A virtual press conference from Sound & Video Contractor

Archive of the News Category

Matrox VS4 Quad HD Capture Card Now with Support for Telestream Wirecast 6.0

Multi-channel live streaming production and ISO recording systems ideal for live web shows, news, sporting events, concerts, church services, corporate meetings, lectures and more

Matrox® Video today announced the immediate availability of support for Telestream® Wirecast 6.0 for Windows® with the Matrox VS4 quad HD capture card.

Matrox_VS4_with_Telestream_Wirecast6_180pix

In a single PCIe slot, Matrox VS4 provides up to four independent HD-SDI inputs with up to 8 embedded audio channels per SDI source and automatic input detection. Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs — ready for post-event editing.

Wirecast 6.0 adds powerful new production capabilities including the creation of playlists on the fly, easy replay of important moments and easy social media integration with Twitter messages overlaid directly onto the broadcast.

“Wirecast provides a cost-effective solution for the creation and streaming of professional-quality live video productions to online audiences,” said Tom Prehn, Wirecast product manager at Telestream. “Matrox is a valued industry partner that has been at the forefront of streaming technology. The integration between Wirecast 6 and Matrox VS4 provide users powerful live streaming production with 64-bit technology, virtually unlimited memory, improved stability and performance as well as powerful ISO recording of their live streams.”

“With full turnkey, multi-channel HD streaming and recording systems based on VS4 and Wirecast available from some certified systems builders starting under $5000, virtually anyone can create professional-looking live web shows,” said Wayne Andrews product manager at Matrox. “Users can stream multiple live cameras while dynamically mixing in other media such as movies, images and sounds, and adding production features such as transitions, built-in titles, chroma key, virtual sets and live scoreboards.”

Price and availability
Wirecast 6.0 is available from the Telestream store.The Matrox VS4 card is available through a worldwide network of authorized dealers priced at $1,495 US (€1295, £995) not including local taxes and delivery. Matrox VS4 is also available in a bundle that includes the card and the new VS4Recorder Pro multi-channel recording software priced at $2,495 US (€1,995, £1,595).

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

HARMAN’s Martin Professional Announces Pre-order Availability of New M-DMX Interface Hardware and Controller Solution Bundles

MARTIN_LJ2_M-PC+-Controller-kitAARHUS, Denmark — HARMAN’s Martin Professional today announced the immediate pre-order availability of their new M-DMX interface hardware for connecting lighting software and DMX universes as well as several new controller solution bundles, including the M-PC 2U bundle and the LightJockey 2 and M-PC+ Controller kit.

The Martin M-DMX is a rugged aluminum extruded device and is built with two XLR 5-pin DMX ports, a USB 2.0 connection and a K-lock slot for securing the device. The interface also features a new stackable design, LED indicators and isolated dual output. The M-DMX is compatible with Martin’s LightJockey and M-PC software, M-Series Consoles, Fixture Upload software, and is backwards compatible with Martin’s Duo-DMX interface.

Martin’s M-PC 2U is a professional two-DMX universe package, bundling Martin’s M-PC software and the newly designed M-DMX two-port DMX interface. As the latest entry to Martin’s renowned M-Series family, the M-PC 2U bundle is the most cost-effective lighting software in its class.

The new LightJockey 2 and M-PC+ Controller kit combines Martin’s LightJockey, M-PC, and ShowDesigner software into a single package. The bundle comes standard with a Martin M-DMX device, a Martin One-Key license dongle with M-PC+ (four universes) and a LightJockey 2 four-universe license as well as a Martin ShowDesigner 6 Lite six-month trial license. Martin has also introduced a new license set that expands the M-PC+ license up to 128 universes.

“Our customers will experience more flexibility and benefit from the modern, rugged design of the Martin M-DMX, and the M-PC2U is a very cost-effective controller solution,” said Paul Pelletier, Product Manager for Controllers. “I’m very happy to release these new and updated controller solutions to the market.”

Martin’s M-DMX interface, M-PC 2U and LJ2 and M-PC+Controller Kit are now available for ordering and will begin shipping in February 2015.

For more information, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and enterprise automation solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,600 people across the Americas, Europe, and Asia and reported sales of $5.6 billion for the 12 months ended September 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News |

ITI Creates Definitive Martin Audio Club System For Verboten

Verboten_1

ITI Audio, designer of award-winning systems for clubs such as Washington DC’s U. Street Music Hall, have achieved what they consider to be their “best work” using Martin Audio loudspeakers and line array enclosures at Verboten in Brooklyn, New York.

In less than a year, Verboten has quickly become one of the leading clubs in what Time Out New York calls “New York’s new clubland paradise,” Brooklyn’s Williamsburg section. With a hard-edged, post-industrial exterior, Verboten’s overall aesthetic is dark, unfinished steel and wood. The music, described on their website as “underground dance music in all its forms,” includes house, techno, deep house, bass music, live electronica, indie dance and nu disco.

With a 20-year history in the dance music promotion business, owners Jenn Schiffer (booking and operations), her husband/partner John Perez (A&R and promotions) and co-owner Michael Roche (director of production), have created the ideal permanent venue for the most evolved expression of dance music, culture and lifestyle in the 10,000 square-foot former metal shop.

Verboten_2

Bill McClure, a principal at ITI Audio, describes what the owners were originally looking for: “When they came to us, they wanted audio to be the primary focus for the space, which was refreshing.”

Verboten consists of the larger Control Room, designed for showcase dance music events, concerts and private parties, which has skylights, acoustic ceiling panels, panoramic edge-blended projection, raised seating areas, and a sprung wooden dance floor from a warehouse once owned by Thomas Edison.

The room’s elaborate Martin Audio sound system is capped off by two hangs of eight W8LM line array cabinets and two W8LMD downfill boxes with four WMX hybrid folded horn subs and two W8VDQ three-way enclosures for rear fill¬¬. Five WS218X sub-bass systems form the sonic centerpiece for the room.

As Bill explains, “There’s something about those incredibly reliable Martin Audio bass bins, they just work better than other stuff available in the market today. They can get super-loud, take a beating, and they have a super-nice frequency response. The musical tone and percussive feel are way better than the competition. That’s why we use WS218X’s pretty much for every club we do.

Verboten_4

“The system has a lot of horsepower with really good coverage and the Martin Audio line array is ideal for concerts, because the owners wanted increased and deeper coverage as they book more live artists in the future. The W8LM and W8LMD’s are hung in front of the WSX hybrid folded horn subs, which are awesome by the way. I love the way they sound.

“The two hangs are on both sides of the stage/DJ booth,” he continues, “which is completely modular so the stage can get pulled down and configured in many different ways. We actually put a pair of H3H+s on a trolley system on the stage, so if you move the DJ booth, the speakers can be moved to accommodate that. The monitors can slide from the center of the stage all the way out to stage left or stage right to accommodate different configurations. The H3H+’s sound is clear with a lot of punch and that nice dance club low-mid resonance.”

With the concentration of subs in the room, directly under the DJ’s, turntable feedback was a natural concern. As Bill points out, “while the WS218X sub bass cabinets do a great job delivering the energy on to the audience area with very minimal wasted energy, we needed a modular work surface/DJ booth that would provide acoustic isolation for the turntables, have a removable/changeable facade, include cable pass through, and be made in four identical sections 5′ wide and no more than 24″ deep. As no such thing existed, we designed a custom solution. After many calculations, a little tweaking, and some in the field engineering, we were able to deliver a finished product that was highly effective at mitigating feedback, unique and aesthetically pleasing.”

Adjacent to the Control Room is the Cabaret Bar ostensibly designed for day parties, art shows, cabaret, burlesque, karaoke and smaller weeknight events with a restaurant, sound absorbent curtains, neon chandeliers, overstuffed leather banquettes, a burned concrete bar and a Martin Audio sound system comprised of eight AQ15 compact full-range systems and 12 Blackline H3H+, three-way bi-amp fully loaded horns.

In addition to the loudspeakers, the overall system includes Martin Audio MA3.0. MA5.2K, MA9.6K and MA12K amplifiers; BSS Soundweb digital signal processing; a Midas fixed input rack, and two Cranesong HEDD A-D converters.

Asked about their client’s specific needs for the system, Bill responds, “Obviously, the system had to be able to crank, but the owners were more focused on smooth, even coverage with clarity and consistency throughout the venue. They wanted it to sound good in as many places as possible without overspending. To that end, they approved the purchase of a bunch of amplifiers to control the sound system, so that it performs really consistently at different volume levels with bass presence everywhere in the club. The sound can be sourced for both rooms, or they can have independent sources in both rooms. There’s a big set of steel doors between the two rooms, so bleed through isn’t bad.”

Verboten_5

Explaining some of the system’s subtleties, Bill adds, “HEDD A-D is a stereo in/stereo out digital audio converter that converts analog to digital or digital to analog, depending on how you want to use it. We’re taking the output from the DJ’s, converting it to digital and then going digitally into four or five BSS processors from the Cranesong while clocking all the digital audio to the Cranesong as well, which give us a more robust sound.”

With the system in place and the club filling both rooms every weekend and most weeknights, we were curious how his clients were responding the Martin Audio system.

“The owners love it, they’re very pleased,” Bill concludes without hesitation. From the beginning, my partner Adam Weiner and I felt this was an opportunity to do our best work in terms of the outcome, overall sound quality and performance, and we definitely did that with this project.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Kramer Expands its Array of End−to−End Audio Solutions

speaker_families

In response to our clients’ rapidly changing needs, Kramer Electronics has expanded its end−to−end audio solutions with four new families of speakers. Galil, Yarden, Tavor and Dolev, recently introduced at InfoComm 2014, complement Kramer’s growing range of high−quality audio products and reinforce the company’s position as a major global player in the audio arena.

Galil Family
Kramer’s Galil family is a classic fits−all speaker solution designed for transportation centers, hotels, educational facilities, small and large boardrooms, shopping centers, and other large venues. Galil is supported by constant voltage amplifiers and Lo−Z to Hi−Z audio transformers.
The Galil line offers an affordable range of 4”/6.5”/8” open and closed (UL) in−ceiling round speakers and an affordable full line of 4”/5.25”/6.5” on−wall speakers. All speakers include tapping transformers (70V/100V/8Ω).

Yarden Family
The Yarden family is Kramer’s new performance−based line designed for executive boardrooms, high−end hotels, banks, embassies, government facilities and music halls. Offering exceptional and unprecedented sound quality, Yarden includes 4”/6.5”/8” in−ceiling round speakers and 4”/5.25”/6.5” on−wall speakers with multiple tweeters that provide varying degrees of dispersion for a variety of purposes.
Yarden features stereo or stereo/mono speakers, a music/speech switch to enhance intelligibility, Kevlar(R) woofers, titanium pivoting tweeters such as ceiling−tile speakers, round in−ceiling high−power speakers, on−wall speakers, and more.

Tavor Family
The new Tavor family of powered speakers offers all−in−one solutions where time and space saving installations are important. Tavor includes ceiling−tile speakers, on−wall and subwoofers. The Tavor line is designed for transportation centers, hotels, educational facilities, small and large boardrooms, shopping centers, and other large venues.

Dolev Family
Dolev is a new family of high−quality bi−amplified studio−grade speakers that deliver clear and balanced flat response with low THD even at high volume. Dolev speakers are designed for control rooms, editing studios, sports bars, music clubs, high−end facilities, and home entertainment.
Dolev offers three different models: 5.25” with a 50W amplifier, 6.5” with 75W amplifier and 8” with 100W amplifier.

“Just as we’ve been committed for over three decades to providing the best signal solutions, our four new speaker families offer our customers the highest quality audio solutions,” said Dr. Joseph Kramer, Founder, President and Chairman of Kramer Electronics and recent winner of the Adele De Berri Pioneer of AV Award presented at InfoComm 2013. “I am confident that Kramer’s wide range of new offerings will fulfill our customers’ desire for great and affordable sound.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Evolutionary Yamaha PM10 Launched Today

Yamaha RIVAGE PM10

Buena Park, Calif.—In a worldwide announcement made at Inter BEE today, Yamaha Corporation Japan has launched the RIVAGE PM10 Digital Mixing Console, an enormous, evolutionary step for Yamaha PM Series Digital Live Sound Consoles. More than ten years have passed since the Yamaha PM1D and PM5D defined the direction for the digital console market. The new flagship RIVAGE PM10 significantly increases the quality and versatility necessary in a live sound environment, and inherits features from the renowned PM Series Consoles. Evolved features and performance define yet another milestone for Yamaha sound reinforcement consoles. The PM10 system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards provide the flexibility to configure and ideally match the scale and functional requirements of any application.

“Our new flagship RIVAGE PM10 system is the result of more than 40 years of PM Series history and reinforces our passion to provide industry-leading commercial audio products,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “RIVAGE PM10 will ignite the market for a new era of extraordinary sound, operation, and reliability. Needless to say, RIVAGE PM10 would not be possible without the dedication of the Yamaha Japan R&D team as well as feedback from our customers.”

Under the fundamental philosophy of Yamaha live sound consoles, Hybrid Microphone Preamplifiers have been newly-developed, as has the analog section both in terms of components and overall design, achieving an extraordinarily pure, natural sound. Impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing have been created utilizing Yamaha’s VCM (Virtual Circuitry Modeling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitate sonic shaping right at the input stage, adding musical sparkle or power as required. Josh Thomas, general manager of Rupert Neve Designs, had this to say about the collaboration: “We have done a number of listening sessions to compare our hardware to the transformer and Silk Texture emulations that Dr. K of Yamaha Japan and the development team achieved. Rupert and I are both very impressed by how closely the emulations get to the original analog designs. We hope that you all enjoy the rich Rupert Neve sound.”

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source. Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

A total of 45 plug-ins are available for creative processing, with substantially increased processing power. New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favored by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger.

“I wish to congratulate Yamaha with raising the bar for live console design significantly,” states Thomas Lund, CTO of TC Electronic. By directly integrating the world’s finest EQ, dynamics and reverbs, this mixing system is truly outstanding. Therefore, a big congratulations to the users also.”

Cooperation with Eventide has produced the “H3000-LIVE” harmonizer, an accurate reproduction of the H3000 Ultra Harmonizer algorithm with an interface streamlined for live sound use. “The marriage of classic Eventide effects with the state-of-the-art Yamaha RIVAGE PM10 mixing system is a match made in heaven,” adds Ray Maxwell, Eventide vice president of sales and marketing.

Console operation has been given the utmost attention with the Yamaha-familiar Selected Channel section implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled. There are also two large LCD touch screens that provide logical continuity with the faders, offering the same operability as the highly regarded Centralogic™ interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and several other details contribute to significantly improved overall operability.

New features extend the usefulness of the scene memory: “Isolate” enables the engineer to specify entire channel modules including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings; significant for situations where scene memory is heavily used. The Overlay Filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from Scene Recall – valuable in situations that require sudden changes and the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability. TWINLANe is an original Yamaha protocol that can handle up to 400 96kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

Connection to a computer for multi-track recording, connectivity to the NUAGE Advanced Production System, Yamaha CL and QL Series Consoles, as well as other external equipment is possible via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

RIVAGE PM10 has an expected delivery during 2015.

For more, expanded information on RIVAGE PM10, please visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

ASHLY AUDIO MULTI-CHANNEL 25-VOLT AMPLIFIERS PROVIDE A COST-EFFECTIVE ALTERNATIVE TO A 70-VOLT SYSTEM WITH CONDUIT AT DENISON HIGH SCHOOL

Denison_High_SchoolDENISON, TEXAS: Denison High School in Denison, Texas recently completed a new 300,000 square-foot building to accommodate its 1,250-plus students. Although packed with the latest in academic technology and the sort of architectural features that both provide comfort and encourage learning, the new building faced cost overruns and a budgeting challenge that required creative thinking on the part of its subcontractors. Among them was a plan put forward by local A/V integrator Batts Audio, Video & Lighting to jettison a 70-volt announcement/bell system (and all the expensive conduit it would require!) for a distributed amplifier system running a 25-volt announcement/bell system. Based around eight 8-channel Ashly Audio ne8250.25pe Network Amplifiers with built-in Protea™ DSP processing, Batts AV&L gave Denison a reliable, high-quality system for a fraction of the cost of the proposed 70-volt system.

“The issue was that the new school was coming in way over budget,” explained Jeremy Pilcher, vice president of operations at Batts AVL. “It was recommended to them by the construction manager at risk, as well as by a third-party construction manager, that many items be brought back under the umbrella of the district’s responsibility, such as classroom projectors, cafeteria/gym/video room projectors, auditorium technology, and the announcement system. We have an established relationship with the district, and we became responsible for all of it.”

The most vexing problem was the announcement/bell system, which called for a 70-volt system run through conduit throughout the building. “We ran the costs/benefits on using 25-volt amps distributed throughout the building that could power loudspeakers without necessitating conduit,” Pilcher said. “Sure, we needed more amps, but even after accounting for that, the cost savings was substantial. Ashly Audio is the industry leader in multi-channel 25-volt amplifiers. They are extremely cost-effective, especially with optional on-board processing, and are well-known for their reliability.”

The system begins with a dedicated paging system with analog outputs to trigger different zones. Those triggers and the voice signal travel to the eight Ashly ne8250.25pe amplifiers, which are placed strategically throughout the school. Each amplifier’s eight channels powers delivers 250 watts output to multiple zones of 25-volt Quam-Nichols loudspeakers, and each separate channel can constitute a separate selectable paging zone. The Ashly ne8250.25pe amplifiers also provide modest equalization, delay and limiting using the optional on-board Ashly Protea processing. “All together, using Ashly’s 25-volt amplifiers provided a functionally and cost-effective solution,” said Pilcher.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

GRAMMY AWARD-WINNING PASTOR OPTS FOR DANLEY AT VICTORY CATHEDRAL WORSHIP CENTER

Victory_Cathedral_Worship_Center_1BOLINGBROOK, ILLINOIS: Pastor Smokie Norful founded Victory Cathedral Worship Center in Bolingbrook, Illinois in 2005, the same year he won a Grammy Award for Contemporary Soul Gospel Album of the Year for Nothing Without You. He is one of the country’s top gospel artists, and his credits include several gold and platinum albums, dozens of awards and nominations, and numerous high-profile performances, including a performance at the White House in celebration of Black Music Month. When Victory raised funds for its first permanent sound system, Norful scrutinized the options, using his unique perspective to articulate exacting requirements. The Chicago branch of Advanced Systems & Technologies (AST) designed and installed the new system, which centers on Danley Sound Labs loudspeakers and subwoofers for the main house system, the delay system, and on-stage monitoring.

“Victory Cathedral Worship Center seats 1,500, and Pastor Norful fills it to capacity for two services every Sunday,” said Terry McCarthy, systems specialist with AST. “Due to cost overruns with the building’s original construction, the church had to put a new sound system on hold. They leased for many years, and when they were ready to install a permanent sound system, they wanted to do it right. Pastor Norful was very particular and we made it a priority to team up with his staff to insure that every detail was covered. We took the staff around to various installations in the Chicago area. They hadn’t recognized the name Danley Sound Labs at the outset, but when they heard it, they knew that Danley was their obvious favorite. “The first thing our customers notice when they hear Danley is great sound, plain and simple. And then, as they walk the room, they experience great coverage to every seat.”

The main system is comprised of two clusters of three Danley SH-46 full-range loudspeakers per side for true stereo coverage. Two massive coupled Danley DBH-218 subwoofers hang from the ceiling just in front of the stage. Three Danley SH-69 full-range loudspeakers provide LCR delays, two-thirds back from the stage, which give excellent representation at the mix position. Finally, four molded-horn Danley SM-80s provide incredible stage monitoring and two, flown, molded-horn Danley SM-96s cover the choir.

“AST started working with Danley Sound Labs based on Danley’s excellent sound quality, deep bass, minimal necessary processing, and unparalleled pattern control,” said McCarthy. “Taking clients on tours of our Danley installations is the best way to demonstrate the quality that we can deliver.” Moreover, Danley offers excellent service and product support – including design assistance – which is essential. As we focus on a broader class of technologies these days – sound, video, lighting and acoustics – our clients greatly benefit from this high level partnership.”

The system includes 64 channels of digital audio distribution, with Allen & Heath and Dante, including consoles at front-of-house, a complete audio suite, and a customized personal monitor mixing system. Powersoft K Series amplifiers provide power and processing for the mains. QSC PLX Series amplifiers and a Danley DSLP48 System Processor power and distribute to the stage monitors and delay fills. In addition, AST designed and installed full HD-SDI video production and presentation systems. The system includes three large video screens, six camera locations, independent IMAG control at FOH and a complete video suite and control room.

Pastor Norful and the rest of Victory’s staff and congregation are very pleased with the new system. “Smokie said it was a ‘home run’ and that it met and exceeded their every expectation,” said McCarthy.” The greatest feeling in the world when you finish a project is in the knowledge that you’ve delivered an outstanding product and that your research and hard work has paid off. They’re very happy and we are extremely proud to have served them in this capacity.” AST also provided extensive training for the staff and volunteers and the church is currently planning a new children and youth center that will utilize Danley Sound Labs loudspeakers and subwoofers as well.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Advanced Systems and Technologies, AST • www.soundvideolighting.com
Dallas/Ed Butler: ed@soundvideolighting.com • Chicago/Terry McCarthy: terry@soundvideolighting.com

FOR-A to Feature Variety of 4K Products & New Technology at 50TH Annual Inter BEE Show

Tokyo, Japan – FOR-A Company Limited will exhibit a range of its 4K compatible solutions at this week’s Inter BEE 2014 show, including: camera, frame rate converter, video switcher, multi viewer and signal processing equipment. The company will also display video archiving, virtual system, camera and file-based technology at Japan’s largest broadcast equipment exhibition. Held at Makuhari Messe in Chiba from November 19-21, this year marks the 50th annual exhibition of Inter BEE. FOR-A will be located in Hall 4, Booth #4208.

One highlight of FOR-A’s booth will be the newest version of the company’s 4K variable frame rate FRC-9000_image_140815camera, the FT-ONE-S. Making its world FT-ONE-S_Pers_141113debut, this latest version of the FT-ONE is smaller and lighter, allowing for more mobility. The camera links operators optically and via an intercom system, enabling users to shoot from the field with up to one km distance between the unit and base station. The FT-ONE-S also features enhanced resistance to dust and water and the ability to color correct video output live using its 12-axis system. FOR-A’s ZE-ONE 4K extraction system, which gives users the ability to frame and extract desired 4K image areas for HD replays, will also be introduced in Inter BEE.

Another new camera at the FOR-A’s booth is the FLOVEL HBC-2000 ultra-high sensitivity HbCMOS HBC-2000HDTV unit. FOR-A will also display FLOVEL’s new HBC-3600 ultra-high sensitivity camera, which is capable of near-infrared recording. Both units enable operators to record brilliant colored video in darkness with noise reduction.

One of several products being shown for the first time in Japan is the FRC-9000 4K/HD/SD frame rate converter. Ideal for live transmission use, the unit features FOR-A’s enhanced FRC-9000_image_140815motion compensation frame rate conversion technology. First introduced at IBC 2014, the FRC-9000 is capable of simultaneously converting two channels of video.

Another Japanese introduction is the HVS-2000 HANABI video switcher. The 4K compatible switcher features unique functionality that makes video switching more versatile than ever, including its expanded M/E capabilities, full operator transition control, key customization, and a new easy-to-use panel menu system. The HVS-100/110 video switchers will also be displayed. Also capable of 4K production, the portable video switcher is offered in two models: the HVS-100, which comes with a FT-ONE-S_Pers_141113separate main unit and control panel, and the HVS-110, which features a compact, integrated design.

On the multi viewer front, FOR-A has a variety of new technology, including the 4K compatible MV-4200, MV-42HSA and MV-1620HSA units. All three multi viewers were introduced earlier this year. The MV-4200 is a 2 RU unit that is capable of handling up to 68 inputs and eight channels of output. FOR-A’s MV-42HSA 4K monitoring down converter supports 3G-SDI inputs and 4-input split-screen displays. The 1 R/U MV-1620HSA accepts up to 16 channels of signals for monitoring on up to two screens.

Other products on display include: FOR-A’s URC-4000 4K up converter – a unit that provides powerful, super resolution up-conversion and turns HD video into 4K in real-time. Also at Inter BEE FOR-A’s new FA-505 signal processor will be introduced. The 5-input, 5-output unit features up/down/cross conversion capability on each input as a standard feature. The FA-1010 signal processor will also be on hand. It offers multi-channel routing between sources as well as effective video and audio signal processing for line, relay, reporting, production, editing and delivery applications.

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, visit our web site at www.for-a.co.jp

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

BB4 Studios Launches: World-Class Mixing & Mastering Facility Brings Innovative New Audio Resource to New York City

‘Brooklyn Born Brooklyn Bred’ Williamsburg Room Opens Up Fresh Creative Options for Mixers, Mastering Engineers, Producers, Artists & Labels

BROOKLYN, NEW YORK CITY – November 18, 2014: It’s not easy to bring something new to the music production scene, but BB4 Studios has accomplished just that. Shorthand for “Brooklyn Born Brooklyn Bred”, this just-launched Williamsburg facility is providing producers, engineers, artists, and labels with an innovative audio resource.

1BB4 has created a studio unique to New York City, executing an acoustically excellent environment that is optimal for both mixing and mastering. Designed by owner Rafael “Raf” Planten and Christos Tsantilis (P. Diddy, Mary J. Blige, Mobb Deep, Mos Def, Brandy, Big Pun, Queen Latifah, Patti LaBelle, Saigon), BB4 provides mixers, mastering engineers, producers and labels with an exciting option for perfecting projects. World-class recording capabilities for vocals and overdubs are also onsite.

An Advanced Audio Environment
Built from the ground up as a brand new studio on Williamsburg’s famed Bedford Avenue, BB4 channels the artistic energy of its surrounding neighborhood into its precisely tuned space. A multi-platinum engineer, producer, quality-control expert, as well as an accomplished studio designer, Tsantilis focused his decades of audio experience into making BB4 a first-choice room for honing the best possible mixes and masters – accomplished via thoroughly modern workflows within a welcoming environment.

The goal with BB4’s design was straightforward: Make a neutral room with as flat a sweet spot as possible. Only the highest-grade acoustical treatments and wiring were specified, combined with a custom mastering-style console outfitted with elite dynamics, EQs, and effects gear, plus a huge collection of plugins.

“Once upon a time, mix rooms and mastering suites were built to the same specs,” Tsantilis points out. “But at some point mix rooms had to get bigger, to accommodate the larger tracking consoles that were being brought in. The BB4 approach gets mixers back into a room that’s optimized for accuracy – this is a mastering-grade environment where they can mix. Having this purpose-built environment provides an extreme upgrade in your ability to hear the music, and make much more informed decisions.”

Equipping the Right Environment
Freelance producers, mixers, and mastering engineers alike will feel well-supported at BB4, which provides an assistant engineer for all sessions. With the gear selection that’s on hand, audio professionals should feel immediately inspired to get to work on their sounds.

BB4’s sweet spot begins with a custom mastering-style console designed by renowned studio designer Ken Capton (Eminem, Kid Rock, Music Works NYC, Yessian Music New York). Avid Pro Tools 11 and SonicStudio’s SoundBladeHD serve as the mixing and mastering DAWs, respectively, connecting to the hardware and monitors via Prism Dream and Avid HD Omni converters.

Outboard is extensive without being overwhelming. Compressors include dual RAD 4K-CS SSL’s, Manley SLAM!, Tube-Tech CL 2A, Alan Smart C2, TK Audio BC1, and custom 1176. EQs include four channels of Vintech 473, API 553, Nightpro EQ3-D, and a Weiss Eq1-LP/DYN combo. An Orban Stereo Synthesizer model 245e and classic Yamaha Spx90 are on hand for outboard FX. A Manley 16×2 tube mixer is available for summing.

For tracking and overdub sessions, microphones include a Manley Reference, stereo Audio-Technica ATM450’s, and a Shure SM7B. Mic pre’s are populated by the likes of four Vintech 573’s, two API 512c’s, and a stereo Melcore AML-27. Hardware can also be swapped in and out at a visiting engineer’s request.

Available plugins include Eventide Anthology, Waves Diamond Bundle including Platinum, Restoration, and Transform Bundles, Sonnox Oxford Elite, SoundToys with Eleven, Altiverb XL, and Lexicon – PCM Native Total Plug-In Bundle.

All mixing and mastering decisions go through the meticulously planned monitoring system, which features a PMC ib2 passive 3-way system flanked by dual ADAM Sub12 subwoofers. Bryston 4bst and THX amps power the system, all calibrated by a White Instruments Room EQ.

The attention to detail in BB4’s high-grade dead soft annealed solid pure silver (4N) wiring – overseen by wiring guru Mike Donahower (Jungle City, Robert Clivilles, Five Towns College) — illustrates the extreme care taken to deliver the truest possible sound. “The wiring makes all the difference in the world – it definitely affects the sonic character, depth and dimension that you can hear in a stereo recording,” says Tsantilis. “We strictly employed Furutech and Oyaide connectors, which are optimized for music by cryogenic freezing: That process changes the molecular makeup of the metal for less distortion, noise and resistance.”

Brooklyn and Beyond
While the emphasis is wholly on the music, BB4 is a comfortable place to work for hours at a stretch. A couch is behind the mix/master position in the main room, while a well-appointed lounge completes the experience for all clients and artists in attendance. The vibe is minimalist and stylish at the same time, deleting distractions while maximizing creative inspiration.

BB4 realizes Rafael Planten’s commitment to converging audio and art on a Brooklyn block that he loves deeply – he was literally born in the building whose ground floor the studio occupies. His room doesn’t just fill a need in New York City’s densely crowded studio scene, it creates a new category. That makes BB4 Studios bigger than just another business: it’s a way of contributing to the community, the local economy, and global music.

“Sound makes a difference in people’s feelings,” Planten says, summing it up. “If you’re hearing something good, it will feel good.”

For more information on BB4 Studios, visit http://www.bb4studios.com/.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Extron Now Shipping 3G-SDI to 3G-SDI Scaler with Audio Embedding and De-Embedding

Extron DSC 3G-3G AExtron Electronics is pleased to announce the immediate availability of the DSC 3G-3G A, a high performance 3G-SDI scaler that converts between 3G‑SDI, HD‑SDI, and SDI resolutions and frame rates. It accepts, scales, and outputs SMPTE video resolutions from 480i and 576i up to 1080p/60 and 2K. The DSC 3G-3G A features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. The DSC 3G-3G A also provides flexible audio capability with analog audio embedding, de-embedding, and level adjustments. Dual SDI outputs, genlock, and an input loop-through facilitate integration in demanding professional environments, while the compact enclosure simplifies installation. The DSC 3G-3G A is ideal for professional video applications, including video editing and production, rental and staging, medical imaging, and large‑scale presentations. more

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication