A virtual press conference from Sound & Video Contractor

Archive of the New Products Category

Movie Tavern 8 Theater in Covington, LA, Powered by Christie Vive Audio and Solaria Series Projectors

Christie®, the global leader in visual displays and audio technologies, is proud to announce that Southern Theatres has completed its second “all Christie” entertainment complex, at the new Southern Theatres Movie Tavern 8 in Covington, Louisiana. The eight-screen cinema eatery is powered exclusively by Christie Solaria® Series projectors and Christie Vive Audio™ cinema systems, comprised of Christie’s innovative line array wall and ceiling surround speakers, purposely crafted and built for the cinema environment. Christie’s Professional Services team provided complete design, integration and installation services and will continue to provide 24/7 remote monitoring and ongoing technical support through Christie’s Network Operations Center (NOC).

Southern Theatres - Movie Tavern 8

The new complex includes a Movie Tavern Xtreme (MT-X), an enhanced entertainment auditorium featuring a large 3-story silver screen, 2D and RealD 3D capability, and the Dolby Atmos audio format. This includes Christie 4K DLP Cinema® projection, the Dolby® Atmos™ audio format, and Christie Vive Audio immersive cinema system, which unlocks the full potential of leading DCI digital-cinema audio formats. The set-ups feature the LA5S, LA3C and LA3S for wall and ceiling surrounds, the LA3 for screen channels, and the S215 subwoofer.

“We’re excited to continue to bring the latest developments in cinema projection and audio technology to our patrons at the Movie Tavern 8 in Covington, LA. The exclusive use of Christie digital projection was never in doubt, but we’ve also chosen to equip every auditorium with Christie Vive Audio because we believe its revolutionary speaker design provides the benefit of improved sound coverage to every seat in the house,” said Danny DiGiacomo, Director of Marketing, Southern Theatres.

“In our Movie Tavern Xtreme auditorium (MT-X) , the Christie Vive speakers unlock the full potential of Dolby Atmos sound technology playback and, combined with Christie’s 4K digital projection, allows us to deliver the ultimate movie viewing, listening, and dining experience for our guests,” noted DiGiacomo.

The remaining seven auditoriums are configured for the Dolby 7.1 audio format and will feature the LA1 and LA3 configuration for screen channels and the LS3S for wall surrounds. Complementing the impeccable immersive surround sound provided by Christie Vive Audio, the auditoriums will also be equipped with Christie CP2215, CP2220, and CP2230 DLP Cinema® projectors, members of Christie’s Solaria Series, which offer crisp, bright pictures on every screen.

“Within a year of launch, Christie Vive Audio has established a reputation for superior performance to meet the demands of today’s motion picture content, setting a new standard in immersive cinema sound,” said Patrick Artiaga, director, business development, Audio Solutions, Christie. “We’re pleased that Southern Theatres has again selected the complete Christie family of digital projection and cinema sound solutions to fill every auditorium with the most lifelike, realistic movie-viewing experience available today.”

Christie’s Global Professional Services team was involved exclusively from the beginning of the project to the end, providing unparalleled professional consultation, integration, installation, and design services for all eight of the auditoriums.

“Christie is truly a ‘one-stop-shop’ for all cinema needs. We created the layout, designed the technology floor plan, and installed and integrated all of the products in the auditoriums for Movie Tavern 8,” said Sean James, vice president, Global Professional Services, Christie. “We will also continue to maintain the systems to ensure everything is running smoothly through ongoing technical support and 24/7 remote monitoring from our Network Operations Center.”

Added DiGiacomo, “An ‘all Christie’ cinema complex is best serviced by an ‘all Christie’ service and installation team. We knew we could trust Christie in every aspect of this project to deliver the ‘complete Christie experience,’ from superior projection to superior sound to superior installation and ongoing technical support.”

For more information on Christie’s new audio initiatives, visit www.viveaudio.com.

Clearwing Holds Top Manufacturers, One Event Showcase

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. is one of many manufacturers that will be on hand at Clearwing’s Vendor Showcase on Tuesday, August 26, 2014 between 10:00 am – 4:00 pm. Mike Eiseman, District Manager, will be on hand bringing along the new Yamaha QL5 Digital Audio Console as well as a CL1 digital console, Rio3224-D input/output box, and DXR12 speakers. He will also demonstrate the Yamaha StageMix application and Nuendo Live v1.1.

Manufacturers include Robe, Clay Paky, Shure, Rane and others.

The event is free of charge and will be held at Clearwing, 11101 West Mitchell Street, Milwaukee. For more information, telephone 414-258-6333.

RSVP: http://clearwing.com/html_email/cw_event_vendor_MKE_2014/vendor_MKE_2014_landing.html

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Extron Tackles Lecture Capture with the Introduction of the SMP 351 and FlexOS

We are pleased to introduce the SMP 351, an H.264 streaming media processor for capturing and distributing live AV sources and presentations. Featuring up to five inputs, the SMP 351 creates high-impact content by combining two high resolution signals, a background image, and metadata into dynamic layouts that enhance a presentation’s message. The SMP 351 supports both live streaming and recording capabilities, allowing a presentation to be delivered anywhere a network can reach. Extron’s FlexOS embedded operating system makes it easily-adaptable to new requirements, and applications can be uploaded to the SMP 351 to automate system operation using control ports. It is easy to use, and with no licensing fees, has a low cost of ownership. The SMP 351 is a flexible, cost-effective solution for delivering presentations to a larger audience. more

Engineer John Delf Puts HARMAN’s Soundcraft Realtime Rack Plug-in Engine to the Test on 5 Seconds of Summer World Tour

SYDNEY, Australia – Having toured the United Kingdom, United States and Australia with Australian pop rock band 5 Seconds of Summer, front of house engineer John Delf was one of the world’s first professionals to put the HARMAN’s Soundcraft Realtime Rack to use. Delf has been using his Soundcraft Vi4 digital console in conjunction with the Realtime Rack—a massive library of plug-ins from Universal Audio, compatible with all Soundcraft Vi Series digital consoles.

“I have been using the Soundcraft Vi desk range for many years now so I was very excited when they announced the release of the Realtime Rack,” Delf said. “I had heard great things about the Universal Audio plug-ins, so the thought of using these in combination with the Vi4 that I was using on the 5SOS tour was a very exciting prospect.”

According to Delf, the Realtime Rack has opened up a new world of possibilities. “The onboard dynamics and effects on the Vi range are exceptional but to be able to scan through the entire UAD catalogue and insert other extremely tasty emulations is so cool,” he said. “I am able to put two or three different compressors and pre’s into all my important channels and switch between them, trying out which ones are best for each application.”

In addition, the Realtime Rack enables Delf to create processing and effects combinations that would not be practical if he was using outboard hardware. “At one point I was running three compressors on my kick drum microphone and it sounded great—not something that would have been practical using actual outboard gear,” he noted. “The advantage of the virtual emulations is that I can create chains that in the real world I could only ever dream of.”

Of equal important is the Realtime Rack’s ease of use—a crucial benefit on tours where every second is at a premium. “Once the Realtime Rack is cabled up to the Vi it’s very easy to add the effects to your existing channels and you can still use them in combination with the onboard desk dynamics and effects. All internal connections are done though the MADI interface so once you have the ins and outs sorted in the Realtime Rack, it’s very simple to link those into the channels.”

According to Delf, the diversity of effects at his disposal gives him a virtually limitless sonic array to choose from. “A kid in a sonic sweetshop probably best describes using it,” he quipped. “The only downside is that once you have used the Realtime Rack you will really miss it next time you have to do a show without one!”

“It just adds that extra bit of magic to your mix that was only previously available to studio engineers, but is now quite literally at the fingertips of the live engineer, via a great touchscreen. Thank you Soundcraft, I really loved using this piece of kit.”

For more information on John Delf’s recording studio, please visit www.theedgestudios.co.uk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Nouvelle Star’s Amel Bent Takes SSL Live on the Road for 2014 Instinct Tour

“This is the console I have been waiting for; it gives me the utmost in flexibility, ergonomics, sound and options”

PARIS – Pop star Amel Bent first took France by storm as a semi-finalist on the pop idol television show Nouvelle Star in 2004. Ten years later, she’s still going strong. Currently in the midst of her Instinct Tour, Bent is performing to enthusiastic audiences across France and Switzerland, where a pair of SSL Live consoles, supplied by SGroup’s Alès location, are handling FOH and monitors.

Having previously worked with Christophe Willem, Zazie and 1789 Les amants de la bastille as PA tech, FOH engineer Thibault Maestracci joined Bent in November 2013 at the start of the tour. For this production, he takes approximately 50 channels from the stage and handles FOH mixing with a system that incorporates two Pro Tools® HD rigs.

“The first Pro Tools system is used as a ‘toolbox,’ mainly for effects for ‘stem group’ processing,” he explains. “The second system functions primarily as a backup during the show, but I can also use it as a multi-track recorder/player for rehearsals. The microphone preamplifiers are located on stage and are connected to the FOH console using SSL’s Blacklight II audio transport on two optical fibre connections. Alex [Maggi, the monitor engineer] and I have independent control over preamp gain for each desk.”

Maestracci is very happy with the results he gets with the SSL Live. “The sound quality is excellent and preamplifiers have the headroom to accept high input levels,” he adds. “I don’t need an external preamplifier with this desk — even for the lead vocal! The fader and encoder layout is great, and the way you can deploy the channels on different banks is very useful. You can put what you want where you want it. Once you understand the logic behind the desk, it is very easy to customize, and the ability to use both screens simultaneously is a powerful feature.”

According to Maestracci, the Instinct tour began indoors with a PA system that was configured for audiences between 500 and 1200. “For the summer, we’ve switched to an outdoor configuration with a local ‘festival-style’ PA,” he continues. “With this setup, the main output of the SSL Live is sent at 96 kHz via the AES output to two system processors, then distributed via Dante to the power amps.”

Meanwhile, Maggi, whose credits include Lara Fabian, Nolwenn Leroy and the production of Les Victoires de la Musique, mans his SSL Live from stage left, feeding monitor mixes to wireless IEM transmitters and wired IEM amplifiers. He met the Parisian pop sensation in 2004 while working on Nouvelle Star and soon after began touring as her monitor engineer.

“I’ve been waiting for a new generation of digital mixing consoles that could provide a higher number of output buses and increased reliability over the older digital desks I had been using,” he says. “The SSL Live gives me all of that, plus more. A big strength of the desk is that I can operate it in any number of methods. I can use the large touch screen or the small touch screen with its associated knob controllers, to access parameters for any input or output channel — whatever way is best for me. I find that I mainly use the small touch screen and the Channel Control Tile, which gives me rotary controls for the parameters and dedicated buttons to quickly access EQ, dynamics, panning and inserts. This is the console I have been waiting for. It gives me the utmost in flexibility, ergonomics, sound and options.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Dreamsound Is Poland’s First Post-Production Studio to Adopt Dolby Atmos Powered By HARMAN’s JBL and Crown

WARSAW, Poland — Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the leading-edge Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around HARMAN’s JBL ScreenArray™ loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.

Dolby Atmos is a next-generation surround-sound technology that employs overhead speakers as well as traditional surround speakers to create a remarkably realistic and immersive sonic environment. Dolby Atmos employs up to 64 speakers to heighten the enveloping sonic atmosphere and impact of movie theater sound. The Dolby Atmos JBL and Crown system is installed in a new 280 square foot, 15-seat screening room that opened in January 2014. Dreamsound co-owner Kacper Habisiak worked closely with JBL and Crown brand manager Wojtek Kopytek at HARMAN Professional distributor ESS Audio and with Dolby personnel in designing and installing the screening room.

The installation employs a total of 32 JBL loudspeakers including ScreenArray 3731-T 3-way tri-amplified loudspeakers and 4642 dual-18-inch subwoofers arranged behind the 20-foot wide projection screen in a left-center-right configuration. JBL SCS 12 and SCS 8 Spatially Cued Surround 12-inch and 8-inch coaxial loudspeakers are mounted on the ceiling, side and rear walls, augmented by two JBL 4181 18-inch subwoofers. The loudspeakers are driven by a complement of Crown DSi 1000 and XLS 2500, XLS 2000, XLS 1500 and XLS 1000 amplifiers.

“JBL speakers are the standard in Polish cinemas, and they match perfectly with Crown amplifiers, so it was a logical move for us to implement these components in our Dolby Atmos screening room,” said Habisiak. “Equally important, the performance of the speakers and amplifiers meets Dolby’s licensing requirements, which are extremely stringent regarding specifications including sound pressure levels, frequency response, coverage relative to room size and other parameters.”

JBL’s ScreenArray 3731-T loudspeakers are designed for critical sound reproduction requirements in small to medium cinemas and studio production and post-production applications. The 3731-T incorporates a host of design and engineering advancements including Optimized Aperture Waveguide and Focused Coverage Technology for ultra-low distortion and extremely uniform frequency response over a precisely controlled coverage area. Crown’s DSi amplifiers are specifically designed for cinema applications with features including onboard DSP, EQ, delay, output limiting and presets for JBL loudspeaker systems. XLS Series amplifiers combine performance and flexibility featuring both Crown’s proprietary DriveCore™ Technology and PureBand™ Crossover System allowing users to select crossover points from 50 Hz to 3kHz.

“The JBL and Crown system far exceeds our expectations,” Habisiak noted. “It’s one thing to meet the Dolby Atmos specs, which are admittedly quite demanding – but it’s another thing to actually experience what this system can do. The combination of the clarity, dynamic power and seamless integration of the speakers and amplifiers with the three-dimensional width, depth and height localization of the Dolby Atmos process is truly remarkable to hear.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Crutchfield Designs Loud and Bulletproof Sound System for Trinity Irish Pub With HARMAN’s JBL Professional Loudspeakers

CHARLOTTESVILLE, Virginia – As a popular dance club near the campus of the University of Virginia, Trinity Irish Pub garnered a great amount of attention when word spread of its upgraded sound reinforcement system, featuring HARMAN’s JBL loudspeakers and Crown amplifiers. Systems integrator Crutchfield Corporation of Charlottesville, Virginia designed and installed the unique system.

Two design goals were set for the new system at the Trinity Irish Pub: the loudspeakers needed to produce twice the amount of output power than the old system while attaining proper coverage in the room. In addition the entire system needed to be bulletproof and able to withstand any amount of power surges as well as physical abuse. Hence, the team decided on four JBL PRX412M portable loudspeakers and one PRX418S subwoofer, powered by one Crown XTi4002 and one XTi2002 amplifier, with additional management from a dbx DriveRack PA+ system.

“We wanted to tailor the sound to the room, and with the HARMAN gear working so well together, we were able to do just that,” said Brian Madison, Pro Audio Buyer of Crutchfield Corporation. “The HARMAN brands are certainly known as industry leaders, and everyone here at Crutchfield appreciates their products’ build quality and performance. Thanks to the output and integration of HARMAN gear, we were able to suspend the loudspeakers above the crowd to get enough power and headroom for many years.”

Dallas Simon, an AV Design Specialist for Crutchfield, was one of the engineers on-site who assessed the installation. The team was forced to adjust for an asymmetrical layout, so in order to eliminate dead spots on the dance floor, a conventional rectangular pattern in loudspeaker alignment could not be used. With proper tweeter alignment to the dance floor, Simon inverted the loudspeakers so the horns were on the bottom, which produced the perfect angle.

“The owner wanted the loudspeakers as high as possible and as close to the wall as possible, which limited the degree of tilt we could accomplish,” said Simon. “We still wanted to hang the system so that the loudspeakers fired inward at the dance floor, without pushing excessive volume at the bar, for obvious reasons. For such a unique installation, the PA sounds fantastic and the owner as well as the house engineer are very pleased with the results.”

Now that the mission is accomplished, The Trinity Irish Pub has become an even more popular destination for the college crowd, having to often turn people away at the door. Each night the PRX loudspeakers rock the entire venue, and the system will last for years to come.

For more information on the installation, please visit http://www.crutchfield.com/trinitypub

Crutchfield Corporation, which celebrates its 40th anniversary in 2014, is one of the nation’s leading catalog and Internet retailers of consumer electronics products. Crutchfield brings a legacy of remarkable customer service to the pro audio marketplace. Last year, Crutchfield.com earned its 14th straight “Circle of Excellence” Platinum Award for website performance and customer service from Bizrate Research, a division of Shopzilla. Of the more than 5,100 online retailers in the Bizrate network, Crutchfield stands alone as the only one to win the “Circle of Excellence” Platinum Award for 14 consecutive years.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

DANLEY EXPANDS LINE OF OS “OUTDOOR SERIES” FULLY-WEATHERIZED LOUDSPEAKERS

GAINESVILLE, GEORGIA: Danley Sound Labs, maker of innovative loudspeakers and subwoofers, announces the expansion of its OS “Outdoor Series” of fully-weatherized loudspeakers, including a new fully-weatherized subwoofer. Although all Danley products are optionally available with level-2 weatherization, which includes fiberglass seams, stainless steel hardware, and protective coatings over all wooden components, the fact remains that those wooden components will have a shorter life span in the elements than they would have had in an indoor installation. In contrast, Danley OS products are constructed of molded plastic with a custom injection molded shell rated to last fifty-years. The cabinet is sealed so the inner components are also protected from harsh outdoor elements. The materials are sourced from within a half-hour of Danley’s Gainesville, Georgia headquarters – a boon for large orders and/or short lead times.

“Like all of our Synergy Horn loudspeakers, the Danley OS-80 sounds fantastic,” said Mike Hedden, president of Danley Sound Labs. “Fidelity is excellent and distortion is remarkably low at all SPLs, and the OS-80 has the same highly-articulated coverage pattern and arrayability for which Danley is known. What sets the OS-80 apart is that its construction and materials make it impervious to the weather, for years and decades to come. Our local sources and molding machinery make it easy for us to turn over large Outdoor Series orders on short notice. Moreover, the molding process itself is very efficient, which allows us to sell the OS products at fiercely competitive prices.”

Soon, the OS-80′s versatile 80-degree conical coverage pattern will be joined by other OS models with a diversity of coverage patterns that will give designers greater flexibility to meet the needs of a range of outdoor situations. These will include the OS-90 and OS-100. In addition, the new Danley OS-115LF subwoofer will extend the bottom end of the OS line and the OS Nano will be the power of Danley in the palm of your hand.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Flux releases IRCAM SPAT v3 for AAX/AU/VST

Flux completes migration to v3 with the release of SPAT v3 adding support for AVID AAX and 64 bit systems.

Oceanside, California, USA – Flux Sound and Picture Development of Orleans, France is proud to announce the release of SPAT v3, a positional audio plug-in combining three independently definable surround reverbs in a single plug-in with the ability to position and animate, with full automation, mono and stereo sound sources within these reverberant spaces.

SPAT may also be used to position and animate sources with all reverbs disengaged. This advanced feature set makes SPAT an indispensable tool for post-production professionals for ADR.

SPAT has been embraced by many within the community of orchestral composers as a tool for placing instruments on a virtual performance stage for position-correct and convincing orchestral emulations.

SPAT v3 adds support for AVID’s new AAX Native plug-in format. In addition to AAX, Audio Units and VST remain supported on both Mac and Windows. SPAT v1 remains available for users of RTAS systems.

All Flux v3 audio tools support both 64 and 32 bit systems with sample rates up to 384K. The Flux v3 platform delivers exceptionally rich, informative and responsive metering with near zero CPU cost by distributing UI processing to your systems’ GPU. All Flux audio tools are 8-channel ready for surround applications up to 7.1. The only exception is the distinctly named Stereo Tool freeware.

SPAT v3 is available to current SPAT users for no charge. Download SPAT v3 here: www.fluxhome.com/download

In celebration of both the release of SPAT and the completion of the Flux migration to v3, Flux is offering SPAT, the IRCAM TOOLS bundle containing SPAT and all upgrades to SPAT at a 30% discount, effective immediately.

Locate an authorized dealer for Flux and IRCAM Tools by visiting the exclusive Flux US distributor: www.AudioSage.com.

About Flux
Flux Sound and Picture Development of Orleans, France are developers of advanced software audio tools compatible with all major DAWs. Flux specializes in advanced dynamic control, rich real time analysis and EQ. Flux produces the IRCAM Tools line of psychoacoustic post-production tools in collaboration with the prestigious IRCAM Institute of Paris.

Montreal Jazz Festival Front Loaded With Yamaha Consoles

Guy Vincent

BUENA PARK, Calif.—From June 26-July 5 at venues across Montreal, the annual Montreal Jazz Festival featured a boat load of musical guests from Earth, Wind & Fire, B.B. King, Tony Bennett, and Diana Krall, to Aretha Franklin, Diana Ross, Terence Blanchard, and Nikki Yanofsky to name a few.

Solotech of Montreal provided the majority of the audio production for the 30 stages and stacked them with Yamaha digital audio consoles. Yamaha Commercial Audio Systems pitched in for five of the stages: Scene TD, the main outdoor stage, was outfitted with two Yamaha CL5 digital consoles and three Rio-3224D input/output boxes. Two CL5s and two Rio-3224Ds were in position at Theatre Maisonneuve, Lounge Heineken used a QL5 and one Rio-3224D, and Club Soda and Savoy both had new Yamaha QL5 digital audio consoles. The Savoy also used a Rio-3224D.

Front of House engineer, Guy Vincent, has been mixing sound for over 30 years and says he has worked with a lot of digital boards but his favorite is the Yamaha CL5. “The feature I like the most Is the Premium Rack. It is amazing how warm the sound is by activating any of the plug-ins. I also like the custom faders.” Vincent used a CL5 at the Maisonneuve Theater during the Festival mixing Terence Blanchard and others. He is currently on tour with Florence K using a CL5.

Front of house engineer, Richie Forte, used his own personal Yamaha LS9-32 console at the Metropolis during the Festival for artist Nikki Yanofsky. “According to my dear friends at Yamaha, my LS9 was one of the very first in eastern Canada, a fact I’m very proud of,” states Forte. “I’ve taken this little workhouse and pushed it beyond its limits. With the use of a fiber optic snake capable of transporting 32X8 of the LS9′s 32X16 i/o, plus one channel of bi-directional high speed EtherSound transport built in, I am able to use the two MY card slots on the LS9 to connect to my two Yamaha SB168-ES stage boxes for a total on stage analog i/o of 64X24.”

Richie Forte

Forte said that his current console as well as the two Yamaha digital consoles he previously owned, have preformed flawlessly and reliably. “It’s this ease of use, size, weight, flexibility, and “bang for buck” price point that has kept me a loyal Yamaha user and owner since 1997.” He’s now in Europe and using a Yamaha CL5 and says he’s “truly blown away by the sound of the console” and equally happy that its flexibility and workflow has been greatly refined and fulfills everything on his wish list. “I’m looking forward to upgrading to a QL5, my fourth Yamaha console very soon!”

Stephane Grimm

Stephane Grimm, who mixed The Jordan Officer Trio and Betty Bonifassi Chants on a new Yamaha QL console at both Club Soda and Club Savoy, said he’s really into the new QL and has used a Yamaha CL a number of times. “I was really impressed by the QL, and having the touch screen makes it totally easy to use, Grimm says. The four user layers is a wonderful feature especially now that you are able to color identify the faders, making it impossible to miss the channel you’re looking for. I also like the fact that it is fully compatible with the CL series, without even having to convert the file. WOW!” Grimm also said the new plug-ins is a great feature. “The 2-band Dynamic EQ, works very well especially on vocals and other instruments that change tones.”

For more information on Yamaha digital consoles, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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