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Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Forbidden IBC2014 Preview

Visit Forbidden at IBC2014 at Stand 8.B38e more

RTI Releases Two-Way Driver for Sonos(R) Audio Devices

New Driver Allows Intuitive Control of Popular Sonos(R) Streaming Audio Systems Directly From RTI Interfaces

SHAKOPEE, Minn. — July 9, 2014 — Remote Technologies Incorporated (RTI) today announced the availability of a new two-way driver for use with the Sonos(R) family of wireless music players. Available free of charge to RTI dealers, the driver simplifies the control and feedback of Sonos audio components, providing integrators and end users with an incredibly powerful solution for selecting songs, storing favorites, and adjusting audio settings on up to 16 media players from a single page of an RTI user interface. more

Extron Introduces Compact HDMI to HDMI Scaler

Extron Electronics is pleased to introduce the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

HARMAN’s Martin Professional M6 Lighting Console is the Optimal Solution for Tiens Conference

NEW YORK, New York — For Tiens Company’s annual distributor conference at Moscow’s Russia Hall in SC “luzhniki”, featuring a combination of official speeches and an original concert program for 8,000 guests, HARMAN’s Martin Professional provided Lighting Designer Roman Kasaev with a M6 console to control a design with over 100 Martin lighting fixtures.

To ensure the lighting design integrated seamlessly with the conference’s theme, Kasaev teamed with Daniel Maneshin, Technical Director at the Knyazev Agency, who was brought in to design the conference’s main concept. Maneshin also developed the conference’s business section as well as conceptualized many decorative and informative elements, which featured several LED screens mounted on the main stage. Kasaev chose 48 MAC 101 compact LED wash lights due to the brightness and colors that complimented the LED screens used at the event. The MAC 101s were mounted on custom-made metal structures between screen modules, eight pieces per aperture, due to their bright colored lights that fit ideally with the colors of the video-content on LED screens.
“The MAC 101s are extremely bright and they were never lost on the background of the LED screens,” said Kasaev. “What’s more, there were moments when they outshined the powerful MAC III Profiles.”

“Thanks to the built-in effects engine of the M6, I was able to create a very sophisticated and beautiful color and dimming effects for the MAC 101s,” Kasaev explained. “It resulted in a very intense, bright and impressive picture! The MAC 101s are very fast, so I could bring more diversity into lighting design to make it more dynamic and filled with drive and energy.”

The event program also featured classical ballet and acrobatic performances. To highlight the actors and gymnasts, Kasaev also chose 34 MAC III Profiles to create unique lighting accents with beautiful rays and gobo projections.

For Kasaev, the Tiens Conference was the first project where he was able to work with M6 console, only a slight change as he is familiar with the philosophy from using the M1 and M2GO controllers before. “I had a very big set of equipment for this project so I needed a more powerful console than the M,” Kasaev said. “I reached out to the Representative Office of Martin Professional in Moscow for the support and they provided me with M6 console.”
“Working with the M6 console was very cool and awesome,” he continued. “It’s definitely number one in the M-series due to the features, functions, power and possibilities. The effects engine that Martin’s R&D invented and implemented is a crazy story! The programming speed is really impressive! I had two monitors that allowed me to program many things much faster. The whole process is a pleasure, when you work on M6! The implementation is excellent, very easy to use. Every LD could find all the instruments they need to put their creative ideas into life! I want to recommended LDs to try to work with M-series consoles. It is really very easy, logical and simple solution for programming a variety of lighting effects!”

In addition, Kasaev deployed 50 MAC Aura’s and 12 Atomic 3000 DMX strobes throughout the lighting design.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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SSL Live on Tour with Michael McDonald

“Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix”

NASHVILLE – Blue-eyed soul singer Michael McDonald joins 1980s super-group Toto this summer for a North American co-bill that stops at The Greek in Los Angeles and The Fox in Atlanta. McDonald’s front-of-house engineer Curtis Flatt was first introduced to Spectrum Sound of Nashville while in college and went to work for the company in 1986. Through the long association, Flatt’s career has spanned the best consoles and musicians of the last three decades, including Wynona Judd and the Judds, Donny Osmond and Michael W. Smith. He also filled in for a short time for Robert Collins on Eric Clapton. Today, he can be found at McDonald’s helm with an SSL Live console.

Flatt first took SSL Live out on McDonald’s Christmas Tour last winter. “Spectrum was going to order a pair for Jason Aldean and asked if I wanted to be the first to take one out,” he says. “I programmed it in my office and, without a production rehearsal, dove in at the first sound check. Michael’s musicians’ sounds are really good to start with. They play really well together and it’s a straightforward show. If you start with a good sounding product, mic it with quality microphones and run it through a console that has an excellent quality, you’re pretty much there. SSL Live brings me to that point and gives me the freedom to just mix and not have to think about a lot of external processes.”

The transparency of SSL Live’s mix bus, especially since it is a digital console, was one of the first things Flatt noticed. “There are a handful of consoles out there that sound good or really good, but as everybody who mixes knows, as you start to sum all those good sounding parts together, a lot of times you’re either working with or around the console to create that final sound, that final mix,” he explains. “On a warm console, you may have to figure out which inputs could lose a little warmth to fit in with everything so that it doesn’t get muddy. Live has such a separation that as you add all of the inputs, you don’t have this muddle going on, which happens so often on other live consoles. There’s definition to everything in the mix.”

Flatt credits the fidelity both in the highs and the lows of the console. “There’s a nice top-end on it and it’s really smooth; there isn’t an overabundance of hype on it,” he says, adding, “The low-end on the console is nice and round without being overbearing.”

He also notes an improvement in mixing and panning compared to other consoles. “Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix,” he says. “The palette is more open, so placement in the mix becomes really noticeable. Slight pans and movements here and there present a better picture. You hear subtle differences. For example, our drummer had two hi-hats; one was panned slightly left and one was barely right – and I mean barely, but you always knew which one he was playing, even with your eyes closed.

“I run a couple of parallel-compression bus groups because we try to maintain a certain level in the show and want to add a little bit of punch back into that in some areas without overly compressing the entire mix,” he continues. “So, I have a parallel drum group and a parallel background vocal group to level them out a little bit and add them in as needed. If the show really starts to push a little bit, there may be a dB or two of compression with the bus compressor, but the show is very dynamic so I don’t want to take the dynamics out, since the music lends itself to dynamics. It’s got pop, rock and R&B.”

The difference the SSL Live console makes during a performance is starting to gain recognition from the entire McDonald camp. “It’s not only been noticed by Michael and the band, but also management, other members of the crew and even some diehard fans noticed that something was different,” Flatt says. “When we did our first fly date after coming back from being on tour, I was using a different console because we flew in for a one-off show. Michael walked past FOH to say ‘hi,’ and when he looked over at the console and saw it wasn’t the SSL Live, he said, ‘Oh, it’s one of those.’ So it’s definitely something that he and the band have noticed; that management and production management have said ‘Yeah, we’re going to carry the SSL console, you don’t have to fight for it.’ ”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

H-P Products Element 2300 Central Vac Cleans up to 12,000 sq. ft

A convenient dual-filtration design and a powerful new engine make the Element 2300 ideal for large homes and light commercial applications.


Louisville, OH – July 8, 2014 – H-P Products, a leading manufacturer of central vacuums and custom tubing-related products, is proud to announce the Element 2300, its most powerful Element Series central vacuum power unit, designed for large homes and businesses up to 12,000 sq. ft.

The Element 2300 offers several innovations for a cleaner home with less hassle. The cyclonic, dual-filtration system deflects heavy particles with a filter shroud, depositing them directly into the dirt canister to reduce wear and tear of the inverted filter. Smaller dust particles are captured by the self-cleaning, permanent CleanShield inverted filter that eliminates the need for an outdoor exhaust, improves air quality, and never needs to be replaced. A simple, yet effective, carbon dust filtration system on the powerful Ametek motor protects walls and reduces carbon dust emissions.

About that motor, H-P Products partnered with Ametek/Lamb to design a completely new 8.4″ high-performance motor with 707 max air watts of power and 136 CFM of airflow to pick up pebbles, crumbs, hair, grass and other debris. The Element 2300 also features an on-board inlet which allows for easy vacuuming from the power unit location.

“Convenience, power and efficiency are the key factors driving central vacuum adoption these days,” said Amy Wesely, marketing manager, H-P Products. “The Element 2300 is about as low-maintenance as it comes for a central vacuum system since the filter never needs replacing, there’s no exhaust required, and the dirt canister only needs to be emptied three or four times a year.” Wesely added, “The 2300 is also backed by a powerful Lifetime Limited Warranty to the original homeowner.”

According to the 11th Annual State of the Builder Market Study done jointly by the Consumer Electronics Association (CEA) and National Association of Homebuilders (NAHB), 18 percent of all new homes included central vacuum. That is a 64 percent increase since 2007, making it the second-fastest growing technology product category installed in new homes behind only home theater. It is also one of the most profitable categories for installers, frequently earning 50-point margins.

Wesely continued, “Central vacuum presents a great opportunity for residential dealers to expand into light commercial segments like hair salons, dog groomers, workshops, etc. There’s not a lot of competition and it’s easy to sell the benefits of central vac to someone who’s always cleaning the floors as part of his or her business.”

For more information about the Element 2300 central vacuum power unit, please visit www.elementvac.com or follow H-P Products on Facebook, Twitter or LinkedIn.

Element 2300 Power Unit

Element 2300 Filtration Diagram 

About H-P Products
Since 1945, H-P Products, Inc., premier manufacturer of central vacuums and tubing-related products, has been internationally recognized for its operations developed on the genuine principles of producing high-quality products, while servicing the needs of a wide customer base. Superior service and performance practices have positioned H-P as a leader in the tubular products and central vacuum industries. With more than 60 years of manufacturing success, H-P continues to grow as a result of its diversified product line and flexible fabrication capabilities, and is committed to researching and formulating technologies while pioneering the industry.

Media Contact:
Caster Communications, Inc. at 401.792.7080
Nick Brown  nbrown@castercomm.com
Kalyn Schieffer kalyn@castercomm.com 

Grove City Church of the Nazarene Upgrades to New Yamaha Digital System

BUENA PARK, Calif.—The Naz Church in Grove City, Ohio main auditorium seats approximately 2,800 people and has a congregation of 3,000. The church recently installed two Yamaha CL Series Digital Audio Consoles (a CL5 at front of house and a CL1 at monitors), eight Rio input/output boxes: two Rio3224-D, two Rio1608-D, two Ri8s, and two Ro8s. The system was purchased through Boynton Pro Audio (Norwich, NY) and installed by church staff and volunteers.

“This was not our first experience with digital consoles,” states Matt Groves, Technical Director at The Naz. “We previously used a Yamaha LS9 at monitors and a Yamaha PM1D at front of house. The purchase of the CL system began when we started looking for a replacement monitor console because our Yamaha LS9 was stolen from the monitor booth. One of our front of house engineers, Doug McLaughlin with Tech Art Productions in Columbus, suggested we purchase a CL Series, and after researching it more, we discovered how functional it would be for us. Our audio engineers are volunteers with previous digital console experience on our LS9 and PM1D, so the only training required was to watch the self-training videos on the Yamaha website. The set up and operation of the CL system was very user-friendly.”

The Church of the Nazarene has both traditional and contemporary services. The traditional service consists of an 80-member choir, a 15-piece orchestra, a rhythm section (with a five- piece drum kit, two digital keyboards, bass, two acoustic guitars, one electric guitar, synth/tracks), and seven main vocalists. The contemporary service consists of a five-piece drum kit, digital keyboard, bass, acoustic guitar, two electric guitars, synth/tracks, and four vocalists.

“Because of the many components each service style presents, we felt it was a good opportunity to start our CL system upgrade,” Groves said. “We decided to purchase a CL1 with a Rio3224-D first to replace the monitor console, and our master plan was to eventually purchase a CL5 for front of house. A couple of weeks after installing the CL1, we began having major issues and failures with our then existing analog wiring and patch bays, so we decided to accelerate the completion of our system and purchased the CL5 along with the seven additional Rio boxes.”

Groves said the features that determined the church selection of the CL Series was the Dante networking and the ability to bypass their old/existing wiring. “The use of the Dante system is so functional for us as a church,” he says. “Since we run two very different style worship services and host many events and concerts throughout the year, having the Dante network gives us the flexibility we need. We also needed to replace the existing wiring and patch bays so being able to run a redundant network with Cat5e cable between the consoles and Rio boxes was a huge cost savings for us. Our system now sounds the cleanest it has ever sounded.”

The Naz also upgraded part of their video system infrastructure using Ross Video’s Carbonite 2M 24 Switcher MultiMedia Edition. The video control room is home to the switcher along with two 60″ Panasonic plasma displays for multi-viewer use with the Carbonite, along with three 24″ LCD displays for preview use. The church staff records to two solid-state hard drives using Blackmagic’s Hyperdeck Studio Pro. Four Mac Pro’s are used for video playback, lyric projection, and live streaming of services, using Livestream as their streaming service provider.

“We currently run five cameras,” Groves notes, “however, these are still our older cameras (three Sony D-30′s and two Canon XH-A1’s). Right now we are meshing our standard definition cameras with the high definition infrastructure, which took some doing, but works great now after some trial and error and many converters.”

With regard to the new Yamaha system, Groves said the system has unbelievable clarity. “It’s amazing when you have the system on and can’t tell it’s on. Before the installation, our system was pretty noisy from the analog wiring and patch bays, but now there is no noise at all. The clarity and depth of sound we’re getting from this system is amazing!”

For more information on The Naz, visit www.thenaz.tv.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Linear Launches Intelligent Three-Way Z-Wave Light Switch

Unlike most three-way switches that require a traveler wire, this smart switch can be installed just about anywhere there’s AC power

Carlsbad, CA – July 7, 2014 – Leading security and home automation, access control, and health and wellness manufacturer for residential and commercial markets, Linear LLC today announced the launch of its 3-way Z-Wave® smart switch, model WT00Z™. The new Z-Wave smart switch allows remote ON/OFF control and dimming of as many as five other Z-Wave controlled lights, and adds another intelligent control solution to Linear’s Internet of Things (IoT) portfolio. Linear, including its 2GIG® brand of products, is the largest user of Z-Wave chipsets in the world. Obituary

The Linear® WT00Z™ smart switch gives professional security and home automation installers an invaluable tool by offering a desirable home control lighting function that previously was either not possible or practical. Because the Linear 3-way smart switch does not directly control a load, it can serve as a virtual 3-way switch and be wired anywhere power is available, without the need for a traveler wire. When paired with a 2GIG® Go!Control® system, or other brand of home automation controller, the 3-way Z-Wave smart switch offers simple control of one, two or as many as five other lights, making it easy for consumers to quickly illuminate or extinguish lights with a simple flip of a nearby wall switch.

“This new 3-way Z-Wave switch is extremely important to our portfolio of connected devices. It solves a vexing problem for installers, while bolstering the capabilities and value of the Go!Control® automation panels they install. Controlling a light from two locations is a convenience most people have come to expect, but anyone who’s done electrical wiring knows it’s not always that simple,” said Duane Paulson, senior vice president of product and market development for Linear. “This new Z-Wave smart switch makes it easy. This is another example of our commitment to bring smarter products to market that add convenience, while enhancing the value of our 2GIG® home control platform, which continues to accelerate in popularity.”

Linear is also a principal member of the Z-Wave Alliance. “Z-Wave is at the heart of the world’s largest ecosystem of interoperable smart products, and it will continue to grow. Our partnership is stronger than ever and we remain committed to bringing innovative, intelligent Z-Wave control solutions to the residential and commercial markets,” continued Paulson.

Z-Wave® is an international wireless standard for intelligent, interoperable, low-power, RF mesh networking technology. This powerful smart chip and compact protocol enable two-way RF communications among Z-Wave enabled devices. Linear is now manufacturing, selling and distributing Z-Wave lighting control products that include: wall dimmers, wall switches, wall outlets, lamp modules, appliance modules, 3-way switches/dimmers, fixture modules, as well as international versions of the same products plus other Z-Wave enabled security and convenience devices. Linear also has the capability to utilize its extensive OEM experience to manufacture Z-Wave products for partner companies seeking their own intelligent lighting solutions.

For more information about the WT00Z™ 3-way Z-Wave smart switch, please visit www.linearcorp.com/threeway. For more information about Linear LLC, please visit www.linearcorp.com or call 1-800-421-1587. Linear can also be found on Facebook, Twitter and LinkedIn.

About Linear LLC
Headquartered in Carlsbad, California, Linear LLC is an innovator in the health and wellness, security and access control markets. Since 1961, the company has designed and manufactured more than 2,500 products for residential and commercial use. Today, Linear is focused on wired and wireless technology serving the access control, security and connected business and home needs of its dealers, customers and OEM partners. The Go!Control® home management system and a growing range of Z-Wave automation, commercial entry and wellness products position Linear as a competitor in multiple growth industries for the long-term future.

Linear is a subsidiary of Nortek, Inc. (Nasdaq: NTK) a global, diversified company whose many market-leading brands deliver broad capabilities and a wide array of innovative, technology-driven products and solutions for lifestyle improvement at home and at work. Please visit www.nortekinc.com for more information.

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