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Harmonic Helps The Weather Channel Improve Efficiency and Flexibility

Harmonic Ingest, Storage, Playout, and Transcoding Systems Enable Agile Production and Delivery of Timely Multiplatform News and Programming

SAN JOSE, Calif. — Aug. 12, 2014 – Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure, today announced that The Weather Channel(C) has deployed a comprehensive ingest, playout, and transcoding solution from Harmonic to support the network’s content acquisition management system. The network also installed a complement of new Harmonic systems in its master control for short- and long-form program playout.

The new broadcast infrastructure at The Weather Channel headquarters in Atlanta enables a much higher degree of automation, as well as better tracking of audio, video, and data — and more effective use of these assets in creating the unique content for which the network is known. These benefits extend beyond production and broadcast operations to providing additional programming and data for other business units, such as WSI, weather.com, and Weather Underground.

“Because we cannot send crews to hundreds of locations each day, we rely on local talent and local users to generate content for us, and this means we get a significant amount of inbound content in just about every format imaginable,” said Philip Grossman, senior director of content acquisition and management at The Weather Channel. “From transcoding and ingest to high-speed shared storage and playback for live TV, Harmonic is at the core of our operations. With this installation we can process as many as 200 videos an hour in up to six different bit rates, and we can scale the system beyond this as needed.”

The Harmonic solution includes the ProMedia(R) Carbon file-based transcoder for transcoding with WFS(TM) file-based workflow engine control; Spectrum MediaDeck(TM) integrated media servers for ingest; a Harmonic MediaGrid shared storage system; and, for playout, a new Spectrum(TM) media server system comprising a MediaStore(TM) 5000 storage array, MediaDirector(TM) media server controllers, and MediaPort(TM) real-time video encoder/decoders. These systems are connected to an enterprise service bus (ESB) that establishes interoperability among systems and provides their functionality through scalable services within a service-oriented architecture.

As a result, The Weather Channel has been able to increase efficiency and flexibility for covering multiple simultaneous weather-based news events, as well as the agility that allows it to adapt quickly to changing market demands without interrupting ongoing programming and services. The greater capacity of the new Harmonic Spectrum systems in master control, along with support for the latest codecs, helps The Weather Channel free up storage space while reducing the need for file conversions, which saves time and streamlines the overall flow of content from production to playout.

“We have a long history with The Weather Channel, and we are proud to play a role in its continued evolution as the preeminent source of timely weather-related news and information,” said John Scaggs, director of sales at Harmonic. “The network’s broadcast infrastructure is designed to be adaptive and interactive so that it can continually provide the functionality essential to the top-tier multiplatform offering of weather-focused content by The Weather Channel.”

A two-minute “Industry Spotlight” video about The Weather Channel content acquisition management system is available on the Harmonic website at http://www.harmonicinc.com/content/weather-channel-content-acquisition-and-management-industry-spotlight.

At stand 1.B20 during IBC2014, Sept. 12-16, in Amsterdam, Harmonic will showcase its comprehensive line of market-leading solutions that optimize the production and delivery of high-value video services. Further information about Harmonic and the company’s products is available at www.harmonicinc.com.

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About Harmonic
Harmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. The company’s production-ready innovation enables content and service providers to efficiently create, prepare, and deliver differentiated services for television and new media video platforms. More information is available at www.harmonicinc.com.

This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934, including statements related to the anticipated capabilities and benefits of Harmonic’s MediaDirector(TM), MediaGrid, MediaPort(TM), MediaStore(TM) 5000, Spectrum(TM), Spectrum MediaDeck(TM), ProMedia(R) Carbon products and WFS(TM) workflow engine control products. Our expectations and beliefs regarding these matters may not materialize and are subject to risks and uncertainties, including the possibility that the products do not meet some or all of their anticipated capabilities or provide some or all of their anticipated benefits, such as higher degree of automation, better tracking of audio, video and data, increased efficiency and flexibility, agility and quick adaptation to changing market without interruption to ongoing programming and services, time saving, and streamlined overall flow of content from production to playout.

The forward-looking statements contained in this press release are also subject to other risks and uncertainties, such as those more fully described in Harmonic’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended Dec. 31, 2013, its Quarterly Reports on Form 10-Q and its Current Reports on Form 8-K. The forward-looking statements in this press release are based on information available to Harmonic as of the date hereof, and Harmonic disclaims any obligation to update any forward-looking statements.

EDITOR’S NOTE - Product and company names used herein are trademarks or registered trademarks of their respective owners.

Visit Harmonic at IBC2014, Stand 1.B20

Photo Link: www.wallstcom.com/Harmonic/Harmonic-TheWeatherChannel.zip

SSL Live Joins the 2014 World of Music, Arts and Dance (WOMAD) Festival

“The flexibility of surface offered by the SSL is unparalleled”

MALMESBURY, ENGLAND, U.K. – Celebrating its 34th year, World of Music, Arts and Dance (WOMAD) is an annual eclectic world-music festival of “artists whom we might not get to hear anywhere else” and the largest and most prestigious event of its kind. As with WOMADs of the past, Britannia Row Productions Ltd. once again provided sound services for the festival. But this year had a new team member – SSL Live consoles at FOH for two stages: the main Open Air Stage and at WOMAD’s new Society of Sound marquee.

Having worked as front of house and system engineer in WOMAD’s Siam Tent last year, New Zealander Johnny Keirle returned to mix FOH at the Open Air Stage. An SSL Live console was used by Keirle to mix acts travelling without a FOH engineer. “The SSL Live provides an intuitive, logical workflow and is very easy to use in a festival situation,” he says. “Despite the time restrictions and last minute changes that can prove difficult and stressful at a festival, the console proved to be perfect for our setup.”

The collection of acts that Keirle mixed included the eight-piece traditional Cuban ensemble Septeto Santiagero, Italian folk traditionalist Anna Cinzia Cillani and her Macuran Orchestra and Ethiopian jazz master Mulatu Astatke, who performed just before founding WOMAD headliner and Senegalese icon Yousou N’Dour. Over on the Society of Sound stage Live was coupled with the unique Bowers & Wilkins ‘Sound System’ to deliver pristine high fidelity audio to a discerning audience who enjoyed an impressively diverse collection of experimental artists including: Radiophonic Workshop, Beardyman, 9Bach, Justin Adams and Iarla Ó Lionárd.

For Keirle, the most appealing feature of Live was the customisability of the surface. “On analogue consoles, you always have everything in front of you at all times,” he says. “Obviously, with digital consoles, this is not the case. So, it’s essential to have channels where they’re needed. The flexibility of the control surface offered by the SSL is unparalleled.”

Keirle also mentions the secondary screen on the Channel Control Tile and its Focus Fader below, which together form the right-hand ‘Focus Channel.’ “The combination of direct-access buttons, push-button rotary encoders and touch screen offer full control across all channel processing,” he continues. “I could work on channel processing while simultaneously using the primary screen for other functions.”

Many engineers begin by mainly using Live’s large, central multi-touch screen but like Keirle quickly started to see the benefits of its Channel Control Tile. “As I familiarised myself with the console’s layout and workflow, I found I preferred to use the secondary, smaller screen with its direct access buttons and associated rotary encoders,” he adds. “The Focus Channel offers quicker access to various channel functions and has the added benefit of physical knobs, which I find preferable to the touch screen or a fader flip for fine-tuning and tweaking.”

With a new digital console it can be a challenge to understand its workflow and find the best method of operation but not so for Keirle with Live. “For me, the simple comfort of being able to have my faders laid out exactly as I wanted, in conjunction with full control over channel processing on the second screen, made it easy to quickly get underway,” Keirle says. “This meant I could spend more time working on my mixes, rather than learning how to operate the console. The ability to easily change the console’s configuration is fantastic. Changing inputs or outputs from mono to stereo, or changing auxiliaries from pre- to post-fader is fast and easy, making the creation of suitable mix templates effortless.”

It wasn’t long before Keirle was comfortable pushing the limits of the console. “I began to get more experimental with my show file structuring and layout,” he remarks. “I would change the configuration; make use of multiple stems as subgroups for parallel compression; use various effects units inserted on channels, stems and auxiliaries; run inputs into multiple channels for dedicated effected channels and so on.”

Keirle also found the customisable fader banks and layers very useful for WOMAD’s festival situation. “I found that I could easily reorder channels to work in our festival-patch scenario,” he adds. “So, I adopted a layout that worked well for the bands I was mixing.”

SSL Live’s surface provides three 12-fader banks, or Fader Tiles, each with multiple layers that can be customised with any combination of inputs, outputs, stems, groups, auxiliaries or VCAs. He dedicated the lower, Left Fader Tile to band and instrument inputs and stems on various banks. The Central Fader Tile was used for vocal inputs and dedicated FX send fader and the Upper Fader Tile was used for auxiliary masters and VCA faders.

The loudspeaker system at the Open Air Stage consisted of one dozen L-Acoustics K1s per side, supplemented with 16 SB28 subs and a dozen KARA front-fills. “Using the SSL with the K1 system made for an extremely effortless mix. I never struggled to get anything sounding how I wanted,” Keirle says. “I found SSL Live’s internal effects very easy to dial in and never had any issues with quality of effects sound, which I’ve commonly found to be a weak point in other touring consoles.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Pro Control CEDIA EXPO 2014 — Booth 576

“At CEDIA EXPO 2014, Pro Control will introduce powerful new additions to our product lineup that attendees won’t want to miss. The new Pro.zwi Z-Wave interface facilitates the integration of a variety of Z-Wave-enabled devices into one intuitive control interface, eliminating the need for separate two-way drivers for every device — saving both time and money. We will also highlight the Pro.rfz wireless range extender, which provides a cost-effective solution for expanding the convenience of two-way control and feedback over larger areas. With our robust product family and these new innovations on display, we are looking forward to a great show.”
– Mike Everett, General Manager for Pro Control more

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Revolabs Brings More Strength to Global Sales Team

Adds Longtime Industry Pro Jim Fairweather as EVP of Global Sales

SUDBURY, Mass. — Aug. 11, 2014 — Revolabs(R), the premier provider of audio solutions for unified communications (UC), enterprise collaboration, and professional audio applications, today announced the appointment of Jim Fairweather to executive vice president of global sales. As the leader of Revolabs’ global sales team, Fairweather will be responsible for the worldwide management and recruitment of the sales organization as well as the growth and profitability of the entire portfolio of Revolabs products. more

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BenQ Now Shipping Latest in its GW Series of RevolutionEyes(TM) Monitors

Monitors Offer Elegant Design and Exceptional Performance for the Home or Office

COSTA MESA, Calif. — Aug. 11, 2014 — BenQ America Corp., an internationally renowned provider of visual display solutions, today introduced its new additions to the GW Series of mainstream monitors, the GW2765HT and GW2265HM. Featuring BenQ’s RevolutionEyes(TM) technology, the displays blend perfectly within any living space or office décor with stylish attributes such as high-gloss frames, curvaceous stands, and extremely slim bezels that enable sharper-looking single or multidisplay configurations for placement in any setting. more

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Blonder Tongue Offers Superior Motion Optimization for Fast-Paced TV Programming With New HDE-HVC-PRO

Introduces Enhancements to SDE-4AV-QAM Encoder to Enable Superior Video Quality at Lower Bit Rates

OLD BRIDGE, N.J. — Aug. 12, 2014 — Blonder Tongue Laboratories, Inc. (NYSE MKT:BDR) today announced the HDE-HVC-PRO, a new MPEG-2 SD/HD professional series encoder designed to deliver superior motion optimization for fast-paced programming, including live sports events. In addition, the company announced enhancements to its SDE-4AV-QAM MPEG-2 SD encoder, which enables operators to deliver more SD channels at lower bit rates. Both the HDE-HVC-PRO and SDE-4AV-QAM encoders bring increased levels of video quality and bandwidth efficiency to the broadcast, cable, and hospitality markets. more

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RapcoHorizon Joins the “Soundtrack of Summer Tour” with Foreigner, Styx and Don Felder

Engineers for All Three Acts Rely on Custom RoadHog and SilverHog Cables and Connectors for Legendary U.S. Concert Series

JACKSON, MO, AUGUST 13, 2014 – RapcoHorizon, an RHC Holdings brand and leading manufacturer of audio/video interfacing and cable equipment, has once again hit the road for another legendary tour. Custom runs of the company’s RoadHog and SilverHog touring cables are serving a variety of needs for the “Soundtrack of Summer Tour,” featuring Foreigner, Styx and special guest Don Felder of the Eagles.

As the group began to prepare for this highly anticipated tour, Lorenzo Banda, monitor engineer for Foreigner and a long-time RapcoHorizon fan, recommended the cables to the Styx and Felder audio teams. Though Foreigner and Styx are co-headliners and Felder is the opening act, each band required its own unique cabling requirements. For Foreigner and Felder, they exclusively are relying on RapcoHorizon – from instruments to speakers – all arranged in custom runs, while the engineers for Styx created their own runs using several of the company’s cables and connectors.

“We started using RapcoHorizon a while back, when the SilverHog cables first came out, and have used them for every performance since,” says Banda. “When the time came for us to plan the Soundtrack of Summer Tour, I knew the cables would be a perfect fit for Styx and Don Felder. When we met up for a gig at Fox News’ Fox & Friends in New York to promote the tour, I introduced the guys to some of their products.”

The stage design for this tour is complex since each group has its own setup, including lasers and special effects for Foreigner, large video walls for Styx and Felder opening each show by descending onto the arena. “Don is completely on board with the cables,” says Banda. “His engineers love it. Their whole stage setup is now using RapcoHorizon, and I think his studio is even starting to fill out with the cables as well. As for Styx, they’re also really stoked about the quality and sound of the cables.”

All RapcoHorizon cables are designed for the working musician. The custom instrument and speaker cables are road-ready and tour tough, employing the most rugged constructions without sacrificing sound quality. The SilverHog cables offer the bands the same durability for which RapcoHorizon is known, but with an even more enhanced sound range.

“I noticed the high-end definition and fidelity on these cables, as it’s much more pristine than others I have heard,” says Banda. “I use a lot of RapcoHorizon’s twisted pair cables, which have great resistance and a high-quality sound. I don’t know all the technical nuances that go into making the cables, but I can definitely hear the difference.”

By the time the tour concludes this September, the RapcoHorizon cables will have made more than 50 stops across the country. “All of the cables have been really slamming and durable,” adds Banda. “We have backups and redundancies, just in case, but we haven’t needed to use them. Sound is our first priority and to have that kind of quality product behind us is one less thing that we have to worry about.”

Banda credits RHC Holdings and RapcoHorizon as being among the best audio companies in the industry with which to work. “Everyone at RapcoHorizon bent over backwards to make sure all of the bands received what they needed in a timely manner,” he says. “They always make us feel like we’re their number one priority and take care of us immediately. They care about us 100 percent whole-heartedly. We’ve worked with other cable companies and you can’t get that level of customer service with anyone else; it really makes a difference.”

RHC Holdings, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications interfacing products. Comprising RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, each RHC Holdings brand has developed a reputation in many industries for reliability, and superior sound performance. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, the company’s products provide optimal flexibility and premium performance. RHC Holdings also has a state-of-the-art Custom Shop to modify existing products or build new devices to meet any need.

Forbidden and Take 1 Partner to Integrate Transcription Capabilities With Forscene

LONDON — Aug. 12, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, and U.K.-based Take 1 Transcription, provider of transcription, captioning, and translation services, today announced a partnership that connects Take 1′s transcription capability to Forscene. Now Forscene users will be able to access Take 1′s service directly from the Forscene interface with the touch of a button. This integration eliminates the need to prepare and transport large files or other media manually for transcription, and also helps to create thorough transcripts that can accelerate the post-production process.

“Many of our customers rely on time-coded transcripts as a valuable source of information during post-production, but getting those transcripts in hand can be a cumbersome process,” said Greg Hirst, business development director, Forbidden Technologies plc. “Our partnership with Take 1, which serves many of the major production companies, studios, and networks in the U.K. and the U.S., means our customers can skip the manual steps involved with initiating a transcription and just push a button instead, leaving them well on their way to a more efficient workflow.”

Unlike the usual transcription process, which requires producers to transcode clips, create and transport DVDs, or send files via FTP to a transcription vendor manually, the integration between Take 1 and Forscene creates an automated process. Producers select the content in Forscene to be transcribed, and then simply click a button to send proxy files to Take 1. Take 1 receives the transcription order, where it is processed immediately by the company’s highly trained, distributed workforce. Once completed, the transcript is imported back into Forscene as an XML file so that it gets linked back to the master video in the Forscene cloud.

At that point, production teams can use Forscene’s powerful logging functions to add even more metadata around visual descriptors, locations, and other key information. From there, Forscene’s robust search tools can be used to scan the transcript and the additional metadata to find just the right clips. Then teams can use Forscene to complete some or all of the editing process, from stringouts to publishing, with review and approval cycles throughout.

“More and more of our clients are embracing cloud-based post-production and using platforms like Forscene, so we needed to ensure our service was accessible directly from the cloud,” said Dom Bourne, CEO of Take 1. “By integrating our transcription service into Forscene, we are removing an entire step in the workflow, allowing content to flow seamlessly from Forscene to Take 1 for immediate transcription with resulting transcripts importing back effortlessly. This integration helps further compress the time between the shoot and the edit, so clients can focus on making TV programmes and not worry about logistics.”

Visit Forbidden at IBC2014 in booth 8.B38e to find out more.

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk. More information about Take 1 Transcription can be found at www.take1.tv.

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About Take 1 Transcription
Founded in 1998, Take 1 Transcription is the trusted provider of transcription, captioning, and translation services to all the major production companies, studios, and networks in the U.K. and the USA. Take 1 Transcription has a strong understanding of broadcast technologies, file-based workflows, and FTP and has developed sophisticated internal systems to maximize use of its distributed workforce. Take 1 Transcription is a privately held company and is headquartered in Cranbrook, Kent. More information about Take 1 can be found at www.take1.tv.

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Digigram’s IBC2014 Product Lineup to Feature Low-Cost, High-Quality AQORD *LINK/LE Video-Over-IP Codec

MONTBONNOT, France — Aug. 12, 2014 – Digigram today announced that at IBC2014, it will demonstrate the new AQORD *LINK/LE codec designed to enable simple, cost-effective transport of high-quality video over IP networks, including fiber, xDSL, and satellite for program contribution applications. With an attractive price tag and the ability to serve either as an encoder or decoder, the easy-to-use AQORD *LINK/LE IP video codec lowers barriers to IP-based video transport without forcing users to compromise on video quality.

“IP video transport offers numerous business and operational benefits, and we have introduced the AQORD *LINK/LE in order to make these benefits accessible to a broader range of users and facilities,” said Laurent Gros, video product manager at Digigram. “With this new product, which rounds out our video product range, we offer the high video quality for which our AQORD IP video codecs are known, as well as fundamental, hardware-based, low-latency encoding and streaming capabilities packaged in an uncomplicated design with straightforward configuration options.”

The AQORD *LINK/LE codec is designed for video contribution in broadcast, live event, and IPTV distribution applications. Housed in a 19-inch encoder/decoder rack, the unit features SDI raw video I/O and network I/O for IP-based live streaming. Ready to use right out of the box with minimal configuration, this latest addition to Digigram’s AQORD family allows users to begin streaming almost immediately. With both H.264 encoding or decoding capabilities, the AQORD *LINK/LE also gives users flexibility in system deployment.

Throughout IBC2014, Digigram’s AQORD line of IP video codecs for contribution and AQILIM IP video codecs for over-the-top applications will be on display on stand 8.C51. The AQORD *LINK/LE will be available for shipping shortly after IBC2014 concludes.

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

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About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-AQORD_LINK-LE.jpg
Photo Caption: AQORD *LINK/LE IP Video Encoder/Decoder

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SSL to Host Free Live Console Training at U.K. HQ

OXFORD, ENGLAND, U.K. – Solid State Logic, the world’s leading provider of tools for creative audio professionals, is proud to announce its Live Console Operator Training Days. Aimed at serving as an introduction to the SSL Live console, these free one-day courses will include hands-on experience for all participants. The training sessions will take place at the company’s Oxford, England-based headquarters on 17th and 18th September, 1st and 2nd October and 5th and 6th November. While these events are completely free, numbers are strictly limited. All interested parties are encouraged to apply via the online application form, found online at store.solidstatelogic.com/forms/live-training.

Currently featuring its V2 Software, SSL Live is the company’s first console for live sound production, suited to touring or installation, FOH or monitor systems for venues, arenas, houses of worship and concert halls. Reception to the console by the industry has been extremely positive since its announcement last year, with Live already appearing on tour with The Killers, Jason Aldean and Flogging Molly as well as at various music festivals, such as WOMAD and Live at Edinburgh Castle.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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