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Audio-Technica Offers Rebates on Select System 10 Digital Wireless Through Remainder of 2014

System10_Group System10_Stompbox

— Operating in the 2.4 GHz range, System 10 avoids TV and DTV interference, offering a cost-effective, high-fidelity wireless solution for houses of worship, musicians/hobbyists, karaoke, corporate applications and more —

STOW, OH, October 1, 2014 — Audio-Technica, a leading innovator in transducer technology for over 50 years, announces $25.00 rebate offers on its System 10 Stack-Mount Digital Wireless Systemand System 10 Stompbox Digital Wireless System. Systems purchased from an authorized U.S. Audio-Technica dealer between October 1, 2014, and December 31, 2014, will be eligible to receive a $25.00 rebate per system purchased (no limit).

System 10 eligible products and U.S. street prices:

ATW-1101 UniPak® Transmitter System $279.95
ATW-1101/G Guitar System $299.95
ATW-1101/H Headworn Microphone System $349.95
ATW-1101/H92 Miniature Headworn Microphone System $379.95
ATW-1101/H92TH Miniature (beige) Headworn Microphone System $379.95
ATW-1101/L Lavalier Microphone System $349.95
ATW-1102 Handheld Microphone System $299.95
ATW-1501 Stompbox Guitar Wireless System $349.95
(Rebate not eligible on System 10 Camera-Mount Wireless System)

Users can register online at http://audio-technicaus.4myrebate.com with offer code AUD-10015. Once registered, users will receive instructions for mailing claims, along with required documentation to Audio-Technica. Claims must be submitted by January 31, 2015. For complete terms and conditions, please visit the System 10 rebates page here.

About System 10 Digital Wireless
System 10 offers high-fidelity digital wireless for performing musicians and presenters. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers advanced 24-bit operation and amazingly clear sound. System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak® body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. A stompbox configuration is also available: The System 10 Stompbox streamlines onstage signal flow by making the wireless receiver part of the pedalboard, and provides an A/B switcher for multiple signal/amp options. The system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 wireless configurations with unique functionality for guitarists, bassists and other instrumentalists.

For more information, please visit www.audio-technica.com.

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The Recording Academy® Producers & Engineers Wing® to Present “GRAMMY SoundTables®: Songs That Move the Needle” at AES137

SANTA MONICA, Calif. (October 1, 2014) — The GRAMMY SoundTables®, presented by The Recording Academy® Producers & Engineers Wing® at this year’s 137th AES Convention, will be held on Saturday, Oct. 11, from 3:00 – 4:30 p.m. in room 403AB at the Los Angeles Convention Center in downtown L.A. This year’s event is titled “Songs That Move The Needle,” and it will feature multi-talented production professionals Alex Da Kid, No I.D., Michael Brauer, Niko Bolas and Don Was, sharing their unique experiences in the art of music making. GRAMMY® Award-winning producer/engineer Ed Cherney will act as moderator.

Record production is a hybrid art encompassing vision, musicianship, well-honed instincts and the bottom-line ability to get a project over the finish line. When these elements combine, the result can be a milestone recording. At this GRAMMY SoundTables special event, five multitalented, cross-genre hitmakers will debate the who, what, when, where and why of songs that have left an indelible imprint.

Maureen Droney, Managing Director of the P&E Wing, stated, “We are excited about this year’s SoundTables event, which features diverse and distinctive music creators providing contrasting perspectives and also uncovering common ground. Their discussion will span genres and generations, offering attendees inspiring and entertaining insights into the art of record production. It is sure to be valuable and thought-provoking for all involved.”

Additionally, the Producers & Engineers Wing will be hosting the P&E Wing ReCharge Lounge at AES137. Located in the Demo Room Concourse, the ReCharge Lounge is open to all AES badge-holders and features charging stations for your devices, bottled water and snacks, and comfortable seating away from the convention’s crowded exhibit floor.

About The Recording Academy: Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on Foursquare, GetGlue, Google +, Instagram, Pinterest, Tumblr, and YouTube.

About The Producers & Engineers Wing: Currently more than 6,500 professionals comprise The Recording Academy Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording field. This organized voice for the recording community addresses issues that affect the craft of recorded music, including the development and implementation of new technologies, technical guidelines and recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com.

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Audio-Technica to Hold “Ask Me Anything” Sessions at 137th AES Convention

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— Featuring industry insiders and friends of A-T, these AMA sessions are set to be informative and revelatory for an audience of in-person AES convention attendees as well as a worldwide online audience —

STOW, OH, September 30, 2014 — Audio-Technica, a leading innovator in transducer technology for over 50 years, announces that it will be hosting several “Ask Me Anything” (AMA) question-and-answer sessions at its exhibition booth (1301) at the 137th AES Convention in Los Angeles, CA. Sessions are scheduled for two days of the convention: Friday, October 10, and Saturday, October 11. Guests include Dave Pensado and Herb Trawick of Pensado’s Place, Joe Chiccarelli, Michael Beinhorn, Ryan Hewitt, Curt Bisquera, Joe Barresi, Matt McArthur and Frank Klepacki. Additional details are available at the Audio-Technica booth or www.audio-technica.com/AES2014.

Audio-Technica AMA participant schedule (Pacific time):

Friday, October 10:

1:00 Ryan Hewitt – GRAMMY® Award-Winning Engineer, Mixer, Producer (Red Hot Chili Peppers, Sheryl Crow, Avett Brothers)
2:00 Michael Beinhorn – Producer, Engineer (Hole, Soundgarden, Marilyn Manson)
3:00 Joe Barresi – Producer, Mixer, Engineer (Monster Magnet, Slipknot, Nine Inch Nails)
4:00 Matt McArthur – Executive Director of The Record Company

Saturday, October 11:

11:00 Joe Chiccarelli – GRAMMY Award-Winning Producer/Engineer (Elton John, U2, White Stripes)
1:00 Dave Pensado and Herb Trawick – Co-hosts of Pensado’s Place
3:00 Curt Bisquera – Drummer (Bonnie Raitt, Sarah McLachlan, soundtracks for Bourne Supremacy and Despicable Me)
4:00 Frank Klepacki – Audio Director, Engineer, Composer, Performer (film and TV work for Lucasarts, Hasbro, Top Gear, Pawn Stars, others)

“Ask Me Anything” questions are fed to the presenters through a moderator during a 30-minute Q&A session. Questions can be submitted by individuals present at AES booth 1301; online at www.livestream.com (free registration); and by Twitter #ATliveAES.

In addition, individuals may watch during and after the event at www.audio-technica.com/AES2014 (also accessible from A-T’s website or Facebook page).

“This is our second year featuring live-streaming ‘AMA’-style sessions at AES. Past sessions have proven to be both educational and wildly entertaining! With the ability to ‘virtually attend’ the event, people at home can get a true taste of the show and have the ability to ask some of the most famous and infamous professionals in our industry literally anything. Well you can asking anything, but they don’t officially have to answer everything,”joked Gary Boss, Audio-Technica Marketing director.

Full details are available at www.audio-technica.com/aes2014.

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Meyer Sound LYON at Boston Calling Festival: A System that Can “Take the Audience Anywhere”

boston callingMeyer Sound systems made sure the two main stages at Boston Calling Music Festival were loud and clear. On the Red Stage, the LYON™ linear sound reinforcement system made an impression on the FOH engineers, many mixing on this new Meyer Sound system for the first time.

“That rig really rocked,” says Carl Davino, FOH engineer for The Replacements. “LYON has transparent highs, broad and articulate mids, and adjustable low-mids to handle any desired punch. The band’s performance was outstanding as well, and with that combination I felt like I could take the audience anywhere I wanted.”

The Red Stage’s 24 LYON linear line array loudspeakers were augmented by 12 1100-LFC low-frequency control elements and three 700-HP subwoofers, plus four UPJ-1P VariO™ loudspeakers for front fills. A Galileo® Callisto™ loudspeaker management system with four Galileo Callisto 616 and two Galileo Callisto 616 AES array processors provided system drive and optimization. Stage foldback was supplied by 10 MJF-212A and four MJF-210 stage monitors.

The LYON system helped solve an acoustical challenge at the Red Stage, according to Scott Tkachuk, CTO and touring operations director for Atkinson, N.H.-based Rainbow Production Services, and system designer for both stages.

“The stage was aimed at City Hall, 400 feet away, with huge reflective surfaces,” explains Tkachuk. “Yet the system still had to cover the VIP section in front of the building, almost 200 feet away. The way LYON handled it was amazing. The sound in the VIP section was clear and comfortably loud, with full bandwidth. We also had all the control we needed to minimize any annoying buildup from reflections.”

The Red Stage alternated performances with the Blue Stage, which featured 28 MILO loudspeakers, 24 700-HP subwoofers, four UPA-1P loudspeakers for front fill, and a Galileo loudspeaker management system with two Galileo 616 processors. Stage side-fill comprised two 700-HP subwoofers and three MICA® line array loudspeakers per side.

Rainbow Production Services also supplied each stage with two Avid VENUE Profile consoles for FOH and monitors, as well as eight channels each of Shure UHF-R wireless microphones and Sennheiser ew 300 IEM G3 systems.

Along with The Replacements, performers on the Red Stage included Lorde and The 1975, while the Blue Stage featured headliners Nas with The Roots, The National, and Childish Gambino.

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VMP Features New 19-Inch Equipment Rack Enclosures at 2014 Security Canada Central Show

STEVENSVILLE, Md., Oct. 3, 2014 — Video Mount Products (videomount.com), a leading provider of mounting solutions for the security, commercial, residential, and pro audio/video markets, is proud to announce it will feature its new 19-inch Equipment Rack Enclosure (EREN) series at CANASA’s Security Canada Central Show 2014, held in Toronto, Ontario, Canada from Oct. 22-23 at the Toronto Congress Centre, booth 639A. The EREN-18, EREN-27, and EREN-42E are now shipping.Video Mount Products EREN-27 rack

“The cost-effective, portable, and fully welded EREN family of 19-inch equipment rack enclosures has been designed for installations where protected components are a necessity,” explained Keith Fulmer, president of VMP. “The EREN Series, which comes complete with integrated cooling fans and lockable, removable side panels (with optional locks) allows for the organization of multiple electronic components, while at the same time protecting them from thermal issues, as well as damage or theft.”

Rugged and sturdy with welded steel construction, a black powder coat finish, and a 1,000 lb. load capacity, the EREN-18 includes 18 rack spaces, the EREN-27 includes 27 rack spaces, and the EREN-42E includes 42 rack spaces.

Additional EREN Series specifications include:
- Works with all standard 19-inch rack equipment and accessories
- Rails threaded with standard 10-32 threading
- Tempered glass front door
- Double swing steel rear door
- Adjustable front and rear rails
- Vented top and bottom
- Top and bottom cable routing knockouts
- Reversible hinged front and rear door
- Casters and leveling feet
- Ships assembled
- EREN-18 preloaded with three ER-S2UV vented two space rack shelves and three ER-2B blank panels (MSRP: $749.00 USD)
- EREN-18E – Same as EREN-18 except without preloaded shelves and blanks (MSRP: $679.00 USD)
- EREN-27 preloaded with five ER-S2UV vented two space rack shelves and five ER-2B blank panels (MSRP: $859.00 USD)
- EREN-27E – Same as EREN-27 except without preloaded shelves and blanks (MSRP: $699.00 USD)
- EREN-42E (MSRP: $779.00 USD)

“The EREN Series has been designed for use with a multitude of audio, video, security, and communication components,” added Fulmer. “With numerous shelves and a sturdy weight capacity of 1,000 lbs., the AV and security installer and end user have a tremendous amount of available space to design a fully mobile, fully enclosed security and AV rack system.”

For more information, please visit www.videomount.com or call toll free 877-281-2169. If you need help choosing the right mount for your application, try the VideoMount™-Finder at www.chooseamount.com.

About Video Mount Products
Video Mount Products (VMP) is a leading provider of mounting solutions for the A/V, communication and security industries since 1994. VMP’s products consistently offer the latest designs in safety and flexibility, all at an outstanding value. VMP’s product offering continues to grow by adding mounting systems to address growing segments across many markets.

VMP has become the mounting systems company of choice for professionals and their customers everywhere. All products have been engineered for and installed with confidence in thousands of residences, businesses, hotels, restaurants, schools, hospitals, houses of worship and security applications throughout the world. VMP prides itself on providing the best products in the industry and by supporting those products with knowledgeable professionals who understand that “support” is the core of our business.

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Groundbreaking Latin American Producers Panel to Be Offered at 137th Audio Engineering Society Convention

— In a historic first, a dedicated panel will be held in Spanish and feature top-name GRAMMY® Award winners from the Latin community —

New York, NY, September 30, 2014 — For the first time in AES history, there will be a panel officially held in Spanish at an International AES Convention. The panel, titled “Grandes Productores de América Latina” (“Great producers from Latin America”) will bring together 10 of the most influential Latin producers and engineers of all time. The presenters are each multiple GRAMMY®-Award winners who will present their most recent work and best-selling productions – ranging from Celine Dion and Elvis Costello to the biggest names in Latin music, such as Bajofondo and Calle 13 – and discuss the state of the music industry in Latin America.

Moderator and Incoming AES President Andres Mayo enthuses about this panel: “It is fundamental that we, as a global society, open up our eyes to other regions of the world, to try to understand their needs and get to know their talent. It is also a unique opportunity for the huge Latin population based in Los Angeles to hear from and interact directly with highly regarded audio professionals from their community during the biggest Pro Audio convention in the world.”

Panelists slated to appear include:

Daniel Anselmi, Música CaReta – Montevideo, Uruguay
Rafa Arcaute, Amen Records – Buenos Aires, Argentina
Armando Avila, Cosmos – Mexico DF, Mexico
Aureo Baqueiro, Brava! Music – Los Angeles, CA, USA; Nico Plus Music Group – Los Angeles, CA, USA
Humberto Gatica, Lionshare/Gatica Music – Los Angeles, CA, USA
Tweety González, Twitin Records – Buenos Aires, Argentina
Anibal Kerpel, SK Associates – Los Angeles, CA, USA
Sebastian Krys, Arju Productions – Los Angeles, CA, USA
Guido Nisenson, Minimal S.L – Buenos Aires Argentina
Rafa Sardina, Fishbone Productions, Inc. – Los Angeles, CA, USA

Detailed information about the panel can be found here (en español también). For information on and how you can get your FREE Exhibits-Plus badge (pre-registration required) for the AES137 Convention, as well as All Access badge and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

Panel summary en español:
Por primera vez en la historia, tendremos un panel oficialmente hablado en idioma Español en una Convención Internacional de AES. El panel “Grandes Productores de América Latina!” reunirá a algunos de los más grandes nombres de la región, todos ellos múltiples ganadores de Premios GRAMMY, para presentar sus últimas producciones y hablar acerca del estado de la industria en América Latina.

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Zeo Productions Adds Yamaha CL-5 Consoles To Inventory

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ZEO Productions Adds 2 of Yamaha’s Newest State of the Art Digital Mixing Consoles: The CL5

The next generation of technology is always on the horizon; the pursuit of perfection always on going. Innovation never ends and Zeo Productions is always there. In keeping with their tradition of cutting edge inventory, Zeo Productions has added two (2) of the largest Yamaha digital mixing desk model, the CL5 to it’s production inventory. Yamaha, long known as an innovator in the realm of digital audio consoles, based their new CL, series on their popular M7 console building upon the innovations introduced with that console. This series of digital mixing consoles represent the next level of the pursuit to push the standards of digital mixing technology higher. The CL5 offers an evolved mixing experience with a sonic purity and sound shaping capabilities that give an unprecedented level of creative freedom to your engineer.

The CL 5′s control surface is extremely compact (41.5″ x 26.3″ x 11.8″). All controls necessary to complete any task are within easy reach. It is also extremely portable with the entire console itself only weighing in at 79.4 lbs.

Yamaha CL5 Console

Among the most useful features of the CL5 are:
 72 mono, 8 stereo input channels
 Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
 CentraLogic User Interface
 Neve Portico 5033/5043 EQ and compressor devices with Yamaha VCM technology
 Integrated remote control and offline editing via an Apple iPad or other computer
 Dante network audio protocol, allowing fast, efficient design and deployment of capable systems from the most basic to the dazzlingly complex.
 The ability to handle up to eight I/O Rack Units

Zeo Productions’ CL5 consoles are available for touring and rental immediately.

For information on availability call 215-956-0328 or email:
Kyle Pennypacker: Kyle.P@zeobrothers.com
Jason Spatz: Jason.S@zeobrothers.com

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Zeo Productions Acquires Chauvet MVP-Ta8 Video Wall

zeoproductionstitle

Zeo Productions, in Hatboro, PA. recently added the Chauvet MVP-Ta8 Curve video wall to its in-house video production inventory. The MVP-Ta8 is a modular video panel that, with its 8.33 mm tight pixel pitch and innovative rigging hardware (and unlike a large amount of video wall offerings), allows the ability to be built in straight, concave or convex displays configurations. This makes it ideal for short or long distance viewing. Intensely bright tri-colored SMD (surface mount device) LEDs make this wall perfectly suitable for temporary outdoor applications. In addition, due to its solid construction and flexibility in hanging options it is perfect for extended touring use.

MVP™ Ta8 Curve1

For information on rental or tour availability, please call:
Kyle Pennypacker or Jason Spatz at 215-9560328
or email @ Kyle.p@zeobrothers.com or Jason.s@zeobrothers.com

For additional specs and photos click below to go to Chauvet’s web site page

http://www.chauvetlighting.com/mvp-ta8-curve.html

Yamaha QL5 and Dante Networking Used for Reality Tattoo Competition TV Show

Ink Master crew Yamaha QL5 low

BUENA PARK, Calif.—Ink Master is an American reality competition on Spike TV in which 17 tattoo artists from around the country compete in challenges assessing their tattoo and related artistic skills as they perform timed-challenges spanning an array of styles and techniques on willing ‘human canvasses’ battling for the grand prize of $100,000. They are judged by noted tattoo artists and tattoo enthusiasts, rock legend Dave Navarro and tattoo icons Chris Nunez and Oliver Peck, with one or more contestants being eliminated during each episode.

Shooting reality TV is a complicated, fast past, process that requires immense precision. For example, the audio team for Ink Master juggles 40 audio inputs for the contestants, judges, and human canvasses plus 16 plant mics and four boom operators, the show’s host, not to mention, producer mics, stage manager mics, cameras, etc.

Using the Dante™ networking protocol and a custom control surface designed by Peter Schneider co-owner of Gotham Sound and Communications, Inc. (NYC) who designed the show’s entire audio system in collaboration with the show’s film mixer and sound supervisor, the late Martin Kelly who passed away shortly after the new season began. With this custom design, all audio and video is seamlessly juggled and successfully networked together. The mixes are pulled altogether by a new Yamaha QL5 Digital Audio Console, provided by Scharff Weisberg/Worldstage of New York.

“The control room essentially never gets powered down, and shooting takes place around the clock, states Schneider. Marty’s (Kelly) main concern was that the system be absolutely rock solid. We both felt that the Yamaha QL5 and Dante networking could provide that inherent reliability.”

Schneider provided an overview of the signal flow that includes wireless mic sources for the 16 tattoo artists and ‘human canvasses’, the four judges, and four boom operators. 16 wired plant mics are used, one per tattoo booth, along with communication sources for the director and producer/show runner, plus output destinations for recorders and boom recorders, and mix outputs for the director mix, producer mix (via Aviom), including eight mono camera mixes via Lectrosonics DNT.

“With all of these patch points, we needed an audio transport technology that wasn’t an after-thought to the mixer, but rather integrated into the very heart of the mixer, Schneider says. In this way, audio could be converted one time and then distributed, mixed, and processed to all of the needed destinations, all without leaving its native transport stream. The Yamaha QL5 digital audio console met our requirements, and more, including integrating analog I/O that can be seamlessly combined with the Yamaha Rio input/output box preamps and other Dante audio sources. In the Ink Master situation, our 16 plant mics were input via a Rio1608 that was remotely located 200 feet away in the studio. These outputs were used for IFB feeds and LTC time code.”

Since season two of Ink Master, the show has always relied on Yamaha as its mixing solution, starting with the Yamaha LS9-32 (using MADI) followed by a CL5. “We all loved the rock solid reliability of Yamaha’s products, and moving up to the new QL5 was really the only logical choice for the mixing console.”

For more information on Gotham Sound and Communications, visit www.gothamsound.com.

For more information on the Yamaha QL Digital Audio Console and Dante networking, visit www.yamahaca.com.

-END-

Photo ID: L to R: The late Martin Kelly (Sound Supervisor, Ink Master), Peter Schneider (co-Owner, Gotham Sound and Communications), Paul Padilla (Senior Rental Technician, Gotham Sound and Communications)

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Revolabs Brings Innovative Line of Telephony Solutions to BroadSoft Connections 2014: Power Up

Award-Winning Series Provides Flexibility, Design, and Exceptional Audio for Enterprise Environments

SUDBURY, Mass. — Oct. 2, 2014 — Revolabs(R) announced today that the company is exhibiting its innovative line of telephony solutions at BroadSoft(R) Connections 2014: Power Up, being held in Scottsdale, Arizona from Oct. 12-15 at the Westin Kierland Resort and Spa. The event will showcase the company’s Revolabs FLX(TM) 2, which recently completed interoperability testing with BroadSoft BroadWorks(R), FLX UC 500, and FLX UC 1000 conference phones.

Themed Power Up, BroadSoft Connections 2014 allows partners and resellers within the enterprise telephony marketplace to discover the new strategies that are powering today’s unified communications (UC) applications — helping enterprises heighten the productivity of employees, teams, and entire organizations. The event seeks to promote efficient collaboration, timely customer responsiveness, supplier relations, and the overall competitiveness of businesses through innovative virtual communication solutions.

Completing interoperability testing with BroadSoft BroadWorks, Revolabs’ FLX 2 wireless conference phone is the first and only wireless conference phone designed for VoIP networks while integrating directly with most IP telephone switches following the SIP standard. For softphone applications, the company’s award-winning FLX UC 500 USB conference phone is equipped with tweeter and mid-woofer elements as well as four embedded directional microphones with automatic echo cancellation for full audio capture — providing conference-room-quality audio pickup with powerful high fidelity audio playback. By adding SIP support and a dialer to the USB capabilities of the FLX UC 500, the Revolabs’ FLX UC 1000 IP conference phone brings exceptional performance to any major IP telephony environment, both on-premise and in the cloud, providing UC users with a complete collaboration solution within a single audio device.

“Revolabs’ telephony solutions enable flexible UC opportunities for enterprises without any compromise to audio quality,” said Tim Root, chief technology officer and executive vice president of new business development, Revolabs. “With our latest line of products, customers gain the ability to participate in virtual communications, using solutions that blend beautiful design with today’s most advanced audio processing. We are excited to bring our award-winning conference phone product line to BroadSoft Connections and look forward to connecting with partners during the event.”

More information about Revolabs and its full line of products is available at www.revolabs.com.

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About Revolabs(R)
Revolabs(R) Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Massachusetts, and can be reached at +1-800-326-1088 or www.revolabs.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link: www.ingearpr.com/Revolabs/141002Revolabs.doc

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