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Archive of the New Products Category

Rock Band Squint Records Extraordinary Kickstarter Album With HARMAN’s AKG Microphones and Headphones

Photo Credit: Chet Smith

AUSTIN, Texas – Taking advantage of new opportunities in the music industry, alternative rock band Squint recently transitioned from touring across the nation to recording an album funded through Kickstarter. Despite the shift in priorities, the band always relies on HARMAN’s AKG microphones and headphones to produce the reference sound they aim for.

Squint used to perform over 200 nights per year, building a considerable following in the process. Hoping to keep up with its audience in the digital era, the band turned to studio recording projects to put out more quality content. It is a daring move that succeeded, thanks to crowd funding and reliable equipment.

“Over the last couple years, people’s attention spans have become shorter, moving to the next thing quicker,” said Dane Adrian, lead vocalist for Squint. “We lost touring, our mainstream income, but thanks to our fans on Kickstarter, and AKG microphones and headphones, we were able to bounce back and make better music in the studio.”

Thanks to the overall quality and endurance of AKG equipment, Squint employs it on the road and in the studio. Adrian used an AKG WMS4000 wireless system with a D5 microphone on the road, while the rest of the band used the C414 and the D40 microphones for guitars, the C451E microphone for the overhead drums and the D12 microphone for the bass drum in the studio and during live performances.

“As for the headphones, I love the AKG K171 MK2s, because its sound is so true,” said Adrian. “It sounds clean and clear, and that is why I consider them my reference sound for both the studio and home.”

Transitional phases for well-established artists are intimidating to say the least, and when asked how Squint managed to adopt new practices without losing its fan base, there was only one word that came to mind: loyalty.

“Ten years ago, I didn’t consider myself a rock star, but when I reached out to AKG, they listened. No matter how far I was from home, I’ve been well taken care of,” said Adrian. “It was clear that AKG was a brand that I would like to be loyal to, in the same way our fans have been loyal to us throughout the entire process. Just like our fans, AKG cares about the connection with artists, and the music they want to make.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Fairlight Showcases 3D Audio Workspace at IBC 2014

At IBC 2014, Fairlight will showcase 3D Audio Workspace (3DAW), a new platform for immersive and object oriented 3D Sound Production.

Aimed at the film and television post production market, 3D Audio Workspace reinforces the industry’s drive for the ultimate in cinematic and immersive sound delivery by providing a comprehensive and diverse environment for 3D audio production.

“Fairlight has always had a reputation for pushing the boundaries of technology, but even by our high standards 3DAW is one of the most exciting products we have launched in many years,” says Tino Fibaek, Fairlight’s CTO.

One of the features that make 3DAW so unique is AirPan – a brand new concept that allows operators to use a Virtual Reality (VR) style input to position and control images in a 3D space.

“This feature is incredibly cool because you can literally reach out into the airspace monitored by the controller and by just moving your fingers in the air, you can pan, rotate, tilt and spread your sound in space,” Fibaek adds.

Fairlight’s 3DAW adds immersive sound capabilities to an existing digital audio workstation, whilst remaining fully compatible with an established workflow. This open platform configuration support VST® and RTAS® plugins, as well as ASIO® for I/O and sync sharing.

“The philosophy behind Fairlight’s 3DAW is to give sound mixers a post production solution that works with all platforms,” Tino Fibaek adds. “Different deliverables require different technologies, so Fairlight’s immersive platform provides the best of both worlds, supporting object orientated implementations such as Dolby’s Atmos and DTS’ MDA and fixed bus formats in 2D and 3D, from stereo through to 5.1 and all the way up to NHK’s impressive 22.2 format.”

Fairlight has ensured post production facilities can easily connect to their studio workspace. Integrated, user definable B-chain processing supports up to 34 discrete speaker outputs allowing sound mixers to switch instantly between different surround formats, different speaker sets, speaker muting and soloing and comprehensive metering.

For more information about Fairlight’s 3D Audio Workspace and other innovations in the Fairlight range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

Dave Pensado and Herb Trawick – Book Signing of The Pensado Papers at AES

The behind the scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey

Montclair, NJ (September 2, 2014) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, announces the release of The Pensado Papers, written by Dave Pensado, first-call mixing engineer (Beyonce, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson, and more!) and his manager Herb Trawick.

Pensado_cover

The Pensado Papers is first and foremost about work ethic, passion, and commitment. The authors instill the strong conviction that going beyond expectations will guarantee success on all levels. “To this day, if someone hires me to do something it is rare that I don’t do way more than what I’m paid to do,” writes Pensado.

The Pensado Papers reveals insights into the engineering regime of a recording genius, a creative philosophy that results in achievement and success. Starting from the very beginnings of Dave and Herb’s friendship, the book leads to their top-rated YouTube show, Pensado’s Place, where they discuss important music and audio recording topics with pro audio experts. “Audio is the foundation of Pensado’s Place. But the show is really about creativity,” says Pensado when he talks about the show in the book.

The book is written in a warm conversational tone between two friends, with occasional friendly banter making it even more fun to read. Maureen Droney – editor and long-time friend to Pensado and Trawick – has skillfully captured the likeability, wisdom, and charm that millions of viewers have grown to love about this incredible duo.

Dave Pensado and Herb Trawick will introduce their book at the 137th AES Convention at Los Angeles:

Friday, October 10 at 2 pm
AES Platinum Event with Herb and Dave

Saturday, October 11 at 11 am.
Book signing at the Hal Leonard booth #1141

Praise for The Pensado Papers
“The Pensado Papers is a must-read for anyone who’s ever craved the behind-the-scenes, double-barreled, all-access pass into the music business that only Dave Pensado and Herb Trawick could provide: fiery, insightful, incisive, inspiring, and most importantly, one hell of a good read.” —Nick Messitte, Contributor, Forbes.com

About the Authors
Dave Pensado is a Grammy Award-winning mixing engineer who cut his teeth in Atlanta doing live and studio sound engineering during the 1970s and 1980s. In 1990, he moved to Los Angeles and now mixes between 200 and 250 songs per year. In September 2011, he and Herb Trawick started a weekly show called Pensado’s Place. The show is about engineering techniques and features interviews with guest mixers, producers, and artists, and has enjoyed tremendous success due to the valuable information provided by and their guests. Dave and Herb both live in Los Angeles.

The Pensado Papers – Available October 9, 2014 – PLEASE CONTACT Martina@musicmarcom.com for pre-release review copies!

The Pensado Papers
$29.99 (US)
Inventory #HL 00120020
ISBN: 9781480345690
Width: 7.0″, length: 10.0″, 320 pages

For more information, please visit HalLeonardBooks.com

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DVIGear Introduces Universal Presentation Switcher / Scaler

Solves Challenges of Diverse Presentation Environments

Marietta, Georgia    September 2, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, has expanded its line of switching and scaling products with the new DVI-3571a Universal Presentation Switcher / Scaler.  This unit is engineered for use in conference rooms, training facilities, classrooms, auditoriums and other presentation applications.

DVI-3571a Universal Presentation Switcher / Scaler

Presentation Powerhouse

System designers and facility managers often face unpredictable requirements as different presenters can use a wide range of source devices.  For each device, the signal format and resolution can vary greatly, making AV signal distribution difficult.  The DVI-3571a overcomes these issues through a rich array of Input / Output connections that supports all popular AV input signal formats, as well as providing multiple outputs with user-selectable resolutions.  The unit’s powerful capabilities provide the flexibility needed to adapt to the ever-changing demands of media-rich presentation environments.

The DVI-3571a accepts up to eight (8) video inputs: 3x HDMI (or DVI), 3x RGB Analog (VGA), 1x Component Video and 1x Composite Video.  Each input supports a broad range of signal formats and resolutions. The selected input signal is routed simultaneously to 2x HDMI outputs and 1x RGB Analog (VGA) output for downstream display and/or processing. Two high performance scaling engines provide user-selectable output resolutions up to 1080p and 1920×1200.

Advanced Features

The DVI-3571a supports advanced audio features such as HDMI audio embedding and de-embedding, as well as lip sync correction up to 150 ms.  The unit includes a variety of control features including Ethernet, RS232, IR Remote and front panel selection.  The unit can be easily integrated into a network using the Ethernet port and controlled via the built-in web browser GUI.  These powerful features allow the unit to be seamlessly integrated into any professional AV system.

The DVI-3571a is available now for immediate delivery.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

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Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo:  DVI-3571a

 


HARMAN’s Martin Professional Provides Energy Efficient Lighting Solution for Danish Power Plant

ROSKILDE, Denmark — In 2011, Danish waste management company KARA/NOVEREN set out to replace two furnaces with a state-of-the-art waste-to-energy incineration line. Three years later the incineration line, or more popularly referred to as The Energy Tower, stands tall on the skyline of the Danish City of Roskilde, ready for its opening today, September 2nd 2014 with HARMAN’s Martin Professional lighting fixtures.

Increasing demands to reduce Co2 emissions from fossil fuels calls for alternative energy production, and implementing a modern facility will allow KARA/NOVEREN to utilize the energy resources from residual waste that cannot otherwise be recycled. In line with KARA/NOVEREN’s vision was for The Energy Tower to become a new Danish landmark. Naturally they wanted an energy efficient lighting solution to go with it so 112 Martin Exterior 410 fixtures and 78 Tripix 1200 LED strips were installed, controlled by Martin’s M-PC software.

KARA/NOVEREN envisioned a structure with the ability to communicate and relay messages of sustainable energy to the public. Located only a few hundred meters from one of the major inroads to the Danish Capital of Copenhagen, it has a huge reach and potentially thousands of spectators on a daily basis.

The Energy Tower was designed by Dutch Architect and expert in sustainable design Erick Van Egeraat, who brought in Danish Lighting Architect Gunver Hansen to identify and implement the most optimal lighting solution. An extensive testing phase began to determine the best choice of fixtures. The requirements for these fixtures were very specific. First of all the lighting solution had to be able to reproduce the lighting concept created by Van Egeraat (described below). All fixtures should be individually controllable to give the building a dynamic expression. It was also crucial that the fixtures would be able to illuminate the relatively difficult projection surface, which was dark and very diverse. At the same time the lighting should be bright and powerful enough to be seen from a distance. Finally, of course there was also a desire for low power consumption.

Even before the construction process had started, various forms of testing were performed on surfaces that resembled the projection surface of The Energy Tower. Ultimately, Martin Professional’s Exterior range fixtures were chosen for the project due to their size, durability, and color reproduction capabilities.

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower and portray the combustion and energy making process. “At night the backlight perforated façade transforms the incinerator into a gently glowing beacon – a symbol of the plant’s energy production,” said Erick van Egeraat. “Several times an hour a spark of light will gradually grow into a burning flame that lights up the entire building. When the metaphorical fire ceases, the building falls back into a state of burning embers.”

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower. The lighting scenario that is in place for the opening starts with a white flickering at the bottom that spreads to the whole tower. For a few minutes every hour the spark gradually grows into a blazing flame that encases the whole building. The array of warm colors resembling flames and glowing coals are meant to portray the combustion and energy making process.

“When I designed the tower I wanted the lighting design to complement the building and express what type of building it is and what it does,” said Van Egeraat. “The lighting solution has proven to have many more options than we originally anticipated, and therefore we are now working on additional lighting designs for special occasions such as the Danish Constitution Day, cultural and sporting events etc. Citizens of Roskilde and the surrounding areas will be in for a treat.”

According to Gunver Hansen this was one of the more challenging projects of her career. The structure itself consists of a framing grid built around the new chimney. An amber-colored aluminum plating is mounted onto the grid to form the exterior facade of the tower. The fixtures are mounted inside on the grid between the outer facade and the facade of the inner building, and the fixtures project onto the inner facade, which is visible at night through the laser-cut circular openings of the outer facade. Many factors had to be taken into consideration, e.g. the distance between the exterior facade and the interior projection surface varies across the entire structure. Therefore each individual fixture had to be placed carefully so the colors would mix correctly and the output would be even. Also, as the direct view into the LEDs in the fixtures had to be avoided, a number of the projectors had to be screened off with a specially designed grid.

The next challenge that presented itself was how to mount the fixtures. A lift was not an option as the fixtures had to be mounted between the inner surface and the new exterior facade. As the space was not accessible to any kind of machinery, a team of professional climbers from Danclimb was hired to mount the fixtures via rope access.

Today, on its opening day, the tower is already a well-known landmark and the object of admiration for passers-by. “We’ve already received an overwhelming public support for this project,” said Thorkil Jørgensen, CEO of KARA/NOVEREN. “People respond very well to the idea and the concept, and they really like what it adds to the area in terms of architecture and beautiful lighting. This is extremely valuable to us for branding purposes and to secure a future leading position in waste management. We see it as a great investment on several levels. We’re happy to combine an investment in modern waste management methods with an extraordinarily beautiful structure and landmark for the area.”

“We’re very pleased with the end result,” Lighting Architect, Gunver Hansen added. “The many creative possibilities for changing light color and light patterns on the Energy Tower’s facades work amazingly. I think we have succeeded in creating a shining Energy Tower, that is a fascinating and magical landmark on the dark Roskilde night sky.“

Even though not officially open till today, spectators have already had glimpses of the building in lit condition. For example during the famous Roskilde Festival, The Energy Tower shone orange to mirror the official color of the festival and its main stage. Part of the magic of KARA/NOVEREN’s new Energy Tower is its ability to alter its appearance with future lighting designs for special events, and that the lighting concept sends the message of waste-to-energy to spectators. It is an important message with global relevance.

The Energy Tower has been submitted for the Danish Lighting Award 2014.

Martin Professional Equipment
Exterior 410, 112 pcs.
Tripix 1200, 78 pcs.
Control system: Martin M-PC, RDM 5.5 splitter, Ether 2DMX

Facade Design:
(designed by) Erick van Egeraat
Facade Lighting:
Architectural Concept: (designed by) Erick van Egeraat
Lighting Project: Gunver Hansen Tegnestue
Fixtures, light control, programming, and installation: Martin Professional

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Extron Introduces Single-Gang DTP Wallplate Transmitters for HDMI

Extron Electronics is pleased to introduce the DTP T HWP 231 D and DTP T HWP 331 D, single-gang Decora®-style transmitters for sending HDMI, audio, and bidirectional RS-232 and IR signals over a shielded CATx cable to Extron DTP-enabled products. The DTP T HWP 231 D extends signals up to 230 feet (70 meters), while the DTP T HWP 331 D extends signals up to 330 feet (100 meters). The one-gang form factor provides maximum space efficiency in wall mount, floor box, and furniture mount applications. The transmitters support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. Both models also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. They feature remote power capability, plus bidirectional RS-232 and IR pass-through for remote AV device control. The single-gang wall-mountable design of the DTP T HWP 231 D and DTP T HWP 331 D provides the convenience of placing input connections precisely where they are needed. more

Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

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100 Free DPA Microphones – How Do You Wear Yours?

As part of an exciting competition that begins today (September 1 2014), DPA is giving 100 lucky people the chance to win its d:screet™ Necklace Microphones, which were launched earlier this year.

The competition, running on DPA’s Facebook page and website, asks contestants to come up with ingenious ideas for how and where to use the d:screet™ Necklace Microphone. Five microphones will be awarded to the five most liked submissions on Facebook, while the remaining 95 will be given to the people who, in DPA’s opinion, come up with the best, most creative and most original ideas. An example can be found at this YouTube video, created by DPA Microphones: http://bit.ly/1ll1KBQ

This unique plug-and-play microphone solution from DPA is ideally suited to situations where mounting and consistent audio output are the primary requirements. By housing a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, DPA has created a microphone that anyone can use. There is no need to worry about attaching it to clothing because the only fitting skill this microphone requires is the ability to do up a necklace catch.

“We are extremely excited about this product and want to share our excitement with the rest of the world,” says DPA’s CEO Christian Poulsen. “These new microphones are clearly meeting a need because they can be mounted and removed quickly, and several times, by untrained talent without a sound expert nearby. We are well aware that they are perfect for reality show settings as they have already been used for the Danish adaptation of Big Brother. But we think there are plenty of other situations where their simplicity, audio quality and size make them ideal. We hope that people entering our competition will use their imagination to come up with some really ingenious ideas to surprise and amuse us.”

DPA’s competition also has a second phase, which will be open to those who win one of the initial 100 necklace microphones. Once winners get their microphones, all they have to do is document their idea by sending the company a picture or a video. The two best entries will win a grand prize – a choice of DPA Microphones up to a value of 1,000 EUR (list price).

Entry to this competition is via the DPA website or DPA’s Facebook page. All ideas need to be submitted by September 28, 2014 and the 100 initial winners will be announced on October 1, 2014. Contestants can win multiple necklace microphones, but only one microphone will be awarded per idea.

Entry to phase two of the competition will open after October 1, with the two ultimate winners announced on November 10, 2014. The first grand prize will go to the most liked picture or video on Facebook, while the second will go to the application idea that DPA perceives to be the best and most well documented.

To enter and for more information please follow these links:
Website http://www.dpamicrophones.com/100freemics
Facebook https://www.facebook.com/dpamicrophones

For inspiration of what you might do with your microphone, watch this clip:

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Digital Nirvana Introduces New Media Management Platform at IBC2014

Fremont, CA – At IBC2014 in Amsterdam next month, Digital Nirvana will introduce its Media Management Platform, which offers a suite of applications that allows users to capture, edit, share, and manage content – as well as prove compliance, monitor and analyze video. Digital Nirvana will exhibit this platform in the booth of EMEA Gateway during the IBC convention – Hall 9, Stand B14.

Professionals using the new Digital Nirvana platform can capture content from multiple live video feeds in original recording and proxy format; edit, capture and store live video feeds; quickly repurpose content for multiple platforms and export it for final editing, rebroadcast, MAM, and archiving; manage and search content using advanced search terms; log and monitor video for regulatory or licensing requirements and quality control; and compare, review and analyze content for competitive analysis, legal reviews, and cross-functional collaboration.

“We couldn’t think of a better venue than IBC to launch our new platform,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, Digital Nirvana. “With these new features, we’ve solidified our platform as the smartest management solution in the industry with the most rapid return on investment. Based on the feedback we receive from our close customer relationships, we’ll keep pushing the envelope and bring more functionality to this centralized approach.”

The Digital Nirvana Media Management Platform includes the following applications:

Capture
A feature-rich capture application records and stores hybrid inputs including SDI, ASI, ASI-IP, ATSC and QAM signals. Recording formats include 50 Hz, 60 Hz, SD/HD and DVB-T/C/S2. The platform supports RF and Cable Card Technology recording from encrypted cable feeds in full HD – allowing for direct cable and off-air antenna recording with no conversion needed. By setting parameters within the Program Guide, users can schedule continuous or intermittent recording. Users can record, monitor and analyze the performance of multiple competitive stations, saving hours of time, raising productivity and eliminating the need for stand-alone DVRs.

Edit
A powerful edit application allows users to produce frame-accurate cut clips from live or previous recordings, allowing for quick turn around when repurposing and editing content. OTT clipping and ad verification are also included in this system. Edits can be made from the desktop or mobile devices using any standard web browser. An unlimited number of users can collaborate from anyplace via the web-based interface. Content can be uploaded to the cloud and stored for final editing, re-broadcast, MAM files or archives.

Share
The platform enables users to capture and record multiple video feeds and repurpose them quickly for multiple platforms such as web, mobile, social media and the cloud. Clips can be exported directly to editing, MAM and archiving solutions. NAS Connect allows for connection to NAS/SAN storage for expansion and easy integration into existing workflows. The platform also allows unlimited user account and role set-ups and provides web captioning ability.

Manage
The platform’s management capabilities set Digital Nirvana’s approach apart from other systems. Users can search by date, time, and channel as well as by key words in the close caption, alert reports, as-run and traffic logs. Expression searches enable simultaneous keyword searches in the As Run log and closed captioning sections. A Boolean search capability makes it easier to define the search by adding AND, OR, + within search terms. This allows the user to search for captions that contain multiple words. The results are contained within a summary list with a hyperlink to the video content. Users can set up custom profiles with specific preferences that, depending upon the application, are searchable by time, date and alarm profile.

Comply
Users can log and monitor video content for regulatory, licensing requirements and quality control. Alerts can customized based upon the channel, time of day, duration, and choice of error such as a missing closed caption, loss of video or audio, loudness, etc. Customized profiles with specific preferences, searchable by time, date and alarm profile, can be set up.

Analyze
Users can also compare, review and analyze content for quality, competitive analysis, legal review and collaboration. It also extracts NAVE (Nielsen Audio Video Encoder) watermarks embedded in the audio track of the DTV signal and can log that data. The system decodes, logs, and verifies the presence of the watermarks to: ensure proper transmission and delivery to Nielsen’s home monitoring equipment; enable effective troubleshooting with real-time alerts for any signal discrepancies; and ensure ratings credit for advertising, allowing the setting of proper ad rates. It also provides a director’s audio track for assistance troubleshooting newscasts and programs.


Optional Modules

- Loudness monitoring
- iPad/iPhone encoding
- Centralized management
- REST API
- Variable speed playback that allows for playback at 2x, 4x, 1/2x, and -2x; enabling faster operation during legal reviews, ad verification, content review and repurposing.

Hardware
The solution runs on a feature-rich hardware appliance that accepts multiple inputs in one unit, allowing operators to do more with less hardware. In addition to recording SDI, ASI, ASI-IP, ATSC and QAM signals, it supports SD/HD, 50 Hz, 60 Hz and DVB-T/C/S2 formats. It also supports RF and Cable Card Technology recording from encrypted cable feeds in full HD. It is an industrial grade server with Linux OS, RAID 6HDD, built-in redundant power supplies and open IT connectivity
The system is available in three levels: Essentials (1RU server), Pro and Enterprise (both 3RU)

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India.
www.digital-nirvana.com

DVEO Launches 50 Channel Transcoding Playout Server and Streaming Appliance – Ideal for Websites, Schools, Hotels, or Digital Signage

Multichannel Streaming Server for Scheduled Continuous Streaming -– IP Grooming Server 50ch 1TBSan Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), is now shipping their multiple channel live streaming playout server with transcoding for video-on-demand applications. The IP Grooming Server 50ch 1TB streams multiple video and audio files from the on board one terabyte hard drive, with scheduled playlists. DVEO will introduce the new system at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16, at Stand 2.A34.

The IP Grooming Server is a media capture and playout server. It stores transport streams, then “grooms” them by transcoding the streams to H.264 and/or scaling the video to different resolutions. It also adds various “wrappers” such as HLS, RTMP, etc.

The Linux based system outputs up to 50 streams at the same time, with different bit rates and wrappers for each stream.

The input of the stored content typically arrives via FTP file transfer, and the files to be played are stored on the server. Input can be individual files or multiple files. Supported file types include H.264 ts, flv, H.264 ps, .mov, VC-1 (.wmv), mkv, and others. The IP Grooming Server naturally supports loopable playback.

“With the IP Grooming Server, you can create your own 50 ‘streaming’ web channels with 50 different movies or content, playing on your preset schedule,” commented Laszlo Zoltan, Vice President of DVEO. “It’s a great video hosting playout server for ISPs, corporate websites, schools, hotels, and digital signage.”

“We also offer a system without transcoding or scaling — the IP Server,” Laszlo Zoltan went on to say. “The IP Server includes scheduling and adds wrappers, making it a cost-efficient option.”

Supplemental Information for Press Release

Features — IP Grooming Server:

  • Streams multiple output protocols from the on board 1 TB hard drive
  • Use individual files or multiple playlists for input
  • Multiple bit rates and resolutions supported
  • Loopable playback
  • Transcodes on the fly
  • Watch Folder Mechanism for updates
  • Scheduler for streaming by the clock
  • Creates simultaneous High, Medium, and Low bitrate streams
  • Expandable Hard Disk via SANs, etc.
  • Outputs: Multiple simultaneous IP streams through GigE port (RJ45)
  • IP Output protocols: HTTP Live (HLS), HTTP, UDP, RTP, multicast and unicast with transport stream envelope, HTTP Smooth, or RTMP (Open Flash)
  • Support for segmented streaming: Apple HTTP Live and Windows HTTP Smooth. These streams can be played by Apple and Android devices as well as Silverlight and Flash Clients.
  • Supports M3u8 playlist files (standalone and through HTTP Live
  • Supports H.264 High Profile @ Level 4.0 (HP@L4)
  • Supports 1080i, 1080p, 720p, 480i, CIF, QCIF, qHD, H.264up and many others, and custom resolutions
  • Supports 50 simultaneous output channels, with multiple resolutions and wrappers
  • Tested compatible with major brands of IP devices including Amino, Roku, Dune HD, Telergy, and Apple iPad and iPhone
  • Supports Verimatrix and other Rotating Key Servers
  • Remote GUI includes on/off scheduling
  • SNMP or REST or SOAP remote management
  • Low power consumption due to Ivy Bridge Intel CPU

Suggested Retail Prices:
IP Grooming Server (with transcoding): $16,995 U.S.
IP Server (No transcoding): $4,995 U.S.

DVEO and IP Grooming Server are trademarks of Computer Modules, Inc. All other trademarks and registered trademarks are the properties of their respective owners.


About CMI and DVEO

CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

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