LAS VEGAS, Nevada – Highlighting the latest in digital wireless capabilities, HARMAN’s AKG DMS70 – a true uncompressed digital wireless system – provides reliable transmission for performances and events with the quality and reliability AKG has provided for nearly 65 years. The DMS70 operates with 24bit 48 kHz transmission in the 2.4GHz ISM band, a worldwide license-free frequency range, to ensure top-quality audio for every customer.

“HARMAN’s AKG DMS70 system offers exceptional studio-quality sound thanks to its uncompressed digital audio transmission capability,” said Thomas Umbauer, product manager, AKG. “The DMS70 is designed for the most exacting applications where the highest level of wireless audio performance is required. It is especially recommended for guitar and bass because of its ideal frequency response between 20 Hz to 20 kHz.”

DMS70 is ideal for live sound, club sound, conferences, seminars and school and universities – whenever quick and easy setup up is required. The entire DMS70 package includes: AKG’s DSR70 Quattro or DSR70 Dual Receiver, DPT70 Digital Pocket Transmitter and DHT70 Digital Handheld Transmitter, available with patented D5 acoustics or DHT70 Perception with standard supercardioid capsule. The DSR70 Quattro includes a rack mount kit, power supply and other accessories. DMS70 systems are fully compatible – able to be customized and combined for any customer’s needs.

All DMS70 devices are available separately or in the following prepared packages: The Vocal Set, Instrumental Set and the mixed version of Vocal/Instrumental Set. The Quattro “Q” sets include two digital transmitters and the Dual “D” sets, one digital transmitter.

All DMS70 devices feature bidirectional communication between the transmitter and receiver. The dynamic frequency selection provides “intelligent” operation in the crowded 2,4 GHz band, enabled by digital diversity from receiver and transmitter side. Its easy setup functions make the system simple to use, even for less experienced operators, while the AES 128-bit encryption ensures secure 2-way wireless communication.

The DSR70 Quattro receiver can work with up to four channels of audio in parallel, which can be mixed down directly to its balanced XLR sum output. The DHT70 mic employs AKG’s patented dynamic D5 capsule to deliver outstanding sound quality with less feedback and handling noise.

Based on the bidirectional communication DMS70 offers a number of additional new and unique features, including power off from receiver side for all connected transmitters, battery status monitoring, adjustable mic/guitar input level (DPT70), high/low level gain switch (DHT70) and more.

For more information about AKG and DMS70, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

Las Vegas, June 13, 2012 – Sennheiser [InfoComm 2012 booth C9736] has chosen the InfoComm show to unveil its first microphone that employs groundbreaking Audio Video Bridging (AVB) technology. The audio specialist is one of the first companies to use this technology in a product, proving that the AVB networking standard is no longer a distant dream.

As a technology leader, Sennheiser has always had a decisive influence on designing the audio world. With the development of the first AVB microphone, the family-owned company is showcasing the application of the new networking standard at this year’s InfoComm in Las Vegas. “We are convinced that AVB will play a major role in the future,” said Sennheiser product manager Kai Tossing. “That’s why we are especially pleased to be able to present the first Sennheiser microphone with AVB technology at this year’s show.”

New technology meets proven audio quality
Sennheiser’s AVB microphone was developed as part of a study. At the moment, it is still a prototype and will not be available in this form as a product in the market. Nevetheless, as the successful outcome of a product study, it proves that Sennheiser’s renowned audio quality can be transmitted into a digital Ethernet network without problems. The microphone also demonstrates that AVB technology already functions as a network technology for tomorrow.

Visitors can experience the Sennheiser AVB microphone in action on the stage in the AVnu Pavillon. More examples can be found at the Sennheiser booth.

Advancing the AV industry with AVB
Sennheiser is a member of the AVnu Alliance, an industry forum dedicated to the advancement of professional-quality audio video. Its key objective is to establish Audio Video Bridging (AVB) as a standard technology for A/V applications such as microphones, loudspeakers, laptops, beamers and many other devices.

Visit Sennheiser at the InfoComm show in the Audio Pavilion, Booth C9736, or in the AVnu Pavilion.

LAS VEGAS, Nevada – With a continued focus of providing the highest quality and most versatile microphones available, HARMAN’s AKG announces its latest addition to its installed systems – the Discreet Acoustics Modular PLUS Series. With a wide range of goosenecks and installation modules available, the Discreet Modular PLUS Series offers optimal adaptation for all types of room setups and speakers, with quick microphone capsule exchange.

The reliability stemming from the models’ LED Ring underscores the ability to reduce the risk of operating errors, sturdy material to reduce fatigue and improved protection from signal block outs. The LED Ring uses special circuitry to operate off standard phantom power, as two separate leads carry supply voltage and provide extra shielding to the audio signal.

The Modular PLUS Series’ interface module connects the high-quality gooseneck to the phantom power source, which adds flexibility to all mounting modules. The self-cleaning connector is reliable, inconspicuous and safe – allowing for simplified and cost-effective microphone replacement. The goosenecks themselves are tested under extreme circumstances, bent and twisted into extreme shapes, ensuring their quality and flexibility.

“AKG has specialized in developing, designing and manufacturing quality microphone capsules for more than 60 years and the Discreet Acoustics Modular PLUS Series is a testament to the continued strategy to offer the best in sound in any mic’d application,” stated Thomas Giczy, Business Development Manager Installed Sound and Conferencing, AKG. “The variety offered through the Modular PLUS Series, from the power offerings to the mounting and capsule modules, is the best in class and will provide optimum audio for videoconferencing or presentations around the world.”

The CK43 supercardioid condenser capsule offers users a 95-degree pickup angle, ideal for situations where unwanted noise pickup is a concern. The CK49 is a reference condenser capsule with an 80-degree pickup, with clean, off-axis response. It is ideal for use with inexperienced speakers, focusing on the voice when the speaker is distant, and reducing pop if close to the mic.

AKG’s Gooseneck GN155M is a 155cm module with a heavy, shock-mount floor stand that works perfectly as a stand-alone unit or on stages placed in front of a large group of instruments or speakers. HM1000M is a reference-hanging module used to fly mics from the ceiling to record or reinforce music or speech in houses of worship, theatres or conference halls.

AKG’s PAE M reference powering module offers the phantom power for fixed and mobile installation, providing a gold-plated, 3-pin XLR connector. Its wide voltage range fits most mic mixers. PAESP M is a programmable power module for fixed and mobile installation, fitted with a unique binary coded decimal switch to recall operating modes. PAESP M’s noiseless mic switch reduces its level by 26dB, avoiding the irritating crackling sound when phantom power is interrupted. The PAE5 M provides a 5-pin XLR connection allowing audio signal and central voltage to be fed separately.

The four different powering modules, five mounting modules and three capsule modules combine and add up to a total of 60 different microphones combinations.

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

LAS VEGAS, JUNE 13, 2012 – DPA Microphones, the manufacturer of high-level reference and headset microphones, is presenting its d:vote™ range of instrument microphones at InfoComm 2012 (Booth C9850). DPA’s d:vote is ideal for live performance settings requiring high-quality, discreet mics that are effortless to change. Building on the success of the highly acclaimed 4099 instrument clip mic series, d:vote features an enhanced shock mount to provide even better absorption.

DPA’s 4099 instrument microphones have been widely embraced by internationally known artists, including Sting, Randy Brecker, Wayne Shorter, John Patitucci and Bobby Ricketts. More natural sounding than any internal microphone or pickup, d:vote rejects unwanted noise and accurately captures the true voice of acoustic instruments. Now, just one microphone model can beautifully reinforce an entire orchestra.

In addition to the shock-absorption upgrades, the new d:vote instrument microphones now feature a cable available in heavy duty 2.2 mm (0.087 in) and 1.55 mm (0.061 in) diameter versions, which can be detached from the end of the gooseneck. Further flexibility is available through an extension unit for the gooseneck supplied with the mic, which lengthens its neck by 50 percent.

“After a long introduction, the 4099s have more than tripled in sales over the last two years, and continue to post strong sales numbers,� says DPA CEO Christian Poulsen. “When upgrading our mics to the d:vote, we have listened to what our users want. The improvements make it even more durable and less sensitive to noise. The new extension unit brings maximum value to demanding applications, achieving just the right sound from the instrument.�

The d:vote condenser mics feature supercardioid polar patterns for highly uniform off-axis frequency response and superior gain before feedback. Capable of handling high sound-pressure levels, these microphones live up to DPA’s pedigree of breathtaking clarity and richness.

Despite its tiny, discreet size and lightweight design, d:vote is rugged and stable, with a versatile and extendable gooseneck that provides stable positioning. The mics can easily be unclipped and repositioned, or moved to another instrument, with only one hand. d:vote’s microphone mounting system is designed to be extremely gentle, never marring the finish of an instrument.

The d:vote MicroDot connector and more than 35 DPA adapters ensure compatibility with virtually any wireless system. The product can also be used as a standard 48V phantom-powered microphone via its supplied XLR connector.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information about DPA Microphones, please visit www.dpamicrophones.com.

SUDBURY, Mass. — June 13, 2012 — Revolabs Inc. today announced new service and support initiatives designed to enhance the customer experience. The company has introduced — and is now shipping — all microphones with field-replaceable batteries. In addition, to better support its customers, Revolabs has expanded its manufacturer’s warranty and introduced new revoCARE extended service coverage. more

LAS VEGAS, Nevada – Continuing to offer leading audio quality to professionals and consumers alike, HARMAN’s AKG introduces its CBL410 line of personal conference microphone sets. The USB-powered systems provide users a significantly higher quality, yet simple-to-use microphone opposed to built-in communication devices on personal computers. AKG’s reputation for quality and reliability take personal and business calls to new levels with CBL410.

With the majority of personal and business computers containing a built in camera and microphone, users often settle for the lower quality equipment already installed. AKG’s CBL410, which is available in conference VoIP and workstation interface sets, provides individual workstations the ability to improve audio quality for calls.

The conference set features three CBL410 PCC individual PC workspace solutions, available in white or black, with 3.5mm/1/8″ stereo jack mic inputs. CBL410 workstation sets offers one single workstation with cascadable ability for additional PCC units and a pair of K20 headphones. CBL410 PCC’s increase the sound quality for conferencing, which allows for more reliable and professional meeting protocol. Both sets include a GHAP1 USB adapter for alternative power.

“The Plug and play CBL410 stations offer an affordable, yet higher quality conferencing solution for the business professional who relies on services such as VoIP or Skype,” stated Thomas Giczy, Business Development Manager Installed Sound and Conferencing, AKG. “AKG’s leading capsule technology allowed us to create a close distance mic with a wide speaker distance for a massive improvement in small-scale conferencing system technology.”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

SUDBURY, Mass. — June 7, 2012 — Revolabs today announced that it has joined the Cisco Developer Network as a Solution Developer within the Cisco TelePresence technology category. In addition, the Revolabs HD(TM) Single/Dual Channel wireless microphone system version 2.6 has successfully completed interoperability testing with the Cisco C40/60/90 and MXP Codecs, all versions. more

Acoustics First® has ‘amped up’ the Cloudscape® line of ceiling baffles. These acoustical baffles reduce reverberation in applications such as gymnasiums, auditoriums, performance venues, theaters and restaurants. They can be suspended from open truss and pre-engineered suspension systems or alternatively mounted direct to a roof deck or wall. In addition to the standard 4′x2′ x1.5″ PVC encapsulated ‘echo-nomical’ baffle, Acoustics First® has expanded the selection to include three alternate finishes. If you wish to upgrade the size of the standard PVC Cloudscape® Ceiling Baffle, we now have a 2″ thick option available in sizes up to 4′x10′, with some limitations. If you wish to upgrade the finish, you can choose the durable rip-stop nylon sailcloth (CSBF2S) with 9 color choices. If sailcloth doesn’t ‘float your boat’, choose the fabric encapsulated Cloudscape® Baffle. The CSBF2F is encapsulated in a sewn Guilford of Maine® FR701® fabric and will coordinate with the Sonora® ridgid acoustical wall panels. The acoustical ceiling baffles are extended even further with an offering of exterior grade fabric for outdoor applications. Overall, you now have 4 choices of baffle configurations, more sizes and 96 finish options. Additionally, all the 2″ thick options use environmentally friendly Ecose® glass fiber. For more information or to receive a quotation, please contact Acoustics First® via email, info@acousticsfirst.com, or call Toll Free 1-888-765-2900 (US & Canada).

Click for more information on Cloudscape Acoustical Ceiling Baffles.

Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include its patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers.

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation
PH: (804) 342-2900

Milford, NH – June 5, 2012 – Earthworks introduces two microphones from the new Installation Series, the IM3 and IM6, designed for permanent installation. The primary applications for the IM3 and IM6 include ceiling mounted teleconferencing, distance learning, surveillance, boardrooms, government facilities, and ambient room miking.

The IM3 and IM6 both feature a 30Hz to 30kHz flat frequency response and patented polar technology, allowing orators to maintain the same high intelligibility throughout the room without a reduction in sound level or a loss of high frequencies. The Installation Series microphones come standard with a cardioid polar pattern, 4.495 inch body, and white finish on exposed sections. The IM3 has a 3 inch gooseneck and the IM6 has a 6 inch gooseneck.

Pricing for the IM3 is $659 and $699 for the IM6. Volume pricing discounts available.

earthworksaudio.com

When the Hillsborough North Superior Court in Manchester, New Hampshire underwent reconstruction and modernization, they brought in K&S Electronics of Craftsbury, Vermont to upgrade their sound system.

According to K&S President Ken Atherton, “The system had to provide audio for media and function effectively as a PA system. Because we support the FTR (ForTheRecord) digital recording format, our challenge was finding microphones that would provide audio for live reinforcement and recording verbatim testimony in courtrooms with digital-ready audio quality and minimal background noise.

“A while back, we had used 905R Astatic mics for court service windows in Maine.� Atherton continues, “and were impressed with their signal-to-noise performance and vocal clarity. Based on that, we chose Astatic 915B and 920B goosenecks for six courtrooms in the Hillsborough project because they also have impressive signal-to-noise performance and outperformed more expensive microphones.

“We also installed the Astatic 905R at the witness stands because their short length, tight pickup pattern and outstanding sensitivity at picking up soft-spoken witnesses allowed them to be mounted at a greater distance, which also provided a larger work surface. The mics also have a minimal visual impact because of the miniature gooseneck design.

“For the attorneys, we chose Astatic 40-117 microphone stands, which we use in virtually all installations. The muting function is essential for attorney-client privacy and the stand also lends itself well as a platform for modifications. We typically mount either a jack, for wired hearing assistance, or switches that can be wired for sound system-muting applications.�

The rest of the system upgrade included Shure SCM810 8-channel mic mixers, TOA A-912MK2 amplifiers, and Electro-Voice loudspeakers. Atherton also points out that the Shure mixers’ noise gating function teamed effectively with Astatic mics to further increase the gain-before-feedback.

Summing up, Ken explains “We’ve found that the price point of Astatic microphones make them an excellent choice in today’s economy without any compromises in quality. Comparing them with other brands, we’ve found they perform as well as brands that cost three times as much. And for Hillsborough, their performance was definitely up to the recording quality of the FTR system. They are quiet, natural-sounding microphones, which makes them an ideal choice for courtroom applications.�

For more information about CAD Audio and Astatic Commercial, please call 800.762.9266 or visit www.cadaudio.com.