Woodland Park, NJ • FSR’s new T3-MJ+ Table Microphone Box series furnishes an elegant yet simple solution for mounting gooseneck microphones. The stylish, mini table box, available in a variety of models, accommodates a wide range of tables and lecterns for any applications requiring a gooseneck mic, including conference and boardrooms, courtrooms, state houses, pulpits and control rooms. Jan Sandri, FSR president announced today that all the models are in production and are currently shipping.

The T3-MJ+ is available in three finishes – black, brass and aluminum – to fit every décor. The basic model offers improved noise isolation and features a built-in, acoustically isolated microphone connector to accommodate mics with 3-pin XLR plugs of a diameter of 1-inch or less and provides superior shock and vibration damping.

Enhanced units, T3-MJ+1B and T3-MJ+2B, offer one or two additional buttons and are custom assembled with momentary or maintain type switches with a variety of switch caps and bi-color LEDs. T3-MJ+1BM and T3-MJ+2BM models feature an internally pre-wired built in mute feature. All models, except the base unit, provide a screw terminal connection to the mic.

A simple process requiring a 2-inch round hole, and less than 1.5 inches of under table clearance makes easy work of installation. An under table shroud is provided as part of the assembly.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.###

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

COS-11D HWM Shines in Shepherd of the Hills Production    

Each year, California’s Shepherd of the Hills Church presents “The Passion Play,” a large scale musical reenactment of the life of Jesus Christ.  With over 160 cast members, the critically-acclaimed production has become a focal point of activity for one of the nation’s largest non-denominational churches.  This year, Sanken’s new COS-11D HWM head worn microphone was tested out on principle performers by Technical Director and Production Designer Jeff Taylor.

“We had access to an early production unit and gave it a try,” remarked Taylor.  “We were amazed at the sonic quality, not only for the robust singing, but the speech, as well.  Everything just opened up — it sounded as if we were using good handheld ribbon mics.”

Sanken’s new head worn COS-11D HWM utilizes the same miniature components lauded industrywide as the lavalier microphone for  film, TV, and stage. The ultra-miniature new generation microphone was designed for hi-resolution audio and is now available for live stage productions, broadcast, and houses of worship.  The mic is especially valuable when there is rigorous head movement, while the close proximity of the mic to the vocal source provides consistently good audio with very natural characteristics.

“We tried the new Sanken mic on the cast member portraying Pilate,” explained Jeff Taylor.  “It is a fairly active role and the gentleman is very dramatic, very physical in his performance, and we had no issues whatsoever. ”

“My FOH engineers were really impressed with the overall quality, so we put it on our musical director, Maxine Anderson, who is a professional vocal performer herself.  She is an extremely powerful vocalist, and we wanted to see how the headroom was, so she just let it fly.  The Sanken performed flawlessly.”

Sanken’s new microphone was also designed to provide greater immunity to RF interference.  It incorporates exclusive design advances that deal with both digital and digital/analog hybrid RF wireless transmission.  Taylor concluded, “There was a lot of RF flying around on that stage, and the COS-11D performed very well, no issues at all.  We have a big Christmas production coming up and we’re really looking forward to using these new Sanken mics.”

For more information about Shepherd of the Hills Church, visit:
http://www.theshepherd.org

For more info about Sanken, visit distributor plus24:  http://www.plus24.net
or phone 323.845.1171

ANAHEIM, CA, JANUARY 20, 2012 — DPA Microphones, the manufacturer of high level reference and headset microphones, is pleased to introduce an enhanced, dual-ear headset for its popular DPA d:fine directional and omnidirectional headset microphones at The 2012 NAMM Show (Booth 6996). Designed to meet the needs of active live theatre, music video production, concert sound, etc., the d:fine series dual-ear headset mic is now ready to take on the most rigorous and energetic performance applications, while delivering the world-class sound quality expected of a DPA microphone. The new dual-ear headset is available in three sizes.

“When we first introduced the d:fine headset microphones series to the live sound market, it was embraced by the industry as a condenser headset that could provide exceptional sound quality in the most challenging acoustic environments with a wonderfully simple and secure single-ear mount,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “With our new dual-ear headset, which is available in three sizes to fit everyone from a 10-year old performer to an adult musician, users can rely on d:fine to stay in place, bringing uninterrupted performance excitement to the audience for live sound and video projects that might include extreme dance and hip hop segments, for example.�

In a world that is increasingly video-oriented, from live action reality TV and theatre presentations to sporting events and bands producing videos for YouTube (and everything in between) the dual-ear headset for the d:fine headset microphone provides worry-free performance in the most exacting situations. While the d:fine capsule delivers the sound, through a frequency range of 20 Hz to 20kHz ± 2dB and a maximum peak handling capacity of 144 dB before clipping, the dual-ear headset delivers confidence that the mics will stay in place. Additionally, as the microphone isn’t hard-wired into the headset, the cable can be replaced easily and inexpensively. All d:fine models come in beige, brown, black and a fancy lime color and are slim line for a low visibility profile.

“With the advent of the d:fine headset microphone, the serious band or performing group can now have an ultra-professional headworn microphone within reach to bring their performance to the next level,� continues Renaud. “With the new dual-ear headset option, the same performers can reliably add increased athletics and dance moves, assured the show or presentation will run smoothly.�

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, CA, JANUARY 20, 2012 — Building on the success of its flagship 4000 Series Reference Standard Microphones, DPA Microphones, the manufacturer of high level reference and headset microphones, is showcasing the new 2000 Series MMC2006 Omni and MMC2011 Cardioid microphone capsules at The 2012 NAMM Show (Booth 6996). Designed to bring the exceptional performance of the 4000 Series to a wider audience, the new 2000 Series incorporates the same capsule technology found in the company’s entire line of miniature microphones, but pairs it with the 4000 Series microphone bodies. The new modular series is offered at an attractive price point, allowing studios, sound companies and live performing groups the opportunity to own a high-level DPA product.

“We have taken our pioneer miniature condenser capsules and engineered them into two new capsules for our modular microphone system,� says Jarrod Renaud, Sales & Marketing for DPA Microphones, Inc. “These capsules offer outstanding performance and bring DPA’s sonic integrity within reach of every serious engineer, artist or studio owner. The MMC2006 and MMC2011 Twin Diaphragm capsules are interchangeable with our standard 4000 series capsules and microphone preamps, so a 2000 Series user can upgrade to the higher level 4000 Series capsules at a later date, if desired.�

Both the MMC2006 and MMC2011 encapsulate two opposite-facing 4060 omnidirectional miniature diaphragms to form a single-capsule, twin-diaphragm design, which reduces noise while enhancing sensitivity. The MMC2011 benefits from DPA’s interference tube design experience gained through its pioneering DPA 5100 Mobile 5.1 Surround Microphone. The interference tube technology ensures the integrity of the MMC2011 cardioid pattern.

The omnidirectional MMC2006 offers a frequency range of 20 Hz to 20 kHz with a soft roll-off below 50 Hz and typical 3 dB soft boost at 14 kHz, ± 2 dB. The cardioid MMC2011 capsule is a pressure gradient type with interference tube, offering an exceptionally flat frequency range of 20 Hz to 20 kHz with a 3 dB soft boost at 12 kHz, ± 2 dB, at 30 cm. Both capsules can be used with DPA’s MMP-A Preamplifier, MMP-B Preamp with low cut and high boost functions and the MMP-C Compact Preamp.

About DPA:
DPA Microphones A/S is a leading manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

ANAHEIM, California – Highlighting the latest in digital wireless capabilities, HARMAN’s AKG introduces its DMS 70 – a true uncompressed digital wireless system. The DMS 70 operates with 24bit 48 kHz transmission in the 2.4GHz ISM band, a worldwide license-free frequency range, to ensure top-quality audio for every customer.

“HARMAN’s AKG DMS 70 system offers exceptional studio-quality sound thanks to its uncompressed digital audio transmission capability,� said Thomas Umbauer, Product Manager, AKG. “The DMS 70 is designed for the most exacting applications where the highest level of wireless audio performance is required. It is especially recommended for guitar and bass because of its ideal frequency response between 20 Hz to 20 kHz.�

DMS 70 is ideal for live sound, club sound, conferences, seminars and school and universities – whenever quick and easy setup up is required. The entire DMS 70 package includes: AKG’s DSR 70 Quattro or DSR 70 Dual Receiver, DPT 70 Digital Pocket Transmitter and DHT 70 Digital Handheld Transmitter, available with patented D5 acoustics or DHT 70 Perception with standard supercardioid capsule. The DSR 70 Quattro includes a rack mount kit, power supply and other accessories. DMS 70 systems are fully compatible – able to be customized and combined for any customer’s needs.

All DMS 70 devices are available separately or in the following prepared packages: The Vocal Set, Instrumental Set and the mixed version of Vocal/Instrumental Set . The Quattro sets include two digital transmitters and the Dual sets, one digital transmitter.

All DMS 70 devices feature bidirectional communication between the transmitter and receiver. The dynamic frequency selection provides “intelligent� operation in the crowded 2,4 GHz band, enabled by digital diversity from receiver and transmitter side. Its easy setup functions make the system simple to use, even for less experienced operators, while the AES 128-bit encryption ensures secure 2-way wireless communication.

The DSR 70 Quattro receiver can work with up to four channels of audio in parallel, which can be mixed down directly to its balanced XLR sum output. The DHT 70 mic employs AKG’s patented dynamic D5 capsule to deliver outstanding sound quality with less feedback and handling noise.

Based on the bidirectional communication DMS 70 offers a number of additional new and unique features, including power off from receiver side for all connected transmitters, battery status monitoring, adjustable mic/guitar input level (DPT 70), high/low level gain switch (DHT 70) and more.

For more information about AKG and DMS 70, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

ANAHEIM, California – The latest addition to the successful line of HARMAN’s AKG WMS 40 MINI series now features a dual channel receiver. The AKG WMS 40 MINI 2 Dual wireless system, launched at Winter NAMM, offers high-definition audio performance, with efficient body pack and cardioid mic transmitters, ensuring advanced, reliable and quality sound for performances.

The WMS 40 MINI 2 Dual Package is available in three sets – the Vocal, Instrumental and Mix sets. The Vocal set features two HT 40 MINI dynamic cardioid microphones and the SR 40 MINI DUAL receiver. AKG’s Instrumental set includes two PT 40 MINI body packs – the smallest transmitters in its class that lasts up to 30 hours on one AA battery –the SR 40 MINI 2 and two guitar cables, while the Mix set offers one HT 40 MINI, a PT 40 MINI and the SR 40 MINI 2.

With swivelling antennae, easy-to-read LED meterings, volume control and the on-off switch on the front of the receiver, connecting and calibrating the plug-and-play system ensures engineers and musicians spend more time playing than worrying about the wireless technology itself.

“AKG’s WMS Series has proven to be very popular in the live sound industry and we are happy to continue offering reliable equipment to better serve musicians and engineers looking for their ultimate sound with minimal equipment,� stated Thomas Umbauer, product marketing manager – PPA, AKG. “Expanding the capabilities of WMS 40 in the new Dual system exceeds the industry standards for smaller, quality wireless systems. Our engineers continuously work to ensure our products offer the best in signal transmission and sound and WMS 40 MINI 2 Dual follows AKG tradition in every sense.�

The WMS 40 MINI 2 Dual system is available at an MSRP of $249.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

ANAHEIM, California – Following the success of its predecessor the IVM4, HARMAN’s AKG proudly launches its IVM4500 IEM In Ear Monitoring System at NAMM. Building on a leading global reputation in professional wireless audio solutions and monitoring, IVM4500 IEM supports users with high quality audio and radio performance, with reliable reference capability. Users in the tour and installed sound markets will find the easy-to-use technology ideal for onstage monitoring.

Designed, developed and manufactured in Austria, with the experience and skill of AKG’s engineering team, the IVM4500 IEM offers a highly diversified system, which includes high-end radio electronic and a manual radio signal attenuator for more RF dynamic; enhanced frequency setup to show the number of free channels and supported TV channels and quick frequency change functions to support monitors, all within a rugged housing. Battery life for the IVM receivers has been tested up to 10 hours.

“AKG’s IVM 4500 IEM in-ear monitoring hardware raises the bar for audio quality, as the user becomes more in-tune with their own sound,� stated Wolfgang Fritz, product marketing manager – tour sound, AKG. “AKG continues to set the standard of high-quality, reliable performance, while IVM4500 IEM adds another groundbreaking, performance-enhancing technology to the industry.�

IVM4500 IEM features antenna diversity, with two matched antennae and a new reference radio electronic design, all of which provide stable signals for the receiver. IVM4500 IEM’s audio quality boasts a high-end and powerful headphone amplifier, ultra linear frequency response and dual mode for individual mix. The quick frequency change functions support monitor engineers throughout performances to make their projects easily adjustable.

“The in-ear monitoring market has become far more mature over the years,� continued Fritz. “Artists demand, and rightfully so, an in-ear monitor that combines reliability, performance, power, comfort and quality audio – traits we’ve worked tirelessly on to ensure the IVM4500 IEM meets the standards of the performer.�

Included in the IVM4500 IEM system are the SPR4500 IEM diversity receiver, which automatically shows the number of free channels and supports TV channels with pre-programmed preset frequencies; the SST4500 IEM transmitter, which is adjustable to 10, 20, 50 and 100 mW depending on country laws; and the IP 2 ear-channel headphones, providing excellent acoustics and low impedance. The SPC4500 antenna combiner, the SRA2 W directional antenna and the RA4000 W omni-directional antenna complete the package.

For more information on IVM4500 IEM and AKG, please visit http://www.akg.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

Stand-Mounted StudioFoam Absorbers Offer Convenient, Portable Solution

ANAHEIM, CA, JANUARY 4, 2012 — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, officially introduces its new ProMAX Panels — stand-mounted, portable StudioFoam absorbers — at Winter NAMM 2012 (Hall A, Booth 6798).

Auralex’s new ProMAX panels are designed as a portable, lightweight, yet highly effective absorption treatment for such run-and-gun recording and performance applications as studio rentals, live events and temporary recording. They can be used in any location where mounting acoustical treatments to the wall are not possible or ideal.

The flexible absorption panels are simple to set up and transport and easily assembled and disassembled for convenient storage. Their lightweight and flexible design makes them ideal portable absorbers, as they can be moved easily and positioned to reduce audible reflections in any recording or listening environment.

Auralex ProMAX Panels can also be grouped together to form a portable vocal booth on the fly. They can also be positioned around a drum kit to “tune� room sounds in recordings and live performance venues. Able to be extended up to eight feet high, Auralex ProMAX Panels feature an adjustable contour for precision positioning.

“Based on the success of our MAX-Wall Mobile Acoustical Environment, we are proud to present this cost-effective portable absorption solution to the NAMM market,� says Eric Smith, founder and president of Auralex Acoustics. “As an extremely flexible acoustical solution, the ProMax is ideal for musicians and on-the-go recording applications.�

About Auralex Acoustics, Inc.
Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide top-performing acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, expert advice and exceptional customer service. Auralex products enjoy widespread use among prominent artists, producers, engineers, corporations, celebrities and government agencies.

Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex Web site at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1-800-959-3343.

VIENNA, Austria – Armed with a custom-painted flash/neon/lime green HARMAN AKG D5 microphone, vocal percussion sensation and native Austrian fii takes the stage around the world with his a cappella beat boxing show, wowing audiences with his beats, harmonies, singing and rapping transmitted through an AKG WMS 4500 wireless system. Expressing his love for the art of music, fii’s unrestricted genre of performance, through multiple channels of looped vocals, is never distorted and sounds perfectly natural with AKG.

With a fascination in music from the age of six, fii began his musical journey with classical music, moving on to metal, hardcore rap and eventually making his way to a cappella – an art that seemed instinctive for the talented performer. On stage, fii utilizes a looper and the green D5 to capture 10-12 parts of a song before he takes on the melody. Each part must blend perfectly to ensure the sound is portrayed exactly how the artist envisions.

“In my mind, all music is the same, in terms of expressing feelings and emotion,� said fii. “Whether it’s Tchaikovsky or hardcore metal, the passion an artist expresses is the true art. When I perform, it’s all or nothing. The high definition D5 sounds like a condenser, but still has all of the characteristics of an amazing dynamic. There is only mic for me – my green D5!�

fii uses no effects in his live shows or albums, (minus some slight compression and EQ) so it is imperative the microphone capturing the rhythms and the signal carrying his voice provide high definition sound to enhance his performance.

“fii is another example of the diversity and reliability AKG microphones offer the dynamic music industry,� stated Joe Wagoner, product marketing manager for wireless, tour and install, AKG. “When an artist is so in tune with their sound, they understand the slight variances in wireless systems, which separates AKG and reinforces our position as a leader in wireless technology. We are happy to welcome fii to the HARMAN family and wish him the best with his custom green D5.�

“AKG has a very natural sound,� fii continued. “When I was first introduced to the brand in 2008, there was no doubt I had to use it. I had issues with other wireless systems and microphones not defining those fine lines between each part on my loops; there was a lack of powerful sound. I only use one channel and my wireless system needs to be able to support me so I can reach my full potential. The WMS 4500 gives me confidence in my performance’s sound.�

The lime green-wearing fii has an equally passionate love for music as he does for the custom D5. “I am so proud to have a mic that lets me express my music, as well as my personality,� said fii.

For more information on fii’s partnership with AKG, please visit http://www.akg.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

San Francisco, CA, December 16, 2011 – Media Vision USA announces that the US-based company ProLingo and the Canadian company Global Audio Visual are now part of Media Vision USA’s rental network following recent acquisitions of the latest generation conferencing and language interpretation equipment inventory. Media Vision USA’s rental network consist of companies offering the TAIDEN wired or wireless delegate conference microphone systems and the TAIDEN digital infrared equipment for language distribution.

For both companies, the decision to undergo this technology upgrade and expansion was motivated by the need to handle larger size international conferences and congresses. “With the TAIDEN digital infrared language distribution system, we can handle simultaneous interpretation sessions in multiple rooms of a same building with a guaranteed crisp clear interference-free signal on all channels� says Mark Stammel, President of ProLingo. The TAIDEN conferencing and interpretation systems uniquely combine the advanced features, reliability and flexibility required for large-size events.

For Mike Moussa, President of Global Audio Visual, the improved quality of sound for interpreters and listeners has been a key element in its decision to choose the TAIDEN technology. “We have been using TAIDEN on very high profile government jobs, including for the Canadian Senate, and this system offers us the best performance.� says Mike, adding that “we are receiving very positive feedback from interpreters�.

For any scale up needs, companies that are part of Media Vision USA’s rental network can count on the wholesale rental provider Conference Rental USA offering unlimited access to additional units of digital push-to-talk conference microphones and infrared language receivers.

The demand for TAIDEN conferencing equipment provided by Media Vision USA has surged in the past two years with major international organizations and conferences across North America requesting to use this system. Most recently, the TAIDEN equipment was used for the 2011 Annual Meetings of the International Monetary Fund and World Bank Group in Washington D.C., with microphone and interpretation systems setup for over 50 meetings.

Companies interested in becoming a member of this rental network can contact Media Vision USA by email at sales@mediavisionusa.com

About Media Vision USA
Headquartered in San Francisco, California, with secondary offices in Washington D.C., Media Vision USA is the lead provider of conference microphone discussion systems, electronic voting, and language interpretation to the audio-visual industry across North America. Media Vision USA has provided state of the art Diplomacy Technologyâ„¢ and conferencing solutions for applications such as council chambers, international conference centers, university auditoriums, corporate boardrooms and many more. Additional information can be found at www.mediavisionusa.com