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Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Casio Introduces World’s Brightest LampFree Ultra Short-Throw Projector

CASIO INTRODUCES WORLD’S BRIGHTEST LAMPFREE®
ULTRA SHORT-THROW PROJECTOR

New Casio XJ-UT310WN Projector Boasts 3100 Lumens and WXGA Resolution 

DOVER, NJ, April 2, 2014 Casio America, Inc., today introduced its first LampFree® Ultra Short Throw projector – the XJ-UT310WN. With brightness up to 3100 lumens and an ultra short throw ratio of 0.28:1, Casio’s new XJ-UT310WN is the world’s brightest LampFree® Ultra Short Throw projector* available. Primarily designed for the education market where Ultra Short throw projectors are becoming the standard, the XJ-UT310WN offers WXGA resolution and required connectivity plus a suite of application tools which easily integrate today’s mobile technology into the classroom. 

“We take great pride in developing ground-breaking LampFree® projectors that lead the way in education technology and our new Ultra Short Throw projector does just that,” said Matt Mustachio, general manager of Casio’s Business Projector Division. “It will fundamentally change the status quo in the education space, and deliver the benefits of LampFree® projection to schools and educators while providing enhanced features that will illuminate any classroom.”

Weighing less than 13 pounds, Casio’s XJ-UT310WNnot only enables projection from data files stored on a USB memory device, ** but also allows wireless connection to smart phones*** and computers via wireless LAN (IEEE 802.11b/g). The built in 2 GB of memory allows many file formats, such as PDF and QuickTime, to be stored in the projector for quick and easy playback. A full range of input terminals including HDMI RGB and video inputs provide connectivity to standard hardware sources. Audio inputs and a built in 16 watt speaker ensure all students can hear and a microphone terminal allows for teacher sound reinforcement. Ideal for classroom use, Casio’s XJ-UT310WN projector provides a 0.28:1 throw ratio using a mirror system which allows up to a 23” throw distance for a 67” image. This ultra short throw projector also has a new structure that has been developed to minimize deterioration of brightness due to dust.  The XJ-UT310WN even enables educators to display content from a mobile device, which can also be used to control presentations eliminating the need for additional hardware and equipment.

Using Casio’s free mobile application – compatible with both Apple and Android – educators can easily integrate technology into the classroom. The mobile application allows educators to display and annotate presentations from a mobile device, as well as capture and save. In addition, educators can open an Internet browser and display content in real-time. There is also an image capture function using the mobile device’s camera to snap an image and send it to the projector.

Finally, educators and IT managers will be able to enjoy all of the benefits of Casio’s LampFree® projectors in an Ultra Short Throw format with the XJ-UT310WN. No longer required to replace unsafe mercury lamps, the new XJ-UT310WN will help streamline costs and deliver a 20,000 hour estimated life due to Casio’s LASER & LED Hybrid Light Source technology. This technology achieves an increase in color spectrum compared with a mercury lamp, while lowering a projector’s total cost of ownership and maximizing investment.

 

Casio’s XJ-UT310WN comes with a standard three (3) year parts and labor warranty plus a five (5) year or 10,000 hour warranty on the Hybrid Laser & LED light source. The XJ-UT310WN will be available in Q3 2014 with an MSRP of $1,999.99 and available for purchase through Casio’s National Pro AV dealer network and authorized distributors. For additional information on Casio’s XJ-UT310WN and its full portfolio of LampFree® projectors, visit www.casioLampFree.com

*Based on Casio Market research of available non Mercury Lamp source Short Throw Projectors as of March 31, 2014

**Depending on the data format, files may need to be converted using computer software that can be downloaded from the Casio website and then stored on a USB memory device.

*** Smart phones or other mobile devices that have the MobiShow® application (AndroidTM, Apple iOS, or Windows Mobile® version) installed.

About Casio LampFree® Projectors

Casio’s portfolio of LampFree® projectors combines a laser, a fluorescent element and an LED light to deliver a mercury-free hybrid light source that lasts up to 20,000 hours while sustaining a high brightness and keeping maintenance costs to a minimum.  Casio has four series of LampFree® projectors that are available for home, business, education and commercial applications – Slim, Signature, Pro and Short Throw. For additional information on Casio’s projector series and LampFree® technology, please visit www.CasioLampFree.com.

 

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

 

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Xytech Adds Digital Media Asset Management to MediaPulse Using Vidispine Technology

NAB BOOTH: SL2428

(Mission Hills, CA/London, UK) – Xytech, the leader in facility management software for the broadcast, production, media services and video transmission industries, announces the release of MetaVault MAM, a complete Media Asset Management (MAM) solution for the MediaPulse platform. Vidispine, creators of the Vidispine rich media solutions middleware system, provides the underlying technology for MetaVault MAM. The new Xytech offering will premiere at the 2014 NAB exhibition in Las Vegas.

MetaVault MAM provides a complete content backbone for the creation and storage of files, proxies, and metadata. The system’s unique adaptor-based architecture enables clients to integrate multiple MetaVault MAMs with third party MAMs to create federated solutions. The MetaVault system also supports all aspects of physical media handling and archiving. In addition, Xytech has added RFID support to provide the most efficient solution available for managing complex media libraries.

Vidispine, based in Stockholm, Sweden, is listed as one of the “Rising Stars” on Deloitte’s Fast 50 list of Swedish technology companies. Vidispine MAM is a content management platform for developers and media professionals. Xytech has embedded the Vidispine system into its MediaPulse platform to add an entirely new range of media creation, management, storage, and processing functions to the system.

Erik Åhlin, CEO of Vidispine, said, “Xytech is clearly in the leadership position for leading facility management with the major studios, television networks, and transmission facilities. Our Vidispine middleware is a natural fit with the capabilities of their popular MetaVault library management module. This combination creates something really amazing: A single system that integrates everything required to manage media libraries containing any type of digital assets, as well as physical tape and film elements.”

Greg Dolan, COO for Xytech, commented, “Vidispine is the perfect partner for us as we add digital asset functionality to MediaPulse. Their MAM engine is simply the most advanced in the world, and just as importantly, Vidispine shares our values of true partnership, innovation and integrity. We’ve already seen huge interest in this new offering from our customers and this will help us provide enterprise-level digital supply chain solutions at a compelling price point.”

Xytech is exhibiting MediaPulse 2014 and their new MetaVault MAM solution at the National Association of Broadcasters (NAB) show in Las Vegas from April 7-10 2014, in the South Hall lower level, booth SL2428.

About Vidispine
Vidispine is an enterprise grade Media Asset Management backbone. The capabilities are exposed by well-documented and robust RESTful APIs, which work with any modern programming language. Vidispine let Software Developers and Service Providers easily build new innovative rich media solution. Vidispine scales from small archives to multi-site deployments and is agnostic in regards to OS, storage, media formats, application servers, databases and IT-infrastructure. For more information, visit www.Vidispine.com.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Digigram Releases RAVENNA / AES67-Enabled PCIe Sound Card

Company’s First in a Series of RAVENNA / AES67-Enabled Solutions Assures Ultra-Low Latency and High Performance in High-Density Audio Production and Automation Applications

MONTBONNOT, France — April 2, 2014 — Digigram today announced the release of the LX-IP RAVENNA PCIe sound card, the company’s first RAVENNA / AES67-enabled product. Featuring ultra-low latency down to one audio sample per IP packet, up to 256 RAVENNA I/O channels from multiple RAVENNA streams, and a full MADI interface, the new card is ideal for high-density audio production or automation applications in radio and TV broadcast studios. more

RTW Debuts New Masterclass PlugIns Series at 2014 NAB Show

RTW Loudness Tools First in New Range of RTW Masterclass PlugIns

COLOGNE, 2 APRIL, 2014 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce the debut of its Masterclass PlugIns range at the 2014 NAB Show (C1246). The new software provides the company’s renowned metering tools as standard-format plug-ins for Windows and Mac OS platforms. The RTW Loudness Tools, scheduled for availability in May, will be the first of the company’s monitoring products available as part of the new range. This will allow a larger number of RTW customers to access its award-winning metering tools.

Each RTW Loudness Tools Masterclass PlugIn visually depicts audio with all relevant level and loudness values as specified by international standards. It conforms to the EBU R128 loudness standard, as well as SPL, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, and custom (to set OP-59, AGCOM), making it ideal for audio and video engineers, radio producers and musicians, who are required by TV and radio broadcasters to conform to the standard. It is also a handy tool for quality control, offering the precision and ease of use required to ensure compliance with custom specifications. Operation of the plug-in is highly intuitive, so that even users without a great deal of experience in monitoring loudness can use it effectively.

The RTW Loudness Tools support all standard sampling rates up to 96 kHz and offer plug-in operation in mono, stereo and surround formats (eight channels maximum). The plug-in includes RTW’s Peak Program Meter, TruePeak, and Spot Correlator instruments and also offers all common loudness formats plus MagicLRA and an SPL view.

The user interface of the plug-in is based on the award-winning RTW TouchMonitor TM7 and TM9 units, and offers the same degree of functionality and clarity as the hardware models. The instruments provide graphical/numerical, as well as bargraph views, and can be freely rearranged and scaled. Various function parameters, such as integration time, operational range and tolerance, along with a number of viewing options for metering data and scales, offer extra flexibility. The plug-in window dimensions can be set to the native resolution of RTW TouchMonitor display screens, including 480×272, 800×480, 1024×800 (landscape view) or 272×480, 480×800, 800×1024 (portrait view). Users can store all setups and layouts as presets in their DAWs.

The RTW Loudness Tools Masterclass PlugIns require Windows 7/8 (32-bit or 64-bit) or Mac OS 10.6 or higher. RTW will first make them available in the VST 2.4 format for Windows systems and the RTAS format for Mac OS. VST, RTAS and native AAX64 support on the two platforms will follow. PACE anti-piracy and iLok USB copy-protection dongle are used for handling license management and plug-in activation. On an authorized computer, users can use unlimited RTW Loudness Tools instances.

About RTW
RTW, based in Cologne (Germany), has more than 45 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

FLOVEL to Introduce High-Sensitivity HD Camera at NAB 2014

Camera’s 3 HbCMOS Color Sensor Offers Supreme Color Fidelity, Reduced Noise, and Enhanced Sensitivity

Tokyo, Japan – At next month’s NAB Show in Las Vegas, FLOVEL Company Japan, a FOR-A Corporation group company, will unveil its new FZ-B3 ultra high-sensitivity HD camera. The company will showcase the FZ-B3 within FOR-A’s NAB booth (C5117).

FLOVEL FZ-B3 camera has an unprecedented low-light sensitivity of 0.003 lux for color motion shooting. Employing 3 HbCMOS technology, its three CMOScolor image sensor enables operators to capture high-fidelity color images with low noise at high sensitivity. The new compact camera records in 1080i (59.94Hz or 50Hz) and 720p (59.94Hz or 50Hz) HD-SDI formats.

Superior color fidelity combined with enhanced low-light sensitivity makes the FZ-B3 ideal for demanding high-resolution applications, such as: surveillance, microscopy, ecology observation, day/night policing and traffic control.

“Our new HD camera employs state-of-the-art imaging technology to produce high-quality HD color video reproduction at light levels as low as mere moonlight,” said Mr. Susumu Hotta, Senior Managing Director, FLOVEL. “We’re looking forward to showcasing this new camera at NAB, and are proud to offer it for use in a variety of demanding HD imaging applications throughout the world.”

The FZ-B3 marks FLOVEL’s latest addition to its high-end HD specialty camera line, which includes the FZ-B1 ultra high-sensitivity camera for day and night observation. The FZ-B1 has been used for Aurora observation in Alaska, night time observation from a space station, and deep sea shooting.

The FZ-B3 will be available in June of this year. FOR-A is the exclusive distributor of FLOVEL brand cameras in the U.S., Europe, Middle East, Africa, and Asia.

About FLOVEL

FLOVEL Company, based in Tokyo, is a manufacturer of specialized cameras such as ultra-high sensitivity cameras, super high resolution cameras, sports analysis systems, and golf simulation systems. FLOVEL is known to the industry for its 3D cameras, as well as its development of specialty medical microscopy cameras and machine vision cameras. http://www.flovel.co.jp/english/

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Front Porch Digital to Unveil DISTILL(SM) at 2014 NAB Show

New Solution Eliminates Cost and Confusion of Managing Metadata and Associated Standardization, Making It Easy to Capture, Process, Manage, and Retrieve Critical Metadata

LAFAYETTE, Colo. — April 1, 2014 — Front Porch Digital, the global leader in content storage management (CSM) solutions, today announced the release of DISTILL(SM). This new solution, delivered over four simple steps — capture, process, manage, and retrieve — ensures that almost any metadata created at any stage of the content lifecycle can now be easily and effectively managed. more

NAB 2014: Digital Nirvana’s Open Media Appliance Offers Industry-Leading Price for Performance

Fremont, CA – Digital Nirvana will showcase the latest version of its Open Media Appliance, a feature rich platform for its Monitor IQ broadcast monitoring and MediaPro content repurposing systems during the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017.

The Open Media Appliance is a true hybrid appliance with the ability to accept multiple input formats in one unit. “Our Open Media Appliance is a single, versatile server that helps broadcasters dramatically reduce their hardware expense associated with monitoring and content repurposing,” said Arco Groenenberg, Director of Sales and Marketing for Digital Nirvana. “With our solution, customers can do more with less hardware.”

Open Media Appliance

Digital Nirvana’s cost-effective open platform accepts a wide range of inputs, including SD/HD SDI, ASI, ASI-IP, ATSC, and QAM. Supported formats include 50 Hz, 60 Hz and DVB-T/C/S2. Digital Nirvana’s cable card technology records from encrypted cable feeds in full HD – allowing for direct cable and off-air antenna recording and expansion up to hundreds of channels. It also delivers 30/60/90 days of low-res or 1/7/14 days of high-res storage.

This appliance includes NAS Connect which allows users to push recorded files to storage and then easily manage and search recorded media in the NAS. The appliance also includes: a Linux operating system, industrial grade server with Raid 6HDD, built-in redundant power supplies, and system alerts – all incorporated into a 2- or 3-RU device.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

HARMAN’s AKG Enters the Aviation Market with Introduction of AV100 Headset

VIENNA, Austria – HARMAN’s AKG today announced it is expanding into a new market with the introduction of its AV100 aviation headset, the company’s first headset designed for general aviation pilots. The AV100 utilizes proprietary hybrid noise-reduction technology to block cockpit noise and offers features specifically designed for aviation use. The AV100 was developed in collaboration with pilot Hannes Arch, a member of the Red Bull Air Race Team and Red Bull Air Race World Series champion.

“When AKG approached me to collaborate on their first aviation headset, I was totally confident that we could create the best product of its kind,” said Arch. “By combining my piloting experience with AKG’s more than 65 years of experience in acoustical design, I am confident we have set a new standard for aviation headsets.”

The AKG AV100 employs exclusive AKG-developed hybrid active noise-cancelling technology and signal processing that is calibrated to most effectively attenuate the specific frequencies heard within an airplane. The addition of a superior audio reproduction system creates the most enjoyable and relaxing listening environment within today’s market. The AV100 incorporates top-quality drivers and electronics to deliver clear, intelligible speech and music reproduction. It has a built-in microphone and boom that can be mounted on either the left or right side of the headset. The windscreen is washable, replaceable and a spare is included in the premium carrying bag.

The AV100 offers a number of additional aviation-centric features. It has built-in LED map lights on each ear cup that provide illumination during night flights or added visibility in cockpits with dim lighting. Its cable-mounted control unit offers Bluetooth connectivity and an AUX input enabling wireless or wired interfacing with navigation devices, tablet PCs, phones or other devices. An adjustable automatic input switch lets the wearer set his or her audio preferences so that intercom messages take precedence over other channels if so desired. The headset has a 6-pin LEMO connector and a standard dual-plug adapter is included. The AV100’s large padded ear cups and headband ensure lasting comfort even during long flights.

The AKG AV100 comes with a premium carry bag with enough spare space for sunglasses, navigation devices, a tablet device and more.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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