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JVC Promo Offers Three-Year Extended Warranty on Select ProHD Cameras

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., is offering a free three-year extended warranty on parts and labor for a select group of ProHD cameras, including some new 800 Series shoulder-mount models, as well as the SR-HD2500US professional Blu-ray/hard disc drive combo deck and select studio components.

Products must be purchased from authorized U.S.-based JVC Professional
Products dealers after July 1, 2014, to qualify for the extended warranty. ProHD cameras included in the promotion are the GY-HM650U, GY-HM850U, GY-HM850CHU, GY-HM890U and GY-HM890CHU. Studio components included in the promotion include the KA-M790G multicore studio module and KA-790G studio sled; RM-HP790DU digital camera control unit, RM-LP20G remote, RM-LP25U local remote and RM-LP55U handheld remote; and VF-HP790G 8.4-inch color viewfinder.

Customers must register the purchase online at pro.jvc.com/register within 30 days of purchase date and save a copy of the confirmation screen as proof of registration. Proof of purchase (receipt or dealer invoice) will be required for warranty service.

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC KENWOOD Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

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CLEAR-COM’S HELIXNET™ PARTYLINE INTERCOM SYSTEM WINS ‘BEST OF SHOW’ AWARD AT INFOCOMM 2014

At this year’s InfoComm convention, the latest version of Clear-Com’s HelixNet™ HKB-2X Speaker Station with S-Mount digital networked Partyline Intercom System was recognized by NewBay Media’s Sound & Video Contractor magazine and Pro Audio Group (ProSoundNews & Pro Audio Review) with two coveted “Best of Show” awards. The awards come just months after the HelixNet system was honored with TV Technology magazine’s ‘Best of Show” award at NAB.

NewBay Media’s Best of Show Awards are judged by a panel of engineers and industry experts from submitted nominations. Criteria include ease of installation and use/maintenance, performance, relevance, value/ROI, network friendliness, versatility, and reliability.

The HKB-2X Speaker Station has four channels of intercom communications simultaneously over a single cable, and is able to monitor all four and communicate on any two of those channels at any given time. The S-Mount unit is an attractive yet durable mount that enables the Speaker Station to be used in portable applications. It includes a DC Power connector and XLR-3M and XLR-3F Powerline Intercom Ports for easy connection; additionally it has the capability to be locally powered via an external power supply or use Power-over-Ethernet (PoE) connection.

These two units, along with the new HRM-4X Remote Station, HMS-4X Main Station, and HBP-2X Digital Beltpack, round out the HelixNet digital partyline family and will continue to provide numerous user benefits that have not been delivered by any digital partyline system before. HelixNet is designed to meet the workflow demands in live event corporate production, as well as arena and stadia and performing arts center fixed installations.

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AV Networking World Connects with Attendees

New attendance record for Las Vegas conference

Nearly 250 consultants, , sound engineers and IT managers from all over the world came together in Las Vegas on June 17th, 2014 for the AV Networking World Conference to learn about Dante™, the market leading audio networking solution. This year’s event was sponsored by Atlas Sound, Attero Tech, Audinate, BSS Audio by Harman, Bosch, Bose Professional Systems, Focusrite Rednet, Innovative Electronic Designs, TC Group, Lectrosonics, Peavey Commercial Audio, Powersoft, Presonus, Shure, Stewart Audio, Studio Technologies and Yamaha Commercial Audio.

“Attending AVNW from a broadcasting and live sound perspective, it was amazing to see the different ways companies and people are using Dante” remarked John Ball, Systems Engineer from Microsoft Product Studios. “For us at Microsoft Production Studios (MPS), the IP platform is giving us new ways to transport audio and backend communications like never before. Seeing equipment manufacturers embracing the Dante technology at a breakneck pace is giving MPS a new arsenal of tools for creative ways of handling productions – faster, cheaper and better.”

“AV Networking World was confidence-inspiring for a small HOW integrator like myself to hear about how Dante is being used successfully in very large scale projects, with mission-critical requirements placed on the delivery of audio”, said Bryan Cole, founder of Axia Concepts. “I’m benefiting from some of the same economies of scale in the smaller projects that I am involved in, which demonstrates that Dante is cost effective at both ends of the spectrum, and scales well both directions.”

“Audinate brought Dante to the market with features and capabilities that we are only beginning to fully appreciate and see where they can be applied. I am in a unique position where I serve multiple market segments, from AV to Multi-media, to broadcast”, remarked Tim Bailey, Project Manager for Communications Engineering, Inc. “The possibilities for the applications of Dante to my company are virtually limitless.”

One new and extremely popular component of this year’s seminar was the Dante Installation Workshop, in which three teams from the audience were tasked to design and put together a working Dante network using at least 5 different Dante enabled products. In just 2-3 minutes the teams were able to quickly install and configure a Dante system and transmit audio.

One of the attendees Tanner Upthegrove, Media Engineer for Virginia Tech Institute for Creativity, Arts, and Technology, commented, “I thought it was a great event. It was interesting to learn how Dante is being used – not only for large systems, but small scale installations as well.”

About Audinate
Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Audinate’s Dante media networking technology has been adopted by the leading OEM manufacturers and has become the market leader for networking technology in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

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Extron Introduces Compact HDMI to HDMI Scaler

Extron Electronics is pleased to introduce the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

HARMAN’s Martin Professional M6 Lighting Console is the Optimal Solution for Tiens Conference

NEW YORK, New York — For Tiens Company’s annual distributor conference at Moscow’s Russia Hall in SC “luzhniki”, featuring a combination of official speeches and an original concert program for 8,000 guests, HARMAN’s Martin Professional provided Lighting Designer Roman Kasaev with a M6 console to control a design with over 100 Martin lighting fixtures.

To ensure the lighting design integrated seamlessly with the conference’s theme, Kasaev teamed with Daniel Maneshin, Technical Director at the Knyazev Agency, who was brought in to design the conference’s main concept. Maneshin also developed the conference’s business section as well as conceptualized many decorative and informative elements, which featured several LED screens mounted on the main stage. Kasaev chose 48 MAC 101 compact LED wash lights due to the brightness and colors that complimented the LED screens used at the event. The MAC 101s were mounted on custom-made metal structures between screen modules, eight pieces per aperture, due to their bright colored lights that fit ideally with the colors of the video-content on LED screens.
“The MAC 101s are extremely bright and they were never lost on the background of the LED screens,” said Kasaev. “What’s more, there were moments when they outshined the powerful MAC III Profiles.”

“Thanks to the built-in effects engine of the M6, I was able to create a very sophisticated and beautiful color and dimming effects for the MAC 101s,” Kasaev explained. “It resulted in a very intense, bright and impressive picture! The MAC 101s are very fast, so I could bring more diversity into lighting design to make it more dynamic and filled with drive and energy.”

The event program also featured classical ballet and acrobatic performances. To highlight the actors and gymnasts, Kasaev also chose 34 MAC III Profiles to create unique lighting accents with beautiful rays and gobo projections.

For Kasaev, the Tiens Conference was the first project where he was able to work with M6 console, only a slight change as he is familiar with the philosophy from using the M1 and M2GO controllers before. “I had a very big set of equipment for this project so I needed a more powerful console than the M,” Kasaev said. “I reached out to the Representative Office of Martin Professional in Moscow for the support and they provided me with M6 console.”
“Working with the M6 console was very cool and awesome,” he continued. “It’s definitely number one in the M-series due to the features, functions, power and possibilities. The effects engine that Martin’s R&D invented and implemented is a crazy story! The programming speed is really impressive! I had two monitors that allowed me to program many things much faster. The whole process is a pleasure, when you work on M6! The implementation is excellent, very easy to use. Every LD could find all the instruments they need to put their creative ideas into life! I want to recommended LDs to try to work with M-series consoles. It is really very easy, logical and simple solution for programming a variety of lighting effects!”

In addition, Kasaev deployed 50 MAC Aura’s and 12 Atomic 3000 DMX strobes throughout the lighting design.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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DPA Microphones Gets a Dose of Reality on Rising Star

New live results TV singing competition relies on company’s d:dicate™ 4017 Shotgun and system of d:screet™ 4061 Miniatures with Wisycom transmitters and receivers

LOS ANGELES, JULY 8, 2014 – When Daniel S. McCoy, CAS, scored the sound supervisor role for ABC’s new live results singing show, Rising Star, he knew he would need an innovative miking solution to support the performances. In addition to his tried-and-trusted d:dicate™ 4017 Shotgun Mic from DPA Microphones, McCoy also relies on his new DPA d:screet™ 4061 Omnidirectional Miniature Mics with Wisycom wideband transmitters and receivers.

With behind-the-scenes competitor interviews, commentary from host Josh Groban and mentoring from the likes of Ludacris, Kesha and Brad Paisley, Rising Star incorporates significant moments of dialogue in addition to the performances. In order to account for the show’s various ENG and reality needs, McCoy simultaneously uses the d:dicate 4017 and d:screet 4061s to give the post production team the ultimate choice in audio dynamics.

Using the d:screet 4061s with the Wisycom transmitters is a first for McCoy, a long-time enthusiast of DPA Microphones. New York-based Gotham Sound supplied the one dozen d:screets and beltpacks for Rising Star. McCoy chose the d:screet 4061 because it has a lower sensitivity and can handle 144dB SPL, which allows him to avoid distortion on the powerful singing voices. In addition, post requires vibrant-sounding mics that can be concealed, and DPA was the perfect solution.

“Wisycom’s transmitters are essentially the Ferrari of wireless,” adds McCoy. “I’ve been using DPA d:screets for years, and now I’m hearing them with new parameters. Since the transmitter is equipped with an AF input mic powering at 5.5 V, as opposed to the standard three or four, we can get an enhanced dynamic range and improved frequency response from the microphones. It’s been a real ‘ear opener,’ if you will. Using the d:screet 4061s and transmitter with a 24-bit 96 KHz A/D and D/A converters gives me a sound that makes me feel like I’m back in a recording studio while I’m in the field. It’s really interesting to me to find that, with proper amplification, DPA mics can give you so much more.”

The d:screet 4061 also makes it quick and easy for McCoy to swap users between a dialogue setup and a vocal arrangement. “The fact that I can use this mic for both styles is super effective,” he says. “I don’t need more gain and additional compressors, and I don’t have to slam on another limiter; I just need fade up and fade down. It’s freeing to be able to have a mic and transmitter combo that works so well together. I’ve been wondering for years how it is that European broadcasts sound so much better than here in the states, and I think I found the secret.”

Rising Star is based on a new format in which the audience judges the contestants in real-time through social media across three time zones. Voting is conducted through Facebook and Twitter to decide if a competitor moves ahead in the show, right in that moment.

Currently the owner and operator of ToneMesa, Inc., a location and post audio company based in Los Angeles, McCoy has received two Daytime Emmy Awards for “Best Live Audio Mix to Tape” for his work on the Ellen Degeneres Show and a Grammy® Award nomination for “Best Engineered Album” for Brian Wilson’s first self-titled solo project. In early 2008, McCoy became one of the youngest members to join the Cinema Audio Society.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

WORXAUDIO TECHNOLOGIES LOUDSPEAKER SYSTEMS ELEVATE THE EXCITEMENT OF HIGH SCHOOL FOOTBALL

Hillsborough NC – July 2014… All across our great nation, Friday night high school football is a generations-old ritual that brings a school’s student body together like few other activities are capable of. As the home and opposing team try to best one another on the field, friendships are reinforced and the students are generally unified with a sense of school spirit that brings everyone together. But without being able to clearly hear the score and other pertinent announcements, much of the excitement turns to frustration. Such was the case at Orange and Cedar Ridge High Schools—until the deployment of new loudspeaker systems drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies were deployed.

Burlington, NC-based Boone Audio, Inc., a design/build firm that provides AV systems to the commercial and worship markets, was contracted to install new sound reinforcement systems at both schools. As both schools had essentially identical requirements on the football field, Boone and his team deployed two identical systems consisting of a TrueLine S-XL3-15 two-way, high efficiency, ultra compact, line array loudspeaker system mated with the company’s S-118S subwoofer. Power amplification is provided by WorxAudio’s PXD-2580 and PSD-700 digital amplifiers. Boone discussed the nature of the two projects. more

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SSL Live on Tour with Michael McDonald

“Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix”

NASHVILLE – Blue-eyed soul singer Michael McDonald joins 1980s super-group Toto this summer for a North American co-bill that stops at The Greek in Los Angeles and The Fox in Atlanta. McDonald’s front-of-house engineer Curtis Flatt was first introduced to Spectrum Sound of Nashville while in college and went to work for the company in 1986. Through the long association, Flatt’s career has spanned the best consoles and musicians of the last three decades, including Wynona Judd and the Judds, Donny Osmond and Michael W. Smith. He also filled in for a short time for Robert Collins on Eric Clapton. Today, he can be found at McDonald’s helm with an SSL Live console.

Flatt first took SSL Live out on McDonald’s Christmas Tour last winter. “Spectrum was going to order a pair for Jason Aldean and asked if I wanted to be the first to take one out,” he says. “I programmed it in my office and, without a production rehearsal, dove in at the first sound check. Michael’s musicians’ sounds are really good to start with. They play really well together and it’s a straightforward show. If you start with a good sounding product, mic it with quality microphones and run it through a console that has an excellent quality, you’re pretty much there. SSL Live brings me to that point and gives me the freedom to just mix and not have to think about a lot of external processes.”

The transparency of SSL Live’s mix bus, especially since it is a digital console, was one of the first things Flatt noticed. “There are a handful of consoles out there that sound good or really good, but as everybody who mixes knows, as you start to sum all those good sounding parts together, a lot of times you’re either working with or around the console to create that final sound, that final mix,” he explains. “On a warm console, you may have to figure out which inputs could lose a little warmth to fit in with everything so that it doesn’t get muddy. Live has such a separation that as you add all of the inputs, you don’t have this muddle going on, which happens so often on other live consoles. There’s definition to everything in the mix.”

Flatt credits the fidelity both in the highs and the lows of the console. “There’s a nice top-end on it and it’s really smooth; there isn’t an overabundance of hype on it,” he says, adding, “The low-end on the console is nice and round without being overbearing.”

He also notes an improvement in mixing and panning compared to other consoles. “Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix,” he says. “The palette is more open, so placement in the mix becomes really noticeable. Slight pans and movements here and there present a better picture. You hear subtle differences. For example, our drummer had two hi-hats; one was panned slightly left and one was barely right – and I mean barely, but you always knew which one he was playing, even with your eyes closed.

“I run a couple of parallel-compression bus groups because we try to maintain a certain level in the show and want to add a little bit of punch back into that in some areas without overly compressing the entire mix,” he continues. “So, I have a parallel drum group and a parallel background vocal group to level them out a little bit and add them in as needed. If the show really starts to push a little bit, there may be a dB or two of compression with the bus compressor, but the show is very dynamic so I don’t want to take the dynamics out, since the music lends itself to dynamics. It’s got pop, rock and R&B.”

The difference the SSL Live console makes during a performance is starting to gain recognition from the entire McDonald camp. “It’s not only been noticed by Michael and the band, but also management, other members of the crew and even some diehard fans noticed that something was different,” Flatt says. “When we did our first fly date after coming back from being on tour, I was using a different console because we flew in for a one-off show. Michael walked past FOH to say ‘hi,’ and when he looked over at the console and saw it wasn’t the SSL Live, he said, ‘Oh, it’s one of those.’ So it’s definitely something that he and the band have noticed; that management and production management have said ‘Yeah, we’re going to carry the SSL console, you don’t have to fight for it.’ ”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Wohler and VSN Partner to Accelerate and Simplify Media Asset Management and Transformation Workflows

Integration of Wohler RadiantGrid Software-Based Processing Framework Into VSN MAM Makes for Dramatic Efficiency Gains

SAN FRANCISCO — July 8, 2014 — Wohler Technologies today announced that Spain’s VSN, an IT company specializing in high-performance multimedia content management solutions, is using Wohler’s RadiantGrid Intelligent Media Transformation Platform(TM) as the transcoding and media transformation engine for its media asset management (MAM) product. Integration of this Wohler technology into its MAM solution enables VSN to offer end users a turnkey solution for high-performance media management and processing.

“The unique speed with which Wohler’s RadiantGrid technology processes content translates to a significant benefit for customers using our VSN MAM solution,” said Jordi Utiel, CEO at VSN. “By partnering with Wohler, we’ve been able to offer a platform that accelerates media processing workflows and, in turn, enables our customers to realize efficiency gains that are so critical in today’s highly competitive media marketplace.”

With more than 20 years of experience, VSN has developed technology and manufactured solutions to meet the needs of more than 1,000 customers — TV stations, government organizations, universities, and news agencies — in 100 countries. Tailored to the requirements of the broadcast industry, VSN solutions help to ensure comprehensive media management for TV stations as well as independent producers and distributors of audiovisual content.

Wohler’s RadiantGrid applies TrueGrid(TM) file-based processing to manage and accelerate several tasks simultaneously while allowing users to realize true scalability across multiple machines. The result is a media transformation process that is simpler, faster, and dramatically more efficient than alternative solutions. Several installations of the VSN MAM with RadiantGrid technology have already been deployed successfully by customers in Asia-Pacific markets.

“VSN is a proven leader in IT-based solutions for the broadcast industry, and the intuitive interface and smart design of its solutions support straightforward management of media assets,” said Craig Newbury, vice president of sales for the Wohler RadiantGrid business line. “Through our collaborative work, VSN is able to back the highly refined front-end of its MAM user interface with unparalleled processing power and efficiency. For the end user, the result is a simpler workflow that enables faster time to market.”

Further information about the RadiantGrid Intelligent Media Transformation Platform and other RadiantGrid solutions is available at www.wohler.com.

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About VSN
VSN is a global technology company focused on providing innovation and solutions for the broadcast and media sector. It offers a wide range of products based on standard IT infrastructure, solving the needs of creation, distribution, and management of audiovisual content in TV channels, public institutions, universities, and news agencies. The complete suite of VSN solutions has been developed with an open architecture, following industry standards. It allows the user to digitize and manage media contents and to automate and optimize daily operations, perfectly integrating the different areas and third-party applications. With offices in Barcelona (HQ), Dubai, Montevideo, Miami, and Hong Kong, along with a center of technological excellence in Alicante and a widespread network of partners, VSN offers worldwide coverage, always keeping close to its clients. VSN solutions solve the complete workflow of an audiovisual company, improving its efficiency and walking hand in hand with it in its journey towards multiplatform and cloud environments. More information about VSN is available at www.vsn-tv.com.

About Wohler Technologies Inc.
Wohler’s tradition of innovation began with the creation of the industry’s first in-rack audio, video, and data monitoring products, and it continues today through the company’s development of signal management and monitoring solutions for video, audio, and captioning applications. Wohler’s RadiantGrid(TM) platform extends the company’s award-winning product lines to include solutions for efficient file-based content creation and distribution, quality control, accelerated transcoding, and standards conversion. Together, Wohler’s advanced file-based solutions and proven, cost-effective confidence monitoring and content management products ensure high-quality media production across any platform and delivery to any device. More information about Wohler and RadiantGrid products is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Wohler/Wohler-VSN-EXPLORER.jpg
Photo Caption: Wohler RadiantGrid Used in VSN MAM System

Photo Link:
www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

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SMPTE Announces Launch of New Pittsburgh Section

New Section Will Bring New Resources and Opportunities to SMPTE Members in Increasingly Active Northeast Hub

WHITE PLAINS, N.Y. — July 8, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced the formation of a new SMPTE Section in Pittsburgh. The new Section will offer existing and potential SMPTE members in the Pittsburgh area valuable educational programs, technical expertise, and networking opportunities. The formation of the group was spearheaded by local SMPTE Fellows George Hoover, CTO at NEP; John Luff, television technology consultant at HD Consulting; and Diversified Systems CTO Karl Paulsen.

“George, John, and Karl did tremendous work to make the SMPTE Pittsburgh Section a reality, and the success of their initiative reflects the Society’s growing momentum and activity in the Pittsburgh area,” said SMPTE Executive Director Barbara Lange. “This really was an effort born in the grassroots of SMPTE membership, and it demonstrates our members’ genuine enthusiasm for taking advantage of educational programs and their interest in becoming more involved in creating the standards that shape our industry.”

The launch of the SMPTE Pittsburgh Section brings the total of local Sections to 28 worldwide. Each year, these groups collectively host more than 200 meetings, tutorials, and workshops. While these events give members access to a broad variety of SMPTE resources, they also enable each Section to tailor programming to address the technical and business concerns of particular interest in the region.

“Pittsburgh is a hub of activity for our industry, and it is particularly notable because the growing SMPTE membership in the region extends beyond traditional television and cinema professionals in what’s proving to be a very diverse group that includes new media,” said Paul Stechly, SMPTE membership vice president. “Because the formation of new Sections tends to draw an even larger membership, this announcement signals meaningful, ongoing growth for SMPTE in terms of both the breadth and depth of its membership.”

Further information about SMPTE is available at www.smpte.org.

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About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 650 standards, recommended practices, and engineering guidelines. The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

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