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Extron Introduces Compact Four Input Scaler with DTP Extension

Extron Electronics is pleased to introduce the IN1604 DTP, an HDCP-compliant scaler with three HDMI inputs, a universal analog video input, and a DTP output, in a compact 1U, half rack enclosure. The IN1604 DTP is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices, as well as signal extension up to 330 feet (100 meters) over shielded CATx cable to reach a wall or ceiling-mounted display. The IN1604 DTP provides the convenience of fast and reliable automatic switching, along with a high performance scaling engine that converts HDMI and analog video sources. The IN1604 DTP also includes a host of audio processing features and many versatile options for control and configuration. more

TED2014 Speaks Up with DPA Microphones

McCune Audio, full-service technical event specialists, rely on classic 4088s and d:screet 4060s to mic guests and props for the renowned conference

VANCOUVER, APRIL 3, 2014 – Heard by thousands of people through live audiences, simulcasts, webcasts and recordings, and millions more through online video engines, the annual TED Conference requires gear that matches its prestige. With discussions that address a wide range of topics within the research and practice of science and culture, microphones are vital to all TED audiences. To provide the ultimate in sound quality for presenters and performers at TED2014, technical team from McCune Audio/Video, the symposium’s sound services company, relies on DPA Microphones’ classic 4088 Directional Headset Microphones and d:screet 4060 Omnidirectional Microphone.

TED2014 marks the second time that DPA Microphones is part of the audio setup for the conference. The McCune Audio team used the same selection of mics at last year’s event because of the high-quality audio of both mics and comfortable fit and feel of the 4088, each requests from production crew workers and presenters, respectively.

“For years, the post-production crew was trying to get us to reduce the amount of room acoustics we were hearing in the recordings,” says Nick Malgieri, McCune’s Head of Audio for the TED Conference. “Because of the live PA system in the room, there was a slap-back echo always happening in the voice. We really used some pretty extreme processing paths with our previous mics just to try to help us get ahead of the issues. Once we switched to DPA 4088s, the added isolation let us really scale back on the processing. The sound was so much better that the post-production crew asked us to deploy ambient mics to capture the energy of the venue. That led us to the d:screet 4060s, which we use to pick up a lot of the stage noise from the props and scenery on set, such as chalkboards during presentations, a fire organ for a pyrophone performance or a target being hit by an archer.”

The versatility of the DPA mics also plays an important role in the audio support at the TED Conference, which hosts 12 90-minute shows over the course of five days. Throughout each of these individual productions, Malgieri and his crew need to mic as many as 10 separate presenters speaking for up to 18-minute segments each. In these instances, the audio team uses the 4088s. The shows also incorporate other types of presentations, such as musical, theatrical or dance performances, or magical acts, which require the 4060s.

“The technology setup for this show is very important because of the high turnover and the way the show is actually produced,” explains Malgieri. “We are doing three shows a day, with only an hour or so to reset between them, so we need high-end gear that can keep up with the constant demand and rigorous use.”

As one of DPA’s most popular products, the 4088 is ideal for a variety of performing and vocal presentations. It is designed for acoustically demanding live performance environments, where background noise and feedback is a concern, and boasts the same open and natural sound qualities of the company’s other legendary microphones.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 capsule is highly unobtrusive. Because of its small size, this tiny condenser mic exhibits an exceedingly accurate omnidirectional pattern, and therefore does not need to be aimed directly at the sound source to achieve quality pickup.

As the technical specialists of record for the TED Conference since it began, McCune Audio/Video provides live sound, projection and video production services for the event. Over the course of its 82-year history, McCune has been involved with some of the nation’s top events, including the final Beatles concert – held at Candlestick Park, the Monterey Pop Festival, Monterey Jazz Festival, and the Playboy Jazz Festival. They have also supported a variety of speeches for every sitting U.S. President since John F. Kennedy.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Solid State Logic Appoints Dr. Enrique Perez Gonzalez as Chief Technology Officer on Board of Directors

OXFORD, UK – Solid State Logic is pleased to announce the appointment of Dr. Enrique Perez Gonzalez as Chief Technology Officer for Solid State Logic’s Board of Directors. Dr. Perez has been promoted from his current role as Head of R&D and became a board member effective April 1.

“Enrique is one of those rare individuals who has deep technical ability, first-hand experience of our markets and the skills to manage product research and development effectively,” states SSL’s CEO Antony David. “Even more importantly, he has the vision to build upon our technical heritage and the resources to take us forward.”

Dr. Perez joined SSL in 2011, spearheading the development of the Tempest processing platform and SSL’s new Live console. An electronics and communications graduate from ITSEM, Mexico, which included a year at Australia’s Royal Melbourne Institute of Technology, he is an alumnus of the University of York (UK), and holds a doctorate in electronic engineering from the Queen Mary University of London.

“I am very excited at the opportunity to provide the technology, vision and leadership for a company with such an impressive technological heritage,” says Dr. Perez. “It is an honour to be able to work on a daily basis with the best engineering team there is in the industry. I look forward to a future of innovation and technology that will deliver the user experiences our customers have come to expect from SSL.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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UK Studio Rimshot Productions Continues its Dreams with Decades-Lasting HARMAN AKG Microphones

Artist King Size Slim of UK label Tree House 44 recording through a pair of AKG microphones. Photo Credit: ©Graeme Miall

KENT, United Kingdom – As one of the few boutique music production companies operating in the Kent countryside of the UK, Rimshot Productions is uniquely positioned to cater to a wide variety of recording artists. Having provided production, studio and mastering services for many years, owner Mike Thorne has equipped the studios at Rimshot Productions with AKG microphones to ensure world-class quality of service throughout the company’s history.

Situated in the countryside just an hour away from London, Rimshot Productions was built a few years ago, and relied completely on word of mouth to grow to the dependable facility it is today: a large and creative space where international clients achieve the best productions and recordings. Thorne has complete confidence that his in-house studio offers world-class recording and provides the requisite equipment for any artist to succeed.

The studio at Rimshot Productions features a pair of AKG C414 B-ULS microphones, which have reached legendary status since their introduction in 1971; a D112 egg-shaped bass microphone perfect for bass instruments; a D12 large-diaphragm microphone that makes everything from the drums to the vocals sound better; and C1000 microphones that can withstand any level of vocal abuse.

“I’ve acquired these microphones over the years and slowly built up my AKG collection,” said Thorne. “During my 20-plus years of experience, I haven’t had an AKG microphone fail on me, as they truly last forever. I’ve really grown to appreciate the quality of AKG products.”

When asked what prompted him to purchase AKG microphones, Thorne quotes from personal experience that “during sessions at another studio, a guy had AKG C414 microphones, which sounded absolutely great!”

Just like his studio and the services Thorne offers, the quality of AKG speaks for itself and is appreciated by Thorne’s clients. “The D12 is what I like to call the ‘make it better’ microphone,” said Thorne. “I like to use it for vocals, drums, and all kinds of recording, because it produces truly exceptional sound quality. As for the C1000, these things just don’t break! They were my first microphones and have been used for recordings for 15 years.”

AKG is known for its award-winning quality in both sound and build. There is no replacement for a microphone that will last this long, and yet maintain its output consistency. Companies like Rimshot Productions rely on the belief that musicians can record an electrifying track with the AKG C414, or kick up a crisp beat with the AKG D112.

“I like the multiple pickup patterns of the C414 AKG microphone,” Thorne continued. “There’s loads of space in the studio, so we can be creative with microphone placements. I don’t have to put the microphone very close to a specific instrument. This results in a sound with more depth and character.”

“There is a lot to be said about the consistency of these microphones,” Thorne concluded. “They’re indeed the workhorses that I expect them to be and work great every time.”

For more information on Rimshot Productions, please visit http://www.rimshotproductions.co.uk.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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Analog Way announces the Vertige™, a new Remote Control Console designed for Analog Way’s latest generations of Mixers/Seamless Switchers

April 2014 – Analog Way is pleased to announce the Vertige™, a new Remote Console designed to control Analog Way’s LiveCore™ and Midra™ series of Mixers/Seamless Switchers. With a brand new design and an innovative approach to show creation and management, the Vertige™ Console will help unleash the full potential of the Switchers controlled.

In addition to the Web RCS and RCS², two intuitive user interfaces designed for the LiveCore™ and Midra™ series, the Vertige™ offers a new creative Remote Console for wide single or multi-screen configurations.

An ergonomic Console at the heart of Analog Way’s new generation of Mixers & Seamless Switchers

In order to control its latest and future Mixers & Seamless Switchers, Analog Way introduces the Vertige™ Console.
“When conceiving the Vertige™ Console, we carefully thought out its design, ergonomics and functionalities to make it capable of controlling a wide range of our Mixers”, says Franck Facon, Marketing & Communications Director at Analog Way.

Version 1.0 of the Vertige™, compatible with the LiveCore™ series of Premium Presentation Mixers, will start shipping in June 2014. A new firmware version ensuring compatibility with the Midra™-based systems is due in the first semester of 2015. Future developments will also include compatibility of the Vertige™ Console with a selection of Analog Way’s legacy Mixers.

Vertige™ presents a large operations panel of 510mm depth and 740mm wide (20”x29.2”), showing different sections to set-up and control a show: Source, Layer, Preset, Edit, Control and Transitions. These sections feature direct keys, contextual buttons, sliders, knobs as well as a joystick and T-Bar to operate the Console.
In addition, Vertige™ includes a large 16/9 TFT color touch screen allowing the display of the Program, Preview and content snapshots on the same page. The representation of the whole scene on the touch screen will be particularly valuable when working on multiple layers from different screens simultaneously.

Conceived and built to provide optimal efficiency and simplicity

To easily identify groups of sources, layers and presets, contextual buttons are available. Users can assign a name and a color to each button, thus helping structuring the elements of a show. They can also be organized in different pages and be easily recalled when needed.

Layers can be selected and edited using a joystick, coders or a keypad. Contextual buttons are available here to provide access to shortcuts and other tools.

Motorized sliders can be assigned to screens through contextual buttons. The sliders can be used for effects like a T-Bar, or in an Alpha mode for keying. A large T-Bar allows simultaneous action on all sliders.

In addition, libraries of effects and borders will be included in the Vertige™. Operators will have the opportunity to personalize and complete these libraries and even export them if needed.

To ensure optimum efficiency, Vertige™ is based on “screen” management: each Mixer’s output can be managed independently and considered as one screen. Operators can quickly organize and manage their screens as wanted. For example, a layer can be changed simultaneously on all screens within seconds. Advanced combinations can be performed and saved for later use.

Safe and flexible utilization

When setting-up the Vertige™, different user profiles can be created – Administrator, User, etc. – ensuring different levels of access and permissions.

To secure show creation and provide higher flexibility, the Vertige™ Controller allows the recording and export of a show at different levels of its programming.

“With its innovative features and philosophy, the Vertige™ Console perfectly supplements our Mixers and Switchers as it provides fast and advanced capabilities to show creation and management”, concludes Facon.

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Masque Sound’s Custom Audio Package Charms Audiences for New Touring Production of Joseph and the Amazing Technicolor Dreamcoat

EAST RUTHERFORD, NJ, APRIL 3, 2014 — When Andrew Lloyd Webber and Tim Rice’s enduringly popular musical Joseph and the Amazing Technicolor Dreamcoat embarked on its 2014 U.S. tour on March 4, Masque Sound, a leading theatrical sound reinforcement, installation and design company, supported Co-Sound Designers David Patridge and John Shivers in their quest to bring this new, contemporary production of the 1968 hit to the stage.

Joseph and the Amazing Technicolor Dreamcoat is the irresistible family musical about the trials and triumphs of Joseph, Israel’s favorite son. Retelling the Biblical story of Joseph, his eleven brothers and the coat of many colors, this magical musical is full of unforgettable songs including Those Canaan Days, Any Dream Will Do and Close Every Door. Directed and choreographed by Tony® Award-winner Andy Blankenbuehler, this new production features Broadway stars Diana DeGarmo (Hairspray, Hair) as the Narrator and Ace Young (Grease, Hair) as Joseph.

Since Joseph and the Amazing Technicolor Dreamcoat is scheduled to tour through spring of 2015, Patridge and Shivers wanted to make sure that in designing the sound system it would be capable of easily moving and fitting into a small footprint on the truck. “We wanted to provide the best audio experience that we could, in working within the confines of a traveling production’s space limitations,” says Patridge. “In order to maximize the power and efficiency for the system, and get the most ‘bang for the buck,’ we once again showed no hesitance in turning to Masque Sound.”

With space at a premium, the designers opted to utilize the smaller-footprint Yamaha CL5 Mixing Console, along with a Yamaha CL3 for monitoring, both of which worked quite well for the show. The Yamaha Console was ideal for the production not only for its compactness, as it could be picked up and lifted into position by two people, but also because its comprehensive feature set addressed all of the production crew’s needs. In addition, connecting the console together is a fairly straightforward process and can be done with Cat 5 cabling, which is ideal on a show that needs to move quickly and efficiently.

For the PA, Masque Sound provided an L-Acoustics dV-DOSC array, a tried and true speaker design that sounds great. The dV-DOSC line array was integrated into existing speaker towers from Masque Sound’s inventory, which gives the show a PA that is quite spectacular. The flexible system that Masque Sound provided is ample enough to fit, but also compact enough for smaller venues, which was particularly ideal for this production tour, as it features various venues of different sizes.

“Fortunately Masque Sound has a very deep shelf of available gear, and we were able to put together an excellent audio package with its equipment that stayed within our budget and did not compromise on the quality of the sound at all,” adds Patridge. “In addition, Masque Sound’s modification of existing inventory speaker towers to fit with the L-Acoustics PA was a large cost savings to us. Masque Sound is always great about trying to repurpose available structural items. The talented crew in the metal shop is able to piece together these sorts of things relatively easy, which is a huge benefit and just one of many reasons we like working with them.”

Masque Sound also provided its expert frequency coordination services for the tour. The wireless package consisted of Sennheiser SK5012 wireless mini bodypack transmitters and Sennheiser EM1046 receivers. “Masque Sound’s RF department is top notch at keeping equipment range tested and ready to go,” concludes Patridge. “Masque Sound is wonderful at listening to us and providing us with the equipment and services we need to be successful, and once again did a great job.”

The new tour launched at Playhouse Square in Cleveland on March 4, 2014 and is scheduled tour through spring of 2015. For more information, visit www.josephthemusical.com/ustour.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Hyphen Expands Rapid Prototyping Capabilities with Addition of Stratasys Fortus 900mc

Hyphen™, the most comprehensive rapid prototyping and testing facility in North America, announced a significant upgrade to its capabilities with the purchase of the Stratasys Fortus 900mc 3D Production System from Cimetrix, one of Canada’s leading additive manufacturing solution providers. Using Fused Deposition Modeling (FDM®), the system builds durable, accurate, repeatable parts as large as 36 x 24 x 36 inches, with a selection of ten material options, including FDM® Nylon 12, to create more finely detailed building fixture, factory tooling, and end-use parts that are closer to a finished product than ever before. The new developments are part of Hyphen’s growth over the past year and a half, which has seen the lab broaden its services, establish new industry connections, and strengthen its leadership role in the additive manufacturing industry.

Cimetrix is uniquely positioned to assist clients like Hyphen in the acquisition and maximum use of 3D production systems, offering services that enhance their business processes and facilitate their effective use of technology through ongoing product and applications support. Cimetrix also brings access to an impressive array of additive manufacturing systems that use leading technologies such as FDM, further ensuring that Hyphen services and technology are at the forefront of innovation. Hyphen’s addition of the Stratasys Fortus 900mc will enable their team to manufacture larger parts that are ideal for concept modeling, functional prototyping, manufacturing tools and even end-use parts, enabling faster speed to market.

“Hyphen has quickly established itself as a visionary in the additive manufacturing industry, championing new technologies and forging relationships with key players in all aspects of this growing field,” said James Janeteas, President & CEO, Cimetrix Solutions Inc. “As their industry colleagues, we look forward to working with the Hyphen team to continue to develop innovative and cutting-edge solutions to address client needs.”

“Hyphen continues to make major strides in capabilities and services, and important industry connections like Cimetrix ensure that our customers receive the latest technology and most creative support available today,” said Mark Barfoot, managing director of Hyphen. “The purchase of the Stratasys Fortus 900mc offers us groundbreaking technology to help designers and manufacturers bring their ideas to life faster and more accurately than ever before.”

Hyphen also actively looks for the most effective ways to work with large and small companies, inventors and makers, and educational institutions. Hyphen’s lab is open to the public, providing a broad range of additive manufacturing and environmental testing, all under one roof.

“If you can envision it, we can help you build it at Hyphen,” said Barfoot.

Matrox to Support Next Major Updates of Adobe Professional Video Editing Tools

Matrox editing cards and devices will be tightly integrated with the next major updates of Adobe Premiere Pro CC and Adobe After Effects CC for rock-solid workflows from SD to 4K

Matrox® Video today announced support for the upcoming release of Adobe® professional video editing tools, including Adobe Premiere® Pro CC and Adobe Mercury Transmit for Adobe After Effects® CC, with the Matrox Mojito™ 4K monitoring card, the Matrox MXO2™ family of I/O devices and the Matrox Mojito MAX™ I/O card. WYSIWYG support for Adobe Photoshop® CC will also be provided.

Matrox Mojito 4K is a quad 3G-SDI, 4K video card for use with Adobe Creative Cloud™ professional video editing tools on Windows® platforms. It provides 10-bit H.264 intra-frame rendering and enables realtime monitoring and output of video footage at resolutions up to 4096×2160 and at frame rates up to 60 fps (4K@60fps) making it ideal for full-res 2K, QFHD and 4K workflows.

Matrox MXO2 and Mojito MAX I/O products provide broadcast-quality video and audio input, output and monitoring to enable traditional tape-based workflows including deck control for frame-accurate batch capture and print-to-tape. They are also the only I/O solutions on the market that let users encode H.264 files for delivery to the web, iPad® and iPhone® up to five times faster than software alone without sacrificing quality. In addition, MXO2 devices provide cross-platform Mac® and Windows support and are still the only solutions that connect anywhere, Mac and PC, via Thunderbolt™, PCIe® or ExpressCard/34®—with the same versatile unit.

“Our move to Creative Cloud has enabled us to accelerate the delivery of new features for Adobe video apps. Our customers want the very best tools available to them, and to work efficiently while producing amazing results,” said Simon Williams, director of strategic relations at Adobe. “Matrox has responded to this challenge. Their editing products offer our customers reliable and high-quality video options, which greatly enhance video artists’ overall experience.”

“Matrox Mojito 4K is an excellent complement to high frame rate (HFR) workflows beyond HD,” said Alberto Cieri, senior director of sales and marketing at Matrox “Users of Sony F5 and F55 cameras can take advantage of XAVC optimizations by Matrox and Adobe for 4K monitoring, editing, rendering, and delivery.”

Matrox I/0 products will be featured at the 2014 NAB Show (Las Vegas, April 7-10, booth SL5019).

Price and availability
Matrox products are available through a worldwide network of authorized dealers. Matrox Mojito 4K is priced at $1995 US (€1795, £1495) not including local taxes and delivery. Matrox MXO2 devices are priced starting at $449 US (€382, £338). Matrox Mojito MAX is priced at $995 US (€799, £749).

Drivers for the next major update of Adobe Premiere Pro CC will be available to registered Matrox users as a free download from the Matrox website after the updates are available via Adobe Creative Cloud.

Adobe at NAB
At NAB 2014, Adobe is announcing plans to significantly update all the video apps in Adobe Creative Cloud™. These new major updates and innovations, expected to ship in the first half of the year, include Adobe Premiere Pro CC and Adobe After Effects® CC and are designed to make everyday tasks easier and faster enabling video professionals to create stunning videos, TV shows, films and commercials more efficiently. Adobe is also revealing new features for Adobe Anywhere, the collaborative workflow platform that empowers enterprise broadcast companies with distributed teams, using Adobe professional video apps, to work together as they access and manage centralized media and assets across virtually any network. See Adobe at NAB in Booth SL3910. Learn more at: http://adobe.ly/1hucPrO.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Prism Sound Discusses Audio Production at Brighton Music Conference

Internationally acclaimed manufacturer Prism Sound is hosting a production panel at this year’s Brighton Music Conference where it will also be taking an exhibition stand for two days.

Prism Sound’s panel will discuss all things audio – from creative audio production through to studio techniques and tips. Confirmed panelists include producer Steve Mac, DJ Dave Clarke, Producer and re-mixer James Wiltshire (Freemasons) and Anthony Middleton of Audiofly.

Brighton Music Conference (BMC) runs from April 11th – 12th and Prism Sound’s panel will be held on Friday April 11th at 16.35 in the Exhibition Room.

“Our panel is designed to be educational as well as entertaining,” says Prism Sound Product Specialist Chris Allen, who is hosting the event. “There will be plenty of opportunity for the audience to fire questions at our panelists and we are anticipating lively debate.”

Prism Sound will also be using the BMC platform to show its internationally acclaimed family of audio interfaces, which include Orpheus, Titan, Atlas, and Lyra. Also on show will be the company’s range of Maselec audio production tools such as the MEA-2 EQ and the MLA-2 compressor.

“We have launched three new products in less than a year, which is a record for Prism Sound,” Chris Allen adds. “This indicates our determination to offer recording professionals the widest possible choice when it comes to the high quality, richly featured and competitive tools they want and need.”

As part of its commitment to the audio production community, Prism Sound will also be promoting the Music Producers Guild on its BMC stand. Representatives from MPG will be on hand to talk about the issues the organization is involved in and highlight the benefits of joining.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Digital Vision Announces New Pricing and Features for Nucoda Grading Products

Current Customers’ Investment Is Protected

NAB 2014, Stand Sl6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) – Digital Vision has announced some significant changes to its range of Nucoda colour grading products and its pricing structure. The move comes as a considered response to the increasing commoditisation of the grading and finishing market, and seeks to protect and support Digital Vision’s current customer base while continuing to provide outstanding colour grading tools.

Kelvin Bolah, President, Digital Vision, said, “Over the last few years we have witnessed the destructive and destabilising commoditisation of this niche market. We needed to adapt to the changing landscape, and have taken our time to create a grading strategy that both protects our customers’ investments and our revenues. Whilst we have grown our product portfolio with new products to address new markets to reduce our dependency on niche spaces, our new grading product and pricing strategy will reward loyal customers as we continue to provide the best tools for colour grading and image processing.”

Nucoda Film Master, the premium colour grading and finish solution, will be renamed Nucoda. The Nucoda Fuse product will be discontinued; all supported Nucoda Fuse users will receive a free upgrade to the new Nucoda software, while all Film Master users will receive free upgrades to the full range of DVO tools.

Digital Vision will launch support for Tangent Element panels across all products at NAB and DVO Classic tools will be available as part of Nucoda software, which now starts from MSRP £1,650 / $ 2,695 / € 1,999.

To book a demo or meeting with Digital Vision during NAB at the Demo Lounge, Renaissance Hotel, please contact Patrick Morgan patrick.morgan@digitalvision.se or visit Digital Vision’s reception stand on the show floor at SL6026.

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognized highest quality in scanning, film digitization, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.
For more information, visit www.digitalvision.se
All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:

Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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