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Matrox Convert DVI Plus Offered at the New Low Price of $995

HD-SDI scan converter with genlock and region-of-interest (ROI) support seamlessly incorporates computer signals into video productions

Matrox® Video today announced the immediate availability of the Matrox Convert™ DVI Plus HD-SDI scan converter with genlock and ROI support at the new low price of $995 US (€799, £649).

Matrox Convert DVI Plus lets broadcasters easily and economically incorporate content from computers, iPads and iPhones into broadcast programs. In addition, it can be used to drive projectors and large displays at live events. Matrox Convert DVI Plus is ideal for creating broadcast-quality video from computer applications such as Skype, YouTube, Google Earth, FaceTime, ProPresenter, PowerPoint and web browsers. The ROI feature lets the user define any region of any size from the computer display and output just that content at the required broadcast resolution. If the selected area doesn’t match the output resolution, Matrox Convert DVI Plus provides high-quality horizontal and vertical upscaling and downscaling. The unit can be genlocked to an SD analog black burst (bi-level) or HD tri-level genlock source. Proc amp controls on the output let the user adjust the hue, chroma, saturation, and brightness levels.

“Convert DVI Plus has been field proven in demanding broadcast and live production environments around the world over the last two years,” said Daniel Maloney, technical marketing manager at Matrox. “Users appreciate its high-quality output and scaling that lets them seamlessly incorporate computer content into their video productions as well as the advanced features, ease of use, and reliability they have come to expect from Matrox products.”

Price and availability
Priced at $995 US (€799, £649) not including local taxes and delivery, Matrox Convert DVI Plus is available through a worldwide network of authorized dealers.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

New Hope Baptist Church Goes Digital with Yamaha CL1: Adds to DSR Arsenal

ATLANTIC CITY, N.J.—Initially opening in 1941, the 250-seat contemporary-style New Hope Baptist Church in Atlantic City, New Jersey recently wanted to switch their analog mixer out for a digital mixer and chose a Yamaha CL1 equipped with a Rio3224-D input/output box. ACIR Professional (Egg Harbor Township, N.J.) was responsible for the installation and at the same time, upgraded their current DSR speaker system. In 2012, the church added a few Yamaha DSRs and DSR subs, and craving for even more coverage, they just added two DSR115s, four DXR12s, and two more DSR118 subs.

“The church fell in love with the CL1,” states Bobby Harper, Vice President/Sales, ACIR. “They wanted to be able to easily record to multi-track and utilize the Dante networking functions.” Harper also said the church staff is thrilled with the DSR and DXR coverage (the DSRs are flown).

“Our new Yamaha speakers gives us an overall bigger, but controlled sound,” states Minister John W. Howard, Jr., Director of Worship and Arts. “Bands and groups from outside of our church are now renting our space because of our new sound system! The recording capabilities and functionality of the Yamaha CL1 is priceless and easy to use. Our audio staff loves the new system and has learned the CL1 very easily. We work with a number of bands and gospel groups, so the console’s ability to save scenes, saves a lot of work. I would recommend our Yamaha system to anyone.” Minister Howard noted that on any given Sunday, there are 2-3 musicians and 9-20 in the choir.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on the Yamaha CL1 and DSR and DXR speakers, visit www.yamahaca.com.

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PHOTO CREDIT: Digital Warmth

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Lightware U.S.A. Now Shipping MX-TPS-IB and -OB Input and Output Boards and HDMI-TPS-TX90/RX90 Signal Extenders

The MX-TPS-IB input board, MX-TPS-OB Output Board for the MX series routers and HDMI-TPS-TX90 and RX90 long-distance HDMI signal extenders from Lightware U.S.A., the US distributor for Budapest-based Lightware Visual Engineering products, are now shipping. The new products are among those to be showcased in the Lightware booth at InfoComm13, June 8-14 at the Orange County Convention Center in Orlando booth # 4180.

The input and output boards and extenders are ideal for postproduction studios, control rooms, digital signage, multi-room video, conference rooms and collaborative telepresence – or any application requiring signal transmission over long distances.

The MX-TPS-IB is an 8-channel twisted pair input board for Lightware’s MX series Modular Matrix Routers that provides HDMI 1.4, audio, Ethernet, IR, RS-232 and remote power extension on a single CAT5/6/7 cable up to 100 m distance. It handles resolutions up to 4K, 48-bit color depth, all HDMI audio formats and 120Hz 3D signals. The board offers bi-directional RS-232 and Ethernet transmission and features a 10/100 uplink connector for the Ethernet network connection.

The MX-TPS-IB offers audio option connectors: digital S/PDIF or analog stereo connectors are available for advanced audio functions. Audio can be embedded or de-embedded on the input or output board of the Matrix. Advanced professional functions, such as HDCP enable/disable mode, Pixel Accurate Reclocking, Advanced EDID Management and Input Signal Frame Detector, are integrated and provide the highest level of set up and usage.

The board is compatible with deep color, Dolby TrueHD and DTS-HD audio and features PCM audio sample rate conversion.

The HDMI-TPS-TX90 and RX90 twisted pairs extend uncompressed full HD video for extreme distances (up to 180 m) over a single CAT cable. They handle resolutions up to 4K and UHD, 48-bit color depth, all standard audio formats and 120Hz 3D signals.

The units offer bi-directional RS-232, IR and Ethernet pass-through all on the same CAT5e…CAT7 cable that carries the video signal. The extenders support full HDCP and EDID compliance and work at all standard AV resolutions. Remote powering is available through the single CAT5e…CAT7 cable; a local power supply also can be used. All devices can be mounted on a rack shelf or used in stand-alone formats.

About Lightware U.S.A.

Lightware U.S.A. is the US distributor of professional AV products manufactured by Lightware Visual Engineering in Budapest, Hungary. For more information on these products, visit www.lightwareUSA.com.

Max Gilkes Upgrades His Mastering Facility with SADiE 6 and Prism Sound

Producer Max Gilkes has upgraded his Brighton-based mastering and post production facility 1 Sonic by installing SADiE 6 software for Mastering and a Prism Sound Orpheus FireWire audio interface.

Gilkes, who founded 1 Sonic eight years ago, says the support offered by Prism Sound was a key factor in his decision to invest in the company’s products.

“I was previously using Peak as a playlist editor and doing most other things on Pro Tools,” he explains. “But as it was time for an upgrade I decided to go with a company that I knew I could have a good working relationship with, and one that was also based in the UK.”

With a client list that includes Ninja Tune, Big Dada, Sony (France), Smart Move Productions, Mr. Bongo, Keep Up, Silverland and Mission, Gilkes is rarely out of the studio. His recent credits have included Fink, Dobie, Roots Manuva, The Skints, Deco Child, Raffertie, Eliza Carthy and Prince Fatty.

The facility itself is mainly used for mastering and mixing, but it also boasts a live room with 8 tie-lines that is large enough to record drums.

“The outboard in the studio is primarily for tracking, so there are some nice pre’s and compressors,” Gilkes says. “I also have a master section by Audient, PMC and Yamaha monitors, Pro-Tools, various classic guitar and bass amps and a range of microphones – not to mention an over-used tea pot!”

Moving from one software platform to another can be intimidating, but Gilkes says he has found the transition to SADiE 6 far less painful than he anticipated.

“It’s always hard work making the transition from one system that you are particularly well versed with to a whole new environment, but SADiE 6 is very intuitive and easy to use,” he says. “I’m really enjoying the facilities it provides. The editing facilities, in particular, are great and I like the PQ and DDP tools. However, the sound quality is the most outstanding feature and I am really impressed by that.”

Sound quality also played a part in Gilkes’ decision to buy a Prism Sound Orpheus FireWire audio interface.

“It was a no brainer, really,” he says. “The studio needed to make a significant step up in convertor quality and Orpheus delivered the transparency and clarity I was looking for, both as an A/D and a D/A converter. It has great sounding pre’s and I like the interface features for multi-tracking in Pro Tools.”

Gilkes is now using SADiE 6 and Orpheus on a variety of projects, including mastering an album for French artist Mayra Andrade on Sony (France), recording tracks for Congo Natty, completing a debut album for Chevron, recording drums for the next Grasscut (Ninja Tune) album, finishing backline tracking for a band called Bentcousin, which is releasing a three-track single through Team-Love NY and completing an album for a local brighton band called the Meow Meows.

And if that work schedule isn’t intensive enough, Gilkes is also producing and co-writing with the legendary Russell Stone of R&J Stone fame.

“The Russell Stone project is very interesting as all tracks are vocal/non-verbal and based on free improvisations.” He says. “The album, which is called HUMU, is very nearly finished and should be out in September.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

LECTROSONICS ANNOUNCES ASPEN CERTIFIED DEALER PROGRAM

**** Photo: ASPEN Certified Dealer logo ****

Rio Rancho, NM – June 2013… Lectrosonics, recognized the world over as a leading manufacturer of wireless microphone systems and audio processing products, recently launched its ASPEN Certified Dealer Program. Created with the goal of ensuring the highest standards of technical expertise when deploying Lectrosonics’ ASPEN Series products, the ASPEN Certified Dealer Program is a three-fold initiative designed to help interested AV integrators gain the technical expertise necessary to ensure world-class AV system deployments. more

RF VENUE PARTNERS WITH REVOLABS® TO PROVIDE REMOTE ANTENNA EXTENSION SYSTEM

ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

Belkin Releases USB 3.0 Dual Video Docking Stands for Ultrabooks and Windows 8 Tablets

Designed for Mixed Platforms and Multiple Users, Two New Docking Stands Bring
Enterprise-level Productivity to Mobile Computing

COMPUTEX TAIPEI, Taipei, Taiwan Belkin, a trusted leader of technology solutions for office, classroom, IT infrastructure and mobile environments, today announced the release of two new docking stands: a Dual Video Docking Stand for Windows 8 tablets and Dual Video Docking Stand for Ultrabooks, making mobile computing easier and more productive for business users. The stands, which leverage DisplayLink® technology, allow users to turn an Ultrabook or Windows 8 tablet into a full-function desktop with a single plug-and-display USB 3.0 cable. Belkin will showcase the docking stands and other mobile computing solutions at COMPUTEX TAIPEI in Taiwan, June 4-8. 

“Greater mobility and the need for an improved user experience are increasingly important to organizations that care about worker productivity and its impact on overall efficiency,” said J. Gerry Purdy, Ph.D., principal analyst, Mobile Trax. “Belkin has developed an interesting set of docking stands that really optimize the functionality of Ultrabooks, and particularly Windows8 Tablets, in the business  environment. This is a great step forward for mobile computing at the enterprise level.”

The new docking stands are designed to provide versatility to accommodate mixed platforms and multiple users, including visiting professionals, contractors and ‘hot desk’ environments. Because it allows easy access to multiple peripherals, users can configure their workstations based on their preferences.

Key features of the USB 3.0 Dual Video Docking Stands include:

  • Extra ports to deliver multiplied connectivity to keyboard, mouse, printer, network and more
  • Improved productivity with the ability to connect to one or two external high resolution displays
  • Optimized workspace with built-in Ethernet, display and USB ports as well as integrated cable management to keep clutter and desktop accessories organized 

The Windows 8 docking stand is compatible with all Windows 8 tablets based on Atom and Intel core-i based mobile processors. The Ultrabook stand supports Windows XP, Windows Vista, Windows 7, and Windows 8. Neither stand is compatible with Windows 8 RT.

“Laptop and tablet users often do without the advantages of external monitors, full-size keyboards and other desktop peripherals because of the hassle involved in connecting, disconnecting and reconnecting every device, every time they leave their desk or return to it,” said, Timothy North, global product manager of Belkin Business, a division of Belkin International. “These docking stands offer the best of two worlds—the freedom and convenience of mobility with the comfort and functionality of a fully equipped office, finally enabling mobile computing with enterprise-level productivity.”

Resources

COMPUTEX TAIPEI

Belkin USB 3.0 docking stands are available immediately, and will be demonstrated at COMPUTEX TAIPEI in Taiwan, June 4-8. To arrange a meeting with Belkin contact denise.nelson@ventanapr.com. 

Belkin delivers products and customer-driven solutions to support the technology needs of business and mobile computing, as well as every essential accessory and peripheral device to provide a complete, efficient, productive workstation that meets the demands of business use. For more information visit: Belkin Business.

Tweet this: @belkinbusiness Releases USB 3.0 Dual Video Docking Stands for #Ultrabooks and #Windows8Tablets, Making #MobileComputing More Productive 

About Belkin Business

Belkin Business, a division of Belkin International, offers technology solutions for office, classroom, IT infrastructure, and mobile environments. A proven technology leader for more than 30 years, organizations worldwide trust Belkin for its unwavering commitment to product quality, and expertise in creating solutions designed to address customer requirements in business, government, and education. With a global supply chain and broad provider network, Belkin commands a purchasing power that delivers greater value and unparalleled execution advantages to customers. The company’s line of commercial products are available through Belkin’s global network of distributors and resellers. Headquartered in Playa Vista, California, the company is represented in more than 25 countries and can be found on the Web at http://www.belkinbusiness.com. 

Tags: Ultrabook, Windows 8 tablet, tablet PCs, docking stations, USB 3.0, connectivity, mobile computing, mobile computing solutions

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AptoVision announces new BlueRiver 200 technology for Ultra-HD video extension

AptoVision announces new BlueRiver 200 technology for Ultra-HD video extension

Saint-Laurent, Quebec, Canada – June 3rd, 2013 – AptoVision, a Montreal-based technology company, today announced its new FPGA-based BlueRiver 200 chipset. Pushing the envelope on multi-media connectivity between AV sources and remote displays, the BlueRiver 200 chipset is the first and only technology in the world capable of simultaneously transmitting uncompressed Ultra-HD (4K) video, 32 channels of audio, Gigabit Ethernet, 480 Mb/s USB 2.0i and other control signals on a single optical cable at up to 30 KM.

Incorporating AptoVision’s BlueRiver Engine, Adaptive Clock Resynchronization and Channel Coder technology into off-the-shelf programmable FPGAs and utilizing off-the-shelf SFP+ transceivers, the BlueRiver 200 technology provides unprecedented transmission performance while reducing costs and eliminating reliance on proprietary components.

“We are extremely excited to be the first to market with a technology that practically eliminates the bandwidth and distance limitations for all the key signal types used in the AV and KVM industry,” said Kamran Ahmed, CEO and co-founder of AptoVision. “With the BlueRiver 200, AptoVision has once again proven that its unique BlueRiver technology and FPGA-based architecture is scalable to accommodate the ever increasing bandwidth requirements of video, Ethernet and USB connectivity.”

Sampling now, the BlueRiver 200 chipset can easily be integrated into OEM designs for AV and KVM extenders, distribution amplifiers and matrix routers. “Ready to manufacture” reference designs for AV extenders based on the BlueRiver 200 chipset are also available.

About AptoVision Technology

BlueRiver Engine: AptoVision’s proprietary AV signal distribution and processing engine implemented on off-the-shelf FPGA and optics technology for cost effective and scalable fiber-optic transmission.

Adaptive Clock Resynchronization (ACR) Technology: Unique technology that allows synchronous, zero-frame latency transmission of video over low-cost, off-the-shelf networking optics.

BlueRiver Channel Coder: A highly efficient channel coder that combines and streams multiple signal types onto a single bandwidth-optimized fiber-optic channel.

About AptoVision

A Privately held company based out of Montreal, AptoVision is redefining the AV signal processing & distribution platform through its BlueRiver™ technology and FPGA-based chipsets. Integrating unique IP, the BlueRiver™ platform delivers 50% to 80% reduction in system costs & up to 10x performance gains over comparable solutions. The platform also enables the only products in the world which scale with current & evolving AV signal distribution requirements for ultra-high definition & ultra-high bandwidth video, multi-format support, multi-video transmission, & advanced pixel processing. (www.aptovision.com)

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Contact: Kamran Ahmed
+1-514-908-9768
marketing@aptovision.com

i requires 3rd party USB chipset

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Clear-Com Presents Upgrades to Its Tempest Digital Wireless Intercoms at InfoComm 2013

New Remote Line Extender and Tempest900 BeltStation Increase the System’s Capabilities

ORLANDO, FL, JUNE 5, 2013 – Clear-Com® is showcasing the latest enhancements to its Tempest Digital Wireless Intercoms at InfoComm 2013 (Booth 921). Included among the offerings is the new Tempest®900 BeltStation, which is equipped with an advanced Planar Inverted-F Antenna (PIFA) to increase its range and wireless coverage. Also new to the lineup is a Remote Transceiver Line Extender that boosts the cable run distance of the systems’ remote antennas. These solutions further extend Tempest’s wireless communications capabilities for outdoor events and mobile productions staged in RF-heavy environments.

The Tempest line of feature-rich wireless intercoms comprises the 2.4 GHz Tempest®2400 and 900 MHz Tempest900 wireless systems in either a two- or four-channel option. Both Tempest systems deliver cutting-edge RF technologies to ensure interference-free communications for all types of venues. The Tempest2400 offers a Seamless Roaming feature, which provides sound engineers with continuous wireless coverage across expanded production spaces, such as such as college campuses and sports arenas. With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest BaseStations (coverage areas or zones) without having to change the settings on their BeltStations. This enables audio professionals to fully focus on critical production cues without distraction. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

As part of a continuing effort to expand the Tempest system further, Clear-Com is releasing its new PIFA-equipped Tempest900 BeltStation. Increasingly popular in the mobile phone market, the low-profile PIFA has an omnidirectional signal pattern that can receive a connection from any direction. Backward compatible with Tempest900 firmware version 3.0, the new BeltStations are fully compatible with both two- and four-channel versions of the Tempest900 BaseStations and BeltStations. The longer wavelengths and wider symbol width of this band allow the system’s signals to permeate dense walls and other structural objects more easily. This feature increases the range of the system and reduces any potential loss of audio.

Clear-Com will also unveil its new Tempest Remote Transceiver Line Extender. One Line Extender increases the systems’ cable run by 3,000 feet, while two or more Line Extenders can increase it by 2,000 feet per Line Extender. A total of three Line Extenders can be connected to provide total coverage of up to 7,500 feet. With this functionality, users can deploy larger systems with longer cable runs from the BaseStation.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

HPA Awards Creative Category Early Bird Entry Fees Ends June 14

Engineering Excellence, Creativity and Innovation Deadlines Also Approaching

(Hollywood, CA) The Hollywood Post Alliance has announced that several important deadlines are approaching for the 8th Annual HPA Awards Call for Entries. Early Bird pricing, which will end June 14, 2013, provides reduced entry fees for the Creative Categories. The Creative Categories cover feature film, television and commercials and include Outstanding Color Grading, Editing and Sound, as well as an expanded Visual Effects category, which replaces the Compositing categories. Regular, non-discounted entry fees will apply for these categories from June 15 through the final Creative Category entry deadline of July 12, 2013. The final entry deadlines for the HPA Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation are also nearing.

In addition to the Creative Categories, there are two awards that draw attention to other areas of post production with upcoming deadlines – The Engineering Excellence Award, which spotlights the companies and individuals bringing technical and creative ingenuity to the real world of post production while raising the profile of breakthrough technologies within the industry; and The HPA Judges Award for Creativity and Innovation in Post Production, which was conceived to recognize companies and individuals who have made significant achievements and pushed the envelope forward in post production, whether in creative storytelling and/or technical innovation. Valid entries should demonstrate new approaches in tools, workflows or ideas from a technical, creative or efficiency perspective. Both Engineering Excellence and the Creativity and Innovation Award are accepting submissions through June 21, 2013.

The period of eligibility for the HPA Awards Creative Categories is September 11, 2012 through September 3, 2013. To be considered eligible, work must have debuted domestically and or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. The HPA Awards will take place November 7, 2013 at the Skirball Cultural Center in Los Angeles.

Attracting attention for the companies and individuals who work creatively and technically to bring vision to reality, the awards are the standard by which creative and technical excellence in the art, science and craft of post production is measured.

Contact Eileen Kramer at 213-614-0860 or write to ekramer@hpaonline.com for information about sponsorship opportunities for the 2013 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net, write to info@hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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