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Digigram to Demo 4K Real-Time HEVC Video Encoder Based on KALRAY Manycore Processor Array Chip at IBC2014

MONTBONNOT, France — Sept. 12, 2014 — Digigram today announced that at IBC2014 it will present a proof of concept for a high-quality, low-power, real-time 4K HEVC video encoder based on a massively parallel multipurpose processor array (MPPA) chip developed by KALRAY. more

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NUAGE Demo Hosted By CTS Audio

BUENA PARK, Calif.—A Yamaha NUAGE Demo will be held by Yamaha Commercial Audio Systems and hosted by CTS Audio on Monday, October 13 between 7:00 – 9:00 pm at 7108 Crossroads Blvd, Suite 308, Brentwood, TN. The event is free of charge.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Chris Hinson from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system and discuss the latest news, tips and tricks of Nuendo recording software.

For more information and to register, email rsvp@ctsaudio.com.

-END-

Martin Audio MLA Mini Lifts Spirits At IDC Church

Chicago, IL––Encompass AV recently installed a Martin Audio MLA Mini loudspeaker system at the Inspirational Deliverance Center Church of God in Christ as part of a major technical upgrade for its 500-seat worship center.

Tim Pickett, President of Encompass AV, explains that his company was chosen because “the church liked the fact that we could deliver a turnkey system with sound, lighting and a video network, the whole package.

“And they insisted on really good sound,” Tim adds. “The church has a very energetic Gospel choir and two Leslie cabinets hooked up to the Hammond organ that really push the audio system to the limits. Plus the worship center has highly reflective surfaces so they needed a system with exceptional output control.

“We specified several systems for them and they chose the Martin Audio MLA Mini because of the system’s state of the art technology and phenomenal sound quality. Also, the coverage had a nice tight pattern to it, and that was a huge selling point for MLA. In fact, we set up a demo and they liked it so much, they bought the demo units!”

The installed audio system includes two four-block MLA Mini arrays driven by MSX mini sub power plants. Two Martin Audio AQ8s provide additional fill with four C6.8T ceiling speakers installed in the low ceiling above the choir as monitors. Two Behringer S16 digital snakes supplement a Behringer X32 digital console with programmable MIDAS preamps.

There are three video displays in the sanctuary, two 80” Sharp LEDs left and right and a 70” Sharp LED facing the choir, with two Sony 1080P PTZ HD cameras driving the video network system. Lighting is provided by 60 Elation LED PAR-style lighting systems with six Elation LED architectural floods.

Asked about the MLA Mini’s performance, Tim enthuses, “I love it. The sound quality is amazing. Everybody that’s heard it comments on how crystal clear it is and the Church is ecstatic about the system.”

Rob Hofkamp, Martin Audio Director of North American Operations adds, “The MLA Compact has already made significant inroads in Church installations and the MLA Mini should also enjoy considerable success in the House of Worship market given its compact size, control and exceptional performance.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Point Source Audio will Demonstrate Digigram’s New Lower Cost AQILIM *FIT/LE Live Video Streaming Encoder to the Worship Market

Visitors at this year’s WFX Expo in Dallas, Texas, will get a first-hand look at how to use AQILIM for Live Streaming in a growing array of applications.

Point Source Audio (PSA), Digigram’s Master Distributor for the Americas, announced that the AQILIM *FIT/LE professional video encoder will be on display from October 1 – 2 at this year’s Worship Facilities Expo (WFX) 2014 Expo (booth #844) in Dallas, Texas.

The AQILIM *FIT/LE is an intuitive and cost-effective solution for high-quality live event broadcasting over an IPTV network or multiscreen video distribution over the Internet. With flexible input options and compatibility with leading web streaming providers, this latest addition to Digigram’s encoder line is ideal for increasingly popular streaming applications for live video, live distribution of religious services, corporate, sporting, or news events; the creation of WebTV; and live education via e-learning.

“AQILIM *FIT/LE is an affordable professional encoder that makes it easy to connect to most major web streaming providers and stream live broadcast-quality video to PC, Mac, smartphone, and tablet users around the world,” said Laurent Gros, video product manager at Digigram. “Built on proven technology and ready to use, right out of the box, the AQILIM *FIT/LE provides reliable, straightforward operation for the user while assuring exceptional video quality. By making live streaming both simple and affordable, the AQILIM *FIT/LE opens up new and valuable opportunities for a broad variety of businesses, institutions, and organizations.”

The AQILIM *FIT/LE connects directly to the camera or video mixer, capturing live video and streaming encoded video either to an IP network or to the CDN responsible for Internet distribution of live video. A Web-based interface gives users convenient access to simple configuration parameters for video streaming, eliminating the need for specialized training or dedicated operators.

Occupying just one rack unit, the robust hardware system is available with analog, SDI, and/or HDMI video inputs. Quiet operation enables use of the encoder even in a meeting or conference room.

The AQILIM *FIT/LE is now available for purchase at select Point Source Audio resellers. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

INTRODUCING THE ATC SCM20ASL PRO MKII: ATC IMPROVES ITS MOST POPULAR SMALL-FORMAT, 2-WAY ACTIVE REFERENCE MONITOR

LAS VEGAS, NEVADA – SEPTEMBER 2014:ATC_SCM20ASLPro_MkII TransAudio Group, U.S. rep for ATC and other boutique professional audio companies, introduces the ATC SCM20ASL Pro MkII near-field reference monitor. The ATC SCM20ASL Pro MkII improves upon the ATC SCM20ASL Pro. Like its predecessor, the MkII is a high-performance two-way active loudspeaker that is ideally suited for critical near-field applications or as surround channels in larger systems. Its exceptionally neutral output extends across the audible spectrum and is now improved by a new amplifier design, a new ATC-made dual suspension tweeter, and a new cabinet design.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder Billy Woodman and his team of R&D engineers never tire in the pursuit of perfection, and improvements to the passive SCM20PSL Pro MkII led to parallel improvements in the active the SCM20ASL Pro MkII.”

The new SCM20ASL Pro MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same SL technology developed for the larger nine-, twelve- and fifteen-inch based monitors. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high fidelity systems.

Five years in development, the new ATC dual-suspension 25mm tweeter offers lower distortion, higher output, and greater reliability. The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high-frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low-frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.

The new cabinet design maximizes linearity and minimizes size and weight. The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastomeric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging.

“Even given the excellence of the previous design, these new features lead to a substantive improvement,” Lunde concluded.

MSRP $6,695/pair

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

BE SURE TO STOP BY AND SEE US AT AES 2014 BOOTH #1110

HARMAN’s Studer Infinity Series and Vista Digital Consoles get Lexicon PCM96 and UAD Plug-Ins Support and Significant Feature Upgrade

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN’s Studer is introducing the version 5.2 software upgrade to its Vista X, Vista V, Vista 1 and Vista 5 M3 digital consoles. This new software provides Vista operators with even greater versatility and ease of use, creating a more efficient mixing experience.

New to the 5.2 software are: the ability to assign Strip Setups as CUE events; support of the Soundcraft Realtime Rack (UAD plug-ins); support of Lexicon PCM96 Surround reverbs with Infinity Core; Input Gain unfold for multi-format channels; Spill Zone for contributing channels; GUI enhancements and new patch groups; A-Line embedded Ethernet; and contribution PAN in stereo channels to mono Aux busses.

With the 5.2 software, saved Strip Setups can be assigned as CUE Events in the CUE List. Recalling CUEs that have these events assigned, will automatically load the specified Strip Setup onto the desk’s surface. This feature is a great help for users who are mixing in a “scene”-based workflow like in application such as theatres and pre-programmed shows. Loading the CUEs for the next scene will also bring the currently needed channels onto the surface.

Up to four Soundcraft Realtime Racks, loaded with high quality Universal Audio (UAD) Plug-Ins, can now be connected to every Vista system. All plug-in parameters are saved and recalled by CUE events. The CUE events are also organized in a library and can be re-used for other CUE events. The individual CUE events can be enabled and disabled, and can be updated at any time.

Vista FX quality reverb is now also available for Vista X and Vista V running on Infinity Cores. Up to six (in pairs of two) original Lexicon PCM96 Surround reverb units can be connected over AES/EBU. Parameter control works over HARMAN HiQnet™ directly from the mixer’s Vistonics™ user interface.

In addition, stereo and 5.1 input channels will have individual digital input gain parameters for each channel leg. Pressing the button next to the ‘Main’ digital input gain Vistonics rotary will flip the input page into a view, where the individual digital input gain parameters (L, R, C, LFE, Ls, Rs) are accessible.

Channels contributing to any type of busses can immediately be brought up within a user-definable ‘Spill Zone’, on top of the desk’s active fader layer. Pressing the Contribution button of any bus channel in the control bay will line up all channels in the predefined Spill Zone, which are contributing to this bus, allowing full processing parameter access of these member channels. The user can quickly define the size, position and spill direction of the Spill Zone at any time from the Strip Setup page.

The 5.2 software’s User GUI is also enhanced with the well-known Ribbon Bar, giving a better overview and easier access for the operator. With the Infinity Core’s power, a huge amount of channels can be organized and controlled. To simplify this task, new user-definable Patch Groups, comprising easy-to-handle filtering options as well as customizable Source and Target views have been added.

For Infinity Core with D23m, the Ethernet control signal can be tunnelled together with the audio stream from the CoreLink card through the A-Link ports to the D23m’s HD cards. This means that no additional Ethernet cable has to be connected to the D23m’s Ethernet card anymore (although this option is still available).

Finally, in stereo channels, all contribution paths to mono Aux busses now have a PAN control before the mix-down to mono. This not only enables assignment of the channel’s left or right leg to the Aux bus, but also sends a user-defined mix of the stereo channel to the mono Aux bus. This dramatically expands the possibilities of signal contribution to loudspeakers, especially in theatres

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

New Infinity Core 200 Processing Engine Drives HARMAN’s Studer Vista V Digital Console

AMSTERDAM, The Netherlands – With the introduction of its Vista V digital console, HARMAN’s Studer is also unveiling the new Infinity 200 processing engine that drives the console. The Infinity 200 is designed for smaller facilities that require lower channel counts and full system redundancy.

The Infinity 200 offers the same benefits of the original Infinity DSP Core, which is found in the Vista X console, introduced earlier this year. The Infinity 200 enables up to 200 audio channels to be processed in a single CPU-based board.

The Infinity 200 features Studer A-Link high-capacity fiber digital audio interfaces, and D23m I/O frames are used to break out these A-Link connections to standard analog, digital, Audio over IP (AoIP) and video interfaces. The A-Link interface also provides direct connection to the Riedel MediorNet distributed router, allowing many Infinity systems to be connected together with router capacities of 10,000 square or more.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Technology preview at IBC: Ball Chaser from HARMAN’s Studer Enables Sports Broadcasters to Bring Viewers Closer to the Action

AMSTERDAM, The Netherlands – Addressing a specific need in the sports broadcast market, HARMAN’s Studer is unveiling a prototype unit designed to provide a more rewarding audio experience for television viewers. Known as the Studer Ball Chaser, this unique product allows broadcast engineers to use a joystick to open the shotgun microphone closest to the action on the playing area, while keeping the other microphones closed.

In efforts to bring the game closer to the viewer, sports broadcasters often place 12 or more shotgun microphones around the playing area to pick up as much of the action as possible. However, leaving all 12 microphones fully or partially open for the whole match results in a lack of detail in the audio mix. Manually opening the microphone closest to the action and closing all the rest for the length of a game is virtually impossible, but the Studer Ball Chaser simplifies this complex task.

Ball Chaser connects directly to any Vista console and is a simple joystick mounted on a small, portable box. The operator configures
the unit with a simple web GUI interface, setting the layout of the physical microphones around the pitch (up to 24 microphones may be used) and linking these to the faders on the desk (mono and stereo faders may be controlled). During the game, simply moving the joystick opens and closes the relevant faders with smooth cross fades. The operator can simply watch the pitch events and open the necessary microphone without looking down at the joystick. Desk faders will respond in real time to the joystick movement and open only the microphone fader nearest to where the action is taking place. In fact, the faders do not even have to be on the active layer of the desk, freeing up valuable fader space.

The Ball Chaser link to the desk is a simple Ethernet connection, so the operator can be some distance from the Vista desk, even watching the action from the stand rather than taking space in the OB truck.

A key advantage of this unit is that it allows more gain to be given to the on-field FX microphones, as the unit always has the equivalent of one open microphone to air. This “single” microphone can have higher gain without the crowd pickup swamping the overall mix.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

SunBriteTV’s HD Transceiver is First of Its Kind: Universal, Weatherproof and Wireless

DENVER, Colorado, September 13, 2014— SunBriteTV has broken the wireless HD barrier with a universal outdoor transmitter module for both residential and commercial applications. Completely weatherproof and wireless, the SunBriteTV HD Wireless Transceiver (SB-HDWT) is capable of transmitting full 1080p content up to 100 feet (30 meters) and will be on display at SunBriteTV’s booth at CEDIA EXPO 2014 (booth #664).

The point-to-point device features an HDMI-in and HDMI-out transceiver, making it compatible with all SunBriteTV models as well as other HDMI-featured products. The SunBriteTV HD Wireless Transceiver eliminates the need for expensive cable installations and creates new revenue opportunities for dealers by bringing the total cost of outdoor television within reach of more consumers.

“Consumers don’t want to fuss over wiring and connectivity,” said Jonathan Johnson, Director of Brand Marketing, SunBriteTV. “The HD Wireless Transceiver simplifies the installation process for both homeowners and professional installers seeking to send an HD signal to an outdoor TV anywhere in the outdoor living area.”

“Running hard wire can be difficult, time consuming, and costly to the homeowner. The HD Wireless Transceiver is a cost-effective solution that reduces overall cost for both the consumer and the integrator,” said Johnson. “In this way, outdoor TV will become even more accessible to thousands of homeowners.”

The SB-HDWT carries an MSRP of $595 and is available through SunBriteTV’s Authorized Dealer Network or online at www.SunBriteTV.com. To see the HD Wireless Transceiver and SunBriteTV’s complete line of outdoor televisions, please visit SunBriteTV at booth #664 at CEDIA EXPO 2014.

For more information on SunBriteTV please visit www.SunBriteTV.com or call the sales department directly at 866.357.8688.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV

About SunBriteTV

SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, colleges, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.SunBriteTV.com.

Riedel’s STX-200 Brings Skype Capabilities to Live Broadcast and Production Workflows

Microsoft-Licensed Solution Opens Door to Greater Volume and Variety of Live Content, Enabling More Powerful Viewer Engagement

WUPPERTAL, Germany — Sept. 12, 2014 – Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced the release of the STX-200 broadcast-grade professional interface, which brings any Skype(R) user worldwide into the professional broadcast environment. The new Riedel product meets broadcasters’ increasing need for a reliable single-box solution that enables them to engage both reporters and viewers in live programming.

Licensed by Microsoft(R), the STX-200 is more than a stand-alone broadcast-grade solution that leverages Skype to bring live content directly from reporters to the on-air production. Riedel’s STX-200 integrates Skype into the intercom solution, providing even more powerful, flexible applications and workflows. The unit offers broadcast-quality HD-SDI and balanced XLR audio I/Os and is packaged with professional Microsoft Skype TX software. The solution’s broad feature set includes remote management and monitoring of Skype calls.

“We are very proud of the result of this collaboration with Microsoft,” said Thomas Riedel, CEO of Riedel Communications. “By enabling use of a tremendous volume of new content, the STX-200 will change the way broadcasters interact and engage with their viewers. Broadcasters now have live access to quality video from the more than 300 million regular Skype users around the world, and the STX-200 equips them to take the best of this content to engage the imaginations and minds of their audiences.”

The STX-200 offers professional video interfaces including an SDI (SD/HD) input and SDI (SD/HD) output with a sync input. The unit’s broadcast-grade audio interfaces include a two-channel balanced analog audio XLR input and output, as well as SDI embedded audio. Within a robust housing designed for the rigors of broadcast and production, the STX-200 features a Gigabit Ethernet connection, a user-interface connection via HDMI, USB ports for accessories, and GPIs.

Riedel’s STX-200 will be available for live demonstrations during IBC2014.

Further information about Riedel and the company’s products is available at www.riedel.net.

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About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

Visit Riedel Communications at IBC2014, Stand 10.A31

Photo Link: www.wallstcom.com/Riedel/Riedel-STX-200_front.jpg

All trademarks appearing herein are the property of their respective owners.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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