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Archive of the Microphones Category

BOCK AUDIO ACCURATELY CAPTURES THE CLASSIC SOUND OF A TUBE 47 IN THE MODERN BOCK 407

LAS VEGAS, NEVADA – AUGUST 2014: Just as he has captured the sound of the vintage Telefunken 251 in the Bock 251 and the sound of the vintage Neumann U47 FET in the Bock iFet, studio microphone genius David Bock has now captured the sound of the vintage Neumann U47 tube microphone in the new Bock 407. As with Bock’s other products, TransAudio Group will distribute the Bock 407 in the United States. Studios and individuals who want the timeless 47 sound will find it in the Bock 407 at half the price of a vintage unit and without the reliability and serviceability issues for which vintage microphones are so horribly notorious. Indeed, David Bock gained most of his critical insights into the 47′s sound by servicing a seemingly endless parade of vintage units that marched into his shop.

“The Bock 407 has that smooth, creamy midrange you associate with a 47, along with the signature proximity effect that vocalists like Robert Plant and Frank Sinatra used so famously,” said Brad Lunde, president of TransAudio Group. “It sounds stunning. Importantly, David designed the 407 to use new ‘old stock’ materials: materials that are in current production and that replicate the properties of vintage materials that are no longer being made. The Bock 407 is affordable, consistent, reliable, and, when the time eventually comes, easily serviceable.”

The Bock 407 borrows its power supply and amplifier from the flagship Bock 507 and adds a custom k47-type capsule that David Bock tirelessly prototyped and adjusted to bring to its current perfection. The microphone has a cardioid pickup-pattern and ships with a remote power supply, a professional spider-type shock mount, and a custom twenty-foot cable that connects the microphone to the power supply. In addition to its signature “big vocal” sound (both male and female), the Bock 407 will shine a beautiful light on brass, strings, and percussion. It can also serve as the whole solution for small ensembles or simple guitar and vocal performances.

TransAudio Group is currently taking orders from dealers and suggests that interested users contact their dealers for a demonstration.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

The BOCK 407 is now shipping. MSRP: $7,175.00

DPA Microphones Was The Impresario Of Aspen Opera Theater Center

Collection of company’s mics were on hand for recording at Wheeler Opera House during the Aspen Music Festival and School

ASPEN, CO, AUGUST 19, 2014 – Every year, professional and aspiring classical musicians and technical personnel from around the world head to the mountains of Colorado for an eight-week summer intensive retreat at the Aspen Music Festival and School. As the country’s premier classical music program, the festival presents more than 300 performances and music education events, including the Aspen Opera Theater Center (AOTC) program at the historic Wheeler Opera House, where DPA Microphones had its chance to shine.

The AOTC relied on the d:dicate™ 4006C Omnidirectional, 4011A Cardioid and 4015C Wide Cardioid Microphones, as well as the d:vote™ 4099 Instrument Microphone 10-piece Classic Touring Kit for their pristine recording capabilities. Supplied by DPA, Inc. — the company’s U.S. branch, these mics were used primarily to record and broadcast AOTC’s Saturday morning opera master classes as well as its fully-staged productions of Tchaikovsky’s Eugene Onegin and Bizet’s Carmen.

“We were looking for a clean and accurate sound,” explains Scott Burgess, head audio engineer for the Aspen Music Festival and School. “The DPA mics are spotless and precise, and could handle the dynamic range of an operatic performance.”

Since the AOTC is a training program for professional singers, the music was not amplified for the live audience. However, Burgess still needed to ensure that the broadcast audiences, recording listeners and guests in the green rooms all had the same audio experience as the live attendees. He selected the d:dicate 4006s to pick up the vocals from across the front of the stage, a pair of d:dicate 4015s arranged for the main orchestra, a pair of d:dicate 4011s in the wind section and the d:vote 4099s to accent the orchestra’s string section. This guaranteed a pure sound for all recordings and radio broadcasts, including those aired on the local NPR station.

“Another big appeal of the d:dicates and the d:votes was their small size,” adds Burgess. “We could put them where we wanted without having visual distractions, as we needed to stay out of the way of the performances that took place.”

Burgess also arranged d:votes inside the piano to feed sound to the students during the master classes. “The flexibility and sound of the d:votes proved invaluable for the Saturday classes, especially since the piano was constantly being moved in and out of the pit,” he continues. “DPA’s unique magnetic clip design saved us a lot of time as the mics can easily be placed in and out of the piano.”

In addition to the traditional uses, Burgess also called on his d:dicate 4011s to amplify the percussion section for the July performances of Lowell Liebermann’s The Picture of Dorian Gray into the theater through a pair of powered speakers. “We weren’t able to record Dorian Gray, for contractual reasons, but we still needed mics during these performances,” he explains. “Since the show had an especially large orchestra, we were unable to fit the percussion in the theater. Instead, they had to perform from a side room where we set up an ORTF pair of DPA 4011s, which allowed us to amplify the sound of the percussion back into the theater using a standard PA speaker system. It was an astoundingly convincing method as audiences could scarcely tell that the percussionists were not in the theater. The conductor was happy with it and it worked really well for everyone.”

Though the AOTC had not used the newer DPA mics before, it was essential to Burgess, who started with the festival in 2011, to be able to hit the ground running. “The space can be a little challenging and usually I have to make some modifications, but the DPA mics worked right off the bat,” he says. “We only had to make very minor adjustments to get a really good sound.”

Working with professional companies, such as DPA Microphones, has proven indispensible to Burgess and the students. “Our staff comes from all around the country, from some of the biggest recording programs where they are taught on a variety of equipment,” he says. “Having companies like DPA Microphones as one of the sponsors is a great way for our students, and even our professionals, to work with the best professional audio equipment on the market, which is a really important part of our program.”

Founded in 1949, The Aspen Music Festival and School is held annually each summer, with this year’s run ending on August 17. The three AOTC operas presented each summer feature AOTC singers and distinguished conductors and directors. Additionally, all members of the AOTC are expected to sing in one opera chorus and to provide technical-support hours during events such as vocal chamber music performances, house concerts and the weekly public Opera Scenes Master Classes. AOTC singers also participate in an intensive curriculum of weekly voice lessons, and classes focused on opera music, acting, song repertory, movement, rehearsals, Alexander Technique and auditioning, among other requirements.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

LECTROSONICS WIRELESS MICROPHONE AND AUDIO PROCESSING TECHNOLOGIES PROVIDE NEW CAPABILITIES AT BINGHAM HIGH SCHOOL

** Photo: Drayton Bailey (left) and Jaime Verhaal (right) **

South Jordan, UT – August, 2014… As many business professionals, educators, and others are discovering, automated mixing control and wireless microphones simplify and improve the sound reinforcement capabilities in many different environments. Such is the case at Bingham High School, where the school’s auditorium underwent a substantial facility upgrade in order to improve its sound reinforcement capabilities. Here, Digital Hybrid Wireless® microphone and Aspen audio processing technologies from Rio Ranch, NM-based Lectrosonics were placed into service. more

Revolabs InfoComm India 2014 — Booth F63

“InfoComm India 2014 is an excellent opportunity to reconnect with the many system integrators, dealers, distributors, and customers in this region who take the time to travel to the show. At this year’s event, we look forward to introducing a new and cost-effective conferencing solution, the Revolabs Elite Wired Microphones — a first for our company,” said S.L. Dorairaju, Country Manager – India, Revolabs India. more

DPA Helps The Voice Australia Deliver a Great Live Experience

Thanks to DPA’s d:facto™ Vocal Microphone, vocal deliveries for the live broadcast of Australia’s The Voice were significantly improved, ensuring an even more enjoyable experience for TV viewers.

As with many TV singing/talent shows, the culmination of The Voice Australia relied on wireless microphone technology to ensure that the contestants could move freely about the stage. DPA’s award winning d:facto Vocal Microphone fitted the bill perfectly thanks to its state of the art adapter system that allows the high quality condenser capsule to be seamlessly integrated with many professional wireless systems or used in conjunction with DPA’s wired handle.

The decision to try DPA’s d:facto Vocal Microphone on the show was taken by Australian rental company, JPJ Audio.

John Simpson, Senior Audio Director of The Voice, says: “JPJ’s Brad Adamson told me he had DPA’s d:facto’s and we were keen to try them on a couple of TV shows we were working on. DPA has a great reputation for high quality mics and this interested me because I hadn’t been happy with any capsules on the RF systems we were using.”

Simpson knew that, being DPA, their pedigree would shine through the moment he brought up the faders.

“I realised we wouldn’t be needing that old EQ curve anymore,” he says. “The sound was natural, present and uncoloured, like having a top notch studio condenser available as RF. We don’t have to process anywhere near as much as we used to and everything sounds better; vocalists and presenters, male or female. The d:facto’s make it much easier to sit voices in a mix.”

Simpson adds that the Vocal Coach for the programme was also a fan. “He thinks they are a significant step up from anything he has heard and is very impressed, as are the operators at Monitors, FOH and Broadcast.”

“Just keep making them,” implores Simpson. “The capsules are the best thing we’ve heard for RF mics in a long time and have been an asset for us.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Point Source Audio SERIES8 Microphones Endorsed by Lou Mannarino

Lou Mannarino trusts Point Source Audio for his work with The New York Philharmonic.

Lou Mannarino

Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, announced that its SERIES8 miniature microphones have been selected by famed musician, audio engineer and conductor Lou Mannarino for use in high profile performance applications including the New York Philharmonic Orchestra.

The SERIES8 microphones were specified by Mannarino’s distinguished New York production company L&M Sound & Light for applications in similarly prestigious institutions such as the Metropolitan Museum of Art, New York Historical Society and New York Public Library, to name a few. L&M Sound & Light’s team of engineers and sound technicians has over 30 years of experience creating audio designs for the most esteemed musical artists, concert halls, theaters, museums and event spaces.

“We are blown away by your mics,” said Mannarino.

“The SERIES8 mics stand alone thanks to excellent build quality, durability, and the X-connectors that offer easy wireless compatibility. In our world, people do not want to hear the amplification, they just want the natural sound of the speaker. The SERIES8 needs no improvement.”

The SERIES8 is available in three different styles: headset, earworn and lavalier. Created for use in broadcast, theater and live production, the miniature microphones have also been adopted by distinguished venues such as Universal Studios, the Kravis Center, and Shiki Theater Company Tokyo. The product line is similarly well suited to corporate applications and presentations, thanks to the sleek design and hands-free advantages.

“We’re delighted that the features of SERIES8 microphones have earned them a place in front of stage and screen icons at some of the finest concert and performance venues in the world,” said James Lamb, President for Point Source Audio. “From spoken word presentations to finely tuned falsettos, our microphones are ultra durable, wearable and most importantly enjoyable for people on both sides of the stage due in part to our rigorous testing and engineering standards.”

SERIES8 mics have set a new standard for performance and durability in a micro size capsule. While the mic elements measure a mere 2-4 mm in diameter, the mics’ robust features are unlike any others on the market today. The omnidirectional microphones feature 148dB max SPL with an “Unbreakable Boom” bendable to 360°. In addition, they are IP57 waterproof rated against water, sweat and makeup, and feature interchangeable X-connectors for wireless compatibility on the spot.

The SERIES8 cardioid microphones are an ideal solution for performers who require isolation from surrounding set noise or environmental acoustics. The cardioid mics perform best when placed just at the corner of the mouth, which also allows them to maintain an unobtrusive appearance when worn.
With an MSRP starting at $389, Point Source Audio’s SERIES8 miniature microphones are available for purchase at a number of resellers and distributors worldwide. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com

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Related Topics: Case Studies, Large Venue, Microphones, News |

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.

The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.

“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”

Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.

Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.

“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”

Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.

“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”

With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.

“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Extron Introduces Six Input, Four Output Audio Expansion Processor with AEC and Dante

Extron Electronics is pleased to introduce the AXP 64 C AT, an audio expansion processor with six mic/line inputs and four line outputs for remote connectivity to a Dante™-enabled DMP 128 audio system. It is used to place six mic/line sources onto a Dante audio network, and route any four Dante channels from the network to an amplifier or other destination. The AXP 64 C AT features Extron ProDSP with gain, filtering, and dynamics processing for all inputs and outputs. Four of the inputs also include AEC, 48 volt phantom power, and control ports. FlexInputs offer the additional capability to process Dante channels in place of the first four local inputs. A single Ethernet cable from one AXP 64 C AT, or several linked units, to a central equipment rack greatly reduces the effort and expense of pulling one cable for each endpoint. more

HARMAN’s Studer, JBL and AKG to Showcase World-Leading Broadcast Audio Technology at TAB Convention & Trade Show

AUSTIN, Texas — At the Texas Association of Broadcasters (TAB) 61st Annual Convention & Trade Show, HARMAN Professional will be showcasing an extensive array of world-class audio products for the broadcast industry, including Studer digital consoles, AKG microphones and JBL studio monitors.

Taking place at the Renaissance Austin Hotel, the TAB Convention & Trade Show is the largest state broadcast meeting in the United States, featuring one-and-a-half days of management, engineering and sales programs, plus a 127-booth trade show with industry vendors from around the country.

Studer will be showcasing its Vista 1 all-in-one digital mixing console, with integrated control surface, I/O system, DSP and power supplies consoling one compact footprint. This makes it the ideal choice when space is restricted, such as in OB and small control rooms or ENG vans. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles which means the Vista 1 can easily share signals across an entire console network. Two expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to popular formats, including CobraNet or Aviom A-Net, Ethersound, Dante, Dolby E and MADI I/O.

AKG will feature a variety of microphones and headphones for broadcast applications, including the C4500 BC. This large-diaphragm condenser microphone in front-addressed format is specially designed for on-air broadcast work. It provides a cardioid pickup with voice-friendly tuning and a low proximity effect, as well as high RF/EMI insensitivity.

In addition, JBL Professional will show off its award-winning 3 Series studio monitors, which are now available with the LSR310S powered studio subwoofer. Driven by an integrated 200 Watt Class D power amplifier, a new 10-inch high excursion woofer works in concert with JBL’s patented Slip Stream Port™, delivering impressive low-frequency response below 27 Hz, with peak output of 113 dB SPL.

For more information on the TAB Convention & Trade Show, please visit www.tab.org

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

DPA Gets Up Close And Personal With Scarlett Johansson

DPA microphones turn up in some unusual places, but inside Scarlett Johansson’s t-shirt has to be one of the brand’s more exotic locations.

According to French sound engineer Stéphane Bucher, DPA’s d:screet™ 4060 miniature microphones were absolutely perfect for this role because they offered such exceptional audio quality. He used three of the mics to capture Johansson’s performance during the making of Lucy, a new film directed by Luc Besson that is due for theatrical release later this month.

“d:screet 4060 microphones are very small but that wasn’t the reason why I chose to use them,” Bucher explains. “It was all about their audio fidelity – when it comes to sound quality DPA 4060′s are much, much better than other lavalier mics on the market.”

As an internationally acclaimed sound engineer, Bucher has worked with numerous famous actors and directors including Morgan Freeman, Pierce Brosnan and Kevin Costner. In recent years many of the projects he has undertaken have come via major feature film producers such as EuropaCorp. He also owns and manages the Paris-based rental company, A4Audio, which supplies audio equipment to film and TV clients.

“During the filming of Lucy, it was important to take on board Luc Besson’s directing style,” Bucher explains. “He is not the easiest person but I was really happy to work with him. He shoots so fast and wants the actors ready to go when they come to set because he already knows exactly what he wants. Once the actors are here, it is too late, you’ll not have time to put a lavalier on anyone.”

Fortunately, the film’s costume designer Olivier Beriot completely understood Bucher’s problems and was able to work with him to devise a way of permanently attaching a microphone to Scarlett’s main costume.

“Olivier is the best costume designer I have ever worked with and I have huge respect for him,” Bucher says. “Scarlett’s main costume was a white, half translucent T-shirt so we used a white d:screet 4060 microphone which was inserted into the seam of the t-shirt by the dressmaker. We had three t-shirts ready at all times and the solution worked perfectly, giving us great audio but without any visibility issues.”

Bucher adds that this wasn’t the first time he’d used DPA microphones – indeed, he first started using them many years ago when he was recording classical music.

“Like every other sound mixer, my equipment is really important and I’m constantly looking for the best microphones, mixers, recorders, etc,” he says. “When I started working in film and TV sound, I was using the same lavalier microphones as everyone else because I didn’t really have a choice. Now I do have a choice and I can use the best mics available for cinema sound, which happen to be DPA. I originally chose them because I was tired of going to the cinema and hearing that recognizable sound you get with other lavalier microphones. DPA’s sound is really translucent and clear – to the point where sometimes I can’t tell if I’m listening to the boom or the 4060.”

Since completing Lucy, Bucher has been in the USA working with director Olivier Megaton on the film Taken 3, which stars Liam Neeson and Forest Whitaker. As the film requires audio to be recorded inside a car, DPA’s French distributor Audio2 equipped him with a number of d:dicate™ 4018 supercardioid microphones, which are ideally suited to this type of location work.

“They were great,” he says. “I used them for one particular car chase where Liam Neeson is driving very fast on the highway. I needed a very small mic to put into the car’s sun visor. We bought two new sun visors, opened them up and put the 4018 mics inside. This worked perfectly. We also tested them on a much simple car scene, in which Forest Whitaker is driving and talking, and they worked great for that, too.”

Stéphane Bucher is now in France preparing for his next film project, which will undoubtedly feature DPA microphones in a starring role.

“I’ve always been really happy with the audio quality DPA microphones deliver and that’s why I keep going back to them,” he says.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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