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Archive of the New Products Category

HARMAN’s Martin Professional Launches MAC Aura XB™ Wash Light, M-Touch™ Lighting Console, and RUSH Gobo Projector 1™ at LDI 2014

MARTIN_MAC Aura XBLAS VEGAS, Nevada — Underscoring their position as a leading provider of innovative lighting solutions for the live production and installation markets, HARMAN’s Martin Professional today introduced the MAC Aura XB™ wash light, M-Touch lighting console, and RUSH Gobo Projector 1™.

“It’s an exciting time for us with so many products launched recently and so many new to be launched today at LDI in Las Vegas,” said Peter Skytte, Head of Product Management, Martin Professional. “We’re bringing a variety of new products to the Market across our entire product range, including controllers, atmospheric effects, LED video, lighting and RUSH by Martin.”

MAC Aura XB™

Incorporating many new features first introduced in Martin’s MAC Quantum Wash™, the MAC Aura XB™ combines a super compact design and low weight with a new color mixing system and an optimized lens design for tighter beams and more even washes The Aura XB uses a super bright, single lens wash with fully premixed color to provide beautiful and robust color washes. The luminaire also boasts low power consumption and a prolonged service life.

For more information on the MAC Aura XB, please visit: http://youtu.be/94XXX47vUF8

Martin M-Touch
As the latest member of Martin’s M-Series consoles, the M-Touch is an affordable console surface that connects with any M-series console or PC running M-PC for both small shows and professional use. The M-Touch boasts a rugged aluminum design and is the most powerful controller of its class with a full 512 DMX channels that are expandable up to 65,000 channels.

The M-touch features two new innovative technologies never before used in lighting consoles: Force Sensor Resistive Faders (FSR) and Pressure Sensitive Buttons (PSB). The console has 10 playback FSR faders, each with two controller buttons and one PSB Button, while the console’s programming section uses four FSR encoders for easy control over fixture parameters. An additional set of 10 PSB buttons can bet set for playback or other programmable functions.

The console also offers easy control with direct access to common programming buttons including Record, Delete, Group, Cue update, Beat trig, Main Go/Pause/Release and a multitude of others.

For more information on the M-Touch, please visit: www.martin.com/en-US/Product-Details/M-Touch

RUSH Gobo Projector 1™
Ideal for clubs, bars, restaurants, shopping malls, and other applications that require gobo projection, the RUSH Gobo Projector 1™ is a compact LED fixture with silent operation. Easy-touch buttons allow for easy adjustment of focus, speed, and direction, while a magnetic gobo holder allows for simple gobo changes in seconds.

For more information on the RUSH Gobo Projector 1, please visit: http://www.martin.com/en-US/Product-Details/RUSH-Gobo-Projector-1

For more information on Martin’s lighting solutions, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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HARMAN’s Lexicon Hardware and Software Gets in the Mix at Right Coast Recording

Bobby-SittingSALT LAKE CITY, Utah – Since 1990, Columbia, Pennsylvania’s Right Coast Recording has been a haven for area and national artists, from local luminaries like Burning Bus, Beru Revue and Jump the Gun to top artists like Billy Joel, the Dixie Chicks and Yes. Built around a 42′ x 35′ x 16′ main studio space that encourages live tracking sessions, the central PA studio combines the best of old-school and cutting-edge recording technologies – with HARMAN’s Lexicon plug-ins and processors as key sonic elements.

“We’ll use whatever it takes to get the right sounds for our artists and corporate clients,” said Bobby Gentilo, Manager at Right Coast. “More often than not, Lexicon reverbs and effects find their way into the final mix.” Right Coast’s Lexicon arsenal includes the PCM Native Reverb Plug-In Bundle, two 224 digital reverbs, an MX200 effects processor and a classic PCM 70 digital effects processor. Gentilo first started recording at an early age by bouncing tracks from one cassette tape deck to another. “I got into writing songs and needed to know how to get the sounds I wanted to hear on tape. As a young musician I realized early on that sometimes people had one specific way to get a sound that I didn’t necessarily care for or agree with.” As a result Gentilo became a self-confessed “studio rat,” building a rudimentary studio with fellow band members in a subleased space. When the band ended up “being kicked out literally overnight,” Gentilo knew it was time to make the next move, eventually and perhaps inevitably connecting with Right Coast studio owner Dave Natale.

Gentilo notes that “Dave was doing what I had always envisioned,” as owner of Right Coast and front of house engineer for artists including Olivia Newton-John, Tina Turner, Lionel Richie and many more (he currently mixes shows for The Rolling Stones). “His approach to getting recordings to sound somehow natural and ‘right’ and with dynamics, clarity and punch was what I had been trying to achieve.” At the time Right Coast was totally analog. “I knew computers and knew there were benefits to both analog and digital. I felt that Right Coast could move to a combined old-school meets new-school approach. Besides, Dave liked my band,” Gentilo laughed. Natale agreed and the two of them have been working together ever since.

Reverb is an essential recording technique, and Gentilo is adamant about using it properly. “When you use reverb, it has to be believable, whether you’re trying to create a sonic space that sounds like an actual room or hall would sound like or making a voice or instrument stand out with some type of special effect. The reverb still needs to have that natural quality, and that’s one of the many areas in which Lexicon excels.” He noted that sometimes the best use of reverb is when it’s sonically invisible. “Some of the Lexicon reverb types can really enhance a track even if you don’t realize they’re there – but then when you take them away the track loses something.”

Whether he’s working with analog or digital, Gentilo finds Lexicon’s versatility enabled him to get just the right reverb for either. He uses the Right Coast’s two Lexicon 224 digital reverbs as an overall bus to the studio’s analog mixing console, with one dedicated entirely to vocals. He uses the Lexicon PCM Native Reverb Plug-In Bundle to add what he calls “depth of field” to individual instruments or to the overall mix and to fine-tune the reverb on guitars. He also likes the fact that he can instantly recall a reverb setting using the plug-in, whether he’s set up with an analog or a digital mixing board for a particular recording or mixing session. “I’ve been using the Lexicon hardware reverbs for a long time and am comfortable with them, but if I didn’t have them I would be fine using just the Plug-In Bundle.”

Gentilo notes that from one day to the next Right Coast might be recording a current indie band, a 90 year-old bluesman from Mississippi, a gospel group, a hip-hop group rapping over beats and samples or something completely unexpected. “No matter what I’m recording, I don’t want to use reverb just for sonic ‘sweetening’ or for its own sake. I want to achieve a certain vibe or an emotion. With Lexicon, I know I can create that.”

“Bobby is a great example of how to successfully mix old school hardware with newer plug-ins to give clients the best of both worlds. Right Coast is a model studio and its great to see Lexicon continue to be such a central element to the work they are doing at Right Coast Recording,” stated Jason Kunz, Market Manager, Portable PA, Recording and Broadcast, HARMAN Singal Processing.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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NEG EARTH’s Lighting Crew Speaks of Life on the Road and Working With HARMAN’s Martin Professional

robbie_backstageTwo weeks into Robbie Williams’, Swings Both Ways Tour, some of the lighting crew members from NEG EARTH talked about their jobs, their lives and their experience of touring and working behind the scenes on a major production with HARMAN’s Martin Professional.

Lighting Electrician, Peter ‘Kiss’ Horne and Lighting Technicians, Davide Palumbi, Mike Maslen and Alessandro Schillaci gave some insight on the behind the scenes. Different circumstances got them to where they are today. Davide had done a bit of lighting in his native Italy, fell in love with a Brit and came over to the UK and applied to work for NEG EARTH. Kiss was originally supposed to study civil engineering, but got involved with the stage crew at his university. Alessandro, also an Italian, and Australian Mike both worked with local crews in their home countries and both aspired to eventually work for NEG EARTH, as NEG EARTH is known for working with the very best equipment.

To see people enjoying themselves and to have a show that runs without any problems is a nice bonus, but to the crew a good day is when nothing goes wrong and no one gets hurt. “That being said, NEG EARTH is one of the best companies in the business and we always do our best to ensure optimal safety and performance,” Schillaci added.

As opposed to a lighting designer, this crew’s primary concern is not the brightness, output or color-mixing of a fixture. They are more preoccupied with the physical characteristics of a fixture. “When I’m faced with a new fixture, initially I’m interested in two things,” said Kiss. “How much does it weigh and will I be able to lift it? I’ll grab the handles and if I’m able to pick it up easily, I like it.”

Another crucial point for the crew is the reliability of a fixture. When they have finished loading, they don’t want to be spending all afternoon fixing broken fixtures. “There’s very rarely any issues with the MAC Quantum,” explained Maslen. “When we do have to make repairs, they are easy to fix, easy to get to, easy to service and easy to replace. Basically, Martin fixtures and particularly the MAC Quantum Wash makes our lives simpler.”

Although the quality of light is not the crew’s priority, they are able to appreciate the MAC Quantum for it’s sublime lighting qualities. Compared to older LED fixtures, where the individual RGBs were visible, the front of the Quantum looks nice with its converged light source.

Also, when asked what lighting added to a performance, all were in agreement that lighting played a huge role in major productions such as the Robbie Williams tour. “Without lighting, it’s just a performance. Add lighting to the equation and then it becomes a show,” Kiss stated.

Life on the road is not for the faint-hearted. It can be tough to be away from family and loved ones for long periods of time. “To thrive in this job, it is very important to have good people around you; to feel part of a family,” said Schillaci. There isn’t much privacy with 12-16 people on a tour bus, and so it is imperative with mutual respect and an understanding of each other’s boundaries and that there’s room for individuality and personal quirks and traits.

There’s a real sense of team spirit among the crew and most of them go way back. The lighting crew and half the video crew have been working together since 2009 when they were on tour with Muse, then with Take That, then with Muse again and now with Robbie Williams. So when started it didn’t take long before everything was running like a well-oiled machine, before everyone had found their place and work routines were fully optimized.

When asked what the crew’s best piece of advice would be to people wanting to get into the industry, their answers were unanimous: get a degree first, so you have something to fall back on. As they explained it, chances are that touring life won’t suit a person forever. But then again, some people can’t stay away from it once they’ve had a taste. Some people even swear that they would jump at the chance to stop touring but at the end of the day, touring becomes a way of life. “I must say that none of us think of ourselves as stars – we’re just the crew behind the backdrop,” concluded Kiss.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Red TX Standardises HARMAN Studer Consoles in OB Vans for 96kHz Format

Studer_RedTXLONDON, United Kingdom – A little over three years after commissioning its second mobile recording unit, with 3D and 7.1 surround sound, premier location recording company, Red TX has upgraded its original Red 1 OB to give it 96kHz capability. Both Red I and Red II are equipped with HARMAN Studer Vista 8 consoles, with 96 mic amp capacity as standard; but by streamlining their original recording truck, with a new Studer SCore Live engine and faster computer, the Beaconsfield-based facility is able to maintain its high profile live event, film and television recording facilities at the cutting edge.

Chief engineer, Ollie Nesham says the move was largely driven by customer demand and that both vehicles — while slightly different in wheelbase — are similarly configured and are now virtually interchangeable. “We were getting more call for projects in 96K,” he admits. “Every few years there is a call for a greater number of inputs. Ten years ago we could get everything, including audience mics, into 56 tracks; today there can be 100 mic amps and considerations such as 5.1 stems, Studer VistaMix etc, — and the desk couldn’t handle it, so we decided to act.”

He contacted Studer Technical Sales Manager, Europe, Simon Roome. “Although we are largely self-sufficient Studer are brilliant at support — they upgraded the computer in the desk and provided a new Core.”

Other than the overdub area (fitted on Red II) the two trucks are now operationally identical. “To have this flexibility and be able to build up 96K configs for both trucks is important to reflect changes in the industry.

“At festivals we are taking MADI and analogue of over 100 inputs in some cases, along with audience mics and comms; so having six MADI cards in each truck allows us to have three stage boxes on each truck, and record 192 tracks.”

With all microphone inputs now 24bit/96kHz with full DSP on every channel Red TX has already carried out a number of projects since the fit-out of its original vehicle, including Yusuf Islam (Cat Stevens) at Eventim Apollo Hammersmith, Red Bull Culture Clash and MTV Europe Music Awards in Glasgow.

For more information on Red TX, please visit www.red-tx.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Matrox VS4 Quad HD Capture Card Now with Support for Telestream Wirecast 6.0

Multi-channel live streaming production and ISO recording systems ideal for live web shows, news, sporting events, concerts, church services, corporate meetings, lectures and more

Matrox® Video today announced the immediate availability of support for Telestream® Wirecast 6.0 for Windows® with the Matrox VS4 quad HD capture card.

Matrox_VS4_with_Telestream_Wirecast6_180pix

In a single PCIe slot, Matrox VS4 provides up to four independent HD-SDI inputs with up to 8 embedded audio channels per SDI source and automatic input detection. Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs — ready for post-event editing.

Wirecast 6.0 adds powerful new production capabilities including the creation of playlists on the fly, easy replay of important moments and easy social media integration with Twitter messages overlaid directly onto the broadcast.

“Wirecast provides a cost-effective solution for the creation and streaming of professional-quality live video productions to online audiences,” said Tom Prehn, Wirecast product manager at Telestream. “Matrox is a valued industry partner that has been at the forefront of streaming technology. The integration between Wirecast 6 and Matrox VS4 provide users powerful live streaming production with 64-bit technology, virtually unlimited memory, improved stability and performance as well as powerful ISO recording of their live streams.”

“With full turnkey, multi-channel HD streaming and recording systems based on VS4 and Wirecast available from some certified systems builders starting under $5000, virtually anyone can create professional-looking live web shows,” said Wayne Andrews product manager at Matrox. “Users can stream multiple live cameras while dynamically mixing in other media such as movies, images and sounds, and adding production features such as transitions, built-in titles, chroma key, virtual sets and live scoreboards.”

Price and availability
Wirecast 6.0 is available from the Telestream store.The Matrox VS4 card is available through a worldwide network of authorized dealers priced at $1,495 US (€1295, £995) not including local taxes and delivery. Matrox VS4 is also available in a bundle that includes the card and the new VS4Recorder Pro multi-channel recording software priced at $2,495 US (€1,995, £1,595).

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

HARMAN’s Martin Professional Announces Pre-order Availability of New M-DMX Interface Hardware and Controller Solution Bundles

MARTIN_LJ2_M-PC+-Controller-kitAARHUS, Denmark — HARMAN’s Martin Professional today announced the immediate pre-order availability of their new M-DMX interface hardware for connecting lighting software and DMX universes as well as several new controller solution bundles, including the M-PC 2U bundle and the LightJockey 2 and M-PC+ Controller kit.

The Martin M-DMX is a rugged aluminum extruded device and is built with two XLR 5-pin DMX ports, a USB 2.0 connection and a K-lock slot for securing the device. The interface also features a new stackable design, LED indicators and isolated dual output. The M-DMX is compatible with Martin’s LightJockey and M-PC software, M-Series Consoles, Fixture Upload software, and is backwards compatible with Martin’s Duo-DMX interface.

Martin’s M-PC 2U is a professional two-DMX universe package, bundling Martin’s M-PC software and the newly designed M-DMX two-port DMX interface. As the latest entry to Martin’s renowned M-Series family, the M-PC 2U bundle is the most cost-effective lighting software in its class.

The new LightJockey 2 and M-PC+ Controller kit combines Martin’s LightJockey, M-PC, and ShowDesigner software into a single package. The bundle comes standard with a Martin M-DMX device, a Martin One-Key license dongle with M-PC+ (four universes) and a LightJockey 2 four-universe license as well as a Martin ShowDesigner 6 Lite six-month trial license. Martin has also introduced a new license set that expands the M-PC+ license up to 128 universes.

“Our customers will experience more flexibility and benefit from the modern, rugged design of the Martin M-DMX, and the M-PC2U is a very cost-effective controller solution,” said Paul Pelletier, Product Manager for Controllers. “I’m very happy to release these new and updated controller solutions to the market.”

Martin’s M-DMX interface, M-PC 2U and LJ2 and M-PC+Controller Kit are now available for ordering and will begin shipping in February 2015.

For more information, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Evolutionary Yamaha PM10 Launched Today

Yamaha RIVAGE PM10

Buena Park, Calif.—In a worldwide announcement made at Inter BEE today, Yamaha Corporation Japan has launched the RIVAGE PM10 Digital Mixing Console, an enormous, evolutionary step for Yamaha PM Series Digital Live Sound Consoles. More than ten years have passed since the Yamaha PM1D and PM5D defined the direction for the digital console market. The new flagship RIVAGE PM10 significantly increases the quality and versatility necessary in a live sound environment, and inherits features from the renowned PM Series Consoles. Evolved features and performance define yet another milestone for Yamaha sound reinforcement consoles. The PM10 system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards provide the flexibility to configure and ideally match the scale and functional requirements of any application.

“Our new flagship RIVAGE PM10 system is the result of more than 40 years of PM Series history and reinforces our passion to provide industry-leading commercial audio products,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “RIVAGE PM10 will ignite the market for a new era of extraordinary sound, operation, and reliability. Needless to say, RIVAGE PM10 would not be possible without the dedication of the Yamaha Japan R&D team as well as feedback from our customers.”

Under the fundamental philosophy of Yamaha live sound consoles, Hybrid Microphone Preamplifiers have been newly-developed, as has the analog section both in terms of components and overall design, achieving an extraordinarily pure, natural sound. Impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing have been created utilizing Yamaha’s VCM (Virtual Circuitry Modeling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitate sonic shaping right at the input stage, adding musical sparkle or power as required. Josh Thomas, general manager of Rupert Neve Designs, had this to say about the collaboration: “We have done a number of listening sessions to compare our hardware to the transformer and Silk Texture emulations that Dr. K of Yamaha Japan and the development team achieved. Rupert and I are both very impressed by how closely the emulations get to the original analog designs. We hope that you all enjoy the rich Rupert Neve sound.”

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source. Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

A total of 45 plug-ins are available for creative processing, with substantially increased processing power. New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favored by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger.

“I wish to congratulate Yamaha with raising the bar for live console design significantly,” states Thomas Lund, CTO of TC Electronic. By directly integrating the world’s finest EQ, dynamics and reverbs, this mixing system is truly outstanding. Therefore, a big congratulations to the users also.”

Cooperation with Eventide has produced the “H3000-LIVE” harmonizer, an accurate reproduction of the H3000 Ultra Harmonizer algorithm with an interface streamlined for live sound use. “The marriage of classic Eventide effects with the state-of-the-art Yamaha RIVAGE PM10 mixing system is a match made in heaven,” adds Ray Maxwell, Eventide vice president of sales and marketing.

Console operation has been given the utmost attention with the Yamaha-familiar Selected Channel section implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled. There are also two large LCD touch screens that provide logical continuity with the faders, offering the same operability as the highly regarded Centralogic™ interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and several other details contribute to significantly improved overall operability.

New features extend the usefulness of the scene memory: “Isolate” enables the engineer to specify entire channel modules including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings; significant for situations where scene memory is heavily used. The Overlay Filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from Scene Recall – valuable in situations that require sudden changes and the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability. TWINLANe is an original Yamaha protocol that can handle up to 400 96kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

Connection to a computer for multi-track recording, connectivity to the NUAGE Advanced Production System, Yamaha CL and QL Series Consoles, as well as other external equipment is possible via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

RIVAGE PM10 has an expected delivery during 2015.

For more, expanded information on RIVAGE PM10, please visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Extron Now Shipping 3G-SDI to 3G-SDI Scaler with Audio Embedding and De-Embedding

Extron DSC 3G-3G AExtron Electronics is pleased to announce the immediate availability of the DSC 3G-3G A, a high performance 3G-SDI scaler that converts between 3G‑SDI, HD‑SDI, and SDI resolutions and frame rates. It accepts, scales, and outputs SMPTE video resolutions from 480i and 576i up to 1080p/60 and 2K. The DSC 3G-3G A features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. The DSC 3G-3G A also provides flexible audio capability with analog audio embedding, de-embedding, and level adjustments. Dual SDI outputs, genlock, and an input loop-through facilitate integration in demanding professional environments, while the compact enclosure simplifies installation. The DSC 3G-3G A is ideal for professional video applications, including video editing and production, rental and staging, medical imaging, and large‑scale presentations. more

Great Audio Around the House: Cerwin-Vega! Cultivates Creativity with its XLS, SL and XD SERIES at CES 2015

Cerwin-Vega_SL Series FamilyCerwin-Vega, is set to deliver a stunning sonic experience, showcasing its SL Series Home Audio System, XLS Home Theater Audio System and its XD Desktop Speaker Series at CES 2015 (Gibson Tent, CP1/Central Plaza). As a leading manufacturer in loudspeaker design, Cerwin-Vega is known for its ground shaking bass and next-level performance, delivering high quality sound within any form factor.
Whether listening to a catchy tune, watching a blockbuster hit, or following the big game on the screen, the quality of a listener’s experience is defined by the sound. With a choice of six speakers and one subwoofer, the SL Series can be customized to fit any application, from a personal listening environment to larger-scale home cinema systems.

Similarly, there’s never a need to compromise on sound quality when designing the dream sound system for the home with Cerwin-Vega’s XLS Series. Packed with Cerwin-Vega’s legendary drivers, the XLS Series consists of six full range speakers, two subs and one center channel product. With its striking design, red surrounds built onto every driver and horn loaded midrange and tweeter design, the speakers set the tone of power, with a hard emphasis on bass and power handling.

Cerwin-Vega_XD Series FamilyAlternatively, for those looking for all the power and punch of a home theater system in a portable, compact unit, Cerwin-Vega’s XD Series is made to maximize media entertainment. Unlike plastic multimedia speakers, XD Desktop Speakers feature wooden cabinets to ensure tight bass, which is essential for accurate media creation. Gamers will get goose bumps as they listen to the XDs bring the roaring engines and exploding bombs of their fiction fantasies to life on the screen, while EDM fanatics listen to the latest dance track and feel the music pulse through their veins with help from the XD Series’ engaging Vega-Bass enhanced EQ feature. If you want to go deeper in frequency, you can combine any XD speaker with the XD8S Subwoofer, which features a slick desktop remote control. The XD Speakers, fit for any budget or footprint, feature mature sound and multiple input connections to ensure easy setup.

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Hitachi Adds CP-HD9320 and CP-HD9321 to DLP Projector Lineup

Hitachi CPHD9320Chula Vista, California, November 18, 2014 – Always on the cutting-edge of technology, Hitachi America, Ltd., Digital Media Division, Business Solutions Group is introducing two new DLP projectors, the CP-HD9320 and CP-HD9321. Offering the most advanced functionality with full HD 1080p (1920 x 1080) resolution, Hitachi’s CP-HD9320 and CP-HD9321 are ideal for large auditoriums, conference rooms, museums, and concert or stage productions.

Hitachi’s new projectors provide solid reliability, high brightness, and unmatched versatility. Six interchangeable lenses are available to match various screen sizes and installation environments plus 8,200 ANSI lumens light output, resulting in a super-bright display with outstanding image clarity and uniformity. Two built-in color wheels enable users to easily switch between Rich Color Mode, which is ideal for use in environments where vibrant, rich images are required, and Bright Mode, which is ideal for presentations that require the sharing of information. Additionally, the projectors offer built-in edge blending capability that achieves the seamless projection of one image using multiple projectors.

The CP-HD9320 and CP-HD9321 are equipped with a highly desirable dual lamp system. If one lamp stops functioning during use, the second lamp continues to run and projects the image with no interruption. Twenty-four hours of continuous operation is possible with the Alternative mode, which alternates the use of the two lamps.

Hitachi’s CP-HD9320 and CP-HD9321 incorporate five digital inputs including 3G SDI for broadcast capability. The projectors are also HDBase-T enabled, delivering whole-home and commercial distribution of uncompressed HD multimedia content over a single CAT5e/6 cable. HDBaseT is unique in its ability to provide professional installers with a much simpler and more cost-effective way to transmit uncompressed HD video.

Providing even greater installation flexibility, the CP-HD9320 and CP-HD9321 feature a display rotation of 360 degrees as well as portrait projections. The warping tool enables projections onto spherical surfaces or surfaces with corners as well as conventional flat screens, offering limitless possibilities for creative applications, including retail, hospitality and museums.
No matter how large the application environment, the CP-HD9320 and CP-HD9321 deliver larger-than-life performance. For added peace of mind, Hitachi’s CP-HD9320 and CP-HD9321 are also backed by a generous warranty and Hitachi’s world-class service and support programs.
For more information on Hitachi projectors, visit www.hitachi-america.us/projectors

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About Hitachi America, Ltd.
Hitachi America, Ltd. headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of power and industrial equipment and services, particle beam therapy technologies, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

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