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Latest Version of Digital Nirvana’s Powerful Broadcast Monitoring System Now Available

SmartSearch, SmartAlerts, Variable Speed Playback, and Intuitive GUI Set it Apart from Other Monitoring Systems

Fremont, CA – Digital Nirvana announces shipment of Monitor IQ 4.0, the latest version of its broadcast monitoring software. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media. Version 4.0 made its debut at the NAB convention this past April in Las Vegas. It is available for download and will ship on new units as of July 15, 2014.

New features within Version 4.0 include: SmartSearch, SmartAlerts, transport stream recording, variable speed speed playback, enhanced editing, and an improved, easy-to-use user interface.

“With these new features, we’ve solidified Monitor IQ’s position as the smartest monitoring solution in the industry with the most rapid return on investment,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, Digital Nirvana. “Based on our close customer relationships, we’ll keep pushing the envelope and bring more broadcast-centric functionality to Monitor IQ.”

The new SmartSearch feature is a highlight of Version 4.0 and sets Monitor IQ apart from other broadcast monitoring systems. With SmartSearch users can search by date, time, and channel as well as by key words in the close caption, alert reports, as-run and traffic logs. Expression searches enable simultaneous keyword searches in the As Run log and closed captioning sections. Monitor IQ’s Boolean search capability makes it easier to define the search by adding AND, OR, + within search terms. This allows the user to search for captions that contain two words, i.e. Clinton AND Obama. The results are contained within a summary list with a hyperlink to the video content.

SmartAlerts, also new to Version 4.0, can be customized based upon the channel, time of day, duration, and choice of error such as a missing closed caption, loss of video or audio, loudness, etc. Users can set up custom profiles with specific preferences that, depending upon the application, are searchable by time, date and alarm profile.

The new variable speed playback option allows for playback at speeds such as 2x, 4x, 1/2x, and -2x, for example. It enables faster operations during legal reviews, ad verification, content review and repurposing applications.

Enhanced editing provides the user the ability to produce frame-accurate cut clip edits. Users can produce cut-clips on live or previous recordings, which allows for quick turn around when repurposing and editing content.

Monitor IQ 4.0 Broadcast Monitoring System

Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, the MediaPro content repurposing system, and the FIFOPro ingest back-up system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

DK-Technologies Steps Up The DK T7 Game At IBC 2014

DK-Technologies has once again upped the functionality of its competitively priced DK T7 audio, loudness and logging meter by adding Loudness Automation, a software update that is free of charge to existing and future DK T7 users.

On show at DK-Technologies’ IBC 2014 stand (8.E60), this latest upgrade is based on SMPTE timecode and allows the DK T7 to instantly recalculate the Integrated Loudness value up to four hours back in time. For audio engineers, this exceptionally useful time saving function is a major improvement as it means they no longer have to re-run programme material to hit their Loudness target value.

Uffe Kjems, Product Marketing Director for DK-Technologies, says: “Every engineer working with broadcast audio knows that hitting the Loudness measure Bulls Eye can be a very tedious and time consuming process. For this reason, we know they will really appreciate our new Loudness Automation feature because it will save them so much time. Loudness Automation adds yet another cool and practical feature to the DK T7 – and at no additional cost – making it the strongest, most competitive and most affordable Loudness meter on the market today.”

DK-Technologies has also added USB mouse operation to the Multi touch screen DK T7, allowing for fast and easy on screen access or operation using the HDMI external monitor output. A number of other improvements have also been incorporated, including headphone volume control and more screen setup functions.

The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O. The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output.

At just 20 x 135 x 180 mm (depth, height and width), the DK T7’s compact design allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

The meter is currently available in two different models – the DK T7 costing €3495 and the entry level DK T7 Stereo, costing €2895. Both models are available with or without balanced digital AES inputs as well as in 19” rack mountable versions.

For a demo and more information please visit DK-Technologies at IBC 2014 (8:E60) or visit www.dk-technologies.com.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany and USA.

Extron CableCover Improves Conference Room Cable Management

Extron Electronics is pleased to introduce CableCover, a durable, fitted bag that mounts below most Extron Cable Cubby, Cable Cubby Series/2, and TouchLink Cable Cubby enclosures. When installed, CableCover improves under-table cable management and aesthetics, minimizing cable tangles and preventing accidental disconnections. CableCover is 19″ (48 cm) deep, providing ample room for up to eight AV cables or three Extron Retractor Series cable retraction modules. Three pass-through openings at the top and bottom of the bag facilitate cable installation and connection with both surface- and floor-mounted AV products. CableCover is constructed of flame-retardant, black polyester fabric and includes a roll of self-adhesive, hook-and-loop tape for mounting to the enclosure. more

MPR System Brings Series Surge Protection to Vertical Power Strips


Fairfield, NJ–– Middle Atlantic is expanding its Modular Power Raceway system to include surge protection capabilities with two exclusive benefits. The introduction of Series Protection™ modules for the MPR Series marks the industry’s first vertical power strip to offer series type non-degrading surge protection and its first fully configurable power solution to do the same.

The new Series Protection™ modules will also provide series type surge protection to all cascading modules in each circuit. A patent-pending technology, Series Protection™ is the fastest-responding series type surge suppression currently available.

The Modular Power Raceway system allows integrators to configure their own ETL-listed vertical power solution using off-the-shelf parts. Integrators now have the option of incorporating reliable surge protection into their custom power design. When installed as the first circuit within the power strip, these modules will extend that series type surge protection to all connected units that follow. In addition, the module sits on top of raceway channel, which allows circuit wiring between modules and unimpeded connection to the termination.

The new MPR modules join the Middle Atlantic family of rackmount and RackLink™ power products leveraging Series Protection™ technology. Modules are available in 15 or 20 amp configurations with outlet options being controlled or on when connected.

For technical specifications and in-depth information about Middle Atlantic Products, please see click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

DPA Shows Its New d:screet™ Necklace Microphones At IBC 2014

DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.

DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.


“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”

The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).

At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.

While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.

“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.

The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.

DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.

“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”

For more information please visit DPA at IBC 2014. Hall 8, Stand D70.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Forbidden IBC2014 Preview

Visit Forbidden at IBC2014 at Stand 8.B38e more

RTI Releases Two-Way Driver for Sonos(R) Audio Devices

New Driver Allows Intuitive Control of Popular Sonos(R) Streaming Audio Systems Directly From RTI Interfaces

SHAKOPEE, Minn. — July 9, 2014 — Remote Technologies Incorporated (RTI) today announced the availability of a new two-way driver for use with the Sonos(R) family of wireless music players. Available free of charge to RTI dealers, the driver simplifies the control and feedback of Sonos audio components, providing integrators and end users with an incredibly powerful solution for selecting songs, storing favorites, and adjusting audio settings on up to 16 media players from a single page of an RTI user interface. more

Extron Introduces Compact HDMI to HDMI Scaler

Extron Electronics is pleased to introduce the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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