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Archive of the New Products Category

Extron Announces New Fiber Optic USB Extender that Supports a Wide Range of Devices

Extron FOX USB Extender PlusExtron Electronics is pleased to introduce the FOX USB Extender Plus, which extends signals from USB peripheral devices extreme distances over fiber optic cabling. The extender supports USB 3.0, 2.0, 1.1, and 1.0 devices with data rates up to 480 Mbps. Used in conjunction with an Extron FOX Series DisplayPort, HDMI, DVI, or VGA extender, the FOX USB Extender Plus is capable of transmitting Keyboard-Video-Mouse – KVM signals very long distances over a fiber optic infrastructure. Direct connection of USB peripherals to a remote host eliminates the need for additional IP network drops, equipment, software, or drivers. For streamlined integration, the transmitter includes USB peripheral emulation that supports trouble-free booting of the host. Also, the receiver features an integrated four port hub with 5 Volts, 500 mA available on each port to power attached devices. The capabilities and low profile design of the FOX USB Extender Plus ensure simplified device integration in a wide variety of professional environments. more

Church On The Rock at the Golden Triangle Upgrades to HARMAN’s Soundcraft Vi3000

Scraft_GoldenTriangle_1BEAUMONT, Texas – Located at one of its several campuses, the Church On The Rock at the Golden Triangle location in Texas recently acquired a HARMAN Soundcraft Vi3000 console to provide its community with better worship services and broadcasts. Part of a major renovation project, the Vi3000 is part of a new, streamlined audio system, where the console is being used as the Church’s FOH console and for broadcasting.

Seating 1000, the Church on the Rock consists of a shallow but wide room, which requires a system that accommodates the 180-degree seating arrangement. Lead FOH Engineer Blake Sessions took charge of this challenge, and decided that the Vi3000 console was the best choice especially thanks to its MADI and Dante connectivity and channel capacity.

“I’ve worked on the Vi Series consoles before, so I understand how intuitive the layout is on these boards,” said Sessions. “The Vi3000 is very flexible as it offers 96 input channels and 24 mono or stereo output busses depending on what we need. Also, being able to run 64 channels with Dante or MADI protocol is very important, because it allows us to link the feeds to our broadcast studio via Cat5 or optical cable.”

The Church hosts a total of four services between Sundays and Wednesdays, which are tracked and broadcasted from the website churchonline.tv. To ensure quality during each service, it needed a console that not only sounds great, but is also easy to learn and use for the newer operators.

“We have several volunteer engineers, so it’s nice to have a console that has a familiar analog layout and feel,” said Sessions. “However, the ease of use does not take away from the performance: the console is a work horse with fantastic pre-amps and abundant capabilities. It’s amazing how I can get all that at this price point.”

After installing the new audio equipment and setting up the Dante network, Golden Triangle Church On The Rock was able to greatly improve their live and broadcast sound departments.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Reflect Selects SunBriteTV Outdoor Televisions to Help Entertain and Inform Guests at Cedar Fair Amusement Parks

SunBriteTV--CedarFair1THOUSAND OAKS, California, Oct 20, 2014 — While roller coasters might be the main attractions at Cedar Fair Entertainment Company’s 11 major amusement parks, SunBriteTV’s outdoor-rated displays help keep guests entertained at the parks year-round. In an aggressive deployment timeframe of just eight rainy weeks, SunBriteTV’s outdoor televisions were chosen thanks to their ease of installation and weatherproofing technology that has withstood the elements across North America. They proved versatile and reliable tools in delivering necessary information and entertainment to Cedar Fair’s 23 million annual guests.

With more than 350 screens in 11 amusement parks, including Cedar Point, Knott’s Berry Farm, Kings Island and Canada’s Wonderland, the digital experiences start immediately when guests arrive. Entry gate digital signage is being utilized to help direct the flow of traffic. For entry gate screens, Reflect developed a custom software application to dynamically control lane status for guest entry, indicating which lanes are open or closed. The application also provides custom content and messaging capabilities to designate lanes reserved for groups and VIPs, and can also be used to promote special events. Multiple screens throughout the parks provide guests with entertainment and information. Reflect developed dynamic content, including a custom weather package to inform guests when to expect the hottest or coldest hours of the day, or inclement weather, allowing them to plan their day accordingly.

The ReflectView enterprise digital media software suite provides Cedar Fair control over the management, distribution and presentation of HD media content and applications. ReflectView provides Cedar Fair with a flexible platform to display dynamic messaging and media that effectively communicate the latest promotions and park attractions, and it supports the integration and management of open standards for content, apps, and web technologies.

“Cedar Fair’s attention to customer service and the parks’ varied environments demanded a dependable solution,” said Rusty Wagner, SVP, Reflect. Reflect was also responsible for the selection and installation of the SunBriteTV outdoor displays in all Cedar Fair parks. “We chose SunBriteTV because the displays were not only an aesthetic fit but because the weatherproofing technology guaranteed high performance in every climate.”

Reflect deployed more than 350 SunBriteTV Pro Series 55” outdoor displays across the 11 parks. Featuring direct sunlight-readable LED screens with high temperature Enhanced Solar Tolerance (EST) technology, the Pro Series offers a consistent image in all lighting conditions. Multi-fan airflow and temperature regulation systems keep internal electronics running in temperatures from -40° to 122° Fahrenheit and a watertight Cable Entry System seals out moisture, insects, dust and foreign particles.

Inclement weather was a factor even before the installation was complete. Reflect had to perform within an ambitious timeframe of eight rainy weeks in order to finish the job in time for the start of the 2014 season. Outfitting each park with up to 50 screens was made easier thanks to the SunBriteTV’s ease of installation and responsive customer service.

“Our installation schedule was intense and the SunBriteTV team, mindful of our time constraints, was able to bulk-ship supplies directly to the parks,” said Rusty Wagner, SVP, Reflect.

The project came about in early 2014 when Cedar Fair tasked Reflect with enhancing the customer experience. This meant finding a solution to provide information and entertainment quickly and dynamically over digital networks. Thanks to the weatherproofing technology, ease of installation, product versatility and “expertise in the outdoor display market,” it’s no surprise that Reflect selected SunBriteTV to help reach Cedar Fair’s 23 million annual guests.

Designed for permanent outdoor installation, durability is inseparable from the SunBriteTV brand. In large public venues like Cedar Fair’s amusement parks, vandalism is as great of a concern as weather. The Pro Series features a front tempered anti-reflective glass window to provide added protection and prevents tampering with the LED screen.

For more information on Reflect Systems, please visit http://www.reflectsystems.com/.

For more information on Cedar Fair Entertainment Company, please visit http://www.cedarfair.com/.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV.

About SunBriteTV

SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, colleges, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.SunBriteTV.com.

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New Clay Paky Stormy Fixtures Arrive at Main Light Industries

StormyMain Light Industries, Inc., which offers lighting equipment rentals to the professional entertainment business from its base in Wilmington, Delaware, has taken delivery of 34 new Clay Paky Stormy fixtures. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky products in North America.

The innovative Stormy uses the latest LED technology while retaining all the charm of the classic strobe. Its light source is a strip of powerful white LEDs, which perfectly emulate a bright Xenon linear lamp. The flash effect is enhanced by the Stormy’s parabolic reflector, like a classic strobe’s, which does not project the light directly forward like other LED strobes.

“The Stormy fills a hole in the market with a realistic strobe-style fixture that isn’t just a brick of LEDs,” says John DiEleuterio at Main Light Industries. “Having a strobe that’s LED alleviates the thermaling issue of conventional strobe fixtures offered by the other manufacturers.”

The new Stormy has 144 x 7W Oslon Osram LEDs with a pulsed mode of 980W max and a continuous mode of 720W max. The frequency, duration and intensity of the pulse are fully digitally controlled; the parameters are even independently adjustable, which is impossible with a Xenon lamp strobe. Due to highly sophisticated electronics, the light turns on and off instantly, creating the jerky movement illusion. The pulse duration may be extended as required. And thanks to the use of LEDs, the light intensity remains constant with no flickering effect.

The Stormy also comes with RGBW LEDs, which are able to flash in any color eliminating the need for gels, that dramatically reduce the amount of light, and slow, noisy and unreliable scrollers.

DiEleuterio is particularly pleased with these features. “The Stormy fixtures are RGBW, and there’s no need to add scrollers or color,” he says. “They are also very solidly built.”

The Stormy’s beam opening control is by optional barndoors. The fixture has a 0-100% adjustable dimmer and bracket adjustable on 360º.

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Rogue Element Embraces an Open Source Philosophy

Dan Mulligan

Rogue Element has become one of the first digital cinematography companies in the UK to adopt an Open Source policy for its rental division by providing Open Source Digital Camera Solutions.

In a move designed to unleash and encourage creativity, the Soho-based company is ensuring that 4K cinema is fully open to everyone by making AXIOM Beta Open Digital Cinema Cameras available to its rental customers.

AXIOM Beta cameras are the first products to be developed by apertus°, an Open Source cinema organisation founded by film makers and financed through crowd funding. The people behind apertus° were galvanised into action when they became concerned with the expensive and limited tools they were forced to work with every day. Instead, they wanted access to affordable devices and technology that delivered the highest possible image quality and could be customised to exactly suit their needs.

Since its formation in 2007, the apertus° project has applied an Open Source philosophy to everything it has developed. As no patents have been filed, anyone can access the technology behind its cameras and people are actively encouraged to adapt, modify, repair and even replicate them. To date, reaction has been very positive. Not only has the company achieved – and exceeded – its initial crowd funding target but it also has the backing of some very important film makers and cinematographers.

ASC and AIC Cinematographer Roberto Schaefer, who was responsible for films such as Quantum of Solace, Finding Neverland and Stranger Than Fiction, says: “I believe than an Open Source camera will allow us to customize the digital camera to our personal liking. That should include ergonomics and hopefully give the ability to get rid of the shoebox, front heavy trend of current designs. I look forward to using custom elements to create the new Digital Aaton, even though they are no longer in business. The design possibilities that I’ve seen from the apertus° project are exciting, as are the image creation possibilities. Not being locked in to any one company’s idea of what the images should look like is a breath of fresh (film) air. Currently in order to switch film stocks we have to change camera systems. The AXIOM will hopefully change all of that and allow us to change stocks with a physical switch.”

His views are shared by Emmy and Academy Award-winning DOP and Visual Effects Supervisor David Stump, who says: “The spirit of Open Source frees up the creative spirit to do something that no one else thought of,” while IMAX cinematographer Lee Ford Parker adds: “Open Source cameras are a step back toward the dark room, in which making the tools is part of the joy of making the art.”

The AXIOM Beta camera has just been released and is currently only available at cost to the community that backed the initial crowd funding campaign. Rogue Element was one of those backers and Managing Director Dan Mulligan says: “Open Source is a fantastic concept and we are delighted to be supporting apertus° by making this format available to the UK rental market. In taking on the Open Source philosophy, we hope to facilitate unfettered access to the technology and free up the creative spirit so that the cinema industry can engage in practices that encourage freedom of expression and is no longer limited by who can contribute.”

Established by Mulligan in 2001 firstly with camera rentals, Rogue Element then pioneered tapeless and file-based digital workflows and onset correction with 3D LUTs, S.two & Codex data recorders and Filmlight colour timing suites until 2011.
Now starting an Open Source operation for 2014 onwards Rogue will offer new camera solutions and options for the Broadcast & Features markets.

Rogue Element can also provide dailies and workflows for Arriraw (Alexa 16:9/4:3 sensors) RED RAW (RED Epic & Dragon 6K),Sony S-Log3 (Sony F65), Canon RAW (Canon C100/300/500), Cinema DNG (Blackmagic), GoPro and many other of today’s professional and niche camera systems. With this new operation for 2014 we want to pursue new avenues for the market.

Dan Mulligan, who has recently returned to Rogue Element after a three year stint at Technicolor, says: “The Arriraw format is now well established and there are a raft of high-end products catering for this market. We are still providing our customers with access to these workflows as they continue to develop, but thanks to our investment in the apertus° project we can now bring a very high quality Open Source 4K camera to the market at a much lower entry cost.”

Mulligan adds that for many film makers, cost can be an ongoing issue and the price of using high end equipment does bar many talented people from entering the market.

“This is why it is good to see the appearance of an Open Source camera system that has a much lower entry point,” he says. “The ability to create your own 4K camera and your own workflow is hugely beneficial for the film and broadcast industry because it will encourage content creation and allow people to get involved at much less cost.”

Rogue Element is not initially consider charging for the rental of its AXIOM Beta cameras. Instead, it will make its income through consultancy and through supplying additional new sensors, lenses, tripods etc., and add on services such as storage and workflow.

“We want people to try them so we are making them as easily available as possible,” Mulligan says. “With the Axiom Open Source we now have a camera solution coming from an opposing end of the release spectrum with a differing approach to its target audience. There should be more than enough room for both this and the higher end systems.”

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About Rogue Element:
Rogue Element provides digital cinematography filming services plus data and dailies, to the Film and Broadcast industries. A pioneer in tapeless and file-based digital workflows and on-set colour correction, the company’s growing rental division also supplies and supports a wide range of professional Digital Cameras including RAW camera systems and workflows, apertus° AXIOM Beta Open Source cameras and new solutions for RAW workflows.
www.rogueelementdigital.com

Extron Now Shipping Single-Gang DTP Wallplate Transmitters for HDMI

Extron DTP T HWP 331 DExtron Electronics is pleased to announce the immediate availability of the DTP T HWP 231 D and DTP T HWP 331 D, single-gang Decora®-style transmitters for sending HDMI, audio, and bidirectional RS-232 and IR signals over a shielded CATx cable to Extron DTP-enabled products. The DTP T HWP 231 D extends signals up to 230 feet (70 meters), while the DTP T HWP 331 D extends signals up to 330 feet (100 meters). The one-gang form factor provides maximum space efficiency in wall mount, floor box, and furniture mount applications. The transmitters support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. Both models also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. They feature remote power capability, plus bidirectional RS-232 and IR pass-through for remote AV device control. The single-gang wall-mountable design of the DTP T HWP 231 D and DTP T HWP 331 D provides the convenience of placing input connections precisely where they are needed. more

Matrox to Feature Multi-channel SDI Card for 4K and Live Streaming and Recording Products at Inter BEE 2014

X.mio3 OEM card, VS4Recorder Pro multi-camera recording app and Monarch HD streaming/recording appliance to be showcased

At Inter BEE 2014 (Chiba City, Japan, Nov. 19-21, Hall 6, Booth 6302), Matrox® Video and local distributor Japan Material will feature the X.mio3 family of high-performance, multi-channel SDI cards for developers, the new VS4Recorder Pro™ multi-camera recording and multiviewer app and the popular Matrox Monarch™ HD video streaming and recording appliance.

Also on display will be the Matrox Mojito™ 4K video monitoring card, the Matrox MicroQuad™ multiviewer, the Matrox Convert™ DVI Plus scan converter, the Matrox MXO2™ family of editing devices and the Matrox MC-100™ SDI to HDMI mini converter.

Matrox X.mio3 PCIe cards offer developers up to 12 reconfigurable I/Os, from SD to 4K, along with support for AES/EBU, LTC and GPIO. Multi-channel hardware processing accelerates compute-intensive operations including motion-adaptive de-interlacing, up/down/cross scaling and mixing/compositing for all resolutions including 4K. The cards provide the ideal hardware platform for OEMs who need to create advanced yet compact channel-in-a-box systems, video servers, broadcast graphics systems, encoders, transcoders, multiviewers, switchers and other digital media equipment. Comprehensive development tools in the Matrox DSX SDKs for Windows® or Linux® include versatile file reading/writing, memory management, streaming synchronization, and a large selection of effects and software codecs including ProRes encode/decode and XAVC decode in UHD. A prototyping tool provides a graphical representation of all hardware components so developers can simulate and test their use cases within minutes, before writing a single line of code. From a single development effort, broadcast equipment manufacturers can create a variety of products at a full range of price/performance levels.
Matrox_X.mio3_FH_card_180pix

Designed for use with Matrox VS4™ quad HD capture cards, each VS4Recorder Pro system frame-accurately captures up to four video and audio inputs to create files for use with popular editing apps from Adobe, Apple and Avid and for archiving. H.264 is provided in either MOV or MP4 wrappers. AVI files can be created using the high-quality Matrox MPEG 2 I-Frame codec. MOV QuickTime files can be created using DV, DVCPRO, DVCPRO50 and DVCPRO HD. VS4Recorder Pro also functions as a multiviewer, offering pristine video quality even when monitoring interlaced sources on progressive computer monitors. VS4-based systems are also ideal for multi-camera live production streaming with Telestream® Wirecast® for Windows® or StudioCoast vMix software.
Matrox_VS4Recorder_Pro_180pix

Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. The Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings. Monarch HD can also be integrated with a Crestron® controller, which allows operators to easily start and stop streaming and recording from within the familiar Crestron interface.
Matrox_Monarch_HD_angled_180x92

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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At full speed: The Art of Light uses wysiwyg for Armin Only – Intense world tour

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wysiwyg enables a spectacle for each and every visitor

The Art of Light, a Netherlands-based creative light designing, programming and operating company, used wysiwyg version R33 to previsualize lighting design and effects for DJ Armin van Buuren and his ‘Armin Only – Intense’ worldwide tour.

“A completely original lighting design was designed by Marc Heinz. The Art of Light was in charge for all the programming and used wysiwyg R33 to previsualize the tour,” said André Beekmans, founder of The Art of Light.

“Because the design includes 388 moving lights, 67 strobes, 100 LED fixtures and some conventional lighting, we needed to pre-program the lighting design in our studio before we started the rehearsals. The 6 hour show includes 25 timecode tracks including live performances and dancers.

“wysiwyg is realistic and reliable. When used in combination with all paperwork and drawings, it proved to be a really powerful previsualization tool for Armin Only – Intense,” enthused André Beekmans.

The Art of Light was established by André Beekmans in 2011. Today, a highly skilled design and engineering team works on the biggest, brightest and technically complex high profile events around the world. Their scope includes a number of world firsts including all shows for Hardwell, Afrojack and Armin van Buuren. Festivals such as Dance Valley, Tomorrowland, Amsterdam Music Festival and tours including A State of Trance, Revealed and Fusion Cube.

“The projects that we work on are inspired by creativity and we are always pushing the boundaries of what can be achieved with lighting. In saying this, we rely on wysiwyg previsualization to see, to tweak, to test, to cue as well as to provide to clients and the contractors, technicians and musicians we work with. Watch this space as there are many more spectacular events on the horizon.”

Images: © The Art of Light.

http://theartoflight.nl/

About CAST Software
Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.

CAST Software Ltd. is a member of the CAST Group of Companies Inc.

www.cast-soft.com

PESA XSTREAM C22 Compact Streaming System Now Shipping, Delivers Customized Content Sharing Between Facilities

Huntsville, Alabama – PESA, a leading designer and manufacturer of professional audio and video distribution solutions, is now shipping the PESA XSTREAM C22 compact streaming system. As part of a larger hybrid broadcast system or standalone streaming appliance, the C22 allows AV professionals to compress, stream and share high-quality content. Two units can also be paired to allow bi-directional live interaction between sites.

According to John T. Wright, senior vice president of sales and business PESA XSTREAM C22 Front JPEGdevelopment, the first C22 units have been delivered to a current PESA customer and will be used to facilitate mission critical live streaming between two geographically separated sites within the United States.

“The PESA XSTREAM C22 is a great solution for sharing content between facilities, because its two video streams can be PESA XSTREAM C22 Front JPEGtailored for a variety of applications,” he added. “That level of flexibility, combined with its dollar-to-stream value, makes the C22 a very appealing solution for a number of markets.”

The latest addition to the PESA XSTREAM family of multi-channel HD IP streaming devices, the C22 can be configured as a two port video encoder or two port decoder, or can include one of each. It includes HDMI, coax and Ethernet (IP-based camera) video inputs, and optional SFP modules allow multiple configurations (fiber, HD-BNC, A-to-D and more) for expanded connectivity. During an event, two external audio sources can be synchronized to either or both video streams.

Video signals can be locked to an external source using built-in frame sync for glitch-free video switching in broadcast and pro AV applications. An HDMI out allows for local preview, while an integrated Web server provides full remote control, so no personnel are required on site for streaming content to another facility.

About PESA
As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com. Follow us on Twitter: @PESA_ONLINE.

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Control Everything From Anywhere with the All-New Mackie DL32R™ Digital Live Sound Mixer

Delivering complete wireless control of a powerful 32-channel digital mixing platform

MAC-1DL32R_main copyWOODINVILLE, WA, USA – OCTOBER 15, 2014 – Mackie today introduces a powerful new 32-channel digital mixing system completely controlled wirelessly from Mackie’s intuitive Master Fader iPad® app, freeing users to get in the mix like never before — the DL32R 32-Channel Wireless Digital Mixer with iPad Control. Featuring complete wireless control over everything, including fully-loaded DSP and multi-track recording/playback, you can control everything from anywhere with the DL32R.

“Early on, Mackie believed that we can bring the user incredible benefits if we just let go of old conventions,” commented Ben Olswang, Mackie Senior Product Manager. “By ensuring that each and every feature can be controlled wirelessly without compromise, we are delivering benefits to users that were simply not possible before now.”

The Mackie DL32R features a mix of flexible, professional I/O in an ultra-compact 3U rackmount design. Each of the 32 inputs (24 XLR, 8 XLR/TRS combo) feature Mackie’s all-new Onyx+ recallable mic preamps, with remote control over preamp gain and phantom power. The new Onyx+ preamps outperform the industry-proven Onyx design, which has garnered rave reviews for its boutique-quality sound and performance.

“You get frequency response that goes all the way down to 20Hz within 1dB at all gain settings,” remarked Olswang. “Noise is minimized at every gain setting, not just minimum and maximum like other mixers. Designed for the rigid standards of professional live sound, DL32R’s gain changes are completely silent.”

 Fully-assignable using the Master Fader control app, there are 14 XLR outputs great for anything from stage monitors to matrix outputs. The front panel also features a stereo AES digital output for connecting gear like speaker processors. A dedicated stereo monitor output is ideal for connecting an in-ear monitor system for detailed listening from anywhere in the venue.

With complete wireless control of the system using Mackie’s Master Fader iPad app, a new world of mixing possibilities opens up. There is no longer any need for a fixed FOH position. Place the mixer where it works best — be it next to the stage, backstage or even tucked away in a utility closet. This can also eliminate the need for an expensive, bulky analog snake.The DL32R does away with troublesome FOH positions such as under a balcony, behind a pillar, etc.  The user can tune the room right from the problem spots and get on stage to ring out monitors or work with the band to dial in the perfect monitor mix.

Multiple engineers can work wirelessly from a single DL32R mixer using their own iOS device, including monitor engineers and performers who wish to control their own monitor mixes. The lead engineer can apply access limiting to additional control devices, keeping the user from making unwanted changes.

Multi-track recording and playback are critical for professional applications and the DL32R features two flexible methods for multi-track recording and playback. The first of these is direct to USB hard drive, which is currently a 48 kHz, 24-bit, 24 input by 24 output platform. This will be expanded soon to 32×32 via a free firmware update. The direct-to-disk option delivers unprecedented wireless control over your multi-track recording and playback

“Just connect a USB hard drive loaded with your media directly to the DL32R and you can control it all from anywhere in the venue,” remarks Olswang. “It’s an amazing way to control things like backing tracks and intermission music all while recording the show. Plus, who wants to run back and forth to a separate recording rig?”

An additional USB 2.0 computer audio interface is available for 32×32 recording and playback that can directly connect with any DAW, great for studio applications and rehearsal spaces. Both methods provide the ability to record the band and perform a virtual soundcheck at the next show. This is a powerful and professional way to dial in a mix at any venue.

 The DL32R is loaded with powerful DSP that eliminates the need for racks of expensive outboard processing. Each of the 32 inputs features a 4-band parametric EQ with a separate high-pass filter plus gating and compression. Four return channels feature dedicated EQ and compression. Each of the 14 aux sends, six matrix busses and main L/R busses feature a 4-band parametric EQ, 31-band GEQ, a compressor limiter and alignment delay. Six subgroups feature EQ and compression. Each processor features Modern and Vintage voicing options, delivering sonic choice to the user. Three separate effects processors with dedicated sends allow for two reverbs and one delay with tap control. 6 VCAs and 6 Mute Groups round out the processing.

“Only the DL32R delivers professional mixing tools like VCAs, subgroups and matrix busses at this price point,” comments Olswang. “And there’s no configuration or tradeoffs. Every input and output has all the processing you need for your professional application.”

Designed from the ground up for live sound, Mackie’s Master Fader iPad app delivers total wireless control over the DL32R. True to Mackie’s ongoing commitment to creating mixers that are extremely easy to learn and to master, Master Fader provides fast navigation and very powerful tools for mixing 32-channels of audio.

“One of the most powerful features of Master Fader is our user-definable view groups,” remarks Olswang. “Simply select the channels for each of the six view groups to easily switch between things like drums, guitars or vocals. This means no swiping and no remembering what bank to select. Just go right to what you need.”

Master Fader is loaded with a wide array of factory presets that are ideal for novice users and a great starting point for any professional, requiring little to no tweaking depending on the application. Users can also create their own custom presets, simplifying and minimizing setup when working with common and familiar sources. There’s also the ability to share these presets via email or Dropbox, which is a powerful new tool for the Mackie mixing community. Plus, with frequent and simple App Store updates, Master Fader will get better over time with more features planned for the future.

“With the Mackie DL32R, you control everything from anywhere. You get the freedom to mix how you want, where you want and get results that truly benefit the audience,” concludes Olswang.

The new Mackie DL32R 32-Channel Wireless Digital Mixer with iPad Control will be available worldwide in Q4, 2014. The DL32R will have a U.S. MSRP of $2499.99.

The Master Fader app is available for free download from the App Store.

The My Fader app is available through iTunes.

For more information, visit http://www.mackie.com/DL32R

iPad is a registered trademark of Apple Inc., registered in the U.S. and other countries.
Wi-Fi router and iPad required for operation. Not included.

 

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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