A virtual press conference from Sound & Video Contractor

Archive of the New Products Category

Extron Introduces Two New IP Link Pro Control Processors

Extron Electronics is pleased to introduce the IPL Pro CR88 and IPL Pro IRS8 control processors. The IPL Pro CR88 features eight contact closure inputs and eight relay ports, while the IPL Pro IRS8 features eight one-way IR/serial ports. These compact, high-performance IP Link Pro control processors are loaded with features inherent to the IP Link Pro family, including more power, speed, and memory, as well as Ethernet control and enhanced security. They are compatible with TouchLink Pro touchpanels and are ideally suited to take advantage of the advanced configuration options within Extron’s Global Configurator Plus and Global Configurator Professional. more

Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.

Known for his distinctive mixing style and ability to bring the emotion out of songs, Scheps has engineered and mixed for some of the biggest rock bands in music: Metallica, Red Hot Chili Peppers, Weezer, Audioslave, Linkin Park, Green Day and U2. He’s also worked with icons such as Johnny Cash, Neil Diamond and Iggy Pop, as well as many independent artists.

Having successfully mixed with computers and software, or “in the box”, and on large format analog consoles, Scheps brings a unique perspective to mixing workflow, which he demonstrates by deconstructing some of his current work using Avid Pro Tools and S6 Control Surface.

The Mixing Master Class video series is divided into 13 videos of five to eight minutes in length and cover a wide variety of mixing topics as well as a Q&A session with the audience of around 150 people, most of which are working audio professionals. New videos in the series will be posted on Westlake Pro’s YouTube channel over the next several weeks. Please visit https://www.youtube.com/user/WestlakePro1.

About Westlake Pro
Based I Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.
For more information, visit www.westlakepro.com.

R. L. Drake SCTE CABLE-TEC EXPO 2014 EXHIBITOR PREVIEW — Booth 1710

At the SCTE Cable-Tec Expo 2014, R.L. Drake, a leading global provider of digital and analog cable, digital signage, and MPEG encoding systems, will demonstrate its new PEG-NE24-IP encoder and EEG-QIP electronic enterprise guide, which bring increased efficiency and reliability to cable TV operations. more

Archimedia Technology IBC2014 Product Preview, Partnering With Front Porch Digital, Stand 7.D14

Archimedia Technology at IBC2014

Conceived less than 18 months ago out of the need to deliver and read files originating from 4K cameras, Archimedia Technology has rapidly become the new standard for testing and playing master-grade media files. Archimedia offers a range of tools that allow video engineers and archivists to access, play, manage, and test files in all mastering formats, including JPEG 2000, ultimately making content deliverable more quickly at higher quality. Visitors to Archimedia’s stand at IBC2014 will see firsthand the power of this unparalleled line of tools on HD and UHD screens, including the foundation of its product line, the award-winning Archimedia Master Player. Archimedia will also introduce a new player built for everyday business use and a suite of desktop quality-measurement tools that replace existing desktop applications and traditional SDI hardware.

NEW Archimedia Enterprise Player
At IBC2014, Archimedia will demonstrate the Archimedia Enterprise Player, a new player designed for all stakeholders — expert or not — who must be able to view professional video reliably and precisely in order to do their jobs, especially those who need specialized technical support to deal with professional media. Users range from those who lack the technical expertise to use professional video tools, to video experts who simply need to review their work without tying up an edit suite.

The Archimedia Enterprise Player installs easily on any computer equipped with Windows(R) 7 or 8 by simply downloading the software from Archimedia’s website. Users can get media-specific email support from Archimedia, as well as Archimedia’s live online or phone support when needed. The Archimedia Enterprise Player plays all professional and consumer video and audio formats except for JPEG 2000, DPX, and 4K/UHD, which are found only in cinematic or production masters. Like the Master Player, the Enterprise Player can play captions and subtitles in more than 80 external formats and more than 50 embedded formats, and all video can play to a normal TV over HDMI so that what the user sees is real TV rather than a PC approximation of it. The Enterprise Player also delivers accurate audio in all modes — fast forward, rewind, slow, and scrub.

Because the Enterprise Player is designed for either operations budgets or capital budgets, a business can better control the balance sheet by adjusting operations costs based on changes in headcount. This pricing model enables enterprises to provide a sophisticated media player and specialized technical support to a defined number of employees without worrying about auditing licenses or the cost of maintaining in-house technical expertise. Made to run on existing office computers, the player software is free for businesses with an active support account, or can be purchased affordably with annual support included.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-Enterprise-Media-Player.jpg
Photo Caption: Archimedia Enterprise Media Player

NEW Archimedia QuSee(TM) Suite
IBC2014 will see the debut of the Archimedia QuSee(TM) Suite, a family of tools to inspect and measure video, audio, and metadata for broadcast, postproduction, A/V, mastering, and distribution. Working in tandem with the Archimedia Master Player, the Archimedia QuSee Suite brings validation and verification functions to the desktop, allowing users to perform quality tests on files rather than on SDI streams created from files. The Archimedia QuSee Suite replaces aging SDI hardware such as video and audio waveform monitors, vectorscopes, and audio phase meters, as well as their desktop counterparts, which don’t come with a player that supports all of the common professional mastering formats as Archimedia Master Player does.

The Archimedia QuSee Suite contains a traditional video waveform monitor and vectorscope in a desktop floating window, with support for SD, HD, UHD, and 4K video sizes; standards-based frame rates; and all professional video formats including broadcast, cinema, and Web. For audio, a traditional audio waveform monitor and phase meters appear in a desktop floating window. The audio tools support uncompressed PCM and compressed audio formats including Dolby(R). One benefit of integrating desktop validation and verification with the Archimedia Master Player is the player’s unique ability to keep compressed video and compressed audio in perfect sync, even in fast forward, rewind, and slow-motion modes — an important factor in all kinds of media work.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-QuSeeSuiteTeaser.jpg
Photo Caption: Archimedia QuSee(TM) Suite

Archimedia Master Player v2.2
At IBC2014, Archimedia will display the newest version of its inaugural product, the award-winning Archimedia Master Player. Designed for video engineers, producers, directors, manufacturers, and archivists who work with professional video formats, Archimedia Master Player is the first software player to support all common master formats in use today and the first to allow users to view, test, and measure archival-quality files on a standard UHD/HDTV and traditional SDI equipment. This revolutionary capability not only makes content deliverable more quickly at higher quality, but also makes it unnecessary to create and store the content in other formats. The ability to control audio and video remotely using RS-422 jog/shuttle wheels, with smooth scrub sounds for all supported formats in slow-motion, forward, and reverse, is one of the features that makes the player a true 4K-era replacement for videotape machines for master-grade quality control and archiving functions.

Version 2.2 delivers the ultimate set of formats and features to make Archimedia Master Player the player of choice for media professionals. Besides support for the emerging formats HEVC 4K and IMF, version 2.2 has a caption and subtitle viewer/navigator; high-quality scaling into SDI; the ability for nontechnical users such as archivists, directors, producers, and quality control specialists to decrypt digital cinema packages; and folder traversing for sequences such as DPX, TIFF, and EXR, which typically come in folders of thousands of files.

No other master player offers the combination of features and benefits that the Archimedia Master Player does.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-MasterPlayerv2-2.jpg
Photo Caption: Archimedia Master Player v2.2

Archimedia Workstations
Visitors to the Archimedia stand at IBC2014 will get a close look at Archimedia Workstations driven by Archimedia’s breakthrough Master Player software. For QC operators, producers, directors, archivists, managers, and other media professionals in the digital cinema and broadcast industries, Archimedia Workstations take the guesswork and headache out of buying hardware for critical viewing and quality control of master media files. Available in broadcast HD, 2K Digital Cinema, and 4K/UHDTV versions, each Archimedia Workstation comes with a state-of-the-art HDMI output up to 4K@60Hz, 70 alignment test patterns up to 4:4:4 12 bits, and remote control support for the user’s choice of jog/shuttle/scrub device by Sony 9-pin protocol. Optional HD-SDI, 4K-SDI, and Quad 4K-SDI cards are available for SDI monitoring, and an optional Fibre Channel card enables use with a storage area network. Optional advanced test patterns up to 4:4:4 12 bits allow the most sophisticated users to set up critical workflows and systems.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-Workstations-SoftwareIncluded.jpg
Photo Caption: Archimedia Workstation

Archimedia HD-SDI, 4K-SDI, and Quad 4K-SDI Cards
At IBC2014, Archimedia will display the Archimedia HD-SDI, 4K-SDI, and Quad 4K-SDI cards for the Archimedia Master Player. The cards, made by Bluefish444, include a Master Player installer that will flash the cards’ firmware so that they behave properly under control of the Master Player. By deploying the cards, video engineers and archivists can use an Archimedia Workstation as an HD or cinematic-quality videotape player or disk-based SDI video server. (The most sophisticated users could even deploy the cards with the Archimedia Master Player software on a standard Windows(R) 7 or 8 computer.) Under the control of the Archimedia Master Player, the user’s HDTV or UHDTV can display a video file at the same frame rate as the original when in full-screen mode, marking the first time that an HDMI monitor and SDI monitor can be faithfully compared up to 4K resolution alongside a computer desktop. For quality control, the file’s technical metadata can be viewed while the file is playing.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-HDUHDand4KSDICards.jpg
Photo Caption: Archimedia HD-SDI, 4K-SDI, and Quad 4K-SDI Cards

Archimedia Advanced Test Suite
Along with other products that accompany the Archimedia Master Player, Archimedia will demonstrate the Archimedia Advanced Test Suite, including test pattern videos up to 4K designed in cooperation with the Library of Congress and a major global OTT VOD provider. These are a set of advanced test patterns developed by renowned video test and measurement company VideoQ specifically for aligning monitors precisely and pushing codec systems to the limit. Designed for use with the Archimedia Master Player and available in HD and 4K versions, the Archimedia Advanced Test Suite allows users to test, align, configure, troubleshoot, and stress any equipment with an SDI or HDMI input. Such devices include encoders, transmitters, video recorders, monitors, projectors, standards converters, editors, and ingest and capture devices. When combined with partner VideoQ’s VQMA-3 software analyzer and one of Archimedia’s SDI conversion cards, the Master Player and Advanced Test Suite offer the industry’s first full-featured test environment that is far less costly and far easier to transport than previous comparable test environments.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-AdvancedTestSuite.jpg
Photo Caption: Archimedia Advanced Test Suite

Company Quote:

“After winning the STAR Award for the Archimedia Master Player at IBC last year, I’m happy to say that the player has become the reference standard in major movie studios and broadcast networks around the world. We’re excited to show visitors the most sophisticated version of the Master Player yet. We want Enterprise Player to replace free players that can’t offer tech support. And our newest tools move traditional SDI measuring tools onto the desktop and extend the Master Player technology even to nontechnical business users.”
– Mark Gray, President and CEO, Archimedia Technology

About Archimedia Technology
Archimedia Technology specializes in the processing, conversion, and playback of mastering formats, including JPEG 2000 and HEVC, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure. Archimedia’s products fulfill a critical piece of production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Jünger Audio Launches D*AP8 Codec Edition At IBC 2014

Digital audio specialist Jünger Audio is using the IBC 2014 platform (Hall 10, Stand A49) to launch a new Codec Edition of its D*AP8 Digital Audio Processor.

This unique device has a vital role to play in today’s broadcast environment because it is the only combination of broadcast audio codec and processor on the market that can carry out real-time metadata emulation.

Peter Poers, CEO of Jünger Audio, says: “Following Dolby’s decision in 2013 to discontinue its DP570 Multichannel Audio Tool, we are now the sole company in the world making and supplying a product that fills that gap. Our D*AP8 Codec Edition incorporates a Dolby decoder as standard and with a choice of optional encoders means that broadcast engineers in post-production, DVD and DTV facilities can check the quality of Dolby Digital AC3/E-AC3 encoded audio prior to transmission. Without this product, it is fair to say that broadcast engineers would not be able to carry out precise real-time metadata emulation in recent build production environments and would therefore have no way of checking exactly what television audiences hear at home.”

Mike Babbitt, Senior Manager, Professional Support Dolby Laboratories, Inc., says: “Dolby is happy to partner with Jünger Audio in bringing critical and innovative broadcast-enablement products to the worldwide broadcast community. Through our technical partnerships with valued partners like Jünger Audio, Dolby is continuing to enable current and next-generation broadcast and OTT workflows to provide consumers with the ‘In Dolby’ experience.”

The D*AP8 Codec Edition features a built-in Dolby® Metadata generator and Dolby® decoder that allows users to decode Dolby-E, Dolby-D (AC-3) and Dolby Digital plus (E-AC-3).

“Metadata is important because it ensures that television audiences at home hear their programs the way producers and content creators intended them to be. All kinds of audio parameters, including Loudness levels, are controlled this way. In countries where you can be fined if you get audio loudness wrong, it’s vital that broadcasters can check exactly what consumers will hear before material leaves their facilities.” Peter Pörs adds.

By incorporating SDI I/O with 3G/HD/SD auto detection, the D*AP8 Codec gives users the option of dealing with all 16 channels of SDI embedded audio at the same time. It is also possible to send further embedded programs to D*AP8 MAP’s AES outputs to feed a third party instrument for analyzing and/or display.

The D*AP8 Codec SDI board also acts as an embedder and comes with video delay to compensate for any kind of audio delay. This feature is ideal for those looking to maintain lip sync before encoding in QA suites or control rooms.

“Now that most of the DP products are no longer available, broadcast engineers still need hardware based solutions that can decode and encode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats, and provide the essential metadata emulation function” Poers explains. “Our D*AP8 Codec Edition is the latest unit on the market that can offer various combinations of this and is effectively the successor of not just the DP570, but also in combination with the DP564/569 and 571/572.”

For more information about Jünger Audio, please visit IBC stand 10.A49 or visit the company’s website at www.jungeraudio.com

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Phonophobia Adds HARMAN’s Soundcraft Vi3000 Digital Console to Expanding Hire Fleet

KENT, United Kingdom – After recently investing heavily in HARMAN’s Soundcraft Vi platform, Mark Chant’s Kent-based Phonophobia has now added a next-generation Soundcraft Vi3000 digital console to its inventory. The console was sold through Sound Technology Ltd., HARMAN’s UK and ROI distributor.

“Having MADI and Dante built into this desk gives Soundcraft a massive advantage as does the additional functionality, with the local ins and outs on the board,” Chant observed.

The Vi3000’s first high-profile appearance was at a University of Kent Summer Ball in Canterbury, attended by around 4,000 students and headlining Ella Eyre, supported by several DJs. Phonophobia’s Vi1 was down at the stage and the company also brought its Vi rack, running 60 inputs over 30 outputs.

“Visiting engineers patched in through Dante or MADI, and since we have a lot of riders now showing Vi1 or Vi6, most seemed excited to be using the new desk,” Chant added. “They turned up with their show files and used the Universal Audio plugins.

“Although it was a stressful gig, none of my headaches came from the console—we could leave it and just walk away from it,” Chant said.

Summing up, Chant said, “This feels like a Vi desk—but is vastly superior, and the Vi3000 will be out constantly. Since we have advertised it on our website, we have received a steady flow of inquiries and the interest has been incredible.”

For more information on Phonophobia, please visit www.phonophobia-online.co.uk

For more information on Sound Technology, please visit www.soundtech.co.uk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Prism Sound Shows New Audio Products at IBC 2014

Prism Sound will be attending this year’s IBC convention (8.E34) with a range of new audio products aimed at post production and broadcaster engineers.

The company’s family of audio interfaces has been extended to include Titan and Atlas, both of which will be on show for the first time in Europe.

Titan and Atlas are multi-channel audio interfaces offering recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to a USB host interface, both units feature the new MDIO interface expansion slot, which can be used to expand its connectivity, for example by adding a direct connection to Pro Tools|HDX systems.

Titan has four microphone inputs, while Atlas has eight and is aimed at multitrack recording applications. Both are designed with Prism Sound’s latest and award-winning CleverClox clocking technology.

At IBC 2014, Prism Sound will also be showing the latest upgrade to its acclaimed SADiE 6 software, the audio recorder and editor of choice by countless national broadcasters. This new version delivers even greater benefits to the mastering community thanks to the inclusion of a brand new toolset for today’s ‘digital download’ age.

New features include WAV Master, which allows users to create WAV files for an entire album using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. Prism Sound has also introduced a new high quality Sample Rate conversion algorithm and ensured that resolution changes can be applied during the bounce process used to create WAV files.

The new version of SADiE 6 now caters for engineers who want to work with Broadcast WAV (BWF) files, which incorporate ISRC data. An ISRC in BWF feature is included in SADiE’s WAV Master option and is in the SADIE version 6.1 update as part of the ‘Mastering Suite’ and ‘Sound Suite’ packs.

Finally, SADiE has enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems where the ASIO audio hardware used supports timecode functionality.

Finally, Prism Sound is showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market and ensure that a chosen product can deliver both ATSC and ITU BS.1770 compliance.


To find out more about the Prism Sound/SADiE range and to demo the new Titan and Atlas interfaces, please visit stand 8.E34.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the award-winning dScope Series III audio analyser system.

For more information: www.prismsound.com

RSG Media and Xytech Join Forces to Streamline the Digital Supply Chain

Joint Solution Implemented at One of America’s Largest Spanish-Language Broadcast Networks

(NEW YORK, NY/MISSION HILLS, CA) – RSG Media, purveyor of the dominant media business rights management system and Xytech, the leader in facility management software for the broadcast and media industries, today announced a technology partnership integrating the companies’ flagship products. For content owners taking on the complex task of automating the digital supply chain to maximize the monetization of their content, the joint solution will simplify and streamline their efforts.

As content programmers seek to grow digital revenues by taking advantage of the increasing number of new platforms available to them, they are faced with a time consuming and expensive process, filled with an ever changing variety of requirements, formats and standards. Xytech and RSG’s solution successfully combines rights and order management functions in one system, effectively closing gaps previously found in the digital supply chain.

RightsLogic(r), RSG’s rights management product, helps programmers determine which media assets programmers can use, when, and how (e.g. territories, platforms, languages, formats) it lets them window and schedule the content for maximum profitability. The system handles the financials, from amortization through royalty payments, and it presents usage, revenue and royalty information from every platform in at-a-glance dashboards and custom reports.

Xytech’s MediaPulse platform is a scalable solution automating workflows, managing assets, scheduling resources and offering an end-to-end order and billing system. The platform-independent, browser-based application tracks and manages workflow, resources, and costs from the moment a programmer publishes a schedule through media asset delivery for distribution or play-out.

As the companies have pre-integrated their two systems, programmers can implement a joint solution, gaining the benefits of digital supply chain automation quickly and easily. Xytech and RSG Media have already implemented their solution at one of the U.S.’s largest, Spanish-language broadcast networks.

“Automating the digital supply chain is absolutely vital to our clients looking to leverage the array of distribution platforms available,” said Greg Dolan, COO of Xytech. “Rights management is a key element in the chain, and RSG is the industry leader in this area. Integrating our two systems has already brought us success with a major broadcast client, and it is a win for all of our clients moving forward.”

Thomas Siegman of RSG Media


“Managing and optimizing the digital supply chain can be daunting and costly for organizations,” said Thomas Siegman of RSG. “By pre-integrating RightsLogic(r) with MediaPulse, we’ve taken the burden off of our customers while lowering their costs. Our joint solution already has a proven track record, therefore potential clients know it will work seamlessly for them as well.”

About RSG Media
The world’s leading media & entertainment companies use RSG Media’s expertise and software to maximize revenues from their content and advertising inventories. RSG Media’s RightsLogic is the dominant media business rights management system; it lets content owners & distributors, gaming companies, IP licensors, and sports leagues manage and report on the content lifecycle, including acquisitions, sales, planning & scheduling, and associated financials. RSG Media’s order-to-cash ad sales systems help clients plan and manage deals across all platforms quickly and easily. Their AdVant yield optimization suite uses advanced mathematics to optimize proposals, flighting, logs, and promos, significantly lowering liabilities while generating new revenues. They are headquartered in New York, with offices in London, Delhi, and Mumbai.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

SSE Audio Group Adds HARMAN Soundcraft Vi3000 to Extensive Inventory

Chris Courtney mixing monitors for Travis at the Isle of Wight Festival with SSE’s new Soundcraft Vi3000.

POTTERS BAR, United Kingdom – HARMAN Professional has announced that SSE Audio Group has been appointed a Soundcraft Vi Select Dealer, and immediately purchased one of the first Soundcraft Vi3000 digital consoles off the production line, sold through HARMAN’s UK distributor Sound Technology.

SSE Sales Director, Alex Penn, confirmed, “We have a long history with Soundcraft’s Vi Series. We saw the Vi3000 for the first time at Frankfurt Prolight & Sound; it sits neatly between the Vi1 and Vi4 and offers many new features, which will secure the longevity of this series, which has always been popular with engineers.”

Marking a massive technological upgrade to the groundbreaking Vi Series, the Vi3000 offers many advantages, including the much-requested access to Universal Audio’s plug-ins via Soundcraft’s Realtime Rack plug-in engine—both points picked up on by Penn.

“The Realtime Rack can also be used with our existing Vi6 inventory,” Penn continued. “We have a pool of sound engineers who are existing Vi users and it will be useful to let these guys know about the new facilities on offer with Realtime Rack.”

“We also see a lot of potential in SSE sales and installations for the Vi3000, with its very competitive price point and new facilities,” Penn added. “This is the first time a large-format Vi control surface has been available to the market at this level and the Vi3000 will integrate very neatly and cost-effectively into venues with existing analogue infrastructure via the I/O on the back of the surface. Onboard MADI and Dante interfaces as standard are also a huge bonus as well as upgraded DSP and new graphics.”

SSE’s Vi3000 had had its first major outing at the recent Isle of Wight Festival where it was used by SSE regular Chris Courtney to mix monitors for Travis. Courtney had previously used a Vi6 for the band, but for this festival run, the reduced size and lack of rack requirements made the Vi3000 a more attractive proposition.

For more information on SSE, please visit www.sseaudiogroup.com

For more information on Sound Technology, please visit www.soundtech.co.uk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.

The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.

“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”

Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.

Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.

“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”

Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.

“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”

With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.

“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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