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Nexidia and Telestream Announce Integration of Nexidia QC Caption Verification Tool Into Vantage Workflow Automation Environment

ATLANTA — Aug. 27, 2014 — Nexidia, developer of dialogue and audio analysis products and technologies for optimizing audio and video media, and Telestream(R), a leading provider of digital media tools and workflow solutions, today announced a partnership that gives Telestream Vantage users a unique and integrated quality control (QC) solution for caption and language verification. Nexidia QC(TM), Nexidia’s award-winning software tool for automating QC of closed captions, video description, and languages for broadcast and IP workflows, is now available as part of the Telestream Vantage v6.3 file-based workflow automation system. The integration will help ensure that those who use Vantage are better able to automate compliance with Federal Communications Commission (FCC) closed caption regulations as well as similar requirements of regulators around the world and delivery requirements of OTT partners.

“Nexidia QC is a patented verification tool for captions and language identification that is unlike anything else out there. When you add it to Telestream’s leading workflow automation and orchestration tool, known for its ease, speed, and quality of conversion, you get efficiencies that streamline the entire delivery and QC process into a single automated workflow,” said Drew Lanham, senior vice president and general manager of Nexidia’s Media and Entertainment division. “The Nexidia QC integration enables Telestream Vantage users to utilize Nexidia QC’s full functionality anywhere in the Vantage workflow, ensuring that media meets FCC regulations and caption and language requirements from partners like iTunes(R), Netflix, and Amazon. This combination saves time and money over manual solutions and results in a higher-quality experience for viewers across all platforms.”

The FCC requires that closed captions be complete and in sync for any program that goes to air and for any previously broadcasted program that is subsequently streamed or otherwise made available online. Telestream Vantage offers a suite of file-based tools for performing high-quality transcoding and frame-rate conversion that scales to accommodate multiple programs and platforms. Nexidia QC is an automated solution that can perform up to five times faster than real time, and the workflow can be further accelerated by adding additional instances of Nexidia QC. The combined solution can scale to address caption compliance in the face of a growing number of platforms and programs, increasing throughput while maintaining high-quality deliverables.

“With the FCC’s strict new rules on the insertion of closed captions in video clips that are posted online, the combination of Telestream Vantage and CaptionMaker with Nexidia QC ensures that our customers can create, check QC, and correct closed captions associated with their media,” said Paul Turner, vice president of enterprise product management at Telestream.

Nexidia QC provides a unique, natural-language verification tool for captions and language identification that easily integrates into broadcast and IP workflows. In the integration with Vantage, Nexidia QC can be inserted at any point in the Vantage workflow. This flexibility enables customers to optimize all their delivery requirements, utilizing a single platform to meet quality and FCC standards and regulations.

Nexidia QC is integrated into v6.3 of the Vantage platform and is now available worldwide.

More information about Nexidia and its products is available at www.nexidia.tv.

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About Nexidia
Nexidia is the audio and video search company with patented technologies and breakthrough applications that make it quick and easy for customers to gain new insight, boost their competitive advantage, and monetize large volumes of audio and video assets from entertainment, sports, news, education, corporate, government, financial, house of worship, and non-profit organizations. More information is available at www.nexidia.tv.

All trademarks appearing herein are the property of their respective owners.

SMPTE Announces 2014 Honorees and Award Winners

Annual SMPTE Honors & Awards Ceremony Highlights Vision, Ingenuity, Perseverance, and Dedication to Motion Picture and Television Industries

WHITE PLAINS, N.Y. — Aug. 26, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today revealed the outstanding industry members who will be recognized Thursday, Oct. 23, at the SMPTE 2014 Honors & Awards Ceremony.

The SMPTE 2014 Honors & Awards Ceremony, supported by IMAX, is being held in conjunction with the SMPTE 2014 Annual Technical Conference & Exhibition at the Loews Hollywood Hotel in Los Angeles, California. Those registering for SMPTE 2014 may elect to purchase awards ceremony tickets with their conference package. A limited number of tables are also available for purchase. Further details about the event are available at www.smpte2014.org.

Honorary Membership in the Society recognizes individuals who have performed eminent service in the advancement of engineering in motion pictures, television, or in the allied arts and sciences. It is the Society’s highest accolade. This year, SMPTE honors three technologists for their innovations, which have left a lasting impression on the industry.

George Lucas is best known as a writer, director, and producer responsible for iconic American films, but Lucas is also a pioneer in the adoption of new technologies for motion picture production and exhibition. Lucas founded Industrial Light & Magic (ILM) in 1975, and it has gone on to produce visual effects (VFX) for nearly 300 films. Among many other innovations, ILM invented the OpenEXR file format in 2000 to support high dynamic range (HDR) imaging. The animation studio Pixar was founded as the Graphix Group of Lucasfilm in 1979. In 1981, Lucas co-founded the sound company THX to advance the quality of theatrical sound systems. In 2002, “Star Wars: Episode II-Attack of the Clones” was the first major Hollywood feature to be captured digitally, on 24p high-definition (HD) video cameras. In his determination to push the medium of cinema with new technologies and techniques, Lucas encountered both support and skepticism. It is now clear that his perseverance and vision were key factors in the eventual widespread adoption of digital cinematography in motion picture production.

Leonardo Chiariglione is generally considered to be the driving force behind the development of the MPEG set of standards that underpin today’s many digital moving pictures applications. Chiariglione’s constant push for a simple, standardized moving pictures toolbox began in 1988 with the founding of the International Standards Organization (ISO) Moving Pictures Experts Group (MPEG) group, and it continues to the present day. Chiariglione has forcefully maintained focus on timely standardization, technical simplicity, and efficiency. The wide adoption of MPEG-2 to MPEG-4, in particular, is apt testimony to the contribution Chiariglione and the MPEG group has made to date.

The Honor Roll posthumously recognizes individuals who were not awarded Honorary Membership during their lifetimes but whose contributions would have been sufficient to warrant such an honor.

John Logie Baird (1888-1946) is inducted into the SMPTE Honor Roll in recognition of his lifelong contributions as a pioneer in television technology. His accomplishments include the first live television demonstration (in 1925), the first publicly shown color television system (1928), and the first fully electronic color television picture tube. The British Broadcasting Company (BBC) began transmitting with the Baird system in 1929. Baird continued to develop new technology including a mechanical color system in 1939 (adopted by CBS/RCA); a 500-line 3-D system in 1941; and an electronic 600-line color display in 1944. Baird lobbied for post-war standardization of his 1,000-line electronic color television system.

The Progress Medal is the highest SMPTE medal award, and it recognizes outstanding technical contributions to the progress of engineering phases of the motion picture, television, or motion imaging industries. Ioan Allen has earned the 2014 Progress Medal Award in recognition of his many contributions to the motion picture and television industry, specifically his innovations in sound research and development programs at Dolby Laboratories, including Dolby Stereo(R), Dolby Spectral Recording (SR), and Dolby Digital, as well as his ongoing contributions to worldwide standards organizations.

The Archival Technology Medal recognizes significant technical advancements or contributions related to the invention or development of technology, techniques, workflows, or infrastructure for the long-term storage, archive, or preservation of media content essence. The 2014 award will be presented to Neil Beagrie in recognition of his long-term contributions to the research and implementation of strategies and solutions for digital preservation. Beagrie played a key role in the development of a collaborative approach to the study and dissemination of knowledge relating to research data management, digital preservation, digital curation, and data archive. He was responsible for establishing the Digital Preservation Coalition, with more than 35 major members from industry, national libraries, broadcasters, and archives. In addition, he was responsible for establishing the digital preservation program within the Joint Information Systems Committee. This program helped to create the Digital Curation Center, which seeks to actively manage, preserve, and curate digital data throughout the research life cycle.

The David Sarnoff Medal recognizes outstanding contributions to the development of new techniques or equipment that have contributed to the improvement of the engineering phases of television technology, including large-venue presentations. Clyde D. Smith Jr. will receive the 2014 award in recognition of his pioneering work in the application and deployment of digital technologies in the broadcast network environment, including the development of automated, server-based closed-captioning systems, as well as optimization of digital media to address the issue of audience disaggregation and to provide the capability to seek out viewers on their preferred platform and make a rich selection of programming available to them in their preferred environment. Smith’s experiences, contributions, and support have provided critical guidance to the development of a meaningful educational experience for local broadcast engineers.

The Digital Processing Medal recognizes significant technical achievements related to the development of digital processing of content for cinema, television, games, or other related media. The 2014 award will be presented to Barry Haskell for his contributions to the digital transmission and coding of images over a 44-year career. Haskell has published more than 70 technical papers and holds more than 125 patents. He is the author or co-author of three books, including one of the foundational books on MPEG. Haskell managed the compression research group at Bell Labs, making major contributions to the MPEG standards, and followed that at Apple Computer, where his research team made significant contributions to the H.264/AVC standard.

The Kodak Educational Award honors an individual who advances the educational process at any level through innovative and inspirational methods, and it recognizes outstanding contributions in new or unique educational programs utilizing the technologies of film. Steve Wright will receive the 2014 award for his service in visual effects as an accomplished practitioner and master trainer. Wright’s specialization is in the digital domain, but he has long been an advocate for visual effects education in workflow for both film and digital intermediates. He has worked to perfect and to implement color management paradigms in compositing, cementing the place of film in digital postproduction and promoting stronger understanding of film’s value in digital compositing. Wright has been a master visual effects trainer since 2005, and his two books, “Compositing Visual Effects: Essentials for the Aspiring Artist” and “Digital Compositing for Film and Video,” are among the very few that actively instruct in film color science for digital intermediate and compositing.

The Samuel L. Warner Memorial Medal recognizes outstanding contributions in the design and development of new and improved methods and/or apparatus for motion picture sound, including any step in the process. Ville Pulkki will receive the 2014 award for his outstanding contributions in the field of spatial sound reproduction and multichannel audio rendering, including the two-dimensional and three-dimensional panning methods of vector-base amplitude panning (VBAP) and non-unitary vector-base amplitude panning (NVBAP). The value of Pulkki’s contributions is underscored by the emergence of immersive sound in the cinematic and broadcast arts.

The Technicolor/Herbert T. Kalmus Medal recognizes outstanding contributions that reflect a commitment to the highest standards of quality and innovation in motion picture postproduction and distribution services. The 2014 award will be presented to Jim Houston for his leadership and contributions in the application of digital technologies to motion picture production and postproduction processes. As an industry leader, he established a state-of-the-art digital finishing facility for a wide range of postproduction processes including digital intermediates, digital cinema mastering, and restoration. Houston has played a key role in the development of standards related to the Academy of Motion Picture Arts and Sciences’ Academy Color Encoding System (ACES), as well as various standards for video and motion picture mastering.

The Workflow Systems Medal recognizes outstanding contributions related to the development and integration of IT file-based systems and infrastructures into production processes. Philip Tudor will receive the 2014 award for his foundational contributions to professional media file formats and for early implementations of file-based workflows. Tudor has worked tirelessly in numerous SMPTE committees and in the Advanced Media Workflow Association (AMWA), focusing on developing standards and specifications for file-based essence and metadata interchange. His pioneering work on tapeless audio and video capture, Material eXchange Format (MXF), and the Advanced Authoring Format (AAF) led to the implementation of workflows at the BBC. Tudor continues file-based workflow innovation with the Digital Production Partnership (DPP) and IP Studio, which focuses on file-based workflows for live television production within an Internet protocol (IP) environment.

The Camera Origination and Imaging Medal honors the recipient by recognizing significant technical achievements related to invention or advances in imaging technology including sensors, imaging processing electronics, and the overall embodiment and application of image capture devices. Eric R. Fossum will receive the 2014 award in recognition of his leadership in the invention and development of the complementary metal-oxide-semiconductor (CMOS) active pixel sensor (APS) technology. This advancement was first published in 1993 while Fossum worked at NASA’s Jet Propulsion Laboratory. Additionally, he promoted the new technology to a broad range of manufacturers as a new way of making camera image sensors. CMOS image sensor technology is now widely deployed in motion picture and television cameras, cell phones, medical devices, security systems, and many other professional and consumer applications.

Each year, one SMPTE Journal Award is presented to the author of the most outstanding paper originally published in the SMPTE Motion Imaging Journal during the preceding calendar year. The 2014 SMPTE Journal Award will be presented to Andrew B. Watson for “High Frame Rates and Human Vision: A View Through the Window of Visibility,” published in the March 2013 issue of the SMPTE Motion Imaging Journal. Journal Certificates of Merit will also be presented to Benjamin Bross, Heiko Schwarz, and Detlev Marpe for their May/June 2013 Journal article titled “The New High-Efficiency Video Coding Standard.”

The Citation for Outstanding Service to the Society, which recognizes individuals for dedicated service for the betterment of the Society over a sustained period of time, will be conferred upon five SMPTE members:

John Beckhaus, for his dedication and service to the Australia Section over the past decade. Beckhaus has served on the Section board since 2003, taking on the additional roles of membership chair, providing a contact point for queries from regional membership, and minute secretary, ensuring comprehensive reporting of both Section board and subcommittee meetings. He has also served six terms as audio visual (AV) chair for the biennial Australia Section conferences, managing the complex requirements of conference presenters. Beckhaus is a dedicated Section member, always working behind the scenes to ensure the success of the Australia Section meetings.

Siegfried G. Heep, for his contributions to the Hollywood Section, as well as his instrumental role in the reinvention of the Society’s annual Honors & Awards Ceremony. Heep has served as a role model for active involvement in SMPTE as both a Hollywood Section member and manager. In 2007, he was enlisted as the technical director for the newly reimagined Honors & Awards Ceremony, transforming the event from a small ceremony to the full-fledged, high-quality awards event that it has become today. Heep has reprised his role each year since, helping to improve the show in terms of technical production, quality, and prestige.

Federico Savina, for his leadership and support of the Italy Section over the past 25 years. As one of the original SMPTE Members who petitioned for the formation of the Italy Section in 1989, Savina has been a long-term contributor to the Section, serving the Section board for 10 years in the roles of secretary/treasurer and manager. Savina attends and contributes to all Section activities and was instrumental in bringing the SMPTE Regional Seminar to Rome in 2013. A professor at Roma University, Savina strives to raise the bar in digital cinema (D-Cinema) education, and he is working to provide his students with an introduction to the industry through participation in SMPTE.

T.J. Scott Jr. for his leadership and commitment to raising the standard of quality for Atlanta Section events. His close alignment with developing trends and innovative technologies, as well as his substantial contacts in the industry, have led to a collection of well-executed, technically inspired monthly meetings. Through Scott’s efforts, the Atlanta Section has seen growth in both its membership and meeting attendance. His contributions to the production of the Section’s 2007 “Video Over IP” seminar in particular set the bar for excellence in special event programming. All subsequent special events have been sold out, reinforcing SMPTE’s reputation for producing exceptional and inspired events.

Peter M. Weitzel for his instrumental role in re-establishing the SMPTE U.K. Section, and for his leadership in driving the growth of the Section and the quality of programming provided to its members. A driving force behind the U.K. Section, Weitzel’s enthusiasm, determination, and outreach, especially to students and universities, have contributed to the 200-percent increase in the Section’s membership during its first two years of operation. His passion for the Society’s core mission and goals is ever-present as he works to increase the visibility and impact of SMPTE at both a global and regional level.

The Excellence in Standards Award recognizes individuals or companies that have been actively involved in advancing the Society’s standards activities and processes. The 2014 award will be presented to John Hudson for his sustained efforts in the development and evolution of standards relating to real-time electrical and optical streaming media interfaces for video and D-Cinema production. Hudson authored the SMPTE 3Gb/s serial digital interface (SDI) standard in parallel with his work developing the necessary components, resulting in a rapid and successful adoption of the interface by the industry, and he is a key player in the development of 6Gb/s and 12Gb/s UHDTV SDI interfaces. Hudson’s SMPTE work is characterized by commitment and competence, combined with an attitude of cooperation and collegial relations with colleagues and competitors.

As previously announced, eight new SMPTE Fellows also will be recognized during the event: Hanno Basse, Thomas G. Edwards, Joseph J. Kane, Jr., John McCoskey, Andrew Quested, Vince Roberts, Jim Starzynski, and Colin R. Wright. More information about Fellows inductions is available at: www.smpte.org/2014fellows.

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About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance(R) (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-GeorgeLucas.jpg
Photo Credit: Bloomberg via Getty Images

Photo Link: www.wallstcom.com/SMPTE/SMPTE-LeonardoChiariglione.jpg

Photo Link: www.wallstcom.com/SMPTE/SMPTE-JohnLogieBaird.jpg
Photo Credit: The LIFE Picture Collection/Getty Images

Photo Link: www.wallstcom.com/SMPTE/SMPTE-IoanAllen.jpg

Biamp Systems Tesira(R) Brings Interactive Audio to Queensland University of Technology

DSP processor creates ambient soundscapes and audio response behind the world’s largest multi-touch display more

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HARMAN Professional to Unveil New Products at BIRTV 2014 In Beijing

BEIJING, China – Gearing up for the upcoming Beijing International Radio, TV & Film Exhibition (BIRTV), HARMAN Professional will showcase a series of audio-for-broadcast products, capitalizing on its growing popularity in the Chinese broadcasting and entertainment markets. Thanks to their heritage of upholding the highest manufacturing standards for broadcast applications, HARMAN’s AKG, JBL and Studer continuously lead the industry with the best systems for radio, TV and studio applications.

This year, HARMAN (Hall 2, Booth #2022) will feature the AKG WMS420, DMS700 V2, WMS4500, and WMS470 wireless microphone systems. Of these systems, the WMS420 offers unique qualities as the most versatile, high-performance single-channel wireless unit designed for small-scale applications, such as schools and town hall events.

AKG will also display new flagship headphones such as the K812, K712PRO, K612PRO reference headphones. These new models are designed for acoustic applications where precision is key during mixing, production and post phases.

From the Studer line, the new Vista X, Vista 5 M3 and Vista 1 digital mixing consoles will be on show. The Vista 5 M3 and Vista 1 offer a unique blend of portability and mixing power, making them the ideal choices for restricted spaces such as OB trucks and smaller studios. The flagship Vista X brings unparalleled processing power via the Studer Infinity Core offering more than 5000 x 5000 inputs and outputs accessible via the most advanced and fastest to use U/I on the market.

Soundcraft is also demonstrating its Vi1 and Vi3000 consoles at the show. The Vi1 is a compact package featuring the widescreen Vistonics touch screen user-interface, 32 input channels plus stage box expansion and the usual intuitive features including FaderGlow™ as found on the bigger consoles from the Vi Series, the new Vi3000 which also offers 48 onboard mic inputs plus additional 64 channel stage box, four Vistonics II™ ‘3D’ touch screen interfaces and a standard, built-in Dante™ interface plus expansion options.

Wrapping up the remaining HARMAN equipment, JBL is showcasing its LSR305 and LSR308 studio monitors, LSR310S studio subwoofer as well as the M2 Master Reference monitor.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

D-Tools Announces SI 2015 Launch Event Sponsors

D-Tools MVP partners Core Brands, Atlona, and Epson support annual software release launch event during CEDIA Expo 2014 in D-Tools Booth #526

CONCORD, CA, USA – AUGUST 27, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced sponsors for its annual CEDIA Expo Launch Event that will take place during CEDIA Expo in Denver on Friday September 12, 2014 at 3:00 p.m. in D-Tools booth #526. D-Tools Manufacturer Vantage Point (MVP) partners AtlonaCore Brands, and Epson will sponsor the event, which will celebrate both the launch of a major new release of D-Tools’ flagship software platform, System Integrator 2015, and the winners of the annual D-Tools Design Awards. A highly attended event in past years, D-Tools expects a similar crowd will come to see the winning submissions and hear details of the SI 2015 release announcement.

Available in Q4, the D-Tools SI 2015 release adds valuable new productivity features and enhancements that enable Residential and Commercial AV integrators to both streamline business processes and increase profitability while simultaneously maximizing efficiencies and reducing overhead. SI 2015 will be sold as an upgrade for existing customers and will be provided at no cost for customers participating in the D-Tools Software Assurance program.

“This next iteration of the D-Tools System Integrator platform adds critical mobile workflow and installation management capabilities and for the first time, introduces an inventory management component facilitated through the platform’s QuickBooks integration,” said Adam Stone, President and Founder of D-Tools. “We work closely with our customers to consistently refine the D-Tools offering and are excited to be able to add these new features, functionality, and productivity enhancements that will help all our customers succeed in taking their business to the next level.”

The D-Tools Design Awards are open until Friday, August 29th, at which point entries will be judged on a number of criteria, including; originality; depth and breadth of D-Tools’ software usage; overall system design; and demonstrated proficiency with the platform.

“Not only do the D-Tools Design Awards recognize the efforts and outcomes involved with systems design, estimation and proposal efforts, they also showcase the success of the projects and return on investment the entrants bring to light as part of their submission,” Stone furthered. “It has become a tradition of ours to celebrate the winners of the Design Awards during our annual software release launch event at CEDIA Expo and it’s something we look forward to every year. Not only is it a great networking event, it’s an opportunity for CEDIA Expo attendees to see how integrators around the world are using the D-Tools software platform for projects of all sizes and scope.”

Winners of the D-Tools Design Awards will receive considerable prizes provided by the contest sponsors and D-Tools Manufacturer Vantage Point (MVP) partners Anthony GalloAtlonaIC RealtimeKordzKramerStealth Acoustics, and Vaddio. D-Tools users can submit their entries by visiting http://d-tools.com/design-awards/ or by sending an email to Josh Carlson at JoshC@d-tools.com.

About Atlona
Atlona is a leading provider of innovative, reliable AV and IT distribution and connectivity solutions. Since 2003, the company has been designing and engineering award-winning products for a diverse range of residential and commercial AV and IT markets, including education, business, government, entertainment, and healthcare. Atlona’s products and services enable system designers, integrators, consultants, and installers to simplify installation, minimize maintenance, and maximize the versatility of premier automated control solutions. Atlona’s vision is simple: deliver customer-driven products designed and developed with the features, performance, and reliability that industry leaders demand; and deliver the best value in the industry. More information about Atlona is available atwww.atlona.com.

About Core Brands, LLC
Niles is a brand of Core Brands, LLC, a Nortek, Inc. (NASDAQ: NTK) company. Core Brands combines the product innovation and marketing strengths of iconic and award-winning audio, power management, and control brands to deliver a portfolio of connected home solutions to its channel partners and end-users. Visit www.corebrands.com for more information.

Core Brands is part of Nortek’s Technology Solutions Group (TSG), a group of top product brands that together offer a leading global portfolio of residential and commercial automation and control solutions and related products, delivering innovative entertainment, security, access and monitoring solutions to millions around the world. With leading brands including 2Gig GoControl, ELAN, Panamax, Geffen, Linear and SpeakerCraft, Nortek TSG has the largest install base of home control products of any provider. Nortek Inc. is a global diversified company with leading brands and innovative, technology-driven products and solutions for lifestyle improvement at home and at work. For further information, please visit: http://www.nortekinc.com/products/technology-solutions/.

About Epson
Epson is a global innovation leader dedicated to exceeding expectations with solutions for markets as diverse as the office, home, commerce, and industry. Epson’s lineup ranges from inkjet printers, printing systems and 3LCD projectors to industrial robots, smart glasses and sensing systems and is based on original compact, energy-saving and high-precision technologies.

Led by the Japan-based Seiko Epson Corporation, the Epson Group comprises more than 73,000 employees in 94 companies around the world, and is proud of its ongoing contributions to the global environment and the communities in which it operates. Epson America, Inc. based in Long Beach, Calif. is Epson’s regional headquarters for the U.S., Canada, and Latin America. To learn more about Epson, please visit: www.Epson.com

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com, (866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Media Contacts 
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105joshc@d-tools.com

Accompanying Images
Images for use in publication can be downloaded here.

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LA MARINA NYC’S OUTDOOR EVENTS THRIVE WITH D.A.S. AUDIO

**** Photo: Edwin Diaz at La Marina NYC ****

New York, NY – August 2014… Located at Dyckman Marina in upper Manhattan, the newly rebuilt La Marina NYC sports a restaurant, bar, lounge, and events space that covers more than 75,000 square feet of Hudson River waterfront. With world-class facilities and a breathtaking waterfront view, it is rapidly becoming the place to see and be seen. La Marina NYC’s waterfront area is where all the high profile live activity takes place and, to ensure a high level of speech intelligibility and music reproduction for all their events, the venue’s management recently took delivery of a new sound reinforcement system drawn from the WR Series catalog of Valencia, Spain-based D.A.S. Audio. more

Summerfest, and the Mixing is Easy on DiGiCo

A DiGiCo SD7 at Summerfest's Marcus Amphitheatre (credit for all pics: Sara Bill)

Clearwing Productions deploys SD Series consoles on nearly every major stage of “world’s largest music festival”

MILWAUKEE, Wisconsin — With over 800 national and regional acts performing on 11 stages spanning over 11 days at this year’s “Big Gig,” as the locals call it, Milwaukee’s Summerfest once again proved why Guinness World Records has named it the world’s largest music festival for the past 16 consecutive years.

Held at Henry W. Maier Festival Park on the city’s scenic Lake Michigan shoreline, the 47th annual bash hosted some of the world’s biggest artists, including Bruno Mars, Outkast, Lady Gaga, Usher, Brad Paisley, OneRepublic, Dave Matthews Band, Luke Bryant, Nas and Ludacris to name just a few. more

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Harmonic Reaches New Encoding Milestone With 100,000 Channels of Electra(TM) Encoder Shipped

SAN JOSE, Calif. — Aug. 26, 2014 — Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure, today announced that the company has surpassed 100,000 channels shipped with its Electra(TM) broadcast encoder family. This reinforces Harmonic’s position as the market-leading provider of video compression solutions. Since its launch in 2004, the Electra platform has been deployed by broadcast, satellite, telco, and cable operators worldwide to deliver SD, HD, MPEG-2, and MPEG-4 AVC services. more

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Biamp Systems Announces White Paper Examining Role of Huddle Rooms in Corporate Environment

Findings show employee collaboration and decision-making improve when desktop and AV services facilitate huddle spaces more

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High Resolution Audio to Be a Major Focus at 137th Audio Engineering Society Convention

— DEG to present a comprehensive High Resolution Audio program October 10 at AES137 in Los Angeles —

New York, NY — The 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles) will feature a High Resolution Audio (HRA) program Friday, October 10, 2014. The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more. These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

“The DEG is pleased to join with the Audio Engineering Society in promoting the benefits of Hi-Res Audio during this event,” said Amy Jo Smith, President, DEG. “Working together, we can underscore HRA’s numerous benefits to the professional recording community and enlist their support in helping drive this initiative.”

For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For information on how you can get your FREE Exhibits-Plus badge (pre-registration required) and detailed information on the High Resolution Audio Program at the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

About DEG
DEG: The Digital Entertainment Group is an industry association that advocates and promotes entertainment platforms, products and distribution channels on behalf of the motion picture, music, consumer electronics and technology companies.

About the Audio Engineering Society
The Audio Engineering Society was formed in 1948 and now counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. Currently, its members are affiliated with more than 75 AES professional sections and more than 95 AES student sections around the world. Section activities may include guest speakers, technical tours, demonstrations and social functions. Through local AES section events, members experience valuable opportunities for professional networking and personal growth. For additional information visit http://www.aes.org.

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