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Bose® Professional Holding One-On-One RoomMatch® Demo Sessions at Wild Bills Atlanta on October 28-30

WildBillsAtlanta

Demos allow personalized sessions with Bose® Professional personnel, with the opportunity to mix live multitracks on an installed Bose RoomMatch® system

Framingham, Massachusetts, October 15, 2014 – As a resource for system integrators, consultants and front-of-house engineers, Bose® Professional will be hosting one-on-one demo sessions of their RoomMatch® Progressive Directivity Array loudspeaker systems at Wild Bills, the premier concert venue in metro Atlanta, on Tuesday, October 28, through Thursday, October 30, 2014.

The Wild Bills sessions are an extra-special opportunity, with plenty of time for attendees to mix live multitracks on an installed RoomMatch system. And attendees will have a chance to have discussions with Bose Professional Systems engineers. Snacks and refreshments will be available.

Date:
Wednesday, October 28th
Thursday, October 29th
Friday, October 30th

Time: 9:00 am – 4:00 pm, 1-on-1 sessions

Location: Wild Bills
2075 Market St., Duluth, GA

Attendees are welcome to bring along prospective RoomMatch clients and/or other guests. Schedule a session today by contacting Anthony Papamichael at Anthony_papamichael@bose.com or 404-904-6353. Space is limited.

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137th Audio Engineering Society Convention Breaks Records and Draws Acclaim from Attendees, Exhibitors and Presenters Alike

ExhibitsOpening

— Convention reminds West-Coast audio community, “If It’s About Audio, It’s At AES!” —

New York, NY — The 137th Audio Engineering Society Convention, held Thursday, October 9, 2014, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, was the place to be if you have anything to do with the audio industry. The exhibit floor, panels and technical sessions were packed all four days, and with 15,403 registered attendees and 307 exhibitors/sponsors, AES137 far surpassed any West-Coast AES Convention in the last 10 years or more. At show close, AES reported a 28% increase in registration since the last time the convention was on the West Coast (133rd AES Convention in San Francisco in 2012).

Convention Committee Co-Chairs Valerie Tyler and Michael MacDonald and their team created one of the most ambitious and comprehensive schedules of workshops, panels and technical programs in AES convention history. From the opening keynote address on Thursday by acclaimed engineer, musician and record producer Alan Parsons; and the Richard C. Heyser Memorial Lecture presented by legendary game audio director and composer Marty O’Donnell; to Friday’s keynote by Neil Portnow, President/CEO The Recording Academy®, The GRAMMY Foundation® and MusiCares; the popular Project Studio Expo and Live Sound Expo; the High Resolution Audio Program in association with DEG: The Digital Entertainment Group; the GRAMMY® SoundTables event “Songs That Move The Needle: Producers on Producing,” moderated by Ed Cherney and featuring Alex da Kid, Don Was, Niko Bolas, No I.D., and Michael Brauer; “DTV Audio Group Forum: The Implications of Streamed Content Delivery on the Evolution of Television”; “Chicks in the Mix,” moderated by acclaimed producer and mixer Chris Lord-Alge and bringing together well-known female industry professionals to discuss their personal experience; “Sound Is the Conduit to the Artist Heart” presented by acclaimed producer, engineer and technologist Jack Joseph Puig; and more, AES137 hit it out of the park for attendees and exhibitors alike.

“I cannot put into words how thrilled I am with the 137th AES Convention,” stated Bob Moses, Executive Director of the AES. “Our organizing committee really outdid themselves, with over 350 presentations from an astounding 731 leading researchers and practitioners in the field, many of them standing-room-only. We have some serious momentum built from recent conventions in New York and Berlin, and we are going to keep it going for the coming conventions in Warsaw in May and then back to New York next October. You could say that our conventions and the AES organization have a renewed energy, and we couldn’t be happier.”

No matter what sector of the industry you are involved in — recording & production, broadcast & streaming, game audio, live sound, networked audio, sound for picture, post production or system integration — AES137 had it all. The convention received support from leading audio companies including: Audionamix, Audinate, Audio Precision, Auro Technologies, Avid, DiGiCo, EAW, Focusrite/Novation, L-Acoustics, Lectrosonics, Location Sound Corp, MOTU, Sennheiser/Neumann, Shure, TC Electronic, TC Applied Technologies, THAT Corp, Universal Audio, and Yamaha.

For additional information on the Audio Engineering Society and its conventions, conferences and technological outreach, visit http://www.aes.org.

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Waves Audio 2014 AES Press Kit

Please click link below to view Waves 2014 AES Press Kit

http://clynemedia.com/waves/AES_2014/index.html

WAVES_-_Index

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Genelec 2014 AES Press Kit

Please click link below to view Genelec’s 2014 AES Press Kit

http://clynemedia.com/genelec/AES_2014/index.html

Genelec - Index

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HARMAN’s Martin Professional Announces MAC TW1 Fixture Refurbishment Program

MARTIN_MAC TW1AARHUS, Denmark — Underscoring its commitment to legacy customers, HARMAN’s Martin Professional today announced the return of its popular MAC TW1 Tungsten wash light as a certified refurbished product to satisfy the global demands of lighting professionals. All Martin MAC TW1 refurbished fixtures will bear a “pre-owned /certified by Martin” label and meet the same performance standards and quality level of new Martin products.

“We are thrilled to see that the MAC TW1 is still acknowledged as an outstanding product and the ideal moving light, especially in theater and TV applications where best possible light quality is important for LD´s and camera personnel,” said Markus Klüsener, Product Manager for stage lighting at Martin Professional. “Whilst LED technology is constantly improving on efficiency and light quality and finds its way into more and more applications and markets, we truly acknowledge that there is, as yet, no light source available on the market that beats the quality of the incandescent light. For certain applications, that superior light quality is needed, and we are pleased we can continue to support this need with the MAC TW1.”

Ideal for stage and studio lighting, the MAC TW1 utilizes an incandescent lamp that provides high-quality optics with soft beam edges and uniform light/color output to ensure even distribution across projected surfaces. The MAC TW1 operates in three modes—Normal, Studio and Silent—which are selectable from a lighting desk and features a unique heat management system which traps heat and silently dissipates it through the back of the fixture. A CMY color mixing system that ensures smooth transitions and delivers a multitude of vibrant colors ranging from saturated deep hues to soft pastels.

Refurbished models will be available in 80 V lamp versions that offer superior output when compared to traditional voltage lamps. In addition, all refurbished versions of the MAC TW1 wash light are backed by spare part availability and a one-year warranty.

For more information on the MAC TW1 refurbishment program, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Audio-Technica 2014 AES Press Kit

Please click the link below to view Audio-Technica’s 2014 AES Press Kit

http://clynemedia.com/audiotechnica/AES_2014/index.html

Audio-Technica_-_Index

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SSL Live for Oprah’s ‘The Life You Want’ Weekend 2014

“The clarity and the ‘air’ on the top end are remarkable.”

BRENTWOOD, TN – Oprah Winfrey has taken ‘The Life You Want Weekend’, a high-profile two-night self-help show on the road for eight weekends this fall. Along for the ride is CTS Audio, who is providing sound for the tour including a SSL Live. L500 console at the mix position, operated by CTS veteran front of house engineer Jon Schwarz.

Jon Schwarz with SSL Live. L500This two-night event starts the first night with Winfrey offering the inspirational story of her life’s journey. She speaks about identifying life’s purpose and leads exercises on taking action to reach goals. The second night, Oprah introduces motivational speakers from her network, who each give their own monologues in turn. “Eat, Pray, Love” author Elizabeth Gilbert, pastor Rob Bell and OWN TV personality Iyanla Vanzant are joined in some cities by alternative-medicine guru Deepak Chopra as well as DJ performances.

‘The Life You Want’ employs two stages; a traditional endplay arena stage with a multi-tiered set, multiple video and a stereo line-array music and playback system and a small B stage in the arena’s center, where monologues are delivered via a second, separate ‘in the round’ system. With the majority of the audio originating from the speakers and DJ performances, input count is small, under 30 channels, but when combined with the other performances elements, the show became a real undertaking. “They [the Oprah Tour] have a lot of video content,” explains CTS Vice President Mike Taylor. “It’s a very complicated show in terms of video cueing and audio because of all of the sources.”

The real challenge for this tour was generating a high-quality audio feed to ensure that all inspirational messages were heard both in the venue and for future TV Broadcasts and DVD’s. “Most, if not all of the show, is being recorded for TV, so we wanted to pass along the highest quality audio,” adds Schwarz. “They’re just taking analogue audio output back to the video world but they’ve noted how clean and warm it sounds and the dynamic range is fantastic.”
Though this was Schwarz’s first major tour where he was working with the L500, he had a chance to experience the dramatic difference in sound quality at a few previous CTS events and knew it would be an asset to this minimalist production. “The very first time I heard SSL Live, we had a show in a stadium and there was a moment with a person singing and playing the acoustic guitar,” Schwarz says. “I’ve done plenty of shows in stadiums with many different consoles and the very first thing I noticed with this one, was the clarity and the top end ‘air’ on it. I’ve never heard that, especially in a space that large with that much reverb time in the room. The clarity and the ‘air’ on the top end are remarkable.”

Schwarz points out that the L500’s input list can be organized by operator workflow and how banks of faders are programmed, which ended up being an asset for each show’s varying programs. The console has two lower 12-fader banks, or ‘tiles’ in the left and center positions, plus a third, 12-fader tile on the upper left of the console. “On most consoles, the sequence of inputs dictates workflow,” he explains. “With SSL Live, input list order just doesn’t matter as much. The concept of layers and banks is very cool; the first night’s show varies from the second night’s show, so I layer my banks based on what I need on the surface for each day. I also lay out what I need for different parts of each show in other layers on the center tile.”

Due to the setup of the event, redundancy becomes a key factor. “Because the format is predominantly one input, one person, I can’t have enough redundancy and back-ups,” he explains. “To accomplish this, several hardwired emergency microphones are placed at different stage locations, as well as a few others that are all controlled from a layer on the top left tile. I also have my master faders for the music PA and the vocal PA on the top left with the emergency mics due to the dual system design.”

Console operators of corporate-style events, such as Oprah’s, must man their consoles for much longer periods of time than with typical concerts. The design and layout of the SSL Live helps Schwarz to handle his job without fatigue. “On Saturday I sit behind the console for close to 10 hours straight,” he says. “With the SSL Live, operators can sit in one place without having to move around a lot. Having everything within arm’s reach is a huge convenience.”
He also mentions the Focus Channel section on the L500′s right side as being an asset during the tour. “At first I used the main, central touch screen a lot, but over time I find I touch the Focus Fader and Channel Control Tile more and the main screen less,” he says. “Grabbing hotkeys and using its small screen is fast and accurate and there’s a lot of information there. When I have to ride gain or EQ, based on what’s happening on the show with something really dynamic, I use it a lot.”

Schwarz also points out that the sound of the console allows him to mix differently than on another console. “Between the preamps and EQs, it reacts differently than other consoles I’ve used, so I can lean on them more than I would with others,” he says. “I’ve also found that the EQ is so musical, I’m able to do things that I’ve never been able to do with other consoles and the results are exciting. I had someone speaking, and the way that I could shelf one side and boost the other allowed me to cut the sibilance out and add air on the back side, which was something I hadn’t experienced on other consoles.”

“It’s just so transparent, it really is,” says Taylor about the sound quality of Live. “Whether hearing an acoustic guitar and vocal or a full band for an event in a stadium with 30,000 people was stunning. We’ve also done a worship conference with 12,000 attendees and the sound was just incredible for just a vocal and a piano. Then to take it on a TV shoot of an awards show with full bands and hear what it could do was a testament of the flexibility and consistency of this console. The console is just so clear.”

www.ctsaudio.com

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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Church On The Rock at the Golden Triangle Upgrades to HARMAN’s Soundcraft Vi3000

Scraft_GoldenTriangle_1BEAUMONT, Texas – Located at one of its several campuses, the Church On The Rock at the Golden Triangle location in Texas recently acquired a HARMAN Soundcraft Vi3000 console to provide its community with better worship services and broadcasts. Part of a major renovation project, the Vi3000 is part of a new, streamlined audio system, where the console is being used as the Church’s FOH console and for broadcasting.

Seating 1000, the Church on the Rock consists of a shallow but wide room, which requires a system that accommodates the 180-degree seating arrangement. Lead FOH Engineer Blake Sessions took charge of this challenge, and decided that the Vi3000 console was the best choice especially thanks to its MADI and Dante connectivity and channel capacity.

“I’ve worked on the Vi Series consoles before, so I understand how intuitive the layout is on these boards,” said Sessions. “The Vi3000 is very flexible as it offers 96 input channels and 24 mono or stereo output busses depending on what we need. Also, being able to run 64 channels with Dante or MADI protocol is very important, because it allows us to link the feeds to our broadcast studio via Cat5 or optical cable.”

The Church hosts a total of four services between Sundays and Wednesdays, which are tracked and broadcasted from the website churchonline.tv. To ensure quality during each service, it needed a console that not only sounds great, but is also easy to learn and use for the newer operators.

“We have several volunteer engineers, so it’s nice to have a console that has a familiar analog layout and feel,” said Sessions. “However, the ease of use does not take away from the performance: the console is a work horse with fantastic pre-amps and abundant capabilities. It’s amazing how I can get all that at this price point.”

After installing the new audio equipment and setting up the Dante network, Golden Triangle Church On The Rock was able to greatly improve their live and broadcast sound departments.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Reflect Selects SunBriteTV Outdoor Televisions to Help Entertain and Inform Guests at Cedar Fair Amusement Parks

SunBriteTV--CedarFair1THOUSAND OAKS, California, Oct 20, 2014 — While roller coasters might be the main attractions at Cedar Fair Entertainment Company’s 11 major amusement parks, SunBriteTV’s outdoor-rated displays help keep guests entertained at the parks year-round. In an aggressive deployment timeframe of just eight rainy weeks, SunBriteTV’s outdoor televisions were chosen thanks to their ease of installation and weatherproofing technology that has withstood the elements across North America. They proved versatile and reliable tools in delivering necessary information and entertainment to Cedar Fair’s 23 million annual guests.

With more than 350 screens in 11 amusement parks, including Cedar Point, Knott’s Berry Farm, Kings Island and Canada’s Wonderland, the digital experiences start immediately when guests arrive. Entry gate digital signage is being utilized to help direct the flow of traffic. For entry gate screens, Reflect developed a custom software application to dynamically control lane status for guest entry, indicating which lanes are open or closed. The application also provides custom content and messaging capabilities to designate lanes reserved for groups and VIPs, and can also be used to promote special events. Multiple screens throughout the parks provide guests with entertainment and information. Reflect developed dynamic content, including a custom weather package to inform guests when to expect the hottest or coldest hours of the day, or inclement weather, allowing them to plan their day accordingly.

The ReflectView enterprise digital media software suite provides Cedar Fair control over the management, distribution and presentation of HD media content and applications. ReflectView provides Cedar Fair with a flexible platform to display dynamic messaging and media that effectively communicate the latest promotions and park attractions, and it supports the integration and management of open standards for content, apps, and web technologies.

“Cedar Fair’s attention to customer service and the parks’ varied environments demanded a dependable solution,” said Rusty Wagner, SVP, Reflect. Reflect was also responsible for the selection and installation of the SunBriteTV outdoor displays in all Cedar Fair parks. “We chose SunBriteTV because the displays were not only an aesthetic fit but because the weatherproofing technology guaranteed high performance in every climate.”

Reflect deployed more than 350 SunBriteTV Pro Series 55” outdoor displays across the 11 parks. Featuring direct sunlight-readable LED screens with high temperature Enhanced Solar Tolerance (EST) technology, the Pro Series offers a consistent image in all lighting conditions. Multi-fan airflow and temperature regulation systems keep internal electronics running in temperatures from -40° to 122° Fahrenheit and a watertight Cable Entry System seals out moisture, insects, dust and foreign particles.

Inclement weather was a factor even before the installation was complete. Reflect had to perform within an ambitious timeframe of eight rainy weeks in order to finish the job in time for the start of the 2014 season. Outfitting each park with up to 50 screens was made easier thanks to the SunBriteTV’s ease of installation and responsive customer service.

“Our installation schedule was intense and the SunBriteTV team, mindful of our time constraints, was able to bulk-ship supplies directly to the parks,” said Rusty Wagner, SVP, Reflect.

The project came about in early 2014 when Cedar Fair tasked Reflect with enhancing the customer experience. This meant finding a solution to provide information and entertainment quickly and dynamically over digital networks. Thanks to the weatherproofing technology, ease of installation, product versatility and “expertise in the outdoor display market,” it’s no surprise that Reflect selected SunBriteTV to help reach Cedar Fair’s 23 million annual guests.

Designed for permanent outdoor installation, durability is inseparable from the SunBriteTV brand. In large public venues like Cedar Fair’s amusement parks, vandalism is as great of a concern as weather. The Pro Series features a front tempered anti-reflective glass window to provide added protection and prevents tampering with the LED screen.

For more information on Reflect Systems, please visit http://www.reflectsystems.com/.

For more information on Cedar Fair Entertainment Company, please visit http://www.cedarfair.com/.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV.

About SunBriteTV

SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, colleges, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.SunBriteTV.com.

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New Clay Paky Stormy Fixtures Arrive at Main Light Industries

StormyMain Light Industries, Inc., which offers lighting equipment rentals to the professional entertainment business from its base in Wilmington, Delaware, has taken delivery of 34 new Clay Paky Stormy fixtures. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky products in North America.

The innovative Stormy uses the latest LED technology while retaining all the charm of the classic strobe. Its light source is a strip of powerful white LEDs, which perfectly emulate a bright Xenon linear lamp. The flash effect is enhanced by the Stormy’s parabolic reflector, like a classic strobe’s, which does not project the light directly forward like other LED strobes.

“The Stormy fills a hole in the market with a realistic strobe-style fixture that isn’t just a brick of LEDs,” says John DiEleuterio at Main Light Industries. “Having a strobe that’s LED alleviates the thermaling issue of conventional strobe fixtures offered by the other manufacturers.”

The new Stormy has 144 x 7W Oslon Osram LEDs with a pulsed mode of 980W max and a continuous mode of 720W max. The frequency, duration and intensity of the pulse are fully digitally controlled; the parameters are even independently adjustable, which is impossible with a Xenon lamp strobe. Due to highly sophisticated electronics, the light turns on and off instantly, creating the jerky movement illusion. The pulse duration may be extended as required. And thanks to the use of LEDs, the light intensity remains constant with no flickering effect.

The Stormy also comes with RGBW LEDs, which are able to flash in any color eliminating the need for gels, that dramatically reduce the amount of light, and slow, noisy and unreliable scrollers.

DiEleuterio is particularly pleased with these features. “The Stormy fixtures are RGBW, and there’s no need to add scrollers or color,” he says. “They are also very solidly built.”

The Stormy’s beam opening control is by optional barndoors. The fixture has a 0-100% adjustable dimmer and bracket adjustable on 360º.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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