A virtual press conference from Sound & Video Contractor

Archive of the New Products Category

Extron Now Shipping MediaLink Controllers with Sleek New Designs

Extron MLC 55 SeriesExtron Electronics is pleased to announce the immediate availability of the MLC 55 RS and MLC 55 RS VC. These economical, easy-to-use MediaLink controllers are used for common AV functions such as power, input selection, and volume in single display applications. They feature a sleek new look, with redesigned backlit buttons and magnetically-attached faceplates that hide the mounting screws and configuration ports, giving the controllers a refined, uncluttered appearance. Both models include unidirectional RS-232 and IR display control, as well as discrete ON and OFF display power controls. The MLC 55 RS VC model features a newly-designed, larger volume knob for smooth, precise volume control of Extron MPA Series and select XTRA Series amplifiers. Flexible mounting options allow the controllers to be installed virtually anywhere, including walls, lecterns, or tables. more

Dega Broadcast Systems Delivers Pristine Audio from Commonwealth Games with HARMAN’s Studer Vista Consoles and Route 6000 System

Audio engineer Richard Sillitto mixes “Tonight at the Games” using a Studer Vista 9 digital console.  Photo Credit: Martin Deane

Audio engineer Richard Sillitto mixes “Tonight at the Games” using a Studer Vista 9 digital console.
Photo Credit: Martin Deane

GLASGOW, United Kingdom – In the largest multi-sport event ever held in Glasgow, Scotland, the 2014 Commonwealth Games brought together athletes from 71 nations and territories competing in 18 different sports. The Games took place in multiple venues throughout Glasgow; Dega Broadcast Systems of Basingstoke, UK, was contracted by the BBC to provide the additional technical facilities required to cover the events. Highlighting Dega’s broadcast equipment were multiple HARMAN Studer Vista digital audio consoles.

Among the equipment Dega provided was a 52-fader Vista 9 digital console, which was used for BBC Three’s coverage of the games. The Vista 9 was also used in the evenings for an entertainment highlights show on BBC One called “Tonight at the Games.” Dega also supplied a Vista 1 console to equalize and balance all the incoming commentaries.

In addition, Dega used a Studer Route 6000 routing and signal processing system, which was connected to the Vista 9 and Vista 1, as well as a Riedel MediorNet system. The Route 6000 was used to route commentary and coordinate circuits between feeds and venues under the control of BNCS software.

“We have a good relationship with Studer and have used their equipment successfully in the past,” said John Cleaver of Dega Broadcast Systems. “The Studer consoles performed extremely well during the Commonwealth Games.”

The Studer Route 6000 system can accommodate up to 1728 x 1728 inputs and outputs. The main DSP Core is highly suited to space-conscious installations. Equipped with an internal D21m I/O system with up to 192 inputs and outputs, it takes up only 6U of rack space, while multiple cores are simply interconnected using CAT5 tie lines.

“The Vista 9 proved a great platform for both the daytime sports coverage and the evening entertainment show,” said Richard Sillitto, audio engineer at the Commonwealth Games. “The VistaMix and snapshot capabilities are great tools for the ‘of the moment’ nature of sports coverage, mixed with the demands of an LE show.”

For more information on Dega Broadcast Systems, please visit www.dega.co.uk

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Annual New England Emerging Technologies & Home Awareness Expo Takes Place October 15th & 16th

Northeast Catalyst AV Network Member Easy Access Distribution Hosts Annual Emerging Technologies & Home Awareness Expo October 15th and 16th

Two action-packed days featuring the latest from 30 brands, a Dolby Atmos demo and trainings from Nest, Luxul, Sonance and Wilson Electronics

Location: Courtyard by Marriot in Billerica, Massachusetts

Burlington, MA – October 9, 2014 – Easy Access Distribution (www.easyaccessdistribution.com) – the Northeast region member of the Catalyst AV distribution network – is hosting its annual Emerging Technologies & Home Awareness Expo at the Billerica, Massachusetts Courtyard by Marriot on October 15th and 16th.

30 manufacturers will participate in the dealer event. They are 2Gig, Alarm.com, APC, Atlona, Boston Acoustics, BrightSign, Catalyst AV Wire & Cable, Chief, ClearView CCTV, DaLite, Definitive Technology, Dropcam, Denon, Dynamat, enerG, EnGenius, Heos by Denon, IC Realtime, ICE Cable Systems, iPort, Launchport, Luxul, Marantz, Nest, Perfect Path, Pro Control, Raxxess by Chief, RTI, Russound, Sonance, TiVo, Vanco, Vivitek, and Wilson Electronics.

Specialized trainings offered include The Internet of Things is Here sponsored by Nest / Dropcam; It’s All About the Network sponsored by Luxul; The Home Theater Experience sponsored by Sonance and Boosting a Better Signal sponsored by Wilson Electronics.

A Dolby Atmos demonstration featuring Vivitek projectors, Definitive Technology, Denon and DaLite will be a main attraction as well.

Food and refreshments will be served throughout the two-day event.

The event takes place from 8:30 AM – 7 PM October 15th and 16th at the Courtyard by Marriot in Billerica, MA. Dealers interested in attending can register by calling 781.893.3999 or email info@easyaccessdistribution.com

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 12-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

Digital Vision Heads To AMIA 2014 Annual Conference

Digital VisionLos Angeles, CA/London, UK – Digital Vision will be on hand for the Association of Moving Archivists Annual Conference, which kicks off today in Savannah, Georgia. One of the most important events in the restoration and preservation community, AMIA’s Annual Conference provides an opportunity for a diverse array of professionals and companies to participate in an intensive learning forum for audio visual preservation and access. The Conference takes place from October 8 to October 11, 2014.

At the Conference, Digital Vision will be participating in the AMIA Vendor Café, two full days of access to experts who are on hand to answer questions, consult and spend time with Conference attendees. Digital Vision’s Phoenix restoration software will be on display, and the new enhanced DVO DeFlicker and DVOReGrain tools will be showcased in the U.S. for the first time. Also on display will be the THOR 4K, a hardware accelerator designed for running the most demanding algorithms in real-time or faster.

Digital Vision is able to offer a complete workflow from film scanning to restoration and archiving. The company’s Golden Eye 4 archive scanner incorporates new features and enhancements including universal optics, and can scan any film size from 8mm to 70mm without changing the optics. In addition, Digital Vision’s Bifrost Archive Bridge is a unique scalable solution, suitable for archives of any size. It comprises various workflow components that can be utilized either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.

Digital Vision has been able to transition its business across both the broadcast and archive worlds due to its heritage and continued development of its technology in motion compensated standards conversion, automation, media management and monitoring.

To book a demo or meeting at the Vendor Café or meet during the Conference, please contact Patrick Morgan patrick.morgan@digitalvision.se or visit www.digitalvision.tv

- ENDS -

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognised highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies. For more information, visit www.digitalvision.se

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:
USA
Christine Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473 | Mobile:+1 323.806.9696

DPA Microphones Makes Incognito’s Percussion Sound Crisp and Clear

Joao Caetano Incognito 1

Jazz Funk band Incognito celebrates its 35th anniversary this year and to mark the occasion the band was recently filmed at London’s Shepherd’s Bush Empire for a live convert DVD.

To ensure that the sound was as a tight as possible, Incognito’s percussionist Joao Caetano took along his own selection of DPA microphones including four d:vote™ 4099 Instrument Microphones and a stereo pair of d:dicate™ 4011A cardioid microphones, which were used as overheads for the recording.

“Normally I use d:dicate™ 4011A Cardioid microphones for studio work and rely on the d:vote 4099 Instruments Microphones for live performance. But on this occasion we were recording audio for a DVD so I supplemented the line-up with the d:dicate 4011As because I wanted to capture the best sound possible. Our front of house engineer, Chris Lewis, was very happy that I had brought them out of the studio for the task. He always insists that I use my DPAs on all our gigs.”

25-year-old Caetano is a fully fledged member of Incognito having joined Jean Paul ‘Bluey’ Maunick’s band in 2010. Originally from Macau, he came to the UK to study Music at Chichester University. Since graduating he has worked as a professional percussionist in the UK and has also composed and recorded music for television. Alongside his Incognito projects, Caetano has also worked and performed with the likes of Chaka Khan, Leona Lewis, Jessie J, Dionne Bromfield, Mario Biondi.

“Although I am primarily a percussionist, I am also very melodic because I studied violin for 12 years and guitar while I was at university,” he says. “I incorporate an awareness of other instruments into my work and I do like to capture the best sound possible, both in the studio and on the live stage. This is the main reason why I invested in my own selection of DPA microphones – in my opinion they are the best microphones in the world. They wipe the floor with everything else.”

Incognito tours every year and 2014 is no exception. The band are currently performing at various venues around Europe and Caetano takes his trusted d:votes with him wherever he goes.

“I use them on my congas and bongos because they deliver a really crisp, clear sound,” he explains. “They are very reliable and, of course, very portable because they are so small. I love the fact that they are well engineered and that they can be used on a range of instruments thanks to the clips that DPA has designed for them. Everything about them is good – even down to the cables and the case they come in. Compared to other microphones, they are streets ahead and once you have tried them you never go back to anything else.”

Joao Caetano is also working on a solo album project and says this will be recorded with DPA microphones because he wants it to sound ‘beautiful’.

“I’m playing guitar on this album and I’m definitely using my d:dicate 4011A microphones to capture that,” he says. “I have also been recommending DPA microphones to other musicians that I work with and am more than happy to point them in the direction of DPA’s UK distributor Sound Network, who were a great help when I was buying my own microphones.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

iZotope Announces New Version of Mastering Software

Ozone 6, a complete mastering platform featuring an elegant and modern interface, will preview to the public at AES 137

Cambridge, MA (October 8, 2014) — iZotope, Inc., a leading audio technology company, has announced an update to its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-box

Launching this fall, Ozone 6 is the latest version of iZotope’s complete mastering system. For the first time, the mastering workflow is centered around creativity: Ozone 6’s modern visual paradigm guides and inspires users of all experience levels at every step, so they can freely experiment with ease—or dial in their signature sound in just a few clicks.

Whether they are mastering engineers or home studio producers, Ozone 6 gives users everything they need to effortlessly produce professional-sounding masters in one elegant standalone application.

iZotope at AES 137
iZotope product specialists will preview Ozone 6 to the general public at AES (Booth 1100) in Los Angeles from October 9 – 12. AES attendees can view a demo of Ozone 6, hear from top audio industry figures, and learn the latest research and technology information. iZotope plans to release further information about Ozone 6’s features throughout the coming weeks.

Pricing
Ozone 6 - $199 USD Promotional Price ($249 USD Regular Price)
Ozone 6 Advanced – $599 USD Promotional Price ($999 USD Regular Price)
Upgrade from Ozone 1-5 to Ozone 6 – Always available at a special price of $99 USD
Upgrade from Ozone 1-5 to Ozone 6 Advanced – $399 USD Promotional Price ($750 USD Regular Price)
Upgrade from Ozone 1-5 Adv. to Ozone 6 Adv. – Always available at a special price of $299 USD

For international customers, check with your local dealer for Ozone 6 pricing.

Grace Period Purchases
Customers who purchase Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.
Customers who purchase Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

Availability
Be among the first to hear when Ozone 6 and Ozone 6 Advanced become available. Sign up for the iZotope newsletter and learn more at www.izotope.com/ozone6.

Learn more about AES 137 at www.aes.org.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

Foo Fighters Headline With Martin Audio MLA At Invictus Games

Invictus Games - Closing Ceremony 14th September 2014

Martin Audio’s award-winning MLA (Multi-cellular Loudspeaker Array) PA system enjoyed its busiest weekend of the year, with two huge simultaneous London events on either side of the capital.

While rental/production company Capital Sound was fielding no fewer than 170 enclosures at the perennial Proms in the Park (Hyde Park), over in the east at the Queen Elizabeth Olympic Park, the Prince Harry inspired Jaguar Land Rover Invictus Games Closing Concert also featured MLA.

The five hour extravaganza combined a celebration of medallion presentations to the wounded, injured and sick servicemen and women who competed in the Games, backed by a full concert line up with Foo Fighters headlining and supporting acts Kaiser Chiefs, Ellie Goulding, Ryan Adams, Bryan Adams, The Vamps, Rizzle Kicks and James Blunt.

A crowd of over 25,000 people heard Prince Harry deliver a heartfelt speech that roused the spirits of the crowd, culminating in a Mexican wave, before introducing the Foo Fighters for their triumphant return to London.

Invictus Games - Closing Ceremony 14th September 2014

The event was promoted by AEG Live, with Capital working for site managers, Loudsound, with whom they have enjoyed a long relationship (most recently at British Summer Time in Hyde Park).

But unlike Hyde Park where sound leakage is at its most sensitive, there was optimism MLA would be able to produce an even bigger sound. “This was a totally new situation and the promoters were keen to see what we could get out of it, sound wise,” commented Paul Timmins, Capital Sound Account manager. “[Loudsound site production manager] Dan Craig really understands audio and was confident he could achieve proper rock and roll levels.”

With the closest residence still within 850 ft. of the stage and with Vanguardia measuring propagation at four separate offsite locations, the production team was still able to hit the FOH SPL’s demanded by the Foo Fighters, playing at well over 100dB(A) as the level ramped up incrementally through the day; at the same time the sound comfortably tapered off below the offsite restriction of 75dB(A) at the nearest measurement point — and recorded values as low as the mid 60’s.

The main front facing PA comprised two hangs of 14 MLA per side and two MLD Downfills, while for sidefills, because of the site topography, Capital was able to field 12 MLA Compacts on one flank and 16 on the other—an asymmetric solution that worked particularly well. This enabled the shorter hang to fire into the VIP grandstand without straying beyond into the large block of apartment buildings behind.

Two Martin Audio W8LCs were deployed for center front fills and there were two masts of delays, set 245 ft. back from the stage (midway from the site perimeter), each containing eight Martin Audio W8L Longbow enclosures. Meanwhile, 12 Martin Audio LE1200 low profile wedge monitors were provided as floor monitors onstage.

Invictus Games - Closing Ceremony 14th September 2014

The real customization came in the 32-enclosure MLX sub array. In order to meet the Foo Fighters tour spec they deployed Philip Reynolds, who has worked extensively with Martin Audio US partner Delicate Productions and is familiar with MLA.
Along with Martin Audio R&D director, Jason Baird, and Capital Sound technical manager, Ian Colville, Reynolds adapted the sub array into a Left/Center/Right design, which included cardioid elements to contain coverage, while bringing even more low-end transient attack to the central section.

Having been involved with the Foo Fighters since their Wasting Light album back in 2011, Reynolds confirmed: “That sub design was exactly as I wanted and for the band it delivered the high impact in the mix” — a mix that was delivered by veteran sound engineer Craig Overbay, piloting a DiGiCo SD10.

But the planning of the event was to throw a final curve at the Capital Sound team as Paul Timmins explained. “Although we had designed the audio for the closing concert, since we had the infrastructure already in place, at short notice we were asked to also handle the Invictus Games Opening Ceremony. We had to come up with a system we could change in a day, and throughout the opening ceremony there was an element of rapid reconfiguration as we had to make it work for every dignitary on stage.”

Marty Beath, a seasoned MLA tech, was part of the crew, and this is where his MLA experience, and knowledge of the audience geometry in the MLA software, was brought to bear. “The area that became the audience zone at the Closing Concert was set out like a military tattoo,” he explained. “We needed a new solution for MLA which covered the competitors’ section—set 20ft in front of the stage—so we optimized the system in the software to use the bottom part of the main PA to cover the front.

(left to right): Jason Baird, Marty Beath; Philip Reynolds

(left to right): Jason Baird, Marty Beath; Philip Reynolds

“When Prince Harry was at a lectern in the PA zone I loaded a new snapshot in MLA which enabled us to get another 8dB of gain before feedback; so by using MLA’s software to set a hard avoid I could direct the sound over the lectern, which was fantastic.”

The entire production seemed more than satisfied with the levels and quality achieved. Phil Reynolds was enthusiastic: “I enjoy how far MLA has come. I was happy with the deployment, everything matched Foo Fighter specs, the PA did exactly as planned, and it’s been exciting hearing the band today playing through a full MLA for the first time.”

Dan Craig added, “Once again MLA displayed all we know and love about the system and delivered effective, even coverage. It’s my third major park event of the summer and yet again MLA has demonstrated its flexibility to create a system design network.

“Since I have been using the system it has solved three very different problems and I am happy to be working with Ian [Colville] and the Capital team to provide the solutions which MLA enables us to implement.”

And describing the concert as “a fitting end to an inspirational four days of Games,” Jim King, Director of Events, AEG Live said: “AEG are very proud to have played our part in producing the Invictus Games Closing Concert.”

Or as the Foo Fighters put it, “What a perfect way to finally return to the UK for the first time in years…it’s been waaaay too long! Thanks for having us; it is truly an honor to come play for these incredible men and women….”

For more about Martin Audio, please click to www.martin-audio.com.

Photo credit: Jessica Gilbert

RTW Mastering Tools PlugIn Makes US Debut at AES 2014

Additional Loudness Solutions on Display at Avid Connectivity Partner Pavilion

LOS ANGELES, OCTOBER 6, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will showcase its RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 137th AES Convention (Avid Connectivity Partner Pavilion Booth 1101). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms, including AAX Native 64-bit plugin for Avid ProTools 11.RTW_Mastering_Tools

Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. As with all of RTW’s software plugins and TouchMonitor line of meters, RTW Mastering Tools provide support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.

“We are thrilled to introduce our new RTW Mastering Tools software to our friends in the U.S., especially as part of Avid’s Connectivity Partner Pavilion at AES,” says Andreas Tweitmann, CEO, RTW. “Our plugins put a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow. Having them available for use right within Avid ProTools is an exciting step for us and we are happy to join our new partner during this year’s show.”
RTW_Mastering_Tools_Box
Also on display will be RTW’s Masterclass PlugIns Loudness Tools software (also available as an AAX Native 64-bit plugin for Avid). RTW Loudness Tools was designed to serve the needs of users in the DAW sector. Finally, RTW will also demo its TM3-Primus, the latest entry to its smart product category, a compact, fully-loaded specialized meter at an entry-level price point, perfectly suited for individuals working in smaller production environments such as OB vans.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

Zeo Productions Acquires Chauvet MVP-Ta8 Video Wall

zeoproductionstitle

Zeo Productions, in Hatboro, PA. recently added the Chauvet MVP-Ta8 Curve video wall to its in-house video production inventory. The MVP-Ta8 is a modular video panel that, with its 8.33 mm tight pixel pitch and innovative rigging hardware (and unlike a large amount of video wall offerings), allows the ability to be built in straight, concave or convex displays configurations. This makes it ideal for short or long distance viewing. Intensely bright tri-colored SMD (surface mount device) LEDs make this wall perfectly suitable for temporary outdoor applications. In addition, due to its solid construction and flexibility in hanging options it is perfect for extended touring use.

MVP™ Ta8 Curve1

For information on rental or tour availability, please call:
Kyle Pennypacker or Jason Spatz at 215-9560328
or email @ Kyle.p@zeobrothers.com or Jason.s@zeobrothers.com

For additional specs and photos click below to go to Chauvet’s web site page

http://www.chauvetlighting.com/mvp-ta8-curve.html

Yamaha QL5 and Dante Networking Used for Reality Tattoo Competition TV Show

Ink Master crew Yamaha QL5 low

BUENA PARK, Calif.—Ink Master is an American reality competition on Spike TV in which 17 tattoo artists from around the country compete in challenges assessing their tattoo and related artistic skills as they perform timed-challenges spanning an array of styles and techniques on willing ‘human canvasses’ battling for the grand prize of $100,000. They are judged by noted tattoo artists and tattoo enthusiasts, rock legend Dave Navarro and tattoo icons Chris Nunez and Oliver Peck, with one or more contestants being eliminated during each episode.

Shooting reality TV is a complicated, fast past, process that requires immense precision. For example, the audio team for Ink Master juggles 40 audio inputs for the contestants, judges, and human canvasses plus 16 plant mics and four boom operators, the show’s host, not to mention, producer mics, stage manager mics, cameras, etc.

Using the Dante™ networking protocol and a custom control surface designed by Peter Schneider co-owner of Gotham Sound and Communications, Inc. (NYC) who designed the show’s entire audio system in collaboration with the show’s film mixer and sound supervisor, the late Martin Kelly who passed away shortly after the new season began. With this custom design, all audio and video is seamlessly juggled and successfully networked together. The mixes are pulled altogether by a new Yamaha QL5 Digital Audio Console, provided by Scharff Weisberg/Worldstage of New York.

“The control room essentially never gets powered down, and shooting takes place around the clock, states Schneider. Marty’s (Kelly) main concern was that the system be absolutely rock solid. We both felt that the Yamaha QL5 and Dante networking could provide that inherent reliability.”

Schneider provided an overview of the signal flow that includes wireless mic sources for the 16 tattoo artists and ‘human canvasses’, the four judges, and four boom operators. 16 wired plant mics are used, one per tattoo booth, along with communication sources for the director and producer/show runner, plus output destinations for recorders and boom recorders, and mix outputs for the director mix, producer mix (via Aviom), including eight mono camera mixes via Lectrosonics DNT.

“With all of these patch points, we needed an audio transport technology that wasn’t an after-thought to the mixer, but rather integrated into the very heart of the mixer, Schneider says. In this way, audio could be converted one time and then distributed, mixed, and processed to all of the needed destinations, all without leaving its native transport stream. The Yamaha QL5 digital audio console met our requirements, and more, including integrating analog I/O that can be seamlessly combined with the Yamaha Rio input/output box preamps and other Dante audio sources. In the Ink Master situation, our 16 plant mics were input via a Rio1608 that was remotely located 200 feet away in the studio. These outputs were used for IFB feeds and LTC time code.”

Since season two of Ink Master, the show has always relied on Yamaha as its mixing solution, starting with the Yamaha LS9-32 (using MADI) followed by a CL5. “We all loved the rock solid reliability of Yamaha’s products, and moving up to the new QL5 was really the only logical choice for the mixing console.”

For more information on Gotham Sound and Communications, visit www.gothamsound.com.

For more information on the Yamaha QL Digital Audio Console and Dante networking, visit www.yamahaca.com.

-END-

Photo ID: L to R: The late Martin Kelly (Sound Supervisor, Ink Master), Peter Schneider (co-Owner, Gotham Sound and Communications), Paul Padilla (Senior Rental Technician, Gotham Sound and Communications)

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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