A virtual press conference from Sound & Video Contractor

Archive of the News Category

Meet Smarter: Kramer introduces the VIA Family of Collaboration Products

composition

Kramer Electronics is pleased to officially announce the introduction of the new VIA product line, including the award winning VIA Collage™, the VIA Connect PRO™, and the VIA Connect™. These wireless collaboration devices allow people to “Meet Smarter” through connection, collaboration, and engagement by providing them with a shared workspace that makes team collaboration in real time seamless and simple.

“We are very excited about the introduction of the VIA family of products because BYOD, collaboration and wireless applications are increasingly critical in today’s converging AV/IT world. The VIA line of products offer the best solutions in the market and we are pleased to add these products to our already comprehensive line of solutions,” stated Dr. Joseph Kramer, CEO of Kramer Electronics.

The VIA Collage won Best in Show awards at the 2014 InfoComm Show from Government Video Magazine, Sound & Video Contractor Magazine, and AV Technology Magazine. The VIA Collage is Kramer’s most advanced and powerful collaboration hub. This wireless device solves BYOD challenges and allows for the effective integration of PC, Mac, iOS and Android devices, allowing users to wirelessly collaborate in any meeting.

With the VIA Collage, files can be shared quickly and easily between participants or with all participants at once. The VIA Collage also allows for full 1080p/60 HD video streaming and the main unit even has an HDMI input to allow the integration of an external video source. Up to 6 presenters’ screens can be dynamically displayed on a single display device and up to 12 can be shown simultaneously when two display devices are used.

The VIA Collage is actually a PC so it also supports third party applications such as Skype®, Go To Meeting®, Lync®, WebEx®, PowerPoint® and much more. VIA Collage also has built−in 1024 bit encryption for information sent between the Collage and the meeting participants as well as a dynamic room code to prevent unauthorized participation in the meeting. The digital canvas created by the VIA Collage allows meeting participants to all work on the same document in real time and save the results to their device.

“VIA Collage works seamlessly in an almost spooky way. Everyone in the room can help create and edit a common document through their individual devices, then share it with others and save it to take with you. The system automatically recognizes attendees and makes connection − and collaboration − easy,” explained Government Video Magazine.

The VIA Connect PRO and VIA Connect are both effective and compact tools that will greatly improve productivity during meetings while offering the best price−performance in the market.

The VIA Connect PRO allows users to share files, chat with other attendees and collaborate together on a shared document using the whiteboard feature from their own devices, in addition to being able to present their screens simultaneously.

The VIA Connect is a value−oriented, wireless presentation hub that can dynamically tile up to four users on a single screen and allows and attendee to step−in as the main presenter. This is the ideal compact solution for simple connectivity and engagement.

The feature benefits of the Kramer VIA family build incrementally throughout the line. All of the features from the VIA Connect are included in the VIA Connect PRO and all of the features of the VIA Connect and VIA Connect PRO can be found in the VIA Collage.

The Kramer VIA product line presents users with “Infinite Ways to Collaborate.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Classical Sensation Chad Lawson Reinvents Chopin with DPA Microphones

Unique Muted Hammer and Felt Sound Captured by Company’s d:dicate™ 4011A Cardioid Stereo Kit

DPA Microphones_Chad LawsonCHARLOTTE, NC, OCTOBER 23, 2014 – Debuting on iTunes Classical at #1 even before its official release and raising in the ranks on the Billboard Classical charts, The Chopin Variations by celebrated pianist and composer Chad Lawson, violinist Judy Kang and cellist Rubin Kodheli, takes the familiar sounds of Chopin and recasts each composition in a new light. To accomplish this, Lawson used his Steinway piano to create a slightly muted, ethereal sound, captured entirely by DPA microphones. The positioning of d:dicate 4011A Cardioid Stereo Kit was critical to translate the desired mood into Lawson’s latest recording.

Lawson wanted a mic solution that would illustrate the internal workings of his Steinway for his latest album, which was recorded in his home studio using the d:dicate 4011A Cardioid Stereo Kit. Introduced to him by an engineer during his previous record, Lawson now relies on the mics for projecting the most accurate natural sound of his piano.

“I have used many great microphones in major recording studios, and the pair of DPA 4011As really did the job by capturing every nuance of each note, giving me the exact sound I was looking to portray,” says Lawson. “I was trying to find a way to really highlight a certain sound, in addition to the movement of the piano action itself, and I found the 4011As simply recreated the entire life of the performance.”

DPA Microphones_Chad Lawson 3Breaking away from more traditional piano miking schemes where a stereo pair would be placed over the harp and sound board, Lawson experimented with the 4011As by placing the stereo pair over the hammers, just close enough to deliver a sense of the mechanical workings of the piano, but far enough away for the listener to hear the full, albeit muted, frequency range of the instrument.

“I worked with several placements for the microphones, especially concerning the stereo field. DPA’s microphones are so accurate that I simply placed one mic over the treble strings and one over the bass section,” continues Lawson. “I give full credit to the 4011As, they’re just so unbelievable in the way they rendered the tone of what I was trying to do. Since using the 4011A microphones, I have definitely become an advocate for DPA and its products.”

The Chopin Variations is Lawson’s fourth album. Additional albums include his first solo album, Set on a Hill (2009), produced and recorded by Grammy® Award-winner and founder of the Windham Hill Label, Will Ackerman, The Piano (2011) and The Space Between (2013).

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

HARMAN’s JBL AXYS Loudspeakers Travel With Rock of Ages UK Tour

JBL_RockofAgesLONDON, United Kingdom — The hilarious, ‘80s-themed musical Rock of Ages has been packing in audiences on Broadway, Las Vegas and now on tour in the UK through November. Rock of Ages features classic hits like “Don’t Stop Believin’,” “We Built This City,” “Wanted Dead or Alive” and “Here I Go Again,” performed with nonstop intensity by a colorful cast of characters—all heard through HARMAN JBL’s AXYS loudspeakers.

London-based Autograph Sound is signed on as the tour’s live sound provider and Chris Full, Sound Designer at Creative Sound Design, is the Associate Sound Designer for the show. Full chose a JBL AXYS system for the Rock of Ages tour because it proved ideal for the production’s highly specific requirements. “We have a ruthless touring schedule throughout the UK,” he said. “Weekly touring in the UK is an art form – with limited truck access and the vastly different size and shape of the venues, from under 1000 seats to nearly 3000 – It’s challenging!”

The show features an elaborate wraparound set that has walls across the back of the stage and up each side, and many loudspeakers integrated into the set itself. “We can’t start to build the onstage audio system until the set is completed, which leaves us with an even tighter timeline than usual to put the sound system together,” Full stated. “So we needed a system that could be set up quickly with easy rigging and be seamlessly integrated into each venue without calling attention to itself visually or restricting audience sightlines – while delivering very loud and proud rock and roll sound levels.”

Full chose a JBL AXYS setup comprised of six Scope T-2115G2 15-inch 3-way loudspeakers, six Scope T-2112G2 12-inch 3-way speakers, 16 Flex U-14G2 and two Flex U-12G2 compact 2-way speakers plus four UB-25 15-inch vented direct-radiating subwoofers. “We used a JBL AXYS rig for the London stage production prior to the tour with excellent results, so we knew it would work well sonically for the tour production, but we had to make some changes and adaptations to accommodate the quick setup and teardown required.”

Full noted that because the music is such a crucial, central element to Rock of Ages, the sound quality has to be nothing less than exceptional. “The audio is at high-volume rock and roll SPL but there’s also a lot of detail and subtlety that needs to be reproduced, as well as dialog clarity,” he said. “So the biggest challenge of the design was achieving a system that packed a lot of punch but also provided that high level of detail.”

Full knew that using the JBL AXYS point-source loudspeakers would provide the required clarity and focused coverage while taking up a minimum of space and keeping rigging time down. “So many UK venues are like miniature opera houses, very ornate theaters where you find you have to make a concerted effort to deliver high-quality audio but without disturbing the appearance if these older, beautiful structures.” Full liked the AXYS’ ability to deliver high output from small lightweight enclosures, whose small size enabled quick rigging for optimum coverage throughout the audience. Each venue uses the same core loudspeaker configuration, with modifications as required to accommodate a particular hall.

One of the JBL AXYS loudspeakers’ biggest sonic strengths is their wide dynamic capability and ability to maintain their detail and clarity at any volume. “In Rock of Ages there are a lot of transitions from soft to loud volume levels and we need the audience to feel the presence of the music even when it’s being played quietly,” Full said. “With the JBL AXYS system, we can turn it up high or very low, and the mix doesn’t change. For a show that relies so heavily on dynamic contrasts for dramatic effect, that’s a fantastic advantage.”

“We’re very pleased with the way the touring production of Rock of Ages sounds and the audience reaction has been fantastic,” Full concluded. “The attributes of the JBL AXYS loudspeakers, especially the ability to shape their sonic performance and coverage via DSP are tailor-made for a show like this.”

For more information, please contact Chris Full at chris@creativesounddesign.co.uk

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Product Applications |

HARMAN’S AKG Celebrates C214 as Best-Selling Condenser Microphone for Studio and Stage in the US for Past 12 Months

AKG_C214NORTHRIDGE, California — HARMAN’s AKG announced that its C214 microphone has been the best-selling condenser microphone for studio and stage in the United States over the past 12 months. From October 1, 2013 to September 30, 2014, no other condenser microphone generated more revenue, as the C214 found its way into countless projects, ranging from home recording studios to international concert tours and everything in between.

The C214 is a tremendously popular recording microphone, delivering a similar sound character as the legendary C414 XLII microphone. However, thanks to its robustness and world-class sound quality, it is also popular as a live microphone, having been used on tour by Dave Natale, Dweezil Zappa, Steve Vai, and others. As further evidence of its versatility, the C214 is also part of AKG’s Drum Set Premium.

Designed as a cost-effective alternative to the high-end C414 family, the C214 large-diaphragm condenser microphone offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. It also features a high-performance spider-type shock mount, windscreen and is sold in a heavy-duty aluminum case. In addition, AKG offers two C214 microphones in a Matched Stereo Pair bundle to delivering stunning performance in recording and live settings.

“Having developed and manufactured the C214 in Vienna—a city known for its rich musical history—we here at AKG are thrilled about the microphone’s popularity among leading musicians in the studio and on stage,” said Erich Gaertner, Product Line Manager, AKG. “We are looking forward to continued success with the C214 and will continue developing world-class microphones for the recording and performing communities!”

For more information on the AKG C214, please visit www.akg.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Registration for the 21st HPA Tech Retreat Now Open

The Bellwether Entertainment Technology Event Returns to Indian Wells
HPA Tech Retreat

(Los Angeles, CA) Today at the SMPTE Symposium, produced by the Hollywood Post Alliance (HPA(r), registration for the 2015 HPA Tech Retreat officially opened. For the 21st consecutive year, a veritable who’s who of engineering, technology, creativity and strategic business leaders will gather in the desert to discuss the trends and technologies of the future, while tackling head-on the issues of the present. The HPA Tech Retreat takes place at the Hyatt Regency Indian Wells, near Palm Springs, CA, from February 9th to the 13th, 2015.

The HPA’s preeminent event enjoys a global reach, bringing together the thought leaders and senior practitioners driving the rapidly advancing entertainment technology landscape. The HPA Tech Retreat has consistently proven to be a crucial gathering where technological developments in production, post production and broadcast are unveiled, discussed and debated. During the Tech Retreat, attendees from the media and entertainment industries are uniquely able to share time and ideas with academics from around the world, scientists, and experts in technology from various disciplines. The environment is one of discovery and exploration.

Mark Schubin, who has led the programming for the HPA Tech Retreat for many years, notes, “Each year, we receive submissions from all over the world – about six times more than we can possibly use – and, based on what I’ve seen so far, it’s going to be hard to choose. So many new technologies have been introduced at the Retreat over the years that it’s tough to count them all.”

Over the course of its history, the HPA Tech Retreat has seen a number of breakthrough products and processes previewed in advance of their actual debuts. Surround headphones, full-color full-motion holograms, Sony’s HDCAM SR, SR Memory, targeted-ad production and distribution systems, Panasonic’s Varicam and stereoscopic cameras, Dolby’s high-dynamic-range video monitors, Pencil-beam microphones, and OLED monitors to name just a few of the many “firsts” to be unveiled at the Tech Retreat.

Leon Silverman, President of HPA, notes, “The Tech Retreat is the place you go to see history before it’s made, and to move and shake with the movers and shakers across the technology community. The subjects are always topical, but the real value of this event is the ability to share ideas and challenges, to understand from those who really know and get inspired. While I take away so much from this event each year in program content, an equally important take away comes from mingling with this amazing group – the teachers who teach the teachers. If you have not been to the Tech Retreat, you owe it to yourself to make a pilgrimage to the desert. If you have been, you know exactly what I’m talking about.”

Breakfast roundtables are also a popular part of every HPA Tech Retreat. Schubin comments, “Participants begin hashing out the future of media at the lively breakfast roundtables. Among the topics already confirmed for the 2015 event are net neutrality, content security, workflow complications, and a review of the legislative and regulatory environment.”

The HPA Tech Retreat is a not to be missed opportunity for industry professionals. The five day, multifaceted event includes dynamic conference sessions, a curated Demo Room with leading-edge technologies, networking events, and parties. The session schedule and programming information will be announced soon.

Earlier this year, SMPTE and HPA became official partners, moving forward with plans for full organizational consolidation by May 2015. Today’s Symposium is the first jointly produced HPA/ SMPTE event, an auspicious time to open registration for the HPA Tech Retreat.

The event has a history of selling out, and timely registration for the 2015 HPA Tech Retreat is recommended. Registration at Early Bird rates is now available, REGISTER. For more information on the event and sponsorship opportunities, visit www.hpaonline.com, call the HPA office at (213) 614-0860, or email Eileen Kramer at ekramer@hpaonline.com.

# # #

About the HPA Tech Retreat
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post production, film, television, video, broadcast and related technology areas, for the exchange of information. The 2015 HPA Tech Retreat will take place February 9 to 13, in Indian Wells, California.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

Louisville Football Stadium Delivers High-Impact Game Experience with Meyer Sound LEO

Papa JohnsTo amplify the home-game atmosphere and bring the 55,000 fans closer to the on-field action, Papa John’s Cardinal Stadium at University of Louisville has chosen the most powerful loudspeaker technology available today—Meyer Sound’s LEO™ linear large-scale sound reinforcement system with the 1100-LFC low-frequency control element and SB-3F sound field synthesis loudspeakers. Selected for its sheer power and remarkable ability to project sonic clarity and impact over long distances, the system was chosen by recently retired, long-time stadium manager K.C. Scull after experiencing the impressive LEO system at Ohio Stadium in Columbus.

“The performance of the new Meyer Sound system at Cardinal Stadium has been excellent,” reports Mike Dewees, head technician at Acoustical Audio Designs, the company contracted for operation and maintenance of the stadium systems. “There are no more complaints about not being able to understand the announcer. Now the music quality is very good throughout the bowl with consistent coverage in all seating areas, and the system has incredible headroom.”

Packed tightly into the north end scoreboard, the system features 24 LEO-M line array loudspeakers deployed in five arrays: two main arrays of eight each for the lower bowl plus two additional arrays of five and three LEO-M loudspeakers for the upper seats on the east side.

Eleven SB-3F loudspeakers throw crisp, mid-high-frequency sound to the far end seats and an upper deck terrace over 700 feet away. Eight 1100-LFC low-frequency control elements arranged in cardioid arrays supply low end, and two arrays of three-each MICA® line array loudspeakers provide additional coverage. A Galileo® loudspeaker management system with one Galileo 616 AES and two Galileo 616 processors handles drive and optimization.

According to consultant Ron Baker, the power of LEO and SB-3F helped to solve a difficult packaging problem. “Everything had to be squeezed into the same scoreboard structure as the old system,” he notes. “We had to apply creativity to shoehorn all the extra horsepower into the same small engine compartment.”

For Dewees, the extra horsepower is appreciated. “The old system was susceptible to changes in air temperature and wind,” he says. “Now, with LEO, we can get over peak crowd noise as needed with no distortion.”

Dewees notes that the additional horsepower calls for adjustments and restraint on the part of users. “Because the potential level is off the charts, our only issue so far has been getting the operators to use that power wisely.”

The new system for the stadium was designed by Ron Baker and Justo Gutierrez of Dallas-based consultants Wrightson, Johnson, Haddon & Williams. Installation of the system was contracted in two phases, with the SB-3F loudspeaker system installed by Parsons Electric of Minneapolis. The LEO system was installed by Florida-based Pro Sound & Video under the supervision of Brian Smith of the Pensacola office.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Meyer Sound Gives Voices to Global Dissidents in @Large: Ai Weiwei on Alcatraz

AlcatrazMeyer Sound loudspeakers play a critical role in @Large: Ai Weiwei on Alcatraz, an exhibition of seven new sculpture, sound, and mixed media works by Chinese artist Ai Weiwei. The installation explores human rights and freedom of expression in the context of Alcatraz, a former federal penitentiary and now iconic historical site in the San Francisco Bay.

Widely hailed as one of the most significant art exhibitions of the year, @Large already has been featured in The New York Times, Time Magazine, and The Guardian, among others. This extraordinary $3.6 million project on Alcatraz Island was originally proposed to Ai by Cheryl Haines, executive director of the FOR-SITE Foundation and curator of the exhibition.

“Ai’s work both awes us with its grace and beauty and challenges and critiques our way of thinking—in a manner that we hope will catalyze public dialogue on many human rights issues,” says Haines.

The inspiration for the exhibition is rooted in the reality of Ai Weiwei’s life. Forbidden by authorities to travel outside of China, the artist created the works for the installation in his Beijing Studio. “The misconception of totalitarianism is that freedom can be imprisoned,” says Ai Weiwei. “This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”

Singled out by Los Angeles Times writer Carolina A. Miranda as “one of my favorite pieces in the exhibition for its subtlety,” Stay Tuned is an intimate and evocative sound installation occupying 12 barren and deteriorating prison cells in Alcatraz’s A Block. The installation features different music or spoken recitations in each cell created by people who have been imprisoned for the creative expression of their beliefs, as well as works created under incarceration. Artists range from Dr. Martin Luther King, Jr. to the Russian rock group Pussy Riot and the South African anti-apartheid activists The Robben Island Singers.

Driving Stay Tuned are 12 compact yet powerful MM-4XP self-powered loudspeakers with IntelligentDC™ technology. As Ai insisted the loudspeakers be invisible, they are mounted behind a rusting ventilation grate. Two MM-10ACX subwoofers support music by Iranian Arya Aramnejad and Nigerian Fela Kuti. Sound design for Stay Tuned was handled by San Francisco-based Moment Audio Group, a spinoff of Earwax Productions, where sound artists and engineers Jim McKee and Jeremiah Moore worked jointly with producer Starr Sutherland.

“The quality and invisibility of the loudspeakers contribute to the work’s startlingly evocative effect,” notes Moore. “It’s only one person at a time in the cell, and the clarity of sound leads to a startling directness and intimacy.”

The MM-4XP loudspeakers also helped Moore deal with the limitations of the site. “We needed a loudspeaker with very low distortion, high power, and proven reliability, and the MM-4XP was ideal on all counts,” he says. “In addition, Meyer Sound’s exclusive IntelligentDC technology enabled us to run DC power for the amplifiers and the audio signal over a single cable from our equipment room 120 feet away. We didn’t have to sacrifice power and clarity because of long speaker cables.”

Source recordings for Stay Tuned are played on an Apple Mac mini running QLab software. Output to two MPS-488HP IntelligentDC power supplies is via an RME Fireface 400 interface augmented by an Aphex Model 141 ADAT to Analog converter.

One of the most prominent cultural figures of the 21st century, Ai Weiwei is a Beijing-based artist and activist known for his work in sculpture, installations, film, architecture, and photography. His work often responds to conditions in China, including limits placed on free speech and expression and his personal experience of incarceration.

Founded in 1979 by husband-wife team John and Helen Meyer, Meyer Sound products

are universally acclaimed as the gold standard in the professional audio industry and renowned for their accuracy and precision. Meyer Sound solutions can be found in legendary musical venues such as Royal Albert Hall, Musikverein, Concertgebouw, and Jazz at Lincoln Center, in addition to multimedia exhibits including The Morning Line pavilion in Europe and numerous soundscapes by Bill Fontana. With more than 40 patents for a range of innovative technologies and products, many of which have revolutionized the audio experience for musicians and audience, Meyer Sound is acclaimed not only for it audio engineering, design, and manufacturing process but also for its dedication to acoustic research.

@Large: Ai Weiwei on Alcatraz is scheduled to run through April 26, 2015.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Hollywood Post Alliance to Honor Alan Heim, ACE, and Randy Roberts, ACE, with Lifetime Achievement Awards

2014 HPA AwardsOrganization Will Recognize the Careers and Contributions of Influential Editors

(Los Angeles, CA) The Hollywood Post Alliance(r) (HPA) has announced that Alan Heim, ACE, and Randy Roberts, ACE, will each receive one of the organization’s highest honors, the Lifetime Achievement Award. The special awards, which are determined by the HPA Board of Directors and a select committee, are presented to honorees whose contributions to the field of post production are significant. Heim and Roberts will be on hand to accept their awards at the 9th Annual HPA Awards Show on November 6, 2014, at the Skirball Cultural Center in Los Angeles, CA.

Leon Silverman, President of the HPA, said, “The bonds between editors and other members of the post production community are amongst the most binding. It is an honor to celebrate the work of these two wonderful men with this award, which is given in recognition of their creativity, dedication and service to our industry. Alan and Randy have both served as President of American Cinema Editors, bringing awareness and respect to the role of editorial during this exciting time of industry transition. In addition, they have made important contributions to the art and craft of editing through their hard work and dedication. It is a personal and professional honor to be able to recognize them with this award. I have been honored to have worked with both Randy and Alan in our professional roles as well as in the HPA’s collaboration with ACE for many years. I could not be more delighted to give these two men this award, which means so much to me personally and to the HPA.”

Alan Heim, ACE

Alan Heim, ACE


Alan Heim, ACE
HPA Lifetime Achievement Award recipient Alan Heim, ACE is a native New Yorker whose credits and awards span feature films and television. Early in his career, he worked on many television shows as a sound editor, eventually working with Sidney Lumet on a number of films including The Pawnbroker and The Group, and with Mel Brooks on the original version of The Producers. He also worked as a music editor on Paul Newman’s Rachel, Rachel. He then became a picture editor and edited The Sea Gull for Lumet, The Twelve Chairs with Brooks, and many other projects, including Godspell, She’s Having a Baby and Funny Farm. Heim was nominated for an Emmy(r) for Liza With a Z, directed by Bob Fosse. That was the beginning of a collaboration that spanned three films: Lenny, All That Jazz and Star 80. Heim won an Oscar(r), BAFTA, and ACE Eddie Award for All That Jazz. He also edited Network for Lumet, for which he was again nominated for an Oscar. Heim moved to Los Angles in 1994, where he worked on American History X, The Notebook and Alpha Dog. In addition, Heim won an Emmy for editing the miniseries Holocaust, and was nominated for Introducing Dorothy Dandridge, and Grey Gardens. He is currently President of both ACE and the Motion Picture Editors Guild.

Heim commented, “I learned to edit on the Moviola, then the Kem and Steenbeck and other venerable mechanical systems and have spent some years meeting with many of the people who have advanced the technologies that impact the editing room. We are all in service to telling great stories. I have been privileged to be a part of my community – MPEG and ACE – and that work continues to be very important to me. To be honored with this award from my peers in the post production community is extremely meaningful, and the recognition of my colleagues is deeply appreciated.”

Randy Roberts, ACE

Randy Roberts, ACE

Randy Roberts, ACE
Honoree Randy Roberts, ACE, has served the American Cinema Editors tirelessly for nearly two decades; as a member of the board of directors since 1996, as vice president from 2005-2008, as president from 2008-2012, and currently as the organization’s director of marketing. Roberts is one of the originators of EditFest, a global series of editing festivals that highlight the art and business of film editing. He helped to implement ACE Tech Day to help ensure that the organization’s membership remain at the top of their field in technology. Born into the entertainment industry in Burbank, California, Roberts began his career in front of the camera with a number of roles in movies, TV shows and commercials during his youth. Eventually, he worked his way into the Film Editing Department at Warner Bros. and an apprenticeship with the union. His first feature film editing credit was on Richard Pryor’s Greased Lightning, followed by projects with Francis Ford Coppola (One from the Heart), Robert Evans (Players), David E. Kelley and Dick Wolf, to name just a few. In addition to his motion picture and television editing credits, which include Chicago Hope, LA Law, The Agency and Tour of Duty, Roberts’ career has also included directing a number of episodes of network television, but his first love remained the cutting room. He spent the last decade working as supervising producer on the long-running hit series Law and Order: Special Victims Unit. He is an ACE Eddie Award winner and nominee, a Primetime Emmy Award nominee, and the recipient of the American Cinema Editors’ Heritage Award.

Of being honored, Roberts said, “My career in this industry is an incredibly important part of my life, coaxing stories into life, working with some of the greatest people I have ever known. I have enjoyed the collaboration and participation of so many people and companies in the post production community, and it has consistently been a great partnership. To receive this award from my friends at the HPA is heartwarming and means the world to me. I am personally grateful, but also want to say thank you for recognizing the incredibly important role of editors in our industry.”

In addition to the Lifetime Achievement honors, winners in 12 craft categories, special awards for Creativity and Innovation, and the Engineering Excellence Award will be bestowed at the HPA Awards gala on November 6th.

Tickets for the 9th Annual HPA Awards are now available (TICKETS). For questions regarding ticket purchases call +1(213) 614.0860 or write to info@hpaawards.net. Press inquiries should be directed to Christine Purse or Mimi Rossi at ignite, 818.980.3473 or email mimi@ignite.bz.

For information about the HPA Awards, please contact Alicia Rock, arock@hpaonline.com or call +1(213) 614.0860. To learn more about sponsorship opportunities for the 2014 HPA Awards, please contact Garrett Randall, garrett@MESAlliance.org, or call +1 (310) 882.9204.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance. The HPA is a partner of the Society of Motion Picture and Television Engineers(r) (SMPTE(r)). Information about the HPA Awards is available at ww.hpaonline.com. The HPA Awards will be presented with generous support from Foundation Members: Avid and Dolby Laboratories and Supporting Sponsors: The Hollywood Reporter and MESA.

# # #

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, Events, News |

Antelope Audio Zen Studio Professional Portable Audio Interface Receives Outstanding Technical Achievement Nomination for 30th Annual TEC Awards

Antelope Audio Receives Nomination in “Computer Audio Hardware” Category for Second Year in a Row

Santa Monica, CA, October 22, 2014: Antelope Audio announced that its recently launched Zen Studio audio interface has been nominated for the 30th Annual Technical Excellence & Creativity (TEC) Awards in the ‘Computer Audio Hardware” category. The TEC Awards are the pro audio industry’s most prestigious awards, honoring outstanding achievement in product innovation and sound production.

zentec“We are honored that the TEC Foundation nominates an Antelope Audio product for the second year in a row,” commented Igor Levin, CEO and founder of Antelope Audio. “Zen Studio is a studio; it is not jut a tag we put next to Zen. It is a whole studio that you can bring with you everywhere you go and still keep the studio quality of the sound. We deeply appreciate that after getting the recognition of our customers, we have also gained this recognition by the TEC Foundation.”

Zen Studio is a full-featured audio interface, clock, preamp, and monitor controller in a svelte, road-ready chassis. Featuring 20 analog inputs, 12 world-class mic preamps, Antelope’s acclaimed conversion and clocking, onboard DSP effects, multiple monitor mixers, custom high-bandwidth low-latency USB, and Mac/PC control software, the ergonomic, back-packable Zen Studio houses the powerful core of a professional mobile recording studio. Since its launch in May, Zen Studio, has received recognition from the media, regular users and Grammy Award winning engineers in the U.S., Europe and Asia.

For more information on Zen Studio, please visit http://antelopeaudio.com/en/products/zen-studio-portable-audio-interface.

For more information about the TEC Foundation, visit: www.tecfoundation.com.

About Antelope Audio:

Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

FOR-A Brings Switchers, Multi-Viewers, Encoding/Decoding, and Signal Processing Solutions to CAPER 2014

Cypress, CA – FOR-A America will exhibit several of its video production solutions at the upcoming CAPER show. The show takes place in Buenos Aires, Argentina, from October 29-31, and focuses on professional broadcast, cable, and satellite television, as well as cinema and radio markets. FOR-A will showcase its video switcher, video transmission, signal processing, and multiviewer solutions within the SVC (Sistemas de Video Comunicación) booth, C-10.

FOR-A will display its HVS-390HS video switcher – a cost-HVS-390HS_Image02effective unit that allows for versatility in video switching. The HVS-390HS is a popular choice among houses of worship, universities, public HVS-390HS_Image02access television stations, major newsgathering organizations, government agencies and network news stations. The switcher offers up to three different control panels and 10 remote AUX control panels that can be used simultaneously, giving operators choice in determining what best fits their production environment.

FOR-A will also showcase its HVS-XT100/110 portable video switchers, which boast exceptional cost performance and diverse features, including mixed HD/SD input, frame synchronizing, re-sizing engine, 2.5D wipe effects, DVE, Chroma keyer and DSK.

The MV-1620HS multiviewer will also be on display. Accepting up to 16 channels of MV-1620HSmixed HD/SD-MV-1620HSSDI/analog composite signals for monitoring on up to two screens, the 1RU multiviewer is a full-featured yet economical unit.

As Fujitsu’s exclusive North American distributor, FOR-A will also showcase Fujitsu’s IP-920 series of video transmission equipment. The IP-920 encoder/decoder solutions use highly efficient video encoding technology, H.264, to perform live transmission of high fidelity and HDTV at low bit-rates. Capable of operating at less than 99ms back-to-back latency and featuring real-time transmission and robust error correction, Fujitsu’s IP-920 solutions are widely used for HD/SD content delivery in broadcast, enterprise and government applications.

FOR-A will also demonstrate its FA-9520 signal processor. The FA-9520 3G/HD/SD dual channel multipurpose signal processor provides frame synchronization, up/down/cross/aspect conversion, two channels of full RGB color correction, logo inserter functions and an automatic video optimizer. The unit is an ideal choice for a variety of applications, including master control, mobile production, post production services and live production.

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication