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Archive of the New Products Category

Matrox Monarch HD Streaming and Recording Appliance Now Offers Automatic Configuration Tools

AV integrators and video delivery platform developers can easily integrate powerful and economical Monarch HD H.264 encoders to provide a unified, consistent and branded user experience

Matrox® Video today announced the immediate availability of automatic configuration tools for the popular Matrox Monarch™ HD streaming and recording appliance. AV integrators and video delivery platform developers can use the powerful tools to design a single device management interface for detecting, configuring, and controlling Monarch HD units in remote locations using easy-to-develop XML information sets that can be viewed by any text editor or displayed in any webpage.

Matrox_Monarch_HD_angled_180x92

For example, specialized CDNs and video platform providers who wish to offer a branded plug-and-play user experience can use the new automatic configuration tools to give their customers a very simple installation procedure. The customer would just insert a USB key containing the customized automatic configuration file, boot the new Monarch HD and be ready to stream at exactly the right settings.

Similarly, IT administrators in corporate and education environments with deployments of multiple Monarch HD units on a network can use the new tools to manage all of the units from a single application or portal. Streaming and recording parameters need not be set by each individual user.

“We have been approached by many organizations who love the feature set and economical price point of Monarch HD but who want to integrate it more completely within their own video management platforms,” said Dan Maloney, technical marketing manager, Matrox Video. “
“The new automatic configuration tools give these solution providers an easy way to offer a powerful H.264 encoder with a superior user experience.”

Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, USB drive, or network-mapped drive.

See Matrox Monarch HD in action at 2015 tradeshows including ISE (Amsterdam, Feb. 10–12, stand 11-F68), BVE (London, Feb. 24–26, stand J19) and NAB (Las Vegas, April 13–16, booth SL5817).

Price and availability
Priced at $995 US (€799, £699) not including local taxes and delivery, Matrox Monarch HD is available through a worldwide network of authorized dealers. The new automatic configuration tools are enabled in Monarch HD firmware release 2.1.1, which is now available to registered users as a free download from the Matrox website.

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Prism Sound Makes Its Audio Interfaces Even More Affordable

Prism Sound Atlas

As part of its commitment to offering customers the best possible value, Prism Sound has introduced a new pricing structure for three of its critically acclaimed audio interfaces.

The new pricing structure, which significantly reduces the cost of purchasing a Prism Sound Lyra 1, Lyra 2, Titan and Atlas audio interface, has been applied globally and is being backed by a special Christmas offer of a further 5% discount.

“We are adjusting our pricing to reflect the continuing evolution of the pro audio market,” says Prism Sound’s Sales and Marketing Director Graham Boswell. “This area of the pro audio business has exploded in recent years with vast numbers of musicians, producers, DJ’s and others entering the market with project or home studio and mobile applications for audio interfaces. These changes mean that we can offer lower prices and enable many more people to enjoy the premium sound quality that we strive for in our products.”

The new prices see the cost of a Lyra 1 audio interface dropping to just £995 plus VAT $1,745). Equally large reductions have been applied to the other interfaces, especially the Atlas which is reduced by more than £1,000 ($1,700).

“All of our audio interface products have been carefully designed to meet customer needs, and every one of them incorporates the same no-compromise design and acclaimed converter performance that users have long come to expect from Prism Sound’s high quality audio products,” Graham Boswell adds. “By making these units even more affordable, we aim to help spread the word about improving the quality of digital audio for today’s consumers. This is a cause that has been championed by leading figures in the global music business such as Sir Paul McCartney, Neil Young and many others.”

Prism Sound’s Lyra 1, Lyra 2, Titan and Atlas USB interfaces incorporate Prism Sound’s latest and award-winning CleverClox clocking technology and the company’s popular mic pre’s as standard. Each one offers recording professionals the ultimate in audio quality and ease of use.

Prism Sound will be showing its entire product range, including its flagship ADA-8XR modular converter, at CES Suites #29-217 and 219, at Venetian Towers, Las Vegas from January 6th – 9th 2015, and at NAMM 2015 in Los Angeles, from January 22nd – 25th (Booth 7120).

For more information about Prism Sound products and the new pricing structure, please visit www.prismsound.com or contact your nearest Prism Sound dealer.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the dScope Series III audio analyser system.

Prism Sound’s Lyra 2 Makes its Las Vegas Debut

Luca Pretolesi

Studio DMI, a private facility that focuses on mixing and mastering electronic music, has incorporated a range of Prism Sound equipment, including a Lyra 2 audio interface that is being used to record mixes and A/B two different sound sources.

Based in Las Vegas, Studio DMI is owned by European Music Market Inc, which also owns two publishing companies and an entry level entertainment service company called Weebang. EUMM also operates The Studio at The Wynn, a high-end recording facility in The Wynn Casino Hotel that is made available to very high end producers and artists performing at The Wynn’s venues.

Ronnie F Lee, CEO of EUMM, says: “Studio DMI is more than a studio – it is a concept based on the engineer lifestyle and creative process. Literally speaking, we have combined the word ‘studio, which means study in Italian, with DMI, which stands for digital music innovation. The basic philosophy comes from the heart, soul and mind of Luca Pretolesi, who is the creative side of our business and handles all the engineering and training of our engineering associates. Luca has 25 years’ experience of producing, performing, mixing, mastering and pioneering electronic music. This has given him a very unique grasp on the EDM industry.”

The choice of Prism Sound equipment was taken by Pretolesi after he visited the Winter Music Conference in 2013. He opted for a Prism Sound MEA-2 Equaliser, an MLA-2 Compressor and a Lyra 2 audio interface, which he installed in Studio DMI along with a new Maselec MTC-1X stereo mastering console.

“The MTC1 serves as the brain for the entire studio. It is like the hub between the mixing and mastering process,” Luca Pretolesi says. “Even before mastering, it acts as a great way to monitor multiple sources with no latency or added colour, check mono compatibility and side information – and it is all done with one finger. During mastering, it is also great to have the ability to flip between inputs, mid/side information and add parallel processing with just your hands. It allows you to make changes very quickly using only your ears rather than a mouse and your eyes.”

Pretolesi adds that, based on his 20-plus years of experience, the Prism Sound MLA-2 is by far the most transparent and musical compressor he has ever heard.

“You can really get it pumping but it doesn’t colour the sound,” he says. “I usually use a low ratio with a slow attack but it is very versatile and you can do a lot of very versatile compression.”

Pretolesi is equally impressed with his Prism Sound MEA-2 Equaliser that, like the MLA-2, is mostly used during the final stage of the mastering process.

“I usually spilt this into two parts,” he explains, “the top end, which I use for more surgical EQ-ing and the low end, between 40-300hz, which gives the sounds a great attitude and weight. The MEA-2 is capable of some very heavy lifting on the low end without losing the transients or the overall sound.”

Studio DMI’s Lyra 2 audio interface plays a bigger role in the recording and mixing process than in mastering.

“We included the Lyra 2 because we were looking for a fantastic converter to capture our mixes with the great high end sound that Prism Sound is known for,” Pretolesi says. “However, we also wanted the ability to A/B two sources, which we can do with Lyra 2 because it is a two in/four out interface.”

Studio DMI is now using its Lyra 2 to record a mix while also comparing it to reference tracks.

“Non-traditionally, I also use it musically by clipping the input to achieve a certain sound on a lot of my mixes,” Luca Pretolesi adds.

Studio DMI is primarily Luca Pretolesi’s facility, while the Wynn Studio operated by Studio DMI attracts high profile producers and artists such as Diplo, Lil Jon, Gareth Emery, MakJ and Morgan Page.

“We are currently in the process of creating an educational division to spread Luca’s passion and knowledge about mixing and mastering electronic music,” Ronnie F Lee adds. “This will be a unique learning opportunity that targets post graduates from more traditional schools and focuses on application more than theory.

The first three day workshop under the Studio DMI.edu brand will run in the first quarter of 2015, in either Las Vegas or Los Angeles. Courses will be offered in English, with other languages made available later in the year.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the dScope Series III audio analyser system.

For more information: www.prismsound.com

HARMAN’S AKG Microphones and Headphones Get Their Wings At 2014 Red Bull Air Race World Championship

AKG_RedBullAirRace copyLAS VEGAS, Nevada — The series of eight races at the Red Bull Air Race World Championship Finals in Las Vegas has become the most advanced aerial challenge in the world, a visual spectacle unlike any other with a pulse-pounding combination of high speed, low altitude and extreme maneuverability. HARMAN’S AKG microphones were on the scene to bring spectators the thrills and excitement of the race as it happened, with more than 20 pilots competing at the two-day event.

AKG’s AV100 Noise-Cancelling Aviation Headset endorser Hannes Arch, who finished second in the final standings, could be seen relaxing to music on his K167 TIËSTO headphones.

Live reporters on the racetrack were furnished with HSD271 Professional Headsets with Dynamic Microphone and DMS700 V2 Reference Digital Wireless Microphone Systems. AKG WMS4500 Reference Wireless Microphone Systems were employed for live presentations on the racetrack infield.

Reporters covering the activity at the airport hangars were equipped with AKG PR4500 ENG Reference Wireless ENG/EFP (Electronic News Gathering/Electronic Field Production) Systems for their cameras, and also given HT4500 Wireless Handheld Microphones and IVM4500 IEM In-Ear Monitoring Systems.

At the event’s press conferences the pilots and presenters spoke through AKG CK49 Reference Shotgun Condenser Capsule gooseneck microphones and DMS700 V2 wireless systems.

AKG’s HSD271 professional over-ear closed headsets are an industry standard for intercom, ENG/EFP work and video production. The HSD271 is based on the company’s acclaimed K271 MKII studio headphones, combined with a high-performance dynamic microphone on a flexible arm. The AKG DMS700 V2, WMS4500 and PR4500 ENG wireless microphone systems are designed to deliver pristine, interference-free audio quality, flexibility and noise rejection over long distances in even the most crowded radio environments.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Draper Announces Yet Another ISF Certification

(Spiceland, Ind.) – Draper, Inc. has announced its TecVision XH900X Grey projection viewing surface has been certified by the Imaging Science Foundation (ISF) for excellent color reproduction and fidelity. XH900X Grey performs very well in moderate ambient light, is well suited for high resolution content, and is 4K ready. This latest announcement means the entire TecVision Engineered Surface Technology line is now ISF certified.TecVision_XH900X_Grey

To be certified by the ISF, a screen has to have a flat spectral response—or color fidelity. In other words, the screen cannot affect the color of the image enough for the human eye to perceive.
Traditionally, projection screens have fooled the eye that things are brighter by using blue tints, according to ISF President and founder Joel Silver.

“The problem,” says Silver, “is if you accentuate the blue that means you aren’t getting the greens or reds you need to build a color-accurate image. We want to take whatever the artist created and bring it to the screen with fidelity.”
“We basically tie ourselves into something called a pure white matte screen –a screen that is a reference color,” Silver says of testing projection screens for color performance. “Neutral white … not a hint of tint to it. The picture you get is what was it was meant to look like from the factory … not tinted.”

Currently available in six exclusive formulations, TecVision features white surfaces with gains ranging from 1.0 to 1.9 over remarkably wide viewing cones, and grey surfaces with excellent performance under higher room light levels. All TecVision surfaces are also 4K ready, but what most impressed Silver when certifying TecVision is the ability of some of the high gain surfaces to deal with ambient light while preserving color fidelity.

“Finding the color fidelity of high gain materials close to that of no gain materials was wonderful!” Silver says. “Gain without a price to pay is a wonderful thing. I knew from measuring luminance even without the specifications that these screens were high gain, but I wasn’t seeing the penalty of color shift.

“It’s a great challenge,” Silver continues. “Adding gain without paying a penalty in color fidelity requires careful engineering. Compliments to the engineer!”

For more information on TecVision, visit www.draperinc.com/go/tecvision.htm.

BenQ Redefines Portable Audio With treVolo — the World’s First Electrostatic Bluetooth(R) Speaker

Stylish New Speaker Delivers Unparalleled Highs and Accurate Bass to Let Music Take Flight for Up to Twelve Straight Hours

COSTA MESA, Calif. — Dec. 10, 2014 — BenQ America Corp., an internationally renowned digital lifestyle solutions provider, today entered the audio market by introducing treVolo, the company’s first audiophile-grade Bluetooth(R) speaker. Designed to bring authentic audio experiences to any portable setting, treVolo allows enthusiasts to enjoy their favorite vocals the way they were intended to be heard. Featuring electrostatic speaker technology, a collapsible wing design, and bidirectional sound reproduction through three audio profile modes, the market’s newest game-changer allows today’s passionate music fans to enjoy soaring sound from any device. more

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Two New 4K Ultra HD Extenders from Gefen Offer Advanced Features and an Expanded Distance for Signal Delivery

Gefen today announced the addition of two new extension solutions. Both products use HDBaseT™ to deliver resolutions up to 4K with various methods of control supported. In addition, the maximum signal delivery range has been increased from 100 to 150 meters. Varying price points and control options differentiate the two solutions, offering installation options for audio/video integrators.

The 4K Ultra HD ELR-POL Extender w/RS-232, Ethernet and IR (EXT-UHD-CAT5-ELRPOL) delivers HDMI at 1080p full HD up to 150 meters over a single CAT-5 cable, an improvement of 50 meters over previous solutions. 4K UHD content is delivered up to 70 meters over a CAT-5 cable, or up to 100 meters over a CAT-6 cable. A 10/100BaseT Ethernet connection is provided on the receiver unit at the display side, allowing IP connectivity without additional hardware or cabling required. Gefen’s ELR (Extra Long Range) implementation of HDBaseT extends up to 7.1 channels of high bit rate, lossless digital audio formats with zero delay. RS-232 and bi-directional IR are transmitted along the same cable, offering convenient options to control source and display from both local and remote locations. POL (Power over Line) technology is employed to allow the installer to power either the sender or the receiver, streamlining cabling and hardware in the viewing environment. Advanced EDID management tools make for a simple installation and non-stop performance.

The Gefen ToolBox 4K Ultra HD ELR-POL Extender w/RS-232 and IR (GTB-UHD2IRS-ELRPOL-BLK) is a streamlined solution that delivers HDMI at 1080p full HD an extended range up to 150 meters over one CAT-5 cable. 4K UHD content can be sent up to 70 meters over a CAT-5 cable or up to 100 meters over a CAT-6 cable. In each instance, lossless digital audio formats, RS-232 and bi-directional IR are extended over the same cable. This solution also offers POL technology, eliminating the need for power at the viewing location.

Both extenders support 4K resolutions up to 3840×2160 @60Hz, 4:2:0 color space and 4096×2160 @24Hz with HDCP compliance and 3D pass-through. Locking power supplies ensure a snug connection for an unfailing performance. Surface mountable enclosures with small footprints allow for an easy installation.

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HARMAN’s dbx AFS2 Advanced Feedback Suppression™ Processor Now Shipping

AFS2_FrontSALT LAKE CITY, Utah – HARMAN’s dbx is now shipping its AFS2 Advanced Feedback Suppression Processor, designed to completely eliminate feedback from a PA system. The AFS2 is ideal for bands, DJs, live sound and fixed installation applications and offers a host of upgraded features including a Wizard auto-setup function, a completely re-designed Advanced Feedback Suppression module, and a large LCD display.

Successor to the popular AFS224, the AFS2 provides state-of-the-art feedback elimination, yet is simple to use, thanks to its one-button Wizard function that automates key setup parameters and walks the user through the configuration process. The AFS2 offers a full LCD display and 24 LED meters per channel for setup and monitoring. The AFS2 can be added to a system in minutes, thanks to its easy rear-panel connectivity and its optimized front panel .

The AFS2’s all-new DSP module takes dbx Advanced Feedback Suppression (AFS™) to an entirely new level. This new module provides for faster and more focused filter sets in both fixed and live mode. While 10- and 12-filter feedback-elimination processors are commonplace, the dedicated processor in the AFS2 provides up to 24 programmable filters per channel with filter Qs up to 1/80 of an octave. This level of extreme precision, previously available only in high-end processors, enables the AFS2 to zero in on the exact frequencies needed to attenuate feedback.

“The AFS2 is ideal for installs and live performances where feedback can be one of the most difficult things to deal with when setting up a PA system,” said Jason Kunz, Market Manager, Portable PA and Recording & Broadcast at HARMAN Signal Processing. “The AFS2 is simple to use, yet powerful and flexible enough for elaborate large-scale live sound systems.”

The dbx AFS2 Advanced Feedback Suppression Processor has a suggested retail price of $499.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Matrox at BVE 2015 — Product Preview

Video streaming and recording appliance, multi-camera recording app and 4K video monitoring card will be featured

At BVE 2015 (ExCel London, Feb. 24-26, stand J19), Matrox® Video will showcase the popular Monarch HD™ video streaming and recording appliance, the new VS4Recorder Pro™ multi-camera recording app and the Matrox Mojito™ 4K quad 3G-SDI, 4K video monitoring card for use with Adobe® Creative Cloud™.

Also on display will be the Matrox MicroQuad™ multiviewer, the Matrox Convert™ DVI Plus HD-SDI scan converter and the Matrox MC-100™ dual-SDI to HDMI mini converter.

Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. The Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings. Monarch HD can also be integrated with a Crestron® controller, which allows operators to easily start and stop streaming and recording from within the familiar Crestron interface.

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VS4Recorder Pro is designed for use with Matrox VS4™ quad HD capture cards. Each VS4Recorder Pro system frame-accurately captures up to four video and audio inputs to create files for use with popular editing apps from Adobe, Apple and Avid and for archiving. H.264 is provided in either MOV or MP4 wrappers. AVI files can be created using the high-quality Matrox MPEG 2 I-Frame codec. MOV QuickTime files can be created using DV, DVCPRO, DVCPRO50 and DVCPRO HD. VS4Recorder Pro also functions as a multiviewer, offering pristine video quality even when monitoring interlaced sources on progressive computer monitors. VS4-based systems are also ideal for multi-camera live production streaming with Telestream® Wirecast® for Windows® or StudioCoast vMix software.

Matrox_VS4Recorder_Pro_180pix

Matrox Mojito 4K is a quad 3G-SDI, 4K video card for use with Adobe Creative Cloud professional video editing tools on Windows platforms. It provides 10-bit H.264 intra-frame rendering and enables realtime monitoring and output of video footage at resolutions up to 4096 x 2160 and at frame rates up to 60 fps (4Kp60). Users can ingest, edit, render and export in full 4K.

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About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities,
live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Yamaha NUAGE Less Of A “Grind” For Audio Post Facility

Grind_Music and Sound NUAGE

BUENA PARK, Calif.—Grind Music and Sound is a professional audio post-production facility located in Los Angeles, California. Their specialty is sound design & mixing for adventure sports and documentary films and television. With two studios, one mix/sound design room and one composition/editorial room, the Company recently installed a Yamaha NUAGE Advanced Production DAW System purchased through Hollywood Sound Systems. Co-owners Michelle Garuik, who works mainly in the mix room, sound designing and mixing, and Sangtar Heer who writes in the composition/editorial room, use the NUAGE Room for his albums’ mix.

“We were researching DAW controllers and mixing consoles for the studio and first became aware of NUAGE through the Internet and magazine advertisements a year ago, which led us to the Yamaha Commercial Audio web site, states Garuik. Our first physical contact and demo with NUAGE was at AES in LA. Besides watching the public demonstrations at the Yamaha booth, we were given a private demo by Yamaha’s Marcel Mauceri.” The duo were introduced to John Conard from Hollywood Sound Systems, and the next week given an intensive demo with Hollywood Sounds audio tech, Brett Grossman, and Yamaha’s District Manager David Lees.

“NUAGE’s deep integration with Nuendo was an immediate draw for us, says Garuik. It is much more than faders, pan-pots and the usual four to five things you find on most controllers. Anything you need to do in Nuendo, you can access on NUAGE. Also, the fact that it is a Yamaha Commercial Audio product was another plus for us. Having mixed on Yamaha consoles in the past, we were already familiar with the build quality and support.”

The co-owners had been looking at consoles and DAW controllers for some time and nothing really fit all their needs until NUAGE. “The tactile surfaces give us so many solutions for our different ways of working, Garuik says. After mixing in the box for years, it is great to have instant access to deep features in Nuendo with just a touch of a button. It’s also nice to have different ways to perform tasks enabling us to work faster and more intuitively. The mixing integration with Nuendo is fantastic in speeding up our workflow. With project deadlines having faster and faster turnarounds, NUAGE lets us meet the demands of our partners and makes mixing even more fun.”

Garuik said the ability to store different setups for their individual project needs is a huge plus. Mixing a 5.1 television documentary has a very different setup than mixing a music album, and the ability to switch quickly and seamlessly between those setups was paramount in their decision. The pair has been using Nuendo daily since its inception, first introduced to it at AES in 2000 where their journey began with version 1.0, and using Cubase since the early 90’s.

With Garuik specializing in mixing action/adventure sports projects, some of Grind Music and Sound clients include: Red Bull, FOX Sports, CBS Sports, NBC Sports and Specialized Bicycles. “Our first television mix on NUAGE was for FOX Sports Training Day “Team Alpha Male” episode, and it went amazingly well.
Grind set up the system with assistance from Hollywood Sound’s Grossman on a Friday, spent Saturday programming quick keys and setting up their system preferences, and on Monday, mixed the 22-minute episode.

“The mix went very smoothly, and having access to 16 faders at once, really sped up mixing for me. The master unit rocker wheel was a dream to edit with; cleaning up edits was faster with less clicking. I was also very impressed with the monitoring integration of NUAGE and the I/O Nio500-A16 unit. The sound was impressively clear.”

In the first two weeks Grind has had their system, they have mixed two shows for FOX Sports, two National Parks educational videos, and a Specialized Bicycle promo. They are also mid-mix on an upcoming documentary for HBO.

“At the end of the day, I feel extremely comfortable on NUAGE, like I had been working on it for years.”

Heer is currently editing and mixing a live DVD concert video on NUAGE of his 2014 Punjabi Virsa North American tour.

For more information on Grind Music and Sound, visit www.grindinc.com.

For more information on Yamaha NUAGE, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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