A virtual press conference from Sound & Video Contractor

Archive of the Loudspeakers Category

L-ACOUSTICS Serves Up Sound Solution For Clowes Memorial Hall Of Butler University

Butler University's newly-restored Clowes Memorial Hall (credit for all photos: Kelley Jordan)

Wright Consulting Associates and Mid-America Sound team up for KARAi install

INDIANAPOLIS, Indiana — In celebration of its 50th anniversary last fall, Clowes Memorial Hall, Butler University’s professional performing arts venue, embarked on a $2M restoration project under the direction of Elise Kushigian, Executive Director, and daily supervision of all 18 contractors by Karen Steele, Director of Operations. The restoration included much-needed updates to its roof, walls, seating, carpet, acoustics and audio enhancement system. The acoustical and audio enhancement portion of the project was spearheaded by David Wright of Indianapolis-based Wright Consulting Associates, Inc. (WCA) who called upon local tour sound provider Mid-America Sound Corporation (MAS) to provide system expertise and, ultimately, the recommendation for a new L-ACOUSTICS KARAi house sound system. more

JOEL HAMILTON RECORDS AND MIXES “PUSS N BOOTS” DEBUT USING ATC SCM25A’s

BROOKLYN, NEW YORK – AUGUST 2014: Puss n Boots is a three-piece, all-female, alt-country band led by singer-songwriter Norah Jones and backed by accomplished vocalists Sasha Dobson and Catherine Popper. All three women learned new instruments for five years before recording their debut album with engineer/musician/producer Joel Hamilton (Tom Waits, Black Keys, Sparklehorse, Elvis Costello) at Studio G Brooklyn. Titled No Fools, No Fun, the album was recently released on Blue Note Records. As co-owner of Studio G Brooklyn with Tony Maimone, Hamilton installed ATC SCM25A three-way reference monitors and ATC SCM0.1-15 subwoofers in Studio A, a change that happily coincided with his first Grammy nomination (Pretty Lights, A Color Map of the Sun), a Latin Grammy nomination (Bomba Estereo, Elegancia Tropical), and a Latin Grammy win (Gaby Moreno, Postales). The ATCs were purchased from Audio Power Tools in New York.

“The ATCs have changed the way I work and improved the quality of my work,” said Hamilton. “I’m lucky to have a nicely tuned control room with an SSL and plenty of vintage outboard gear, and with the ATCs, I’m suddenly able to make decisions that are smaller – and yet more critical – than I have ever been able to make before. I have the ability to resolve a finer shade of the colors I’m hurling at the end-listener, and it’s been a revelation. It’s not a small thing, and that’s why I’m reaching for dramatic words like that. It’s tectonic. The entire continent has shifted.”

The glorious harmonies delivered by Jones, Dobson and Popper are a huge part of Puss n Boots’ magic. They form the emotional foreground. “The balance of those harmonies is crucial,” said Hamilton. “You’ve got these three gorgeous women with gorgeous voices, and they’re all coming at you like gangbusters because they can all project. We recorded everything live to analog tape, including the vocals. That gives a particular nuance to how the instruments sit against the vocals. You can feel the beat push and pull so beautifully. I needed to make sure that all of that nuance would come shining through for the listener. Striking the right midrange balance of those harmonies is critical, and I had to make sure all of that beauty would be immediately apparent to, say, my mom!”

While Norah Jones’ existing albums might safely be described as “polished” and most classic country albums might safely be described as “rough,” Hamilton had to walk the line between those extremes. “The balance is deliberately raw, which is perhaps unexpected by traditional Norah Jones standards, but it also has to be informed,” he said. “We were shooting for a tiny bulls eye, but we also had to make sure that everything felt unfettered and natural; just on the edge of scratchy so that it felt rough but didn’t actually hurt people. With the ATCs, I could find that line and make adjustments with confidence. I could tell where I was overcooking it on purpose. I could dial in just the right amount of ‘road house.’”

With the introduction of the ATCs, gone too is the need to translate for the client how a mix will sound outside of the studio. “After spending a lot of time in front of other monitors, I could tell when certain things would sound bad in the studio but fine outside of the studio,” Hamilton said. “The challenge beyond that, however, was convincing the client that those bad things would be fine later on, which is just one more thing to heap onto the already-skittish nature of an attended mix session. And so clients would ask, ‘why don’t you just get monitors that sound like it will sound like?’ It seems so simple, but of course it’s not.”

Hamilton used to switch between a number of monitors and loudspeakers all day long, but now he just hangs out on the ATCs. Depending on the task at hand, he can turn the ATC subwoofer on or not. “With the sub on and the volume cracked, the ATCs rock and serve as ‘mains,’” he said. “When I’m listening closely and resolving small moves, the ATCs are my nearfields. Either way, I now have complete confidence in what I’m hearing and doing. When a mix sounds good on the ATCs, I know it will sound good everywhere else. With Puss n Boots, we were able to make solid decisions that stuck. We totally avoided the hell of endless revisions!”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

L.A.’s CHALICE RECORDING GETS DOWN WITH DANLEY

HOLLYWOOD, CALIFORNIA – AUGUST 2014: The client list at Chalice Recording Studio in Hollywood, California is so extensive that it is challenging to think of a celebrity who is not on it. For example, the “B” section includes the Backstreet Boys, Barbara Streisand, Beastie Boys, Justin Bieber, Beyoncé, the Black Eyed Peas, Blink 182, and Britney Spears and the “P” section includes Paris Hilton, Perry Farrell, Prince, and Puff Daddy. Those clients use Chalice Recording Studio as the medium through which they turn ideas into platinum albums and Grammy Awards. So Chalice is always humming – almost literally – with the next big thing. Because top-volume monitoring (think 120dB+) and deep, authentic bass at those extreme SPLs have become so critical to so many hip-hop and top-40 artists, engineers, and producers, Chalice Recording Studio has installed Danley Sound Labs TH-115 subwoofers in studios A and B.

“Before we installed the Danley subs, we were blowing our subwoofer drivers once or twice a week,” said Lowell Pickett, head studio tech at Chalice. “It’s because the monitoring volume is often really extreme; more and more, our clients are using the main system to gauge the music’s impact at club volumes. It’s a visceral thing – they want to feel it as much as hear it. Anyway, I did some research, and more than one person suggested that I check out Danley.”

Compared with conventional designs, Danley Sound Labs’ patented Tapped Horn (TH) subwoofer technology delivers deeper low-end extension, a more even frequency response, and much lower distortion. Indeed, few people understand how distorted conventional subwoofers are until they hear a Danley Tapped Horn subwoofer. To help make their decision, the Chalice staff A/B’d the Danley TH-115s against their existing big-name subwoofers in Studio A.

“The Danley subs were way, way better,” Pickett said flatly. “Previously, there was no place in the room where the bass seemed focused. With these subs, I could really hear what was going on in most places in the room. Everything tightened up and became clearer, and our low end got even lower.” “There’s a magic that happens when the Danley subwoofers at Chalice pair up with the full-range system,” added Kenny Andrews, the area Danley rep. “It’s a very musical sound.”

As part of the Danley installation, Chalice did something very few studios are willing to do (yet). They put the entire monitoring signal through a Danley DSLP48 digital processor, which provided clean crossovers, as well as flexible equalization and filtering for tuning the room. “We were nervous,” Pickett admitted. “We had previously used high-end analog crossovers and equalizers. This was a jump, but everyone agrees it has been all up side and no down side. The sound is as transparent as ever, and the uniform channel processing has tightened up the stereo imaging. The DSLP48′s equalizers are great and have helped the acousticians who tune the room.” As a bonus, Chalice uses the DSLP48 to provide different presets to different clients.

Output from the Danley DSLP48 feeds a Danley DSLA3.3K dual-channel amplifier, which in turn powers the two Danley TH-115 subwoofers. The processor output also feeds the existing full-range system, an Augspurger GA215H with 15-inch TAD 1601 B woofers and TAD 4002 beryllium compression drivers. All the loudspeaker components, as well as the Danley TH-115 subwoofers, are soffit mounted.

“Our clients noticed the improvement right away, and we stopped replacing subwoofer drivers on a weekly basis,” said Pickett. “With the Danleys, the volume can be so great that the light fixtures fall from the ceiling! That really tickles the clients!” With Studio A booked out completely, Chalice made the same change in Studio B. Now Studio B has a pair of Danley TH-115s, backed by additional Danley processing and amplification.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Coeur d’Alene Church of the Nazarene Elevates Its Sound System With HARMAN’s JBL Loudspeakers and Soundcraft Digital Consoles

COEUR D’ALENE, Idaho — Coeur d’Alene Church of the Nazarene has served its parishioners since 1941, with roots going back to the first group of Nazarenes who congregated in the region in 1912. Like many houses of worship, the church had been making do with an inadequate, practically antiquated sound system until it brought in Spokane, Washington’s Hoffman Pro Systems and HARMAN Professional for an audio revival.

“The sanctuary literally had two wall-mounted speaker boxes to provide coverage to the entire main floor, balcony, under balcony and the church’s extended side wings,” said Hoffman Pro Systems general manager Dave Kenagy. “To say it was insufficient for the church’s current needs, which include providing sound for a full praise band, would be an understatement.”

Not so for the current system, specified by designer/installer David Lewis which features a Soundcraft Si Expression 3 digital console, Crown XTi 2 Series amplifiers, JBL VRX Series and additional loudspeakers, dbx PMC16 Personal Monitor Controllers and AKG K240 MKII headphones.

The Soundcraft Si Expression 3 has a MADI card installed and provides 32 inputs from the floor as well as local inputs at front of house for playback from various audio sources. A Soundcraft Stagebox is located at the front of the pulpit/stage area, linked to the console via a HARMAN BLU-Link card. Two dbx PMC16 Personal Monitor Controllers connected to the front of house via Cat6 cable enable the drummer and guitar/bass player to control and balance their own individual monitor levels, which Kenagy notes helps to keep the overall stage volume lower and easier to mix.

The Si Expression 3 handles the front of house and all monitor mixes. “The church volunteer staff had to make the move from their old analog console to digital,” noted Kenagy. “Although they’re not audio professionals, the board’s straightforward control layout and ability to store and recall snapshots made it easy for them.”

Three JBL VRX 932LA-1 Constant Curvature loudspeakers and two VRX918S subwoofers are hung as the main center cluster. Two VRX928LA loudspeakers are used for balcony fill, with three AC18/26 wall-mountable loudspeakers employed for under-balcony fill. Two AC18/95 wall-mountable loudspeakers are used for front side fill where the seating wraps around the front corners of the stage. In addition, an AC26 compact loudspeaker is mounted on stage and aimed back at the choir area. The loudspeakers are powered by a total of five Crown XTi 6002, XTi 4002 and XTi 1002 amplifiers.

Lewis noted that the Coeur d’Alene Church of the Nazarene is “extremely happy with the new system. Aside from the fact that it’s a night and day difference from their old setup sonically, for the first time it enables the church to mix the praise band the way they should be heard and it gives the pastor and the speakers the freedom of wireless movement.”

Another benefit which was unforeseen by Lewis and the church’s staff: the sound quality is so clear throughout the entire sanctuary that fewer people are using the church’s assistive hearing devices.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Dancefloor Provides New Audio Standard for Znojmo’s Sports Venues

Dancefloor, s.r.o. has recently completed the installation of Community loudspeaker based audio systems in two venues for the town of Znojmo, located in the South Moravian Region of the Czech Republic close to the Austrian border.

The first venue completed by Dancefloor was the Winter Stadium, the 6,000+ seat capacity home of the Orli Znojmo hockey club. The Winter Stadium is also used for international matches, hockey camps, figure skating training sessions and competitions, skating courses and public skating, but had long suffered with poor sound levels and intelligibility, lacking the ability to inform and involve visitors and produce an exciting atmosphere for events.

Libor Klemenc, Dancefloor’s Managing Director, explained the choice of loudspeakers, “For high intelligibility and overall sound quality we chose Community R.5 12-inch, two-way loudspeakers. Sixteen R.5s were required and we used a combination of 60 x 60 degree and 90 x 40 degree versions to give us perfect coverage. The R.5 is both compact and discreet. Engineered for all-weather applications, it is also ideal for the environmental conditions of an ice venue.” Klemenc continued, “With an MC2 Audio Ti1048 integrated audio management system providing delay and equalization, and the audio dynamics maintained by four MC2 Audio T1500 amplifiers, we achieved excellent speech intelligibility, which was a primary requirement of the venue.”

Multipurpose use of the venue was also an important factor which has been elegantly addressed in Dancefloor’s system design. Via the menu on the processor, the operator can simply choose from pre-set modes according to the event; hockey match, public skating, training, social event and so on. The system can additionally be controlled from two separate locations. Prime events and hockey games are operated from the main control booth using a Dateq Onyx mixer, whilst public skating, skating courses and other social events can be controlled from the rink side penalty timekeeper box using a Cortex MIX-R1U mixer. The system also provides control from both locations simultaneously as, for example, may be required during a hockey game where the main booth is used by commentators and the penalty box for reporting penalties. Additionally, a Shure SLX24E/SM58-P handheld wireless system enables live commentary to be made from any location in the stadium.

With the substantial improvement in audio quality at the Winter Stadium, the Znojmo authorities commissioned Dancefloor to provide an equally high performance system for the town’s nearby Sports Hall. The Znojmo Sports Hall is a complex used mainly for indoor sports including basketball, floorball, futsal, handball and rhythmic gymnastics clubs.

“With the Winter Stadium system so highly rated by its operators and visitors alike, we used the same basic formula for the Sports Hall, but designed it to precisely meet the use, layout and acoustics of the venue,” said Klemenc.

For optimum coverage of the Sports Hall, Dancefloor used a combination of Community R.5 and R.25 loudspeakers, both with 90 x 40 degree format. A Community dSPEC226 Networked Loudspeaker Processor provides delay and equalization and MC2 Audio T1500 and T1000 amplifiers are used to power the Community loudspeakers. The combination again provided the high intelligibility and dynamic audio quality the venue required. As with the Winter Stadium, Dancefloor provided pre-sets on the dSPEC226 to enable the operator to simply select the mode required for the event, including match, training, social event and so on. The Sports Hall audio system is also controlled via a Dateq Onyx mixer from the timekeeper’s location, with a Shure SLX24E/SM58-P handheld wireless system enabling live commentary from any location in the hall.

Dancefloor employed acoustic CAD modelling for both venues to verify the designs before tender and both installations were completed to the highest standards using Klotz cables and Neutrik connectors. Entertainment requirements in both venues are met with Gemini CDMP-1400 CD/MP3/USB players.

“The new systems have transformed both venues,” said Klemenc. “The audio is loud and clear throughout, so that operators and commentators can focus on content and spectators can enjoy much greater involvement.“

# # #

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Large Venue, Loudspeakers |

Pro Audio Technology Simplifies Advanced Audio Calibration with PRO SoundTools

Lake Forrest, CA – August 19, 2014 – Pro Audio Technology (PRO), the leading supplier of loudspeakers and DSP-programmable amplifier systems, announces the release of PRO SoundTools: a companion software suite designed to simplify even the most complicated audio calibration process. Loudspeaker programming, signal routing, and in-room system performance are all streamlined into one easy process when using PRO SoundTools in combination with PRO’s efficient and powerful DMA and PMA Amplifier/Processors.

Through simple drop-down menus, integrators can select from brand specific compensation filters to counteract the detrimental effects of speaker placement behind viewing screens. Additional pre-defined filters are provided to address loudspeaker placement in less than desirable positions near room boundaries.

“Proper audio calibration used to require an assortment of test equipment, measurements, and knowledge of complex acoustical equations,” said Paul Hales, Pro Audio Technology Founder. “When used with our companion loudspeakers and amplifiers, PRO SoundTools software allows integrators to achieve highly refined system performance without all the complications in a fraction of the time.”

Users with advanced acoustic knowledge can refine system performance even further with PRO SoundTool’s high and low shelf filters, level and delay adjustment, advanced parametric EQ, and high and low-pass filters with variable-Q. The interface was designed to make the application of advanced engineering both easy and intuitive without requiring knowledge of complex equations and measuring techniques. With software based controls for bridging and easy signal routing for bi-amplification, and the selection of amplifier power ratings ranging between 100W, 200W, 300W, 450W, and 1000W, the combination of PRO products and PRO SoundTools provides the best solution for rooms of any size or shape.

Hales continued, “PRO’s family of loudspeakers, amplifiers and PRO SoundTools software gets the best sound out of any space.”

Pro SoundTools is available now to all authorized Pro Audio Technology dealers. For more information, please visit: www.proaudiotechnology.com or check out the Pro SoundTools video.

About Pro Audio Technology

Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

Media Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown nbrown@castercomm.com

For digital images log on to www.castercomm.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Loudspeakers |

HARMAN Professional Delivers Superb Sound in New Lokshahir Annabhau Sathe Auditorium

BIBVEWADI, PUNE, India — The city of Pune has a new cultural attraction to be proud of – the recently completed Lokshahir Annabhau Sathe Auditorium, an 850-seat facility built to host Marathi-language theatrical productions and other events. Named for the noted social reformer and writer, the Lokshahir Annabhau Sathe auditorium has an understated yet striking architectural design and an elegant interior with the finest quality appointments and audio/video facilities throughout, including an audio system built around HARMAN Professional’s JBL, Crown and dbx.

Lokshahir Annabhau Sathe Auditorium was built under the auspices of government agency Pune Municipal Corporation, which chose Zillion Solutions of Pune as the systems integrator thanks to the firm’s more than 25 years of experience in auditorium installations. “The time span to install the audio system was only five days,” said Pankaj Pansare, Zillion Solutions’ proprietor. “Five days for everything – from receiving the loudspeakers and components to installing, EQing and calibrating the system in time for opening night.” As if that wasn’t enough pressure for Pansare and his team, the installation was the first government project Zillion Solutions had ever undertaken.

Pansare knew he could turn to HARMAN to help him meet the tight time requirements and provide loudspeakers and products that would deliver world-class sound. “We’ve had a long-standing relationship with Zillion Solutions over the course of many successful projects,” noted Rohan Tadke, National Sales Manager, HARMAN Professional India. “They know our products offer sound quality, performance and reliability that’s second to none and we know they trust us as a valued partner to provide technical and design assistance and deliver products on time no matter what.”

HARMAN Professional India supplied 12 JBL VRX932LA-1 Constant Curvature loudspeakers, along with two VRX915S subwoofers, two SRX712M stage monitor/utility loudspeakers and 10 Control 1 wall-mountable loudspeakers. The loudspeakers are driven by seven Crown XTi 6002 amplifiers. Additional system components include a dbx DriveRack 4800 Loudspeaker Management System, dbx 234 stereo crossover and dbx 231 dual-31-band equalizer. “We needed a system that provided high-quality sound with even coverage throughout the auditorium, and was easy to operate and be totally reliable once installed,” stated Pansare.

The speakers were deployed in a somewhat unusual manner, since no fill loudspeakers were specified for the balcony by the architects. The JBL VRX932LA-1 loudspeakers were placed to cover both the main auditorium floor and the balcony, with the upper line array elements in the cluster aimed at the balcony and operated at a higher volume than the rest of the speakers via the dbx DriveRack 4800. “This combination actually works so well that we don’t miss the presence of fill loudspeakers at all,” Pansare pointed out.

The system was calibrated using HARMAN HiQnet Audio Architect™ software. Pansare noted that Audio Architect enables him to optimize a system to its full potential, and makes the process faster and easier than by any other means he’s used previously. The result was all Zillion Solutions hoped for and more. “The engineers from Pune Municipal Corporation were highly impressed with the sound quality and performance of the system and its ability to deliver even coverage and clear, intelligible audio throughout the auditorium.”

Pansare proudly noted, “Because of the hard work and dedication of our team and the support that HARMAN provided, the system was working a day earlier than we promised.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Patchwerk Recording Studios’ Nick Bassani Keeps On Track With HARMAN’s JBL LSR308 Studio Monitors

ATLANTA, Georgia – Patchwerk Recording Studios is one of the top recording and mastering facilities in the United States. The Atlanta studio has recorded more than 60 platinum and gold albums and worked with a who’s who of rap, hip-hop, R&B and pop artists including 50 Cent, Sean Combs, Pit Bull, Flo RIda, Jay-Z, Madonna, Nicki Minaj, Rihanna, Kanye West and dozens of others. It’s music based on bass, and producers, artists and listeners want more and more of it, notes Patchwerk’s tracking engineer Nick Bassani, which is why he relies on HARMAN’s JBL LSR308 powered studio monitors as his go-to near-field loudspeakers.

Bassani recognizes in the urban music scene “there’s an insatiable appetite for more low-end response in the music and this creates a challenge for urban market producers and mix engineers. Many monitors and even headphones out there cater to this appetite with low-end response that’s often misleading and just plain inaccurate.”

Bassani feels the JBL LSR308 is the perfect solution to the need for for bass-accurate near-field monitors. “Accuracy and clarity tend to be expensive – but not in the case of the LSR308. They’re not ‘boomy’ or exaggerated in the bass, yet have more low-end response along with far better high-frequency extension—all the way up to 24kHz—than any other near-field I’ve used.”

The powered-bi-amplified LSR308 employs a long-throw 8-inch woofer and a 1-inch woven-composite neodymium tweeter that is mated to JBL’s exclusive Image Control Waveguide™, developed for the company’s new flagship M2 Master Reference Monitor.

“The LSR308’s wider frequency response and clarity and ability to let me ‘hear into’ the mix at lower volumes has caused me to make huge improvements in my overall mixing technique,” said Bassani. “Thanks to the exceptional definition of the woofer and tweeter and the accurate on-and off- axis coverage pattern of the waveguide, the stereo image is deep and wide and the clarity is phenomenal. I can hear reverbs and delays extremely well.” Bassani also found the LSR308 “a godsend” when its improved resolution allowed him to begin experimenting with mid-side panning in his mixes.

Bassani asks: “Suppose an artist or producer wants to be sure that what they hear in their mixing environment translates accurately to the next studio they work in, or in their car or home?” “To be honest, that’s what really sold me on the LSR308. During a project, we were tracking in a studio that had a nice vocal booth but the control room was not the best. We replaced the existing control room speakers with a pair of LSR308 monitors and I noticed an instant improvement in the transferability of my rough mixes between the studio, my home and another professional studio where I work.”

After that experience, Bassani installed the LSR308 at Patchwerk’s Studio 9000 (one of Patchwerk’s main tracking and mixing rooms) and has never looked back, saying he is “unable to part with them.” He now takes a pair of LSR308 monitors to every room on any project he’s involved with, whether it’s a small project studio or a multi-million-dollar facility. He concluded, “I know that if I get my mix sounding great on the JBL LSR308 monitors, I’ll never have anything to be worried about.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

EAI Brings Martin Audio MLA To Singapore

As its global reputation continues to accelerate, the penetration of Martin Audio’s award-winning MLA multi-cellular loudspeaker into new territories increases unabated.

This is no better illustrated than in the Far East, where Singapore-based EXPO AV-INSYNC PTE (EAI) has just significantly boosted an inventory that also includes a Martin Audio W8LM Mini Line Array by purchasing the country’s first MLA System 36 from local distributors Swee Lee.

EAI Managing Director, Gerard Rodrigues, said he was proud to be the country’s first investor in the groundbreaking system. Speaking of the acquisition, he said, “We wanted a larger format, steerable array system to add on to our inventory and it needed to represent a significant upgrade. The other main reason is that the next four upcoming gigs are all rider specific.”

He says the latest purchase continues a rich legacy that began with the older Martin Audio Wavefront W3/WS2 range. “We wanted to be the first company to own MLA, but in any case, after a year’s worth of research for a new line array, this system came out top in terms of sound quality, output, ease of use and what engineers wanted most.”

EAI had first heard about the MLA system back in late 2012. “We deliberated this to ensure we had concert and corporate clients who would love it and specify it for their events. And although we had not heard it live at the time, I can’t remember the last time Martin Audio built a bad box, whether loudspeakers or line arrays.”

Rodrigues and his Technical Director Desmond Zuzarte quickly discovered that MLA’s ease of use, the output it delivers from just a 12” enclosure, and the steerability and tailored control for each different venue made this a unique proposition.

“Chris Pyne, [Martin Audio APAC Technical & Training Support] gave us the added assurance that of the three brands we were reviewing this was by far the best. We then met Simon Bull (Martin Audio Director of Sales) and Andy Duffield (APAC Account Manager) — and the rest was history.”

After intensive training in late July, hosted by their venue partners Singapore Expo & Max Atria and conducted by Pyne, the system will debut later this summer at the Singapore Expo Hall 1 in front of 6,000 people for a talent show.

Martin Audio's Chris Pyne Conducts MLA Seminar

Summing up, Rodrigues, says, “Our sound engineers are just very excited about this acquisition. From a sales point of view, the MLA speaks for itself. Aside from its output, the other big advantage is its weight — here in Singapore, we needed a system that could deliver huge sound output, while maintaining a certain weight load restriction in many venues.

“Looking at how the system is selling in Japan alone, it is a choice of all concert organizers and technical directors for large scale events.”

Gerard Rodrigues says he is looking forward with relish to promoting MLA as the first system in Singapore and will be inviting key clients and concert organizers to hear it.

Meanwhile, the adventure is just beginning as EAI are already in talks with Swee Lee about adding an MLA Compact system.

Photos: The Expo AV team; Martin Audio’s Chris Pyne conducts MLA seminar

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication