Company maintains competitive edge by making ‘under the hood’ improvements to LEDView530 and HQView530

Calibre UK returns to InfoComm 2013 with significant updates to two of its most important products for the pro-AV marketplace: the LEDView530 and HQView 530 switcher/scalers.

Both products were launched earlier this year, with the former being aimed at the control of large-scale LED screens in rental and fixed-installation applications, and the latter being designed specifically to multiple-projector setups.

They have already found a loyal following among rental companies and AV systems integrators, and now Calibre UK has increased their appeal by maintaining its policy of continually updating its products during their lifetime.

Tim Brooksbank, Chairman, Calibre UK, explains: “We’ve given both the LEDView530 and the HQView530 a number of new features that really set them apart from the competition. These include the ability to capture an input feed to save as a custom test pattern, for display as a customer logo screen or as a backdrop when no live signal is being displayed. Both products can scale this saved image and will geometrically correct, warp, rotate and blend it like a live input, something our key competitors can’t achieve!

“Users can also now choose whether PTZ is applied globally to all input signals or is automatically saved and recalled per input channel per signal mode – a very powerful function for performing per-mode adjustments to aspect ratio.

“We have also enhanced the color calibration options with the ability to set R, G, B gains and bias (black level) per input channel and the ability to set saturation and hue per input channel, per mode. Unlike many competing products, these functions are available for all input channels including DVI, HDMI and 3G-SDI.

“Finally, both products have been given new ‘blue’ easy-to-read dimmable front-panel menu displays, with fast navigation via jog-wheel as well as buttons for direct input selection.�

In addition to being included as standard on all new inventory, all the above new features with the exception of the updated front-panel are available as free firmware upgrades for existing customers.

“We’re celebrating 25 years in business this year and customer service has always been one of our top priorities,� adds Brooksbank. “We always enjoy exhibiting at InfoComm and getting the chance to put the results of our intensive R&D effort in front of the pro-AV community. This year will, I’m sure, be no exception!�

Calibre UK will exhibit on Booth 4481 at InfoComm 13 at the Orange County Convention Center, Orlando, FL, from 12-14 June 2013.

GAINESVILLE, GEORGIA – MAY 2013: Danley Sound Labs brings its revolutionary Synergy Horn technology to the great outdoors with the Danley OS80. Like its Synergy Horn siblings, the OS80 delivers tremendous output, both in terms of sound pressure level and transparency, as well as precise pattern control. Unlike its Synergy Horn siblings, however, the OS80 is housed in an enclosure that is utterly impervious to weather, making it the ideal loudspeaker for outdoor installations at sports venues, arenas, athletic fields and complexes, theme and recreational parks, public gatherings, race tracks, community centers, cruise ships, hockey rinks, water parks, swimming areas, and more.

“The Danley OS80 brings high fidelity to outdoor loudspeakers,� asserted Mike Hedden, president of Danley Sound Labs. “Until now, installing a fully-weatherized loudspeaker meant significant compromises in fidelity and impact. But like all Danley products, the OS80 doesn’t play by those rules. The OS80 not only delivers the kind of clarity and power that characterizes our flagship SH-50 loudspeaker, but it can do it in a driving rain or after a winter spent buried under snow. In addition, the OS80’s precise pattern control created by the large horn makes it possible for outdoor sound reinforcement systems to deliver superior Synergy Horn fidelity to every seat.�

The Danley OS80’s coverage pattern is 80 deg conical with an operating frequency range that spans 113 Hz to 18 kHz (+/- 3 dB). It has 101 dB SPL sensitivity and a maximum output that rates 127 dB SPL continuous and 133 dB SPL program. A single high performance 12-inch driver and a single 1.4-inch driver energize the Synergy Horn and are hidden away inside a thermal molded poly-composite exterior measuring 32.25 inches high by 26-inches wide by 14.5 inches deep. Total weight is 51 pounds, and a U bracket is included as are other flexible mounting options which allow the Danley OS80 to make itself at home in any circumstance.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE US AT INFOCOMM BOOTH #143 – COME TO HEAR THE OS80 IN DEMO ROOM W203B

WEBSTER, NEW YORK – MAY 2013: With founder Billy Thompson’s invention of the “Loud Amp� in the early 1970s and the introduction of its path-breaking MOS-FET amplifier technology in the early 1980s, Ashly Audio established itself as a company that would lead the industry in technological innovations. It continues that tradition with the new Ashly nX family of Class D amplifiers, which deliver up to 12,000W of clean power while drawing less than 1W in sleep mode. nX amplifiers are offered in four- or two-channel versions with selectable high-Z (70/100V) or low-Z output on each channel. nX model variants include the addition of Ethernet control, and onboard Protea™ DSP with load monitoring, to meet the many and varied requirements of modern fixed installation and live sound applications. True to the craftsmanship that launched the company, Ashly hand-builds nX amplifiers in the United States and backs their performance with a five-year warranty.

“nX amplifiers are lightweight and efficient, yet pack a tremendous amount of power and flexibility into a 2U chassis� said Anthony Errigo, director of communications for Ashly. “We have designed them to meet the demanding requirements of stadiums, arenas, performance venues, worship spaces, and convention centers – anywhere big sound and modern performance requirements are needed. nX amplifiers are especially appealing for value-engineered installs because they offer features, performance, and reliability that Ashly is known to deliver.�

Ashly is offering three series of nX amps with feature sets that build upon each other. The base nX amplifiers are available in four- or two-channel models at 3000W or 1500W per channel (@ 2 Ohms) and feature a defeatable automatic sleep mode. nXe series amps add Ethernet control, serial data control, aux preamp outputs, programmable standby mode, preset recall, fault condition logic outputs, event scheduling, and optional network audio and digital audio capability (CobraNet® or AES3). Finally, nXp series amps feature everything in nXe plus onboard 32-bit SHARC Protea DSP processing (48 or 96kHz sampling rate) and precision swept load-impedance monitoring.

Additional features include multiple independent power supplies for increased channel separation and reliability; front panel power switch and level controls (defeatable in nXe and nXp models); front panel LEDs for temperature, current, signal, clip, mute, bridge mode, protect, sleep, and more; Neutrik® Combo XLR – 1/4� TRS jack plus Euroblock input connectors; Neutrik speakON® twist locking loudspeaker connectors for security, safety, and reliability; rear panel DIP switches per channel for selection of high pass filter, limiter, input gain, and High-Z or Low-Z speaker output configuration; remote DC level control on each input channel; switch mode power supply automatically detects 120V or 240V AC operation; and extensive protection circuitry, including continuously variable cooling fans.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

We are pleased to announce the immediate availability of TouchLink® for iPad, an easy-to-use AV control system app designed for the Apple iPad. TouchLink for iPad provides users with an additional point of control for rooms equipped with any TouchLink touchpanel. The app is compatible with projects created using Global Configurator 3.5, which is also available now. With this app, presenters can wirelessly control their AV system using a Wi-Fi network, allowing them the freedom to move around the room, or even between rooms. Each button press is tracked in real time between the app and the touchpanel, so that both stay in sync. TouchLink for iPad requires no additional GUI configuration, as it emulates the interface of the existing touchpanel. TouchLink for iPad is available for download now on the App Store.

“TouchLink for iPad brings all of the functionality and ease-of-use of our TouchLink touchpanels to the iPad,” says Casey Hall, Vice President of Sales and Marketing for Extron. “Features such as Demo Mode, Auto-Reconnect, and Global Configurator 3.5 compatibility, make TouchLink for iPad a very powerful and flexible app.â€�

TouchLink for iPad is compatible with all current versions of the iPad, including the iPad mini. To safeguard against theft in high traffic environments, the Extron TLM 100T, secure mounting enclosure can secure most iPads to a tabletop, wall, or other flat surface. For more information on TouchLink for iPad, please contact your Extron Customer Support Representative.

To view a product video and for more information, please visit www.extron.com/touchlinkforipadpr.

INFOCOMM 2013 EXHIBITOR PREVIEW

Visionary Solutions, Inc. — Booth 2431

At InfoComm 2013, Visionary Solutions, Inc. (VSI) will demonstrate the latest advancements in its comprehensive portfolio of IPTV and Internet encoding products for pro A/V applications.

New for InfoComm is PackeTV(R) Views, a low-cost, browser-based interface that streamlines the viewing and sharing of IPTV content originating from appliance-type encoders. VSI will also showcase the D1000 H.264/MPEG-2 decoder, the PackeTV Mobile HTTP-based media streaming server, and a powerful new IP video delivery bundle designed to simplify IPTV delivery.

Key Products and Technology Demos

NEW! PackeTV(R) Views
At InfoComm 2013, VSI will unveil PackeTV(R) Views, a low-cost, user-friendly, and easily configurable browser-based interface that simplifies viewing, maintenance, publishing, and access control of content. Ideal for the education and house of worship markets, PackeTV Views features intuitive controls that can be easily operated by both technical and non-technical personnel. Operators simply open the URL with the channel lineup, build a view customized for the intended audience, and can instantly push the content to viewers.

Leveraging cloud services, or Software as a Service (SaaS), PackeTV Views minimizes end-user requirements, eliminating the overhead and costs traditionally associated with deploying and maintaining complex client software. Additionally, the HTML-based solution supports a variety of popular Web browsers and provides personalized experience for users through customized branding and a flexible design, allowing users to share and consume media that is audience and age appropriate. Single-instance and enterprise licenses are available, enabling a local user to have a custom menu that consists of media feeds delivered and managed remotely, combined with additional channels that originate locally.

D1000 H.264/MPEG-2 Decoder
VSI’s new H.264 and MPEG-2 based decoder supports SDI (3G/HD/SD), HDMI(R), and DVI outputs with resolutions of up to 1080p60, enabling users to deliver professional quality HD video and audio over IP networks cost-effectively. After receiving H.264 or MPEG-2 audio and video content from a VSI encoder, the D1000 decodes and outputs the content into a high-quality 1080p, 1080i, or 720p HD stream, in real time, at the lowest possible bit rate. The high-performance decoder also supports a wide range of audio standards, including AAC, MPEG-1/2, and optionally AC3, to ensure exceptional audio quality.

PackeTV(R) Mobile
At InfoComm 2013, VSI will highlight PackeTV(R) Mobile, an HTTP-based media streaming communications system that simplifies the delivery of live and file-based content, enabling content administrators to deploy IP video to any connected device — including mobile phones, tablets, and set-top boxes. Built on an entirely server-based design, PackeTV Mobile can be cost-effectively deployed on any public or private network where HTTP access is allowed and scaled to provide superior-quality streaming video content to an unlimited number of users.

Ideal for a broad range of markets, including professional A/V, PackeTV Mobile supports SD and HD HTTP Live Streaming (HLS), with H.264 video and AAC audio, providing users with a high degree of flexibility.

AVN Series Encoder and PackeTV(R) Mobile Bundle
During InfoComm 2013, VSI will demonstrate integration between the company’s popular AVN Series encoders and PackeTV(R) Mobile media streaming system. Prior to video delivery, VSI’s AVN IPTV encoders transform content from a variety of sources into full-screen, full-resolution IP digital video in real time. Capable of encoding both HD and SD video in an H.264 stream (MPEG-4 Part 10/AVC), VSI’s AVN Series is the ideal encoding solution for content administrators requiring cost-effective, low bit rate HD/SD video distribution over IP networks. Operators deploying the new bundle can choose between the AVN443, AVN441, and AVN422 encoders, based on their individual requirements.

After content is encoded, VSI’s PackeTV Mobile converts transport streams into HLS, ensuring a superior quality of experience on any IP-connected device. Featuring a server-based design, PackeTV Mobile can be deployed cost-effectively on any public or private network where HTTP access is allowed and scaled to provide superior-quality streaming video content to an unlimited number of users, eliminating the need for costly content delivery networks.

Company Overview:

Visionary Solutions, Inc. (VSI) develops and manufactures open-standard solutions that harness the power and flexibility of IP networks to deliver real-time video and audio. With a passion for innovation and customer service, VSI provides outstanding products recognized for their value, performance, versatility, and quality. VSI products support the industry’s latest technology standards, including H.264, making the company a trusted partner for solutions in the enterprise, education, government, house of worship, entertainment, healthcare, and broadcast markets. VSI sets the industry standard for high-quality video transport over IP networks.

All trademarks appearing herein are the property of their respective owners.

IMAGE DOWNLOADS

Photo Link 1: www.202comms.com/VisionarySolutions/PackeTVMobile.zip
Photo Caption: PackeTV(R) Mobile

Photo Link 2: www.202comms.com/VisionarySolutions/AVN443.zip
Photo Caption: VSI AVN443 Encoder

BUENA PARK, Calif.—Held the last weekend of April in Wilkesboro, N.C., this year’s MerleFest included a roster of longtime roots artists like Leon Russell, The Charlie Daniels Band, Avett Brothers, Del McCoury Band, Donna the Buffalo, Jim Lauderdale, Michael Martin Murphey, Peter Rowan, Jerry Douglas, Sam Bush, and the Nitty Gritty Dirt Band. As locals know, the festival is named for famed guitarist Doc Watson’s late son, Merle, a gifted musician in his own right. Doc passed away in May 2012, so this is the first year he hasn’t graced the stage himself.

For the past 26 years, SE Systems of Greensboro, N.C. has provided audio production for MerleFest, and this year included a new NEXO STM rig shared and alternating between the main Watson Stage and the side Cabin Stage. The system consisted of 15 M46/B112 per side for mains, 16 S118 subs in cardioid mode per side, two M46 for front fills, and a three-stack of M46/B112s were used for out fills in the VIP area. A Yamaha DME64 digital mixing engine functioned as a converter from analog to Dante that was networked to all NXAMPs. 20 NEXO 45 N-12 line monitors were also used on the main stage.

“The NEXO STM system was very musical and even horizontally and vertically, states Chris West, front of house engineer at the Watson Stage. “The mix sounded the same on the ground and at FOH. The throw was incredible; we hardly used the delays.”

“The NEXO STM system sounded natural, even at high volume,â€� states Haley Miller, monitor engineer at the Watson Stage. “When dealing with acoustic music, the environment plays a large part, so a natural sounding system is always a plus. On stage it was quiet, and sometimes we couldn’t tell if the PA was on; the system allowed great isolation from stage to FOH with no bleed.”

Four new Yamaha CL5 digital audio consoles with Rio 3224 input/output boxes all connected with Dante were used on the Americana Stage for mains and monitors and at the Dance Stage for mains and monitors. “The overall impression was they sounded great,� states Myron Surber, Sales Associate, SE Systems. “The preamps were warm and the Premium Rack was a real plus with delays on the input channels and the additional 1/3 octave EQs.�

“The Yamaha CL5 is a great improvement on previous Yamaha consoles having mixed on both the PM5D and M7CL in festival situations,â€� states Josh Berneking, who mixed front of house for all the acts on the Americana Stage. “The CL5 is much better in that situation. The new premium rack plug-ins, especially the Rupert Neve EQ and Compressor, sound great. I also like the increased naming and labeling capabilities; and color-coding my channels was a huge help at the festival. I also found that it was similar enough in navigation to the M7s that guest engineers walking up to the consoles having no experience were able to jump right in on the desk and mix on the fly with very little help from me. The Dante network and stage boxes worked great; they were very easy to patch on, and setup. We were also able to connect my talkback mic to the monitor console through Dante.” Jeff Neubauer mixed monitors on the Americana Stage.

“The console sounded great and was sonically very clean,â€� states Todd Dupree who mixed monitors on the Dance Stage. “We had two Rio boxes on our stage; they are great devices, well made, and solid. The indicator lights for signal, peaking, 48v, and the Ping feature worked great in the frantic festival setting.” John Adair mixed front of house at Dance Stage.

For more information on SE Systems, visit www.sesystems.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

Photo ID: L to R SE Systems Chris West, Yamaha’s Joe Rimstidt, Doug Staab and Mark Rush, and SE Systems Thomas Dameron. Avett Brothers are on stage.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DPA Microphones is delighted to announce the launch of the d:dicateâ„¢ Recording Microphone range, which combines the best capsules with the best pre-amplifiers to deliver superior sound for all applications where high quality audio is required.

The d:dicate range includes DPA’s new modular MMC4018 supercardioid capsule, the counterpart to the MMC4018V capsule used in the company’s new d:facto™ Vocal Microphone and one that is ideally suited to applications where clarity and audio quality are critical. d:dicate also includes the well-known MMC4007 hi-SPL omnidirectional capsule, previously known as 4007, now in a modular version. Widely used for measurement purposes, this capsule has an unbeatable dynamic range and can handle extremely high sound pressure levels. Both capsules is widely used for picking up drums, percussion, brass instruments – and for measurement purposes. Both are entirely compatible with other d:dicate preamplifiers.

Completing the d:dicate line-up are microphones from the familiar and well-loved DPA Reference Standard series, which has been absorbed into the d:dicate range with all former Reference Standard products now carrying d:dicate branding. These include the modular 4000 and 2000 series, which are manufactured to perform within very narrow tolerances and offer exceptional linear frequency responses, high SPL and superior gain before feedback. Within the 4000 series there are a wide variety of capsules including the new 4018 supercardiod, 4017 shotgun, 4015 wide cardioid, 4011 cardioid and 4006 omnidirectional. The 2000 series consists of two twin diaphragm capsules – the 2011 cardioid and the 2006 omni versions that are rooted in the design technology of DPA’s classic miniature capsules. All these capsules can be combined with a state-of-the-art A pre-amp, a B pre-amp with low cut and high boost filters, and a C pre-amp, which is a compact version for discreet miking.

Like all DPA microphones, every variant in the d:dicate range delivers clear, transparent and precise sound, along with the robustness and versatility that are the hallmarks of DPA’s ingenious engineering techniques. These high quality microphones are increasingly being employed in harsh live sound environments, particularly on drum kits where there is a demand for exceptional sound quality but where the microphones solution needs to be robust and sturdy so that it can be relied on time after time.

Christian Poulsen, CEO of DPA Microphones, says: “Our new d:dicate Recording Microphone range gives customers the ultimate in flexibility as any microphone in the range can easily be transformed into a new variant simply by choosing a different capsule or preamplifier. Customers will also find that owning several capsules is more cost effective than purchasing a completely new microphone.

“By gathering these microphones into a specific group, d:dicate now joins our other established product groups: d:fine™ Headset Microphones, d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphones.�

New accessories have also been developed for the d:dicate Recording Microphone range, including modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry) plus modular active booms (MMP-F) that are compatible with all d:dicate capsules. These new microphone solutions can be used in many different situations, for example as a podium microphone on a desktop or podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination, while the new active cable only adds a centimetre to the capsule, making it even more discreet than the compact C pre-amp, while giving comparable performance.

“It was difficult to split the preamplifier construction and make an ultra-compact head without sacrificing the sound quality,� Christian Poulsen adds. “However, we succeeded and now customers can have DPA’s renowned sound quality across many applications where we have not been widely used before, for example installation, concert halls, on stage, etc.�

The two new capsules and new accessories in DPA’s d:dicate Recording Microphones range will be available from August 2013. Former Reference Standard capsules and preamplifiers now included in the d:dicate range are available now.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

San Diego, California –- May 7, 2013 — DVEO, the broadcast division of Computer Modules, Inc. (CMI), has announced a licensing agreement with RealNetworks Inc. DVEO will offer high-end Telco-grade encoder/transcoder/video distribution server systems, built on RealNetworks Helix Universal Server.

“Helix Universal Server streams live and on-demand content to any IP device – including smart phones, PCs, tablets and more, with high-end, professional-quality video plus robust security to protect content. We partner with solid companies such as DVEO who bring high value to our ecosystem,” said Mike Womack, Senior Director, RealNetworks Helix Division.

“We are proud to work with RealNetworks. They were one of the first companies involved in media streaming and they continue to develop remarkably inventive products,” commented Scott Grizzle, Broadcast and Streaming Product Manager for DVEO. “We are excited that our companies are working together to develop great solutions for customers.”

DVEO’s LiveMedia Anytime: TELCOâ„¢ delivers stored and live groomed (preformatted with the right protocols) or ungroomed video via IP to mobile devices, set top boxes and IP televisions. Reality Anytime: TELCOâ„¢ delivers pre-groomed live streams along with stored video on-demand (VOD) files. The systems support over 500 simultaneous users who can initiate “pulls” or demands on the video content at any time. More users can be supported with optional Intel® Solid-State Drives.

Helix Universal Server delivers the highest-quality video streaming across all devices –
from iOS, Android and tablet to PC, Mac and Smart TV. Well-known for reliability, high-performance and easy integration, Helix Universal Server includes support for MPEG-DASH, multi-protocol stream ingest and stream pushing to content delivery networks or service providers.

Supplemental Information for Press Release

Suggested Retail Prices:
LiveMedia Anytime TELCO: $6,000 to $27,000 USD
Reality Anytime TELCO: $6,000 to $27,000 USD

About Computer Modules, Inc and DVEO
Computer Modules, Inc, founded in 1982, is a privately-held company headquartered in San Diego, California. DVEO, the broadcast division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at 858-613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

About RealNetworks
RealNetworks creates innovative applications and services that make it easy for people to connect with and enjoy digital media. RealNetworks invented the streaming media category and continues to connect consumers with their digital media both directly and through partners, aiming to support every network, device, media type and social network. Find RealNetworks corporate information at www.realnetworks.com.

For more information:
Jodi Swanson
206-892-6452
jodis@realnetworks.com

DVEO, LiveMedia Anytime: TELCO and Reality Anytime: TELCO are trademarks of Computer Modules, Inc. RealNetworks and its respective logos are trademarks, registered trademarks, or service marks of RealNetworks. All other trademarks and registered trademarks are the properties of their respective owners.

Extron Electronics is pleased to introduce GlobalViewer® Enterprise 2.0. This advanced, server-based software takes enterprise-wide scheduling, monitoring, and help-desk functionality to a new level. Building on an already powerful feature set, this latest version provides a host of new and enhanced features that streamline and simplify many common AV tasks. Microsoft® .NET® technology allows GlobalViewer Enterprise to integrate with third-party facility scheduling software for viewing room availability and managing meeting schedules. Working in conjunction with GVE, Extron’s mobile AV resource management app, iGVE has been updated with several new features as well. This latest version of iGVE is available for download on the Apple App Store.

“Since its introduction five years ago, GlobalViewer Enterprise has proven to be a powerful tool for our customers looking for enterprise-scale AV management,” says Casey Hall, Vice President of Sales and Marketing for Extron. “GVE 2.0 leverages this robust platform, offering many customer-requested features that enhance functionality and ease of use.â€�

In addition to the features found in the current version of GlobalViewer Enterprise, version 2.0 offers many enhancements, including the ability to import up to five configurations at once; at-a-glance import status with progress bars and new icons; mouse-over tool tips for system menu, enhanced Event Alert List that is always visible or accessible in Help Desk and Monitor views; and added drag and drop functionality for rooms within Tree Manager. Also, with the addition of Google Chrome, this latest vesion of GlobalViewer Enterprise now supports all four of the most popular browsers.

There are many other new features as well. For a full description of the new capabilities of GlobalViewer Enterprise 2.0, please visit www.extron.com or contact your Extron Customer Support Representative.

Thousand Oaks, California, May 6, 2013 – This Mother’s Day, help Mom bring the family together for summertime parties with an all-weather outdoor SunBriteTV.

SunBriteTV’s are designed for permanent outdoor use and starting at just $1,495, creating a modern outdoor entertainment area is now practical and affordable. Family movie nights under the stars, graduation parties, backyard BBQs- any outdoor get-together is complemented by the addition of a SunBriteTV.

“There’s no better way to thank a mother than with a gift that will get the whole neighborhood talking,� said Tom Dixon, Vice President of Marketing, SunBriteTV. “SunBriteTV’s are discussion-starters that will have your friends and family anxious to come back for the next party!�

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers.
Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.