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HARMAN’s AKG B48 L Battery Power Supply Offers More Than 20 Hours Of Condenser Mic Performance

FRANKFURT, Germany – Evolving its legendary list of recording and live sound equipment, HARMAN’s AKG launches the successor of its B18 condenser microphone battery power supply with the introduction of the B48 L. With its very low noise level, a frequency response of 20Hz – 24Hz and an inverse polarity protection feature against incorrect battery insertion, the B48 L Battery Power Supply provides users with more than 20 hours of use on only two AA batteries.

When phantom power for a condenser is unavailable from a mixer, the B48 L phantom power supplies microphones with 48V and meets the P48 phantom power standard. Additionally, B48 L’s mini-XLR audio output and included mini-XLR to mini-XLR connection cable supports a direct connection of condenser microphones to all AKG bodypack transmitters. A low battery LED light illuminates if phantom power drops below 40V.

“We’ve designed B48 L to replace our original B18, which required two expensive 9V batteries and didn’t support P48 standards,” stated Wolfgang Fritz, Product Marketing Manager – Tour Sound, AKG. “Many of our more advanced microphones, including the C414 do not allow for voltage lower than the P48 standard. Now, we can be sure to accommodate all users so their AKG microphones have proper power and provide the quality and reliability we strive to offer professionals around the world.”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

Revolabs Names FVC as Distributor in Middle East And North Africa (MENA) Region

SUDBURY, Mass. — April 3, 2013 — Revolabs Inc. today announced that it has named FVC as a distributor of the company’s wireless audio systems for unified communications in the Middle East and North Africa (MENA) region. Under the agreement, FVC now offers Revolabs’ plug-and-play, desktop, and wireless unified communications products to its network of partners in a wide range of MENA markets, including education, oil and gas, government and defense, finance, and healthcare. more

GoodLuck’s International Tour Relies on HARMAN’s AKG Wireless Systems

VIENNA, Austria – Since the release of its self-titled debut album in 2011, South African electro-swing dance group GoodLuck has reached the number one spot on South African charts six times and performed more than 500 live shows in seven countries. Equipped with HARMAN’s AKG WMS4500 wireless system, GoodLuck entertains its loyal fans with mashups of old school swing music, electronic dance and its own original vocals.

With three AKG PT4500 bodypack transmitters, an HT4500 handheld transmitter and D7 capsule microphones, GoodLuck performs its chart-topping hits with clear and quality sound in any country.

“GoodLuck has been a fantastic member of the AKG family, extending our global reach and building our reputation for internationally acclaimed premium live sound on an international level,” stated Walter Ruhrig, Artist & Key Customer Relations, AKG. “As an international touring band, the quality of its performance reflects heavily on its fans’ and followers’ experience at events and we are proud to offer GoodLuck AKG’s premium wireless systems.”

GoodLuck was recently nominated for three South African Music Awards including ‘Best Dance Album,’ ‘Best Duo / Group’ and the coveted ‘Record of the Year.’ 
The group’s live show has been hailed as one of the most explosive and energetic in the electronic music world.

“When using AKG, we know our fans are hearing exactly what we envision our sound to be,” stated Ben Peters of GoodLuck. “This past year has been so great for our group and we look forward to working with AKG to continue sharing our art with the world!”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics. For more information on GoodLuck, please visit http://www.goodlucklive.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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SERVICES AT FIRST PRESBYTERIAN CHURCH THRIVE WITH LECTROSONICS

**** Photo: Brandt Fincher with the Lectrosonics Quadra IEM ****

Augusta, GA – March 2013… Since 1804—when Thomas Jefferson was President of the United States and Lewis and Clark were exploring the newly purchased Louisiana Territory— First Presbyterian Church has been meeting the spiritual needs of people in the Augusta area and around the world. Music plays a prominent role in the church’s worship activities and to ensure the best possible sound quality for all involved, an impressive assortment of wireless technology from Rio Rancho, NM-based Lectrosonics is utilized. more

DPA Microphones Brings Unobtrusive Audio Quality to NRCU

The National Radio Company of Ukraine (NRCU) has expanded its stock of microphones by investing in six DPA Reference Standard 4011C compact cardioid microphones.

Vyacheslav Zhdanov, Head of Audio at NRCU, says “Buying these microphones was not a difficult decision to make. We had previously been renting DPA microphones so our engineers were familiar with them and knew they offered exceptional sound quality. We also knew that, coming from such a well-known Danish company, we would have no problems with their reliability and build quality.”

Zhdanov adds that the small size of DPA’s Reference Standard 4011C compact cardioid microphones was another attractive feature as they can be used discreetly, particularly on television broadcasts.

Designed for situations where unobtrusive miking is required, DPA’s 4011C microphones are ideally suited to television, film, theatre, concert and studio performances where they deliver a clean, natural sound while reducing the noticeable effect of lighting reflection and minimizing bleed from other instruments.

NRCU’s microphones were supplied by DPA’s Ukrainian distributor Realmusic and are now being used to record classical and folk music concerts for radio and television broadcast across all three of its national channels and one international channel. The majority of these recording are taking place at House Recording NCGR in Kiev.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

The Band The xx Joins DPA Microphones d:facto™ Vocal Mic Fan Club

Award-winning band The xx has bought two DPA d:facto™ II Vocal Microphones after being impressed by their audio quality and ability to deliver an incredibly natural sound during a recent tour of the US.

The band, which comprises Oliver Sim, Romy Madley-Croft and Jamie Smith, won the 2010 Mercury Music Prize for their debut album xx. They were introduced to DPA’s d:facto Vocal Microphones by their live sound engineer Rik Dowding who was keen to find an alternative to the microphones Oliver and Romy had been using.

“One of the most important things about working with this band is the translation of the very intimate, late night vocals of the albums to a live situation,” Dowding says. “Higher mic gains introduce unwanted stage noise into the microphones, especially in smaller venues. In order to get that ‘in your face’, yet delicate sound, I needed a mic that had great feedback rejection. In truth, I’d been looking to improve our microphone choice for some time.”

Dowding’s solution was to hold a microphone shoot-out to see what else might work. His monitor engineer, Craig Donaldson, recommended including the new DPA d:facto vocal microphone after reading an article about them in the trade press.

“DPA has a great reputation for audio quality so we were interested to see what this new vocal microphone was capable of,” Dowding says. DPA’s UK distributor Sound Network was happy to supply a demo unit and the battle began.

“It was immediately obvious that the d:facto was the best microphone on show, especially for Romy who has a very warm, breathy and distinctive voice with some sibilance,” Dowding says. “To deal with that we needed a microphone that could deliver exceptional audio clarity, yet not display the usual Rock n’ Roll coloured sound associated with proximity effect and artificial high mid boosting. The d:facto was perfect – in fact Romy noticed the difference immediately, noting how much clearer her voice sounded when she heard it through her in-ear monitors. It was also noticeable to me how good the mic’s feedback rejection was.”

The DPA d:facto Vocal Microphone was tested even more thoroughly at a pre-US tour gig at Brixton Academy, London, and once again it performed flawlessly.

“At that point we decided to use it for Oliver’s vocals as well because we were so pleased with the sound we were getting,” Dowding says.

The xx toured the US with d;facto vocal microphones and are using them on the next leg of their tour which takes place in Australia. They also used them for a gig at Abbey Road Studios where they were recorded for a live session on Absolute Radio.

“There is no doubt that the d:facto Vocal Microphone does take a while to get used to because it doesn’t colour the sound and has a flat response,” Dowding adds. “But once you realise how good it is in dealing with proximity effect, and how much clarity it delivers, you quickly become a convert. Add to that the ability to use it with most wireless systems without compromise and you have a very powerful package.”

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Editors’ information:

DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

FUTURELIGHT ENTERTAINMENT FINDS SUCCESS WITH LECTROSONICS

**** Photo: Stephanotis ‘Nōtis’ Fulivai ****

Rio Rancho, NM – March 2013… Be it live show concert sound, location sound recording for TV and film, special events such as the NY Film Festival, theatrical projects, etc., FutureLight Entertainment is a management, production, and creative design company specializing in delivering artistic and revolutionary content for all platforms of entertainment media. With well-known projects such as ABC’s Ugly Betty and concert work for artists such as Pitbull and Carlos Santana to their credit, the ability to deliver the best possible audio quality is a given. That’s precisely why the FutureLight Entertainment team relies on Lectrosonics wireless microphone technology. more

Live Events Professionals Come Together for InfoComm 2013

Hands-on learning, Live Events best practices to be focus at leading commercial audiovisual show

InfoComm 2013 will introduce the latest trends, best practices and solutions for the Live Events industry, at the annual show, June 8-14 at the Orange County Convention Center in Orlando, FL. InfoComm 2013 will feature exhibitor pavilions, technology demonstrations and educational programming for live events professionals including access and hands-on training for the newest and most advanced in rigging equipment, LEDs and projection systems, large-venue audio systems, lighting fixtures and controllers and more.

Live events have become more intricately designed, with demand for spectacular visual effects and stunning sound clarity. “Whether for a concert or a product launch, audiovisual professionals are tasked with putting on an engaging, exciting event,” said David Labuskes, CTS, RCDD, Executive Director and CEO, InfoComm International. “The training, sharing of best practices and access to all the top manufacturers at InfoComm 2013 will aid today’s AV professionals in exceeding their customers’ expectations for excellence.”

Lighting & Staging Pavilion
The Lighting & Staging Pavilion, located on the show floor, is the hotspot for equipment demonstration and testing, presentations and interactive trainings geared toward live events professionals. The Production Camera Showcase, featuring the latest video cameras, will allow attendees to participate in a post-production experience with feeds from the showcase stage, and the Rigging and Staging Demo will find IATSE professionals demonstrating safe rigging practices using truss, motors, hardware, lights, line arrays, LEDs and safety harnesses.

InfoComm 2013 Lighting and Staging Exhibitors include:

● A.C. Lighting
● Christie Digital
● Daktronics
● JBL
● Elation
● Chauvet
● Barco
● Dataton
● TMB

Staging and Live Events SuperTrack

InfoComm University™ is offering education for business and operations managers, including Staging and Live Events Management; Digital Image Content in Live Event Production; Business Trends in Rental & Staging; Must-Have Technology for Your Next Event; Principles of Live Mixing; Audio 401: Limiters, Equalization, and Multi-Zone (Distributed) PA Systems; and Mix it Up — Live Audio Workshop.

InfoComm 2013, the largest commercial audiovisual show, expects more than 35,000 attendees, including commercial service providers and end-user technology managers from wide-ranging market sectors, including business, government, military, education, worship, healthcare, hospitality, retail and entertainment. Along with a trade show floor that exhibits the latest from all of the industry leaders in audiovisual, staging, signage and more, the educational programming provides attendees with opportunities to develop skills and update certifications during the conference.

For more news on InfoComm 2013 before, during and after the show, visit infocommshow.org
or follow the show on Facebook, and Twitter and the InfoComm 2013 Blog.

InfoComm is sponsored by Blackmagic Design, Christie, Crestron, Panasonic and Samsung.

DPA Microphones Help Morgan Ågren Demonstrate Drum Miking

DPA Microphones played a vital role in helping nearly 100 studio engineers get to grips with the black art of miking a drum kit during a workshop seminar given by Grammy award-winning drummer Morgan Ågren.

Entitled Producers Seminar: Drums with Morgan Ågren, the seminar took place in Stockholm and was hosted by Swedish Studio Magazine, in conjunction with DPA Microphones and Avid/Pro Tools. Opus3 label founder and “Microphone Doctor” Jan-Eric Persson was also a guest speaker.

“The aim of this workshop was to show how to record and mix drums and percussion,” Morgan Ågren explains. “There was a strong focus on sound ideals and I used examples from my own Pro Tools sessions, with and without software plugins, to demonstrate the points I was making. I also played some CDs that I have mixed and some that I simply find inspiring.”

Ågren used a DPA d:vote™ 4099 Instrument Microphone on his kit-pig compact drum kit. To demonstrate transient response he conducted a test with a similar microphone from another manufacturer and the audience reaction to the DPA d:vote was incredibly positive. He also explained the advantages of having as few different types of microphones as possible so that the sound blended together better. His personal preference is for DPA microphones, which he likes to use for all of the instruments he is recording.

Ågren also discussed the importance of recording as cleanly as possible, and referred this back to his own experiences where he is often recording for people who are not 100% sure of the character they want for the final version of the track. He explained that it was important to leave that decision to the person who was going to mix the track so that they could decide on the sound they wanted.

To complete the seminar, Ågren gave a practical demonstration of drum kit miking using DPA 2011 Twin Diaphragm Cardioid Microphones. Designed to offer a linear off-axis response in a smaller frequency bandwidth, DPA 2011 microphones make stage separation and gain-to-feedback higher and microphone level easier to control.

“I always use DPA microphones because they sound better than any other mike I’ve tried,” Ågren says. “They even sound better on the snare, which is rare for a condenser mike. I now own 12 DPA microphones and during this seminar I was happy to tell the audience why I like them so much.”

Born in Umeå, Sweden, Ågren has been a drummer since the age of four and first performed live when he was seven. In conjunction with blind keyboardist Mats Öberg, he formed the Mats/Morgan Band in the mid-1990s and began releasing CDs on his own label, Ultimate Audio Entertainment. The band has subsequently toured in Europe, Asia and the USA where Ågren and Öberg’s superb playing ability has amazed progressive jazz/rock audiences.

As a drummer, Ågren has also played and recorded with many internationally acclaimed artists including Frank Zappa, Bill Laswell, Steve Vai, and Mike Keneally. He was also voted No.1 in Modern Drummers reader’s poll in the Fusion category and is widely admired by professional drummers on both side of the Atlantic.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Brings d:facto™ II Vocal Mic to Frankfurt Prolight + Sound 2013

With the launch of the new d:facto II Vocal Microphone, which will be on show for the first time in Europe at Prolight + Sound 2013 (Booth 8.B60), DPA Microphones has now broadened its range of products for the live stage by introducing a high quality vocal microphone that gives users unlimited possibilities for their performance.

This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

“The launch of the d:facto II Vocal Microphone is a major step for DPA as it means that we now have a microphone for every acoustic miking situation, whether you are amplifying or recording,” says DPA’s CEO Christian Poulsen. “Our highly regarded Reference Standard microphones have long delivered superb audio quality to musicians who want to use a microphone on a stand, while our innovative d:vote™ 4099 Instrument Microphones and our range of miniature microphones are ideal for those who prefer to have their microphone mounted on their instrument. With d:facto II we can now offer the same renowned DPA sound to vocalists who can choose the wired d:facto II or the wireless d:facto II if they prefer the freedom of movement that a wireless microphone delivers. And, of course, for an even more mobile solution we have the lightweight, easy to wear d:fine™ headset microphones that are so popular with theatre and musical productions and is demanded for more and more live concerts where the singers require superior sound while dancing and performing.”

The new d:facto II guarantees users exceptional DPA sound with popular existing wireless systems such as Sony, Lectrosonics, Shure, Wisycom and Sennheiser. To achieve such a high level of audio quality, DPA had tothink differently.

“These systems deliver very limited power to drive our high-end microphone capsule, so we had to be creative and put a huge amount of work and thought into the electronic circuit of the adapter solution,” Christian Poulsen adds. “We are extremely proud to have developed an ingenious adapter range that brings the acclaimed DPA sound out of a wireless system. We wanted to be completely true to the input of the vocalist, and with d:facto II we have reached this goal.”

Equally at home in sound reinforcement and recording applications, the d:facto II is the vocal microphone that the music industry has been waiting for. Its simple plug-and-play features allow it to reproduce an extraordinary natural sound, which reaches the extreme sound level handling of 160 dB. As with all DPA mics, the d:facto II is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. It also sets new standards its robust three-stage pop protection grid that ensures the removal of unwanted noise.

At Prosound + Light 2013, folk pop band SHEL will be performing on the DPA booth using the new d:facto II vocal microphones in several wireless configurations. Already fans of DPA’s d:vote 4099 Instrument Mics which they use on their violin and djembe drums, SHEL recently took the d:facto II Vocal Microphone on the road for concerts in Denver, Salt Lake City and Los Angeles where they performed at the NAMM show.

Alongside the new d:facto II, DPA will also be showing new solutions for its Reference Standard range of microphones, including a new and unobtrusive gooseneck cable that is available in several lengths. Furthermore, DPA will show the supercardioid d:vote 4099 instrument microphone mounted in an elegant gooseneck – perfect for capturing the sound of drums and other static instruments.

Visitors to the DPA booth will have the opportunity to win a DPA microphone by having their badge scanned and entering a free draw.

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Editors information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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