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Nouvelle Star’s Amel Bent Takes SSL Live on the Road for 2014 Instinct Tour

“This is the console I have been waiting for; it gives me the utmost in flexibility, ergonomics, sound and options”

PARIS – Pop star Amel Bent first took France by storm as a semi-finalist on the pop idol television show Nouvelle Star in 2004. Ten years later, she’s still going strong. Currently in the midst of her Instinct Tour, Bent is performing to enthusiastic audiences across France and Switzerland, where a pair of SSL Live consoles, supplied by SGroup’s Alès location, are handling FOH and monitors.

Having previously worked with Christophe Willem, Zazie and 1789 Les amants de la bastille as PA tech, FOH engineer Thibault Maestracci joined Bent in November 2013 at the start of the tour. For this production, he takes approximately 50 channels from the stage and handles FOH mixing with a system that incorporates two Pro Tools® HD rigs.

“The first Pro Tools system is used as a ‘toolbox,’ mainly for effects for ‘stem group’ processing,” he explains. “The second system functions primarily as a backup during the show, but I can also use it as a multi-track recorder/player for rehearsals. The microphone preamplifiers are located on stage and are connected to the FOH console using SSL’s Blacklight II audio transport on two optical fibre connections. Alex [Maggi, the monitor engineer] and I have independent control over preamp gain for each desk.”

Maestracci is very happy with the results he gets with the SSL Live. “The sound quality is excellent and preamplifiers have the headroom to accept high input levels,” he adds. “I don’t need an external preamplifier with this desk — even for the lead vocal! The fader and encoder layout is great, and the way you can deploy the channels on different banks is very useful. You can put what you want where you want it. Once you understand the logic behind the desk, it is very easy to customize, and the ability to use both screens simultaneously is a powerful feature.”

According to Maestracci, the Instinct tour began indoors with a PA system that was configured for audiences between 500 and 1200. “For the summer, we’ve switched to an outdoor configuration with a local ‘festival-style’ PA,” he continues. “With this setup, the main output of the SSL Live is sent at 96 kHz via the AES output to two system processors, then distributed via Dante to the power amps.”

Meanwhile, Maggi, whose credits include Lara Fabian, Nolwenn Leroy and the production of Les Victoires de la Musique, mans his SSL Live from stage left, feeding monitor mixes to wireless IEM transmitters and wired IEM amplifiers. He met the Parisian pop sensation in 2004 while working on Nouvelle Star and soon after began touring as her monitor engineer.

“I’ve been waiting for a new generation of digital mixing consoles that could provide a higher number of output buses and increased reliability over the older digital desks I had been using,” he says. “The SSL Live gives me all of that, plus more. A big strength of the desk is that I can operate it in any number of methods. I can use the large touch screen or the small touch screen with its associated knob controllers, to access parameters for any input or output channel — whatever way is best for me. I find that I mainly use the small touch screen and the Channel Control Tile, which gives me rotary controls for the parameters and dedicated buttons to quickly access EQ, dynamics, panning and inserts. This is the console I have been waiting for. It gives me the utmost in flexibility, ergonomics, sound and options.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Dreamsound Is Poland’s First Post-Production Studio to Adopt Dolby Atmos Powered By HARMAN’s JBL and Crown

WARSAW, Poland — Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the leading-edge Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around HARMAN’s JBL ScreenArray™ loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.

Dolby Atmos is a next-generation surround-sound technology that employs overhead speakers as well as traditional surround speakers to create a remarkably realistic and immersive sonic environment. Dolby Atmos employs up to 64 speakers to heighten the enveloping sonic atmosphere and impact of movie theater sound. The Dolby Atmos JBL and Crown system is installed in a new 280 square foot, 15-seat screening room that opened in January 2014. Dreamsound co-owner Kacper Habisiak worked closely with JBL and Crown brand manager Wojtek Kopytek at HARMAN Professional distributor ESS Audio and with Dolby personnel in designing and installing the screening room.

The installation employs a total of 32 JBL loudspeakers including ScreenArray 3731-T 3-way tri-amplified loudspeakers and 4642 dual-18-inch subwoofers arranged behind the 20-foot wide projection screen in a left-center-right configuration. JBL SCS 12 and SCS 8 Spatially Cued Surround 12-inch and 8-inch coaxial loudspeakers are mounted on the ceiling, side and rear walls, augmented by two JBL 4181 18-inch subwoofers. The loudspeakers are driven by a complement of Crown DSi 1000 and XLS 2500, XLS 2000, XLS 1500 and XLS 1000 amplifiers.

“JBL speakers are the standard in Polish cinemas, and they match perfectly with Crown amplifiers, so it was a logical move for us to implement these components in our Dolby Atmos screening room,” said Habisiak. “Equally important, the performance of the speakers and amplifiers meets Dolby’s licensing requirements, which are extremely stringent regarding specifications including sound pressure levels, frequency response, coverage relative to room size and other parameters.”

JBL’s ScreenArray 3731-T loudspeakers are designed for critical sound reproduction requirements in small to medium cinemas and studio production and post-production applications. The 3731-T incorporates a host of design and engineering advancements including Optimized Aperture Waveguide and Focused Coverage Technology for ultra-low distortion and extremely uniform frequency response over a precisely controlled coverage area. Crown’s DSi amplifiers are specifically designed for cinema applications with features including onboard DSP, EQ, delay, output limiting and presets for JBL loudspeaker systems. XLS Series amplifiers combine performance and flexibility featuring both Crown’s proprietary DriveCore™ Technology and PureBand™ Crossover System allowing users to select crossover points from 50 Hz to 3kHz.

“The JBL and Crown system far exceeds our expectations,” Habisiak noted. “It’s one thing to meet the Dolby Atmos specs, which are admittedly quite demanding – but it’s another thing to actually experience what this system can do. The combination of the clarity, dynamic power and seamless integration of the speakers and amplifiers with the three-dimensional width, depth and height localization of the Dolby Atmos process is truly remarkable to hear.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Crutchfield Designs Loud and Bulletproof Sound System for Trinity Irish Pub With HARMAN’s JBL Professional Loudspeakers

CHARLOTTESVILLE, Virginia – As a popular dance club near the campus of the University of Virginia, Trinity Irish Pub garnered a great amount of attention when word spread of its upgraded sound reinforcement system, featuring HARMAN’s JBL loudspeakers and Crown amplifiers. Systems integrator Crutchfield Corporation of Charlottesville, Virginia designed and installed the unique system.

Two design goals were set for the new system at the Trinity Irish Pub: the loudspeakers needed to produce twice the amount of output power than the old system while attaining proper coverage in the room. In addition the entire system needed to be bulletproof and able to withstand any amount of power surges as well as physical abuse. Hence, the team decided on four JBL PRX412M portable loudspeakers and one PRX418S subwoofer, powered by one Crown XTi4002 and one XTi2002 amplifier, with additional management from a dbx DriveRack PA+ system.

“We wanted to tailor the sound to the room, and with the HARMAN gear working so well together, we were able to do just that,” said Brian Madison, Pro Audio Buyer of Crutchfield Corporation. “The HARMAN brands are certainly known as industry leaders, and everyone here at Crutchfield appreciates their products’ build quality and performance. Thanks to the output and integration of HARMAN gear, we were able to suspend the loudspeakers above the crowd to get enough power and headroom for many years.”

Dallas Simon, an AV Design Specialist for Crutchfield, was one of the engineers on-site who assessed the installation. The team was forced to adjust for an asymmetrical layout, so in order to eliminate dead spots on the dance floor, a conventional rectangular pattern in loudspeaker alignment could not be used. With proper tweeter alignment to the dance floor, Simon inverted the loudspeakers so the horns were on the bottom, which produced the perfect angle.

“The owner wanted the loudspeakers as high as possible and as close to the wall as possible, which limited the degree of tilt we could accomplish,” said Simon. “We still wanted to hang the system so that the loudspeakers fired inward at the dance floor, without pushing excessive volume at the bar, for obvious reasons. For such a unique installation, the PA sounds fantastic and the owner as well as the house engineer are very pleased with the results.”

Now that the mission is accomplished, The Trinity Irish Pub has become an even more popular destination for the college crowd, having to often turn people away at the door. Each night the PRX loudspeakers rock the entire venue, and the system will last for years to come.

For more information on the installation, please visit http://www.crutchfield.com/trinitypub

Crutchfield Corporation, which celebrates its 40th anniversary in 2014, is one of the nation’s leading catalog and Internet retailers of consumer electronics products. Crutchfield brings a legacy of remarkable customer service to the pro audio marketplace. Last year, Crutchfield.com earned its 14th straight “Circle of Excellence” Platinum Award for website performance and customer service from Bizrate Research, a division of Shopzilla. Of the more than 5,100 online retailers in the Bizrate network, Crutchfield stands alone as the only one to win the “Circle of Excellence” Platinum Award for 14 consecutive years.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

DANLEY EXPANDS LINE OF OS “OUTDOOR SERIES” FULLY-WEATHERIZED LOUDSPEAKERS

GAINESVILLE, GEORGIA: Danley Sound Labs, maker of innovative loudspeakers and subwoofers, announces the expansion of its OS “Outdoor Series” of fully-weatherized loudspeakers, including a new fully-weatherized subwoofer. Although all Danley products are optionally available with level-2 weatherization, which includes fiberglass seams, stainless steel hardware, and protective coatings over all wooden components, the fact remains that those wooden components will have a shorter life span in the elements than they would have had in an indoor installation. In contrast, Danley OS products are constructed of molded plastic with a custom injection molded shell rated to last fifty-years. The cabinet is sealed so the inner components are also protected from harsh outdoor elements. The materials are sourced from within a half-hour of Danley’s Gainesville, Georgia headquarters – a boon for large orders and/or short lead times.

“Like all of our Synergy Horn loudspeakers, the Danley OS-80 sounds fantastic,” said Mike Hedden, president of Danley Sound Labs. “Fidelity is excellent and distortion is remarkably low at all SPLs, and the OS-80 has the same highly-articulated coverage pattern and arrayability for which Danley is known. What sets the OS-80 apart is that its construction and materials make it impervious to the weather, for years and decades to come. Our local sources and molding machinery make it easy for us to turn over large Outdoor Series orders on short notice. Moreover, the molding process itself is very efficient, which allows us to sell the OS products at fiercely competitive prices.”

Soon, the OS-80′s versatile 80-degree conical coverage pattern will be joined by other OS models with a diversity of coverage patterns that will give designers greater flexibility to meet the needs of a range of outdoor situations. These will include the OS-90 and OS-100. In addition, the new Danley OS-115LF subwoofer will extend the bottom end of the OS line and the OS Nano will be the power of Danley in the palm of your hand.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Flux releases IRCAM SPAT v3 for AAX/AU/VST

Flux completes migration to v3 with the release of SPAT v3 adding support for AVID AAX and 64 bit systems.

Oceanside, California, USA – Flux Sound and Picture Development of Orleans, France is proud to announce the release of SPAT v3, a positional audio plug-in combining three independently definable surround reverbs in a single plug-in with the ability to position and animate, with full automation, mono and stereo sound sources within these reverberant spaces.

SPAT may also be used to position and animate sources with all reverbs disengaged. This advanced feature set makes SPAT an indispensable tool for post-production professionals for ADR.

SPAT has been embraced by many within the community of orchestral composers as a tool for placing instruments on a virtual performance stage for position-correct and convincing orchestral emulations.

SPAT v3 adds support for AVID’s new AAX Native plug-in format. In addition to AAX, Audio Units and VST remain supported on both Mac and Windows. SPAT v1 remains available for users of RTAS systems.

All Flux v3 audio tools support both 64 and 32 bit systems with sample rates up to 384K. The Flux v3 platform delivers exceptionally rich, informative and responsive metering with near zero CPU cost by distributing UI processing to your systems’ GPU. All Flux audio tools are 8-channel ready for surround applications up to 7.1. The only exception is the distinctly named Stereo Tool freeware.

SPAT v3 is available to current SPAT users for no charge. Download SPAT v3 here: www.fluxhome.com/download

In celebration of both the release of SPAT and the completion of the Flux migration to v3, Flux is offering SPAT, the IRCAM TOOLS bundle containing SPAT and all upgrades to SPAT at a 30% discount, effective immediately.

Locate an authorized dealer for Flux and IRCAM Tools by visiting the exclusive Flux US distributor: www.AudioSage.com.

About Flux
Flux Sound and Picture Development of Orleans, France are developers of advanced software audio tools compatible with all major DAWs. Flux specializes in advanced dynamic control, rich real time analysis and EQ. Flux produces the IRCAM Tools line of psychoacoustic post-production tools in collaboration with the prestigious IRCAM Institute of Paris.

Montreal Jazz Festival Front Loaded With Yamaha Consoles

Guy Vincent

BUENA PARK, Calif.—From June 26-July 5 at venues across Montreal, the annual Montreal Jazz Festival featured a boat load of musical guests from Earth, Wind & Fire, B.B. King, Tony Bennett, and Diana Krall, to Aretha Franklin, Diana Ross, Terence Blanchard, and Nikki Yanofsky to name a few.

Solotech of Montreal provided the majority of the audio production for the 30 stages and stacked them with Yamaha digital audio consoles. Yamaha Commercial Audio Systems pitched in for five of the stages: Scene TD, the main outdoor stage, was outfitted with two Yamaha CL5 digital consoles and three Rio-3224D input/output boxes. Two CL5s and two Rio-3224Ds were in position at Theatre Maisonneuve, Lounge Heineken used a QL5 and one Rio-3224D, and Club Soda and Savoy both had new Yamaha QL5 digital audio consoles. The Savoy also used a Rio-3224D.

Front of House engineer, Guy Vincent, has been mixing sound for over 30 years and says he has worked with a lot of digital boards but his favorite is the Yamaha CL5. “The feature I like the most Is the Premium Rack. It is amazing how warm the sound is by activating any of the plug-ins. I also like the custom faders.” Vincent used a CL5 at the Maisonneuve Theater during the Festival mixing Terence Blanchard and others. He is currently on tour with Florence K using a CL5.

Front of house engineer, Richie Forte, used his own personal Yamaha LS9-32 console at the Metropolis during the Festival for artist Nikki Yanofsky. “According to my dear friends at Yamaha, my LS9 was one of the very first in eastern Canada, a fact I’m very proud of,” states Forte. “I’ve taken this little workhouse and pushed it beyond its limits. With the use of a fiber optic snake capable of transporting 32X8 of the LS9′s 32X16 i/o, plus one channel of bi-directional high speed EtherSound transport built in, I am able to use the two MY card slots on the LS9 to connect to my two Yamaha SB168-ES stage boxes for a total on stage analog i/o of 64X24.”

Richie Forte

Forte said that his current console as well as the two Yamaha digital consoles he previously owned, have preformed flawlessly and reliably. “It’s this ease of use, size, weight, flexibility, and “bang for buck” price point that has kept me a loyal Yamaha user and owner since 1997.” He’s now in Europe and using a Yamaha CL5 and says he’s “truly blown away by the sound of the console” and equally happy that its flexibility and workflow has been greatly refined and fulfills everything on his wish list. “I’m looking forward to upgrading to a QL5, my fourth Yamaha console very soon!”

Stephane Grimm

Stephane Grimm, who mixed The Jordan Officer Trio and Betty Bonifassi Chants on a new Yamaha QL console at both Club Soda and Club Savoy, said he’s really into the new QL and has used a Yamaha CL a number of times. “I was really impressed by the QL, and having the touch screen makes it totally easy to use, Grimm says. The four user layers is a wonderful feature especially now that you are able to color identify the faders, making it impossible to miss the channel you’re looking for. I also like the fact that it is fully compatible with the CL series, without even having to convert the file. WOW!” Grimm also said the new plug-ins is a great feature. “The 2-band Dynamic EQ, works very well especially on vocals and other instruments that change tones.”

For more information on Yamaha digital consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

HARMAN’s AKG WMS4500 Wireless Microphone System Delivers True Sounds to Danny Janklow’s Sound Barrier

LOS ANGELES, California – Dubbed the “Charlie Parker of the 21st Century” by Terell Stafford, Danny Janklow recently completed a multi-faceted project that represents the modernization of tap dancing and jazz music. While using HARMAN’s AKG WMS4500 wireless microphone system, he created Danny Janklow’s Sound Barrier to celebrate America’s musical roots while moving forward with an innovative sound, breaking genre boundaries with soulful and vibrant music.

Having used AKG equipment for his performances in the past, Janklow relied on the AKG WMS4500 wireless microphone system and the SR4500 stationary receiver to project clear and audible sounds from his saxophone. For this particular project, he performed at Herb Alpert’s Vibrato Jazz Grill, the premier jazz space in Los Angeles.

“The sound of AKG’s microphone system cuts through the entire venue, and everybody heard it clearly,” said Janklow. “Even during my past performance at the outdoor stage of the LACMA Museum, the sound was able to cut through an auditorium of 10,000 people. However, for this musical story to be told, we needed both the tap dancers and great music. Thanks to my AKG system, I was able to deliver the right sounds to accompany the dancers.”

The AKG WMS4500 system is known for its flexibility and liberates artists from burdening handheld microphones. For Janklow, this is an integral part of his show, as he needed the freedom to interact with onstage tap dancers, and with the audience.

“I played all sorts of music since the age of 11, including jazz, classical and R&B, and I have never had a microphone system that was so convenient. It was truly life-changing,” said Janklow. “Also, the clarity that I hear during shows and recordings is incomparable. It has a clear definition of the timbres, it cuts very nicely and best of all, it blends well with other musicians onstage.”

For more information on Danny Janklow, please visit www.dannyjanklow.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Thunder Audio Rolls and Roars with L-ACOUSTICS

Thunder Audio's Tony Villarreal (left) and Paul Owen with a few of their new L-ACOUSTICS K1 enclosures

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Vampire Weekend performing on Thunder Audio's K2 system in Chicago

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

Vampire Weekend heard via L-ACOUSTICS K2 at Chicago's UIC Pavilion

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

NUAGE Road Tour and Nuendo Masterclass at RSPE Audio Solutions

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Masterclass will be held by top Yamaha Commercial Audio Systems and Steinberg engineers and hosted by RSPE Audio Solutions on Tuesday, August 5, 2014 from 7:00 PM to 9:00 PM at 4130 Cahuenga Blvd. #210, Universal City, CA. The event is free of charge.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo discussing the latest news, tips and tricks in Nuendo. Plus get hands on with Yamaha’s Nuage, the dedicated, scalable, DAW control surface/recording mixer for Nuendo.

Spots are limited so registration is required at: https://www.eventbrite.com/register?orderid=321450975521&client_token=a2951db3596148c782f325bc5a917688&eid=11858933389

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RTI Now Shipping Next-Generation RK1+ In-Wall Keypad

Completely Customizable and Easy on the Budget, 2-, 4-, or 8-Button Keypad Offers Intuitive Control

SHAKOPEE, Minn. — July 24, 2014 — Remote Technologies Incorporated (RTI) has announced that the company is now shipping its next-generation RK1+ in-wall keypad, available in 2-, 4-, and 8-button models. The new RK1+ offers the same rock-solid control as its predecessor, while offering upgraded installation flexibility and even greater value. Each unit now includes multiple faceplate and button colors in addition to a custom-engraved button set option for a completely customizable, intuitive control experience at an affordable price.

Designed to match the décor of any room, the RK1+ offers white, black, and light almond faceplate and keycap kits, while the button backlight can be configured to 16 different colors on each button. For a high-end look and even more intuitive control experience, the unit also ships with a certificate for one set of custom engraved button keycaps using RTI’s Laser Shark(R) service. This allows installers to create customized button keycaps featuring graphics and text for a control experience specific to each individual installation.

Simple to install, the RK1+ fits in a single-gang electrical box and is compatible with any standard Decora(R) type wall plate. Offering direct control of electronics via an integrated IR output, the device can also be used with RTI control processors and accessories for even more powerful capabilities, including two-way control, as it provides visual feedback via the configurable backlight color. Programming the unit is quick and easy with RTI’s award-winning Integration Designer(R) software.

“With multiple colors and custom engraving options included with every unit, the RK1+ allows dealers to offer their clients intuitive, basic control that is affordable enough to include in every room,” said Pete Baker, vice president of sales and marketing for RTI. “Of course, if more advanced control features are required — whether it’s RS-232, IP, relay, or sensing — the keypad’s capabilities can easily be expanded when incorporated into an RTI control system.”

# # #

About Remote Technologies Incorporated (RTI)
Remote Technologies Incorporated (RTI) is a leading control systems manufacturer offering innovative, sophisticated, and user-friendly devices for professionally installed electronic systems. The company’s wide array of award-winning handheld and in-wall universal controllers, central processors, audio distribution systems, and accessories are marketed exclusively through a worldwide network of professional integrators. For complete control and monitoring over electronic systems from virtually anywhere in the world, the power of RTI is available on iPhone(R), iPod touch(R), iPad(R), and Android(TM) devices through the company’s RTiPanel application, just as the award-winning RTI Virtual Panel program offers access and control via any PC running Microsoft(R) Windows(R). All RTI solutions are programmed through the company’s world-renowned Integration Designer(R) software, easily allowing dealers to provide a completely customizable user interface for intuitive command over the entire electronics system.

Founded in 1992 with a committed focus on the custom installation market, RTI offers a number of award-winning support and incentive programs to its dealers, including educational opportunities through the Advanced Control University (ACU), and the popular Control Bucks and Dealer Accommodation programs. In addition, through RTI’s Integration Partner Program, the company has reached out to manufacturers across the industry to ensure that RTI products integrate seamlessly with a wide variety of components and systems.

Additional information on RTI and its innovative control solutions is available at www.rticorp.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link:
www.ingearpr.com/RTI/140724RTI.doc

Photo Links:
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