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Genelec NAB 2014 Press Kit

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Waves Audio NAB 2014 Press Kit

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D-Tools Furthers Standardization, Fully Integrates Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into System Integrator™ Software Platform

J-STD-710 Industry Standard Architectural Drawing Symbols are used to represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with those used by Architects, Builders, Interior Designers, and other Professional trades

D-Tools System Integrator system design and proposal platform now features industry standard shapes for more seamless integration and better communication of project parameters with associated trades.

CONCORD, CA, USA – APRIL 09, 2014 D-Tools Inc., the worldwide leader in system integration software, today announced full integration of Industry Standard J-STD-710 Audio, Video and Control Architectural Drawing Symbols into the D-Tools System Integrator™ electronic system estimation, design and documentation software platform. Straightforward and easily-recognized, J-STD-710 Audio, Video and Control Architectural Drawing Symbols represent all facets of audio, video, and control pre-wire and installation for system designs, blueprints, or schematics, and are consistent with symbols used by Builders, Architects, Interior Designers, CE Manufacturers, Electronic Systems Contractors, and other professional trades.

“By implementing industry standard J-STD-710 Architectural Drawing Symbols into the D-Tools System Integrator™ platform, electronic systems integrators are provided an effective means for producing professional-looking, easily recognized proposals and design documentation that allows them to compete at a higher level and win more bids,” said Adam Stone, President and Founder of D-Tools. “Not only does standardization provide extensive value to every entity involved in a given installation, it will soon be a service that systems integrators will be required to provide. Essentially, we’re giving integrators a leg-up on their competition by encouraging the early adoption of industry standardized.”

Within the D-Tools System Integrator platform, J-STD-710 implementation consists of nine categories of Autodesk® AutoCAD symbols– including mount type and device options for each symbol–that D-Tools has converted into nine separate Microsoft® Visio stencils. The categories include Audio Video, Communications, Control, Electrical, Electronic Safety and Security, Furnishings, Generic, HVAC, and Vacuum Cleaning Systems.

The new D-Tools J-STD-710 stencils are available now for download and use by authorized System Integrator users, who can access these and other D-Tools stencil updates by clicking on the Download Stencil update link in the SIX toolbar in Visio.

By adopting and utilizing the J-STD-710 Audio, Video and Control Architectural Drawing Symbols into their system design and documentation practices, electronic systems integrators will more clearly communicate with project partners across different trades. Not only does this new standard provide needed clarity and consistency between project partners, it also provides systems integrators an opportunity to compete for bids at a higher level, earn and maintain project access, streamline processes, and boost their bottom line.

More detailed information about the new D-Tools J-STD-710 Audio, Video and Control Architectural Drawing symbols can be found on the D-Tools documentation D-Tools wiki, by visiting the D-Tools Blog Site, by calling 1-866-386-6571 ext. 1, or by emailing info@d-tools.com. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com
 
Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press
 
Accompanying Images:
D-Tools Logos
D-Tools Screen Shot of J-STD-710 Industry Standard Symbols

D-Tools Blog post on J-STD-710 symbols:
http://www.d-toolsblog.com/presidents-perspective/jstd710-symbols/

References:
The official J-STD-710 Audio, Video and Control Architectural Drawing Symbols Standard was created by members of the CEA/CEDIA/InfoComm R10WG7 Residential Systems Documentation Working Group who produced a joint White Paper post on J-STD-710 symbols:
http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/36035.htm
http://www.cedia.net/insights/cedia-blog-detail/blog/2013/12/09/method-to-the-madness-the-future-of-design-documents
https://standards.ce.org/apps/group_public/project/details.php?project_id=2

# # #ENDS

Audio-Technica NAB 2014 Press Kit

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Auralex® Supports Vintage King Audio Nashville and Carl Tatz Design™ at TEC Award Toast

— Auralex® President and Co-Founder Eric Smith was on hand along with other Auralex personnel to toast Vintage King’s recent TEC Award win for their innovative MixRoom™ —

INDIANAPOLIS, IN, April 3, 2014 – On Thursday, March 20, 2014, Vintage King Audio Nashville hosted an event to celebrate its recent TEC Award win with a champagne toast and keynote event. The award was initially presented in January at the NAMM Show in Anaheim, California, recognizing the Vintage King Audio Nashville MixRoom™ for outstanding creative achievement in the Studio Design Project category. The room employs the Carl Tatz Design™ (CTD™) MixRoom concept, which pairs a CTD PhantomFocus™ System with the Carl Tatz Signature Series™ acoustical treatment from Auralex® Acoustics, Inc.

On hand for the March 20th toast and keynote event were Eric Smith, President and Co-Founder of Auralex, accompanied by other members of Auralex’s management and sales team. Also in attendance were the following individuals: Mike Nehra, Vintage King Co-Founder; Chad Evans, Vintage King National Sales Rep; CTD Founder Carl Tatz; Todd Beeten, Sound Construction and Supply CEO; Mike Rhodes, SkinnyFish Studio Services owner; and a standing-room only crowd of some of Nashville’s top audio professionals.

Chad Evans addressed all assembled, recalling in detail the development of the Vintage King Nashville MixRoom and its significance as part of the larger Vintage King story. This room is the only facility of its kind in the world – a combination of a sales floor, an equipment demo room, and a working control/mixing room.

Eric Smith stated, “We are honored to be a part of the Vintage King MixRoom and this great celebration. Our ongoing relationship with Carl Tatz Design and Vintage King have fostered a spirit of teamwork and innovation, and thanks to the hard work of all involved, the result has been recognized by our peers at the TEC Awards. And we always love assembling with Nashville’s top engineers and audio minds and bonding over a drink to a job well done! A great experience from start to finish.”

“This was definitely a team effort among Auralex, Carl Tatz, Sound Construction and Vintage King,” stated Vintage King Audio’s Founder, Mike Nehra. “Everyone’s collaborative vision is what makes the Vintage King Nashville Control Room so special and sound so good. We took great care in properly tuning the room to accommodate a wide range of monitors and gear. When you walk into the room you sometimes forget that you are actually standing in a retail location.”

For more information, please visit www.auralex.com.

Photo Caption 1: Personnel from Auralex Acoustics, Vintage King Audio Nashville, Carl Tatz Design, Sound Construction and Supply, SkinnyFish Studio Services and others gather at Vintage King Nashville for a champagne toast and keynote event celebrating Vintage King Nashville’s recent TEC Award win.

Photo Caption 2: Pictured L-R: Mike Rhodes, SkinnyFish Studio Services owner; Eric Smith, President and Co-Founder of Auralex; Mike Nehra, Vintage King Audio Founder; Carl Tatz, Founder of Carl Tatz Design; Todd Beeten, Sound Construction and Supply CEO; and Chad Evans, Vintage King National Sales Rep.

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Audio-Technica Microphones Employed by Recording Veteran Steve Smith on Northwest University’s Concert Choir

— Award-winning engineer chooses AT5040 and AT4047/SV mics for live recording of yearly choral concert, and continues to choose A-T mics in the classroom —

STOW, OH, April 1, 2014 — The Concert Choir at Kirkland, Washington’s Northwest University has a reputation as a premier performance ensemble, demonstrating a wide-ranging musicality on pieces from throughout the choral repertory. And they have an added ace up their sleeve in Steve Smith, an award-winning recording engineer and the Creative Director of Creatio, Northwest University’s innovative music business and recording arts degree tracks. At the Concert Choir’s recent annual concert at Seattle’s Benaroya Hall, Smith was tasked with recording and mixing the live performance, and he turned to microphones from Audio-Technica, a leading innovator in transducer technology for over 50 years. Although the recording will likely be used only for archival purposes and internal circulation rather than commercial release, Smith did not take any shortcuts, carefully miking the 100+ member choir, nine-piece brass ensemble and grand piano and mixing a stereo recording any classical label would be happy to release.

For the recording, Smith used five AT5040 Studio Vocal Microphones on the choir and one on the piano. Two AT4047/SV Cardioid Condenser Microphones were used on the brass ensemble. “I love the AT5040,” Smith states. “It’s super high quality. I’d put it up against anything. The AT5040 is extraordinarily transparent and beautiful-sounding.” And Smith’s AT4047/SV’s only scratch the surface of Creatio’s microphone arsenal, which includes nearly 40 A-T microphones.

Creatio is the only four-year accredited school in the Pacific Northwest to offer in-depth training in the recording arts and music industry business. Smith’s long list of credits includes achievements in recording engineering and producing, recording studio design and construction, motion picture and video game soundtrack recording, live sound installation and implementation, and audio production technology education curriculum – not to mention projects from such legends as Stevie Wonder, Garth Brooks, DC Talk, Donna Summer, Van Halen and countless others. As Creatio’s Creative Director, Director of the Recording Arts Technology Program, Chief Engineer of Creatio Studios and a principal instructor, Smith makes it a point of pride to go out of his way to impart his students with practical knowledge and nuanced listening skills. “I believe very strongly that educational institutions and music technology programs have an added importance in this day in age,” he muses. “People used to go to music stores to learn and listen – to A-B mics and signal processors and whatnot – but that is happening less frequently these days. Educational institutions are now the place where students learn both the formal science and art of recording, and that practical, real-world perspective. And we feel lucky that Audio-Technica places such a high level of importance on these programs as well.”

Smith continues, “In my classes, we compare microphone models and techniques with meticulous listening tests, and it’s great when a student can make a connection with a microphone. Our mic arsenal is deep and diverse, and Audio-Technica microphones continually impress the students. I have always loved them too. They are very consistent from mic to mic, with great quality control. I feel privileged to share microphones from Audio-Technica with tomorrow’s best engineers, who will be putting A-T mics to use for years to come.”

For more information, please visit www.audio-technica.com.

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SunBriteTV Introduces Outdoor Wireless HD To Backyards Nationwide

THOUSAND OAKS, California— SunBriteTV, manufacturer of the world’s best-selling outdoor television, has broken the wireless HD barrier with a universal outdoor transmitter module for both residential and commercial applications.

Completely weatherproof and wireless, the SunBriteTV Wireless HD Transceiver (SB-HDWT) is capable of transmitting full 1080p HD content to any SunBriteTV within range of 150 feet via an HDMI-in and HDMI-out transceiver. The peripheral device is compatible with all SunBriteTV models as well as other HDMI-featured products.

“Consumers have anxiety regarding wiring and connectivity,” said Tom Dixon, VP of Marketing, SunBriteTV. “The Wireless HD Transceiver makes it easy and painless for both homeowners and professional installers to send a high-definition signal to an outdoor TV—anywhere in the backyard living space.”

“In some instances, running hard wiring can be difficult, time consuming, and costly to the homeowner. Custom integrators now have a simple, cost-effective solution to address problem installations,” said Dixon. “In that sense, this product will make outdoor TV even more accessible to thousands of homeowners.”

The SB-HDWT carries an MSRP of $595 and is available through SunBriteTV’s Authorized Dealer Network or online at www.sunbritetv.com.

Designed for permanent installation outdoors, SunBriteTV’s outdoor televisions are superior to indoor televisions when it comes to both safety and performance. Specialized gaskets and insulated electronics keep all wiring safe from every kind of natural element from moisture to insects. All models function flawlessly in temperatures spanning -24 to 122°F and feature ruggedized exteriors that can handle any climate. The bright, anti-glare screens are specially designed to deliver bright HD images outdoors, day or night.

For more information on SunBriteTV please visit www.sunbritetv.com or call the sales department directly at 866.357.8688.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV

About SunBriteTV
SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

Digital Vision’s Bifrost Archive Bridge Provides Streamlined Workflow for Film Preservation

- Unique solution provides a cost-effective and efficient workflow through automation-

NAB 2014, Stand Sl6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) At NAB 2014 Digital Vision will present Bifrost Archive Bridge, a unique solution that enables archive owners to preserve and restore their precious assets by creating high quality digital media through streamlining processes and automation. Bifrost workflow presentations will be available by prior appointment during NAB 2014, at Digital Vision’s suite at the Renaissance Hotel, adjacent to the LVCC.

Kelvin Bolah, President, Digital Vision, said, “Protecting and preserving assets can be a incredibly expensive and time-consuming process, in the face of which many are overwhelmed and defer the undertaking. Bifrost is a truly revolutionary process because it combines technical efficiencies, relatively low investment and unbelievable speed.”

The Bifrost Archive Bridge is suitable for archives of any size, comprising various workflow components that can be utilised either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.

Bifrost includes an extensive web-based logging and reporting infrastructure developed by Digital Vision, which allows progress to be remotely monitored and analysed. Features include:

* Logging and cataloguing
* Film scanning
* Audio synchronisation
* Automated restoration compatible with Thor hardware acceleration
* Media Management and delivery

Rob Wall, Market Manager, Workflows and Media Managements, Digital Vision, said, “Taking the first steps to protect valuable assets can be a daunting prospect. Bifrost Archive Bridge takes away that fear.”

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognized highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.
For more information, visit www.digitalvision.se
All trademarks used herein, whether recognised or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

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Neumann Launches Digital Version of its KH 120 Nearfield Studio Monitor

Enhanced Version of KH 120 Features Digital Inputs, Time Delay Compensation

Las Vegas – April 8, 2014 – Premium audio brand Neumann announced the launch of its first digital studio monitor: the KH 120 D. Based on the KH 120 A small format studio monitor launched in 2010, the KH 120 D sets a new standard of sonic quality and price-performance ratio in the compact nearfield monitor segment. The KH 120 D will be on display at the Neumann booth at the 2014 NAB Show [booth C3217] and will be shipping this summer.

The KH 120 D is designed for tracking, mixing and mastering applications in music, broadcast, project and post-production studios. Utilizing the latest in acoustic and electronic simulation technologies, the KH 120 D ensures the most accurate sound reproduction possible. Equipped with an additional BNC input for AES/EBU or S/P-DIF formats (24-bit/192 kHz), the KH 120 D enables seamless digital workflow right up through playback on the studio monitor.

The KH 120 D also features digital delay for both analog and digital inputs, enabling the monitor to be used for demanding tasks requiring time alignment. With a maximum delay of over 400 ms, the KH 120 D is able to seamlessly address audio/video synchronization issues, or simply manage time delay compensation in situations where space constraints preclude equidistant positioning of loudspeakers.

Wolfgang Fraissinet, President of Neumann.Berlin, commented: “Neumann’s studio monitors are built to extremely high tolerances and deliver an ‘honest’ sound. With the KH 120 D, a fully digital workflow can now also benefit from these characteristics. The addition of a built-in delay feature makes the KH 120 D suitable for new applications and represents exceptional value at this price point. It provides an answer to the very latest trends in the field of professional audio.”

The KH 120 D studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. It features a Mathematically Modeled Dispersion waveguide (MMD), flexible acoustical controls, analog class-AB amplifiers, various input formats (analog and digital) and an extensive range of mounting hardware. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.

For further information please visit www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Front and rear of the Neumann KH 120 D studio monitor.
2) Rear of the KH 120 D studio monitor.

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Sennheiser Updates Customers on Pending Spectrum Reallocation While Encourages Microphone Owners to Support of its Petition to FCC

Company Predicts Wireless Microphone Operation in the 600 MHz Range Will Remain Status Quo Through 2016

Old Lyme, Conn., April 8, 2014 – Audio specialist Sennheiser, which continues to file comments with the Federal Communications Commission (FCC) in light of the pending spectrum auction scheduled to take place in 2015, has launched a website to keep its customers informed on recent developments concerning the future of wireless microphones and the UHF spectrum. The website [http://sennheiser.com/spectrum] also contains a sample support letter that microphone owners can download and use to express their own views to the FCC concerning equipment replacement costs they will incur as a result of spectrum reallocation.

In the middle of 2015, the FCC plans to hold an ‘incentive auction” with the intent of transferring spectrum currently allocated for over-the-air (OTA) TV service to mobile broadband. The auction offers TV broadcasters the opportunity to relinquish or share their spectrum license in exchange for a portion of the proceeds generated by the auction. The broadcasters that operate on channels in the 600 MHz range that choose to stay on the air will be moved to a different TV channel during the subsequent repacking process, which is expected to take at least two years to complete. Therefore Sennheiser expects wireless microphone operation in the 600 MHz range to remain status quo through 2016.

While it is uncertain whether the incentive auction will be successful, Sennheiser is preparing for the possibility of a 600 MHz reallocation and is recommending that microphone operators start preparing for this transition as well. If the auction is successful, the degree of impact after UHF packing remains unclear for the following reasons:

• Wireless mics may still be able to operate in some pockets of the 600 MHz, following FCC approval, in the planned guard band and the mid-band gap. The majority of the re-purposed spectrum will be segmented into two separate blocks for up-link and down-link. Between them will be a mid-band gap. Below the downlink block will be a guard band. In repacking scenarios that affect the radio astronomy channel (TV channel 37), one or two small additional guard bands may be created. The mid-band gap and the guard band(s) are intended to be buffers, but their functionality for mics is yet to be defined.

• Reallocation may vary by market. The FCC plans to pursue the “down from 51″ plan where a range will be reallocated, starting from TV channel 51 (698 MHz) on downwards. It is unclear how far down from 698 MHz will be reallocated, in large part to the voluntary nature of the auction, but it could be as far as 578 MHz. The FCC wants the allocation between TV and mobile broadband to vary by market, but faces strong opposition from those who want the divisions to be uniform nationwide.

• Currently, there are two TV channels in each market that are reserved for wireless mic/monitor use, available to any mic/monitor operator. It is unclear whether this will still be the case after the repacking process.

Sennheiser expects to have better visibility on these details later this year.

Regardless of the outcome of the spectrum auction, Sennheiser continues to design and manufacture innovative products. Its newest wireless systems, such as the Digital 9000, are more spectrally efficient and easier to operate than ever before, despite an increasingly challenging RF environment. However, without adequate spectrum, even the most advanced equipment will not be able to operate. Therefore Sennheiser will continue to advocate and pursue political activities in the interest of its customers.

“While it is still unclear as to how the spectrum repacking will impact many thousands of audio professionals by forcing them to reinvest in compliant equipment, Sennheiser will continue to inform and support its customers wherever possible,” commented Joe Ciaudelli, Spectrum Affairs, Sennheiser. “With Sennheiser, you are not only purchasing premium products but service and support from people who care.”

Sennheiser encourages its customers to support its petition for compensation for microphone owners in light of the pending spectrum auction, and to communicate any potential equipment loss directly to the FCC. To learn more, and download a sample support letter, visit the Sennheiser website.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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