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Archive of the New Products Category

HARMAN’s Martin Professional Releases MAC Viper Firmware 2.0

AARHUS, Denmark — HARMAN’s Martin Professional today announced the release of MAC Viper firmware 2.0. The update contains fixes for all known issues and improvements on existing functionality including low noise cooling for the entire MAC Viper Family

“Since its launch two years ago, the MAC Viper family quickly became a new industry standard being used in all sorts of entertainment environments,” stated Markus Klüsener, Product Manager for Stage Lighting, Martin Professional. “Be it corporate events, theater or concerts, the whole MAC Viper family can cover it!”

Low noise cooling, which at first was only implemented in the Performance version, is now standard throughout the entire family. Aligned dimmer-curves and smoother effect speeds are also valued additions to the new firmware.

“We have been in close dialogue with lighting designers, rental companies and technicians from all fields of the entertainment industry to gather feedback and suggestions to make their favorite choice of moving-head even better,” said Klüsener.

Major improvements for the Viper Family

• Extended RDM enabled
• Gobo x-fading enabled. (slower gobo scroll speed)
• Colour wheel speeds and acceleration aligned with other MAC Viper variants
• Effects rotation made smoother
• More robust DMX hot-plugging
• Control of fans improved resulting in lower noise
• Random Strobe startup randomized across fixtures
• Auto blackout deployment synchronized across fixtures
• Temperature warning and cut-off levels adjusted
• Lamp strike command in Shortcuts menu now activated by first button press
• Dimmer blackout implemented during lamp strikes
• Smoother pan/tilt movement at startup and reset
• Improved movement during fast pan/tilt snaps

The firmware update is available as a free download via Martin’s support page: http://www.martin.com/service/service.asp

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Wesley United Methodist Church Reinforces Its Sound With HARMAN’s Soundcraft Vi3000 Digital Console

(Gray Shirt) Garret Kyler, Wesley United Methodist Church; and (Black Shirt) Chase Daigle, MSC Systems.

BEAUMONT, Texas – Wesley United Methodist Church in Beaumont, Texas recently improved its audio capacity with the new HARMAN’s Soundcraft Vi3000 digital console and Soundcraft Si Performer 3 digital console. Installed by MSC Systems of Beaumont, the consoles are part of a sound reinforcement project aimed at providing better audio fidelity to the 100-year-old church, which provides contemporary services for up to 500 people.

The newly launched Vi3000 features the new powerful SpiderCore DSP, plus extensive onboard options such as Dante and MADI interfaces. The expanded capabilities of the new 40-bit floating point DSP engine mixes FPGA and DSP technologies in a unique combination with a footprint small enough for it to be included within a control surface. While adding the usual ease-of-use features that made Soundcraft consoles so desirable, such as the Vistonics™ user interface and FaderGlow™ functionality, this console takes any venue to new heights.

“The capabilities of the Vi3000 are amazing, as it has plenty of ins and outs,” said Chase Daigle, Lead Designer/Installer of MSC Systems. “The operators can now mix 12 stereo in-ear monitor mixes right on the console, and have 48 local inputs in addition to the 48×32 stage box run with fiber and 64×64 capability of Dante to the Si Performer. We can also configure presets for every channel, which means we can now recall settings for every single musician on different weeks, instead of resetting the whole board. Operation was so easy that the technical staff often involves the assistance of local volunteers, who despite lacking professional training were able to operate the Vi3000 and the Si Performer 3 after a few pointers.”

Nothing was compromised to provide the best audio solution for this house of worship, with the Vi3000 handling FOH and monitors on different sections of the same board, while the Si Performer 3 with an additional Dante card is used for recording in a separate room. Feeds from the Vi3000 are also routed through the Si Performer 3, so the church services can be streamed directly online.

“The audio has been dramatically improved over our old system,” said Garret Kyler, Worship and Technical Arts Director of Wesley United Methodist Church. “The new Vi3000 console does not sound thin and digital, but very warm and analog-like. It’s also not like other consoles such as those made by Yamaha, where you go through layers of menus. The whole thing is incredibly responsive, because whatever you put in, you get back immediately.”

With a completely remodeled sound and lighting infrastructure, the church is set to handle another decade of contemporary performances. With the “spectacular and natural” Lexicon effects that Daigle applauds, the new Vi3000 will grant church members the sound they were looking for.

For more information on MSC Systems, please visit www.mscsound.com

Photo Credit: Abel McBride

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Martin Audio MLA Goes The Distance At BottleRock 2014

Napa, CA––Under new management, BottleRock 2014 provided three days of exceptional music, food and drink without any of the problems that affected last year’s trial launch.

As Jason Alt of Delicate Productions, provider of audio, video and lighting for the event points out, “This year’s festival was smoother, more organized and better run. Participating vendors and artists were taken care of in advance and everyone had a very positive festival experience.”

The eclectic lineup for the festival included The Cure, Outkast, Weezer, TV On The Radio, Heart, Third Eye Blind, Blues Traveler, Spin Doctors, Gin Blossoms and dozens more bands, solo artists and comedians that spanned a range of styles and musical generations.

Once again, Delicate provided Martin Audio MLA and MLA Compact loudspeaker systems for the two main sponsored stages, Toshiba and Sprint, to ensure proper coverage within the festival grounds and output control to prevent noise overspill in surrounding residential neighborhoods.

“The city of Napa didn’t have a noise ordinance until after last year’s event and we teamed with the city to establish one that would work for the festival and the city,” Jason explains. “We came up with 105dB C-weighted at front of house, 110 feet from the stage, measured over an hour period average. This gave us enough latitude for bands to get louder for ten minutes at a time, which allowed for dynamics within that average without adversely affecting any artist’s performance.

“None of the artists or engineers had any issues with the noise ordinance. Even with the newly imposed time restrictions of stopping by 10pm, the festival went really well. And we had no noise complaints from those living near the festival site either.”

Part of this year’s new PA guidelines included removing the delay towers from the main stage to eliminate excess noise, which had no negative impact on coverage according to Alt. “It made the throw for MLA about 600 feet and the system still performed really well. The audience listening experience didn’t suffer at all. People were able to hear it and everything sounded really consistent and clear.”

The Toshiba main stage system consisted of two speaker clusters a side, each consisting of 16 Martin Audio MLA and two MLD (downfill) enclosures; 24 ground-stacked MLX subs; 12 W8LM speakers for front fills; two clusters for side fills, each containing 4 W8C, 4 W8CS compact subs, and 2 WS218X subs; and 6 MLA Compact each as side hangs.

An Avid Profile 96/24 console was used for FOH, and Yamaha PM5D-RH, DSP5D and Avid Venue 48/24 consoles were used for Monitors. Six Shure UHF-R wireless systems with SM58 capsules were also part of the main stage setup.

For the second (Sprint) stage, Delicate combined 18 Martin Audio MLA Compact enclosures per side with 12 DSX ground-stacked subs; 2 side fill clusters containing 2 W8Cs, 2 W8CS compact subs and a WS218X sub; 4 W8LCs for front fills and Martin Audio LE1200S and LE2100S stage monitors to complete the package.

Asked about MLA, Outkast FOH engineer Darcy Khan replied, “I enjoyed the system a lot. The most important thing was the clarity at 200 feet. I was skeptical about that because a lot of line arrays claim to have it but don’t deliver. And this is the only system I’ve come across that can produce enough low end with just 24 subs, but the way Delicate set it up with that block across the front of the stage, it was there. I was very pleased with it, the system really delivered the goods.”

Concluding, Jason added, “Overall the MLA’s performance exceeded our expectations. Everybody was very impressed with what the system was able to do and all of the engineers, many of whom were new to the system, had a great mixing experience with it.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

HARMAN’s Martin Professional M6 Lighting Console Brings Joy To Changlong International Circus Festival

ZHUHAI, China – Located in the southern Guangdong province and bordering Macau, Zhuhai is a premier tourist hotspot in China. Recently, it is also the host to the Changlong International Circus Festival, of which the committee selected the HARMAN’s Martin M6 Console to control and calibrate the lighting systems on and around the stage. Local Martin distributor Guangzhou Dan-Pro Stage Equipment Co., Ltd recommended the console from a world-renowned brand not only to match the popularity of the venue, but also to provide a compelling experience to such a joyous event.

The Martin M6 console offers the most advanced visualization of lighting control, accommodating a wide product range from traditional fixtures to moving lights and even the most advanced media servers with ease. The setup for the festival features two M6 consoles of the 64 channel version, as well as eight Ether2DMX8™ DMX routers.

“The M6 console is extremely popular amongst integrators, especially for live applications,” said Yuri Zhang, Vice GM of Guangzhou Dan-Pro Stage Equipment Co., Ltd. “During shows that span multiple days, it is imperative for the lighting systems to be controlled by a console that can consistently keep up with the pace without failure. To this end, the body of the console consists of a lightweight aluminum shell, which also allows for a compact design and fast setup times.”

The show features 10 consecutive days of clown acts, circus and aerial acrobatics, animal performances and magic acts, pushing top groups around the world to exciting levels of brilliance. Since there are no two acts alike, all participants had different requirements for synchronizing the lighting effects with their performance. Powered by an industrial multi-core processor and solid-state drives, the M6 console is well equipped to endure such a long and arduous event.

“The M6 console is one of the most reliable lighting consoles to date,” according to Zhang. “It pushes innovative boundaries in terms of flexibility and modularity, as it works with nearly all forms of lighting equipment. By adding a custom touchscreen display to improve ergonomics and workflow, we boost user confidence, so that they may focus on the show.”

The Circus Festival organizers, Changlong Group’s board members, and technical staff were all satisfied with the performance of the Martin M6 console, and praised it for its design and effectiveness. The operators found the controls to be “ambitiously effective” and thus, the M6 will continue its mission to accommodate regular programs for the Changlong International Circus.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

ATC TWEAKS ITS ENTRY-LEVEL PASSIVE NEAR-FIELD MONITOR AND RAISES IT TO A NEW STANDARD OF PERFECTION

LAS VEGAS, NEVADA – JUNE 2014: TransAudio Group, U.S. distributors for ATC UK, introduces the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active Pro Range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. They are ideally suited for critical near-field applications or smaller rooms.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII.”

The ATC SCM20PSL MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same ATC developed SL technology used in our larger nine-, twelve- and fifteen-inch based monitors. The SCM20PSL MkII is the first professional product to incorporate ATC’s brand new in-house built ATC Dual Suspension 25mm tweeter. Five years in development, the new ATC Tweeter offers lower distortion, higher output and greater reliability. A newly ATC designed/built passive Crossover has been incorporated combining second and third order features to offer improved imaging and precision, comparing favorably to our active designs. Exceptionally neutral output extends across the audible spectrum and within an all-new cabinet design, minimizing size and weight. “Given the excellence of previous designs, these advantages lead to a substantive improvement in passive speaker technology,” concluded Lunde.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

ALTINEX ANNOUNCES AVAILABILITY OF MUSE® HDMI®+POWER+IR TRANSMITTER / RECEIVER

**** Photo: Altinex MU400-111 transmitter and the MU500-112 receiver ****

Brea, CA – InfoComm Booth C5116… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce the forthcoming availability of its Muse HDMI+Power+IR Transmitter and Receiver. This new technology dramatically changes the way integrators approach AV systems. With the ability to power a display with up to 150 watts of power and carry HDMI, RS-232, and IR control signals up to 300 feet (90 m) over a single, low voltage, unshielded CAT-6 cable, Muse enables AV Integrators to eliminate the worry of electrical outlet placement—providing AV installers full control over their projects. more

PSS Sound Delivers Supreme Audio Integration to Multiple Venues with HARMAN’s JBL Loudspeakers, Crown Amplifiers and Soundcraft Digital Consoles

BATON ROUGE, Louisiana – Based in the capital of Louisiana, complete audio systems integrator Premier Production & Sound Services, LLC (PSS) is known for its dedication to providing the best audio designs to a wide variety of venues and events including festivals, concerts, university functions and corporate conferences. A major factor contributing to the company’s success is its use of HARMAN’s JBL, Crown and Soundcraft equipment, generating integrated solutions that are impressive in quality and consistency.

To deliver a full turnkey audio system at the limited 325-seat Manship Theater for the Manship Red Carpet Gala Fundraiser featuring GRAMMY®-winning Rick Springfield, PSS stacked three JBL VTX V25 line array loudspeakers per side from the ground up, on top of three VTX S28 subwoofers in cardioid configuration and a VTX V25-VT vertical transporter per side, with four VERTEC® VT4886 subcompact line array loudspeakers serving as front fills. Also, four VT4886 loudspeakers on top of three VT4883 subcompact subwoofers per side in cardioid configuration served as side fills, supported by two VT4883 subs with four VT4886 for drum fill and 16 SRX712M stage monitors. The entire system was powered by 36 Crown I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, and mixed with a Soundcraft Vi6 digital console.

Knowing the sound needed to reach three different levels of the theater, Brian Gordon, co-owner and head audio engineer of PSS Sound, said, “Due to building constraints, we were unable to suspend the VTX line arrays, but thanks to the versatility of the VTX series, we were able to get coverage for the entire room with such little gear. After calculating for vertical dispersion, the front fills were enough to cover half of the first level, with the three VTX V25 loudspeakers covering the rest of the house. We are pleased that the ground-stacked configuration gave us the vertical coverage and sound quality that the artist demanded.”

In addition, the Our Lady Of the Lake Foundation held its 29th Annual Gala at the Baton Rouge River Center, hosting a show for the regional Our Lady of the Lake hospital, starring the blue-eyed soul staple, Hall and Oates. PSS came through with eight JBL VTX V25 and four VT4886 downfill enclosures and six S28 subwoofers in a cardioid configuration per side, supported by four VERTEC VT4888 midsize line array loudspeakers and four VT4886 downfill per side for out fill and four VT4886 loudspeakers for front fill. The system was again powered by 36 I-Tech 12000HD and nine I-Tech 4x3500HD amplifiers, while the Soundcraft Vi6 served as the master control console.

“We wanted to run all the signals through the Vi6 before they hit the PA system, to avoid compromising on sound quality and to have control of the Gala function before the band took the stage,” said Bryant, co-owner and Director of Operations. “The cardioid configuration of the JBL loudspeakers was vital for this particular show, because it eliminated the low-end frequencies that the artist was very sensitive to.”

“The D2 driver is the most amazing thing I’ve ever heard, virtually eliminating half-order distortion, greatly reducing 2nd-5th harmonic distortion, and virtually eliminating modal-breakup to beyond the limits of human hearing in the extreme high-end frequencies,” stated Gordon.

Lastly, the Groovin’ on the Grounds concert at Louisiana State University allowed PSS to showcase its ability to put out a tremendous amount of power through its JBL system, which included 12 VTX V25 loudspeakers per side and nine S28 subwoofers per side, with eight VT4886 loudspeakers as down fills. All units were flown, except for four VT4886 loudspeakers and six SRX728 subwoofers on the ground functioning as front fills.

All 39 Crown I-Tech 12000HD and 15 I-Tech 4x3500HD amplifiers were used to power the system, while the Soundcraft Vi6 console was used for FOH and monitors. For all three shows, JBL HiQnet Performance Manager™ and HARMAN HiQnet Audio Architect™ were used to design and adjust the system configurations.

“With Crown amplifiers we have been very happy with the rock solid stability of the I-Tech HDs. The improved filters and V5 presets have made the combination unstoppable and we have been equally impressed with the newer 4x3500HD amplifiers which allow us to greatly diversify amp racks to do many different configurations,” added Bryant.

“When using the software, we started with the V5 presets and moved forward with further tweaks based on the room and venue. This allowed us to be flexible in our design, even though the concert moved from the originally planned outdoor environment into an arena setting,” said Bryant. “The technological leap that the JBL D2 drivers made for high end clarity allowed us to deliver clear sound at these high powered venues, without distortion or feedback.”

“Thanks to our integrated HARMAN systems, we were able to provide consistent high-quality audio for all three shows,” Bryant concluded. “We have also recently purchased more V25, G28, V20, S25 and F18S loudspeakers to augment and upgrade our existing inventory.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

The Electrical Storm at ULTRA Music Festival with HARMAN’s Martin Professional

MIAMI, Florida — At this year’s ULTRA Music Festival in Miami, HARMAN’s Martin Professional hooked up with the people who dedicate their lives to make the massive production, that is ULTRA, a huge success once again.

In this video, part one in a series of three, you’ll get to meet some of the key people getting their hands dirty while preparing for the show. Watch them in the act as they fire up the ULTRA Music Festival engine for the ultimate festival experience and prepare to give you and the crowd a sensory overload.

Watch part 1: The Electrical storm: http://youtu.be/mxtRd52Oi28

ULTRA Music Festival is an annual, outdoor electronic music festival starting in Miami, Florida and then moving onto nine countries across the globe. It has become an international hub for a multitude of subcultures, all celebrating the music they love.

ULTRA Music Festival is also where industry people meet to pick up groundbreaking tricks, to learn and get inspired. The genre of EDM (Electronic Dance Music) is currently at an all-time high, and all the sub-genres of EDM culminate in a massive electrical storm of EDM at ULTRA.

Every year, ULTRA Music Festival gathers an impressive line-up of the world’s biggest EDM DJs and music producers, here amongst the accomplished Carl Cox who, for the 10th year running entertains ULTRA’s crowd in the Carl Cox and Friends Arena.

A show like ULTRA Music Festival is a complex equation, where all the pieces have to add up. While the guys behind the scenes worked hard to get everything ready in time, disaster was lurking around the corner. As showstart drew closer, so did a tropical storm. Weather forecasts predicted a veritable electrical thunderstorm with tropical showers which, if it were to become a reality, would force the organizers to cancel the show. All technical elements in the stage designs were equipped with some shielding, but this was no way near sufficient to withstand the raging elements of a tropical storm. Luckily, the festival gods above showed mercy and the storm evaded Miami at the last minute.

Being one of the first to kick off the festival season, ULTRA Music Festival strives to not only outdo last year’s shows in every aspect, but also to raise the standard and become a benchmark for the other festival experiences of 2014. At ULTRA Music Festival only the best is good enough. Failure of one means failure of all, and innovation in stage design reaches sky-high proportions, year after year.

This year, a combination of Martin lighting fixtures were deployed across multiple stages, including: RUSH 5×5 Strobe, RUSH MH2, RUSH PAR1, MAC III Profile, MAC Viper, MAC 101, MAC Aura, M-1 Control, M2go Console.

Stay tuned for part 2 of the ULTRA Music Festival series, where we will introduce you to how the team handles challenges and obstacles connected to a huge production such as ULTRA Music Festival.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

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L-ACOUSTICS Introduces K2 and PANFLEX Technology

New line source with horizontal steering makes official North American debut at InfoComm

LAS VEGAS – InfoComm stand C11908 — Following in the footsteps of the highly successful K1 system for large stadium tours and outdoor festivals, L-ACOUSTICS announces the official North American debut of its new K2 line source array loudspeaker system featuring PANFLEX technology.

The successor to L-ACOUSTICS’ industry-changing V-DOSC system, K2 offers K1 performance in a rescaled package that makes it flexibly well-suited for both permanent installation and touring applications, from theatre to stadium productions. The primary system components include:

- K2 full-range element with PANFLEX horizontal steering, operating from 35 Hz to 20 kHz
- K1-SB low-frequency element reinforcing LF contour down to 30 Hz or LF throw down to 35 Hz
- SB28 low-frequency element extending the operating bandwidth down to 25 Hz
- LA4X / LA8 amplified controllers or LA-RAK touring rack fitted with three LA8

Boasting an unprecedented performance/weight ratio, sophisticated and fast captive rigging system and exceptional sonic performance, the K2 line source benefits from L-ACOUSTICS’ Wavefront Sculpture Technology (WST). Inter-element angles can be set with laser-like accuracy up to a generous 10 degrees allowing the optimization of the vertical coverage with SPL smoothly spread across the audience.

K2 employs L-ACOUSTICS’ new PANFLEX, a unique horizontal steering technology that combines mechanically adjustable fins with DSP algorithms effective from 300 Hz. Four different settings are possible: two symmetric (70 or 110 degrees) and two asymmetric (90 degrees as 35/55 or 55/35). Narrowing or widening the horizontal directivity can serve many purposes: adapt to the width of the listening area, fit long and short distance coverage/SPL requirements, reduce or extend overlapping areas, and avoid reflecting surfaces.

By combining WST and PANFLEX L-ACOUSTICS exclusively addresses the control of directivity in both vertical and horizontal planes. As a result, K2 can match the complex shape of any audience geometry with ideal sonic performance and minimum noise pollution.

Thanks to its three-way quad-amplified design and full range capability, the K2 enclosure can be deployed as a standalone line source. For applications demanding extreme LF impact (contour mode), or maximized LF projection (throw mode), K2 can be arrayed with its dedicated and flyable K1-SB LF extension. The K2 system can also address applications with demanding infrasonic reproduction when combined to the SB28 subwoofer. Before installation, any system configurations can be acoustically and mechanically modeled with L-ACOUSTICS’ SOUNDVISION 3D simulation software.

For touring applications, K2 can be associated to the LA-RAK, a universal distribution platform for power, audio signals and network that facilitates cross rental between rental companies. LA-RAK houses three LA8 amplified controllers and can be flown onto a K2 array. Other applications can feature LA8 amplified controllers. For high-end installation projects, K2 can also be driven by the LA4X amplified controller. The scheme authorizes fully discrete DSP treatment per section and maximum power headroom for the best possible sonic performance.

With its dedicated factory presets, the LA8/LA4X amplified controller constitutes an extremely advanced and precise drive system for the enclosures. All L-ACOUSTICS amplified controllers feature the L-DRIVE thermal and over-excursion protection circuit.

Up to 253 LA8/LA4X amplified controllers can be connected together via the Ethernet-based L-NET protocol. LA NETWORK MANAGER software allows online remote control and monitoring of all the connected units via a user-friendly and intuitive graphic interface and features the Array Morphing EQ. This exclusive tool allows the engineer to quickly adjust the tonal balance of the system to reach a reference curve or to ensure consistency of the sonic signature.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

DiGiCo Releases V685 Software

LAS VEGAS – InfoComm 2014 stand C11336 — UK digital solutions manufacturer DiGiCo has now released V685, the latest software upgrade for its range of digital mixing consoles. It is the power of DiGiCo’s proprietary Stealth Digital Processing that allows the company to unlock the incredible amount of new features with each new software version for live, broadcast and theatre applications.

V685 is no exception and includes:
- Increased Buss count for the SD9 from 16 to 24 Flexi Busses
- SD11i/B input channel count increased from 32 to 40 Flexi Channels
- Support for Optocore DD4MR, DD2FR, X6R and DD32R devices in audio I/O
- Any SD5, SD8, SD9, SD10 and SD11 running Waves 9.5 will now have 32 stereo Waves racks
- The availability of Aux Sends on Groups in the live and theatre versions
- Support for the D-Rack AES input card and the addition of the D2 Rack as an I/O device

For theatrical environments, the Relative Faders in Cue Groups is now a Macro command; Auxes, Groups and Matrix channels can now be added to channel sets; and Channel Cues now defaults to showing names.

And for broadcast applications, Backstop PFL is now functional on output busses, plus there is a new option on the SD7B and SD10B for Speaker Mute to do Dim.

“Waves is happy to provide the increasing number of DiGiCo SoundGrid MultiRack users the added benefit of doubling their rack capacity,” comments Mick Olesh, Waves EVP Sales and Marketing. “Increasing the number of racks provides DiGiCo SoundGrid users the capability of running 32 racks of Waves and third party plugins to their workflow.”

“It was always our intention to ensure that our SD range of consoles was as future-proof as we could possibly make it,” adds DiGiCo Managing Director James Gordon. “We believe we have the most comprehensive range of consoles currently on the market that deliver exactly what our customers need and want, whatever the changing demands of their use requires. Being able to deliver such substantial upgrades again and again means that they should stay that way.”

V685 is being provided free of charge for an introductory period. For full details of this, and of the wealth of new features and functions, please visit www.digico.biz.

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Related Topics: InfoComm Newslink, New Products |

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