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DPA Shows Its New d:screet™ Necklace Microphones At IBC 2014

DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.

DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.


“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”

The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).

At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.

While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.

“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.

The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.

DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.

“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”

For more information please visit DPA at IBC 2014. Hall 8, Stand D70.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

TNDV Upgrades Production Quality for University Graduation Ceremonies

Mobile production specialist captures, magnifies and streams Vanderbilt and University of Virginia commencements in HD

NASHVILLE, July 14, 2014 — Mobile production is most often associated with the world of sports and large entertainment events, but a growing contingent of non-broadcast organizations are looking to outside production teams to increase quality and expand audience reach.

TNDV recently brought its mobile production expertise to the campuses of Vanderbilt University in Nashville and the University of Virginia in Charlottesville, achieving these goals and more for their spring graduation ceremonies. TNDV transitioned both commencement productions to HD for the first time, vastly improving image magnification quality for the large attending crowds. The company also streamed the live ceremonies worldwide to ensure families, friends and alumni could tune in from anywhere.

According to Nic Dugger, owner and president of TNDV, an increasing number of his clients across education, government and corporate verticals are recognizing the quick return on investment that comes with upgrading the production quality and taking the event to an external audience.

“Universities like Vanderbilt and University of Virginia realize that commencement is the most crucial day to a student’s life,” said Dugger. “Graduation day sets the mood and tone to the student’s relationship with that university forever, and potentially influences future donations and ongoing involvement. They want every student’s family to be able to experience the event with them, whether onsite or online, with the visual and audio quality required for total immersion. It takes a professional mobile production crew and technology infrastructure to make that happen, especially when you are serving two very different audiences.”

TNDV built a true mobile production facility for each event, staffed with producers, directors, and a complement of switcher, graphics and playback operators. The staff positioned multiple Hitachi HD5000 cameras around the venues, feeding back to its Inspiration truck. On board, the signals were sweetened with graphics and audio, and routed to large LED screens on either side of the stage. Throughout the productions, TNDV staff monitored multiviewer feeds both on board and outside the truck, the latter of which lent a professional production atmosphere for attendees.

The team also positioned an array of audience microphones throughout the crowd to capture the energy of the event for online audiences. This replicated the in-person experience for those who couldn’t make the ceremonies. Additionally, all camera feeds from the ceremonies, as well as special events surrounding the commencements, were recorded to Aja KiPro banks for future university use.

For Dugger, the tricky nature of producing graduation ceremonies is that unlike a live performance, the emphasis is not on a single artist or small group of performers. Everyone involved is on equal footing, from guest speakers to the entire student body.

“The challenge across both the image magnification and live stream is to make sure that every student gets the recognition they deserve,” he said. “Every student’s name needs to be seen and heard clearly. Taking the leap to HD production makes that experience far more immersive, and ultimately more memorable. And these productions were truly what you would see for a full-blown live broadcast.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit www.tndv.com for more information.

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Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

NEW DANLEY DIRECT FREE MODELING SOFTWARE DELIVERS SPEED, CROSS-PLATFORM PERFORMANCE, SOLID MATH, AND THIRD-PARTY MEASURED DATA

GAINESVILLE, GEORGIA – JULY 2014: Danley Sound Labs, maker of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints inherent in conventional designs, has applied that same “outside of the box” thinking to its latest loudspeaker and subwoofer installation design software. Named Danley Direct and available for free from danleysoundlabs.com, the new platform models the direct sound path from user-defined designs involving Danley products in three-dimensional spaces (which can be conveniently imported or modeled via SketchUp). Co-designed by renowned acoustician Doug Jones and Sebastian Rivas Godoy, Danley Direct is notable for its transparent cross-platform performance (Mac or PC), multiple-window flexibility, and tremendous speed. Like everything Danley Sound Labs puts its name on, Danley Direct is built on solid math and third-party measured loudspeaker and subwoofer data.

Danley Direct is heir to the capabilities of Danley’s DDT modeling software, which was one of the only loudspeaker modeling software programs to include subwoofer (i.e. < 100Hz) output. "When we were asked by Mike Hedden, Danley president, to update DDT, Sebastian and I realized that it had fully matured," said Jones. "It would become unwieldy if we tried to build more capability on top of its existing structure. So we decided to start from scratch. We recognized that our new software had to be fast, and it had to let the user create his or her own work environment. It needed a powerful graphics engine that could keep pace with a quick-thinking designer."

Jones and Godoy succeeded. Not only will Danley Direct operate on a Mac or PC with interchangeable files, it will do so with a fluidity that encourages exploration and creativity. The software supports multiple-window operation, and rendered objects can be rotated and otherwise manipulated without requiring re-rendering. "No other loudspeaker modeling software can do that," stated Hedden. Jones added, "With that kind of speed and transparency, Danley Direct is not going to waste anybody's time." Because it uses the ubiquitous SketchUp as its drawing environment, it's easy to create spaces either from scratch or by importing the numerous file types that SketchUp accepts (e.g. .dxf, AutoCAD). Of course, Danley Direct can import Danley DDT files, and, like DDT, Direct training will count toward CTS continuing education credits.

Although not nearly as flashy as its smooth graphics engine or its transparent workflow, Danley Direct's underlying mathematics and the Danley product data that feed into it are honest and correct. That, of course, is of the utmost importance. "Danley has always supported third-party independent measurements," said Jones. "The model you build in Danley Direct will be as close to the reality of the subsequent installation as any reasonable person could expect. This software is not designed to sell Danley products; it is designed to properly model them so that our users will have successful projects. And that is what will sell Danley products."

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

IBC2014 Exhibitor Preview From MultiDyne

Visit MultiDyne at IBC2014 at Stand 10.D46

At IBC2014, MultiDyne(R) will showcase a broad range of innovative, fiber-optic-based video and audio transport solutions designed specifically for pro A/V and broadcast applications.

Key Product and Technology Demos

New Functionality and Enhancements for the SilverBACK(TM) Family of Camera-Mounted Fiber Transport Solutions
At IBC2014, MultiDyne(R) will demonstrate significant new features for its SilverBACK(TM) family of camera-mounted fiber transport solutions, including a new operator control panel that offers intuitive, user-friendly controls and displays.

The SilverBACK family now includes four models: the flagship SilverBACK-II; the SilverBACK-II-L for multicamera production; the SilverBACK-II 4K-L, a feature-rich model that includes Ethernet support and a video option for viewfinder or monitor viewing in the field, enabling camera operators to turn any 4K camera into a true Ultra HD multicamera production; and the SilverBACK II-4K, a low-cost model without the viewfinder/monitor viewing option, designed to support traditional film-style productions. Ultra HD support can be added to any existing SilverBACK system through a simple upgrade, enabling customers to deliver a state-of-the-art 4K television experience cost-effectively.

Utilizing MultiDyne’s award-winning SilverBACK solutions, users can seamlessly transmit any camera signal, including Ultra HD video, HD-SDI video, audio, intercom, control data, GPIOs, tally, and power, over a single hybrid copper and fiber cable. The SilverBACK transport system features an elegant, compact case, measuring just over one inch thick, with a simple, intuitive user interface, making it the ideal solution for a wide range of applications including digital cinema, sports, ENG, D-SNG, and multicamera studio. A JUICE power supply can be added to support camera distances of up to 500 meters.

LightningSwitch Optical-to-Optical Routing Switch
Another key demonstration at IBC2014 will be the MultiDyne(R) LightningSwitch, a 48×48 optical-to-optical routing switch that simplifies the routing of fiber-optic signals within broadcast infrastructures by eliminating the need for fiber patch panels. LightningSwitch is perfect for a variety of applications, including broadcast and transmission facilities, sports venues, outside broadcast vehicles, cross-campus networks, postproduction, and satellite uplink management. It can be integrated seamlessly with existing routing infrastructures and standard broadcast architectures.

SMPTE-HUT Hybrid Universal Transceiver
The MultiDyne(R) SMPTE-HUT universal camera transceiver is now compatible with Sony’s HSC-100/300 family of camcorders and Panasonic’s AK-HC3800 line of professional studio cameras. Designed to increase the transmission distances of HD cameras that can be limited by hybrid copper/fiber cabling, this high-performance transport system is ideal for remote broadcasting, sports, shared control rooms, campus facilities, arenas, and stadium applications. The SMPTE-HUT cost-effectively enables full camera operation in even the most rugged broadcasting environments, extending transmission ranges up to 10 km on just two single-mode fibers.

Dingo(TM) Fiber Transport Card Line
At IBC2014 MultiDyne(R) will showcase the recently introduced Dingo(TM), a new fiber transport card set featuring a flexible, elegant design. Dingo supports a wide range of camera signals — 3G HD-SDI, composite video, analog or digital audio with cross-conversion, intercom, serial data, and Gigabit Ethernet — over a single fiber-optic cable. Available in three interoperable formats, Dingo brings unprecedented flexibility to all aspects of fiber transport, supporting multiple applications including broadcast, A/V, sports, OB, ENG, POV, and multicamera shoots.

Dingo is available as an openGear(R) compatible card that offers SNMP management and power redundancy in a single hot-swappable card; as a portable, black box that makes a great addition to MultiDyne’s LightBrix line; or as a smaller personality card for the BullDog(TM), LiGHTBoX(R), and LiGHTCuBE(R) product lines — all from MultiDyne. All three formats are interoperable, enabling seamless communication between openGear cards and other fiber transport equipment in the field.

BullDog(TM) Field Fiber Transport System and BullDog Big Brothers
MultiDyne(R) is now shipping the BullDog(TM), an innovative field fiber transport system that packs endless functionality into a compact, rugged package. Using the BullDog, professional camera operators can significantly extend the transmission distance of multiple camera signals, including HD-SDI video, audio, intercom, control data, Ethernet, GPIOs, tally, and power. In addition to transporting any camera signal over a single fiber cable, the BullDog can efficiently transport up to eight HD-SDI signals in any direction. Designed to withstand the harsh environments of sports and ENG applications, the cost-effective and scalable system can be easily configured to support a wide range of existing and next-generation signals.

Already operating on a lightweight battery pack, the BullDog gives users the option of adding the MultiDyne JUICE power supply. In addition to transmitting signals to and from the camera with a hybrid optical cable, users can send power to the BullDog and the camera. With the JUICE option, there is no need for a battery or local power, which is particularly useful at golf courses and venues without a power infrastructure.

In addition to its standard compact version of the BullDog, MultiDyne will highlight the BullDog Big Brothers, two larger-sized units that pack even more functionality into a rugged and compact form factor.

Company Overview:

For more than 30 years, MultiDyne(R) has been a leading provider of innovative video and fiber-optic-based transport systems for the broadcast, cable, satellite, production, digital cinema, pro A/V, corporate, retail, surveillance, teleconferencing, judicial arraignment, transportation, government, military, and healthcare markets. MultiDyne’s fiber-optic transport systems for video, SDI, 3G HD, DVB/ASI, VGA, DVI, HDMI, audio, AES, Ethernet, data, CATV, as well as the company’s other broadcast accessories are used worldwide by such industry leaders as ABC, CBS, NBC, CNN, RAI, BBC, and the U.S. Department of Transportation. MultiDyne provides a seven-year warranty on its core product line. For more information, call MultiDyne at 1-877-MULTIDYNE or 1-516-671-7278, visit the company’s website at www.multidyne.com, or send an email to sales@multidyne.com.

IMAGE DOWNLOADS

Photo Link: www.202comms.com/MultiDyne/MultiDyne-SilverBACK.jpg
Caption: MultiDyne(R) SilverBACK(TM)

Photo Link: www.202comms.com/MultiDyne/MultiDyne-The-BullDog.jpg
Caption: MultiDyne(R) BullDog(TM)

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Video Equipment Rentals Relies on BeckTV for Design and Build of Immense Flypack for 2014 French Open Coverage

Versatile New Rental Unit Supports up to Four Separate Broadcasts, Reconfigures Quickly to Meet Demands of Virtually Any User and Any Event

AUSTIN, Texas — July 10, 2014 — BeckTV, one of the United States’ premier design-build systems integrators, today announced that it provided design and integration services for the exceptionally versatile large-scale flypack created by Video Equipment Rentals (VER) to support broadcasters at the 2014 French Open tennis tournament. Providing a four control-room system with a centralized master control, the VER flypack supported simultaneous broadcast coverage by four different networks. The flexible modular design of the flypack and the quality of the systems integration will enable VER to meet the demands of the largest productions, or to split the system in half to support two different productions.

“The knowledge and experience that BeckTV brought to the table were invaluable in assuring smooth integration of equipment within this flypack, identifying all of the required elements, and packaging them in a way that minimizes the time and hassle of packing, shipping, and on-site setup,” said Howard Rosenthal, director of broadcast at Video Equipment Rentals. “With this massive yet agile flypack in our rental inventory, there isn’t a show in the world that we can’t do.”

BeckTV was responsible for nearly every aspect of the flypack, from the outer shell down to each one of the 4,000 cable connections within each of two racks. The company integrated and tested the system at its Austin, Texas, facility and then shipped it to VER’s Glendale, California, facility. There, with ongoing support from BeckTV engineers, VER staff completed the test and build, incorporating custom-built furniture and consoles designed to adapt easily to the way specific production teams prefer to work.

“As soon as we were awarded the French Open contract, we immediately contacted BeckTV,” added Rosenthal. “With their ability to offer so much knowledge about how different systems would play into the design we envisioned, we knew that engineers at BeckTV were the only real choice for this flypack design and build.”

Following its successful use at the 2014 French Open, the VER flypack will be used — whole or in part — for events including Wimbledon and for coverage of the Armed Forces Classic, a matchup of NCAA men’s basketball teams in Puerto Rico.

Further information about BeckTV is available at www.becktv.com.

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About BeckTV
BeckTV (formerly Beck Associates) is one of the United States’ premier design-build systems integrators. With more than 30 years of experience, BeckTV has designed and built more professional television facilities for more customers than any other systems integrator. In virtually every application from broadcast and cable networks, local TV stations, sports trucks, and stadium venues to educational institutions and houses of worship, BeckTV uses a collaborative approach to assure successful outcomes, on time and on budget. The company maintains full-service offices in Denver, New York, and Austin, Texas. More information about BeckTV is available at www.becktv.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/BeckTV/BeckTV-VER-FlypackFor2014FrenchOpen.jpg
Photo Caption: VER Flypack for 2014 French Open

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Thierry Gandilhon Joins NETIA as Managing Director

CLARET, France — July 10, 2014 — NETIA today announced that Thierry Gandilhon has joined the company as its managing director. To this new leadership role, Thierry Gandilhon brings more than 25 years of technical experience in the field of software development, as well as a strong record of establishing and building successful technology companies.

“Thierry is an exciting addition to the company, as he has repeatedly demonstrated an ability to lead companies to success through technical excellence,” said Philippe Fort, president of NETIA. “His tremendous experience developing computer software in multicultural environments and his dedication to using complex technologies to create simple yet powerful solutions make him a smart fit for NETIA, and we’re looking forward to achieving further success with the benefit of his guidance.”

Prior to joining NETIA, Thierry Gandilhon co-founded Eptica, where he served as executive vice president and chief technology officer (CTO). Eptica is the leading European provider of multichannel customer interaction software. During Thierry Gandilhon’s tenure, Eptica developed its activities in Europe and Asia and was selected as one of the leaders in its domain by the Gartner Group through its prestigious Magic Quadrant analysis. Thierry Gandilhon earlier served as vice president and CTO at MATRAnet; CTO at Step One/Sharing Technologies; R&D director at Business Objects, where he was one of the first employees; and project manager and research engineer within the BULL artificial intelligence research group.

“I am passionate about building simple solutions that fit the market and customer need using complex technologies. I see this same dedication at NETIA,” said Thierry Gandilhon. “I firmly believe that technology is not an end, but rather a means, and NETIA’s product portfolio has enormous potential. Great things lie ahead for the company, and I am eager to be part of this future.”

Thierry Gandilhon will be based in NETIA’s head office in Claret, France.

More information about NETIA and its product portfolio is available at www.netia.com.

# # #

About NETIA
NETIA, a Globecast company and part of Orange, is a leading provider of software solutions that enable efficient management and delivery of audiovisual content to today’s full array of media platforms. Relied on by more than 15,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides radio automation, media asset, and workflow management solutions to major radio and television brands and to multimedia groups around the world. Clients include The Associated Press, ABC News Radio Network, WestwoodOne, Radio Globo in Brazil, RTM in Malaysia, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL France, Radio France, RTBF in Belgium, and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/NETIA/NETIA-Thierry-Gandilhon.jpg
Photo Caption: Thierry Gandilhon, Managing Director, NETIA

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Bittree Audio and Video Patching Solutions Used in Major A/V Upgrade for Confederation Centre of the Arts’ Homburg Theatre

Landmark Theatre in Charlottetown, Prince Edward Island, Receives First Major Renovation in Its 50-Year History

GLENDALE, Calif. — July 9, 2014 — Bittree today announced that its high-bandwidth video and programmable audio patchbays were chosen for a major A/V upgrade for the Homburg Theatre, a 1,102 seat performing arts venue in Charlottetown, Prince Edward Island, Canada. Bittree’s Canadian reseller, Solotech, provided systems integration and installation for the project, which wrapped up in April. Trizart Alliance were the consultants on the project. more

Riedel and German Broadcaster RTL Celebrate Six-Year Partnership That Brings Formula One to the World

WUPPERTAL, Germany — July 9, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, announced that Formula One host broadcaster RTL has, for the past six years, leveraged the Riedel RiLink Global Fiber Service to provide bidirectional links between the race circuits and the broadcast station in Cologne, Germany. In addition, Riedel’s Artist and MediorNet platforms are used for communications and signal acquisition and distribution at the various race venues around the world. more

Forbidden IBC2014 Preview

Visit Forbidden at IBC2014 at Stand 8.B38e more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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