibility and music reproduction characteristics, the facility is equipped with a world-class sound reinforcement system drawn from the Aero Series 2 catalog of Valencia, Spain-based D.A.S. Audio. more

ISI Supports Sammy Hagar With Martin Audio W8LC System

St. Louis––Ironman Sound Industries recently supported a sold-out Sammy Hagar concert in the Maryland Heights Verizon Wireless Amphitheatre with a Martin Audio W8LC speaker system.

According to ISI President Bob Horner who served as Production Manager for the ISI team during the show, “Hagar was doing a five week tour with ten dates including smaller venues and sheds and they were only carrying stage gear and video, so we supplied them with racks and stacks and a full lighting package.

“For the PA, we had our Martin Audio rig with 32 W8LCs for the main hang, 24 W8LMs for outfill, 4 W8LMDs for frontfill and 24 WSX subs. We’d played the venue before,” Bob adds, “so there were no major challenges besides making sure everything was hung correctly and properly EQ’d.”

The show, billed as A Journey Through the History of Rock, featured Hagar perennials from the Montrose, Van Halen and Chickenfoot eras along with Zeppelin covers such as “Good Times Bad Times,” “When the Levee Breaks,” “Whole Lotta Love” and “Rock and Roll.” Fittingly, Sammy was supported by Michael Anthony on bass, Jason Bonham on drums and guitarist Vic Johnson from Waboritas.

Asked about the concert, Horner says, “It was one of the best shows I saw this year. St. Louis is an FM friendly town so Sammy is a pretty big deal and he really put his heart and soul into each song. I loved the sound for the show, Sammy’s FOH engineer Tony Luna, who’s mixed KISS and Aerosmith among others, was super happy with the system, and Jerry Harvey of JH Audio who used to mix Van Halen, thought the rig sounded great as well.

“We really appreciate the Martin Audio system because it’s solid, sounds great, and is really reliable. It definitely helps us get a lot of work because we’re known for the Martin Audio system in St. Louis. A lot of the current stories are about MLA, which is awesome,” Bob continues, “because the impact MLA is having really helps make more people aware of Martin Audio and the W8LC system.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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Related Topics: Case Studies, Line Array, Loudspeakers |

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