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Archive of the Microphones Category

The Band The xx Joins DPA Microphones d:facto™ Vocal Mic Fan Club

Award-winning band The xx has bought two DPA d:facto™ II Vocal Microphones after being impressed by their audio quality and ability to deliver an incredibly natural sound during a recent tour of the US.

The band, which comprises Oliver Sim, Romy Madley-Croft and Jamie Smith, won the 2010 Mercury Music Prize for their debut album xx. They were introduced to DPA’s d:facto Vocal Microphones by their live sound engineer Rik Dowding who was keen to find an alternative to the microphones Oliver and Romy had been using.

“One of the most important things about working with this band is the translation of the very intimate, late night vocals of the albums to a live situation,” Dowding says. “Higher mic gains introduce unwanted stage noise into the microphones, especially in smaller venues. In order to get that ‘in your face’, yet delicate sound, I needed a mic that had great feedback rejection. In truth, I’d been looking to improve our microphone choice for some time.”

Dowding’s solution was to hold a microphone shoot-out to see what else might work. His monitor engineer, Craig Donaldson, recommended including the new DPA d:facto vocal microphone after reading an article about them in the trade press.

“DPA has a great reputation for audio quality so we were interested to see what this new vocal microphone was capable of,” Dowding says. DPA’s UK distributor Sound Network was happy to supply a demo unit and the battle began.

“It was immediately obvious that the d:facto was the best microphone on show, especially for Romy who has a very warm, breathy and distinctive voice with some sibilance,” Dowding says. “To deal with that we needed a microphone that could deliver exceptional audio clarity, yet not display the usual Rock n’ Roll coloured sound associated with proximity effect and artificial high mid boosting. The d:facto was perfect – in fact Romy noticed the difference immediately, noting how much clearer her voice sounded when she heard it through her in-ear monitors. It was also noticeable to me how good the mic’s feedback rejection was.”

The DPA d:facto Vocal Microphone was tested even more thoroughly at a pre-US tour gig at Brixton Academy, London, and once again it performed flawlessly.

“At that point we decided to use it for Oliver’s vocals as well because we were so pleased with the sound we were getting,” Dowding says.

The xx toured the US with d;facto vocal microphones and are using them on the next leg of their tour which takes place in Australia. They also used them for a gig at Abbey Road Studios where they were recorded for a live session on Absolute Radio.

“There is no doubt that the d:facto Vocal Microphone does take a while to get used to because it doesn’t colour the sound and has a flat response,” Dowding adds. “But once you realise how good it is in dealing with proximity effect, and how much clarity it delivers, you quickly become a convert. Add to that the ability to use it with most wireless systems without compromise and you have a very powerful package.”

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Editors’ information:

DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

FUTURELIGHT ENTERTAINMENT FINDS SUCCESS WITH LECTROSONICS

**** Photo: Stephanotis ‘Nōtis’ Fulivai ****

Rio Rancho, NM – March 2013… Be it live show concert sound, location sound recording for TV and film, special events such as the NY Film Festival, theatrical projects, etc., FutureLight Entertainment is a management, production, and creative design company specializing in delivering artistic and revolutionary content for all platforms of entertainment media. With well-known projects such as ABC’s Ugly Betty and concert work for artists such as Pitbull and Carlos Santana to their credit, the ability to deliver the best possible audio quality is a given. That’s precisely why the FutureLight Entertainment team relies on Lectrosonics wireless microphone technology. more

Live Events Professionals Come Together for InfoComm 2013

Hands-on learning, Live Events best practices to be focus at leading commercial audiovisual show

InfoComm 2013 will introduce the latest trends, best practices and solutions for the Live Events industry, at the annual show, June 8-14 at the Orange County Convention Center in Orlando, FL. InfoComm 2013 will feature exhibitor pavilions, technology demonstrations and educational programming for live events professionals including access and hands-on training for the newest and most advanced in rigging equipment, LEDs and projection systems, large-venue audio systems, lighting fixtures and controllers and more.

Live events have become more intricately designed, with demand for spectacular visual effects and stunning sound clarity. “Whether for a concert or a product launch, audiovisual professionals are tasked with putting on an engaging, exciting event,” said David Labuskes, CTS, RCDD, Executive Director and CEO, InfoComm International. “The training, sharing of best practices and access to all the top manufacturers at InfoComm 2013 will aid today’s AV professionals in exceeding their customers’ expectations for excellence.”

Lighting & Staging Pavilion
The Lighting & Staging Pavilion, located on the show floor, is the hotspot for equipment demonstration and testing, presentations and interactive trainings geared toward live events professionals. The Production Camera Showcase, featuring the latest video cameras, will allow attendees to participate in a post-production experience with feeds from the showcase stage, and the Rigging and Staging Demo will find IATSE professionals demonstrating safe rigging practices using truss, motors, hardware, lights, line arrays, LEDs and safety harnesses.

InfoComm 2013 Lighting and Staging Exhibitors include:

● A.C. Lighting
● Christie Digital
● Daktronics
● JBL
● Elation
● Chauvet
● Barco
● Dataton
● TMB

Staging and Live Events SuperTrack

InfoComm University™ is offering education for business and operations managers, including Staging and Live Events Management; Digital Image Content in Live Event Production; Business Trends in Rental & Staging; Must-Have Technology for Your Next Event; Principles of Live Mixing; Audio 401: Limiters, Equalization, and Multi-Zone (Distributed) PA Systems; and Mix it Up — Live Audio Workshop.

InfoComm 2013, the largest commercial audiovisual show, expects more than 35,000 attendees, including commercial service providers and end-user technology managers from wide-ranging market sectors, including business, government, military, education, worship, healthcare, hospitality, retail and entertainment. Along with a trade show floor that exhibits the latest from all of the industry leaders in audiovisual, staging, signage and more, the educational programming provides attendees with opportunities to develop skills and update certifications during the conference.

For more news on InfoComm 2013 before, during and after the show, visit infocommshow.org
or follow the show on Facebook, and Twitter and the InfoComm 2013 Blog.

InfoComm is sponsored by Blackmagic Design, Christie, Crestron, Panasonic and Samsung.

DPA Microphones Help Morgan Ågren Demonstrate Drum Miking

DPA Microphones played a vital role in helping nearly 100 studio engineers get to grips with the black art of miking a drum kit during a workshop seminar given by Grammy award-winning drummer Morgan Ågren.

Entitled Producers Seminar: Drums with Morgan Ågren, the seminar took place in Stockholm and was hosted by Swedish Studio Magazine, in conjunction with DPA Microphones and Avid/Pro Tools. Opus3 label founder and “Microphone Doctor” Jan-Eric Persson was also a guest speaker.

“The aim of this workshop was to show how to record and mix drums and percussion,” Morgan Ågren explains. “There was a strong focus on sound ideals and I used examples from my own Pro Tools sessions, with and without software plugins, to demonstrate the points I was making. I also played some CDs that I have mixed and some that I simply find inspiring.”

Ågren used a DPA d:vote™ 4099 Instrument Microphone on his kit-pig compact drum kit. To demonstrate transient response he conducted a test with a similar microphone from another manufacturer and the audience reaction to the DPA d:vote was incredibly positive. He also explained the advantages of having as few different types of microphones as possible so that the sound blended together better. His personal preference is for DPA microphones, which he likes to use for all of the instruments he is recording.

Ågren also discussed the importance of recording as cleanly as possible, and referred this back to his own experiences where he is often recording for people who are not 100% sure of the character they want for the final version of the track. He explained that it was important to leave that decision to the person who was going to mix the track so that they could decide on the sound they wanted.

To complete the seminar, Ågren gave a practical demonstration of drum kit miking using DPA 2011 Twin Diaphragm Cardioid Microphones. Designed to offer a linear off-axis response in a smaller frequency bandwidth, DPA 2011 microphones make stage separation and gain-to-feedback higher and microphone level easier to control.

“I always use DPA microphones because they sound better than any other mike I’ve tried,” Ågren says. “They even sound better on the snare, which is rare for a condenser mike. I now own 12 DPA microphones and during this seminar I was happy to tell the audience why I like them so much.”

Born in Umeå, Sweden, Ågren has been a drummer since the age of four and first performed live when he was seven. In conjunction with blind keyboardist Mats Öberg, he formed the Mats/Morgan Band in the mid-1990s and began releasing CDs on his own label, Ultimate Audio Entertainment. The band has subsequently toured in Europe, Asia and the USA where Ågren and Öberg’s superb playing ability has amazed progressive jazz/rock audiences.

As a drummer, Ågren has also played and recorded with many internationally acclaimed artists including Frank Zappa, Bill Laswell, Steve Vai, and Mike Keneally. He was also voted No.1 in Modern Drummers reader’s poll in the Fusion category and is widely admired by professional drummers on both side of the Atlantic.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Brings d:facto™ II Vocal Mic to Frankfurt Prolight + Sound 2013

With the launch of the new d:facto II Vocal Microphone, which will be on show for the first time in Europe at Prolight + Sound 2013 (Booth 8.B60), DPA Microphones has now broadened its range of products for the live stage by introducing a high quality vocal microphone that gives users unlimited possibilities for their performance.

This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

“The launch of the d:facto II Vocal Microphone is a major step for DPA as it means that we now have a microphone for every acoustic miking situation, whether you are amplifying or recording,” says DPA’s CEO Christian Poulsen. “Our highly regarded Reference Standard microphones have long delivered superb audio quality to musicians who want to use a microphone on a stand, while our innovative d:vote™ 4099 Instrument Microphones and our range of miniature microphones are ideal for those who prefer to have their microphone mounted on their instrument. With d:facto II we can now offer the same renowned DPA sound to vocalists who can choose the wired d:facto II or the wireless d:facto II if they prefer the freedom of movement that a wireless microphone delivers. And, of course, for an even more mobile solution we have the lightweight, easy to wear d:fine™ headset microphones that are so popular with theatre and musical productions and is demanded for more and more live concerts where the singers require superior sound while dancing and performing.”

The new d:facto II guarantees users exceptional DPA sound with popular existing wireless systems such as Sony, Lectrosonics, Shure, Wisycom and Sennheiser. To achieve such a high level of audio quality, DPA had tothink differently.

“These systems deliver very limited power to drive our high-end microphone capsule, so we had to be creative and put a huge amount of work and thought into the electronic circuit of the adapter solution,” Christian Poulsen adds. “We are extremely proud to have developed an ingenious adapter range that brings the acclaimed DPA sound out of a wireless system. We wanted to be completely true to the input of the vocalist, and with d:facto II we have reached this goal.”

Equally at home in sound reinforcement and recording applications, the d:facto II is the vocal microphone that the music industry has been waiting for. Its simple plug-and-play features allow it to reproduce an extraordinary natural sound, which reaches the extreme sound level handling of 160 dB. As with all DPA mics, the d:facto II is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. It also sets new standards its robust three-stage pop protection grid that ensures the removal of unwanted noise.

At Prosound + Light 2013, folk pop band SHEL will be performing on the DPA booth using the new d:facto II vocal microphones in several wireless configurations. Already fans of DPA’s d:vote 4099 Instrument Mics which they use on their violin and djembe drums, SHEL recently took the d:facto II Vocal Microphone on the road for concerts in Denver, Salt Lake City and Los Angeles where they performed at the NAMM show.

Alongside the new d:facto II, DPA will also be showing new solutions for its Reference Standard range of microphones, including a new and unobtrusive gooseneck cable that is available in several lengths. Furthermore, DPA will show the supercardioid d:vote 4099 instrument microphone mounted in an elegant gooseneck – perfect for capturing the sound of drums and other static instruments.

Visitors to the DPA booth will have the opportunity to win a DPA microphone by having their badge scanned and entering a free draw.

-ends-

Editors information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Professional Wireless Systems RF Coordination Puts Signal Interference Out of Bounds at 2013 NBA All-Star Game

HOUSTON, FEBRUARY 26, 2013—Professional Wireless Systems (PWS), a Masque Sound Company, and experts in supplying and supporting wireless systems for live, broadcast events and installations, provided frequency coordination for all wireless microphones, intercoms, in-ear monitors, IFB systems and player mics for the 2013 NBA All-Star Game at the Toyota Center in Houston, Texas. This marks the seventh year PWS provided RF support for the NBA All-Star Game weekend. In addition to the game itself, PWS also handled frequency coordination for the NBA’s Jam Session at the George R. Brown Convention Center, as well as all other official events, including the Slam Dunk Contest and Three-Point Shootout.

With an event like the NBA All-Star Game, production staff must carefully coordinate all wireless technologies to ensure their frequencies do not interfere with one another. To this end, PWS began strategizing its frequency coordination for the NBA All-Star Game weeks before the actual game. “The NBA is extremely proactive in regards to RF communications and we work closely with them leading up to the All-Star weekend so we are well-prepared going in,” says Brooks Schroeder of PWS. “Once we actually got on site, we were able to move users around the spectrum as needed to ensure things operated smoothly without interruption.”

The PWS team was responsible for managing close to 500 frequencies at the Toyota Center in Houston, a large television market with a heavily saturated spectrum. Facing this reduced amount of spectrum space, PWS took extra care to stay on top of all users to ensure they were working within the guidelines.

For the All-Star Game, the NBA provided an in-house 2.4GHZ Wi-Fi system. PWS was tasked with coordinating and managing the system—tracking down uncoordinated and rogue devices to help maintain good signal and data flow. Once located and identified, the individuals or clients who were out of compliance were asked to shut down or move to an acceptable Wi-Fi channel.

In addition to frequency coordination, PWS collaborated with Quantum Q5X to manage the player microphones for the All-Star Game. Quantum Q5X provided its QT-5000 Microphone System, which users can control remotely and wirelessly. Sewn into the jerseys of eight of the players, the rechargeable, flexible and customized QT-5000 transmitters allowed game broadcasters to build packages that could be rolled into the game, and provided audio for NBA Films productions to use for archival purposes and any future shows. The rubberized, flexible, water-and-sweat-resistant QT-5000 body pack will not injure the player even if he falls on it or takes a direct hit. John Garrido from PWS and Quantum Q5X’s Mark Donkers managed the system together.

The antenna system utilized for the player mics was the PWS Domed Helical which is a new standard in wireless antenna performance and physical presence. The antenna combines the highly successful circular polarization configuration pioneered by the original PWS Helical, but with the unit sealed within a unique new compact “domed” design. This provides robust, uncompromised multichannel wireless microphone, in-ear and intercom wireless connectivity. Constructed from rugged polycarbonate, PWS’s Domed Helical is designed to hold up to considerable road-related abuse.

“The NBA All-Star Game and associated events are always challenging for us, but our team has extensive experience in coordinating large events and does a fantastic job,” adds Jim Van Winkle, general manager of PWS. “We look forward to working on this event each year.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies” and “Once” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

DPA Microphones Congratulates Les Miserables Sound Team On Its Oscar and BAFTA Awards Success

DPA Microphones would like to extend its congratulations to Andy Nelson, Mark Paterson and Simon Hayes for their recent success at both the Oscar and BAFTA Award Ceremonies where they carried off the top accolades in the Sound Mixing categories for their work on Les Miserables.

DPA’s 4071 Lavalier Microphones played an integral part in recording the audio for the film version of Les Miserables, which features an all-star cast including Hugh Jackman, Russell Crowe, Anne Hathaway, Samantha Barks and Sacha Baron Cohen.

The Les Miserables sound team used an innovative technique that involved recording vocals live on set with the cast singing to a live piano accompaniment played to them through earpieces. The orchestra was recorded later in post-production, with the musicians taking their lead from the performances of the cast. This break with tradition enabled director Tom Hooper to create a truly emotive experience for audiences watching the film.

Production Sound Mixer Simon Hayes, who was responsible for capturing the film’s entire audio content, says it was a truly unique way of working and one that would not have been possible without exceptional microphones, in particular DPA 4071 lavalier microphones.

Hayes had 50 DPA 4071 lavalier microphones at his disposal during the filming of Les Miserables, all of which were supplied by Richmond Film Services in conjunction with DPA’s UK distributor Sound Network.

“They are the only lavaliers that could cope with what we were trying to do,” he says. “In my opinion the DPA 4071 microphone is better, more open sounding, less chesty and sounds more like a boom mic than any other lavaliers I have heard.”

Hayes adds that he is honoured to have won both an Oscar and a BAFTA for his work on Les Miserables.

”These awards celebrate the collaborative effort of the cast and crew to bring live musical sound to cinema audiences,” he says. “Lots of people thought what we did wouldn’t be possible, but we pulled it off and I am very proud of what we achieved.”

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Capture an Operatic Sensation

Sound Specialists RG Jones chooses DPA d:vote™ 4099 Instrument Microphones to capture the orchestra during a series of concerts by mezzo soprano Katherine Jenkins

LONDON, FEBRUARY 22, 2013 – Audio hire specialist RG Jones specified a wide selection of DPA Microphones’ 4061 Omni Miniature Mics and d:vote™ 4099 Instrument Mics for a recent series of concerts by Katherine Jenkins, a multi-platinum selling mezzo soprano and one of Britain’s best-loved singers.

For two weeks at the end of 2012, Katherine Jenkins sold out venues around the U.K. and Ireland, including London’s Royal Albert Hall. During the tour she was supported by the National Symphony Orchestra and London Philharmonic Choir, conducted by Anthony Inglis. She was also joined by guests such as The Boy Choristers of St. George’s Chapel, Windsor Castle and The Band of the Welsh Guards.

RG Jones supplied all of the audio equipment for the tour and specified DPA Microphones for the orchestra. A total of 14 4061 miniature microphones were used to capture the sound of the strings, while the low strings and the brass section were miked using 10 d:vote 4099 Instrument mics.

“We chose the DPA 4061 omni miniature microphones for the strings because those are a tried and tested method for achieving high-quality close miking,” says Steve Carr, front-of-house sound engineer. “The DPA d:vote 4099 Instrument Microphones give you all the benefits of the 4061, but with a super cardiod pattern. This is very useful for isolating the sources in the middle of a loud orchestra. Although we close-miked the orchestra, we tried to also get a rounded, open orchestral sound by blending reverb effects and ambient mics with the close mic sounds.”

RG Jones carries a large stock of DPA Microphones, all of which were supplied by DPA’s UK distributor Sound Network. Carr adds that he was delighted with the results the DPA microphones achieved during the Katherine Jenkins tour. “I’ve been using DPA microphones for many years now and am always very happy with the sound they deliver,” he says.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

DPA Microphones’ d:facto II Vocal Mic Makes Its Rental Debut

ALLEROED, DENMARK, FEBRUARY 21, 2013 – After a live test of DPA Microphones’ original d:facto™ Vocal Microphone at London’s Royal Festival Hall, sound production and rental company RNSS was so impressed with the mic’s performance that the company has placed an order for six of the new d:facto II Vocal Microphones.

Prior to the purchase, RNSS specified DPA d:facto Vocal Microphones as part of the audio equipment for the London Jazz Festival, an annual event produced in association with BBC Radio 3. Hailed as the capital’s biggest pan-city music festival, The London Jazz Festival featured artists such as Herbie Hancock and Lucinda Williams.

“We have had a long association with DPA Microphones and already carry a large stock of the company’s products,” says Richard Nowell, director of RNSS. “I was intrigued by the new d:facto Vocal Microphone and was keen to try it out. The Jazz Festival gave us the perfect opportunity to put it through its paces. We borrowed two d:factos from DPA’s UK distributor Sound Network and used them as high-end alternatives to our usual vocal mics. The mics performed flawlessly and delivered exceptional sound that was much appreciated by the artists and the sound crew. The mics’ ability to filter out unwanted noise meant that we could safely use them for singers who were performing in front of an orchestra without the risk of vocals being drowned out.”

One of the artists who used DPA’s d:facto Vocal Microphone was Kris Kristofferson who performed at the Royal Festival Hall shortly after the Jazz Festival.

“We held onto the microphones because we liked them so much and wanted to use them for Kris’ concert,” explains Nowell. “Kris is interested in sound and is always open to trying something new. He really liked the structure and tonal quality of the d:facto and was very happy with the results it delivered.”

Equally at home in sound reinforcement and recording applications, DPA’s new d:facto II Vocal microphone offers an extraordinarily natural sound, high separation and extreme SPL handling, giving users unlimited possibilities for their performances. In addition to use with the new wired DPA handle, the d:facto provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems including Sony, Lectrosonics, Shure, Wisycom and Sennheiser. The d:facto provides improved audio performance as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly.

RNSS will be taking delivery of its new DPA d:facto Vocal Microphones in a few weeks time and is already anticipating plenty of interest.

“We have decided to buy six of the new d:facto II microphones so that we can use them with our existing wireless systems,” concludes Nowell. ”We see huge potential for these microphones as rental items because they are so versatile. The adapter system will give our customers plenty of options as they can either use a wired DPA handle or the professional wireless system of their choosing, with no loss in the sound quality.”

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

DPA Microphones Capture An Operatic Sensation

Audio hire specialist RG Jones specified a wide selection of DPA microphones for a recent series of concerts by Katherine Jenkins, a multi-platinum selling mezzo soprano and one of Britain’s best loved singers.

For two weeks at the end of 2012 Katherine Jenkins sold out venues around the UK and Ireland, including London’s Royal Albert Hall. During the tour she was supported by the National Symphony Orchestra and London Philharmonic Choir, conducted by Anthony Inglis. She was also joined by guests such as The Boy Choristers of St George’s Chapel, Windsor Castle and The Band of the Welsh Guards.

RG Jones supplied all of the audio equipment for the tour and specified DPA microphones for the orchestra. A total of 14 DPA 4061 miniature microphones were used to capture the sound of the strings, while the low strings and the brass section were miked using 10 DPA d:vote™ 4099 Instrument Microphones.

Steve Carr, who was the front of house sound engineer, says: “We chose the DPA 4061 omni miniature microphones for the strings because these are a tried and tested method for achieving high quality close miking. The DPA d:vote 4099 Instrument Microphones give you all the benefits of the 4061, but with a super cardiod pattern. In the middle of a loud orchestra this is very useful for isolating the sources. Although we close mike the orchestra, we try to also get a rounded, open orchestral sound by blending reverb effects and ambient mics with the close mic sounds.”

RG Jones carries a large stock of DPA Microphones, all of which were supplied by DPA’s UK distributor Sound Network. Carr adds that he was delighted with the results the DPA microphones achieved during the Katherine Jenkins tour.

“I’ve been using DPA microphones for many years now and am always very happy with the sound they deliver,” he says.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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