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Archive of the New Products Category

Highlands Church Breaks Audio Barriers With HARMAN Soundcraft Vi3000 Digital Console

Scraft_HighlandsChurch copySCOTTSDALE, Arizona – To streamline its Sunday services, rehearsals and weekly events, Highlands Church in Scottsdale recently acquired a HARMAN’s Soundcraft Vi3000 digital console as part of a long-overdue audio equipment upgrade. As the previous system was constrained by its limited capacity, the Church now enjoys a massive amount of channels with the addition of a Soundcraft 64×32 Stagebox, enabling a more refined experience in the 1,500-seat sanctuary.

In addition to the standard house of worship environment, the sanctuary also serves as a rental venue for some local nonprofit groups. To allow better access for volunteers and guest engineers from the local community, Technical Director Luke Taylor chose the Vi3000 console for not only its high channel count, but also its low total cost of ownership and ease of use.

“After the capabilities of the Vi3000 were announced, I became very interested in the console for its value and accessibility of controls,” said Taylor. “We were able to cut out a lot of analog equipment and cables from our inventory, streamlining the whole operation. I especially like hooking up via Dante for multi-tracking, so that we can stream live events on our websites.”

For Taylor, the Vi3000 console stood out from other brands thanks to its straightforward, analog-like design, allowing instant responses for operators. The Vi3000 is loaded with such features as separate output buses on every channel and Soundcraft FaderGlowTM illumination on each fader.

“Since we have a lot of volunteer operators that rotate on a schedule, I really appreciate the fact that I don’t have to tweak settings that are five layers deep anymore like with some of the other boards that I’ve worked with,” said Taylor. “Features like FaderGlow are great shortcuts for newer users and definitely help me train them to become comfortable quickly while using the board. We wanted to see as many channels at one single time in a clear layout, and the Vistonics II™ touchscreen also delivered.”

Besides convenient features, the Vi3000 is renowned for superior sound due to its SpiderCore DSP engine with onboard Lexicon FX processing. “It sounds great,” confirmed Taylor. “I like the preamps and the EQ’s a lot more than some of the competitors. It takes a very short period of time to get everything dialed in and sounding the way I want it during rehearsals.”

For more information on Highlands Church, please visit http://highlandschurch.org

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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DPA Microphones Help Cats On Trees Deliver A Great Live Sound

Cats On Trees 2

Live sound engineer Verlaine Levis used to think that DPA microphones were only suited to classical music and never imagined that they were also great for pop rock tours. But since using a selection of DPA mics on the current Cats On Trees tour, Levis is the first to admit that his initial perception was entirely wrong.

“When DPA’s French distributor Audio² gave me the opportunity to try the company’s microphones with Cats On Trees, I was happy to accept the challenge,” Levis says. “It didn’t take long to dicover that these great microphones have beefy pickups and are perfectly suited to rock and pop acts. We’re now using three d:facto™ Vocal Microphones, as well as a d:dicate™ ST2011C Stereo Pair with 2011C Compact Cardioids and a number of d:vote™ 4099 Instrument Microphones for drums and violins.”

Levis, who began his career with French sound company Audio-Lum, started working as a live sound engineer in 2001 and has toured with the likes of Sidilarsen, Claude Sicre, Bombs 2 Bal, Zebda, Magyd Cherfi and Mouss and Hakim. He is also building a strong reputation as a recording engineer, having been asked by a number of artists to assist with studio sessions.

Cats On Trees, a French musical duo consisting of Nina Goern and Yohan Hennequin, specialise in ambient indie pop and have released one self-titled album and a number of singles including Sirens Call, which reached No. 3 in the French charts in 2013. The band is now half way through a European tour that will see them play nearly 200 dates in various countries including France, Germany, England and Spain.
“The tour is awesome and they are playing to virtually full houses every time,” Levis says. “Since September they have been performing with a string quartet, but because we have such a busy touring schedule there hasn’t been much time for residency work or to prepare the mix. Therefore the show is being built as we go along.”

Levis runs the Front of House sound, the mix for the In Ear Monitors and the shipment of sequences since he mixes upstream.

“With the help of our lighting person, we have set up a network between sound, light and stage,” he explains. “Yohan controls the lights and video via a MIDI controller, but I am the master of the Mac, which manages the sequences and the network. Feeling comfortable is of ultimate importance to the artist so I try hard to achieve that, but with this duo it is very difficult to create a show that is the same every time because they are constantly changing things.”

The progressive evolution of the show was a key reason why Levis decided to switch to DPA microphones. He had previously used DPA omnidirectional microphones to record voice ensembles and orchestras in churches, therefore he knew of their ability to faithfully recreate the acoustics of a venue. After speaking to Audio², he was able to try out various combinations until he found the microphones that worked for him.

“I had a very clear idea of how each instrument should sound,” he explains. “I wanted to bring a lot of omnidirectional microphones on tour so that I could capture the natural colour of the instruments, but given the on-stage proximity of the drums and piano, this was not possible. As it stands, only the ambient microphones are omnidirectional.”

Levis eventually opted for DPA d:vote 4099 Instrument Microphones for the drum kit and was immediately impressed by the sound, which he describes as ‘very powerful and very natural’.
“These microphones really pick up extreme levels – they are great,” he says. “We now have DPA d:vote 4099s on the bass drum, snare, toms and violin. I even had them as under-cymbals this summer. I am most impressed with the way they capture the sound of the bass drum. I position the mic at the entrance of the drum and slightly inside it. Although the capsule is very small, it still delivers the most amazingly deep, accurate bass.”

Levis is also using DPA d:facto Vocal Microphones, which have solved the feedback issues he was having with other mics. The band has three on stage – one for Yohan on drums and two for Nina as she sings in two different locations.

“For Yohan, the issue was his drum kit,” Levis says. “I was afraid his vocal mic would pick up a lot of extraneous sounds but in fact what I achieved with d:facto was a clarity to his voice that no other mic would have given me. I just had to think carefully about the positioning of his microphone to avoid rear rejection. Furthermore, the d:faco has a very high gain and its gain before feedback is incomparable.”

“As for Nina, well to be honest it was Nina who chose d:facto – not me. We’d tried a number of different mics but it was d:facto that she really liked. I never impose a microphone on a singer and I even made her do a blind test because I wanted to be sure she was 100% comfortable with the way her voice sounded. She immediately noticed the difference and now doesn’t want to sing with any other microphone.”

The fact that DPA microphones deliver a very precise sound has given Levis’ mixes more accuracy and finesse. They have also made everyone more demanding when it comes to sound quality, especially when it comes to tuning drum kits.

“For me, the DPA microphones can be summarized in two words: natural and punchy,” Levis says. “What’s more they are very rugged. I’ve broken three microphones so far on this tour, but not a single one of them has been a DPA.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Biamp Systems Releases Tesira(R) 2.3

Award-winning DSP platform adds IEEE 1722.1 functionality, enhanced reporting capabilities, Audio-Technica(R) microphone software, and telephony support

BEAVERTON, Oregon — Dec. 16, 2014 — Biamp Systems, a leading provider of innovative networked media systems, today unveiled Tesira(R) 2.3. Part of the company’s award-winning line of digital signal processing (DSP)-based products, the platform’s newest release introduces IEEE 1722.1 AVB support. Tesira 2.3 also includes greater reporting capabilities for expanders, a new dedicated software block for Audio-Technica’s Dante(TM) microphones, and increased telephony support. more

NUGEN Audio at the 2015 NAMM Show

2015 NAMM Show Product Preview
NUGEN Audio

At the 2015 NAMM Show in cooperation with Music Marketing (booth 6242, hall A), NUGEN Audio will introduce MasterCheck, the first modern loudness tool for the music industry, as well as a significant update of Visualizer, the company’s industry-leading audio analysis tool. For more than a decade, NUGEN Audio has been serving the needs of music producers in over 50 countries, from the hobbyist to some of the biggest Grammy award-winning names in the industry.

MasterCheck
MasterCheck is the first music-industry-specific audio plug-in designed to facilitate mix and mastering for the modern world of loudness normalized playout. iTunes(R), Spotify(R), and DAB Radio all now use loudness normalization, and MasterCheck reveals how the consumer will hear audio on these and other music platforms by using internationally recognized loudness, dynamics, and true-peak standards. Ideal for every aspect of music production including recording, mixing, mastering, compilation, archive, and restoration, MasterCheck can also be used for producing podcasts at optimal loudness levels for dialog clarity within the listener environment. With MasterCheck, audio engineers can employ a single plug-in to apply loudness matching and dynamic content analysis, using techniques such as peak-to-loudness ratio (PLR) to compare multiple sources. The advanced side-chain loudness matching can also be used to audition signal paths, without the “improvement” of increased loudness, to understand precisely how various effects, such as compression, can change the sound with no influence from the loudness enhancement.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-MasterCheck.png
Photo Caption: MasterCheck Audio Plug-in

Visualizer Audio Analysis Suite Version 2
Version 2 of Visualizer significantly expands the capabilities of NUGEN Audio’s leading audio analysis suite designed for high-end music professionals. Ideal for music mixing and mastering as well as audio post-production, Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single plug-in. A standardized reference set of professional tools is designed to help audio engineers work faster, avoid mistakes, repeat past successes, and understand the success of others.

Based on customer feedback, Visualizer now features numerous user interface enhancements including a fully resizable interface, a multiview feature that enables engineers to compare multiple sources with a single plug-in, and a “difference” view showing the difference between two input signals. Visualizer is available in a version supporting Avid Pro Tools | HDX, as well as a stand-alone application version.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-Visualizer.png
Photo Caption: Visualizer Audio Analysis Version 2

Quote:

“As North America’s premier show for music pros, NAMM is an ideal venue for us to showcase our industry-leading solutions for mixing and mastering, audio metering and analysis. Our new MasterCheck plug-in is receiving high praise from some of the industry’s best-known and most prolific audio engineers, enabling them to create music that sounds as it should on any playout device. With the latest version of Visualizer, we’re making it easier than ever for audio engineers to access the data they need, when they need it, to achieve the perfect mix.”
– Jon Schorah, Founder and Creative Director, NUGEN Audio

Company Overview

NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

Extron FOX USB Extender Plus Now Shipping

Extron FOX USB Extender PlusExtron Electronics is pleased to announce the immediate availability of the FOX USB Extender Plus, which extends signals from USB peripheral devices extreme distances over fiber optic cabling. The extender supports USB 3.0, 2.0, 1.1, and 1.0 devices with data rates up to 480 Mbps. Used in conjunction with an Extron FOX Series DisplayPort, HDMI, DVI, or VGA extender, the FOX USB Extender Plus is capable of transmitting Keyboard-Video-Mouse – KVM signals very long distances over a fiber optic infrastructure. Direct connection of USB peripherals to a remote host eliminates the need for additional IP network drops, equipment, software, or drivers. For streamlined integration, the receiver features an integrated four‑port hub with 5 Volts, 500 mA available on each port to power attached devices. The capabilities and low profile design of the FOX USB Extender Plus ensure simplified device integration in a wide variety of professional environments. more

YULE LIKE THIS TRANSAUDIO GROUP HOLIDAY OFFER – ATC SCM20 MONITORS AND SELECT BOCK MICROPHONES

ATC_SCM20_MonitorLAS VEGAS, NEVADA – DECEMBER 2014: For lovers of great audio gear, the Black Friday hubbub and the month of frenzied holiday shopping that follows it are tinged with sadness: so much money spent on electronics that could have been spent on gear! To ease your pain, the team at TransAudio Group, distributor of some of the finest recording equipment on the planet, is offering ATC’s reference monitors – the passive ATC SCM20PSL and the active ATC SCM20ASL MkII – at a discounted price. And that’s not all! Select Bock microphones will ship with a free Pauly windscreen – the best windscreen ($250.00) on the planet. But act fast – these offers end on December 31st.

ATC reference monitors are prized for their unflinchingly faithful representation of audio. They make imperfections obvious and allow you to correct those imperfections so that your recordings translate everywhere. For the month of December, the passive ATC SCM20PSL, normally $3995 a pair, will sell for just $3149 a pair. The active ATC SCM20ASL MkII, normally $6695 a pair, will sell for just $5339 a pair.

TAG_Holiday_BockIndustry insiders know that David Bock is the man to turn to when a cherished vintage microphone needs repairs, and Bock has leveraged his decades of experience servicing the world’s best microphones to creating the world’s best microphones… with vastly better reliability and consistency than vintage units. For the month of December, the Bock 241, Bock 251, and Bock 407 will ship with a free Pauly PR120-T30m windscreen – the most effective, and yet transparent, windscreen available. That’s a $250 savings and a lifetime of perfect vocals!

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

New Life Restoration Church Chooses Hitachi CP-WX8255A Projector to Light Up its Auditorium Stage

Hitachi NewLifeRestorationBreckenridge, Texas, December 16, 2014 – After a remodeling of the auditorium in the New Life Restoration Church in Breckenridge, Texas, worship leader Van Moore and his colleagues needed a projector upgrade. They found the solution in the Hitachi CP-WX8255A projector. With its high brightness and widescreen capabilities, the CP-WX8255A met all of the needs for the intimate gatherings of the 100-member church.

“We remodeled our auditorium and it had too much ceiling can lighting on the stage,” explained Mr. Moore. “We upgraded our older projector to the brighter Hitachi CP-WX8255A projector that was also native to widescreen. It was just what we needed for our services.”

Finding a projector that had clear and crisp picture in a room that had large amounts of light was difficult. “We worked with ccisolutions.com and rep Dieter Gilkey recommended this specific model based on our needs and lighting requirements,” stated Mr. Moore. “We also received a free additional bulb.”

The projector is in place for many different uses in the auditorium. “We use the projector to display lyrics to songs, videos, sermon notes, Bible verses, and more,” explained Mr. Moore. “As the main projector behind the worship team, it is projected onto a 140-inch diagonal screen for all people to see clearly. We have a very clear picture and no color wash out even when all the lights are on full power.”

Another factor in finding the perfect projector for the auditorium was ease of use. “We like that we can use a remote control from the back of the auditorium to control off/on and menu options, even over 100 feet away,” stated Mr. Moore.

“Lyrics were always viewed well as we dim the lights, but during the times when we weren’t worshipping, the colors were always washed out,” explained Mr. Moore when talking about how the CP-WX8255A has helped better their church services. The Hitachi has much richer color and a much clearer picture in any lighting situation.”

Mr. Moore was not the only one who appreciated the upgrade. “We have had comments from the church community about how much better the color looks! We are very happy with our Hitachi projector.”

For more information on New Life Restoration Church, please visit http://newliferestorationchurch.com

For more information on Hitachi projectors, visit www.hitachi-america.us/projectors

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About Hitachi America, Ltd.

Hitachi America, Ltd. headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, particle beam therapy technologies, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

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PlayhouseSquare Adds New NEXO M6 System For Hanna Theatre

Hanna Theatre GEO M6

BUENA PARK, Calif.—The Hanna Theatre in Cleveland, Ohio, opened in 1921 and would go on to host such stage and film luminaries as Al Jolson, Katherine Hepburn, Henry Fonda, Ethel Barrymore, Ginger Rogers, Helen Hayes, Mary Martin and Yul Brynner. PlayhouseSquare assumed management of the Hanna in August 1999 following its purchase of the Hanna Office Building, which houses the venue. In 2008, the Hanna underwent a renovation to add a thrust stage, re-work its seating to 550 and become the main performance base for PlayhouseSquare’s long-time constituent, Great Lakes Theater.

Today, the theatre plays host to Shakespearean plays, big bands, musical theater, and corporate events. They recently upgraded the sound system to reflect the latest in line array technology, the NEXO GEO M620, installed by NAC Technologies, Cleveland.

“The system that was previously installed during the earlier remodel was a ‘design by committee’; a nice system but it left a lot of dead spots,” states Rick Galbraith, NAC Technologies. “Size and cost always weigh in, and the client was very concerned about the size of the array and also on a very tight budget.”

No stranger to NEXO GEO Systems installed in three of the other PlayhouseSquare theatres (installed by NAC), Galbraith said they started by placing speakers in the NS1 prediction software, virtually arranging the array size, coverage, and SPL based on available rigging points. “Available rigging points was our biggest challenge, so after using the prediction software, we determined that three clusters of three M6 speakers would be ideal for the theatre. Considering the size of the clusters, the NEXO GEO M6 system sounds amazing; with zero complaints from the theatre or patrons.”

The GEO M620 is a full-range unit for stand-alone, curved array or line array application. Extremely compact in size and lightweight, the GEO M620 uses a NEXO-designed long-excursion high-efficiency 6.5” LF driver and 1 x 1″ throat driver on a BEA/FEA optimized HR Wavesource, to deliver a frequency response of 80 Hz – 19 kHz ±3dB with nominal peak SPL of 127dB. HF dispersion is 80° (120° horizontal), with 20° vertical coverage, 0° to 20° splay when arrayed. The M620 performs in a variety of configurations, facilitated by a fully integrated 3-point rigging system.

Robert Mingus, Director of Production for PlayhouseSquare, was instrumental in the decision to install the NEXO M6 in The Hanna Theatre. “Dave Cooper and Rick Galbraith of NAC have done an amazing job upgrading all of our sound systems here at PlayhouseSquare. We are very pleased and take great pride in the sound quality of our theatres, and I believe this is possible because of the great relationship we have with NAC and their craftsmanship.”

Mingus said the NEXO M6 solved many challenges of The Hanna, but most importantly, sights the sound and compactness. “The M6 system sounds fantastic! Our three-box center cluster weighs only 76 lbs., virtually disappears, and is not in the way of lighting. With special brackets from NEXO, we were able to mount the three box arrays for L + R onto the proscenium for a very clean look. NAC then tuned the room to perfection, avoiding the many problems of getting the sound into the house and off of the thrust stage.”

For more information on NAC Technologies, visit www.nac-tech.com.

For more information on the Hanna Theatre, visit http://www.playhousesquare.org/venues/detail/hanna-theatre.

For more information on the NEXO GEO M6 system, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Blonder Tongue Brings Efficiency to IP Video Delivery With New MPEG-2 HD Encoder

By Eliminating the Need for External QAM-to-IP Equipment, HDE-8C-QAM/IP Encoder Enables Cost-Effective and Reliable Distribution of Enterprise Commercial Video Networks, While Providing Superior Video Quality

OLD BRIDGE, N.J. — Dec. 15, 2014 — Blonder Tongue Laboratories, Inc. (NYSE MKT:BDR) today announced that it has launched the HDE-8C-QAM/IP MPEG-2 HD encoder, designed to bring increased reliability, efficiency, and affordability to high-definition video delivery. Building upon the high-performance design and sophisticated feature set offered by Blonder Tongue’s popular HDE-8C-QAM encoder, the new encoder includes an IP output that is compatible with IPTV networks. By providing operators with a direct IP output, the HDE-8C-QAM/IP encoder eliminates the need for external QAM-to-IP equipment, making network design simpler and more manageable for operators in the education, enterprise, hospitality, healthcare, government, and pro A/V markets. more

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DPA Microphones Get a ‘Royal’ Seal of Approval

Royal Blood 3

Mercury Prize nominees Royal Blood, one of the breakthrough bands of the year, have been using a range of DPA microphones on their recent UK tour.

“We use DPA’s d:facto™ Vocal Microphone on vocals and d:vote™ 4099 Instrument Microphones on snare bottoms and toms,” says Front of House engineer Phil Jones from Output Audio. “I was never a fan of snare bottom and now literally can’t imagine not using one.”

Jones adds that he is now a confirmed fan of the quality that DPA microphones deliver.

“They just sound great. The d:facto Vocal Microphone is genius. Even in a small club I can get it as loud as most dynamic mics without hideous feedback, but the sound quality and ‘intelligibility’ is still there. Both the d:facto and the d:vote 4099s sound very natural without having to use any obvious big cuts and boosts. It makes for a far better starting point EQ and processing-wise, as long as your source is good.”

Brighton-based Royal Blood consist of bassist & vocalist Mike Kerr and drummer Ben Thatcher. Jones started off playing the drums himself and so has a fine appreciation of the amount of spirited abuse Thatcher gives his kit.

“Honestly, I didn’t think the d:vote 4099s would survive with the way Ben plays drums,” Jones says. “A couple of times in the summer he pushed the whole drum kit over and I was mildly terrified what I would find when the risers got pushed round. But, fingers crossed, no problems so far. The d:vote 4099s are so small and discreet they just stay out of the way, which is extremely important. They sound very natural; they sound like the drums! I do very minimal EQ work and that’s what we like — natural sound.”

Working with a duo, even one as energetic and sonically bombastic as Royal Blood, brings a certain degree of precision to Jones’ work. “With only 17 channels to work with, it has to be perfect,” he says. “You’re not going to get away with losing the third keyboard or second backing vocal in a mix. If something is slightly off, you’re in big trouble; there’s nowhere for anything to hide. I’m constantly on my toes, but it does leave quite a bit of room for interesting FX and creativity.”

As part of that creative experimentation Jones has been using a DPA d:discreet™ 4091 Omni-Directional Miniature Microphone on Thatcher’s kick for a couple of months now and says that it has been an eye-opening experience.
“I come from more of a jazz background and for that, it would be amazing,” he says. “Outdoors, with lots of sub, and control of the sub especially, it’s brilliant. I get some extra bottom end that I can’t put my finger on and I love it.”

Royal Blood’s autumn tour and subsequent clutch of European dates were thrown into disarray when Kerr went down with tonsillitis. However, dates are being rescheduled, and it’s almost easier to find places where they aren’t playing in 2015 than where they are, with a support slot on a North American tour with the Foo Fighters being one of the highlights.

And where Royal Blood goes, from Europe to North America, Australia and beyond, Jones and his DPA mics go too.

“All of our DPA microphones were supplied by the company’s UK distributor Sound Network,” Jones says. “We now fly the mics round the world and use them for everything. We have some very expensive mics, but the results are fantastic and consistency is key. That’s especially true for broadcast when we can’t have total control, but we just turn up, turn it all up, and basically it sounds great.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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