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With Meyer Sound LEO and LYON, Judas Priest FOH Engineer Gets Headroom, Weight Savings, and Clarity

judas priestFor British metal legends Judas Priest’s world tour, FOH engineer and production manager Martin Walker has selected LEO-M and LYON™ linear line array loudspeakers from Meyer Sound’s growing LEO Family of products. With the power and linear response of both products, the crew can easily adapt the system for a wide range of venues, which includes casino showrooms, arenas, large theatres, outdoor amphitheaters, and festivals.

“The response of the system is pretty seamless, whether going from main LEO arrays to LYON side arrays, or going from a main LEO hang in an arena to a LYON hang in a theatre,” Walker says. “You turn on the PA and there’s really no difference to worry about. The headroom is there, the weight saving is there, and the clarity and fidelity are there. It’s a great system with either box out front.”

The main and side arrays for the tour are assembled from the tour’s full inventory of 28 LEO-M and 32 LYON loudspeakers and 18 1100-LFC low-frequency control elements. Twelve M’elodie® line array loudspeakers are deployed as fills, and a Galileo® Callisto™ loudspeaker management system with one Galileo 616 AES and six Galileo Callisto 616 array processors handles drive and optimization. For onstage foldback, monitor engineer Brad Johnson mixes the band on 10 MJF-212A stage monitors and side-fill stacks of three JM-1P arrayable loudspeakers and two 700-HP subwoofers per side. The system is supplied by UK-based Major Tom Ltd.

“I try to recreate a total experience of the band,” says Walker, who mixes behind a DiGiCo SD7 digital console. “I want a loud sound with full bandwidth, warmth, and depth, a sound that really brings the band to life. With LEO and LYON, I can realize that, every night.”

Steel Panther opened the North American leg of the tour. Judas Priest’s last world tour in 2011-2012 was supported by a MILO® line array loudspeaker system.

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Oliveto Restaurant and Cafe Collaborates with Meyer Sound to Create Exceptional Dining Experience

olivetoOliveto Restaurant and Cafe, the innovative, Italian-inspired dining destination in the heart of Rockridge in Oakland, unveils a new look – and sound – this week. Addressing the industry-wide issue of noise pollution in restaurants, Oliveto has found the perfect balance in its new partnership with Berkeley’s pioneering Meyer Sound, installing a state-of-the-art acoustic solution in addition to making enticing aesthetic changes as part of the restaurant’s first major renovation in 18 years. At the same time, the Meyer Sound system allows the restaurant to advance on its soon-to-launch Oliveto Commons, an ongoing series of classes, panel discussions and workshops focused on food policy issues, producers, cooking techniques, and wine and spirits.

Led by owners and founders Bob and Maggie Klein, Oliveto’s renovation speaks to the 28-year-old restaurant’s deeply ingrained curiosity and drive for continual innovation and improvement. Oliveto’s commitment to the local community, environmental stewardship, and sustainability parallels their commitment to providing everything necessary for a profoundly gratifying customer experience, making the partnership with Meyer Sound a logical next step.

“We think it’s a good time to step out of the crowd of the current restaurant scene,” said Bob Klein. “When we decided to make sound management a top priority in our renovation, we wanted to go with this extraordinary company that thought deeply about a problem, took no short cuts, and is truly innovative.”

Known for creating impeccable listening environments, from Cirque du Soleil to UC Berkeley’s Zellerbach Hall, Meyer Sound has tailored its groundbreaking Constellation and Libra systems for Oliveto — the second restaurant to employ this unique acoustic management technology — to seamlessly transform the dining experience.

Employing visually striking Libra acoustic panels, as well as patented algorithms, microphones, and small loudspeakers distributed throughout the upstairs dining room, the Meyer Sound system shapes the sonic ambiance of the space to ensure consistently comfortable conversations. With the touch of an iPad screen, restaurant staff can choose the optimal aural properties for the time of day, type of event, and occupancy. Guests on any side of a table – large or small – can be heard clearly and without interruptions or distractions from background noise or voices from other tables. With Libra and Constellation working seamlessly together, Oliveto has created a truly multi-sensory experience that sets the perfect tone for conversation and connection, while maintaining the all-important buzz of an exciting, busy restaurant.

Deborah O’Grady’s mural-sized, high-resolution photographs of olive and oak trees (which are printed on the large absorptive Libra acoustic panels) are the cornerstones of Maggie Klein’s interior renovation. Additional enhancements include a mixture of modern elements and the natural world, with deep grey walls that fall into the visual background; dramatically lit, large native California tree branches; a new bar crafted from orchard walnut trees; new carpeting and chairs, and artwork from Pt. Reyes painter Susan Hall.

About Oliveto Restaurant & Cafe

Oliveto is a renowned restaurant and cafe in the heart of the Rockridge neighborhood in Oakland, serving innovative, Italian- and northern Mediterranean-influenced California cuisine. Founded by Bob and Maggie Klein in 1986 with the simple intention of bringing the distinctive flavors of the northern Mediterranean to California, Oliveto has been a Bay Area leader in sourcing the best seasonal, sustainable, and local ingredients through a network of passionate purveyors, and was an original restaurant pioneer of the whole animal movement for the region. Under the direction of Executive Chef Jonah Rhodehamel, Oliveto offers house-cured salumi, handmade pastas created with specially milled Community Grains flours, and sustainable fish, exceptional seasoned produce and foraged plants available no where else. Since Chef Rhodehamel’s arrival in 2010, Oliveto’s special dinners, like the Tomato, Truffle, Oceanic, and Whole Hog dinners, have taken on a new character and elevated quality.

The wine list at Oliveto is a direct product of relationships with the best traditional producers and vineyards, and is comprised primarily of Italian wines, with the addition of select wines from France, Spain, California, and Oregon. It proudly features classic and lesser-known producers, as well as a one-of-a-kind aged-wine program, comprised primarily of older vintages of Barbaresco, Barolo, and Brunello. The cocktail program at Oliveto is centered on the same values as the kitchen and features housemade bitters, tinctures, and syrups, along with nearly a dozen rotating housemade cordials that change seasonally.

With both the 104-seat upstairs dining room, which offers exquisitely prepared food in a fine-dining atmosphere, as well as the warm and bustling 36-seat cafe downstairs, Oliveto is at once a special occasion destination and a neighborhood spot that appeals to a local, sophisticated, and well-traveled Bay Area audience.

Oliveto Restaurant & Cafe is located at 5655 College Ave., Oakland. The upstairs restaurant offers lunch and dinner, while the cafe downstairs offers breakfast, lunch and dinner, daily. For reservations in the restaurant, please visit OpenTable or call 510-547-5356.

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HARMAN’S AKG Microphones and Headphones Get Their Wings At 2014 Red Bull Air Race World Championship

AKG_RedBullAirRace copyLAS VEGAS, Nevada — The series of eight races at the Red Bull Air Race World Championship Finals in Las Vegas has become the most advanced aerial challenge in the world, a visual spectacle unlike any other with a pulse-pounding combination of high speed, low altitude and extreme maneuverability. HARMAN’S AKG microphones were on the scene to bring spectators the thrills and excitement of the race as it happened, with more than 20 pilots competing at the two-day event.

AKG’s AV100 Noise-Cancelling Aviation Headset endorser Hannes Arch, who finished second in the final standings, could be seen relaxing to music on his K167 TIËSTO headphones.

Live reporters on the racetrack were furnished with HSD271 Professional Headsets with Dynamic Microphone and DMS700 V2 Reference Digital Wireless Microphone Systems. AKG WMS4500 Reference Wireless Microphone Systems were employed for live presentations on the racetrack infield.

Reporters covering the activity at the airport hangars were equipped with AKG PR4500 ENG Reference Wireless ENG/EFP (Electronic News Gathering/Electronic Field Production) Systems for their cameras, and also given HT4500 Wireless Handheld Microphones and IVM4500 IEM In-Ear Monitoring Systems.

At the event’s press conferences the pilots and presenters spoke through AKG CK49 Reference Shotgun Condenser Capsule gooseneck microphones and DMS700 V2 wireless systems.

AKG’s HSD271 professional over-ear closed headsets are an industry standard for intercom, ENG/EFP work and video production. The HSD271 is based on the company’s acclaimed K271 MKII studio headphones, combined with a high-performance dynamic microphone on a flexible arm. The AKG DMS700 V2, WMS4500 and PR4500 ENG wireless microphone systems are designed to deliver pristine, interference-free audio quality, flexibility and noise rejection over long distances in even the most crowded radio environments.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

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Draper Announces Yet Another ISF Certification

(Spiceland, Ind.) – Draper, Inc. has announced its TecVision XH900X Grey projection viewing surface has been certified by the Imaging Science Foundation (ISF) for excellent color reproduction and fidelity. XH900X Grey performs very well in moderate ambient light, is well suited for high resolution content, and is 4K ready. This latest announcement means the entire TecVision Engineered Surface Technology line is now ISF certified.TecVision_XH900X_Grey

To be certified by the ISF, a screen has to have a flat spectral response—or color fidelity. In other words, the screen cannot affect the color of the image enough for the human eye to perceive.
Traditionally, projection screens have fooled the eye that things are brighter by using blue tints, according to ISF President and founder Joel Silver.

“The problem,” says Silver, “is if you accentuate the blue that means you aren’t getting the greens or reds you need to build a color-accurate image. We want to take whatever the artist created and bring it to the screen with fidelity.”
“We basically tie ourselves into something called a pure white matte screen –a screen that is a reference color,” Silver says of testing projection screens for color performance. “Neutral white … not a hint of tint to it. The picture you get is what was it was meant to look like from the factory … not tinted.”

Currently available in six exclusive formulations, TecVision features white surfaces with gains ranging from 1.0 to 1.9 over remarkably wide viewing cones, and grey surfaces with excellent performance under higher room light levels. All TecVision surfaces are also 4K ready, but what most impressed Silver when certifying TecVision is the ability of some of the high gain surfaces to deal with ambient light while preserving color fidelity.

“Finding the color fidelity of high gain materials close to that of no gain materials was wonderful!” Silver says. “Gain without a price to pay is a wonderful thing. I knew from measuring luminance even without the specifications that these screens were high gain, but I wasn’t seeing the penalty of color shift.

“It’s a great challenge,” Silver continues. “Adding gain without paying a penalty in color fidelity requires careful engineering. Compliments to the engineer!”

For more information on TecVision, visit www.draperinc.com/go/tecvision.htm.


Sonnox Fraunhofer Pro-Codec V3Available Now, New Features Include Meta-Data Editing And Batch Processing

OXFORD, UK: Fraunhofer IIS, a leading international developer of audio and multimedia technologies, and groundbreaking plug-in designer/manufacturer Sonnox Ltd., have announced the launch of Pro-Codec Version 3. Introduced in 2011 to universal acclaim, the original Pro-Codec set new standards for real-time auditioning and mixing for online distribution. Version 3 represents a significant update to that innovation with the addition of a standalone ‘manager’ application, which facilitates metadata editing and batch processing capabilities, making the task of encoding multiple files substantially more efficient

The Fraunhofer Pro-Codec is the single most powerful audio encoding plug-in for digital audio workstations. It integrates Fraunhofer’s AAC and mp3 codecs including MPEG Surround and multi-channel AAC formats for surround mixing, and Apple’s iTunes+ codec for mixing directly for the Mastered for iTunes program (Mac version only).

Pro-Codec Version 3 adds 64-bit compatibility and AAX support, as well as supporting existing formats such as RTAS, Audio Units and VST. It is available immediately at a retail price of $495.00 USD (£295.00 GBP)*

Features include:

Supported Codecs:

– mp3, Apple AAC iTunes+ [Mac only], AAC-LC, HE-AAC, and HE-AAC v2
– mp3 Surround, MPEG Surround, AAC-LC multi-channel, HE-AAC multi-
* Comprehensive real-time auditioning with glitchless switching
* 64-bit compliant (AAX / AU / VST)
* Batch encoding of multiple files
* Metadata editing
* AB auditioning in real time between codecs, or between codec and input signal
* High resolution display
* Compatible with many digital audio workstation applications, such as:
– Pro Tools, Logic, Cubase, Nuendo, Sequoia. (Mac and PC)


*Existing owners may upgrade at no additional cost. iLok2 required.

Photo The Sonnox Fraunhofer Pro-Codec V3 is available now.

For more information please visit: www.sonnox.com/procodec

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BenQ Redefines Portable Audio With treVolo — the World’s First Electrostatic Bluetooth(R) Speaker

Stylish New Speaker Delivers Unparalleled Highs and Accurate Bass to Let Music Take Flight for Up to Twelve Straight Hours

COSTA MESA, Calif. — Dec. 10, 2014 — BenQ America Corp., an internationally renowned digital lifestyle solutions provider, today entered the audio market by introducing treVolo, the company’s first audiophile-grade Bluetooth(R) speaker. Designed to bring authentic audio experiences to any portable setting, treVolo allows enthusiasts to enjoy their favorite vocals the way they were intended to be heard. Featuring electrostatic speaker technology, a collapsible wing design, and bidirectional sound reproduction through three audio profile modes, the market’s newest game-changer allows today’s passionate music fans to enjoy soaring sound from any device. more

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DPA Microphones Stars in Encore Performance during ‘Keyboards and Carols at Christmas’ Event

Southwestern Baptist Theological Seminary once again relies on DPA microphones for its holiday performance featuring 13 grand pianos and five soloists

DPA Microphones_Keyboards at ChristmasFORT WORTH, DECEMBER 10, 2014The School of Church Music at Southwestern Baptist Theological Seminary (SWBTS) is once again getting into the holiday spirit with DPA Microphones for its third annual ‘Keyboards and Carols at Christmas’ event. With 13 Steinway Grand Pianos, one organ and a choir of over 180 adults and children, student and professional musicians performed holiday songs for the packed house at the 3,500-seat venue. In addition to using a stereo pair of d:vote™ 4099 Instrument Microphones on each of the pianos, the school also utilized four wireless d:facto™ Vocal Microphones for the event’s soloists.

DPA mics were chosen for their clear, pristine sound as well as their ability to reproduce the natural beauty of both the Steinway pianos and the exceptional voices of the singers. With the addition of the large choir, this year’s event featured a significant change in the setup from previous Christmas performances. The stage featured three pianos and the organ on elevated platforms, with the additional 10 pianos on the main level of the stage, a 70-person children’s choir positioned on the steps in front of the instruments and a 115-member adult choir performed from the choir loft behind the pianos.

DPA Microphones_dvote_Keyboards at Christmas“The proven reliability of the DPA mics keeps us coming back to them each year,” explains William Schaefer, assistant director of musical productions for the School of Church Music at SWBTS. “It’s nice to have high-quality mics that are rugged enough to withstand use by students and yet also produce a clean, natural sound. The added benefit of using the small d:vote 4099 mics means that we can also keep the mics as invisible as possible, so people don’t notice that the music is being amplified. It’s also great that DPA has such a wonderful team, they’ve been a big help in putting our show together for the last two years now.”

For the majority of the program, all of the pianos played simultaneously, occasionally with two pianists per instrument. One of the main concerns for an event of this magnitude is that the artists must hear each other separately and without delay, which was accomplished with the DPA d:vote 4099s and d:facto mics. It wasn’t just the sound of the d:vote 4099s that drew the school back to DPA, but also its discreet size. Since the microphone was designed to be heard and not seen, the tiny capsule size enabled the staff to position each mic where they wanted it, without any visible signs. To accomplish this, the team ran the cables out of the back of the pianos, so the audience did not even know they were there. The magnetic piano mounts and goosenecks also meant that they could mount the mics on the brass and then reposition the mics to pick up the exact area of sound they wanted to highlight from the instrument.

DPA Microphones_dfacto_Keyboards at ChristmasAdditionally, the wireless d:facto Vocal mics for the lead soloists were used to provide a consistent and natural sound that would complement the pianos. “We used a pair of the d:factos for vocalists at last year’s event and we loved the way they responded in the room,” explains Schaefer. “The off-axis rejection and their entire sound characteristic are just perfect for what we’re doing. What’s more, there is almost no handling noise and the overall design of the mics is also great; the black capsule with the black microphone body is a very streamlined, slick look.”

The ‘Keyboards and Carols at Christmas’ event hosted Southwestern Baptist students and faculty, as well as children from Southwestern Music Academy who played two songs, Jingle Bells and Away in a Manger, which was arranged by one of the Academy’s music instructors. Among the notable SWBTS performers were Dr. Leo Day Dean of the school of church music, who performed a vocal solo of “O Holy Night” and Dr. Yoon-Mo Lim, who organized all of the musical details for the night and performed an organ Solo of “Toccata on Veni Emmanuel.” The event was run by Adam Covington, Matt Bennett, Cody Meuer, Cody Carroll, Mitchell Martin, Travis McNeely, Ryan Mulvaney, Brad Powers, Adam Tarleton, Jason Davis, Matt Vaden, Matt Miller and Neil Williams, who are all student employees of the school’s A/V Communications department and were key players in making sure the program operated effortlessly.

DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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Talamas Sound Celebrates 35th Anniversary with Sennheiser by its Side

For More than Three Decades, Company Has Ushered Customers Through Technology Evolutions in Broadcast Audio, with a Little Help From Sennheiser

SennheiserOld Lyme, Conn. – December 10, 2014 –Dave Talamas started Newton, MA -based Talamas Sound in July 1979. Talamas wasted no time building on its foundation of now time-tested principles: an unwavering commitment to customer service, a willingness to anticipate trends in the industry and an emphasis on main-taining strong relationships. Sennheiser Electronic Corporation was among the first companies with which Talamas Sales and Rentals developed a lasting relationship.

With its deep knowledge of broadcast, audio and video technologies and a commitment to be more than a ‘box house,’ Talamas soon developed a loyal customer base. “I remember one of my first sales was the Sennheiser MKH 804 shotgun microphone — a predecessor of the current MKH 8070,” says Talamas, who is now CEO of the company. “Since then, Sennheiser has continually evolved their entire product line. When the 5000 wireless series was introduced, it became the stand-ard on Broadway, while the 2000 series was almost immediately adopted by the broadcast market. The EK 3041 camera-mounted true diversity receiver was also a game changer; the producers loved it because it was small, light, and very reliable.”

Talamas Sound has worked alongside Sennheiser to support its more recent innovations as well, such as the Digital 9000 wireless system — which he sees as an important step forward for the industry as spectrum challenges become more pervasive: “The new digital systems Sennheiser is developing, such as the Digital 9000, utilize bandwidth much more efficiently, and without compression. This is so important because the next generation of broadcasters will not be using the same frequency bands given the shrinking spectrum they will be facing.”

Innovation, Education and Relationships
SK_9000In addition to bringing its customers up to speed on important issues facing the broadcast industry such as the potential implications of the FCC’s impending spectrum repacking, Talamas Sales and Rentals also routinely educates end-users on topics such as microphone techniques and wireless microphone applications. Last month, at its new 1,400 square foot meeting space, the company hosted Sennheiser’s David Missall for a seminar covering these and other important broadcast production considerations.

While the broadcast technology landscape may have changed dramatically over the last three decades, some things haven’t changed, including the company’s longevity with customers, vendors and its own employees: “We have maintained our integrity over the course of our history,” says Diane Talamas, Chief Financial Officer of Talamas Sound. “We have always been there for our customers, as Sennheiser has always been there for us. During our relationship with Sennheiser, they have always stood behind their products, and for us, this is key. If an issue comes up, they help resolve it and will never walk away from the problem.”

For Dave Talamas, it all comes back to relationships: “Our relationship with Sennheiser has been so important because without the unwavering support and close relationship of the manufacturer, we could not have become what we are now,” he concludes. “In many ways, our company shares similar values to Sennheiser: we are customer oriented and have a deep technological expertise.” As for the quality, in all his 35 years, there has never been a question. “When I am offering a client a Sennheiser product, I don’t talk them up — I just have them listen.”

1) From left to right: Diane Talamas, CFO, Sales Manager, Talamas Sales and Rentals; Greg Beebe, President, Sennheiser Electronic Corporation, Chris Clay, Eastern Regional Sales Manager, Professional Systems, Sennheiser Electronic Corporation, Dave Talamas, President , Talamas Sales and Rentals; Peter Claussen, President Professional & Integrated Systems, Sennheiser electronic GmbH & Co. KG; Michael Cleary, Area Sales Manager, Sennheiser Electronic Corporation. (Photo credit: Michael Duca)

2) The Sennheiser SK 9000 digital wireless transmitter

About Talamas Sales and Rentals
Talamas has been serving the digital cinema, video, broadcast, theater, educational, and production industries for 35 years. Over that time the Newton, MA-based company has earned a reputation for technical know-how and unparalleled customer service. Founded in 1979 by Dave Talamas, the company has responded to innovations in audio and video technology by bringing state-of-the-art gear to professionals in the Boston area, throughout the United States and across the globe.

About Sennheiser
The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Sennheiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the Internet at www.sennheiser.com.

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Two New 4K Ultra HD Extenders from Gefen Offer Advanced Features and an Expanded Distance for Signal Delivery

Gefen today announced the addition of two new extension solutions. Both products use HDBaseT™ to deliver resolutions up to 4K with various methods of control supported. In addition, the maximum signal delivery range has been increased from 100 to 150 meters. Varying price points and control options differentiate the two solutions, offering installation options for audio/video integrators.

The 4K Ultra HD ELR-POL Extender w/RS-232, Ethernet and IR (EXT-UHD-CAT5-ELRPOL) delivers HDMI at 1080p full HD up to 150 meters over a single CAT-5 cable, an improvement of 50 meters over previous solutions. 4K UHD content is delivered up to 70 meters over a CAT-5 cable, or up to 100 meters over a CAT-6 cable. A 10/100BaseT Ethernet connection is provided on the receiver unit at the display side, allowing IP connectivity without additional hardware or cabling required. Gefen’s ELR (Extra Long Range) implementation of HDBaseT extends up to 7.1 channels of high bit rate, lossless digital audio formats with zero delay. RS-232 and bi-directional IR are transmitted along the same cable, offering convenient options to control source and display from both local and remote locations. POL (Power over Line) technology is employed to allow the installer to power either the sender or the receiver, streamlining cabling and hardware in the viewing environment. Advanced EDID management tools make for a simple installation and non-stop performance.

The Gefen ToolBox 4K Ultra HD ELR-POL Extender w/RS-232 and IR (GTB-UHD2IRS-ELRPOL-BLK) is a streamlined solution that delivers HDMI at 1080p full HD an extended range up to 150 meters over one CAT-5 cable. 4K UHD content can be sent up to 70 meters over a CAT-5 cable or up to 100 meters over a CAT-6 cable. In each instance, lossless digital audio formats, RS-232 and bi-directional IR are extended over the same cable. This solution also offers POL technology, eliminating the need for power at the viewing location.

Both extenders support 4K resolutions up to 3840×2160 @60Hz, 4:2:0 color space and 4096×2160 @24Hz with HDCP compliance and 3D pass-through. Locking power supplies ensure a snug connection for an unfailing performance. Surface mountable enclosures with small footprints allow for an easy installation.

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Legendary Beatles engineer Geoff Emerick and Dweezil Zappa give REDD.47 Preamp a spin

Dweezil Zappa, Geoff Emerick, REDD.47 Preamp, Chandler Limtied, Abbey Road Studios, EMILos Angeles CA, December 2014…

When in conversation with Dweezil Zappa and he casually says, I’m doing this session with Geoff Emerick for my new album… And Chandler Limited is on the cusp of releasing the REDD.47 pre-amp… Well, that’s meant to be, right?

A couple days before Thanksgiving, the behemoth Chandler Limited rack, including two REDD.47 pre-amps, was on hand for Dweezil’s strings and horns session with legendary Beatles’ engineer Geoff Emerick. The session date took place at Dweezil Zappa’s longtime friend and engineer Craig Adams’ Winslow Court studio, Los Angeles.

While we were pleased that our REDD.47 microphone pre-amps got the ‘they’ve got the sound’ thumbs-up from such an esteemed group of ears, we were blown away by the music produced, can you say epic? Filled with scene and set changes, and mood lit from the tapestry of music history, let’s just say Dweezil can compose some seriously good emotional music, and Geoff Emerick captures it as only he can.

To see video from the session, and learn more about Dweezil Zappa’s new album, check it out at Pledge Music.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.


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