FRANKFURT, Germany – With a continued focus of providing the highest quality and most versatile microphones available, HARMAN’s AKG announces its latest addition to its installed systems – the Discreet Acoustics Modular PLUS Series. With a wide range of goosenecks and installation modules available, compatible with existing AKG CS5 modules, the Discreet Modular PLUS Series offers optimal adaptation for all types of room setups and speakers, with quick microphone capsule exchange – options never before available from a conferencing system.

The reliability stemming from the models’ LED Ring underscores the ability to reduce the risk of operating errors, sturdy material to reduce fatigue and improved protection from signal block outs. The LED Ring uses special circuitry to operate off standard phantom power, as two separate leads carry supply voltage and provide extra shielding to the audio signal.

The Modular PLUS Series’ interface module connects the high-quality gooseneck to the phantom power source, which adds flexibility to all mounting modules. The self-cleaning connector is reliable, inconspicuous and safe – allowing for simplified and cost-effective microphone replacement. The goosenecks themselves are tested under extreme circumstances, bent and twisted into extreme shapes, ensuring their quality and flexibility.

“AKG has specialized in developing, designing and manufacturing quality microphone capsules for more than 60 years and the Discreet Acoustics Modular PLUS Series is a testament to the continued strategy to offer the best in sound in any mic’d application,� stated Thomas Giczy, Business Development Manager Installed Sound and Conferencing, AKG. “The variety offered through the Modular PLUS Series, from the power offerings to the mounting and capsule modules, is the best in class and will provide optimum audio for videoconferencing or presentations around the world.�

The CK43 supercardioid condenser capsule offers users a 95-degree pickup angle, ideal for situations where unwanted noise pickup is a concern. The CK49 is a reference condenser capsule with an 80-degree pickup, with clean, off-axis response. It is ideal for use with inexperienced speakers, focusing on the voice when the speaker is distant, and reducing pop if close to the mic.

AKG’s Gooseneck GN155M is a 155cm module with a heavy, shock-mount floor stand that works perfectly as a stand-alone unit or on stages placed in front of a large group of instruments or speakers. HM1000M is a reference-hanging module used to fly mics from the ceiling to record or reinforce music or speech in houses of worship, theatres or conference halls.

AKG’s PAE M reference powering module offers the phantom power for fixed and mobile installation, providing a gold-plated, 3-pin XLR connector. Its wide voltage range fits most mic mixers. PAESP M is a programmable power module for fixed and mobile installation, fitted with a unique binary coded decimal switch to recall operating modes. PAESP M’s noiseless mic switch reduces its level by 26dB, avoiding the irritating crackling sound when phantom power is interrupted. The PAE5 M provides a 5-pin XLR connection allowing audio signal and central voltage to be fed separately.

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

FRANKFURT, GERMANY, MARCH 21, 2012 – DPA Microphones is pleased to announce the unveiling of its new d:vote range of instrument microphones at Prolight + Sound 2012 (Hall 8, Stand F22). Building on the success of the highly acclaimed 4099 instrument clip mic series, d:vote has been enhanced with a new shock mount to provide even better absorption.

DPA’s original instrument microphones have been widely embraced by international artists including Sting, Randy Brecker, Wayne Shorter and Bobby Ricketts. They are also indispensable tools for gigging musicians around the world, who appreciate the level at which the microphones can accurately capture their acoustic tone. In addition to the shock absorption upgrades, the new d:vote instrument microphones now feature a cable available in a heavy duty 1.55 mm and 2.2 mm diameter versions, which can now be detached from the end of the gooseneck. Further flexibility is available through an extension unit for the gooseneck supplied with the mic, which lengthens its neck by 50 percent. “After a long introduction, the 4099s have more than tripled the amount of microphones sold in the last two years and the curve is only going up,� says DPA CEO Christian Poulsen. “We have listened to what our users want and the new improvements make it even more durable and less sensitive to noise. The new extension unit brings maximum value to demanding applications, achieving just the right sound from the instrument.�

d:vote condenser mics feature supercardioid polar patterns for highly uniform off-axis frequency response and superior gain-before-feedback. Capable of handling high sound pressure levels, these microphones live up to DPA’s pedigree of breathtaking clarity and richness.

Despite its tiny, discreet size and lightweight design, d:vote is rugged and stable, while the versatile and extendable gooseneck provides stable positioning. The mics can easily be unclipped and repositioned or moved to another instrument with only one hand. d:vote’s microphone mounting system is designed to be extremely gentle, never marring the finish of an instrument.

The MicroDot connector and more than 35 DPA adapters ensure compatibility with just about any wireless system, and the product can also be used as a standard 48V phantom powered microphone via its supplied XLR connector.

ABOUT DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com or contact:

FRANKFURT, GERMANY – DPA Microphones is pleased to announce the launch of its handheld d:facto vocal mic at Prolight + Sound 2012 (Hall 8, Stand F22). Building off the success of the DPA reference standard cardioid 4011 microphone, the company has pooled its years of expertise and resources to bring the eagerly awaited, high-quality vocal condenser mic to the market. more

FRANKFURT, Germany – Originally launched in 1993, HARMAN’s AKG C3000 condenser microphone brought a remarkable level of quality and performance to musicians and sound engineers with a foundation of audio perfection and reliability. With the C2000, C4000 and C4500 BC debuting in the following years, the Project Studio Line was born. Nearly 20 years later, AKG’s workhorse C3000 is back, designed as a cost-effective, aesthetically beautiful mic, channelling the popular characteristics it maintained in the ‘90s.

The revamped Project Studio Line focuses on the home recording/project studio market, but the mics, underscoring the AKG’s reputation for versatility, perform just as well on stage. The new designs of the C2000, 3000, 4000 and 4500 BC maintain many of the technical aspects of the earlier models, but are now encased in a more sleek design, showcasing AKG’s quality and design work. The line’s edge-terminated capsule mimics AKG’s premium line of mics, including the C414 and C12VR.

“AKG’s new Project Studio Line takes a fresh look at a technology that has stayed true to the recording industry for 20 years, which is testament to the quality and reliability of our world-leading microphones,� stated Thomas Stubics, product marketing manager, recording and broadcast, AKG. “The relaunch of C3000 and company offers artists and engineers looking for a cost-effective, high-quality solution the opportunity to continue doing what they love, channelling their art in tremendous, warm and clear sound.�

The C3000 is best used for miking lead vocals, electric and acoustics guitars and for drum overhead applications. Its switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminates proximity effects. The C2000 small-diaphragm condenser sounds like a real large-diaphragm microphone but at a more affordable price. It is ideal for vocals, brass and percussions thanks to its great transient response and remarkable low end. Its low-noise electronics ensure low distortion and a high dynamic range.

The C4000’s high-performance, multi-pattern, large-diaphragm design provides exceptionally high headroom and low self-noise. With one of the widest dynamic ranges for condenser mics, the microphone provides users with excellent results in the studio or on stage. Its warm, dark-sounding character is perfect for thin vocals, bright brass and acoustic guitars.

AKG’s C4500 BC is specially designed for on-air broadcast purposes. The mic is designed with cardioid pickup for voice friendly tuning and low proximity effect, along with high RF/EMI insensitivity. Its low noise and 165dB maximum SPL capability make it an ideal tool for close micing of low instruments, such as bass drums, low brass and guitar amps.

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

Indianapolis, Indiana – March 8, 2012: In the fractured and multifarious landscape of modern media, the Super Bowl stands as a monolith, gathering the nation together before its television sets to partake of common experience. Indeed, this year’s game between the New York Giants and the New England Patriots was the most-watched program in television history, earning 111.3 million viewers. Of course, the modern Super Bowl experience includes much more than football. In addition to the multi-million dollar commercials, many are drawn to watch the celebrities and celebrity performances. This year, Country Music’s first couple, Miranda Lambert and Blake Shelton, kicked things off with a rousing duet. Shelton was later featured in his judge’s chair on the season premier of NBC’s hit, The Voice. At halftime, Madonna starred in a richly choreographed medley of her chart-toppers (to the tune of 114 million viewers – more than the game itself!). Rock-solid Sennheiser RF equipment gave everyone involved as much peace of mind as one dare hope at this, the most critical of all mission-critical events.

With a stirring rendition of “God Bless America,� Lambert and Shelton gave the Super Bowl a patriotic commencement. Lambert sang into a new custom-made pink Sennheiser SKM 2000-XP handheld mic with an MMD 935-1 capsule that was created for this event. Shelton sang into a Sennheiser SKM 5200-II handheld mic with an MD 5235 capsule. “On such a high-pressure show with so many top-of-their-field experts managing such a massive logistical undertaking, one has to be adamant to get the mics you want,� observed Brad Baisley, the duo’s monitor engineer. �Of course, Miranda used her new pink Sennheiser microphone, and Blake the Sennheiser SKM 5200. The top end is always superb, the sound is natural, and Miranda and Blake know how to work those capsules. Of course, Sennheiser’s RF has always been rock-solid for us, and that was proved once again at the Super Bowl. In addition to their great products, the assistance from Sennheiser’s Tim Moore was fantastic. He was extremely helpful in ensuring we had the equipment we needed in the appropriate frequency ranges.�

To put the magnitude of the Super Bowl in perspective, Madonna’s 2008-2009 Sticky & Sweet tour – the highest grossing tour by a solo artist and the fourth highest grossing tour of all time – played to 3.5 million people in just over a year’s time. If you crunch the numbers, Madonna would have to play over thirty such tours back-to-back to match her one-time TV-land attendance at the Super Bowl! “Once the show starts, there’s not a lot you can do if something goes wrong,� said Matt Napier, Madonna’s longtime monitor engineer. “The best – and really the only – thing you can do in a situation like that is to have the best equipment available and to prepare thoroughly. I trust Sennheiser in Madonna’s high-stakes concerts, and that trust was rewarded with a perfect performance at the Super Bowl.�

“On tour, we have our own dedicated RF tech,� said Napier. “But as a general rule, we keep things simple and reliable by using Sennheiser wireless exclusively and their Wireless Systems Manager software, which is an effective tool for managing our frequencies.� Madonna used the Sennheiser HSP 4headset at the start of the medley and then switched to a Sennheiser SKM 5200-II handheld Blake and Mirandatransmitter with an ME 5005 capsule for the remainder. All of Madonna’s guests (Nicki Minaj, MIA, LMFAO) used Sennheiser SKM 5200-II handheld transmitters with Neumann KK 104 capsules. Cee Lo Green’s mic used the MD 5235 capsule. Sennheiser EM 3732 receivers captured the on-stage magic for the wired world beyond. Finally, Sennheiser 2000 Series wireless personal monitors rounded out the equipment list for Madonna at her request.

“No matter where we’re playing, the combination of the Sennheiser SKM 5200-II transmitter, ME 5005 capsule, and EM 3732 receiver delivers fantastic audio quality and reliable, flexible RF performance,� said Napier. “Together with Sennheiser’s 2000 Series wireless personal monitors, we’re high fidelity start to finish, with rock-solid reliability and easy frequency coordination. In addition, having the full support of Sennheiser affords me peace of mind. We needed a gold-plated SKM 5200-II transmitter for Madonna and a chrome SKM 5200-II for Cee Lo. With no time to spare, Kristy Jo Winkler and Tim Hunten, Sennheiser, and Jason Bellamy at Soundtronics arranged the delivery of these transmitters. The mics were on their way the same day. That kind of service means a lot in this industry. A big thanks goes out to the Sennheiser team!�

AUSTIN – March 06, 2012: Audio specialist Sennheiser announced that it has partnered with music retailer UniqueSquared to bring a 45-foot mobile recording studio bus to Austin during its world-famous music week between March 14th and 16th. The UniqueSquared Mobile Studio, which will make stops at various locations in downtown Austin during its music festival, is being co-sponsored by Sennheiser and features a control room, isolated vocal booth / tracking room, a listening lounge and plenty of gear from Sennheiser and Neumann. Music fans are encouraged to attend and admission is free.

The UniqueSquared Mobile Studio will feature an assortment of world-class microphones from Sennheiser and Neumann and several dedicated listening stations equipped with a selection of the latest headphones from Sennheiser — including the HD 800, which many audiophiles consider to be the best-sounding headphone in the world. Following is a selection of the audio equipment that the mobile recording studio will have on hand for musicians and fans to demo:

– Sennheiser e 906, e 914 and MK 4 instrument / vocal microphones
– Sennheiser e 835 and e 935 dynamic vocal microphones
– Neumann TLM 103 condenser microphone
– Sennheiser Amperior, HD 25, HD 205, HD 280, HD 650,HD 800 headphones and others
– TRUE Systems P2 Analog preamplifier (distributed by Sennheiser)

“We are happy to co-sponsor the UniqueSquared Mobile Studio this year in Austin,� commented Tim Moore, artist relations manager, Sennheiser. “It is exciting to interact with so many diverse music fans in one place, and the Mobile Studio enables them to try out a wide range of Sennheiser and Neumann products in a professional environment before making a purchasing decision.�

The UniqueSquared Mobile Studio, which will also have products for sale, is being presented in conjunction with the Sennheiser / Paste party at The Stages on Sixth — where 33 artists will perform over the course of three days.

Over the course of the showcase event, one pair of Sennheiser HD 800 headphones will be given away each day to three lucky registered showcase attendees and hundreds of cards will be given away featuring free music downloads of Sennheiser artists. A dedicated, interactive listening station will be provided for the duration of the event so music fans can experience Sennheiser’s latest products including the Amperior DJ-style headphones, which were recently unveiled at CES 2012.

Los Angeles, California, March 1, 2012: This year’s Grammy Awards event, hosted by LL Cool J, celebrating music’s biggest night, went down in history as the second highest rated telecast since the show’s inception in 1959. It was a phenomenal undertaking showcasing nearly thirty diverse musical performances on multiple indoor and outdoor stages, along with a very last minute tribute celebrating the late Whitney Houston. So when Sennheiser artists took the stage, their engineers knew they had to have Sennheiser microphones to assure their performances would go off without a hitch.

Adele, the big winner of the evening, tied the record, set two years ago by Beyoncé, for the most awards won by a female artist in one year. The 23-year-old pop-soul singer won the night’s most prestigious awards, including Album of the Year and Best Pop Vocal Album for 21, Record of the Year, Song of the Year and Best Short Form Music Video for the single “Rolling in the Deep,� and Best Pop Solo Performance for “Someone Like You.�

The most highly anticipated performance of the evening finally arrived when Adele took the stage to perform “Rolling in the Deep.� Her favorite nickel-finish Sennheiser SKM 2000-XP wireless handheld transmitter with MMK 965-1 capsule conveyed her beautiful voice to the adoring crowd. Dave McDonald, Adele’s front-of-house engineer, said, “It’s a great microphone. We started using it just after the Brit Awards in February of last year, and she’s loved it ever since.� He adds, “Ninety-nine-point-nine percent of the equipment we use is Sennheiser – and the point-one percent is Neumann.� Her performance brought the Grammy audience to its feet for the longest standing ovation of the evening.

Foo Fighters, nominated in a total of six categories, swept the entire rock category, winning awards for Rock Song and Rock Performance for “Walk,� Rock Album for Wasting Light, Hard Rock/Metal Performance for “White Limo,� and Best Long Form Music Video for “Foo Fighters: Back and Forth.�

The band rocked the stage twice during the Grammy broadcast, performing “Walk� from a tent on Nokia Plaza, adjacent to the Staples Center, then returning to play “Rope� during the electronic dance music segment with David Guetta, Chris Brown, Lil’ Wayne, and deadmau5. Frontman Dave Grohl made use of his usual Sennheiser MD 431 II vocal mic on both songs. Ian Beveridge, Foo Fighters’ longtime monitor engineer, spoke highly of Dave’s vocal mic: “I love that microphone to death. That microphone is so unbelievably flat in the high-end, and incredibly stable with moisture and temperature. During their shows, we used to have terrible instability problems with other microphones, and I was going through maybe four, five or six microphones a show with Dave, swapping them out. Now, I keep the 431 for the whole show. I can’t remember the last time there was any feedback during Foo Fighters’ show. And these Grammy performances were no exception.�

Bruno Mars, channeling James Brown with his energetic, throwback performance of “Runaway�, had the singer using an SKM 2000-XP with MMD 945-1 capsule. James Berry, monitor engineer for Mars shared, “Sennheiser products have great sound and reliability. We could not have done it without Sennheiser. I’m always grateful for their gear and support in making it happen under the stress of a live event like the Grammys.�

Other Sennheiser users got to shine during the show, too, including the evening’s host, LL Cool J, who made use of an SKM 5200. Alicia Keys sang a duet with Bonnie Raitt in memory of Etta James through her SKM 5200-II vocal mic with MD 5235 capsule. Katy Perry made a memorable entrance, descending in a glass box with her baby blue hair and her SKM 5200-II/MD 5235 combination to perform her new post-divorce song, “Part of Me.� During a medley honoring and featuring Glen Campbell, Blake Shelton performed the songwriter’s “Southern Nights� using his SKM 5200-II /MD 5235 vocal mic. Tony Bennett, in a duet with Carrie Underwood on “It Had to Be You,� also used an SKM 5200-II.

(Photo Credit: © 2012 FilmMagic)

Old Lyme, Conn.– February 21, 2012: Few need an introduction to Lady Antebellum, who, in the four short years since its formation, has won six Grammys, scored six number one hits on country radio, has sold over six million albums across the globe and is currently on its 2012 Own The Nightworld tour. Sennheiser is supporting the tour with equipment, such as SKM 5200-II wireless vocal microphones and ew 300 IEM G3 wireless personal monitors, along with the expertise to ensure that no glitches ever distract from Lady Antebellum’s spellbinding performance. With an agreement brokered by Tim Moore, artist relations manager for Sennheiser USA, and Kristy Jo Winkler, Sennheiser global relations manager for the Americas and Canada, reigning Country Music Awards and Academy of Country Music Awards Vocal Group of the Year Lady Antebellum is now a Sennheiser Global Relations endorsed artist.

FOH engineer Brett “Scoop� Blanden was careful to select the perfect wireless vocal mic for the tour. “The stage setup includes a forty-foot runway that extends well in front of the house PA,� he said. “I needed a microphone and a capsule that would be well-suited to all six vocalists – who might all be on that runway at the same time! By using the same capsule, with the same frequency response and polar pattern, on all six mics, I am able to tune the PA without fear of the unpredictable interactions that can occur when different capsules are open on stage.� Blanden selected the Sennheiser MD 5235 dynamic capsule, which features a floating directivity that is super-cardioid at high frequencies and cardioid at low frequencies. The Sennheiser SKM 5200-II handheld RF transmitter completes the vocal setup, and two additional SKM 5200-II/MD 5235 combinations go to the opening acts.

Monitor engineer Peter Bowman organizes the RF channels for the show. “I have had zero RF issues since we made the switch to the Sennheiser 5000 series on vocals,� he said. “In addition, I’m also very happy with how useful the Command Function is for Lady Antebellum. Whether they need the guitar turned down or a cup of tea, they can communicate with ease from any point on the stage.�

Instrument mics include the Sennheiser e 901 on kick, the e 904 on rack toms, the e 902 on the floor tom, and a small diaphragm e 614 on the ride. “I’m particularly fond of the e 904 and e 902 on the toms,� said Blanden, who is himself a drummer. “I love the tonal picture of those dynamic mics – it’s familiar and comfortable to me. The frequency response and transient response are perfect. I can run those inputs flat on my channel strip because all the right color is captured by the mic. The convenient mounting hardware on the e 904 is also nice.� For all three guitar cabinets on stage, Blanden uses the classic Sennheiser MD 421-II. “What a standard! Even in my studio days,� he said, “I was always a fan of the MD 421 on guitars. It has the perfect combination of top-end bite and low-end growl to deliver the ideal rock ‘n roll guitar sound.�

In addition to the eight Sennheiser SKM 5200-IIs for vocals (and their associated command channels), Bowman manages eight Sennheiser EK 300 IEM G3 stereo wireless personal monitors, for a total of twenty-eight wireless frequencies. “I set them myself every day,� he said. “And with the scanning options available on both the G3 and 5000 series, that process is fairly simple. I love that when the monitor system is networked together, I have the ability to set all the transmitters to new frequencies using just one bodypack. I usually scan one bodypack during the day, even before I get power to monitor world, and then use it later to synch up all the transmitters.� For antennas, Bowman uses one Sennheiser paddle antenna and one Sennheiser A 5000?CP circularly polarized antenna. “Although I know there are several valid approaches, this system works well for me,� he said. “Our RF performance has been perfect.�

Even the band’s guitars and bass benefit from Sennheiser wireless technology. To navigate the tour’s large stage with the crowd-pleasing confidence that a wire won’t allow, every fretted instrument is equipped with a Sennheiser ew 572 G3 wireless transmitter, save for one acoustic guitar which uses an ew 572 G2 unit. There are eleven units in all. “Our RF performance has been absolutely flawless,� said guitar tech Steve Castro, who formerly worked with Sugarland. “We all work together to maintain clean channels. If someone gets stepped on, it’s a simple matter to use the scan feature to dial in a new clean channel.�

“The Sennheiser team has really gone above and beyond for us,� said Blanden. “Tim Moore has been there for us during the last four years. Throughout our trips to Australia, Europe and various television performances, Sennheiser is the gear we rely on for consistency wherever we are performing.�

Winkler added, “For decades, Sennheiser has supported emerging artists as well as mega-stars. All of us on the Global Relations team welcome Lady Antebellum to this special tier of artists and congratulate them on their creativity, musicianship, performance excellence, and industry dedication.�

(Photo Credit: © 2012 Adam Boatman)

San Francisco, CA, February 16, 2012 – With close to thirty years of experience in the pro audio conferencing field and an unmatched reputation for excellence in advice and service, David Dunn has joined the growing team of Media Vision USA as Senior Product Manager for the country of Canada.

Fully trained on the TAIDEN wired and wireless conferencing and language interpretation technologies, including the latest 8300 Series Paperless Multimedia Conference System, David Dunn is now available to support Canadian consultants and integrators with designing advanced communication solutions for VTC boardrooms, council chambers, auditoriums, international conference centers and a wide range of other meeting environments.

“Having Dave on-board is sending a strong message to our partners in Canada that we are committed to providing them the best support and that we’re there for the long term�, says Fardad Zabetian, CEO of Media Vision USA; “Canadians are very knowledgeable of conferencing and language interpretation technologies, so we needed a recognized expert in the field like Dave to be their point of contact� added Fardad mentioning David Dunn’s experience with the respected competition Bosch and DIS.

For David Dunn, this new role supporting TAIDEN technologies is opening a world of opportunities. “I appreciate being able to offer clients such a large range of options in terms of features, design, as well as hardware and software customizations� he comments, adding that “Working with the dynamic Media Vision team on such exciting technologies is all I could hope for at this stage of my career�.

David Dunn is based in Toronto and offers support all across Canada. Contact him at david@mediavisionusa.com or via phone at 1.416.694.5425

About Media Vision USA
Media Vision USA is a leading provider of professional wired and wireless conferencing solutions for meeting rooms, VTC boardrooms, training centers, council chambers and auditoriums. Supported by feature-rich, flexible technologies, powerful software, and a dedicated product engineering team, we work with system integrators and consultants to design conferencing solutions that improve the audio in the room, including for distance communication. Our flagship unit, the TAIDEN Paperless Multimedia Conference System, provides all-in-one audio, camera, video display and data terminal for each participant. Additional information can be found at www.mediavisionusa.com

Kansas City, MO – February 2012 … Avlex Corporation, the name audio professionals turn to for world-class wireless technology and microphones, proudly introduces four new low profile single earset microphones: the HSP-39, HSP-29, HS-38, and HS-28. All four models combine a performance proven omnidirectional condenser element with a hassle-free, interchangeable earhook design that eliminates the guesswork and frustration all too often associated with achieving a secure and comfortable fit when trying to accommodate different face shapes—making them an outstanding choice for a myriad of live sound reinforcement applications. more