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Middle Atlantic Debuts Low Profile, Safety Certified Display Solutions

Fairfield, NJ––The new FlexView™ Series from Middle Atlantic provides AV integrators with display solutions that offer unmatched strength, mounting flexibility, aesthetics and user friendliness. A collection of display stands and carts ideal for corporate, hospitality and education environments, FlexView models feature a slim profile, contemporary design aesthetic and safety certification, offering hallmark Middle Atlantic strength and durability.

FlexView solutions feature the lowest profile display mount in the industry as well as a smaller base for unimpeded, up close display interaction. In addition, it enables mounting of larger displays than competitively-priced solutions currently available in the market, including most 90” screens with VESA 800 mounting or smaller.

Models are available with electric or manual display height adjustment for options in ergonomics and flexibility. FlexView solutions are also available in stationary or mobile configurations with rugged casters that provide long-lasting use and seamless maneuverability, even when wheeling over door thresholds.

FlexView options enable integrators to do more within a slim profile with features like the Lever Lock™ system for small component mounting and a locking easy-access door for quick maintenance. All carts and stands are integrator and end-user friendly with storage where it’s needed and useful options and accessories to provide more flexibility in customizing the solution to the application.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Masque Sound Returns to the Berkshire Mountains to Celebrate 60th Season of the Williamstown Theatre Festival

Efficient Custom Audio Package Features Dante-Enabled Equipment

WILLIAMSTOWN, MA, AUGUST 4, 2014 — When the Berkshire Mountains of western Massachusetts recently came alive for the 60th season of the Williamstown Theatre Festival, Masque Sound, a leading theatrical sound reinforcement, installation and design company, returned to celebrate its 11th season of providing audio equipment and services for the highly acclaimed summer theatre.

Since 1955, the Williamstown Theatre Festival has been bringing together America’s finest actors, directors, designers and playwrights as they present a unique opportunity for artists and audiences alike to revisit classic plays with innovative, new productions. This summer, two internationally renowned powerhouse performers—soprano Renée Fleming and multiple award-winning actress, dancer and singer Chita Rivera—will make their respective Williamstown Theatre Festival Main Stage debuts. The festival’s 2014 season kicked off with the opening of June Moon on the Main Stage and A Great Wilderness on the Nikos Stage. Now playing on the Main Stage are Living on Love and The Visit, while Fool for Love and The Old Man and the Old Moon will round out the Nikos Stage’s summer productions.

To ensure a successful season, Masque Sound provided a comprehensive custom audio equipment package for each of the two stages’ three summer shows. “Prior to the season opening, we start from scratch and work with Masque Sound’s talented crew to map out and create what we envision for the season’s equipment packages,” says Ben Truppin-Brown, sound supervisor, Williamstown Theatre Festival. “This year, we installed a fairly comprehensive, overarching audio system, designed to provide a front end PA that will work across the board, adequately addressing the audio requirements for each of the six shows between the two spaces, while also taking into account the particular needs of each individual show. The challenge is that when one production ends, we only have 24 hours to changeover for the next show. Masque Sound did a great job in helping us lay out the general infrastructure, so that we could very easily drop in the additional components that we needed for the next production.”

New to the Williamstown Theatre Festival this year is the addition of Dante-enabled equipment to Masque Sound’s custom package. “Masque Sound has always been incredibly accommodating to our needs, and when we asked about using the Dante™-enabled equipment for this season, they were happy to oblige,” adds Truppin-Brown. “Using the Dante network makes the distribution of the signal unbelievably simple and efficient. It’s an amazing addition and one that we are thankful Masque Sound made possible for us.”

In addition to the Dante-enabled custom audio equipment package, Masque Sound is also once again managing frequency coordination for the Williamstown Theatre Festival. The company’s expert wireless service team has been on-hand providing approximately 15 channels of wireless for the start of the summer and will be expanding to about 56 channels of wireless for the final two musicals.

The two main stages at the Williamstown Theatre Festival are equipped with an array of Meyer Sound and d&b audiotechnik speakers. The 511-seat Main Stage theatre features a Yamaha CL-5 Digital Mixing Console and the 173-seat Nikos Stage is equipped with a Yamaha CL1 console. All of the signal processing takes place digitally from the consoles to the Yamaha DME64 Digital Mixing Engine before breaking out to analog outputs. For wireless needs, Truppin-Brown utilized the Sennheiser 3000 series transmitters and receivers, supplementing it with Sennheiser SK 5012 and SK 5212 transmitters and EM 1046 receivers.

“One of the reasons why Masque Sound is such a reliable, well-respected company in the industry is because the crew offers a high-level of support to its customers, one that is unparalleled,” adds Truppin-Brown. “We produce shows of a high caliber, and we do it with a young, but talented, crew whose experience levels greatly vary. Equally as important as the production quality of the festival is the educational experience that we provide interns and staff. For most of the people on the Williamstown crew, this shop build was their very first. Masque Sound supports that educational mission through its staff’s willingness to teach and by allowing us to expose our crew to some of the best equipment available. It is an experience that I don’t think any other summer stock theatre can offer and that I don’t think any other shop can give. We could not be as successful as we are without Masque Sound, and we value our relationship with them.”

In addition to the two main stages, Masque Sound also provided custom audio equipment packages to the Goodrich Hall, for the festival’s cabaret performances; the Directing Studio’s workshop productions; and numerous rehearsal and performance spaces in and around the greater Williamstown area. To learn more about the Williamstown Theatre Festival, visit http://wtfestival.org/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Almo Pro A/V Names Steve Rosenheim BDM for Content Creation Services

Almo Professional A/V Names Steve Rosenheim Business Development Manager for Content Creation Services

Philadelphia, PA — August 4, 2014 — Almo Professional A/V has hired Steve Rosenheim, CTS, DSCE as Business Development Manager with an exclusive focus on the distributor’s new Content Creation Services. The seventh member of Almo’s elite fleet of specialized Business Development Managers (BDMs), Rosenheim will be onsite to discuss Almo’s new services during the E4 Philadelphia Expo, a “bonus” E4 event taking place on August 15 at the Valley Forge Casino & Resort.

In his new role, Rosenheim is responsible for supporting Almo partners with all of their content creation needs, ranging from consultation on the proper content, technical support on the hardware, and the end result, which is the delivery of high quality digital signage content that exceeds the customer’s expectations.

“With a background in advertising combined with extensive time in audio visual integration, Steve is both creative and technically-savvy in his ability to support dealers with the powerful and recurring revenue system that content creation offers in digital signage applications,” said Sam Taylor, executive vice president and COO for Almo Professional A/V. “This new position is unique and greatly needed. Most integrators can engineer, purchase and install digital signage but very few can offer content creation services. Now our partners can resell our service and offer their customers a truly complete digital signage package.”

Prior to Almo, Rosenheim was Director of Sales at Net AV in Baltimore and Account Manager at AVI-SPL where he was responsible for prospecting new business, designing systems and training customers. He holds InfoComm CTS (Certified Technical Specialist) and DSCE (Digital Signage Certified Expert) accreditations.

About the E4 AV Tour
Now in its fifth year, the E4 tour continues to evolve to meet the changing needs of AV resellers, integrators and consultants. Credited as the industry’s most specialized one-day dealer event, E4 has traveled to countless cities around the country to serve the product, technical and business training needs of thousands of resellers and installers while creating the ideal forum for professional networking. The full tour continues in the fall with stops in Boston on October 3 and Washington, D.C. on October 17. To register, go to www.e4avtour.com.
About Almo’s Business Development Managers
Almo’s highly specialized fleet of seven Business Development Managers bring a multitude of expertise, such as technical knowledge, system design assistance, in-depth brand/product knowledge, bid and project registration capability, and a direct line to all of the top manufacturers in the AV industry. No other distributor provides this level of support to its partners.

About Almo’s Content Creation Program
Almo is the first AV distributor to offer its own private label Content Creation Services Program. Designed for digital signage, interactive and video production, these services give Almo partners the ability to provide a true end-to-end AV solution for customers while they enjoy increased margins from the services revenue.

# # #
About Almo Professional A/V
Almo Professional A/V provides the industry’s most advanced product distribution, training and education, and technical support options available for the Pro AV community. With a highly skilled sales team, reseller education programs, seven distribution centers across the U.S. and product lines for the Pro A/V channel, Almo Professional A/V provides customers with the full distribution experience on a local and a personal level. Almo Professional A/V is a division of Almo Corp., the nation’s leading independent distributor of consumer electronics and major appliances. For more information about Almo Professional A/V, please call 888-420-2566 or go to www.almoproav.com. Almo Professional A/V can also be followed on Twitter at http://twitter.com/almoproav and on Facebook at www.facebook.com/almoproav.

*All product and company names herein may be trademarks of their registered owners.

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SET Expo 2014: FOR-A to Showcase Range of Video Solutions

Cypress, CA – FOR-A Corporation of America announces it participation at the upcoming SET Expo 2014, taking place at the Expo Center Norte in São Paulo, Brazil from August 25-27. FOR-A will exhibit a variety of its popular solutions in booth E17, including its full 4K variable frame rate camera, video switchers, signal processors and multi viewers.

Among the highlights of FOR-A’s booth will be the highly regarded FT-ONE 4K super slow motion camera. Capable of recording up to 900 frames per second, the FT-ONE will be demonstrated alongside FOR-A’s ZE-ONE 4K extraction system. The ZE-ONE allows FT-ONE operators to zoom in on and extract specified HD scenes at any size from 4K sources.

FOR-A will also showcase a number of its popular video switchers, including the HVS-XT portable switcher series. Both the HVS-XT100, which comes with a separate main unit and control panel, and the HVS-XT110, which features a compact, integrated design, will be on display. FOR-A’s HVS-390HS video production switcher will also be shown. Offering unique capabilities that allow operators to deploy any aux bus transition with cuts, mixes, or wipes, and display a keyer complete with DVE functions, the cost-efficient switcher is widely used by broadcasters, houses of worship, education facilities and corporate video producers.

A variety of FOR-A’s signal processors will also be on display, including the award-winning FA-1010, which includes 10 video inputs and outputs and offers multi-channel routing between sources and effective video and audio signal processing for line, relay, reporting, production, editing and delivery applications. The FA-9520 and FA-9500 multi purpose signal processors will also be demoed at the show.

Other equipment to be shown by FOR-A includes the new MV-1620HSA multi viewer, a compact (1RU) but full-featured unit that includes the option to cascade it with other units to display up to 64 sources simultaneously.

“This region is so important to FOR-A, and the SET Expo 2014 is a premier Latin American industry event,” said Mario Rodriguez, FOR-A’s Latin American Sales Manager. “We look forward to exhibiting at this year’s show and displaying some of our newest and most in-demand solutions. A product I’m particularly looking forward to showcasing is our award-winning FA-1010 signal processor, which has proven itself to be a highly popular solution in the region.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

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DVEO Launches Real Time, End to End Pro-MPEG FEC SMPTE 2022 Stand Alone Error Correcting Router for UDP or RTP Traffic

FEC Box IP IP

FEC Box IP IP

San Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will soon start shipping their new FEC (Forward Error Correction) device that catches and corrects bit errors in Internet transmissions. DVEO will debut the new FEC Box IP IP at Stand 2.A34 at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16.

The FEC Box IP IP increases the reliability of UDP or RTP IP streams over lossy network transports, and alleviates jitter and packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise. It is designed for video over IP, streaming live IP camera views, or any application where UDP/RTP audio-visual traffic is used and data loss is possible.

Forward Error Correction (FEC) is a method for finding and correcting errors in data transmissions. Extra data, called checksum packets, are added to the outgoing video stream so that errors can be corrected at the receiving end. The Pro-MPEG Forum, an association of broadcasters and content developers, adopted open standards for implementing FEC when transporting video over IP networks. The FEC Box IP IP is compatible with SMPTE 2022-1, -2, and -3 standards. This ensures high video quality and interoperability with other devices.

“The FEC Box IP IP alleviates dropped or scrambled bits, and it fixes dropped pixels and lines when transmitting video over noisy IP connections,” stated Laszlo Zoltan, Vice President of DVEO. “It enables our customers to stream video or data with reliable delivery. It can also provide SMPTE 2022 based FEC compatibility to devices that don’t support it.”

The compact (4.5 inches/114 millimeters square) device is generally purchased in pairs — one at the transmitting end, and one at the receiving end. However, it also works with other Pro-MPEG compatible devices. To ensure compatibility with receivers that don’t support FEC, the internal structure of the transport stream itself is not modified.

The FEC Box IP IP supports IP UDP unicast and multicast, in or out, and supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams.

Supplemental Information for Press Release

Features — GNAT 1080p 60

  • Alleviates packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise
  • Compatible with SMPTE 2022-1, -2, and -3 standards
  • Inputs/Outputs: UDP/RTP IP streams
  • Supports IP UDP unicast and multicast, in or out
  • Supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams
  • 10/100 Ethernet ports – switched for flexible use
  • Software updates can be performed via the Web GUI, or via the USB command stick
  • Will not alter the internal structure of the transport stream (PAT, PMT, etc.)
  • Tested for compatibility between other FEC equipped devices
  • Dimensions: 114 x 86 x 28 mm (4.48 x 3.38 x 1.12 inches)

Suggested Retail Price:
FEC Box IP IP (Usually sold in pairs): $1,195 U.S., each

DVEO and FEC Box IP IP are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Biamp Systems Welcomes New Area Manager

Joshua Peterson joins growing global sales team as area manager for Northern Central North America

BEAVERTON, Oregon — Aug. 4, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced the appointment of Joshua Peterson as an Area Manager in North America. Based in Minneapolis, Peterson will be responsible for leading and accelerating the growth of the expanding Biamp(R) business for Northern Central North America. more

Journey FOH Engineer on Meyer Sound LEO and LYON: “Music-In Translates to Music-Out”

Rock legends Journey and the Steve Miller Band are touring North America this summer with the Meyer Sound LEO™ Family of products, including the compact LYON™ linear line array loudspeakers launched this year. The equipment choice for the 40-city tour was driven in large part by Journey’s FOH engineer Jim Yakabuski, a former mixer for Avril Lavigne, Van Halen, and Matchbox Twenty. Tower of Power opens the show.

Yakabuski is especially impressed with the linear reproduction of the Meyer Sound system. “With LEO, I find that music-in translates to music-out,” he explains. “The tonality I heard from studio monitors during rehearsals is what I heard when I cranked up the full LEO system. What I find with other systems is a ‘coloring’ of the sound. You often have to adjust your system EQ or even your mixing style to compensate for the tonal quirks of the PA.”

Provided by VER Tour Sound, the system is based around dual main hangs of 12-each LEO-M line array loudspeakers with four LYON loudspeakers under each hang for down fill. Outfill hangs are 10 LYON loudspeakers each, while four MINA™ line array loudspeakers and four JM-1P arrayable loudspeakers are used for front fill. To maximize low-end impact for the audience and minimize undesired spill for the musicians on stage, dual flown cardioid arrays of nine-each 1100-LFC low-frequency control elements are supplemented by two cardioid ground stacks of three 1100-LFC loudspeakers each.

A Galileo® Callisto™ loudspeaker management system with six Galileo Callisto 616 and two Galileo Callisto 616 AES array processors supplies system delay and optimization. The system was designed by Yakabuski and VER’s Greg Mahler, who is system tech for the tour. Rob Kern is production manager.

“Journey’s music can get very busy in the midrange, and in some amphitheatres it can be hard to keep any space in the mix,” says Yakabuski. “With LEO’s amazing accuracy and clarity, I can create space that has a chance of making it through any muck the venue creates. It’s stunning how crystal clear the system sounds in outdoor venues.”

Although most shows take place outdoors, the tour has also included two arena shows. “It was a treat to hear this PA and Journey in my favorite concert conditions—arena rock,” continues Yakabuski. “The LEO system shines in arenas, with the top seats every bit as sonically pure as at the FOH position.”

Yakabuski mixes Journey on a DiGiCo SD5 digital console. The touring package also includes Sennheiser IEM systems and Shure UHF-R wireless microphone systems.

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Meyer Sound MINA Balances Strength & Flexibility on Wanderlust Yoga Tour

In choosing its touring sound reinforcement system, the Wanderlust Yoga Festival had very specific requirements: to provide both pristine vocal clarity for yoga instruction in the daytime and high-impact musical reinforcement for evening revelries. With the tour’s truck space and trussing constraints, the production also needed a system with an exceptional power-to-size ratio and versatility. All of this has led to the selection of a Meyer Sound MINA™ line array loudspeaker system, supplied by DBS Audio Systems of Coatesville, Penn.

“In prior years we had used four different systems from four different suppliers, with inconsistent results,” says Sage Anthony Plakosh, production manager for the tour. “This year we wanted to assure that the yoga teachers and musicians would get a consistent experience from venue to venue.”

The main Wanderlust system is anchored by dual arrays of 10 MINA loudspeakers per side, with low end provided by four-per-side 650-P subwoofers arranged in end-fire directional arrays. Two UPJunior VariO™ loudspeakers serve as lip fills, and a Galileo® loudspeaker management system with one Galileo 616 processor provides drive and optimization. The stage foldback system comprises eight UM-1P stage monitors plus two-each UPA-2P loudspeakers and USW-1P subwoofers for side and drum fills.

“Versatility was another key factor in opting for MINA,” continues Plakosh. “We needed a PA that could maintain full intelligibility for people listening at knee height while doing yoga, then provide the power and punch at night for rock bands and DJs playing electronica. At first I wasn’t sure a box MINA’s size could handle it all, but I’ve been pleasantly surprised.”

Midas PRO2 and PRO1 mixing consoles are used for main stage FOH and monitors, respectively. Two smaller reinforcement systems for breakout sessions and evening events are each powered by four MSL-4 loudspeakers and two 650-P subwoofers. All stages use Shure UHF-R wireless systems equipped with a mixture of handheld and headset microphones.

Dave Brotman of DBS Audio Systems adds: “The power-to-size ratio of MINA is just phenomenal, and with the tour’s limited trussing systems, MINA’s light weight was a key factor as well.”

First launched in Squaw Valley, Calif. in 2009, Wanderlust Yoga Festivals draw thousands of attendees by bringing together yoga students, world-renowned teachers, musicians, and inspirational speakers. This year’s tour includes stops at major ski resorts in Vermont, Colorado, California, and British Columbia.

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Yellow Hammer Nails It With Carl Tatz Design MixRoom™

- Carl Tatz Design proudly introduces the latest iteration of its TEC Award-winning MixRoom™ concept with film- and game-scoring composer Justin Ray Miller’s stunning new Nashville studio named Yellow Hammer -

Nashville, TN: “Every once in a while we have the opportunity to bump up our game to a new level as experience and technology allows us to. This has been the case with Justin Ray Miller and his Apella Music’s new Yellow Hammer studio,” stated TEC Award-Winning studio designer Carl Tatz. “And now these new performance advantages will trickle down across the board to all our future projects.”

Yellow Hammer is a comprehensive custom Carl Tatz Design (CTD) studio built from the ground up for film- and game-scoring composer/recording engineer Justin Ray Miller on the property of his East Nashville home. Opened in 2014, the studio encompasses a CTD MixRoom™, piano booth, restroom, computer closet and entry foyer. It features the acclaimed PhantomFocus™ System (PFS™) driving a Dynaudio Professional M1 monitor/Bryston 4B Pro SST Squared amplification combo that showcases the new Sound Anchor PhantomFocus™ Stand and a new custom application of the Carl Tatz Design Signature Series™ acoustic modules by Auralex – highlighted by the new Axial Mode Absorber Wall™ (AMAW)™ and the MixRoom Acoustic Lens™ system. The tracking room ceiling features the new Parabolic Acoustic Room Expander (PARE)™. And the MixRoom also features a new custom Carl Tatz Edition™ Dual 15-KL800 workstation by Argosy Console.

“I’ve been an audiophile for over a decade, but when I first heard Carl’s PhantomFocus System, I instantly knew that I never truly heard low end until that moment. Being able to hear a full frequency response accurately down to 20 Hz has allowed me to create fuller mixes and appreciate other producers’ work like never before,” states Miller. He goes on to explain, “The stereo imaging of the PhantomFocus System paired with the very powerful Dynaudio Professional M1 monitors and Bryston amplification is the most three-dimensional stereo playback out there. I saw a client recently trying to reach out and touch the sounds coming from the speakers as he listened to the mix we had just completed!”

Tatz states, “Poorly-placed video screens can be problematic for optimum audio imaging, and that’s why we spec large wall-mounted LCD screens for computer displays. However, in Justin’s case, being a film composer and needing multiple screens, we had to come up with a solution to allow for a total of three screens and not compromise the PFS performance. We were able to take Justin’s idea of how he wanted his Doepfer LMK2+ MIDI keyboard controller positioned in the desk and applied a deep-mount screen application for two video monitors with the help of Argosy Console CEO David Atkins and his design team. So successful was this collaboration that Argosy is now offering a new line of workstations inspired by it under the Carl Tatz Edition™ moniker.”

Miller adds, “From the incredible MixRoom to the unique tracking room design, to the best desk a composer could hope to work at, Carl had an eye and ear for what I wanted to accomplish and helped me achieve that within the budget we planned.

Photo Caption 1: Yellow Hammer MixRoom™ featuring the acclaimed PhantomFocus™ System (PFS™) driving Dynaudio Professional M1 Monitors and a Bryston 4B SST Squared amplifier and the Carl Tatz Signature Series™ acoustics modules by Auralex®.

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HARMAN’s Studer, JBL and AKG to Showcase World-Leading Broadcast Audio Technology at TAB Convention & Trade Show

AUSTIN, Texas — At the Texas Association of Broadcasters (TAB) 61st Annual Convention & Trade Show, HARMAN Professional will be showcasing an extensive array of world-class audio products for the broadcast industry, including Studer digital consoles, AKG microphones and JBL studio monitors.

Taking place at the Renaissance Austin Hotel, the TAB Convention & Trade Show is the largest state broadcast meeting in the United States, featuring one-and-a-half days of management, engineering and sales programs, plus a 127-booth trade show with industry vendors from around the country.

Studer will be showcasing its Vista 1 all-in-one digital mixing console, with integrated control surface, I/O system, DSP and power supplies consoling one compact footprint. This makes it the ideal choice when space is restricted, such as in OB and small control rooms or ENG vans. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles which means the Vista 1 can easily share signals across an entire console network. Two expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to popular formats, including CobraNet or Aviom A-Net, Ethersound, Dante, Dolby E and MADI I/O.

AKG will feature a variety of microphones and headphones for broadcast applications, including the C4500 BC. This large-diaphragm condenser microphone in front-addressed format is specially designed for on-air broadcast work. It provides a cardioid pickup with voice-friendly tuning and a low proximity effect, as well as high RF/EMI insensitivity.

In addition, JBL Professional will show off its award-winning 3 Series studio monitors, which are now available with the LSR310S powered studio subwoofer. Driven by an integrated 200 Watt Class D power amplifier, a new 10-inch high excursion woofer works in concert with JBL’s patented Slip Stream Port™, delivering impressive low-frequency response below 27 Hz, with peak output of 113 dB SPL.

For more information on the TAB Convention & Trade Show, please visit www.tab.org

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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