A virtual press conference from Sound & Video Contractor

Archive of the News Category

Katowice’s Palace of Youth Finds New Life with HARMAN’s AKG Microphones, JBL Loudspeakers and Soundcraft Consoles

HARMAN_KatowiceKATOWICE, Poland – Described as a “Palace of Youth” when it was originally built in 1951, Katowice Palac Mlodziezky was set up to create favorable conditions for youth culture and sporting activities in Poland. A public institution (listed on the Register of Historical Monuments), and administered by the Silesian school board at Katowice, it has recently invested in a new HARMAN Professional sound system, masterminded by territorial distributor ESS Audio after the previous system reached end of life.

ESS Audio mounted its successful bid as part of a consortium, along with Przedsiębiorstwo Specjalistyczne Teatr, who was responsible for the stage lighting and mechanical installation. The audio element of the project was realized by independent consultants/integrators, Telos Wojciech Zieliński.

The new audio concept for the 450-seat multipurpose auditorium was designed to create greater flexibility, allowing it to present concerts, theatres and films. In order to achieve this, premium components from the HARMAN Professional catalogue were specified.

While the main sound system is based around a JBL VERTEC® system, the optional cinema surround system can be switched in as required and the loudspeakers behind the screen are mounted on trolleys.

Hangs of eight JBL VERTEC VT4887ADP elements per side form the main PA, underpinned by three VT4881ADP subwoofers on each side. This is bolstered by three further VERTEC VT4887 loudspeakers as front fills, while for stage monitoring ESS Audio specified eight VP7212MDP enclosures. The entire front of house system is controlled and optimized via dbx DriveRack 4820 processors.

In order to carry out mixing duties at front of house, ESS Audio specified a Soundcraft Vi4 console, with a Soundcraft Vi1 in monitor world—the engineers in both locations are provided with JBL LSR2328P for their own reference monitoring.

When the operating mode switches to cinema, the appropriate presets kick in and the mobile system, comprising three elements of JBL ScreenArray 4732, boosted by a pair of JBL4642C subs, takes over. Creating the surround sound are JBL’s 8340A, powered by Crown DSi amps.

ESS Audio has also upgraded the venue’s microphones, with an AKG DMS700 digital wireless system at the heart. ESS also supplied AKG C451B and C414B XLII, as well as AKG K271 headphones.

Stated ESS Audio’s Marek Korbecki, “This new installation provides the client with a lot of new possibilities—especially in terms of the concerts they can now present and movie presentations. A comment heard by one of the sound techs was that ‘at last we finally have the sound that we have been dreaming of.’”

The overall renovation project was prepared by the Biuro Architekt Kaczmarczyk architectural studio from Sucha Beskidzka, Poland, and the entire project cost PLN 42,2 million (€10 million).

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News |

Providing Consistent Sound in Diverse Environments

Fargo, North Dakota –Frequent referrals from existing customers helps integrator Site on Sound win a wide variety of AV system projects. Recently, the company provided systems for four businesses located in BoerthsArtGalleryBoilerRoomBarFargo’s historic Loretta Building. And, using a combination of good system design and appropriate product choices, Site on Sound was able to meet each customer’s needs while delivering consistently high quality sound in these four unique environments.

One of these businesses was ”Boerth’s Gallery”, an established Fargo art and framing gallery that includes a two-story wine bar, called “D’Vine”. For the wine bar, Site on Sound installed a foreground music system that offers patrons an upscale jazz and rock experience. This system consists of ten Community DS5 surface-mount loudspeakers driven by a Speco matrix mixer/amplifier and includes a CD player with a 3.5mm input.

Boerth’s Gallery itself received a background music system that creates an atmosphere to support the gallery’s unique collection of works from local artists. This system consists of four Community DP6 pendant loudspeakers suspended below the gallery’s open ceiling and a mixer/amplifier with a streaming music source.

Another of the four businesses was “Pinch & Pour/Fowlers Heritage”, a clothing boutique that also sells premium extra virgin olive oils and Italian balsamics. Pinch & Pour’s new system consists of five Community DA6 architectural surface-mount loudspeakers and a Crown 280MA amplifier with a streaming music source. The system helps enhance the buying experience for customers of this unique business.

The largest of the four businesses was the “Boiler Room”, a bar and restaurant featuring live music. The Boiler Room’s new system includes ten Community DP6 pendant loudspeakers for its open-ceiling restaurant space, four DA6 architectural surface-mount loudspeakers in the bar area, a pair of D6 ceiling speakers in the restrooms and two DS8 surface-mount loudspeakers for the outside patio. The system is managed by a RANE CP66 six zone processor, includes two large-screen televisions and is powered by a QSC CX204 amplifier. For the Boiler Room’s live music, Site on Sound included a Shure GLXD24/SM58 wireless mic and a small Yamaha mixer that allows live acts to connect to the system.

Site on Sound provides AV systems for area churches, restaurants and retail businesses as well as home and marine customers. The company also installs car audio systems, offers AV rentals and has a retail store. Site on Sound Installation Manager, Scott Tally, says his company’s experience with this wide variety of customers prepared them to meet the unique requirements of these four businesses. He chose Community’s D SERIES loudspeaker family for all four projects because of its wide choice of models, sizes and form factors and its ability to provide a consistently high-quality audio experience in diverse environments like these.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Loudspeakers, News |

Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Edmonton Church Upgrades West Campus Sound System

Beulah Pastors Abbott and Jones

BUENA PARK, Calif.—Founded in 1887 by Albert Benjamin Simpson, a Canadian preacher, theologian, and author as part of the Christian and Missionary Alliance (C&MA), the Beulah Alliance Church recently upgraded its West Campus sanctuary sound system. The contemporary worship facility seats 1,440.

Alliance Design of Edmonton was responsible for the selection and installation of the sound system; the previous system was originally designed in 1990. The new system includes a Yamaha CL5 Digital Audio Console at front of house and a Yamaha CL3 used for broadcast recording, along with one RIO 3224-D input/output box, and three Rio 1608-D input/output boxes, complimenting the existing NEXO GEO S8 speaker system.

“The Yamaha CL consoles were chosen for ease of operation, small footprint, Yamaha legendary sonic clarity, and the built-in Dante networking software which is amazing, nailed our decision, states Dwayne Plishka, System Consultant, Alliance Design. The consoles have been received with hi-fives from the staff.”

Plishka said Beulah Alliance previously owned a Yamaha M7CL so it was a natural progression to move to the CL consoles. The staff are using the consoles’ built-in Nuendo Live and Nuendo 6 software, he said, to audio capture the sermon message, which is then redeployed along with video to facilitate multi-site delivery, multi-track recording for artist evaluation, and broadcast.

“The entire sound system has far exceeded all performance expectations with constant compliments from guest artists, says Plishka.” At any given time during services, musicians with strings, winds, drums, bass, electric guitar, and piano assist the guest artists and worship choir.

The NEXO GEO S8 speaker system layout consists of nine boxes per side left and right with six NEXO PS8s for side fills and eight PS 8s on stage for monitors powered by both Camco and NEXO 4×4 amplifiers. “The size, remarkable sound image, and audio amplification for the number of line array elements is surprising, Plishka adds. Even guest artists support techs are surprised at the efficiency of the system.”

“Dwayne is amazing and his choice of efficient, high-quality gear is impeccable, states Pastor Mike Jones. The first time I heard the system I was blown away at the power and clarity of the system; I continue to be amazed.”

Alliance Design also installed platform lighting that is a combination of VariLite, Martin, Chauvet fixtures, and ETC. The lighting console is a Martin Maxxyz, and dimming is ETC. Panasonic switching and Panasonic Cameras were also installed.

For more information on Beulah Alliance Church, visit www.beulah.ca.

For more information on Alliance Design, visit www.alliancedesign.ca.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: Pastors Rob Abbott and Mike Jones

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Primeview USA Showcases Lightware Matrix Switchers and High Resolution Systems Raptor Control System in its Partnership Showroom

photo 4Primeview USA, a worldwide leader in advanced display solutions, has teamed with Lightware USA and High Resolution Systems to feature the manufacturers’ equipment in their Partnership Showroom on West 44th Street in Manhattan. The showroom, which opened last February, sets the standard in style and practices for other tech showrooms around the country by demonstrating to end users how complete systems come together.

“Our Partnership Showroom not only shows our own high-end displays but also highlights equipment from select manufacturers whom we believe to be reliable as well as industry relevant,” says Chanan Averbuch, Vice Presient of Sales for Primeview USA. “We have created a technology showroom that brings together solutions for entire AV systems.”

Averbuch was introduced to Lightware USA at a trade show where he says, “I liked what I saw”. After an issue with another manufacturer, Primeview decided to feature the Lightware matrix routers and switchers in their Partnership showroom in New York. The models shown include the MX-FR17 17×17 Digital Matrix Router populated with HDMI 1.4 inputs and outputs that handle up to 4K resolutions and HDBaseT outputs. Some HDBaseT outputs of the Lightware matrix are directly connected to HDBaseT inputs on the Primeview displays and other are connected to Lightware HDMI-TPS-RX95 HDBaseT receivers. Sources are displays are a variety of resolutions including 4K, UHD, 1080p and 720p.

High Resolution Systems’ embedded control server the UDC Pro ECS-Raptor and third-party hand-held touch panels were a logical complement to control the routers “with lightning speed,” reports Averbuch.

“We’re using Lightware and High Resolution Systems equipment to route sources, do processing and control entire systems,” he says. “All via Apple iPad and iPhone interfaces. Through the HRS Control Pro app, presets – for prerecorded presentations, switching sources for presentation, power on, power off – are triggered. The app is easily customizable. We will even be building in more functionality, such as specific control over individual devices. It’s simple and it works!”

The combined Lightware and HRS system offers control and signal routing and extension of playback from WOW Vision’s collaboration system, HAI Vision’s pro video IP system, C-Nario digital signage and Sony PlayStation. It also offers control of display devices such as Vista Systems Spyder X20, tvONE’s CORIO and a myriad of Primeview and other monitors and panels.

Averbuch says that the staff of Lightware USA and High Resolution Systems have been “extremely responsive” to the concept of the Partnership Showroom. “People are most important to us, and their support has been great in helping us from the ground up with installation, phase two upgrades and attending to the details of the showroom.”

Primeview USA is hosting an Open House on November 5 to showcase an HDBaseT AV display and matrix control demonstration featuring Lightware and High Resolution Systems products. Attendance is limited; to schedule a demo visit http://bit.ly/pvlwdemo.

About Primeview USA

Primeview is a privately held global manufacturing company that was launched in 1997 specializing in advanced display solutions, with a focus on the industrial market. Primeview manufactures on the most advanced ISO-certified production lines, maintaining high quality control standards to build products for the most demanding markets. Primeview offers a true “one-stop shop” for display solutions, including digital signage, video conferencing systems, high-brightness displays, kiosks, weatherproof monitors and specialty. The company’s solutions can be found in board rooms, museums, casinos, retail stores, hotels and properties around the globe: ESPN Broadcast studios, GE Healthcare, Microsoft, BET studios, US NAVY, Ogilvy, Jaguar, Lacoste, Tourneau, H&M, Lacoste, IDF, Rock and Roll Hall of Fame, Sandia and Revel casinos, NBC Broadcast Studios, The Weather Channel, Disney Theme Parks, World War II Museum and The MOB museum. For more information, please visit us at www.Primeview.biz or socialize with on Facebook, YouTube, Twitter and Linked-in.

About Lightware USA

Lightware USA is the US distributor of professional AV products manufactured by Lightware Visual Engineering in Budapest, Hungary. With the flexibility of the Lightware product line, the Lightware USA team is able to assist with the design for some of the highest performance systems in the world. Router sizes ranging from the robust UMX4x4-Pro up to the impressive 160×160 25G Hybrid give Lightware USA the edge over the competition when it comes to routing multiple video sources to the ever changing variety of displays in the industry. Their array of solutions for extending the highest resolution video formats including 4K and 3D over Cat or Fiber put Lightware USA on the forefront of cutting edge technology.

For more information on these products, visit www.LightwareUSA.com.

About HRS Control

High Resolution Systems known as HRS Control is a company with a strong systems engineering and applications background. Its founders have decades of experience in the audio visual rental and staging industry, broadcast applications, A/V installations and system design. This combined experience allows them to provide the highest possible quality solutions to its customers in the most efficient manner. For more information, visit www.hrscontrol.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

LECTROSONICS ASPEN PROCESSORS INTEGRAL TO CHICAGO’S THE SECOND CITY THEATRE SR UPGRADE

**** Photo: Brian O’Connell ****

**** Photo: Brian O’Connell ****

Chicago, IL – October, 2014… Operating since the 1950′s, The Second City is an improvisational comedy enterprise, best known as the first ever on-going improvisational theater troupe in the United States. It is known also for the inclusion of live, improvised music during their performances and has served as the training ground for a host of famous alumni including John Belushi, Mike Myers, Bill Murray, Gilda Radner, Tina Fey, Steve Carell, Stephen Colbert, and many more. As part of an upgrade to the facility’s sound reinforcement (SR) systems, the venerable nightspot recently incorporated three Aspen SPN1612 16 input / 12 output audio processors from Rio Rancho, NM-based Lectrosonics. more

Use ANY App on Your Device In a Meeting Room with Vaddio BaseSTATION – Now Shipping

MINNEAPOLIS, MN (October 27, 2014) – Vaddio is now shipping the BaseSTATION – a meeting room solution that enables participants to use their own personal applications on their own devices (tablets, laptops and network computers.)

“It has become a norm to have your tablet, laptop or smartphone with you when you enter the meeting room,” explains CEO of Vaddio, Ed Ellett. “Mobile computing has defined how we work in the enterprise – mobile users want to share their content and collaboration tools with their own devices in the meeting room to local and remote participants. BaseSTATION enables the user to do exactly that. Any app on your device can now be used in your meeting room – it’s that simple.”

Users can share PowerPoint or Keynote presentations, participate in audio conferences and engage in high-definition videoconferencing using Skype, Microsoft Lync, WebEx or any other UC application of their choice. BaseSTATION allows any application to be shared or collaborated in the meeting room.

Designed for small huddle rooms, BaseSTATION includes the necessary peripherals to create a high quality, presentation and group collaboration experience. The system connects to an existing monitor via HDMI and includes an 82-degree wide horizontal field-of-view high-definition camera and a control interface with built in microphones that connect to your device via HDMI, VGA or USB.

BaseSTATION has the ability to work with any OS and any computer application that supports USB. As a result, users can truly plug and play their devices and use the collaboration tools of their choice to present, collaborate and educate in their meeting room.

###
About Vaddio:
Vaddio is the leading manufacturer of specialty PTZ cameras and camera control systems used in the audiovisual, videoconference and broadcast industries. Your customers demand cutting-edge technology that’s simple to use. You want equipment that’s easy to install and reliable to operate. Vaddio serves integrators and operators alike – with broadcast-quality PTZ cameras and control systems that deliver the performance you need with the convenience you demand. More information can be found on the Vaddio website, www.vaddio.comhires-basestation_med

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

-END-

Deutsche Welle Calls on RTW TouchMonitor Range

Broadcaster Selects RTW TM3, TM7 and TM9 Units to Ensure EBU-R128-Compliant Program Levels at Berlin and Bonn Production Sites

COLOGNE, GERMANY, OCTOBER 27, 2014 – When Deutsche Welle, Germany’s premier international broadcaster and a member of the ARD network of German public broadcasters, sought to make its programming compliant with the EBU-R128 loudness mandate, it turned to RTW, the market leader in visual audio meters and monitoring devices, and the company’s TouchMonitor line of audio meters, to make the transition. With their ability to offer intuitive, precise monitoring, along with their ease of installation, RTW’s TM3, TM7 and TM9 TouchMonitor meters were the perfect fit for the job.RTW_TM3_DE_IB_134_Stereo_Num_ATSC

Deutsche Welle first took delivery of the RTW TouchMonitor units last September, employing a combination of 65 TM3, TM7 and TM9 meters with various configurations and feature sets in several recording studios, editing suites and workplaces in its Bonn and Berlin facilities. AVS Medientechnik GmbH, based in Berlin, oversaw the procurement and implementation of the units.

According to Hannes Brandt, technical assistant at Deutsche Welle’s Berlin site, the broadcaster chose RTW on the recommendation of an ARD working group that had tested loudness meters from several manufacturers. He also noted his company had previous experience with the RTW metering systems. “Our production workplaces were already using digital and/or analog peak meters by RTW, as well as metering instruments from their PortaMonitor series, and the positive experience we had with those products, along with RTW customer support, also contributed to the decision to go with RTW.”

Engineers working on various broadcast shows Deutsche Welle’s Berlin and Bonn sites currently employ the RTW TM3 units in a combined setup with the existing RTW PortaMonitor, which is used for monitoring level, loudness, frequency response and phase of analog and digital signals systems, as well as the RTW TM7 units at the company’s dubbing suites (mainly the TM7-VID version, which is installed in the company’s Tektronix mainframes). The TM9 units are being used with an installed radar option, for a more detailed look into the composition of the metering data.

The RTW TM3, TM7 and TM9 units are highly modular, which has made installation into the Deutsche Welle workflow straightforward. The majority of the meters there comprise typical desktop units well-equipped, along with TM7-VID modules supplied with 19-inch rack-mount adapters for waveform monitors as well as TM9 OEM units for installation into mixing consoles. As with all members of RTW’s TouchMonitor family, the TM3, TM7 and TM9 TouchMonitor units can be enhanced with software licenses as future needs arise.
RTW_Touchmonitor_TM9_Screen_web
“We currently use a reference setting of either –17 LUFS or the traditional 0 dB QPPM,” Brandt says. “This allows our users to familiarize themselves with level adjustment based on loudness. However, we currently still support QPPM-based level adjustment. For that purpose, we configured two different layouts on the installed units. As soon as all workplaces are equipped with TM units and all users have undergone appropriate training, we will switch our in-house reference to –23 LUFS by changing the layout presets.

According to Brandt, another major benefit is the unlimited configurability of instrument layouts on the user interface. “This way, we can adjust our meter scales to the requirements at hand,” he notes. “In addition, the constant software refinement and the additional software options ensure maximum protection of our investments.”

The TM7 and TM9 versions offer a 16:9 touch-enabled TFT screen with a display size of 7 or 9 inches, respectively. The operator can quickly scale and place the instruments on the screen for maximum ease of use. With the SW20002 software license installed, the TM7 and TM9 include basic stereo-PPM instruments with analog scales (DIN +5, Nordic, British IIa, British IIb) and digital ones (0 to –60 dB, +3 to –60 dB TruePeak, Quasi-DIN, Quasi-Nordic, Quasi-British IIa, and Quasi-British IIb) as well as peak-hold and correlation meters. Additional features include loudness meters complying with current standards (EBU-R128, ITU-R BS.1770-3/1771-1, ATSC-A/85, ARIB, OP-59) and the MagicLRA instrument used for visualizing loudness range and the integrated loudness. This allows for a unique combined view of all relevant information.

In user mode, the operator can change the parameter settings. Moreover, the units include an SPL view that provides various weighting filters and integration times as well as reference-level parameters for calculating the SPL of an electric input signal. Other loudness-metering specific software modules, such as, for example, the logging-data server (software license SW20014), are unlocked as necessary. This feature adds a logging instrument to the software that allows for transferring metering data from several TouchMonitor units over Ethernet (TCP/IP) to a Windows-based computer running the Loudness Quality Logger (LQL) analysis software. Each TM7 or TM9 unit includes a 16-channel audio interface. Users can choose from a variety of I/O configurations in analog and/or digital formats. Alternatively, a 3G-SDI interface for up to 32 input channels can be implemented. With the SW20001 software expansion for multichannel support installed, the meters on the user interface show each stereo or surround input while the user can monitor and control them.

The compact TM3 features a 4.3-inch touch-enabled screen and a separate interface box. It handles analog and digital stereo signals (TM3) or 6-channel digital audio (TM3-6CH). In its standard configuration, the TM3 offers extensive loudness-metering functions compliant with all globally relevant standards (EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59) including single-channel and summing bargraphs, LRA, and numerical displays.

The TM3 offers the same functionality and user-friendly tools as the more advanced TM7 and TM9 at a minimum footprint and lower price. This makes it particularly suitable for journalist cubicles, editing suites, and small control rooms. The TM3 also includes the MagicLRA instruments, used in cooperation with the loudness metering. This instrument provides a quickly and clearly readable view of critical loudness parameters in context supported by its color, shape, and position on the metering scale and thus makes meeting all requirements a breeze.

For more information, please visit www.rtw.com.

About Deutsche Welle (DW)
Deutsche Welle (DW) is Germany’s international broadcaster, providing content in 30 languages on TV, radio, and the Internet. They represent Germany in the international media landscape and offer people on all continents independent information. In addition, they ensure uncensored reporting in restricted media markets and conflict zones. While the Bonn headquarters produce mainly radio features and multimedia contents for the website, their Berlin site is mostly in charge of productions for Deutsche Welle’s six TV channels. In total, Deutsche Welle employs more than 1500 permanent staff plus the same number of freelancers.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com or call +49 221 709130.

Dallas Audio Post Chooses Genelec 1237A Three-Way Smart Active Monitors™

DallasAudioPost

— Longtime Genelec users Dallas Audio Post see very first installation of a 1237A system in the U.S. —

NATICK, MA, October 22, 2014 — Genelec, the leader in active monitoring technology for over 35 years, is proud to be the monitor of choice for post-production facility Dallas Audio Post for the entire course of its 20-year history. Since its founding, Dallas Audio Post has proven itself to be a versatile and highly adept post-production firm, delivering on projects ranging from TV and film clients to corporate, live event, political, video game, sports clients and much more, with specific jobs including voiceover, sound design, mixing, custom music scoring, ADR and Foley work. Recently, the facility became the very first U.S. installation of Genelec’s new 1237A Tri-Amplified Smart Active Monitor™ (SAM™) system, featuring proprietary AutoCal™ and GLM™ technologies and powerful Class D amplification.

The current 10,500-square-foot facility was built from the ground up about two-and-a-half years ago, and it is actually the fourth facility that the firm has had since their founding. “It has five audio studios,” notes Roy Machado, Dallas Audio Post President and Creative Director. “Four are traditional TV mixing stages with adjoining recording areas, and the fifth is a theatrical film mixing stage – the only one of its kind in Texas and probably the only one of its kind between New York and L.A. – and all five rooms have their own Pro Tools HD rigs. And if you go back through our history, Dallas Audio Post has been a Genelec user since its inception 20 years ago. We started out using 1030As in our first incarnation, and as time moved along we started using 1032s for one of our rooms in an LCR format with an array of 1031As for surround. We also had another room that was using 8050s. So we’ve always had a lot of trust in Genelec monitoring, and the quality of our mixes was very solid and would transport well to broadcast or live environments. Moving forward to this facility we still have one room that is outfitted with 1032s in LCR and a 1031 array for surround mixing.”

Machado continues, “In our current facility, we have a medium- to large-sized room, and we had been using the 8050s but wanted something a big larger. So when we heard that Genelec was coming out with a 1237A, we were very interested in those because we knew not only that the speaker would sound great, but that the integration of onboard DSP and GLM software would deliver something great for us. As soon as we could, we called our dealer and started the ball rolling to be one of the first, if not the first, 1237A facility. We sourced them through Sweetwater Sound and Senior Sales Engineer Robert Williams. I think we ended up getting serial number 2 and serial number 4!”

Machado and his team have been very happy with the performance so far. He goes on: “Once we put the 1237A’s in the room and then shot the room with the GLM software, we were absolutely in love. I mean the definition that they had! The familiarity of the sound was still there, but we had a much wider sweet spot. The room tuning software is spot-on; we double-checked it against other room tuning tools that we look at and use, and we confirmed that the GLM software is exactly on-point, both in the frequency domain and the time domain. The quality of the sound is outstanding. This is the first time that we have had a three-way speaker at Dallas Audio Post. Typically all the other Genelecs that we have had been two-way speakers. The extra definition that you get from having a three-way speaker is fantastic, and we are just absolutely loving those speakers. As a matter of fact, we already are making plans to upgrade our A room, which has the 1032s and 1031 arrays, to use the 1237As as well, because they are that good.”

About the 1237A:
The 1237A features a 12” (300mm) bass driver, 5” (130mm) Genelec midrange driver and a 1” (25mm) metal dome tweeter, where the mid- and the high-frequency drivers are mounted in Genelec’s proprietary Directivity Control Waveguide™ (DCW), which allows the system to reproduce flat frequency response both on and off its acoustical axis, thereby allowing for a wider sweet spot. Each one of the system’s drive units has its own power amplifier with a total rating of 500W, 250W for the bass driver and 200W respectively for the mid and high frequencies. Frequency response runs from 37Hz up to 20kHz +/- 2.5dB. In real life studio conditions a pair of 1237As can produce peak levels of 126dB SPL at 1.7 m distance.

For more information, please visit www.genelecusa.com/.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication