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Professional Wireless Systems (PWS) Expert Frequency Coordination Team Takes to the Court for 2014 March Madness

ORLANDO, APRIL 2, 2014 – When the second round of the NCAA Men’s Division I Basketball Championship kicked off at the Amway Center in Orlando, Florida on Thursday, March 20, Professional Wireless Systems (PWS), experts in supplying and supporting wireless systems for live, broadcast events and installations, was courtside to provide frequency coordination for the tournament.

Commonly referred to as “March Madness,” the six games played at the Amway Center were held over two days for the second and third rounds of the South region bracket. The onsite PWS team was responsible for handling 175 channels of wireless for the broadcast media (TNT and CBS), visiting and local media as well as in-house arena frequencies.

“PWS’ expertise and extensive experience providing frequency coordination for such high profile sporting events, such as the NBA Finals and the SuperBowl, allows us to streamline the process in terms of how we handle the media and all of their wireless needs for events like the NCAA basketball tournament,” says Jim Van Winkle, general manager, PWS. “March Madness is unique in that there are four games played in one day at the same venue, so we are extremely busy coordinating visiting media from eight various college cities as well as national media. Large scale events like this are always challenging for us, but our team once again did a fantastic job.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

AudioScience announces the half height ASI6788

Smaller is better!

NEWCASTLE, DE (April 6, 2014) AudioScience, Inc., a leader of professional audio peripherals for the broadcast and installed sound industries, has announced a new series of half height sound cards, the ASI6700. The first in the family, the ASI6788 will debut at NAB 2014 in Las Vegas, Nevada.

Providing 8 or 16 play streams that are mixed to 8 balanced stereo outputs and 8 record streams fed from 8 balanced stereo inputs, the ASI6788 features AudioScience’s unique “anything to anywhere” mixing and routing. The ASI6788 provides both balanced analog and AES/EBU inputs and outputs. The maximum analog input and output level is +24dBu. The addition of GPIO truly makes the ASI6788 a radio automation system on a card. The ASI6788 contains 8 opto-isolated inputs and eight relay isolated outputs. Standard features of AudioScience’s broadcast sound cards are also included such as MRX multi-rate mixing, TSX compression/expansion and SSX multi-channel mode.

“Noticing many of our customers are now using 2U servers for radio automation, the need for the ½ height ASI6700 family became apparent. With the addition of GPIO this is the perfect product to enable high density radio automation.” Said Richard Gross, President of AudioScience

32 and 64bit drivers are provided for Windows 7, 8, Server 2003/2008, as well as for Linux. SDKs are available for Windows and Linux using either standard APIs such as DirectSound or ALSA, or the proprietary AudioScience HPI and ASX interfaces.

For pricing and further information, contact Richard Gross at +1-302-324-5333 or T.K. Pang in Asia at +65 98184303.

About AudioScience, Inc.
AudioScience, Inc. designs, manufactures and markets digital audio peripherals for radio broadcast and installed sound applications. AudioScience is headquartered at 42 Reads Way, New Castle, Delaware 19720, with offices in Costa Mesa – California, Rochester – New York, Malaga – Spain, and Singapore. For more information, phone +1-302-324-5333, email salesasi@audioscience.com, or visit the company’s website at www.audioscience.com.

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Casio Introduces World’s Brightest LampFree Ultra Short-Throw Projector

CASIO INTRODUCES WORLD’S BRIGHTEST LAMPFREE®
ULTRA SHORT-THROW PROJECTOR

New Casio XJ-UT310WN Projector Boasts 3100 Lumens and WXGA Resolution 

DOVER, NJ, April 2, 2014 Casio America, Inc., today introduced its first LampFree® Ultra Short Throw projector – the XJ-UT310WN. With brightness up to 3100 lumens and an ultra short throw ratio of 0.28:1, Casio’s new XJ-UT310WN is the world’s brightest LampFree® Ultra Short Throw projector* available. Primarily designed for the education market where Ultra Short throw projectors are becoming the standard, the XJ-UT310WN offers WXGA resolution and required connectivity plus a suite of application tools which easily integrate today’s mobile technology into the classroom. 

“We take great pride in developing ground-breaking LampFree® projectors that lead the way in education technology and our new Ultra Short Throw projector does just that,” said Matt Mustachio, general manager of Casio’s Business Projector Division. “It will fundamentally change the status quo in the education space, and deliver the benefits of LampFree® projection to schools and educators while providing enhanced features that will illuminate any classroom.”

Weighing less than 13 pounds, Casio’s XJ-UT310WNnot only enables projection from data files stored on a USB memory device, ** but also allows wireless connection to smart phones*** and computers via wireless LAN (IEEE 802.11b/g). The built in 2 GB of memory allows many file formats, such as PDF and QuickTime, to be stored in the projector for quick and easy playback. A full range of input terminals including HDMI RGB and video inputs provide connectivity to standard hardware sources. Audio inputs and a built in 16 watt speaker ensure all students can hear and a microphone terminal allows for teacher sound reinforcement. Ideal for classroom use, Casio’s XJ-UT310WN projector provides a 0.28:1 throw ratio using a mirror system which allows up to a 23” throw distance for a 67” image. This ultra short throw projector also has a new structure that has been developed to minimize deterioration of brightness due to dust.  The XJ-UT310WN even enables educators to display content from a mobile device, which can also be used to control presentations eliminating the need for additional hardware and equipment.

Using Casio’s free mobile application – compatible with both Apple and Android – educators can easily integrate technology into the classroom. The mobile application allows educators to display and annotate presentations from a mobile device, as well as capture and save. In addition, educators can open an Internet browser and display content in real-time. There is also an image capture function using the mobile device’s camera to snap an image and send it to the projector.

Finally, educators and IT managers will be able to enjoy all of the benefits of Casio’s LampFree® projectors in an Ultra Short Throw format with the XJ-UT310WN. No longer required to replace unsafe mercury lamps, the new XJ-UT310WN will help streamline costs and deliver a 20,000 hour estimated life due to Casio’s LASER & LED Hybrid Light Source technology. This technology achieves an increase in color spectrum compared with a mercury lamp, while lowering a projector’s total cost of ownership and maximizing investment.

 

Casio’s XJ-UT310WN comes with a standard three (3) year parts and labor warranty plus a five (5) year or 10,000 hour warranty on the Hybrid Laser & LED light source. The XJ-UT310WN will be available in Q3 2014 with an MSRP of $1,999.99 and available for purchase through Casio’s National Pro AV dealer network and authorized distributors. For additional information on Casio’s XJ-UT310WN and its full portfolio of LampFree® projectors, visit www.casioLampFree.com

*Based on Casio Market research of available non Mercury Lamp source Short Throw Projectors as of March 31, 2014

**Depending on the data format, files may need to be converted using computer software that can be downloaded from the Casio website and then stored on a USB memory device.

*** Smart phones or other mobile devices that have the MobiShow® application (AndroidTM, Apple iOS, or Windows Mobile® version) installed.

About Casio LampFree® Projectors

Casio’s portfolio of LampFree® projectors combines a laser, a fluorescent element and an LED light to deliver a mercury-free hybrid light source that lasts up to 20,000 hours while sustaining a high brightness and keeping maintenance costs to a minimum.  Casio has four series of LampFree® projectors that are available for home, business, education and commercial applications – Slim, Signature, Pro and Short Throw. For additional information on Casio’s projector series and LampFree® technology, please visit www.CasioLampFree.com.

 

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

 

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Kramer Introduces the PT-1C EDID Processor


Kramer Electronics, a worldwide supplier of innovative and reliable signal management products, is pleased to introduce the PT-1C EDID Processor.

The PT-1C draws its power from the HDMI cable and is housed in a compact Kramer Pico-Tools™ enclosure. The key to its versatility are the four DIP-switches located on the back panel.

Many installers have experienced problems with the way Apple handles HDCP, especially when integrating Video Conferencing systems. One of the DIP-switches on the PT-1C turns HDCP on or off. When placed immediately downstream from a Mac with the HDCP off, the Mac outputs a non-encrypted signal that solves these issues with Apple’s implementation of HDCP. The PT-1C does not bypass HDCP rules and cannot remove HDCP from a signal if it is present.

Another DIP-switch on the PT-1C limits color depth. In situations where bandwidth on certain legacy equipment does not support Deep Color, the PT-1C can be used to ensure that only 8-bit color is passed.

The audio DIP-switch provides a means for limiting the output of an upstream device to 2-channel LPCM (Linear Pulse Code Modulation) for cases where the target EDID is asking for an audio type that other system devices do not support.

Finally, the EDID lock switch allows the user to lock in the EDID from the connected display or other displays/EDID sources.

The PT-1C is in stock and available from Kramer sales offices around the world.

For information about all of Kramer Electronics, Sierra Video, Minicom Digital Signage and Kramer Powered by Calibre products please visit www.kramerus.com.

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Xytech Adds Digital Media Asset Management to MediaPulse Using Vidispine Technology

NAB BOOTH: SL2428

(Mission Hills, CA/London, UK) – Xytech, the leader in facility management software for the broadcast, production, media services and video transmission industries, announces the release of MetaVault MAM, a complete Media Asset Management (MAM) solution for the MediaPulse platform. Vidispine, creators of the Vidispine rich media solutions middleware system, provides the underlying technology for MetaVault MAM. The new Xytech offering will premiere at the 2014 NAB exhibition in Las Vegas.

MetaVault MAM provides a complete content backbone for the creation and storage of files, proxies, and metadata. The system’s unique adaptor-based architecture enables clients to integrate multiple MetaVault MAMs with third party MAMs to create federated solutions. The MetaVault system also supports all aspects of physical media handling and archiving. In addition, Xytech has added RFID support to provide the most efficient solution available for managing complex media libraries.

Vidispine, based in Stockholm, Sweden, is listed as one of the “Rising Stars” on Deloitte’s Fast 50 list of Swedish technology companies. Vidispine MAM is a content management platform for developers and media professionals. Xytech has embedded the Vidispine system into its MediaPulse platform to add an entirely new range of media creation, management, storage, and processing functions to the system.

Erik Åhlin, CEO of Vidispine, said, “Xytech is clearly in the leadership position for leading facility management with the major studios, television networks, and transmission facilities. Our Vidispine middleware is a natural fit with the capabilities of their popular MetaVault library management module. This combination creates something really amazing: A single system that integrates everything required to manage media libraries containing any type of digital assets, as well as physical tape and film elements.”

Greg Dolan, COO for Xytech, commented, “Vidispine is the perfect partner for us as we add digital asset functionality to MediaPulse. Their MAM engine is simply the most advanced in the world, and just as importantly, Vidispine shares our values of true partnership, innovation and integrity. We’ve already seen huge interest in this new offering from our customers and this will help us provide enterprise-level digital supply chain solutions at a compelling price point.”

Xytech is exhibiting MediaPulse 2014 and their new MetaVault MAM solution at the National Association of Broadcasters (NAB) show in Las Vegas from April 7-10 2014, in the South Hall lower level, booth SL2428.

About Vidispine
Vidispine is an enterprise grade Media Asset Management backbone. The capabilities are exposed by well-documented and robust RESTful APIs, which work with any modern programming language. Vidispine let Software Developers and Service Providers easily build new innovative rich media solution. Vidispine scales from small archives to multi-site deployments and is agnostic in regards to OS, storage, media formats, application servers, databases and IT-infrastructure. For more information, visit www.Vidispine.com.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

# # #

Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

Digigram Releases RAVENNA / AES67-Enabled PCIe Sound Card

Company’s First in a Series of RAVENNA / AES67-Enabled Solutions Assures Ultra-Low Latency and High Performance in High-Density Audio Production and Automation Applications

MONTBONNOT, France — April 2, 2014 — Digigram today announced the release of the LX-IP RAVENNA PCIe sound card, the company’s first RAVENNA / AES67-enabled product. Featuring ultra-low latency down to one audio sample per IP packet, up to 256 RAVENNA I/O channels from multiple RAVENNA streams, and a full MADI interface, the new card is ideal for high-density audio production or automation applications in radio and TV broadcast studios. more

Nova Entertainment Deploys Matrox Avio KVM Extenders in Audio Production Studios

Zero-latency, zero-compression Avio 125 KVM extenders transmit dual-HD video and multiple USB 2.0 signals to production studios 120 meters from control room

Matrox® Graphics Inc. today announced that Nova Entertainment recently deployed Matrox Avio™ F125 KVM extenders to transmit high-resolution, multi-display desktops in their production studios with computing resources centralized in a separate area. Nova Entertainment operates commercial radio networks broadcasting in metropolitan and regional areas and was looking to provide their audio engineers with an uncompromised remote audio production workflow. By selecting Avio F125 solutions to extend dual-HD video and multiple USB 2.0 signals, their engineers can now produce high-quality promotional spots and commercials without latency or interruption.

Nova Entertainment Deploys Matrox Avio KVM Extenders in Audio Production Studios

Housed in a master control room, Avio F125 transmitters attach locally to Apple® Mac Pro® workstations running Avid® Pro Tools® software. OM3 multi-mode fiber-optic cables connect Avio F125 transmitters to Avio F125 receiver units stationed in different audio production studios up to 120 meters away. At the operator location, each Avio receiver unit connects two 1920×1080 Samsung® monitors and high-speed USB 2.0 peripherals including a keyboard, mouse, CD/DVD burner, and external hard disc drive (HDD). According to Luke McKew, Technology Manager at Nova Entertainment, the new workspace allows users to productively record, edit, and mix the latest audio projects.

“Working off a higher-resolution setup makes it easier for the audio engineers to see small changes within the editing software, while the ability to quickly burn a CD or plug in an external HDD without having to walk back to the control room greatly improves workflow and efficiency,” said McKew. “We highly recommend Avio to other stations that are looking to upgrade or install KVM solutions for their own audio production facilities as it is a truly worthwhile investment.”

To read the complete story and view pictures, visit Nova Entertainment Fine Tunes Audio Production Workflow.

Matrox Avio KVM extenders will be demonstrated live at NAB Show (Las Vegas, April 7-10, booth SL5019) and InfoComm (Las Vegas, June 18-20, booth 2247).

About Matrox Graphics Inc.
Matrox Graphics is a leading manufacturer of graphics solutions for professional markets. In-house design expertise, top-to-bottom manufacturing, and dedicated customer support make our solutions the premier choice in industries that require stable, high-reliability products. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada, with representation and offices in the Americas, Europe, and Asia. For more information, visit www.matrox.com/graphics.

T3Media Adds FORscene to Its Cloud-Based Video Management Services

LONDON — April 2, 2014 — Forbidden Technologies plc (AIM:FBT), the AIM-quoted owner and developer of the market-leading cloud video platform FORscene, announced a partnership with T3Media, the leading provider of cloud-based video management, archiving, licensing, and distribution services for enterprise clients worldwide. Following a successful pilot using FORscene for Professional Bull Riders Inc. (PBR) events, T3Media has begun to use FORscene for additional sports editing projects for its clients. more

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