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Archive of the Loudspeakers Category

Clair Brothers Gives Cathedral of College Basketball A Righteous Audio Upgrade With HARMAN Professional Components

PHILADELPHIA, Pennsylvania – Dubbed the “Cathedral of College Basketball,” The University of Pennsylvania’s Palestra is one of the country’s most historic college arenas. Founded in 1927, the 8,722-seat Palestra is home to Penn’s Quakers men’s and women’s basketball, volleyball and wrestling teams. It’s known for its unusually intimate seating but not for its sound system—until receiving a new audio system featuring HARMAN’s JBL Professional loudspeakers and Crown amplifiers, courtesy of systems integrator Clair Brothers Audio Systems.

“The existing sound system simply wasn’t meeting the needs of the facility,” said Tim Mazur of Clair Brothers. “It was underpowered and couldn’t compete with the reverberant acoustics of the arena.” After conducting an acoustical analysis of the Palestra, Clair Brothers designed a new system based around JBL VRX932LA-1 Constant Curvature loudspeakers and ASB6118, all powered by Crown amplifiers.

As part of the renovation, Clair Brothers designed and fabricated a custom 2-layer rigging grid that can be raised and lowered from the ceiling, placing it in the optimum position during games and other events and out of the way when not required. The fly grid holds 30 JBL VRX932LA-1 line arrays arranged in six clusters of five each, with eight ASB6118 subs hung from the center. In addition, four JBL AM5212/95 loudspeakers deliver fill sound onto the basketball court. The loudspeakers are powered by one Crown Macro-Tech 5000i and 10 Macro-Tech 9000i amplifiers, linked together by a BSS Audio BLU-160 signal processor with digital audio bus and a BLU-BOB2 break-out box.

“The Palestra is a very difficult acoustic space because it’s highly reverberant, but we were not allowed to apply any acoustical treatment,” Mazur said. Working in conjunction with JBL, Clair Brothers determined the JBL VRX932LA-1 loudspeakers would deliver the most output for the budget thanks to their compact size, ease of installation, and 100 x 15-degree coverage pattern.

“We had a very tight turnaround on the project – only nine weeks from the time of the purchase order was issued to the completion date,” Mazur pointed out. As a result, Clair Brothers hung and tested the entire system at its Manheim, Pennsylvania headquarters before installing it in the Palestra.

“The system sounds great and everyone’s really excited about having it in time for the basketball season,” Mazur concluded.

For more information on Clair Brothers, please visit www.clairsystems.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

How Sweet It Is! New Live Music Venue SRB Brooklyn Is Equipped With HARMAN Professional Audio System

BROOKLYN, New York — Brooklyn, the music-soaked borough that brought us Barbra Streisand, Foxy Brown, Barry Manilow, Jay-Z and many others now boasts SRB Brooklyn, a brand-new venue dedicated to live music, dancing and bringing back the energy of the clubs from the ‘60s and ‘70s. “SRB” stands for Soul, Rhythm and Blues, all of which can be heard with the help of SRB Brooklyn’s HARMAN Professional sound system featuring AKG, Crown, dbx, JBL and Soundcraft components.

“When we bid on the project, the owner of SRB Brooklyn told us he wanted to cater to all types of music and bring in national acts, and that he wanted a top-quality sound system,” said Jeff Kwan, Vice President of New York sound contractor Canal Sound and Light. “He specifically said, ‘I want the best speakers in tour sound for my club,’ so we immediately thought of JBL VERTEC® and recommended a HARMAN Professional system as the way to go for the 500-person room.”

“The building is a converted warehouse, so we had some architectural constraints,” Kwan continued. “It’s a long room but has a low ceiling so flying the main speakers was challenging. We went with two ground stacks of four VERTEC VT4888 midsize line array elements per side. However, the VT4888’s aren’t just plopped on the ground—they’re placed in a ‘notch’ in each wall on either side of the stage that’s about 10 feet high, so we get the sonic and coverage advantages of raising them off the ground. We also installed three JBL ASB7128 subwoofers under the stage—the ASB7128 is specifically designed to work well either ground-stacked or flown.”

A variety of additional JBL loudspeakers round out the system. Eight VRX915M and two PRX612M floor monitors are deployed onstage and two ASB7118 subwoofers are used for drum fill. Four STX835 loudspeakers and two ASB7128 subs are located at the rear of the club while four AC28/26 compact loudspeakers and one AM7212/00 provide additional fill throughout the venue.

“We installed Crown I-Tech HD Series amplifiers to drive the VT4888’s, ASB7128 subs and STX835 rear loudspeakers, and Crown XTi Series amps for the stage monitors and other fill loudspeakers. The I-Tech HD amps’ preset tunings and adjustable built-in DSP make them the perfect match for the bigger JBL loudspeakers, while the XTi amps offer a good combination of price and performance.” A dbx DriveRack 4800 Loudspeaker Management System provides speaker processing and control.

A variety of AKG mics fill out the HARMAN system, including D7 vocal mics, C3000, C451B and C535EB vocal and instrument condenser mics, C518M and D112 drum and bass drum mics, D40 instrument mics and a P2 low-pitched instrument/bass drum mic. In addition the stage is equipped with 20 BSS AR-133 active direct boxes.

There were challenges during the installation. “As it turned out the original design of the stage did not provide enough acoustical treatment for the subwoofers,” Kwan noted. “When we first put the system through its paces the subs really shook the stage. We had to add sand and concrete to the stage to eliminate the shaking and noise and direct the low-frequency energy forward towards the audience.”

The result was worth it: “The venue’s management wanted SRB Brooklyn to be a music venue that rivals any place in Manhattan. He definitely accomplished that. It’s an unpretentious place where people can really enjoy themselves and appreciate the best audio system in Brooklyn.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Thunder Audio Helps Donny and Marie Christmas Tour Celebrate the Holidays With Harman’s JBL VTX Line Arrays

NORTHRIDGE, California – This season the Donny and Marie Christmas tour brought the Osmonds’ family-friendly blend of music, dancing, comedy and entertainment to audiences across the US. The 15-city arena tour featured the Osmonds performing holiday music, hit songs and more—even mixing in classic clips from 1970s holiday TV broadcasts that hadn’t been seen in decades. The all-out entertainment extravaganza delivered with the help of a HARMAN JBL VTX Series line array audio system provided by Livonia, Michigan-based Thunder Audio.

“Donny and Marie are known for their spectacular production values, musical variety, costume changes and unstoppable energy and the Donny and Marie Christmas Tour was no exception,” said Greg Snyder, Business Development Manager for Thunder Audio and project engineer for the tour. “They want to make sure every single person in the audience feels like they’re an intimate part of the show, even if they’re at the back of a 20,000-seat arena. That’s why we used the JBL VTX line arrays for sound reinforcement on the tour—more than 75 of them including tops and subs.”

Two main left and right hangs of 14 V25 fullsize line array elements were flown per side, along with two outfill hangs of nine V25 elements per side, two side fill clusters of two V25 elements per side, six S28 subwoofers hung at each end of the stage and a center cluster of four V25 elements. On the ground, six S28 subwoofers per side and four JBL VERTEC® VT4888 midsize line array elements up front provided additional low end and center fill.

The loudspeakers were powered by 72 Crown I-Tech HD 12000 amplifiers housed in proprietary Thunder Audio rack systems. JBL HiQnet Performance Manager™ was used for system control, with JBL’s Line Array Calculator II employed for loudspeaker setup. FOH engineer Lucas “Rico” Corrubia used a Soundcraft Vi6 digital mixing console on the tour.

The sound crew for the show included monitor engineer Joe Webster, Thunder Audio’s FOH systems engineer Johnathon Winkler, monitor systems engineer Ron Hurd and fly tech and stage patch technician Paul Villarreal. “As one of the first sound companies to purchase JBL VTX Series line arrays, we’ve gotten to know what they can do in an arena setting in every respect,” Snyder pointed out.

“This rig is phenomenal, Paul Bauman and the JBL team did a great job designing VTX,” Corrubia noted. “It has so much horsepower, it can go for days.”

Systems engineer Jon Winkler is extremely well versed in the operation and deployment of this system and in using Performance Manager and the JBL Line Array Calculator II to optimize its performance. “Jon has a very keen ear and he was really the key to fine-tuning the system to the ‘nth’ degree,” Snyder added.

“To me, the definition of a good loudspeaker is when the sound of the box itself disappears—that you almost forget you’re even listening to a loudspeaker,” Corrubia added. “That really started to happen with the VTX system as we got a sense of tuning it. We could go anywhere in any arena and it would still sound crystal-clear and transparent.”

Snyder noted that even though the Donny And Marie Christmas Tour played in large arenas, the show felt more up close and personal, thanks in large part to the clarity and smooth, focused coverage of the VTX line arrays even over larger distances. “Donny and Marie are two of the warmest and most inviting performers around and we wanted to make sure that audiences were drawn into the more intimate parts of the show like their quieter solo numbers, yet dazzled by the energy of the all-out production numbers,” he said. “The JBL VTX line arrays are as unstoppable as Donny and Marie when everyone’s singing, playing and dancing their hearts out.”

Corrubia echoed this sentiment. “Donny and Marie have so much variety in their shows, going from rock and roll to Broadway and opera, that you need a system to handle that versatility,” he said. “VTX did an incredible job.”

For more information on Thunder Audio, please visit www.thunderaudioinc.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

LSU ROARS WITH DANLEY!

BATON ROUGE, LOUISIANA – JANUARY 2014: The Louisiana State University Tigers football team plays all of its home games at Tiger Stadium on the school’s Baton Rouge campus. Nicknamed “Death Valley,” the stadium’s deafening roar of 92,500 Tigers fans is notorious for scrambling the communications and sapping the confidence of the Tigers’ unlucky opponents. Indeed, the NCAA ranked Tiger Stadium as the loudest stadium in college football, noting as an example that fans’ euphoric response to a last-minute LSU touchdown in 1988 measured as a minor earthquake on the campus seismograph! Despite this, Tiger Stadium persisted until recently with an underpowered sound reinforcement system that one list-serve commenter likened unfavorably to a car radio. No more. With a beefy Danley Sound Labs sound reinforcement system that includes eighteen Jericho Horns and six “Rock Monster” subwoofers, Tiger Stadium’s music playback system is now positioned to whip LSU fans to even greater fervor.

“The old system was expressly designed for public address, not music playback,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia) and the person responsible for designing LSU’s new sound reinforcement system. “Given the game-day experience demanded from fans these days, a serious upgrade was a necessity. The point-source system that we designed flanks the LED screen on the north end of the stadium and throws eight-hundred feet across to the south end zone seating. With the Danley Jericho Horns, we were able to throw 8kHz that full distance with program material that measured 105dBA. That’s an unprecedented technical leap!” Baker Audio of Norcross, Georgia installed the system.

Fourteen Danley J3-64 full-range Jericho Horns comprise the bulk of the new system, while four Danley J4-31 high-frequency Jericho Horns contribute to the system’s amazing high-end throw. Six Danley TH-812 “Rock Monster” subwoofers fill out the bottom of the system with thunderous low end. Four Danley SH-96s, four Danley SH-64s, four Danley SM-80s, and twenty Danley SH-MINIs provide fill for areas not directly covered by the Jericho Horns. A 32-channel Yamaha LS9 provides a familiar front end, while a QSC Q-Sys processing system feeds twenty-four Lab.gruppen PLM 10000Q and 20000Q amplifiers behind the scenes.

Mike Hedden, co-founder and president of Danley Sound Labs commented. “We measured the frequency response of the completed system at hundreds of positions around the stadium and the system is remarkably consistent with solid bass down into the mid 20Hz region and top end extending into the 10kHz range even at seats eight-hundred feet away. This is unprecedented performance in a venue this size and could only be achieved within the limitations of the scoreboard using Danley’s unique technologies.”

The north end scoreboard sits over eighty feet from ground level, and each loudspeaker and subwoofer had to be lifted individually by crane to that height. Then the Baker Audio rigging crew set up a beam trolley system with rigging motors to lift each set into position, to secure final rigging hardware, and to lock in the angles and aiming points. Because Tiger Stadium is in a hurricane zone, everything had to be slightly over-engineered to make sure that the rigging tolerances would hold up to hurricane force winds.

“There are always questions about how a system’s real life performance will compare to the acoustical models we work with in the design process,” commented Chris Moore, senior project manager with Baker Audio. “Given the throw distances at Tiger Stadium, a few degrees in coverage pattern or small variables in the overall acoustic performance could have been very time consuming to correct in the field. No one wants to do a redesign in the field, especially given the rigging elements that we had to use on this job. Thankfully, the Danley speakers performed exactly as the design models predicted they would, so we did not have to change any rigging angles or aiming points once we had the speakers hanging in the air. That made the installation process fast and efficient. It’s always a good day when everything performs as planned.”

“The Danley J3-64 Jericho Horns, together with the additional Danley fill speakers, combined to provide uniform coverage throughout the stadium, including the far upper end zone seating,” said Doug Stancil, senior engineer with Baker Audio. “The coverage was complicated by Tiger Stadium’s extended sideline seating, which reaches up to 175 feet at its highest point. The Danley system covers all of those seats very well. I was also impressed by the performance of the Danley TH-812 subs in the far field. Although I have been in stadiums where the low end starts to fall off at the fifty-yard line, this is definitely not the case at Louisiana State University. Fans will feel the full impact of the ‘Tiger Roar’ wherever they sit!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

GRUND AUDIO DESIGN ANNOUNCES NEW GP SERIES LOUDSPEAKERS

**** Photo: Grund Audio Design GP loudspeakers ****

Council Bluffs, IA – NAMM Booth# 6337 (Hall A)… Grund Audio Design, a pioneering manufacturer of loudspeaker and signal processing products for the audio professional, is pleased to introduce the new GP Series loudspeakers. Featuring lightweight injection molded enclosures designed to provide years of trouble-free operation and easy transport, these self-powered general purpose sound reinforcement loudspeakers are ideal for a wide range of applications, including clubs, mobile DJs, performing musicians, corporate AV, houses of worship, and education. more

Game Seven Grill Opens to Championship Sound

Game Seven Grill is a barbecue restaurant located in the Gila River Casinos Plaza at Chase Field, home of the Arizona Diamondbacks baseball team. With a name that evokes the D-Backs Championship victory in Game Seven of the 2001 World Series, Game Seven Grill’s casual atmosphere and family-friendly style are reflected in its interior design which builds on the brick and open-beam architecture of the building.

Before opening in March of 2013, Game Seven Grill underwent a major renovation including new seating, championship décor and a new sound and video system featuring Community CP6 pendant loudspeakers for the interior and R.25-94T loudspeakers for the Grill’s outdoor plaza seating.
Game Seven Grill Patio
Game Seven’s sound and video systems were designed and installed by Parsons Technologies of Phoenix, Arizona. Mark Schultz, Systems Engineer, designed the systems at Game Seven Grill. He says Parsons provides audio and video systems for many of the venues at Chase Field. “The team owns the Game Seven building,” Schultz said, “and they contacted us to design and install the sound and video systems for this new restaurant.”

Schultz knew that Game Seven would feature an open interior design with its ceiling painted black. The owners had asked for a great music and video system but they made it clear they wanted “invisible loudspeakers”. “Community’s Commercial Design Series CP6 pendants were the perfect choice,” said Schultz. “They sounded great and we could get them in black to disappear against the ceiling. We used Community’s R.25 loudspeakers for the outdoor plaza seating,” he continued. “They were also available in black and they sound great as well.”

Game Seven’s sound system is used for background music and for sports event play-by-play audio. The system is divided into two zones, indoor and outdoor. During a baseball game or other sporting event, the restaurant can choose to play the audio from a local radio or TV station into either zone so that patrons can watch and listen to the game. The audio system is powered by CTS amplifiers and features a BSS DSP system with touch-panel controls for volume and source selection.

“We did a little EQ but didn’t need much,” Schultz said. “And the owners are extremely pleased with the sound and appearance. We’re expecting them to expand the system to the upper level of the restaurant, which will be undergoing renovation prior to the 2014 season.”

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Join Renkus-Heinz at NAMM 2014

Anaheim, CA – January, 2014… The New Year is off and running, and Renkus-Heinz will kick off 2014 with the upcoming NAMM show in Anaheim, January 23-26, 2014. We will be in our usual spot in the Anaheim Convention Center, Hall A, Booth 6420, and would be delighted to have you drop by for a visit.

Renkus-Heinz will also be part of the CMT NAMM Canadian Reception, providing a full IC2 steered beam line array system to the event. The Reception, hosted by Norris-Whitney Communications, will be held on Thursday, January 23rd from 8:00 PM until Midnight, in the Plaza Ballroom of the Sheraton Park Hotel, 1855 South Harbor Boulevard in Anaheim.

A short drive away, The Gaslamp Bar and Restaurant in Long Beach will host surf rock legend Gary Hoey on Saturday, January 25. The club’s VARIA line array has helped to make it one of the premiere music venues in Southern California, and this show is a great opportunity to hear the system at its high energy best. Doors open at 7:00 PM, with guests Damage, Unit 287, and Dunluce. The club is guaranteed to fill up early.

So come by the booth, view the IC2 and Iconyx displays, and visit with Renkus-Heinz staff. Drop by the Sheraton and attend the CMT NAMM Reception. Or come over to the Gaslamp and catch a great night of Southern California surf rock. Whatever you decide, we’ll see you at NAMM.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

HISENSE DEBUTS SLIM WIFI AND BLUETOOTH® SOUND BARS AT CES

Las Vegas, NV – January 6, 2014 — Hisense, an innovation leader in flat screen TV performance and form factor efficiency, today introduced complementary Bluetooth® and WiFi sound bars at the 2014 Consumer Electronics Show (CES). The move provides consumers with a high performing, add-on audio solution for screens 39-inches and larger that is as good-looking as it is easy to install.

“As televisions have become slimmer, the need for dedicated audio systems has become more pronounced. This is a challenge that all manufacturers have faced and one that we are addressing comprehensively and elegantly with our sound bars that are debuting here at CES,” said Jonathan Frank, Vice President of Marketing, Hisense USA. “Hisense makes gorgeous UHD and SMART TVs for the home. It only makes sense to offer an audio equivalent – a truly elevated full sensory experience when playing detailed video games or watching high-impact movies and shows.”

The sound bars feature multiple drivers to accommodate full range audio and deep bass reproduction, and include analog, digital and HDMI-ARC connectivity options for easy hook-up. DTS TruSurround HD™ audio processing with up to eight presets delivers a superior audio experience for both movies and music across all three models.

The mid-level and entry-level models include optical and Bluetooth capability, perfect for the H7, H6, and the H5 series TVs. The high-end model comes with HDMI capability, and is Bluetooth equipped, DTS, DOLBY® Digital, and a wireless subwoofer for powerful, bass pounding sound. The slim metal design is carved out of high-end aerospace grade aluminum for a sleek lightweight look with excellent industrial design. The high-end sound bar works best with the H9, H8 and H7 models.

Look for the entire family of sound bars late 2014. Pricing to be announced later this year.

The Hisense sound bars will be on display at the Hisense booth 7243 during CES, January 7-10, 2014.

For more information please visit: www.hisense-usa.com. You can also find us on Facebook at www.facebook.com/HisenseUSA or follow us on Twitter and Instagram @Hisense_USA.

About Hisense USA Corporation
Established in 2001, Hisense USA Corporation is a wholly owned subsidiary of the Hisense Company Ltd., headquartered in Qingdao, China.

Hisense USA offers a broad range of technology driven consumer electronics products that are manufactured and distributed across North American, including televisions, refrigerators, air-conditioners, dehumidifiers, beverage coolers and freezers. Hisense USA sells into national retailers across North America, including Walmart, Sams.com, Costco, P.C. Richards, Canadian Tire and more. The Company has established R&D centers in Atlanta, Georgia and San Jose, California to enable localized product development and innovation.

Hisense Company Ltd. has production facilities in China, South Africa, Algeria, Egypt as well as Mexico and is one of the largest television manufacturers in the world with over 10 million televisions produced per year. The Company has sales offices in North America, Europe, Australia, South Africa, the Middle East and Asia while exporting products to over 130 countries and regions throughout the world.

William Kentridge’s Soundscapes Come Clean with PreSonus

tumblr_musesiMeAL1r064gzo4_1280 copyJohannesburg, South Africa – January 2014…  Acclaimed South African-born artist William Kentridge has a well-deserved reputation for the unusual. His work spans the audio and visual spectrum, from drawings and prints to operas and charcoal drawn animations. In his latest installation, “The Refusal of Time,” Kentridge fuses sculpture with digital video and complex, multi-layered soundscapes to create a multimedia work that is both powerful and compelling.

The viewer is immersed with five video screens covering three walls, running separate but interwoven program material accompanied by a multi-channel music and sound sculpture. There is a sculpture of a man holding a big megaphone, as well as a giant wooden, breathing elephant in the middle of the room, making reference to Charles Dickens’ Industrial Revolution. The soundtrack includes music composed by Philip Miller, as well as spoken word, including Kentridge’s own voice from the megaphone, and of course, the elephant’s breathing. The end result is a clearly unique and intricate audio/visual installation.

2-2013-06-10 309 copyThe man charged with the logistics of running this complex and unusual setup is engineer/sound designer Gavan Eckhart. With an installation requiring sophisticated mixing and matrixing and powerful signal processing, Eckhart chose the PreSonus AudioBox 1818VSL as the central audio hub.

A four-channel bed of music forms the sonic foundation, blending samples of African languages and chants atop Miller’s orchestral array of trumpet, trombone, tuba, grand piano, and various percussion. The quadraphonic surround mix is sent, via four of the AudioBox 1818VSL’s outputs, to four JBL Eon powered monitors.

On top of this mix is Kentridge’s spoken-word soundscape: the man with the megaphone. Here, Eckhart had to think of a creative way to achieve just the right metallic, low-fi sound. “The megaphones are a big component of the whole piece,” he says. “I came up with the idea to just grab some car speakers and mount them in tin cones on tripods and see if it worked. Fortunately, it did. That low-quality rattle and hum those cones produce is actually part of the beauty of the piece.” Four more outputs from the AudioBox 1818VSL feed the car speakers via a four-channel amplifier.

1-2013-06-10 325 copyThe installation includes a total of seven Mac minis: five running video playout, a sixth running the audio, and one more as master controller. With most of the installations residing in large warehouse spaces, it’s easy to imagine the potential for things to degenerate into a muddy-sounding cacophony. But Eckhart says the AudioBox 1818VSL is more than up to the task.

“The AudioBox 1818VSL gives me enough matrixing and discrete outputs to route all the individual signals,” he says. “But more than that, it has a nice, well-defined sound that really allows me to get a good separation between the beautiful musical backdrop and the spoken word with these distorted car speakers.”

The AudioBox 1818VSL’s onboard signal processing helps to further define and refine the mix, says Eckhart. “I find that the EQs are very useful for shaping the sound and achieving separation. If it’s a very bass-heavy room, I can just roll off a bit of lows or bring a bit of sparkle to the speakers instead of having to remix and re-export it. It lessens the processing demands on the computer and gives me a tremendous amount of control to create a clear and well-defined soundscape.”

Since its debut at the Dokumenta 13 festival in Kassel, Kentridge’s “The Refusal of Time” has been installed at numerous museums worldwide, including Rome, Paris, and Eindhoven, with new installations scheduled in Germany, Japan, Australia, and the United States.

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About PreSonus 

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Behan’s Pub Raises The Bar With Martin Audio

Bronx, NY––Located on Katonah Avenue that runs through the heart of Woodlawn’s Irish section, Behan’s Public House is a popular stopover in the neighborhood.

During the day, older patrons stop by for drinks and soccer watching before Behan’s turns into a nighttime dance club with DJs that appeals to a much younger crowd with music that can he heard a block away.

Following a fire this summer, the pub was totally renovated with a new bar, furnishings, millwork and a Martin Audio loudspeaker system installed by New York City’s Foundation Audio.

Asked why he chose Martin Audio, Foundation owner Justin Shafran said, “When considering the speaker system for Behan’s Pub, I wanted to use a product that would ensure the customer would be extremely happy in terms of performance and value.

“Because the venue functions as a local bar and nightclub,” Justin continued, “I had to spec a system with exceptional clarity for the bar that could also provide the SPLs and low end required for dance music. This project was the first time we used Martin Audio. The other speaker brands I had been using were OK, but always sounded a bit muffled. I had heard good things about Martin Audio so I figured I would give them a try.

“We installed eight Martin Audio AQ28’s and four AQ212 subs at strategic locations throughout Behan’s,” adds Shafran. “The sound is so clear and the system has the power we needed while the sound remains undistorted and clean even at the upper limits of the system when it’s used for the nightclub.

“Finally, I was very happy with the response of Martin Audio because this project was very fast track from the start. Knowing a company stands behind their product is very important for me and they really went the extra mile to ensure we would meet our deadline. I’m now specifying Martin Audio on several new projects.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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