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Archive of the Microphones Category

Point Source Audio Debuts SERIES8 Miniature Microphones at INFOCOMM

Point Source Audio exhibits SERIES8, a high caliber collection of miniature microphones exceptionally resilient against boom breakage and moisture; and are easy to service with novel “X-Connectors.”

Point Source Audio SERIES8 Miniature Microphones

Point Source Audio’s new SERIES8 Robust Miniature Microphones are offered in headset, earworn and lavalier styles in both omnidirectional and cardioid patterns.

Petaluma, CA – Every user knows the inherent delicate nature of miniature earworn and headset microphones that achieve their transparency can be a double edged sword. Durability is hard to attain without compromising the product’s low-profile appearance but Point Source Audio (PSA), innovator of the original and one-of-a-kind “unbreakable boom” microphone, is meeting that challenge and more. The omnidirectional models of its new SERIES8 line will feature the prized 360° degree bendable boom combined with IP 57 waterproof protection against moisture, sweat and makeup—all while achieving a discreet profile and even a performance boost to 148dB max SPL. The long awaited Cardioid models round out the new offering for users looking for an “unbreakable boom” microphone capable of precise placement with a durable, yet low-profile. All SERIES8 mics feature user-friendly interchangeable “X-Connectors” for termination with popular brands of wireless transmitter packs including Sennheiser, Shure, Lectronsonics, Audio-Technica and more. The entire line of SERIES8 omnidirectional (CO-8) and cardioid (CR-8) headset, earworn and lavalier microphones will be shown for the first time at the Point Source Audio Booth 1426 during Infocomm 2013 in Orlando, Florida.

SERIES8 begins with a foundational performance criteria of 148dB max SPL and 135dB max SPL for its respective omnidirectional (CO-8) and cardioid (CR-8) offerings, each available in three different styles: headset, earworn and lavalier. The CO-8 omni mics are the only miniature mics on the market capable of reaching 148dB max SPL. They can capture all the nuances from spoken word to the extremely high vocals of singers. Combining this performance with the enduring bendable boom design that can be twisted into any position without worry of boom breakage—and a water/sweat proof protected element, the CO-8 omni line is the singular tool that can solve miking challenges big and small.

The CR-8 cardioid benefits are clear—this pickup pattern can eliminate nearly half of the environmental sounds around the microphone to focus more directly on the speaker or singer. Both the omni and cardioid mics come standard with easy-to-use low-cost “X-Connectors” which are replaceable connectors intended for fast on-site repair, or swapping to a new wireless termination with ease. The “X-Connectors” are attached with a short threaded cable connector so it carries none of the bulkiness or weight of other solutions, and stays securely in place. “Our SERIES8 mics are high value for customers that want a low-profile mic that has it all: unbeatable max SPL, a choice of two mic patterns in three styles, long-lasting boom durability, and moisture and makeup protection,” noted James Lamb, president of Point Source Audio. “It’s the best of all worlds.”

Availability and Price
The SERIES8 omnidirectional (CO-8) and cardioid (CR-8) headset and earworn mics are shipping July. The lavalier styles will ship in October.

About Point Source Audio
Point Source Audio manufactures and distributes worldwide a unique line of lightweight bendable boom earworn microphones—known as the “toughest” earworn microphones in the industry. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com

DPA’s d:facto™ II Vocal Microphone Wins New Fans In Belgium

Belgian sound engineer Joris Verniest, from betterliVe.be, has been introducing DPA Microphones’ new d:facto II Vocal Microphone to some of the country’s top bands after being blown away by the natural sound quality it delivers on the live stage.

DPA’s Belgian distributor Amptec gave Verniest the first DPA d:facto II Vocal Microphone in the country to demo and since then he has been using it for a wide variety of gigs and with many different artists.

“It doesn’t matter what situation I put it in – whether it is a small club, a big outside stage such as the Pukkelpop festival, with wedges or in-ear – I have consistently got great results,” Verniest explains. “The vocals are incredibly clear through my mix and there is very little crosstalk from the drums or guitar amps. I even recorded some gigs in multitrack to compare the d:facto with other microphones and there was a huge difference in terms of crosstalk, with the d:facto coming out much better.”

Joris Verniest’s recently used the DPA d:facto II Vocal Microphone at a concert for Belgian Indie Rock band Het Zesde Metaal at the Ancienne Belgique in Brussels. The band was playing with a string quartet and acoustic piano, both of which were also miked with DPA – d:vote™ 4099 Instrument Microphones for the string quartet and a stereo pair of DPA 4021 Compact Cardioid microphones for the piano.

“In general I use the d:facto II Vocal Microphone with DPA’s wired handle, but I do like the concept of the adapter system that makes it compatible with most commonly used wireless systems,” Verniest says. “I’ve always been a big fan of DPA’s sound quality and have quite a collection of DPA mics. That’s why I was so interested to try the new d:facto Vocal Microphone.”

Among the bands that Verniest has introduced to the DPA d:facto Vocal Microphone are Customs, The Bony King of Nowhere, Renée and Sherman.

“All of these artists have really noticed a difference and have been very happy with the clarity d:facto delivers to their vocals,” he adds. “Sherman, for example, wanted his vocals to be very loud and clear and the d:facto helped me achieve that without sounding hollow or being on the edge of feedback.”

Verniest adds that although some singers take a little while to get used to the d:facto Vocal Microphone, they soon realise that what they are hearing through the wedges or in-ear is far superior in terms of sound quality.

“I’ve even had house technicians and monitor engineers commenting on the great sound,” he says. “And when you even get members of the audience telling you they appreciated the quality of the vocals, you know you are on to a good thing!”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Goes On Tour With Priscilla

An Italian touring production of The Adventures of Priscilla, Queen of the Desert – The Musical has arrived at the Politeama Rossetti theatre in Trieste, where audiences are enjoying great sound thanks to the extensive use of DPA Microphone’s 4066 Omnidirectional Headset Microphones and 4060 Omnidirectional Miniature Microphones.

DPA’s Italian distributor M. Casale Bauer has supplied the production with a total of 34 DPA Headset Microphones, which are being used for every member of the cast (plus a few spares). The show’s sound engineer Cristiano Grassini says the microphones are performing flawlessly every night and are proving very popular with cast members because they are so light and comfortable.

“The original Australian production of the musical specified DPA Headset Microphones and, having previously experienced the quality of these microphones on other productions, I was more than happy to use them for the Italian tour,” Grassini says. “Their quality is absolutely phenomenal. They sound great, they are very resistant to high sound pressure levels and obviously, because they are so small and discrete on the actor’s faces, they are good for the audience because they don’t detract from the performance.”

The Adventures of Priscilla, Queen of the Desert – The Musical tells the story of two drag queens and a transsexual woman who travel through Australia on a tour bus called Priscilla. Along the way they encounter many different people and have a variety of hilarious adventures. The musical first opened in 2006 in Sydney, Australia, before travelling to New Zealand, the United Kingdom, Canada and New York’s Broadway. Since beginning its run in Italy last December it has been to Milan and Rome and has notched up more than 250 performances.

“It is an amazing musical – full of colour and drama, and very funny,” Grassini adds. “However, it does involve a lot of costume changes and this is another reason why the DPA Headset Microphones are so useful. More than 500 costumes are used in this production and having a microphone that is comfortable for the actors to wear and very quick to remove does make it much easier to deal with the quick costume changes.”

Grassini has been a fan of DPA Headset Microphones for many years and has used them in numerous theatre productions in the past. “They always sound good and are just so easy to use,” he says. “In many situations they are simply ideal and, for me, the only microphone choice.”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Helps UEFA Deliver the Roar of the Crowd

As every football fan knows, the roar of the crowd at a major game is just as important as the action on the pitch when it comes to truly experiencing the excitement of the event. With this in mind, Outside Broadcast specialist United chose DPA Microphones’ 5100 Mobile Surround Microphone to capture the ambience of the Amsterdam Arena when SL Benfica played Chelsea in the 2013 UEFA Europa League Final.

Huub Lelieveld, Senior Sound Supervisor for United Outside Broadcast and Studios, says: “UEFA was adamant that the broadcast quality had to be top class as this was a huge 35 camera production that was going out to broadcasters all over the world. We wanted to make sure the audio quality would be as high as possible and that we captured the ambience of the stadium in phase coherent surround so that it sounded huge in surround, but also still sounded great in stereo and even mono.”

Widely regarded as a surround ambience adder, DPA’s 5100 Mobile Surround Microphone was perfect for the task because its compact size and ease of use comes at no sacrifice to stunning sound quality. Ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications, especially for HDTV production, these microphones require no external signal processing and are versatile enough to be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip.

Lelieveld, in conjunction with his colleague Mischa Kortleve, tested the DPA 5100 microphone during one of the UEFA preliminary rounds in the Amsterdam Arena to ensure they were the right choice for the important Cup Final event on May 15th. The microphone was supplied by DPA’s Dutch distributor Amptec.

“We recorded all our microphones to multitrack and decided, after extensive listening tests, that the 5100 was perfect for the Cup Final,” he says. “The DPA 5100 was rigged in the catwalk of the stadium where it was able to capture the whole arena in surround. We complemented this system with four DPA 4006A Omni Microphones, which were hung from the catwalk in each of the four corners of the stadium, and we also used two DPA 4017B Shotgun Microphones positioned on our two Steadicams as these were smaller and lighter than the microphones we usually use.”

Based in Hilversum, Holland, United is part of the huge Euro Media Group that has production and post-production facilities in Belgium, France, England, Germany, Italy and Switzerland. United operates nine state of the art Outside Broadcast vehicles and mobile control rooms and provides broadcast facilities to capture major sporting events and live music concerts all over Europe.

“We were really delighted with the performance of all of our DPA microphones, but in particular the 5100 Mobile Surround Microphone, which sounded fantastic,” Lelieveld says. “It was incredibly easy to rig and protect from bad weather and was significantly less expensive than other microphone systems. Thanks to the DPA 5100 Mobile Surround Microphone, we achieved a rich, smooth and fully enveloping sound that was great in its coherence, channel separation and localization accuracy.”

For the UEFA Europa League Final, United provided the live broadcast feed to Infostrada Sports, which distributed it around the world. And for anyone who didn’t see the game, the final score was 2-1 to Chelsea.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Revolabs at InfoComm 2013

Revolabs
InfoComm 2013
Booth 2181

Company Quote:
We are extremely excited about this years InfoComm show and the opportunity to showcase the complete line of Revolabs conferencing solutions. This year InfoComm will provide the perfect forum for the introduction of significant next-generation product innovations, which will further extend our rapidly expanding product lines and demonstrate that Revolabs truly is a premier provider of wireless audio solutions for unified communications, enterprise collaboration, and professional audio applications addressing the needs of professionals in a wide range of markets. — JP Carney, CEO at Revolabs

NEW From Revolabs at InfoComm 2013:

Revolabs will make several important product announcements at InfoComm 2013, including the premier of its next-generation, flagship wireless microphone system designed to improve audio quality and simplify large audio communication deployments. This new solution boasts a number of enhancements, including:

– A new distributed architecture that simplifies installations
– New local and remote cloud-based management and monitoring options
– Higher channel density options
– Elegantly redesigned microphones

All of this and more will be unveiled as Revolabs once again raises the bar on wireless microphone systems.

Revolabs Products on Display at InfoComm 2013:

Revolabs HD(TM) Wireless Microphone Systems
At InfoComm 2013, Revolabs will highlight its popular line of HD wireless microphone systems, including the Revolabs Executive HD(TM) MaxSecure for applications requiring high levels of security; the Single/Dual Channel for video conferencing; the rackmount Venue; the Executive HD for executive boardrooms and large conference rooms; and the versatile Revolabs Hybrid HD(TM) for installations requiring a powered audio solution. Revolabs will also demonstrate its enhanced Windows(R)-based HD Control Panel, which allows users to monitor and control networked HD wireless microphone systems from a single PC software program with an intuitive graphical user interface.

Revolabs FLX(TM) Wireless Conference Phone
Ideal for conference rooms, executive offices, and small office/home office (SoHo) environments, the Revolabs FLX(TM) wireless conference phone is offered either with an analog telephone interface or with a VoIP interface. The FLX VoIP is the first and only wireless conference phone designed for VoIP networks. The FLX VoIP integrates directly with most IP telephone switches following the SIP standard, enabling new features only available through digital switch environments, such as voicemail alerts and do not disturb. The unit can also serve as the audio interface for virtually any major brand of video conferencing equipment, making it ideal for unified communications in any environment.

RESOURCES:
Revolabs FLX(TM) VoIP Field Verified Compatible Switches

Revolabs V3 Microphones With Field-Replaceable Batteries
With Revolabs V3 microphones featuring field replaceable batteries, users can easily purchase batteries as an accessory from their dealer/distributor. To swap batteries, they simply open the microphone, put in the new battery, and charge it. Old batteries can be sent to Revolabs for disposal as part of the companys free recycling program. The V3 microphones allow users to keep spare batteries fully charged and ready for use by purchasing a new battery charging adaptor, which allows batteries to be charged without placing the whole microphone in the charger.

Revolabs Partner Solutions for Videoconferencing at InfoComm 2013
The Revolabs HD(TM) line of wireless microphone systems and Revolabs FLX(TM) wireless conference phone integrate seamlessly with almost any major brand of video conferencing solution, including Polycom(R), Cisco(R), LifeSize(R), Vidyo(TM), Radvision(R), and Avaya(TM). As a member of the Cisco Developer Network, the Revolabs FLX has successfully completed interoperability testing with Cisco Unified Communications Manager, version 8.6, while the HD Single/Dual Channel wireless microphone system version 2.6 has successfully completed interoperability testing with the Cisco C40/60/90 and MXP Codecs, all versions.

(Sidebar)
Revolabs Partner News
As Revolabs continues to demonstrate its next-generation FLX platform, the company also recently revealed that Cisco(R) selected Revolabs to develop its latest IP conference phone, which made its debut at the Enterprise Connect show earlier this year. Ciscos new IP Conference Phone 8831 is the first product on the market to use the FLX platform. Revolabs award-winning FLX digital signal processing platform provides Ciscos IP Conference Phone 8831 with advanced audio technology, superior echo cancellation and acoustics, as well as Revolabs unparalleled wireless microphone technology for unmatched audio clarity and flexibility.

About Revolabs
Revolabs Inc. is the premier provider of wireless audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to hear every word, the companys wireless conferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio systems with products such as the new Revolabs FLX(TM) wireless conference phone, which provides superior performance for video and audio conference calls, public address systems, and more. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Mass., and can be reached at +1-800-326-1088 or www.revolabs.com.

Image Link: www.ingearpr.com/Revolabs/Exec_HD_8.zip
Image Caption: Revolabs Executive HD(TM)
Image Link: www.ingearpr.com/Revolabs/HD_Dual.zip
Image Caption: Revolabs HD(TM) Single/Dual Channel
Image Link: www.ingearpr.com/Revolabs/HD_Venue.zip
Image Caption: Revolabs HD Venue(TM)
Image Link: www.ingearpr.com/Revolabs/Hybrid.zip
Image Caption: Revolabs Hybrid HD(TM) Microphones and XLR Adapter
Image Link: www.ingearpr.com/Revolabs/FLX_VoIP.zip
Image Caption: Revolabs FLX(TM) VoIP

PR Link: www.ingearpr.com/Revolabs/InfoComm13.zip

DPA Microphones Spends A Night At The Opera

The sound team at the Parco Della Musica Auditorium in Rome recently turned to DPA Microphones’ Reference Standard 4017 Shotgun Microphones to record the audio for a specially commissioned double DVD of two operas that were being performed as part of the Santa Cecilia Opera Studio, a master programme devoted to Bel Canto.

With high quality audio a prerequisite – and with strict instructions from the director that no microphones were to be seen anywhere in the video footage – sound engineer Giacomo De Caterini was initially struggling to work out how he could comply with the director’s brief.

“The director wanted to avoid any microphones that could be visible because he was determined to maintain strict focus on the performers,” De Caterini explains. “Due to bad experiences in the past, especially on video productions where close-up shots revealed poorly concealed microphones dangling from the singers’ wigs, he was very keen not to have any microphones on the singers’ heads. This ruled out the use of miniature microphones such as the DPA 4061s, which we had initially been considering.”

To add to De Caterini’s difficulties, some of the backgrounds were being video projected, which meant that microphones hanging from the ceiling were also out of the question.

“I was quite worried as the only option left was to use shotgun microphones positioned on the edge of the proscenium,” De Caterini says. “I realized this would only be OK if we had a sufficient quantity and if they were strategically placed to capture the audio properly.”

Luckily, Salvatore Zocco, product manager at DPA’s Italian distributor M. Casale Bauer, was able to come up with a solution. He gave Giacomo De Caterini some DPA Reference Standard 4017 Shotgun Microphones and suggested he tried them out as an option.

“Although I expected the high quality sound and trustworthiness that invariably comes with DPA microphones, what I did not expect was the ability of these microphones to deliver a sound unlike any other shotgun I have ever tried,” De Caterini explains. “They were much more akin to a pair of traditional cardioids, and with the amazing ability to behave more like ‘wide cannons’ than strict shotguns. In other words, instead of the typically coloured audio that becomes almost unusable as soon as the pickup is slightly off-axis, these microphones delivered great audio that required minimal tweaks and remained readable and clean even when picking up vocalists who were right as the back of the stage. Thanks to their new, dedicated preamps, they also delivered lower noise than any other shotgun microphone I have tried. Ultimately, what set them apart was something you certainly don’t expect from shotguns: sheer musicality.”

The two operas being recorded for this DVD project were Ravel’s “L’Heure Espagnole” and Puccini’s “Gianni Schicchi”. Both were performed in the Petrassi Hall, which has roughly 700 seats and is the smallest of the three halls that form the Parco Della Musica Auditorium complex. The double DVD production was co-produced by the Accademia Nazionale di Santa Cecilia and Infocamere, the IT company for the Italian Chamber of Commerce, and distributed as a special gift to major Chambers of Commerce clients.

After completing the recordings for the DVDs, Giacomo De Caterini was so impressed with the performance of the DPA 4017 Shotgun Microphones that he refused to return them to M. Casale Bauer.

“They were definitely a keeper,” he says, “and they have now joined the Auditorium’s stock of DPAs. I’ve used a lot of DPA in the past – and B&K before them. I love all the classics like the 4006, 4015, 4011 etc., and I also use the DPA miniature microphones for live work, especially the brilliant d:vote™ 4099 Instrument Microphones and the compact cardioid 4021 microphones, which I consider to be the most treasured tools of my trade.”

Recently, De Caterini had the opportunity to use a pair of DPA 4041s (running at 130V with the dedicated preamp) and was completely blown away by their performance.

“They combine the best features of DPA’s classic omnis with the low/mid ability that has previously been the trademark of DPA’s competitors. Using them for the first time provided me with a rare moment of illumination – not to mention an almost irrepressible urge to reach for my wallet!”

Since completing the opera DVD project, Giacomo De Caterini has been working on a number of other high profile recordings including engineering and post-producing a CD of Verdi’s music for EMI Classics, which features the Orchestra di Santa Cecilia with Sir Antonio Pappano.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Opens A New Office In Hong Kong

Following a record year for sales in the Asia and Pacific regions, DPA Microphones is consolidating its success by opening a new regional office in Hong Kong.

Headed by Ken Kimura, DPA’s general manager for the APAC region, the new office signals DPA’s commitment to its partners and customers by acting as a hub for sales, marketing and after-sales service. It will also enable the company to expand its sales network and develop new business channels in market sectors that have yet to discover the benefit of DPA’s high quality microphone technology and products.

Kimura, who was previously based in Shanghai, says: “Establishing our new office in Hong Kong makes sound economic and geographic sense. By basing our office here we can significantly expand our reach as well as visibility within the entire region and thereby aim our ambitions much higher.”

During the last trading year, DPA’s sales have been on the increase in virtually every APAC country with some showing growth as high as 40%. This incredible success has been achieved by DPA developing strong partnerships with its distributors and dealers so that they can fully support their customers.

Christian Poulsen, CEO of DPA Microphones, says: “The increased consciousness of good quality in the Asian markets, combined with our ability to develop fantastic products, has resulted in our huge success in this region. To follow up on this we take the next important step by establishing this new office to support our sales partners even more and encourage their commitment to the brand. This support has been delivered in a variety of ways, including listening to our partners’ needs and implementing specific activities such as customer events.”

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.

“The breadth and depth of our product range is really quite staggering and gives us plenty of scope to develop our customer base around the world,” Kimura says. “The APAC region is no exception – there are many applications for our technology that have yet to be exploited and our aim is to be highly visible so that we can make the most of these new business opportunities.”

DPA plans to supplement its existing team in Hong Kong with new sales staff and is interested in hearing from any suitable candidates.

For more information please contact Ken Kimura at kek@dpamicrophones.com.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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DPA Microphones Introduces The New d:dicate™ Recording Microphone Range

DPA Microphones is delighted to announce the launch of the d:dicate™ Recording Microphone range, which combines the best capsules with the best pre-amplifiers to deliver superior sound for all applications where high quality audio is required.

The d:dicate range includes DPA’s new modular MMC4018 supercardioid capsule, the counterpart to the MMC4018V capsule used in the company’s new d:facto™ Vocal Microphone and one that is ideally suited to applications where clarity and audio quality are critical. d:dicate also includes the well-known MMC4007 hi-SPL omnidirectional capsule, previously known as 4007, now in a modular version. Widely used for measurement purposes, this capsule has an unbeatable dynamic range and can handle extremely high sound pressure levels. Both capsules is widely used for picking up drums, percussion, brass instruments – and for measurement purposes. Both are entirely compatible with other d:dicate preamplifiers.

Completing the d:dicate line-up are microphones from the familiar and well-loved DPA Reference Standard series, which has been absorbed into the d:dicate range with all former Reference Standard products now carrying d:dicate branding. These include the modular 4000 and 2000 series, which are manufactured to perform within very narrow tolerances and offer exceptional linear frequency responses, high SPL and superior gain before feedback. Within the 4000 series there are a wide variety of capsules including the new 4018 supercardiod, 4017 shotgun, 4015 wide cardioid, 4011 cardioid and 4006 omnidirectional. The 2000 series consists of two twin diaphragm capsules – the 2011 cardioid and the 2006 omni versions that are rooted in the design technology of DPA’s classic miniature capsules. All these capsules can be combined with a state-of-the-art A pre-amp, a B pre-amp with low cut and high boost filters, and a C pre-amp, which is a compact version for discreet miking.

Like all DPA microphones, every variant in the d:dicate range delivers clear, transparent and precise sound, along with the robustness and versatility that are the hallmarks of DPA’s ingenious engineering techniques. These high quality microphones are increasingly being employed in harsh live sound environments, particularly on drum kits where there is a demand for exceptional sound quality but where the microphones solution needs to be robust and sturdy so that it can be relied on time after time.

Christian Poulsen, CEO of DPA Microphones, says: “Our new d:dicate Recording Microphone range gives customers the ultimate in flexibility as any microphone in the range can easily be transformed into a new variant simply by choosing a different capsule or preamplifier. Customers will also find that owning several capsules is more cost effective than purchasing a completely new microphone.

“By gathering these microphones into a specific group, d:dicate now joins our other established product groups: d:fine™ Headset Microphones, d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphones.”

New accessories have also been developed for the d:dicate Recording Microphone range, including modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry) plus modular active booms (MMP-F) that are compatible with all d:dicate capsules. These new microphone solutions can be used in many different situations, for example as a podium microphone on a desktop or podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination, while the new active cable only adds a centimetre to the capsule, making it even more discreet than the compact C pre-amp, while giving comparable performance.

“It was difficult to split the preamplifier construction and make an ultra-compact head without sacrificing the sound quality,” Christian Poulsen adds. “However, we succeeded and now customers can have DPA’s renowned sound quality across many applications where we have not been widely used before, for example installation, concert halls, on stage, etc.”

The two new capsules and new accessories in DPA’s d:dicate Recording Microphones range will be available from August 2013. Former Reference Standard capsules and preamplifiers now included in the d:dicate range are available now.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Launches The Ultimate In Podium Microphones

Internationally acclaimed for creating high quality live sound and recording microphones, DPA Microphones has now turned its attention to the installation market with the launch of two new microphones that give AV installers and conference organisers the clear, transparent and precise sound they demand.

At the top end of the range DPA is offering podium microphones that incorporate the modular capsules from the d:dicate™ Recording Microphones (formerly known as Reference Standard), which are acclaimed for their exceptional linear frequency responses, high SPL and superior gain before feedback. These new podium microphones combine the state-of-the-art capsules with newly introduced modular active booms to complete their modular nature. A number of different capsules are available and by choosing the exact capsule and boom combination, DPA customers can access the exact microphone for their needs.

Christian Poulsen, CEO of DPA Microphones, says: “Given the flexibility of our d:dicate range, creating a microphone for the installation and conference markets was an obvious step. We already had the high-end capsule and pre-amplifier technology needed to fulfil the brief, so all we had to do was employ some ingenious mechanical solutions. By doing this, we have been able to adapt our boom and cable technology so that we can deliver high-end installation solutions for a wide variety of applications. Whether this is for a podium, a desk top, a stage stand or even suspended from the ceiling, we have it covered with visually elegant and sonically superior products that boast all the robustness inherent in DPA’s ingenious engineering techniques.”

Alongside the high-end d:dicate solution, DPA has also developed a cost-effective, directional podium microphone based on its renowned 4060/d:vote 4099 miniature microphones.

This directional gooseneck microphone, which uses interference tubes and pre-polarized backplate to ensure speech intelligibility, was originally devised for the Nobel Prize organisation. The organisation had requested a dedicated podium solution for its 2012 Nobel Peace Prize presentation, which was taking place in Oslo City Hall, in a room with challenging acoustics. DPA adapted its existing miniature capsule to give an off-axis frequency response that negated room reverberation while preserving the needed on-axis sensitivity for voice level. It also positioned the capsule on a delicate gooseneck stand, which encompasses all that is best in sleek Scandinavian design. The result was so well received that the microphone was quickly adopted as a standard DPA product and is now available to all installation customers. This miniature podium microphone can even be used in a wireless configuration by employing the company’s ingenious adapter range, which is already used for other miniature microphones.

Both of these ingenious solutions for the installation market will be available from August 2013. For further information please visit www.dpamicophones.com

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones Rise To The Challenges Of The Jungle

Researcher and eco-acoustic composer David Monacchi has been using DPA Microphones’ 4060 miniature microphones to capture the sounds of the rainforest as part of his long-term environmental sound-art project entitled Fragments of Extinction.

David Monacchi, who is Professor of Electroacoustic Music at the Conservatorio G.Rossini in Pesaro, Italy, is collaborating with various institutions on this project, which involves traveling to some of the world’s most remote areas of intact rainforest to record complex soundscape portraits.

“I use several microphone techniques in the field, most of which involve quite heavy and complex systems,” Monacchi explains. “DPA miniature microphones are extremely lightweight and this makes them highly suitable to field work where I may have to hike long distances in extreme terrain.”

David Monacchi’s two Hi-Sens DPA 4060s omnidirectional miniature microphones with accessories were supplied by DPA’s Italian distributor M. Casale Bauer.

“The DPA 4060 microphones are so small that, if appropriately arranged in a handmade stand, they can be used for self-worn binaural recordings,” he explains. “When used in this way they give optimum results because their dimensions are perfectly suited to being placed at the entrance of the ear canal.”

Originally designed for use with wireless systems in theatre, television and close-miked instrument applications, DPA’s 4060 miniature microphones exhibit a highly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup.

“This feature is especially useful for binaural recordings,” says Monacchi, “where, in order to collect the three-dimensional information, it is important that all the sound reflections from the pinna are picked up in a linear way.

David Monacchi adds that the sound quality delivered by his DPA 4060 miniature microphones is excellent.

“They have very good tonal quality, linear behaviour and immunity to infrasound vibration-driven noises – all of which are very positive characteristics in the field,” he says. “Considering their dimensions, the signal to noise ratio of these capsules is extremely high, making them suitable for low intensity biophonies and distant sound sources. In addition, their extended high frequency response to around 40khz make them suitable for recording non-audible biophonies like some species of insects and bats.”

David Monacchi’s most recent trip was to Borneo, but he has also visited rainforests in remote areas of the Amazon and Africa. He usually travels alone or with one assistant and relies on local research Institutions or NGOs for field support and rainforest explorations.

“The project embraces collaborations with Greenpeace and several academic Institutions and Organizations around the world,” he says. “Its aim is to collect sound data and complex soundscape portraits of some of the oldest ecosystems on Earth, many of which are being damaged and are disappearing at an exceptionally fast rate.”

Working in rain forests brings its own particular set of issues, not least very high humidity that can oscillate between 70% and 99%.

“My DPA 4060 miniature microphones perform very well in high humidity condition and are very stable in their performance, even when quick humidity and temperature changes occur,” Monacchi says. “Also, compared to bigger and heavier condenser microphones, they are extremely resistant to unwanted impacts so they are very reliable in the uncertain conditions of remote field trips.”

David Monacchi adds that although a larger diaphragm microphone would provide a better signal to noise ratio, he always carries his DPA 4060 miniature microphones because they are so portable and reliable.

“Considered their dimensions, I think DPA’s 4060 microphones are a true miracle of electroacoustic engineering,” he says. “Without doubt, they are the most adaptable microphones in the world for recording binaural in extreme conditions.”

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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