OXNARD, CA, FEBRUARY 8, 2012 – Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, is a critical element in the overall sound design at New Life Community Church in Oxnard, California. The church features custom Auralex ELiTE ProPanels and ProBaffles to help absorb additional sound energy and add aesthetic visual appeal throughout its cavernous interior, with the main goal of making speech intelligibility clearer and only slightly secondary goal of better music clarity

Richard Rutherford of Rutherford Design was posed to re-purpose the 50,000 square foot industrial space, which would be the new home for New Life Community Church. Since Rutherford was involved in the design process, before the walls were even up. This enabled him to suggest some basic acoustical layouts throughout the space to help with speech intelligibility. The two main walls are not parallel and the entrance hallway and doorways are slightly offset, even though they look symmetrical. Also, the rear main wall is not a straight line; it actually curves. These small architectural details, in terms of non-parallel walls and entrances, naturally help to redirect reflections and sound energy.

“In a house of worship, I’m concerned more with the peripheral seats and the back half of the room,� says Rutherford. “To communicate with those people intimately, the spoken word in this kind of environment needs a high level of intelligibility. In a space like this, regardless of the budget or loudness of the audio system, if you have a six-, seven- or eight-second overall reverb time, there’s just no way it’s going to be intelligible.�

Rutherford installed 51 custom ELiTE ProPanels (4ft x 8ft x 2in) on the walls around the 900-seat sanctuary worship area. ELiTE ProPanels are fabric-covered, acoustic-absorptive panels designed to absorb slap and flutter echoes, providing a more pleasing and accurate listening environment. Rutherford also specified 21 custom ProBaffles (4ft x 20ft x 2in), which were mounted above the light fixture’s line of sight and hang from the ceiling. ProBaffles are absorptive panels wrapped in a lightweight material and designed to be hung vertically from the ceilings in commercial facilities. The panels have a fiberglass core and carry a Class-A fire rating. The edges and corners are square and non-hardened.

“The layout of the ceiling gave us an opportunity to do a fairly symmetrical array of hanging flags to baffle the low-mid frequencies getting toward the back of the room,� continues Rutherford. “After the installation of the Auralex products, the room now sits at about a second-and-a-half reverb, and it sounds great, regardless of where you are sitting in the sanctuary.�

The installation also features several L-ACOUSTICS loudspeakers, Allen & Health front-of-house monitor/mix equipment, as well as several video and lighting products rounding out the acoustic treatment from Auralex for a multi-faceted, complete audio/video system.

For more information, visit http://www.rutherforddesign.com/portfolio/worship-facilities/new-life-church/.

About Auralex Acoustics, Inc.
Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide top-performing acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, expert advice and exceptional customer service. Auralex products enjoy widespread use among prominent artists, producers, engineers, corporations, celebrities and government agencies.

Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex Web site at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1-800-959-3343.

Buena Park, CA – February 2012… Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician and audio/video professional, is pleased to announce that the Mogan Elite Omni Earset Microphone, the newest addition to the Mogan Microphones brand of subminiature microphones, is now shipping. Designed to deliver full-frequency vocal reproduction for the most discerning presenter, the new Mogan Elite earset microphone is a terrific choice for broadcasters, theatrical performers, church worship leaders, and other professionals seeking exceptional audio performance—both spoken word and vocals— for mission-critical applications. more

Inspired by Customer Feedback, Additional New HD Line Features Include DIP Switch Display, Mute Groups, and an Expanded Control System API more

Wedemark, Germany, February 6, 2012: Four years ago, audio specialist Sennheiser teamed up with the House of Blues – creator of a celebrated collection of intimate music venues. Sennheiser supplied a comprehensive set of its evolution series wired and wireless microphones and personal monitors, as well as Sennheiser headphones and Neumann microphones, to each of the House of Blues’ thirteen locations in the United States. The gear allowed House of Blues’ engineers to optimize sound reinforcement and provide robust RF solutions for the diverse performers that nightly take its stages. In addition, each company benefited from the cross-marketing exposure generated by the relationship. With such an obvious win for Sennheiser, the House of Blues, the musicians, and the concertgoers, both parties gladly renewed the marketing alliance.

Live music powerhouse Live Nation owns the House of Blues, which, in the two decades since opening its doors, has risen to become the USA’s preeminent live music venue for intimate shows. Each location is distinctively decorated with the world’s largest collection of folk art and serves top-drawer food and beverages. The fact that the House of Blues provides state-of-the-art sound reinforcement and lighting makes the venue a top choice of both local and national acts. Sennheiser’s Global Relations Manager for the Americas and Canada, Kristy Jo Winkler, worked with House of Blues to facilitate the renewal. “Our relationship with the House of Blues strengthens Sennheiser’s marketing at the MI and corporate levels,� she said. “Every night, musicians and engineers from around the globe experience the musicality and reliability of our microphones and RF equipment. We’re happy to continue such fantastic exposure.�

Matthew Scoggins, FOH Engineer at the House of Blues Los Angeles, commented, “No matter what the application, when clarity is of the utmost importance, I reach for a Sennheiser mic.� The House of Blues is set up with a full complement of gear, suitable for any of the diverse flavors of contemporary music that the House of Blues hosts. The kits include multiple models of evolution mics for backline and vocals, a couple of Neumann vocal mics and Sennheiser headphones. “The House of Blues prides itself on providing an ideal venue for both our artists and our guests,� said Dan Schartoff, VP Club and Theatre Productions for Live Nation. “Everyone loves the sound we’re getting with the Sennheiser gear, and we’re glad it will continue.�

Brian Fiegelman, A1 tech at House of Blues Dallas, agreed: “The Sennheiser e 900 Series mics are always my first choice. Their tailored frequency responses make it easy to mix everything from gospel to metal. In addition, the durability of their metal casings makes them almost indestructi¬ble… an essential asset that has allowed them to stand up to years of abuse on our Dallas stage!�

House of Blues Dallas production manager Thomas DeBeaudry said that Sennheiser’s robust performance often solves problems and makes Sennheiser devotees of touring engineers and bands. “We sit in a heavily saturated wireless environment,� he said. “On more than a few occasions, we have used our Sennheiser EM 2050 wireless package in place of a touring wireless package because of its ability to continuously scan and eliminate RF interference. We often find that the engineers and musicians prefer our rig due to its ease of use and its bulletproof performance. In addition, the smooth frequency response of the Sennheiser MMK 965-1 capsule generates a lot favorable comments.�

AMSTERDAM, The Netherlands – AKG introduces a new version of its WMS470 wireless system with revised operating frequencies for the European market at ISE 2012. WMS470 Band 10 operates on frequencies between 823 and 832 MHz known as the ‘duplex gap.’ This frequency range lies between the areas that will be used for upcoming high-speed Internet service for mobile devices, and will enable future proof, interference-free operation.

“In many European countries the frequency range between 823 and 832 MHz will be exclusively reserved for wireless microphones and In-ear monitoring – in Germany the range can even be used for free.â€� said Wolfgang Fritz, product marketing manager – tour sound, AKG. Band 10 operates with up to eight channels simultaneously, and compatible frequencies are stored in preset groups. Users can also manually program frequencies in 25 MHz steps.

Designed for total ease of use, the WMS470 is ideal for a variety of installed applications including hotels, conference centers, houses of worship, schools, universities and other facilities. It’s also perfect for touring musicians and bands, especially those who will be travelling in different countries throughout Europe.

The WMS470’s automatic frequency setup function immediately finds and displays all available channels, making the system ideal for less experienced users to operate. Before opening a channel, the pilot tone function will prevent unwanted startup noise – the receiver will only open the audio if the pilot tone is detected.

WMS470 transmitters are powered using a single alkaline, lithium or Ni-MH rechargeable battery, providing up to 14 hours of use with lithium batteries. The WMS470 handheld microphone has a built-in dipole antenna to ensure reliable transmission with 50 mW output power, even if the user covers one antenna with their hand.

“With WMS470, artists and engineers in all environments will have a reliable, yet robust technology at their fingertips that is completely compatible with the changing European wireless environment of 2012,� Fritz continued.

The WMS470 is available in a variety of configurations for live music, instrumental, sports and presentation use including handheld, headworn and lavalier mic options. Packages include the WMS470 D5 and C5 handheld sets, the WMS470 Instrumental set, the WMS470 Sports set and the WMS470 Presentation set.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

Woodland Park, NJ • FSR’s new T3-MJ+ Table Microphone Box series furnishes an elegant yet simple solution for mounting gooseneck microphones. The stylish, mini table box, available in a variety of models, accommodates a wide range of tables and lecterns for any applications requiring a gooseneck mic, including conference and boardrooms, courtrooms, state houses, pulpits and control rooms. Jan Sandri, FSR president announced today that all the models are in production and are currently shipping.

The T3-MJ+ is available in three finishes – black, brass and aluminum – to fit every décor. The basic model offers improved noise isolation and features a built-in, acoustically isolated microphone connector to accommodate mics with 3-pin XLR plugs of a diameter of 1-inch or less and provides superior shock and vibration damping.

Enhanced units, T3-MJ+1B and T3-MJ+2B, offer one or two additional buttons and are custom assembled with momentary or maintain type switches with a variety of switch caps and bi-color LEDs. T3-MJ+1BM and T3-MJ+2BM models feature an internally pre-wired built in mute feature. All models, except the base unit, provide a screw terminal connection to the mic.

A simple process requiring a 2-inch round hole, and less than 1.5 inches of under table clearance makes easy work of installation. An under table shroud is provided as part of the assembly.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.###

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

COS-11D HWM Shines in Shepherd of the Hills Production    

Each year, California’s Shepherd of the Hills Church presents “The Passion Play,” a large scale musical reenactment of the life of Jesus Christ.  With over 160 cast members, the critically-acclaimed production has become a focal point of activity for one of the nation’s largest non-denominational churches.  This year, Sanken’s new COS-11D HWM head worn microphone was tested out on principle performers by Technical Director and Production Designer Jeff Taylor.

“We had access to an early production unit and gave it a try,” remarked Taylor.  “We were amazed at the sonic quality, not only for the robust singing, but the speech, as well.  Everything just opened up — it sounded as if we were using good handheld ribbon mics.”

Sanken’s new head worn COS-11D HWM utilizes the same miniature components lauded industrywide as the lavalier microphone for  film, TV, and stage. The ultra-miniature new generation microphone was designed for hi-resolution audio and is now available for live stage productions, broadcast, and houses of worship.  The mic is especially valuable when there is rigorous head movement, while the close proximity of the mic to the vocal source provides consistently good audio with very natural characteristics.

“We tried the new Sanken mic on the cast member portraying Pilate,” explained Jeff Taylor.  “It is a fairly active role and the gentleman is very dramatic, very physical in his performance, and we had no issues whatsoever. ”

“My FOH engineers were really impressed with the overall quality, so we put it on our musical director, Maxine Anderson, who is a professional vocal performer herself.  She is an extremely powerful vocalist, and we wanted to see how the headroom was, so she just let it fly.  The Sanken performed flawlessly.”

Sanken’s new microphone was also designed to provide greater immunity to RF interference.  It incorporates exclusive design advances that deal with both digital and digital/analog hybrid RF wireless transmission.  Taylor concluded, “There was a lot of RF flying around on that stage, and the COS-11D performed very well, no issues at all.  We have a big Christmas production coming up and we’re really looking forward to using these new Sanken mics.”

For more information about Shepherd of the Hills Church, visit:
http://www.theshepherd.org

For more info about Sanken, visit distributor plus24:  http://www.plus24.net
or phone 323.845.1171

ANAHEIM, CA, JANUARY 20, 2012 — DPA Microphones, the manufacturer of high level reference and headset microphones, is pleased to introduce an enhanced, dual-ear headset for its popular DPA d:fine directional and omnidirectional headset microphones at The 2012 NAMM Show (Booth 6996). Designed to meet the needs of active live theatre, music video production, concert sound, etc., the d:fine series dual-ear headset mic is now ready to take on the most rigorous and energetic performance applications, while delivering the world-class sound quality expected of a DPA microphone. The new dual-ear headset is available in three sizes.

“When we first introduced the d:fine headset microphones series to the live sound market, it was embraced by the industry as a condenser headset that could provide exceptional sound quality in the most challenging acoustic environments with a wonderfully simple and secure single-ear mount,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “With our new dual-ear headset, which is available in three sizes to fit everyone from a 10-year old performer to an adult musician, users can rely on d:fine to stay in place, bringing uninterrupted performance excitement to the audience for live sound and video projects that might include extreme dance and hip hop segments, for example.�

In a world that is increasingly video-oriented, from live action reality TV and theatre presentations to sporting events and bands producing videos for YouTube (and everything in between) the dual-ear headset for the d:fine headset microphone provides worry-free performance in the most exacting situations. While the d:fine capsule delivers the sound, through a frequency range of 20 Hz to 20kHz ± 2dB and a maximum peak handling capacity of 144 dB before clipping, the dual-ear headset delivers confidence that the mics will stay in place. Additionally, as the microphone isn’t hard-wired into the headset, the cable can be replaced easily and inexpensively. All d:fine models come in beige, brown, black and a fancy lime color and are slim line for a low visibility profile.

“With the advent of the d:fine headset microphone, the serious band or performing group can now have an ultra-professional headworn microphone within reach to bring their performance to the next level,� continues Renaud. “With the new dual-ear headset option, the same performers can reliably add increased athletics and dance moves, assured the show or presentation will run smoothly.�

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, CA, JANUARY 20, 2012 — Building on the success of its flagship 4000 Series Reference Standard Microphones, DPA Microphones, the manufacturer of high level reference and headset microphones, is showcasing the new 2000 Series MMC2006 Omni and MMC2011 Cardioid microphone capsules at The 2012 NAMM Show (Booth 6996). Designed to bring the exceptional performance of the 4000 Series to a wider audience, the new 2000 Series incorporates the same capsule technology found in the company’s entire line of miniature microphones, but pairs it with the 4000 Series microphone bodies. The new modular series is offered at an attractive price point, allowing studios, sound companies and live performing groups the opportunity to own a high-level DPA product.

“We have taken our pioneer miniature condenser capsules and engineered them into two new capsules for our modular microphone system,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “These capsules offer outstanding performance and bring DPA’s sonic integrity within reach of every serious engineer, artist or studio owner. The MMC2006 and MMC2011 Twin Diaphragm capsules are interchangeable with our standard 4000 series capsules and microphone preamps, so a 2000 Series user can upgrade to the higher level 4000 Series capsules at a later date, if desired.�

Both the MMC2006 and MMC2011 encapsulate two opposite-facing 4060 omnidirectional miniature diaphragms to form a single-capsule, twin-diaphragm design, which reduces noise while enhancing sensitivity. The MMC2011 benefits from DPA’s interference tube design experience gained through its pioneering DPA 5100 Mobile 5.1 Surround Microphone. The interference tube technology ensures the integrity of the MMC2011 cardioid pattern.

The omnidirectional MMC2006 offers a frequency range of 20 Hz to 20 kHz with a soft roll-off below 50 Hz and typical 3 dB soft boost at 14 kHz, ± 2 dB. The cardioid MMC2011 capsule is a pressure gradient type with interference tube, offering an exceptionally flat frequency range of 20 Hz to 20 kHz with a 3 dB soft boost at 12 kHz, ± 2 dB, at 30 cm. Both capsules can be used with DPA’s MMP-A Preamplifier, MMP-B Preamp with low cut and high boost functions and the MMP-C Compact Preamp.

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, California – Highlighting the latest in digital wireless capabilities, HARMAN’s AKG introduces its DMS 70 – a true uncompressed digital wireless system. The DMS 70 operates with 24bit 48 kHz transmission in the 2.4GHz ISM band, a worldwide license-free frequency range, to ensure top-quality audio for every customer.

“HARMAN’s AKG DMS 70 system offers exceptional studio-quality sound thanks to its uncompressed digital audio transmission capability,� said Thomas Umbauer, Product Manager, AKG. “The DMS 70 is designed for the most exacting applications where the highest level of wireless audio performance is required. It is especially recommended for guitar and bass because of its ideal frequency response between 20 Hz to 20 kHz.�

DMS 70 is ideal for live sound, club sound, conferences, seminars and school and universities – whenever quick and easy setup up is required. The entire DMS 70 package includes: AKG’s DSR 70 Quattro or DSR 70 Dual Receiver, DPT 70 Digital Pocket Transmitter and DHT 70 Digital Handheld Transmitter, available with patented D5 acoustics or DHT 70 Perception with standard supercardioid capsule. The DSR 70 Quattro includes a rack mount kit, power supply and other accessories. DMS 70 systems are fully compatible – able to be customized and combined for any customer’s needs.

All DMS 70 devices are available separately or in the following prepared packages: The Vocal Set, Instrumental Set and the mixed version of Vocal/Instrumental Set . The Quattro sets include two digital transmitters and the Dual sets, one digital transmitter.

All DMS 70 devices feature bidirectional communication between the transmitter and receiver. The dynamic frequency selection provides “intelligent� operation in the crowded 2,4 GHz band, enabled by digital diversity from receiver and transmitter side. Its easy setup functions make the system simple to use, even for less experienced operators, while the AES 128-bit encryption ensures secure 2-way wireless communication.

The DSR 70 Quattro receiver can work with up to four channels of audio in parallel, which can be mixed down directly to its balanced XLR sum output. The DHT 70 mic employs AKG’s patented dynamic D5 capsule to deliver outstanding sound quality with less feedback and handling noise.

Based on the bidirectional communication DMS 70 offers a number of additional new and unique features, including power off from receiver side for all connected transmitters, battery status monitoring, adjustable mic/guitar input level (DPT 70), high/low level gain switch (DHT 70) and more.

For more information about AKG and DMS 70, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.