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Gotham ‘Conquers’ HBO Mini-Series With Yamaha QL/Rio Assist

Paul_Padilla Larry Provost Yamaha QL5

BUENA PARK, Calif.—HBO’s miniseries Show Me A Hero from The Wire co-creator David Simon, is based on a non-fiction book by Lisa Belkin. The six-hour mini stars Oscar Isaac as Nick Wasicsko, the youngest big-city mayor in the nation, who finds himself thrust into the center of a racial controversy when a federal court orders him to build a small number of low-income housing units in the white neighborhoods of his town, Yonkers, New York during 1988-1992. His attempt to do so tears the city apart, paralyzes the municipal government and, ultimately, destroys his political future.

Gotham Sound and Communications in New York City was brought in to augment the audio production using a new Yamaha QL5 Series Digital Console and Rio1608-D input/output box. “We recreated many meetings in the City Council Chamber, during which there were large heckling crowds hurling insults at the Mayor and Council, states Frank Stettner, production sound mixer for the show. The Mayor and Council all had microphones in front of them that we wanted to make practical to cover their scripted dialog.”

The heckling crowd consists of five different scripted hecklers plus a yelling crowd. “My normal setup is an 8-channel Cooper CS 208 D mixer with its direct outs feeding an 8-input Dante device, but it would not provide me with enough inputs, says Stettner. The show’s workflow requires me to mix mono all audio sources in real time to Track 1 on a pair of Sound Devices 970 64-track digital recorders for syncing to picture for the Dailies. I record all stems used in that mix to isolated tracks for use in post-production.”

Stettner said the big council scenes got beyond both his number of inputs and his number of fingers. With 15 total speaking parts, it became necessary to expand the system so he contacted Peter Schneider at Gotham Sound who suggested the Yamaha QL and Rio as the best way to meet the scene’s needs. “It seamlessly integrated with my existing Dante based gear,” notes Stettner.

Paul Padilla, the on-location consultant from Gotham Sound, put together and installed the QL and set up the computer network that tied all parts together. “Using the Rio with the QL gave us a lot of flexibility, Padilla said. It allowed us to route audio to and from a remote room without the need to run additional cable. Interfacing the Yamaha QL with another Dante base rig made for a very pleasurable experience.”

Once Stettner rolled his cart into the room where the QL was setup after finishing some smaller scenes elsewhere in the building, the team connected the network, time code, word clock, and assigned the direct outs to the 970 inputs quickly via Dante; ready long before the lighting and camera setup was completed.

“Specifically, the workflow consists of the Yamaha Rio connected to the 12 practical, historically accurate, Shure SM57s. This was then brought via Cat5 to Gotham’s network hub, which connected my system and computer to the QL, Stettner continues. The mics were routed to the QL inputs and the 970 Iso tracks via Dante. Larry Provost, my colleague, then used the Yamaha QL to make a mono sub mix of the fixed mics following the script. I took this sub mix into my Cooper and added it to the mono Dailies mix along with the five radio mic sources I had on the scene’s protesters plus a boom mic for the crowd.”

“Augmenting the show’s main audio package with the Yamaha QL mixer has worked out rather nicely and seamlessly integrates, thanks to Dante,” notes Peter Schneider, Gotham Sound and Communications.

Stettner said the flexibility of using the Yamaha QL and Rio made what would have been a long, stressful and time-consuming cable mess in the old analog days, into a fast efficient setup. “Gotham and Yamaha make the good work we do even more possible.”

Show Me a Hero will air on HBO during 2015.

For more information on Gotham Sound and Communications, visit www.gothamsound.com.

For more information on the Yamaha QL and Rio, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

iZotope RX Receives TEC Award Nomination

Venerable Audio Repair and Restoration Suite Gets Nod in Signal Processing Software Category

Cambridge, MA (December 3, 2014) – iZotope, Inc., a leading audio technology company, is proud to announce that RX 3 is a Technical Excellence & Creativity (TEC) Award nominee for best Signal Processing Software. RX transforms flawed audio by removing noises, distortions, reverb, and other common audio problems. Post production professionals, audio engineers, and video editors alike use RX to transform previously unusable audio into pristine material for their productions worldwide.

With the third generation of RX, iZotope continued their history of user-driven development to further the product’s focus on the working professional. Along with several workflow enhancements, new Dialogue Denoiser and Dereverb modules were added.

“Nominations and awards let us know that we are on the right track in developing solutions that make audio professionals’ work faster, easier, and sound better,” said Alex Westner, iZotope’s Director of Product Management. “We would like to thank the NAMM Foundation and the voters for this great opportunity to be recognized.”

Since the TEC Award nomination period, iZotope has released RX 4, continuing to build on the award-winning standard set by the previous generations.

Complete information on RX can be found at www.izotope.com/rx.

Hear what working professionals are saying about RX: http://youtu.be/EF6evbm_-Zg

How to vote:

In December, invitations to vote for the 30th Annual NAMM TEC Awards are emailed to subscribers of Mix, Pro Sound News, Pro Audio Review, Sound & Video Contractor and Electronic Musician magazines, as well as to members of the Producers & Engineers Wing of the Recording Academy, Game Audio Network Guild and select members of NAMM. Voters register and vote using codes they receive in their invitations.

About the TEC Awards:
Founded in 1985, the Technical Excellence & Creativity Awards is the foremost program recognizing the achievements of audio professionals. Presented annually by the NAMM Foundation at The NAMM Show, the TEC Awards recognizes the individuals, companies and technical innovations behind the sound of recordings, live performances, films, television, video games, and other media.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®. For more information on iZotope products, please visit www.izotope.com.

RTI and IrrigationCaddy Offer Easy Integration and Automatic Water Conservation

New Two-Way Driver Delivers Intuitive Control of IrrigationCaddy Devices Directly From RTI User Interfaces

SHAKOPEE, Minn. — Dec. 3, 2014 — Remote Technologies Incorporated (RTI) today announced the availability of a new two-way driver for use with the IrrigationCaddy HA line of Wi-Fi(R)-enabled, Web-based irrigation control systems. The driver enables control and scheduling of IrrigationCaddy, allowing users to conveniently manage their irrigation system with the same RTI user interfaces controlling the rest of their homes’ electronic systems, including HVAC, security, and A/V. more

Archion Enhances Adobe Creative Cloud Workflow with Introduction of ‘Collaborate’

– Innovative Solution Provides Continuous Single Local Sync Point Access For All Adobe Creative Cloud Content Creators To Share, Collaborative, Create –

Burbank, CA (December 3, 2014) – Archion, a global leader in providing networked storage solutions for media workflows, today announced Collaborate, a new appliance to manage Adobe® Creative Cloud® sync points and provide continuous high-speed access to the world of Adobe CC assets, Archive, Libraries, files and tools.  Collaborate makes sharing and working together easy and efficient for all Adobe Creative Cloud (CC) users.

The full potential of Archion’s EditStor EO shared storage system with Adobe CC can now be realized with the integration of Archion’s Collaborate.  This uniquely designed high-performance appliance for Adobe CC environments provides a single local sync point that allows Adobe CC content creators to share, collaborate and create.

“Never before has there been so much to gain by combining Adobe Creative Cloud solutions with a networked storage infrastructure so that remote creative teams can deliver their most innovative work,” said James Tucci, chief technology officer of Archion.  “While not every storage solution has been designed to work with media workflows, our EditStor platform was specifically designed for creative professionals and teams.  At the same time, Archion’s advanced Collaborate server has been specifically designed to meet the needs of Adobe’s Creative Cloud.”

“We believe Adobe CC will change how industry professionals collaborate,” said Reuben Lima, Archion’s chief executive officer.  “Adobe has developed a rich environment of mobile tools for content creation, and Archion’s Collaborate appliance will seamlessly sync content for shared production environments.  Creative professionals using Adobe CC and Archion’s EditStor will now gain the benefit of sharing and working together more easily and efficiently.”

Collaborate Offers 24/7 Adobe CC Connectivity
Archion’s Collaborate fits into an EditStor EO network to provide 24/7 Adobe CC cloud connectivity between local client workstations and all remote applications and systems.  Easy to install and set up, it comes completely configured with two 10gigE ports.  One is connected to the EditStor EO 10gigE port for fast transfer of media, Libraries and Collaboration files to the client’s shared sync point.  The second 10gigE port is connected to the Internet and Adobe CC Sync.

Sync is the key in the new Adobe CC tools.  Archion’s Collaborate provides the sync point for all the Adobe CC clients on the EditStor network, making CC Collaboration tools always available for mobile applications and remote networking clients.  All of the assets, archives, files, Libraries and Collaboration shares are available on all Adobe CC Sync systems 24/7 with EditStor and the Archion Collaboration appliance.  Working with Collaborate is transparent to an Adobe user.

Normally, when the workstation in a client-to-cloud connection is down, the access to Sync, Assets, Archive, Collaboration sessions and Libraries is not available.  However, with Archion’s Collaborate, Sync points are always available and online regardless of the status of the user system.

Key Benefits
* Continuous sync on Adobe CC for multiple systems running CC Sync
* Direct high-speed 10gigE from the Archion EditStor EO to Collaborate and out to the Internet
* Full support for Creative Cloud Asset; made more flexible with local shared storage supporting the CC and the client directly; Libraries and Archive are available on both local and CC storage
* Full support for Creative Cloud Apps applications and tools; Adobe Premiere Clip, Voice, Lightroom, Photoshop sketch, and Mix, Illustrator Draw and Line; Premiere Clip can be used in the field with clips and sequences sent to clients for finishing

As an Adobe solutions provider, Archion works to deliver the most comprehensive Adobe workflows and knowledge base.  The Archion white paper on Adobe Creative Cloud can be downloaded at http://www.archion.com/downloads4/ArchionWhitepaperAdobeCreativeCloud-11-7-2014-Final2.pdf.

Archion’s Collaborate is available now at a price of $4,995.

EditStor: Making Media Sharing Easy and Accessible
Archion’s EditStor platform makes media sharing easy and affordable for creative professionals that work with Adobe Anywhere, Adobe Creative Cloud and other popular media creation tools.  EditStor EO and ES easily facilitate the flow, conversion and management of media within the production workflow by offering the richest media management feature set for video and audio workflows available today.  All of this comes at a very competitive price-performance ratio.

About Archion Technologies
Archion, based in Burbank, CA, is a leading provider of intelligent networked storage solutions specifically designed for post-production and graphic professionals working in the broadcast, production, corporate, education, government, house of worship and sports industries.  Founded by a team of post-production, technology and entertainment industry professionals 15 years ago, Archion set out to create a new standard of data protection and performance for those creating video, audio and graphical content.  Since then, Archion’s high-performance storage technology has been critical to the success of thousands of TV and feature film projects and is prominently used in Adobe, Apple, Autodesk, Avid and Pro Tools environments. www.archion.com

Extron Introduces Fiber Optic Transmitter for Simplified Integration of 3G-SDI Sources

Extron FOXBOX T HD-SDIExtron Electronics is pleased to introduce the FOXBOX T HD-SDI, a fiber optic transmitter that converts 3G-SDI video to streamline integration of SDI sources with non-SDI displays. The FOXBOX T HD-SDI uses Extron all-digital technology to provide perfect pixel-for-pixel transmission of video, audio, and control to a FOX Series DisplayPort, HDMI, DVI, or VGA receiver, including the FOXBOX SR HDMI scaling receiver. The FOXBOX T HD-SDI is ideal for wider system designs, supporting distance learning applications, auditoriums, houses of worship, and other environments that often include the use of broadcast-type sources such as PTZ cameras and professional or consumer-grade displays. more

WORXAUDIO DEBUTS XL3i AND XL3T LINE ARRAY SYSTEMS

WorxAudio XL3i

**** Photo: WorxAudio XL3i ****

Greensboro, North Carolina, December 2014… WorxAudio Technologies, a division of PreSonus Audio Electronics (www.presonus.com) proudly introduces the XL3i (installation) and XL3T (touring) line array systems. A new addition to the TrueLine™ Series, the new XL3i and XL3T’s throw capabilities mark a dramatic departure from conventional line array systems of this size and class. Combined, the three XL3i/XL3T modules create a 38-degree vertical system with an unusually broad horizontal dispersion of 150 degrees. The exemplary dispersion characteristics of the these loudspeaker systems make them outstanding choices for a wide range of sound reinforcement applications, delivering pristine audio quality with even coverage that eludes many competing systems. more

Arch Enemy Finds an Ally in HARMAN’s Soundcraft Vi6 Digital Console

Scraft_ArchEnemyHALMSTAD, Sweden – Bringing its unique brand of melodic death metal to its fans across the Atlantic Ocean, Swedish band Arch Enemy is currently touring North America with a HARMAN Soundcraft Vi6 digital console at front of house.

According to Hagen Weigel, Arch Enemy’s FOH engineer, Arch Enemy’s shows are dynamic and full of energy and theatrics. “Arch Enemy is a band that has beautiful melodies arranged around very intricate drumming, which is mixed with heavy shredding guitars and spiced up with brutal growling to form a nice mélange that feels like a kick in the face,” he said.

While “melodic death metal” might seem like an oxymoron, it is in fact a popular sub-genre that is nonetheless quite challenging to mix. “There are heavily distorted guitars that are also wide, open, and melodic which mix with very fast double kick drum playing,” Weigel noted. “Frequency differentiation is key to the mix—getting all of the instruments to sit and work around each other. I need to have clarity and separation and still be able to put [lead singer] Alissa’s voice out in front. I’m always looking for the result to be something that is beautiful and brutal at the same time.”

In his search for a digital console for this tour, Weigel placed a priority on reliability. “You can have the best-sounding, most feature-packed desk, but when it crashes in front of 30,000 people at a festival none of that matters,” he said. “What Soundcraft has done with the Vi6 is create an incredibly stable, ergonomic console that still has all of the features that I am looking for.”

Those features, in turn, are multiple. “In order to fulfill my vision of what the Arch Enemy sound should be I need really good dynamics—fast responding gates, compressors that are smooth and predictable in behavior, EQs that are responsive and accepts boosts well, and effects engines that are able to give me reverbs that range from ‘80s plate sounds to modern large reverbs,” Weigel added.

For all these reasons, Weigel chose the Vi6, which he noted has performed flawlessly to this point. “From metal to orchestral and symphonic music, Vi consoles are able to translate the vision you have for your mix in your head to the PA,” he noted. “It is incredibly reliable and consistent and sounds beautiful.”

Lastly, Weigel notes the Vi6’s intuitive user interface is icing on the cake. “The whole concept of having a dedicated touchscreen for every eight channels is great,” he said. “The fader bank, all angled really steep, gives a very nice feel of having a perfect overview and also puts every single parameter in reach, all the time. I don’t have to step through menus and sub-menus, it’s all right there. In my opinion the Vi interface is probably the fastest interface there is to work on.”

For more information on Arch Enemy, please visit www.archenemy.net

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Event Enterprises Supplements NEXO M28 Arsenal, Adds Yamaha QL5 and DSRs

Event Grant Cambridge NEXO

BUENA PARK, Calif.—Event Enterprises is a full-service production company focusing on meeting their customers needs with utmost professionalism and the highest quality of service. With offices in Cincinnati, OH and Bellevue, KY, the company maintains a vast inventory of industry-standard, current event production equipment, coupled with an extensive dealer network and affiliations. The company recently took delivery of 12 NEXO STM M28 speakers to augment their existing NEXO box count, which has grown to 80.

“We were looking to increase our PA inventory to accommodate the demand of multiple festivals/stages/jobs happening simultaneously and were looking to dive into something with a little hotter output and farther throw than the NEXO GEO S12, states Grant Cambridge, Managing Director, Event Enterprises. The M28s could provide us with that need and seemed to make logistical sense for most of our applications. Financially, they also allowed us to make a comfortable initial investment into the STM franchise with the ability to “add on” and grow the rig with the additions of any B112s or M46s in the future. Our maiden voyage with the new boxes was a country show with headliners Dustin Lynch and Frankie Ballard, and out of the box, both front of house guest engineers enjoyed their day with them.”

Event upped their Yamaha DSR speaker inventory to 24, utilizing the DSRs for a variety of applications. “While the DSRs do see a lot of smaller “speaker on stick” gigs as well as corporate applications, we use them just as frequently for wedges as mains, Cambridge says. We do so many 5k, 10k, half/full marathon events where we line up the streets at the start and finish lines that the DSRs work perfectly for. We recently did a half marathon event earlier this month based around Veterans Day, and on a very cold Saturday morning we deployed DSRs down the start/finish line for 400 ft., and in 18 degree temperatures, they worked flawlessly for five hours in the elements.”

Cambridge said the Yamaha QL5 digital audio console was purchased primarily for the company’s rental inventory and in-house engineers to utilize in the field. “We have all taken a liking to Yamaha digital desks at our company and thought this was a nice “next step” for us, having gotten a lot of miles out of LS9s and M7s, notes Cambridge. Because of our familiarity with the Yamaha OS and internal workings within their digital desks and the direct functionality with the Dante network, we thought this would be a wise investment moving forward. The QL was put to use the minute it arrived, both by our own guys’ use well as fulfilling rider requests.”

For more information on Event Enterprises, visit www.evententerprises.com.

For more information on NEXO STM, Yamaha QL and DSR, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Hitachi CP-WX8255 Projector Provides Tremendous Benefits to Olive Branch Community Church

Hitachi_OliveBranchCorona, CA, November 25, 2014 – After a less than satisfactory projection setup in Olive Branch Community Church in Corona, California, Director of Technology Services Brian Norwood set out to upgrade the church’s system. The solution was found in the Hitachi CP-WX8255 projector, meeting all of the church’s visions.

“Our video and lighting was pretty rudimentary when I took over as Director,” explained Mr. Norwood. “I had a vision to extend the projected content out to a panorama and invest in enough lighting to make the environment the whole room instead of just the stage.”

Olive Branch Community Church has an attendance of 900 to 1000 people in multiple services on Sundays. The Hitachi projector is mounted on the ceiling and is projected onto a 16 x 9-foot screen. It is the centerpiece of a 5-screen projection setup. For worship services, it displays motion backgrounds and lyrics, title and segment slides during speaking promotions, and virtually all of the video content.

“The budget for this project was very small,” explained Mr. Norwood. “I didn’t even want to pursue it if the projector would not be able to do true HD, and be bright enough to make a major impact.” The Hitachi CP-WX8255 met Mr. Norwood’s needs. “The specs, reputation and value of the CP-WX8255 made it an easy choice. “

Ease of use was a big factor in making the right projector selection. “I think the CP-WX8255 is the very definition of easy to use,” said Mr. Norwood. “We had it unboxed, up, aimed, sized, and focused in less than an hour.”

The CP-WX8255 has been very beneficial to Olive Branch. “Our Church has left-center-right seating and the people in the center were really having to turn quite a bit to view any content. That was especially troublesome for worship, and you had to look across people to see lyrics,” Mr. Norwood explained. “The Hitachi projector and center screen gives them a place of their own for worship content. Also it gives us a real tool in outreach as we finally have a display worthy of hosting movie nights or sporting events.”

In addition, the Church members have been thrilled with the upgrade. “Our congregation loves the addition,” Mr. Norwood added. “Honestly, not a week goes by without someone commenting on the improvement in the visual appeal of the service.”

For more information on Olive Branch Community Church of Corona, CA, visit http://www.olive-branch.org

For more information on Hitachi projectors, visit www.hitachi-america.us/projectors

About Hitachi America, Ltd.
Hitachi America, Ltd. headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, particle beam therapy technologies, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

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PRO SOUND EFFECTS DEBUTS SOUND DESIGN SPOTLIGHT VIDEO SERIES

Episode 1: How Ryan Billia (Rumble Audio, Brooklyn) is Making it in Indie Film

NEW YORK, NY – Pro Sound Effects®, the next level sound effects library company, has released the first video in its Sound Design Spotlight Series featuring Ryan Billia of Rumble Audio in Brooklyn, NY. The Spotlight Series is designed to bring awareness to the art and craft of sound design and to provide practical knowledge and inspiration for the growing number of aspiring sound designers.

Sound_Design_Spotlight_Pro_Sound_Effects

In the Series debut, Pro Sound Effects takes us into Billia’s one-stop audio post facility in Williamsburg, Brooklyn, goes behind the scenes to reveal workflow and creative approach, and finally onto the big screen where Billia shows us how he designed Icelandic Geyser explosion sounds for Land Ho! (Sony Picture Classics) using Pro Tools and the Hybrid Library.

“People hear sound design everywhere, but are not exposed in-depth to the art and craft behind it,” said Douglas Price, Founder & President of Pro Sound Effects. “To raise the bar, we decided to create a series of video interviews with forward-thinking sound designers to capture the creative spirit and technology of storytelling’s other side – that which is heard and not seen.”

Watch the full Spotlight Series video (11:17) here.

Or, skip to Geyser explosion design scene here.

ABOUT the SOUND DESIGN SPOTLIGHT Series:
The Sound Design Spotlight video series interviews forward-thinking sound designers to capture the creative spirit of story-telling through sound design and technology.

ABOUT PRO SOUND EFFECTS:
Pro Sound Effects® curates and delivers the Next Level sound effects library for media producers worldwide. The Pro Sound Effects Library is 220,000+ royalty-free sounds effects available both online and on hard drive. The Library spans the entire sonic spectrum and is continually updated. Founded in 2004, Pro Sound Effects is relied upon by top freelancers and big media production companies worldwide.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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