A virtual press conference from Sound & Video Contractor

Archive of the New Products Category

White Mark Completes Its First Dolby® Atmos™ Theatre In The UK

Acoustic consultancy White Mark Ltd has designed and installed a Dolby® Atmos™ screening theatre for technology solutions and servicing company the EIKON Group.

The 12-seater theatre, which now forms the centrepiece of EIKON’s 3,000 square foot London post production facility, is the first of its kind that White Mark has built in the UK.

David Bell, White Mark’s Managing Director, says: “The Dolby® Atmos™ Premier film mixing theatre that we built for Cinelab in Moscow was our first experience of designing a facility for this new format. Since then we have seen a significant increase in interest, not only from companies like EIKON that deliver services to the cinema industry, but also from companies that deal with cinema advertising.”

Bell adds that, in terms of cinema sound, Dolby® Atmos™ is the most exciting development to have come along in years.

“The fact that it is a cinema-only format and can’t be replicated in the home makes it very important for the film industry – one that could give it a whole new lease of life,” he says. “You only have to look at the recent Oscar success of Gravity to see how well 3D Atmos sound can complement 3D pictures, and how much cinema audiences appreciate this enhanced experience. EIKON’s screening facility may be the first Atmos theatre we have built in the UK but it certainly won’t be the last as we are already working on designs for six more.”

Located in London’s Poland Street, EIKON specialises in creating foreign versions of feature films for major studios and independent distributors. The company also handles VFX for foreign localisation, soundtrack replacement, censor editing, subtitling and Digital Cinema Package mastering.

Equipped with an Alcons Audio professional sound system, EIKON’s new theatre was completed at the beginning of this year and is already being used as a client screening room and quality control facility for grading and mastering.

Laurence Claydon, EIKON’s Director of Technology, says: “Our screening theatre supports the latest cinema picture and sound formats and was built with optimum viewing quality in mind. As the first ground-up, purpose-built Atmos facility in the UK, we were able to adhere perfectly to the specification set down by Dolby and create the best possible listening and viewing environment for our customers.”

Claydon, who also runs the internationally acclaimed technology consultancy Cinefilm, has worked with White Mark on a number of projects in the past. These include the design and build of two preview theatres at NBC Universal’s international headquarters in London.
“White Mark consistently achieves excellent acoustic isolation on all their builds and I have never been disappointed with any of their facilities,” he says. “Internally, their studios always have incredibly tight bass, and just the right balance of absorption and diffusion for a perfect listening environment. You really can hear every detail.”

Claydon adds that client reaction to EIKON’s screening theatre has been very positive.

“We recently completed mastering work on foreign versions of Robocop, and our client, Sony Pictures, was incredibly happy with the result,” he says. “There is definitely something special about our White Mark room. Another customer commented that, having seen and heard a recent feature film over 50 times in various venues, he’d not heard or seen it better than in here.”

-ends-

About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents. www.whitemark.com

Christie Vive Audio Helps Dolby Atmos Power Grupo Cinemex’s CinemeXtremo Auditoriums in Mexico

Christie®, the world’s dominant brand in the digital cinema projection market, announced that Grupo Cinemex, the sixth largest cinema chain worldwide, is installing Christie Vive Audio™ surround sound solutions in their current CinemeXtremo auditoriums powered by Dolby® Atmos™ sound technology. Dolby Atmos unleashes the full potential of sound by allowing filmmakers to easily place or move sounds anywhere in the movie theater with object-based audio to create a lifelike, virtual reality audio landscape. With these installations, Cinemex becomes the chain with the largest number of premium auditoriums in Latin America to feature the unrivaled combination of Dolby Atmos and Christie Vive Audio.

Complete Christie Vive Audio System


Cinemex’s CinemeXtremo auditoriums feature giant screens, 100 percent digital cinema projection, and ergonomic seats for the ultimate in movie-viewing comfort. Christie Vive Audio, installed by Christie’s Managed Services team, features efficient ribbon driver technology and a unique parabolic line array design in a single compact cabinet to deliver exceptionally even coverage throughout the auditorium.

Each CinemeXtremo auditorium, specially configured to meet Dolby Atmos specifications, is being upgraded with varying combinations of Christie Vive Audio LA3 screen channel speakers, S215 subwoofers (for full range frequency response), S218 for Low Frequency Effects (subwoofers) channels, LA3S and LA5S for wall surround, and LA3C for ceiling surrounds.

“Cinemex is focused on continuous innovation, investing in the best technologies and most modern facilities. We are passionate about providing our patrons with the most memorable movie-viewing experience they have ever known,” said Rolando Maggi, director of infrastructure, Grupo Cinemex. “To that end, we are committed to opening new CinemeXtremo auditoriums throughout Mexico equipped with state-of-the-art technology, and we selected Dolby Atmos and Christie Vive Audio for their exceptional power and performance that ensure our patrons experience the magic of immersive cinema sound.”

“Christie has always been a leader in Mexico’s move to digital cinema, and with the introduction of Christie Vive Audio, they again set the bar in immersive cinema sound,” said Ernesto Armus, general manager of Christie Mexico. “Christie Vive Audio is a premium sound solution at an attainable price point. In combination with Dolby Atmos, Christie Vive Audio provides exhibitors with a vibrant new point of differentiation.”

The complete Christie Vive Audio solution includes industry-first line array designs for ceiling surrounds, wall surrounds and screen channel speakers, integrated with unique subwoofers, and powered by Class D amplifiers.

“Christie Vive Audio brings a new level of realism to movies and represents the next evolution of cinema sound,” noted Craig Sholder, vice president, Entertainment Solutions, Christie. “The system easily integrated into any existing or new theater auditorium for a superior listening experience and gives exhibitors a competitive edge.”

For more information on Christie’s new audio initiative, visit www.viveaudio.com.

Tightrope Media Systems Launches New Instant Replay System, Strengthens Cablecast Feature Set

New ZEPLAY offers lower entry costs for professional-grade sports replay, while Cablecast 5.3 enhances overall workflow for broadcasters

ST. PAUL, MINNESOTA, March 25, 2013Tightrope Media Systems is coming to the 2014 NAB Show with exciting product launches and enhancements that bring more operational benefits to existing customers, while creating a foundation to expand into new business areas.

At NAB (Las Vegas Convention Center, April 7-10, Booth C6508), Tightrope will introduce a new 2×2 version of its tried-and-true ZEPLAY slo-mo instant replay solution for sports production. The new version brings the same rock-solid stability, ease of use and expansive feature set of its 4×4 sibling at a much lower cost of entry – as in roughly half the price.

“We have found that many customers don’t require the four-in, four-out, eight-angle support that our original ZEPLAY solution offers,” said Steve Israelsky, broadcast solutions lead, Tightrope Media Systems. “A large cross section of our customer base in the local cable market was being underserved in this sector. The 2×2 ZEPLAY gives these and other customers, including small-to-mid sized venues and colleges, an affordable, feature-rich and reliable solution to enhance the sports fan experience. It also gives our 4×4 customers another option if they want to add more angles at a lower price.”

Both ZEPLAY units will incorporate new features for NAB that are available in the ZEPLAY 3.0 release, scheduled for right after the show. This includes a new export feature that allows production staff to export entire multi-angle sequences as opposed to individual clips, making it easier to share engaging content – and game-changing moments – immediately in an edited sequence as opposed to a series of individual clips.

ZEPLAY 3.0 also adds a number of operator-oriented refinements to the sequence editor. Individual clip speeds across sequences have always been variable, allowing operators to show play highlights from one angle at full speed; and then show the culmination of the play in slow motion from a different angle. ZEPLAY users can now specify a default rate for the entire sequence, and then modify that speed from the T-Bar as the sequence plays out. ZEPLAY 3.0 also includes an enhanced audio capability to assist in editing the highlight sequences, as well as improvements in the storyboard and editing window layouts.

Cablecast Streaming

Speaking of local cable channels, Tightrope has enhanced its Cablecast server and automation platform with new streaming, processing and monitoring features that introduce new efficiencies and operational improvements. These developments are particularly ideal for Tightrope’s large PEG channel and university customer base.

Foremost, the incorporation of H.264 streaming vastly improves compatibility for multiplatform delivery. The main benefits are twofold: consumers can easily watch PEG channel content on tablets, smartphones and other mobile devices; and station engineers can cleanly monitor playout on these same devices, as opposed to being tied to a desktop station.

“The evolution to H.264 streaming means that broadcasters, including PEG channels, can deliver more streams at higher quality to more viewers, thanks to exceptional bandwidth improvements and compatibility across more playout devices,” said Israelsky. “The ability to deliver important local content to more viewers is a benefit both to the station and the community. It is a feature that many PEG channels are ready to incorporate as they more aggressively work to expand audiences in the digital TV age.”

Additionally, Cablecast 5.3 adds AFD support to automatically and seamlessly present on-air content across 16:9 and 4:3 screens in the most attractive manner, without awkward cropping and reformatting. This ensures that content looks great on screen without the need for expensive up, down, cross and aspect ratio conversion gear.

Tightrope has also enhanced its built-in RAID monitoring solution for Cablecast, reporting potential issues directly within the user interface – alerting customers well in advance of potentially devastating events. The service also automatically backs up database content and information to the cloud for quick restoration in the event of a critical error.

Finally, the new Cablecast 5.3 release also expands compatibility with routing switchers, adding support for Snell/Pro-Bel and Aja routers. This raises the number of routers supported within Cablecast to near 100, ensuring that customers can control routing traffic, stream playout and more for a tighter overall workflow.

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

# # #

SSL Adds Firehouse Productions to Live Console Dealer Network

“Where excellence and quality are concerned, we are sure this console is a powerful option”

NEW YORK – Solid State Logic is continuing to build its U.S. dealer network to support its new Live console with the appointment of Firehouse Productions in Red Hook, New York. A 2014 TEC Award winner for its support of Peter Gabriel’s Back to Front tour, Firehouse provides sound reinforcement and complete sound systems for every aspect of live production, including high-profile television performances.

“We are excited to become a dealer for the new SSL Live console and to add it to our rental inventory,” says Bryan Olson, Owner/President of Firehouse Productions. “Where excellence and quality are concerned, we are sure this console is a powerful option.”

“Firehouse Productions is a well-respected leader in live audio,” says Jay Easley, SSL’s Vice President of Live Consoles in the Americas. “Having them as part of the SSL Live network was very important to us. We are delighted to be partnered with Bryan and his top-notch team at Firehouse.”

www.solidstatelogic.com/live
www.firehouseproductions.com

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

FOR-A TO Introduce 4K Up Converter at NAB

URC-4000 Turns HD Video into 4K in Real-Time

Cypress, CA – At the upcoming NAB Show, the spotlight of FOR-A’s show booth will be an array of new 4K products, including the introduction of the URC-4000 super resolution 4K up converter. The URC-4000 provides powerful up-conversion and turns HD video into 4K in real-time. FOR-A will exhibit in Booth C5117 at the show, which runs April 7-10 at the Las Vegas Convention Center.

“The URC-4000 features original input and resolution technology developed by FOR-A,” said Hiro Tanoue, FOR-A Corporation of America president. “This solution unleashes a new era in 4K conversion. We’re excited to be introducing the URC-4000 and other innovative 4K solutions on the biggest show stage in broadcasting.”

The unit features a new approach to input and resolution conversion using spatiotemporal frame interpolation to detect changes in images with high precision on a pixel-by-pixel basis. Using this process, any distortions from conversions are reduced, and the resolution of still image areas is restored. The URC-4000 further improves resolution via multi-scale nonlinear enhancement.

FOR-A’s URC-4000 features: a built-in Web server, supports Simple Network Management Protocol (SNMP), and offers the ability to add an optional redundant power supply for critical live applications. It supports outputs of 3G-SDI Level A or B, and multiple input formats, such as: 1080/59.94i, 1080/50i, 720/59.94p and 720/50p.

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Hitachi Expands 9000 Series Large-Venue Projectors with Off-White Color Availability for All Models

Chula Vista, California, March 24, 2014 – Hitachi America, Ltd., Digital Media Division, Business Solutions Group is introducing the availability of off-white-colored versions of all its 9000 Series DLP projectors. The CP-X9111, CP-WX9211 and CP-WU9411 projectors achieve up to 10,000 lumens brightness with remarkable image quality and ease of installation, making them ideal for large venues and staging applications. By releasing off-white editions of the 9000 Series projectors, Hitachi has made it easier for installers to seamlessly integrate projectors into existing environments.

All models feature Hitachi’s exclusive Accentualizer image processing with controls that enhance sharpness, improve contrast and make fine details clearer. Users can also adjust the effects by three levels according to the surroundings so that the colors of the projected images are the actual colors of the objects they represent.

The 9000 Series projectors also feature two built-in color wheels, enabling users to easily switch between Rich Color Mode, which is ideal for use in environments where vibrant, rich images are required, and Bright Mode, which is ideal for presentations and other situations that require the sharing of information. In addition, the projectors offer built-in edge blending capability that achieves the seamless projection of one image using multiple projectors.

All projectors include motorized lens shift that enables lens shift, zoom and focus to be perfectly dialed in and increases installation flexibility. Moreover, six interchangeable lenses are available to match various screen sizes and installation environments. Projection is possible in diverse installation areas from small conference rooms to auditoriums, convention halls and other large spaces. For added ease of installation, the 9000 Series projectors can be installed facing any direction in 360 degrees, allowing the projectors to be utilized in a variety of ways at a variety of angles.

The 9000 Series feature HDCR (High Dynamic Contrast Range), a function that lets users correct blurred images that are caused by room lighting or outside light sources, resulting in clear images even in bright rooms. In addition, the projectors’ Motion Adaptive Deinterlacer provides focused images, even for fast-moving video.

Lastly, the 9000 Series is equipped with a dual lamp system. Dual Mode achieves a high brightness up to 10,000 lumens in a compact body weighing only 41 pounds. In Single Mode, if one lamp stops functioning during use, the second lamp activates and projects the image with no interruption in the projection. Twenty-four hours of continuous operation is possible with the Alternative mode, which alternates the use of the two lamps.

For more information on Hitachi visit www.hitachi-america.us/digitalmedia

Follow Hitachi on Facebook at www.facebook.com/pages/Hitachi-Projectors/131067323636829

About Hitachi, Ltd.
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 326,000 employees worldwide. The company’s consolidated revenues for fiscal 2012 (ended March 31, 2013) totaled 9,041 billion yen ($96.1 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional material & components, automotive systems and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com/.

L-ACOUSTICS K2 Receives First PIPA Award For Best Concert Sound Product

L-ACOUSTICS Marketing Director Stéphane Ecalle receiving the PIPA award at the ceremony

FRANKFURT, Germany — For the 15th time, more than 100 magazines from all over the world voted to determine the best musical instruments and audio equipment of 2013/2014 in more than 40 categories of the MIPA Musikmesse International Press Award. The winners were presented with the awards at a special ceremony and party held during Musikmesse/Prolight + Sound on Thursday, March 13th, 2014.

More than 300 international representatives of musical instrument and audio equipment manufacturers and distributors got together for the 15th MIPA award show, including guests from more than 20 countries, firmly establishing that the MIPA Musikmesse International Press Award is the “Grammy” of the Musical Instrument/Pro Audio industry. To celebrate the 15th MIPA Awards, the PIPA Prolight + Sound Press Award was presented for the first time and L-ACOUSTICS’ K2 received the award in the category of Best Concert Sound product.

L-ACOUSTICS Marketing Director Stéphane Ecalle, who was representing the French manufacturer at the ceremony, says: “The 250 employees of L-ACOUSTICS are delighted and honored to receive such a distinction for K2. We realize that the international press has echoed the market reaction to this brand new system, which has already distinguished itself during the Winter Olympics ceremonies and counts 60 early adopters worldwide. What better start could we have hoped for for K2?”

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
info@l-acoustics-us.com / www.l-acoustics.com

PESA Introduces Smart32 Remote Control Panel for Live Production

Huntsville, Alabama – PESA, a leading U.S.-based designer and manufacturer of professional audio and video connectivity, today announced the Smart32 remote control panel, which features 32 dynamically reprogrammable LCD buttons arranged in a 2×16 configuration. Designed for live production, it allows single keystroke switching for fast on-air selection. The Smart32 will be demonstrated during the 2014 NAB Show (Booth SL4619), which runs April 7-10 in Las Vegas, Nev.

The latest addition to PESA’s line of remote control panels, the new Smart32 allows any switch to be configured for any source, destination, level, salvo or control – and various key types can be displayed in different colors. Users can also select button brightness and set buttons to blink, pulse, or be constantly on or off.

Through Cattrax, PESA’s management control software, operators can create clear, intuitive command functions with up to three rows of text per button, plus assign predefined icon graphics for typical source and destination devices, such as cameras and DVRs. The Smart32 provides up to 16 pages of configurations, and panel layouts can be cloned to make it more efficient to create new configurations.

“Our Smart32 is a great addition for live production environments. It’s compact but very powerful, and it’s easy to customize for confident switching on the fly,” said Chuck Tillett, PESA president and COO.

The Smart32 is competitively priced and will be available in Q2 2014.

About PESA

As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com and www.pesaxstream.com. Follow us on Twitter: @PESA_ONLINE.

Xytech Redefines Facility Management Software with the Release of MediaPulse 2014 at NAB

NAB BOOTH: SL2428

(Mission Hills, CA/London, UK) – Xytech, the market leader in facility management software for the broadcast, production, media services, and video transmission industries, will debut a new version of the company’s flagship MediaPulse platform at the 2014 NAB exhibition in Las Vegas. MediaPulse 2014 redefines facility management software, delivering a true end-to-end solution encompassing asset management, order management, resource management, and financial management in a configurable, platform-independent, browser-based application.

The 2014 release is the most significant to date, including hundreds of new features and dramatic performance improvements. The new features are centered on three core areas:

User Interface
SKY 2014, the platform-independent and browser-based interface for MediaPulse, now includes a complete graphical scheduling application, real time dashboards for user-defined KPIs, and a form editor to modify all screens. Allowing customers to create custom web solutions with an easy to configure, out of the box solution, SKY 2014 drives down costs and speeds user acceptance. It supports all popular operating systems, including Apple Macintosh and iOS.

The Media Order and Transmission Order modules in MediaPulse 2014 also received significant upgrades, enabling users to create complex order profiles with a simple click. In addition, a new web-deployed arrivals board has been added to the Transmission Order module, allowing thousands of users to see the status of all feeds at a glance.

System Interoperability
New adapters for Miranda, Telestream, Avid AirSpeed, and Avid Capture have been added to MediaPulse 2014, expanding integration capabilities and facilitating automated workflows involving a huge range of third party systems via Xytech’s Digital Order technology. Clients can add any hardware platform to the MediaPulse ecosystem using our unique MediaPulse Adapter technology and new SNMP (Simple Network Management Protocol) tool.

Asset Management
The debut of MetaVault MAM (Media Asset Management system) provides a complete content backbone for the creation and storage of files, proxies, and metadata. This new functionality makes integrating multiple MAMs, including those from other vendors, into a comprehensive, federated solution a reality. As no digital strategy is complete without physical assets, MetaVault also supports easy labeling and RFID capabilities to make the management of even the most complex media libraries as efficient and effective as possible.

As Xytech continues to define the marketplace with the most innovative and client-centric products available, MediaPulse 2014 also features a new rules engine that manages notifications, labor contracts, status of orders, and trigger events.

“Our greatest asset is our relationship with our clients and their trust in us,” said Greg Dolan, Chief Operating Officer of Xytech. “They know that we are keenly focused on their need for flexible, scalable solutions to the issues they face. MediaPulse 2014 increases the power of our platform and gives our customers the competitive edge they need in today’s world. Things are moving fast, and Xytech is innovating faster. We are relentlessly moving forward.”

Xytech is exhibiting MediaPulse 2014 at the National Association of Broadcasters (NAB) show in Las Vegas from April 7-10 2014, in the South Hall lower level, booth SL2428.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Extron DTP CrossPoint 84 Now Includes a Built-In Control Processor

Extron Electronics is pleased to announce the Extron DTP CrossPoint 84 IPCP, a new model of the DTP CrossPoint 84 featuring a built-in IP Link Pro control processor for complete and powerful AV system control. The industry-leading DTP CrossPoint 84 is the new go-to product for presentation systems. This highly versatile, compact presentation matrix switcher delivers all of the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including a 4K matrix switcher, two built-in independent scalers, integrated DTP and XTP transmitters and receivers, a high performance mono or stereo amplifier, comprehensive audio DSP capabilities unmatched in the industry, and an advanced control processor that is uniquely expandable. The DTP CrossPoint 84 is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership. more

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication