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Audio-Technica NAB 2014 Press Kit

Please click here or image below to view Audio-Technica NAB 2014 Press Kit

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Auralex® Supports Vintage King Audio Nashville and Carl Tatz Design™ at TEC Award Toast

— Auralex® President and Co-Founder Eric Smith was on hand along with other Auralex personnel to toast Vintage King’s recent TEC Award win for their innovative MixRoom™ —

INDIANAPOLIS, IN, April 3, 2014 – On Thursday, March 20, 2014, Vintage King Audio Nashville hosted an event to celebrate its recent TEC Award win with a champagne toast and keynote event. The award was initially presented in January at the NAMM Show in Anaheim, California, recognizing the Vintage King Audio Nashville MixRoom™ for outstanding creative achievement in the Studio Design Project category. The room employs the Carl Tatz Design™ (CTD™) MixRoom concept, which pairs a CTD PhantomFocus™ System with the Carl Tatz Signature Series™ acoustical treatment from Auralex® Acoustics, Inc.

On hand for the March 20th toast and keynote event were Eric Smith, President and Co-Founder of Auralex, accompanied by other members of Auralex’s management and sales team. Also in attendance were the following individuals: Mike Nehra, Vintage King Co-Founder; Chad Evans, Vintage King National Sales Rep; CTD Founder Carl Tatz; Todd Beeten, Sound Construction and Supply CEO; Mike Rhodes, SkinnyFish Studio Services owner; and a standing-room only crowd of some of Nashville’s top audio professionals.

Chad Evans addressed all assembled, recalling in detail the development of the Vintage King Nashville MixRoom and its significance as part of the larger Vintage King story. This room is the only facility of its kind in the world – a combination of a sales floor, an equipment demo room, and a working control/mixing room.

Eric Smith stated, “We are honored to be a part of the Vintage King MixRoom and this great celebration. Our ongoing relationship with Carl Tatz Design and Vintage King have fostered a spirit of teamwork and innovation, and thanks to the hard work of all involved, the result has been recognized by our peers at the TEC Awards. And we always love assembling with Nashville’s top engineers and audio minds and bonding over a drink to a job well done! A great experience from start to finish.”

“This was definitely a team effort among Auralex, Carl Tatz, Sound Construction and Vintage King,” stated Vintage King Audio’s Founder, Mike Nehra. “Everyone’s collaborative vision is what makes the Vintage King Nashville Control Room so special and sound so good. We took great care in properly tuning the room to accommodate a wide range of monitors and gear. When you walk into the room you sometimes forget that you are actually standing in a retail location.”

For more information, please visit www.auralex.com.

Photo Caption 1: Personnel from Auralex Acoustics, Vintage King Audio Nashville, Carl Tatz Design, Sound Construction and Supply, SkinnyFish Studio Services and others gather at Vintage King Nashville for a champagne toast and keynote event celebrating Vintage King Nashville’s recent TEC Award win.

Photo Caption 2: Pictured L-R: Mike Rhodes, SkinnyFish Studio Services owner; Eric Smith, President and Co-Founder of Auralex; Mike Nehra, Vintage King Audio Founder; Carl Tatz, Founder of Carl Tatz Design; Todd Beeten, Sound Construction and Supply CEO; and Chad Evans, Vintage King National Sales Rep.

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Audio-Technica Microphones Employed by Recording Veteran Steve Smith on Northwest University’s Concert Choir

— Award-winning engineer chooses AT5040 and AT4047/SV mics for live recording of yearly choral concert, and continues to choose A-T mics in the classroom —

STOW, OH, April 1, 2014 — The Concert Choir at Kirkland, Washington’s Northwest University has a reputation as a premier performance ensemble, demonstrating a wide-ranging musicality on pieces from throughout the choral repertory. And they have an added ace up their sleeve in Steve Smith, an award-winning recording engineer and the Creative Director of Creatio, Northwest University’s innovative music business and recording arts degree tracks. At the Concert Choir’s recent annual concert at Seattle’s Benaroya Hall, Smith was tasked with recording and mixing the live performance, and he turned to microphones from Audio-Technica, a leading innovator in transducer technology for over 50 years. Although the recording will likely be used only for archival purposes and internal circulation rather than commercial release, Smith did not take any shortcuts, carefully miking the 100+ member choir, nine-piece brass ensemble and grand piano and mixing a stereo recording any classical label would be happy to release.

For the recording, Smith used five AT5040 Studio Vocal Microphones on the choir and one on the piano. Two AT4047/SV Cardioid Condenser Microphones were used on the brass ensemble. “I love the AT5040,” Smith states. “It’s super high quality. I’d put it up against anything. The AT5040 is extraordinarily transparent and beautiful-sounding.” And Smith’s AT4047/SV’s only scratch the surface of Creatio’s microphone arsenal, which includes nearly 40 A-T microphones.

Creatio is the only four-year accredited school in the Pacific Northwest to offer in-depth training in the recording arts and music industry business. Smith’s long list of credits includes achievements in recording engineering and producing, recording studio design and construction, motion picture and video game soundtrack recording, live sound installation and implementation, and audio production technology education curriculum – not to mention projects from such legends as Stevie Wonder, Garth Brooks, DC Talk, Donna Summer, Van Halen and countless others. As Creatio’s Creative Director, Director of the Recording Arts Technology Program, Chief Engineer of Creatio Studios and a principal instructor, Smith makes it a point of pride to go out of his way to impart his students with practical knowledge and nuanced listening skills. “I believe very strongly that educational institutions and music technology programs have an added importance in this day in age,” he muses. “People used to go to music stores to learn and listen – to A-B mics and signal processors and whatnot – but that is happening less frequently these days. Educational institutions are now the place where students learn both the formal science and art of recording, and that practical, real-world perspective. And we feel lucky that Audio-Technica places such a high level of importance on these programs as well.”

Smith continues, “In my classes, we compare microphone models and techniques with meticulous listening tests, and it’s great when a student can make a connection with a microphone. Our mic arsenal is deep and diverse, and Audio-Technica microphones continually impress the students. I have always loved them too. They are very consistent from mic to mic, with great quality control. I feel privileged to share microphones from Audio-Technica with tomorrow’s best engineers, who will be putting A-T mics to use for years to come.”

For more information, please visit www.audio-technica.com.

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SunBriteTV Introduces Outdoor Wireless HD To Backyards Nationwide

THOUSAND OAKS, California— SunBriteTV, manufacturer of the world’s best-selling outdoor television, has broken the wireless HD barrier with a universal outdoor transmitter module for both residential and commercial applications.

Completely weatherproof and wireless, the SunBriteTV Wireless HD Transceiver (SB-HDWT) is capable of transmitting full 1080p HD content to any SunBriteTV within range of 150 feet via an HDMI-in and HDMI-out transceiver. The peripheral device is compatible with all SunBriteTV models as well as other HDMI-featured products.

“Consumers have anxiety regarding wiring and connectivity,” said Tom Dixon, VP of Marketing, SunBriteTV. “The Wireless HD Transceiver makes it easy and painless for both homeowners and professional installers to send a high-definition signal to an outdoor TV—anywhere in the backyard living space.”

“In some instances, running hard wiring can be difficult, time consuming, and costly to the homeowner. Custom integrators now have a simple, cost-effective solution to address problem installations,” said Dixon. “In that sense, this product will make outdoor TV even more accessible to thousands of homeowners.”

The SB-HDWT carries an MSRP of $595 and is available through SunBriteTV’s Authorized Dealer Network or online at www.sunbritetv.com.

Designed for permanent installation outdoors, SunBriteTV’s outdoor televisions are superior to indoor televisions when it comes to both safety and performance. Specialized gaskets and insulated electronics keep all wiring safe from every kind of natural element from moisture to insects. All models function flawlessly in temperatures spanning -24 to 122°F and feature ruggedized exteriors that can handle any climate. The bright, anti-glare screens are specially designed to deliver bright HD images outdoors, day or night.

For more information on SunBriteTV please visit www.sunbritetv.com or call the sales department directly at 866.357.8688.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV

About SunBriteTV
SunBriteTV engineers and manufactures award-winning televisions and displays built specifically for outdoor use. SunBriteTV developed the industry’s first all-weather TV in 2004 and its products have been time-tested in home installations, outdoor sports arenas, restaurants, hotels, amusement parks, and airports. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

Digital Vision’s Bifrost Archive Bridge Provides Streamlined Workflow for Film Preservation

- Unique solution provides a cost-effective and efficient workflow through automation-

NAB 2014, Stand Sl6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) At NAB 2014 Digital Vision will present Bifrost Archive Bridge, a unique solution that enables archive owners to preserve and restore their precious assets by creating high quality digital media through streamlining processes and automation. Bifrost workflow presentations will be available by prior appointment during NAB 2014, at Digital Vision’s suite at the Renaissance Hotel, adjacent to the LVCC.

Kelvin Bolah, President, Digital Vision, said, “Protecting and preserving assets can be a incredibly expensive and time-consuming process, in the face of which many are overwhelmed and defer the undertaking. Bifrost is a truly revolutionary process because it combines technical efficiencies, relatively low investment and unbelievable speed.”

The Bifrost Archive Bridge is suitable for archives of any size, comprising various workflow components that can be utilised either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.

Bifrost includes an extensive web-based logging and reporting infrastructure developed by Digital Vision, which allows progress to be remotely monitored and analysed. Features include:

* Logging and cataloguing
* Film scanning
* Audio synchronisation
* Automated restoration compatible with Thor hardware acceleration
* Media Management and delivery

Rob Wall, Market Manager, Workflows and Media Managements, Digital Vision, said, “Taking the first steps to protect valuable assets can be a daunting prospect. Bifrost Archive Bridge takes away that fear.”

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognized highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.
For more information, visit www.digitalvision.se
All trademarks used herein, whether recognised or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

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Neumann Launches Digital Version of its KH 120 Nearfield Studio Monitor

Enhanced Version of KH 120 Features Digital Inputs, Time Delay Compensation

Las Vegas – April 8, 2014 – Premium audio brand Neumann announced the launch of its first digital studio monitor: the KH 120 D. Based on the KH 120 A small format studio monitor launched in 2010, the KH 120 D sets a new standard of sonic quality and price-performance ratio in the compact nearfield monitor segment. The KH 120 D will be on display at the Neumann booth at the 2014 NAB Show [booth C3217] and will be shipping this summer.

The KH 120 D is designed for tracking, mixing and mastering applications in music, broadcast, project and post-production studios. Utilizing the latest in acoustic and electronic simulation technologies, the KH 120 D ensures the most accurate sound reproduction possible. Equipped with an additional BNC input for AES/EBU or S/P-DIF formats (24-bit/192 kHz), the KH 120 D enables seamless digital workflow right up through playback on the studio monitor.

The KH 120 D also features digital delay for both analog and digital inputs, enabling the monitor to be used for demanding tasks requiring time alignment. With a maximum delay of over 400 ms, the KH 120 D is able to seamlessly address audio/video synchronization issues, or simply manage time delay compensation in situations where space constraints preclude equidistant positioning of loudspeakers.

Wolfgang Fraissinet, President of Neumann.Berlin, commented: “Neumann’s studio monitors are built to extremely high tolerances and deliver an ‘honest’ sound. With the KH 120 D, a fully digital workflow can now also benefit from these characteristics. The addition of a built-in delay feature makes the KH 120 D suitable for new applications and represents exceptional value at this price point. It provides an answer to the very latest trends in the field of professional audio.”

The KH 120 D studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. It features a Mathematically Modeled Dispersion waveguide (MMD), flexible acoustical controls, analog class-AB amplifiers, various input formats (analog and digital) and an extensive range of mounting hardware. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.

For further information please visit www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Front and rear of the Neumann KH 120 D studio monitor.
2) Rear of the KH 120 D studio monitor.

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Sennheiser Updates Customers on Pending Spectrum Reallocation While Encourages Microphone Owners to Support of its Petition to FCC

Company Predicts Wireless Microphone Operation in the 600 MHz Range Will Remain Status Quo Through 2016

Old Lyme, Conn., April 8, 2014 – Audio specialist Sennheiser, which continues to file comments with the Federal Communications Commission (FCC) in light of the pending spectrum auction scheduled to take place in 2015, has launched a website to keep its customers informed on recent developments concerning the future of wireless microphones and the UHF spectrum. The website [http://sennheiser.com/spectrum] also contains a sample support letter that microphone owners can download and use to express their own views to the FCC concerning equipment replacement costs they will incur as a result of spectrum reallocation.

In the middle of 2015, the FCC plans to hold an ‘incentive auction” with the intent of transferring spectrum currently allocated for over-the-air (OTA) TV service to mobile broadband. The auction offers TV broadcasters the opportunity to relinquish or share their spectrum license in exchange for a portion of the proceeds generated by the auction. The broadcasters that operate on channels in the 600 MHz range that choose to stay on the air will be moved to a different TV channel during the subsequent repacking process, which is expected to take at least two years to complete. Therefore Sennheiser expects wireless microphone operation in the 600 MHz range to remain status quo through 2016.

While it is uncertain whether the incentive auction will be successful, Sennheiser is preparing for the possibility of a 600 MHz reallocation and is recommending that microphone operators start preparing for this transition as well. If the auction is successful, the degree of impact after UHF packing remains unclear for the following reasons:

• Wireless mics may still be able to operate in some pockets of the 600 MHz, following FCC approval, in the planned guard band and the mid-band gap. The majority of the re-purposed spectrum will be segmented into two separate blocks for up-link and down-link. Between them will be a mid-band gap. Below the downlink block will be a guard band. In repacking scenarios that affect the radio astronomy channel (TV channel 37), one or two small additional guard bands may be created. The mid-band gap and the guard band(s) are intended to be buffers, but their functionality for mics is yet to be defined.

• Reallocation may vary by market. The FCC plans to pursue the “down from 51″ plan where a range will be reallocated, starting from TV channel 51 (698 MHz) on downwards. It is unclear how far down from 698 MHz will be reallocated, in large part to the voluntary nature of the auction, but it could be as far as 578 MHz. The FCC wants the allocation between TV and mobile broadband to vary by market, but faces strong opposition from those who want the divisions to be uniform nationwide.

• Currently, there are two TV channels in each market that are reserved for wireless mic/monitor use, available to any mic/monitor operator. It is unclear whether this will still be the case after the repacking process.

Sennheiser expects to have better visibility on these details later this year.

Regardless of the outcome of the spectrum auction, Sennheiser continues to design and manufacture innovative products. Its newest wireless systems, such as the Digital 9000, are more spectrally efficient and easier to operate than ever before, despite an increasingly challenging RF environment. However, without adequate spectrum, even the most advanced equipment will not be able to operate. Therefore Sennheiser will continue to advocate and pursue political activities in the interest of its customers.

“While it is still unclear as to how the spectrum repacking will impact many thousands of audio professionals by forcing them to reinvest in compliant equipment, Sennheiser will continue to inform and support its customers wherever possible,” commented Joe Ciaudelli, Spectrum Affairs, Sennheiser. “With Sennheiser, you are not only purchasing premium products but service and support from people who care.”

Sennheiser encourages its customers to support its petition for compensation for microphone owners in light of the pending spectrum auction, and to communicate any potential equipment loss directly to the FCC. To learn more, and download a sample support letter, visit the Sennheiser website.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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BrightSign Demonstrates 4K Advances at NAB 2014

BrightSign, LLC®, the market leader in digital signage media players, announced that its new 4K digital signage media players will be demonstrated at NAB 2014 in the Elemental Technologies and Tightrope Media Systems booths. The company also revealed today that its 4K players will support MPEG-DASH, which enables high-quality streaming of media content over the Internet.

“4K opens up so many possibilities in digital signage and other industry applications, but it’s important to understand and avoid the potential pitfalls of a wrongly deployed 4K system,” said Jeff Hastings, BrightSign’s CEO. “As BrightSign continues to expand into the 4K market, we are working with a wider range of partners and demonstrating new technology for supporting the 4K ecosystem at NAB.”

MPEG-DASH is critical when it comes to broadcasting 4K content via the Internet. The protocol takes content from standard HTTP servers and separates that content into individual segments, enabling network bandwidth optimization in real time for maximum streaming efficiency. Efficiencies are maximized because the highest possible bit rate segment will be streamed at any given time, depending on the network resources available at that time. And because network resources fluctuate constantly, MPEG-DASH continuously evaluates those resources to maximize playback quality, without causing stalls or requiring re-buffering. Optimizing playback quality and eliminating the risk of network overload are important, especially when broadcasting movies, live sporting events or other lengthy content.

“BrightSign and Elemental are like-minded in their pursuit of 4K in its purest, most impressive form,” said Keith Wymbs, chief marketing officer for Elemental. “Our ongoing interoperability work with BrightSign has yielded a complete 4K solution for digital signage, and we expect BrightSign’s new players to catalyze growth in the marketplace as it shifts to 4K.”
This past weekend BrightSign demonstrated the latest 4K video technology at the JB&A Video Workflow Pre-NAB Event. BrightSign demonstrated its new 4K player – the industry’s first sub-$1,000 commercial-grade solid-state digital signage media player – the only player of its kind to deliver true 4K, with H.265 encoding and HDMI 2.0 for playback at 60 fps.

Additionally, BrightSign’s players power 4K demonstrations in several NAB booths, including Elemental Technologies (booth #SU2724) and Tightrope Media Systems (booth #C6508).

Visit www.brightsign.biz for more information about BrightSign’s new 4K player, and to learn how BrightSign is leading the next wave of innovation with 4K digital signage.

About BrightSign
BrightSign, LLC is the market leader in digital signage players. Based in Los Gatos, California, the company develops products, software and networking solutions for digital signage. BrightSign solid-state digital sign controllers set new standards for both stand-alone and networked digital signage applications with their superior video quality, reliability, affordability, ease of use and interactivity. Online information about BrightSign units is available at www.brightsign.biz. For US sales inquiries, please contact sales@brightsign.biz or call +1-408-852-9263. For European sales inquiries, please email Pierre Gillet: pgillet@brightsign.biz or call +44-1223-911842. Follow BrightSign at http://twitter.com/brightsign and http://www.facebook.com/BrightSignLLC.

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Riedel’s New MediorNet MetroN Core Router Boosts Bandwidth and Flexibility in MediorNet Installations

WUPPERTAL, Germany — April 8, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that it has expanded its MediorNet family of real-time networks with the addition of the 2-RU large-scale MediorNet MetroN core router. In enabling Riedel’s acclaimed networked approach to signal distribution and routing, the new MediorNet MetroN fiber router provides a massive 640 GB real-time signal-routing capacity (64x10G ports).

“The MediorNet MetroN core router enables users to configure robust and highly redundant MediorNet installations in a variety of demanding applications without any concern for bandwidth limitations,” said Christian Bockskopf, marketing and communications manager for Riedel Communications. “By adding this fiber router to new or existing MediorNet systems, users can fully leverage the flexibility of our real-time networks even when working with large volumes of high-bandwidth signals.”

Riedel’s MediorNet system combines signal transport, routing, signal processing, and conversion into one integrated real-time network solution. With this network for video, audio, data, and communications, users can send any incoming signal to any output — or even to multiple outputs — with just a mouse click or, even more conveniently, by using a router control system. Eliminating the need for re-wiring when production setups change, MediorNet increases the flexibility of any installation while significantly reducing cabling and setup time. Integrated broadcast-quality processing and conversion features reduce or eliminate the need for external devices, in turn helping users to realize significant savings in infrastructure investment.

The addition of the MetroN core router dramatically increases the bandwidth available across MediorNet networks. It is the first solution in the MediorNet family where the connection is realized by means of 10G links. Up to six HD-SDI signals can be transmitted over one 10G connection. Typical applications for the router include the connection of MediorNet subnets, studio backbones, routing within a 3G-SDI studio infrastructure, and supporting networked OB vans.

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Riedel/Riedel-MetroNCoreRouter.jpg
Photo Caption: Riedel’s MediorNet MetroN Core Router

Visit Riedel at the 2014 NAB Show, Booth C4937

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Riedel Unveils WAN-Capable MediorNet Solution

WUPPERTAL, Germany — April 8, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced the release of the company’s first wide-area network (WAN)-supported solution: the acclaimed MediorNet real-time network with WAN capabilities. Riedel has enhanced its flagship solution to give broadcasters and other content producers greater flexibility in live production environments.

“The addition of our unique WAN transmission technology to the well-established MediorNet solution gives users an even greater degree of versatility in distributing live A/V content,” said Christian Bockskopf, marketing and communications manager for Riedel Communications. “By transmitting video and audio signals in a WAN environment, customers can connect remote MediorNet Systems globally in an easy and intelligent way.”

The video streaming technology incorporated into the MediorNet solution empowers users to achieve greater mobility in live production environments, including studios, arenas and other live event facilities, and linked OB van setups. The WAN capabilities integrated into the real-time media network also reduce the complexity of live broadcasting and assure straightforward signal distribution with maximum independence.

Riedel’s MediorNet system combines signal transport, routing, signal processing, and conversion into one integrated real-time network solution, now with WAN capabilities. With this network for video, audio, data, and communications, users can send any incoming signal to any output — or even to multiple outputs — with just a mouse-click or, even more conveniently, by using a router control system. Supporting forward error correction (FEC), retransmission management (RTM), and dynamic bit rate management (DBRM), the Code One Transport Protocol (COTP) used by MediorNet H.264 encoders and decoders ensures that the public Internet can be used effectively for point-to-point transmission of professional audio and video.

Using Riedel Communications’ MediorWorks software, users can not only configure the WAN interface, but also handle a WAN signal connection as a trunk link and split a system in various subnets. Additional valuable functions available with the WAN-capable MediorNet system are JPEG2000 encoding and decoding for SDI and DVI I/O, as well as H.264 encoding and decoding for SDI. Two variations of the H.264 encoder and one of the JPEG2000 encoder allow users to select the processing capabilities that best suit their budgetary and operational requirements.

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

All trademarks appearing herein are the property of their respective owners.

Photo Links:
www.wallstcom.com/Riedel/Riedel-MediorNet-H264-DPro.jpg
www.wallstcom.com/Riedel/Riedel-MediorNet-WAN_JPEG2000.jpg
Photo Caption: Riedel’s MediorNet Systems With WAN Capabilities

Visit Riedel at the 2014 NAB Show, Booth C4937

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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