A virtual press conference from Sound & Video Contractor

Archive of the News Category

Powerful Christie Projectors Drive Idaho Power’s Unique Hybrid Control Room Wall

Christie® projection technology is an integral part of a groundbreaking hybrid display wall solution for Idaho Power’s new control room that is helping the electric utility serve its half-million customers with a more efficient, more informative, and more reliable monitoring system. The SA2™ patent-pending solution designed by Primate Technologies, Inc. overlays dynamic projected content from a series of Christie DS+6K-M SXGA 3-chip DLP® projectors onto a digital-based modular tile mapboard from Monitor Mapboard Systems. The unique combination allows abnormal conditions to be projected and lit upon the screen, making it easier to see situations such as an open breaker or multiple breakers flashing at different stations.

Idaho Power’s service area spans some of the most rugged and remote landscape across southern Idaho and eastern Oregon to serve a population of approximately 1,000,000 people. When the utility was moving to a new location, it sought to remodel its control room and started exploring potential alternatives to the traditional, static-type mapboards that would not be affected by the ambient light from the windows. In the past, the utility had used anything from a paper map to a tiled mapboard. Idaho Power was intrigued by the hybrid Scadaboard solution suggested by Monitor and Primate that still met all its criteria for a rugged, 24/7 wall that was also customizable, providing up-to-the-second information while maintaining a static component of the control monitoring display which is critical during outages or catastrophic events.

Primate Technologies Inc., which builds robust visualization software products for the energy industry, developed the unique concept of overlaying projected content from overhead Christie projectors in strategic areas of Monitor Mapboard Systems’ modular, digital output based mapboard with software driven dynamic content just in the areas needed. The result was a hybrid display wall that is much more visible to the entire room, allowing for increased situation awareness and the ability for operators to easily add collaborative information and tags to the projected dynamic content. Primate Technologies, Inc. software also allows users to add additional displays or change the appearance of the dynamic content projected on the board.
“Idaho Power’s hybrid solution is the first of its kind and represents a marriage of leading technologies in 24/7 control rooms,” said Rita Patterson, vice president of Sales, Marketing and Customer Relations at Primate Technologies, Inc. “With the primary goal of providing a highly efficient control room environment, we needed to make sure that the companies we chose fully understood that environment. For digital front projection, Christie was the clear choice as they came highly recommended by trusted customers.”

Monitor Mapboard Systems provides situational awareness tools for displaying the ‘big picture’ in the form of large, physical dynamic mapboards, which are graphic representations of the client’s grid or service territory. It also offers dynamic mapboards that are wired with LEDs to show abnormal status. When coupled with Primate Technologies’ dynamically projected software, this “live” Scadaboard™ provides the ultimate situational awareness mapboard solution.

“Electric utilities have a history of using mapboards to display their big picture system status, making them a critical tool for alerting the dispatcher when something has happened,” noted Vince Blaeser, principal, Monitor Mapboard Systems. “The hybrid Scadaboard solution brings additional layers of relevant and dynamic content to the system operators.”

“Analog display walls are common in the industry, and we considered everything from using materials that included metal or plastic tile boards, to massive silkscreen tile boards with switches or lights,” said Gary Felton Jr., Chief Dispatcher, Load Serving Operations, Idaho Power. “The hybrid display was the ideal solution. We are especially impressed with the images from the three Christie DS+6K-M projectors. They are exceptionally bright, crisp and vibrant, and really ‘pop’ when you see them on the board.”

“We are pleased to be selected for this unique solution for Idaho Power that represents a perfect marriage of three leading technologies for control rooms. This hybrid display has a truly high-tech feel,” said Dave Muscat, senior director, Control Room Solutions, at Christie. “It’s really inspiring to see how Primate Technologies, Inc. and Monitor Mapboard Systems helped Idaho Power brilliantly meet its needs.”

At Booth 9207 at the IEEE Conference and Exposition April 14-17 in Chicago, Monitor Mapboards will feature Scadaboard™, a real-time monitoring display wall technology that uses Primate Technologies, Inc.’s data visualization software and Christie DHD800 HD DLP® front projection to bring timely content to a Monitor mapboard, delivering enhanced situational and operational awareness.

Leading Italian Hire Company AGORA Adds SSL Live to its Console Portfolio

“The sound quality reminded me of the high level analogue sound that I was used to”

ROME – AGORA, the leading Italian rental company, has purchased an SSL Live console to support the local and international music, sports and corporate events that it serves. In the nearly 25 years that it has been in business, AGORA has become the standard for the tours of top Italian artists, such as Andrea Bocelli, Laura Pausini, Ligabue and Tiziano Ferro, as well as high-profile international events, such as Carlos Santana, Red Hot Chilli Peppers and Elton John, the Live 8 concert and the opening and closing ceremonies of the 2006 and 2014 Winter Games in Turin and Sochi.

AGORA’s Live console has already hit the road with one major client, Italian blues singer Mario Biondi, whose front of house engineer, Piefrancesco “Hugo” Tempesta, has been using it on tour for almost two months and has been extremely happy with the results. “Before I decided to use the SSL Live on tour, I did a simple but efficient test,” says Tempesta. “I used one channel and carefully listened to the performance of the mic pre, summing and overall sound quality, which reminded me of the high level analogue sound that I was used to. I had no doubt in my mind that this was the console for me, and I feel very confident in my choice.”

It wasn’t just the sound quality that drew Tempesta to the SSL Live, but also the user-friendly interface, which he says is well-designed and intuitive. Another key feature for him is SSL’s Blacklight II high bandwidth multiplexed MADI, which transports several MADI ports on a single fibre connection.

Wolfgango and Vittorio De Amicis, brothers and co-owners of AGORA added their own comment regarding their addition of SSL Live to their hire portfolio. “AGORA usually invests with major players in the industry and of course SSL is one of them, even if it has just joined the live touring market. We expect that SSL’s reputation will follow the company into the live space and make Live a leading contender in the market.”

www.solidstatelogic.com/live
www.agoraaq.it

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

Atlona(R) Appoints Thorsten Goecke as Director of Business Development for EMEA, Commercial

SAN JOSE, Calif. — April 15, 2014 — Atlona(R), a leading AV distribution solutions provider, today announced the appointment of Thorsten Goecke as director of business development for the company’s EMEA commercial division. In his new role, Goecke will work to extend Atlona’s partner network and brand awareness in the European AV installation market. more

Denon Professional’s DN-700R Selected by KCHO-FM

Northstate Public Radio Turns to SD/USB Audio Recorder to Provide Networked Recording, Archiving, and Playback Capabilities more

Revolabs Announces Distribution Agreement With Exertis GO Connect

New Partnership Expands Availability of Revolabs’ Flexible Audio Solutions

SUDBURY, Mass. — April 15, 2014 — Revolabs today announced a distribution agreement with Exertis GO Connect, a leading importer and distributor of communication endpoints, network solutions, cloud connections, and professional services. Under the new partnership, Revolabs’ entire portfolio of flexible audio solutions will become available via Exertis GO Connect’s broad network of resellers across the Benelux region, which includes Belgium, the Netherlands, and Luxembourg.

Specializing in the provision of technology and solutions that simplify communication, Exertis GO Connect is one of Europe’s premier contact points for the distribution of headsets, audio and video conferencing systems, as well as VoIP telephony equipment. The distribution agreement will include Revolabs’ all-new product lines of FLX UC conference phones with USB and SIP call audio support, and the next-generation Executive Elite wireless microphone systems for unified communications solutions within boardrooms and conference rooms.

“We are very enthusiastic about this new offering for our portfolio,” said Niki van der Perk, product marketing manager at Exertis GO Connect. “Revolabs’ combination of audio convenience, elegant design features, and advanced audio technologies is of great value to our continuously expanding portfolio of communication endpoints. With this addition, we provide our resellers an even broader portfolio that allows them to offer an extended communication endpoints portfolio with beautiful products for the home office as well as the enterprise.”

“Adding Exertis GO Connect to our lineup of European partnerships gives Revolabs an exciting opportunity to expand the availability of our company’s award-winning, unified communication solutions,” said Marc Cremer, chief operating officer, Revolabs. “Renowned throughout the marketplace for its advanced communication endpoint offerings, Exertis GO Connect provides access to valuable vertical markets, allowing us to strengthen the range of our wireless audio solutions for home offices, small business, and large enterprise settings. We look forward to a constructive collaboration with Exertis GO Connect and to announcing many exciting innovations through this new channel.”

Revolabs’ distribution agreement with Exertis GO Connect is effective immediately. More information is available at www.revolabs.com.

# # #

About Exertis GO Connect
In the Netherlands, Belgium, and Luxembourg, Exertis GO Connect serves resellers focusing on communication endpoints, network solutions, cloud connections, and professional services. As a distributor, Exertis GO Connect is not only the logistics point of contact between reseller and manufacturer, but also provides services such as presales consultancy; installation, service and maintenance; and a help desk and support. Since 1996, the distributor operates with leading vendors including Polycom, Plantronics, Revolabs, LifeSize, Sonus, ClearOne, KEMP, Konftel, Panasonic, Gigaset pro, Vidyo and Dell SonicWALL. More information can be found here: http://www.exertisgoconnect.eu.

About Revolabs
Revolabs Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Mass., and can be reached at +1-800-326-1088 or www.revolabs.com.

Follow Revolabs:

http://www.revolabs.com/RevoBlog

http://www.facebook.com/revolabs

http://linkd.in/Wxa1A1

http://twitter.com/RevolabsAudio

http://www.youtube.com/user/Revolabs

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Matrox at Streaming Media East 2014 — Product Preview

Video streaming and recording appliance and live production streaming systems to be featured

At Streaming Media East 2014 (New York City, May 13-14, Booth 317), Matrox® Video will showcase Matrox Monarch HD™ video streaming and recording appliances and Matrox VS4™-based live production streaming systems for use with Telestream® Wirecast® or StudioCoast vMix software. In addition, Matrox MicroQuad™ multiviewers will be demonstrated.

Matrox Monarch HD — Video Streaming and Recording Appliance
Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. Priced at just $995 US, it provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. The new Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high quality webcasting service as part of their overall product offerings.

Matrox VS4 — Live Production Streaming System
Matrox VS4 is a quad HD capture card for use with Telestream Wirecast for Windows or StudioCoast vMix live production streaming software. In a single PCIe slot, Matrox VS4 provides up to four independent HD inputs with up to eight embedded audio channels per source. It not only sends video feeds for streaming, it also facilitates ISO recording to disk of all the original video and audio feeds for post event editing via a Matrox plug-in for Wirecast or Matrox Video for Windows (VfW) codecs for vMix MultiCoder software.

VS4Recorder — Multi-Camera Recording App
VS4Recorder™ is a standalone multi-camera recording app bundled with Matrox VS4 quad HD capture cards at no additional cost. VS4Recorder gives live event producers complete independent control over capture of the four inputs connected to the VS4 to create files for use with popular editing apps from Adobe, Apple and Avid and for archiving. AVI files can be created using the high-quality Matrox MPEG 2 I-Frame codec. MOV QuickTime files can be created using DV, DVCPRO, DVCPRO50 and DVCPRO HD. New features include gang recording of an unlimited number of video sources, an H.264 codec with MOV or MP4 file wrapping so that files can be immediately available for upload to the internet; DirectShow filters for developers to incorporate VS4 functionality in their own applications; event markers for Adobe Premiere CC so that while recording, users can highlight moments of interest for quicker post-event editing; and settings for capture duration and file switching without frame loss.

Matrox MicroQuad — Multiviewer
Matrox MicroQuad is a four-channel SDI-to-HDMI multiviewer for 3G/HD/SD at a breakthrough price. It lets broadcasters and A/V professionals use an affordable HDMI display to view up to four SDI video signals and show or hide labels and VU meters. Its powerful 10-bit scaling engine and advanced filtering algorithms ensure a crisp, artifact-free monitoring experience. MicroQuad can be controlled using buttons on the unit itself or from a distance using a Windows-based app.

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Product Updates, Tradeshow News |

SSL Live Console on the Road with Flogging Molly’s GREEN 17 TOUR

“Bar none, it’s the best digital console on the market”

LOS ANGELES - When an analogue stalwart front-of-house engineer who’s known to eschew digital consoles finally finds one that meets his standards it’s a milestone. Flogging Molly is named for their inauspicious start playing Molly Malone’s Pub in Los Angeles Monday nights in the Nineties. The seven-piece Irish/American, punk/folk ensemble is a rock band with traditional Irish instruments, fronted by Dave King on acoustic guitar and Bridget Regan on fiddle, with electric guitar, bass drums, accordion and banjo. An SSL Live console, supplied by VER Tour Sound, the latest addition to SSL’s Live partner network, was deployed at front of house for the group’s 10th Annual GREEN 17 TOUR, the band’s countdown to St. Patrick’s Day. Stopping at 27 cities, the tour started at Atlanta’s Tabernacle and ended five weeks later at New Orleans’ House of Blues.

FOH engineer Kevin Lemoine describes the touras “theaters and larger clubs, like the House of Blues, with loudspeakers ranging from a very nice d&b J-series outside <where everything is pristine and clean, all the way down to 15-year-old EV boxes.”

Lemoine has mixed Green Day for 13 years and is known for carrying an analogue console during most of his tours. He has mixed a number of other well-known acts, including Sugar Ray, Buck Owens, the Luna Chicks, Iggy Pop, Ice-T, Jane’s Addiction, The Black Crowes and The Reverend Horton Heat, among others.

VER’s Jason Vrobel has worked Green Day shows with Lemoine since 2004 as crew chief and system engineer. “I’ve known Kevin for a very long time,” Vrobel states. “He’s always been anti-digital. Always uses analogue as much as he possibly can. Anytime there’s analogue/digital situation, it wasn’t his choice. This was the first time he was extremely happy.”

“I didn’t have any time on the SSL Live before we went out on tour,” says Lemoine. “Back at VER, Jason programmed the inputs, effects sends and returns, groups, basically assigning the whole console before the tour. So no training, a little bit of YouTube searching about how things work, how it was set up, how it operated, but the rest of it was hands-on right there. It’s not a very difficult console to get around on.”

SSL Live is designed to provide a flexible workflow with several operational approaches, combining a large multi-touch daylight screen, with a second channel control screen surrounded by dedicated encoders, and up to three five-layered, 12-channel fader tiles plus, under the hood, there’s abundant, adaptable bus architecture. “The first day, was a little nerve-wracking because I was just learning the console,” says Lemoine. “Second day, I got a little deeper into what was available on each input; compressors, limiters, gates and how things worked. For the stuff that you use every day, it’s laid out pretty well. The sound was great on the first day and throughout the tour, I just refined the great sound.”

“There are two schools of thought from a FOH perspective,” continues Lemoine. “Pretty much, it boils down to digital versus analogue consoles. To my ear, and to most of my friends’ ears, analogue consoles sound the best, but the one negative factor is transport, size, weight and all that stuff. On the other hand, you have the digital realm where the console is small, light and easy to pack around, but their sound is usually kind of inept, I think. The features are there, but in the end, the sound isn’t really what you’re looking for. So now, you have this SSL Live, which seems to be in its own realm. It’s a small digital console, easy to pack around and fits into any venue, but it doesn’t sound like a digital console, it sounds like an analogue console. It’s very pleasing to the ear.

“It’s a very wide sound stage,” adds Lemoine. “A lot of consoles don’t go that wide. It’s nice to hear your drummer’s toms go from left to right and hear a true stereo image on your cymbals. It’s definitely a wide sound stage. Bar none, it’s the best digital console on the market. I have no doubt in my mind. I really like Live’s mic pres, they’re pretty amazing.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

PreSonus Tames the Loudest Hole in Golf

Scottsdale, AZ – April 2014… With a history dating back to the 1930s, the Phoenix Open is one of pro golf’s most celebrated events. Now known as the Waste Management Phoenix Open, the tournament has hosted some of the biggest names in the game, from Arnold Palmer, Ben Hogan, Jack Nicklaus, and Ben Crenshaw to Phil Mickelson, Vijay Singh, and Tiger Woods.

In 1987, the Open moved to its current home at the world-renowned TPC Scottsdale golf course. The course was custom designed for the tournament and is best known for the 16th hole of its Stadium Course. It has often been referred to as “the loudest hole in golf”; during the tournament, its amphitheater-style seats are packed with crowds of exuberant fans and spectators who cheer and jeer loudly as the pros play through.

David Eriksson, CEO of Phoenix-based Church Technologies, is a volunteer with the Phoenix Thunderbirds, a prominent civic organization that has supported the Open throughout its storied history, raising millions of dollars for Phoenix-area charities. Eriksson, who has lent his audio skills to the event for close to a decade, explains the challenges behind the 16th hole.

“It’s always been a bit of a crazy event, and by the time the players get through to hole 16, they’re nearing the end of their game, and things are loosening up,” he observes. “But it’s still a regulation game, and the PGA has some pretty stringent regulations regarding noise. The challenge is to find just the right balance of being heard over the crowd without overpowering the game.”

Eriksson found the solution a few months before this year’s Open. “We did an event last December as part of the Shane and Shane tour, and I got to hear the new PreSonus® StudioLive™ AI loudspeakers,” he recalls. “I just loved the way they sounded, and I thought it would be great to try them out at the Open.”

Four systems were brought in to cover the 16th hole, each comprising three StudioLive 328AI Active Integration™ loudspeakers and a StudioLive 18sAI subwoofer. “We had one system in the Chairman’s Club, another in the bar area, and two more on the crowd,” says Eriksson. “The sound was just wonderful—the system had such amazing clarity.”

For next year’s Open, Eriksson plans on bringing in a StudioLive AI-series digital console, too, to take full advantage of Active Integration. “I’m really excited about being able to control the mix from an iPad,” he enthuses. “I can be down in the tee box and hear what the players are hearing. That’s an amazing advantage.”

“This is one of the biggest events in professional golf, and getting the sound right is a big part of it,” Eriksson concludes. “PreSonus has pretty much everything we need, from the console to the speakers, and it’s all fully integrated to work together. It’s a great fit.”

###

About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Zylight Brings Upgraded F8 LED Fresnel to NAB 2014

LOS ANGELES – Zylight, a leading manufacturer of innovative LED lighting solutions, showcased an improved F8 LED Fresnel at the 2014 NAB Show. Introduced last year, the reengineered lighting instrument still delivers close to the light output of a traditional 1000-watt Fresnel and collapses to less than four inches thick for easy transport, but a number of refinements deliver improved performance for field and studio applications.

The yoke mount has been angled for greater positioning range and able to accommodate 90-degree stand mounting. Plus, all locking and adjustment is done with a single knob. On the light, the self-locking focus now automatically holds focus position. Other improvements include improved bellow design for smoother operation, a self-terminating DMX input, better protection from the elements and a new heat sink orientation that allows 20 percent better cooling.

“We have been blown away by the response to the F8. Broadcast studios, ENG news crews, commercial producers, independent filmmakers – our LED Fresnel has been embraced by video professionals across the industry,” said Joe Arnao, president of Zylight. “We went back to the drawing board to make the F8 even better, without changing the features that make it the most exciting lighting instrument on the market.”

Available in daylight (5600K) or tungsten (3200K) versions, the F8 lighting instrument draws only 100 watts. It has a high CRI (color rendering index) and its eight-inch SCHOTT glass lens maintains single shadow traditional Fresnel beam shaping. The fully dimmable F8 offers an adjustable beam spread (16-70 degrees), with a patented focusing system for spot and flood operations.

Bright like an HMI, the F8 is a better choice for run-and-gun ENG applications – it can be powered by a standard 14.4V camera battery or AC adapter, and it is water resistant (IP54) for use in challenging location conditions. Its LED engine features quantum dot technology to provide a more refined and balanced natural light output, which has been tuned to work with today’s digital camera systems. Like other Zylight models, the F8 features ZyLink wireless technology, which makes it easy to link multiple Zylights for simultaneous remote control. The F8 ships with barn doors and yoke mount, but additional accessories are available separately.

ABOUT ZYLIGHT LLC

Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

CI-BUSS Brings Clear Sound to Dixie Regional Medical Center

St. George, UT – April 2014… Consistently voted one of the top 100 hospitals in the US, Intermountain Dixie Regional Medical Center is one of the largest and most progressive health care facilities in the Southern Utah and Nevada region. Its sprawling campus is home to a number of state-of-the-art, high tech laboratory and surgical facilities, staffed by some of the best professionals in the business.

Recently, the hospital installed new CI-BUSS communications systems from Yorba Linda, CA-based Tech Works in several of their Cardiac Catheterization lab facilities. Randy Turek of Dixie’s Cardiology Department explains the challenges of communicating within a sterile facility.

“The doctors inside the clean rooms need to be able to communicate with staff outside the glass, and for quite some time, that communication was via a hanging microphone,” says Turek. “The sound quality was terrible. The rooms themselves are a very boomy, reflective environment, with flat walls, vinyl floors, and plenty of glass, so intelligibility is poor to begin with. Communication basically consisted of a lot of yelling back and forth.”

The CI-BUSS system provided the doctors with the flexibility of using lightweight headsets, desktop or ceiling mounted microphones, with powerful digital signal processing and automatic level control for clean, intelligible, hands-free communication.

“We had tried a number of different solutions, and when we looked around at other facilities to see what they were using, we realized that everyone was having the same issues,” Turek observes. “Everyone was putting together systems with different components from different manufacturers, and the results were never quite as good as they could be. The CI-BUSS system was the first we found that was specifically designed for this purpose. We were able to configure the entire system and choose the components we needed for each application.”

With the CI-BUSS system in place, doctors are now able to communicate to staff in normal conversational tones. That has its own advantages, says Turek. “We found that after we switched to the CI-BUSS, the satisfaction levels in our patient care environment went up. Patients were happy we were no longer yelling back and forth.”

###

Tech Works is a US-based manufacturer of high-quality, highly specialized communications systems for the healthcare, security, corrections, and education industries. Based in Yorba Linda, California, Tech Works was founded in 1984 with the goal of creating powerful communications solutions for the most demanding environments. Our products are designed to meet the unique challenges of our customers, in applications where clear communication can be critical.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, News, Product Applications |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication